Cottage Country Quotes

We've searched our database for all the quotes and captions related to Cottage Country. Here they are! All 90 of them:

You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of 'the artist' and the all-sufficiency of 'art' and 'beauty' and 'love,' back home to the ivory tower, back home to places in the country, to the cottage in Bermude, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time--back home to the escapes of Time and Memory.
Thomas Wolfe
So I shall just imagine myself for a fortnight or so at one side of the fireplace of a country cottage, with a sympathetic soul opposite me. And I shall go on talking, in a low voice while the sea sounds in the distance and overhead the great black flood of wind polishes the bright stars.
Ford Madox Ford (The Good Soldier)
Turn right up ahead," he directed. "It'll take us directly to my cottage." She did as he asked. "Does your cottage have a name?" "My Cottage." "I might have known," she muttered. He smirked. Quite a feat, in her opinion, since he looked sick as a dog. "I'm not kidding," he said. Sure enough, in another minute they pulled up in front of an elegant country house, complete with a small, unobtrusive sign in front reading, MY COTTAGE
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
It was known as the Sick Man of Europe. It was in every way poorer than now. Yet there were flowerbeds on roundabouts, libraries and post offices in every village, cottage hospitals in abundance, council housing for all who needed it. It was a country so comfortable and enlightened that hospitals maintained cricket pitches for their staff and mental patients lived in Victorian palaces. If we could afford it then, why not now? Someone needs to explain to me how it is that the richer Britain gets the poorer it thinks itself.
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
There being no direct route to Savannah from Charleston, I followed a zigzagging course that took me through the tidal flatlands of the South Carolina low country. As I approached Savannah, the road narrowed to a two-lane blacktop shaded by tall trees. There was an occasional produce stand by the side of the road and a few cottages set into the foliage, but nothing resembling urban sprawl. The voice on the radio informed me that I had entered a zone called the Coastal Empire.
John Berendt (Midnight in the Garden of Good and Evil)
I had found the place I belonged, and it wasn’t a cottage or a village or a country: it was right here, inside of me. Finally, I was home.
Mara Rutherford (Kingdom of Sea and Stone (Crown of Coral and Pearl, #2))
I’M LOSING FAITH IN MY FAVORITE COUNTRY Throughout my life, the United States has been my favorite country, save and except for Canada, where I was born, raised, educated, and still live for six months each year. As a child growing up in Waterloo, Ontario, Canada, I aggressively bought and saved baseball cards of American and National League players, spent hours watching snowy images of American baseball and football games on black and white television and longed for the day when I could travel to that great country. Every Saturday afternoon, me and the boys would pay twelve cents to go the show and watch U.S. made movies, and particularly, the Superman serial. Then I got my chance. My father, who worked for B.F. Goodrich, took my brother and me to watch the Cleveland Indians play baseball in the Mistake on the Lake in Cleveland. At last I had made it to the big time. I thought it was an amazing stadium and it was certainly not a mistake. Amazingly, the Americans thought we were Americans. I loved the United States, and everything about the country: its people, its movies, its comic books, its sports, and a great deal more. The country was alive and growing. No, exploding. It was the golden age of life, liberty, and the pursuit of happiness. The American dream was alive and well, but demanded hard work, honesty, and frugality. Everyone understood that. Even the politicians. Then everything changed. Partly because of its proximity to the United States and a shared heritage, Canadians also aspired to what was commonly referred to as the American dream. I fall neatly into that category. For as long as I can remember I wanted a better life, but because I was born with a cardboard spoon in my mouth, and wasn’t a member of the golden gene club, I knew I would have to make it the old fashioned way: work hard and save. After university graduation I spent the first half of my career working for the two largest oil companies in the world: Exxon and Royal Dutch Shell. The second half was spent with one of the smallest oil companies in the world: my own. Then I sold my company and retired into obscurity. In my case obscurity was spending summers in our cottage on Lake Rosseau in Muskoka, Ontario, and winters in our home in Port St. Lucie, Florida. My wife, Ann, and I, (and our three sons when they can find the time), have been enjoying that “obscurity” for a long time. During that long time we have been fortunate to meet and befriend a large number of Americans, many from Tom Brokaw’s “Greatest Generation.” One was a military policeman in Tokyo in 1945. After a very successful business carer in the U.S. he’s retired and living the dream. Another American friend, also a member of the “Greatest Generation”, survived The Battle of the Bulge and lived to drink Hitler’s booze at Berchtesgaden in 1945. He too is happily retired and living the dream. Both of these individuals got to where they are by working hard, saving, and living within their means. Both also remember when their Federal Government did the same thing. One of my younger American friends recently sent me a You Tube video, featuring an impassioned speech by Marco Rubio, Republican senator from Florida. In the speech, Rubio blasts the spending habits of his Federal Government and deeply laments his country’s future. He is outraged that the U.S. Government spends three hundred billion dollars, each and every month. He is even more outraged that one hundred and twenty billion of that three hundred billion dollars is borrowed. In other words, Rubio states that for every dollar the U.S. Government spends, forty cents is borrowed. I don’t blame him for being upset. If I had run my business using that arithmetic, I would be in the soup kitchens. If individual American families had applied that arithmetic to their finances, none of them would be in a position to pay a thin dime of taxes.
Stephen Douglass
True the greater part of the Irish people was close to starvation. The numbers of weakened people dying from disease were rising. So few potatoes had been planted that, even if they escaped bight, they would not be enough to feed the poor folk who relied upon them. More and more of those small tenants and cottagers, besides, were being forced off the land and into a condition of helpless destitution. Ireland, that is to say, was a country utterly prostrated. Yet the Famine came to an end. And how was this wonderful thing accomplished? Why, in the simplest way imaginable. The famine was legislated out of existence. It had to be. The Whigs were facing a General Election.
Edward Rutherfurd (The Rebels of Ireland (The Dublin Saga, #2))
most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
In the country neighbor­hood thereabouts, along the dusty roads, one found at intervals the prettiest little cottage homes, snug and cozy, and so cobwebbed with vines snowed thick with roses that the doors and windows were wholly hidden from sight-sign that these were deserted homes, forsaken years ago by defeated and disap­pointed families who could neither sell them nor give them away.
Mark Twain (The $30,000 Bequest and Other Stories)
You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of "the artist" and the all-sufficiency of "art" and "beauty" and "love," back home to the ivory tower, back home to places in the country, to the cottage in Bermuda, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time--back home to the escapes of Time and Memory. In a way, the phrase summed up everything he had ever learned.
Thomas Wolfe
Now I would solicit the particular attention of those numerous people who imagine that money is everything in this world, and that rank and ability are inseparable from wealth: let them observe that Cincinnatus, the one man in whom Rome reposed all her hope of survival, was at that moment working a little three-acre farm (now known as Quinctian meadows) west of the Tiber, just opposite the spot where the shipyards are today. A mission from the city found him at work on his land - digging a ditch, maybe, or ploughing. Greetings were exchanged, and he was asked - with a prayer for God's blessing on himself and his country - to put on his toga and hear the Senate's instructions. This naturally surprised him, and, asking if all were well, he told his wife Racilia to run to their cottage and fetch his toga. The toga was brought, and wiping the grimy sweat from his hands and face he put it on; at once the envoys from the city saluted him, with congratulations, as Dictator, invited him to enter Rome, and informed him of the terrible danger of Minucius's army.
Livy (The History of Rome, Books 1-5: The Early History of Rome)
Wherever you set foot—on a street in Manhattan as you dodge traffic; on the soft, freshly turned earth of a Hudson Valley farm; on the kelpy tide line below a Maine cottage; or in the pine woods and palmetto thickets of the Carolina Low Country—do not forget that this was once frontier.
Scott Weidensaul (The First Frontier: The Forgotten History of Struggle, Savagery, and Endurance in Early America)
The rituals surrounding vacations among Manhattan's wealthiest and best-connected citizens are strange and specific. By vacations I don't mean country houses, which are part of the regular ebb and flow of life and which are frequently subjects for complaint - The kids never want to go! The caretaker missed the roof leak! The pipes froze! - as though having a six-thousand-square-foot, cedar-shingled cottage on five acres overlooking the ocean is nothing more or less than a constant test of character.
Anna Quindlen (Rise and Shine)
fun village of Oak Bluffs, with hundreds of colorful Victorian cottages and a beloved 1876 carousel said to be the oldest working merry-go-round in the country,
Patricia Schultz (1,000 Places to See in the United States & Canada Before You Die)
In the early summer of 1846 he moved his family to a cottage in Fordham, which was then far out in the country. He was ill and Virginia was dying, so that he was in no condition to do much work. As a result, their meagre income vanished; when winter game they even lacked money to buy fuel. A friend who visited the cottage wrote a description of Virginia's plight: There was no clothing on the bed... but a snow white spread and sheets. The weather was cold, and the sick lady had the dreadful chills that accompany the hectic fever of consumption. She lay on the straw bed, wrapped in her husband's great-coat, with a large tortoise-shell cat on her bosom. The wonderful cat seemed conscious of her great usefulness. The coat and the cat were the sufferer's only means of warmth... A public appeal for funds was made in the newspapers -- an act which Poe, of course, resented. But Virginia was beyond all human aid. She died on January 30, 1847, and her death marked the end of the sanest period in her husband's life. He plunged into the writing of a book-length mystical and pseudo-scientific work entitled Eureka, in which he set forth his theories of the universe. He intended it as a prose poem, and as such is should be judged, rather than as a scientific explanation of matters beyond it's author's ken.
Philip van Doren Stern (The Portable Poe)
The prolongation of light meant the cessation of traditional stories in European cottages. And when the cottages took in American kerosene or paraffin there was prolongation. Then came lamps with full and steady light, lamps that gave real illumination. Told under this illumination the traditional stories ceased to be appropriate because the rhythm that gave them meaning was weakened. Other things happened to put traditional stories out of date. Young people went to schools and learned to read. The world reached into the villages; wars and the doings of congresses interested country people more and more. Claiming attention for the happenings of the day before, the newspaper reader took the place of the traditional storyteller, the man of memories.
Jacob Grimm (The Complete Grimm's Fairy Tales (The Pantheon Fairy Tale and Folklore Library))
The notion of a country cottage settled in her thoughts as a watercolor, red bricks, climbing roses, the house the most intelligent of the three little pigs built, but with some age on it now; and the place they found in western Massachusetts wasn’t far off, solid enough to withstand huffs and puffs, small enough to feel manageable, large enough to hold visiting grandchildren, old enough to inspire optimism about what might, improbably, endure.
Robin Black (If I Loved You, I Would Tell You This)
It’s a funny thing because Britain was in a terrible state in those days. It limped from crisis to crisis. It was known as the Sick Man of Europe. It was in every way poorer than now. Yet there were flower beds in roundabouts, libraries and post offices in every village, cottage hospitals in abundance, council housing for all who needed it. It was a country so comfortable and enlightened that hospitals maintained cricket pitches for their staff and mental patients lived in Victorian palaces.
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
Dear Frank, think! It may be very little you can do—and you may never see the effect of it, any more than the widow saw the world-wide effect of her mite. Then if all the good and thoughtful men run away from us to some new country, what are we to do with our poor dear Old England?
Elizabeth Gaskell (The Moorland Cottage (Collected Works of Elizabeth Gaskell))
I have, I am aware, told this story in a very rambling way so that it may be difficult for anyone to find his path through what may be a sort of maze. I cannot help it. I have stuck to my idea of being in a country cottage with a silent listener, hearing between the gusts of the wind and amidst the noises of the distant sea the story as it comes. And, when one discusses an affair - a long, sad affair - one goes back, one goes forward. One remembers points that one has forgotten and one explains them all the more minutely since one recognizes that one has forgotten to mention them in their proper places and that one may have given, by omitting them, a false impression. I console myself with thinking that this is a real story and that, after all, real stories are probably told best in the way a person telling a story would tell them. They will then seem most real.
Ford Madox Ford (The Good Soldier)
I’ll find a cottage in the country, where she and I will live off the income from my jointure.” Turning from the fireplace, Devon gave her a narrow-eyed glance. “How do I fit into your future plans?” A hostile silence followed. “I really don’t think I should be here,” West said to the ceiling.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
At the very name of another country, my heart would go out to it, and at the sight of a foreigner in the streets, I would fall to weaving a network of dreams,—the mountains, the glens, and the forests of his distant home, with his cottage in its setting, and the free and independent life of far-away wilds.
Rabindranath Tagore (Stories from Tagore)
Honey’s Cottage Miss Honey joined Matilda outside the school gates and the two of them walked in silence through the village High Street. They passed the greengrocer with his window full of apples and oranges, and the butcher with bloody lumps of meat on display and naked chickens hanging up, and the small bank, and the grocery store and the electrical shop, and then they came out at the other side of the village on to the narrow country road where there were no people any more and very few motor-cars. And now that they were alone, Matilda all of a sudden became wildly animated. It seemed as though a valve had burst inside her and a great gush of energy was being released. She trotted beside Miss Honey with wild little hops and her fingers flew as if she would scatter them to the four winds and her words went off like fireworks, with terrific speed. It was Miss Honey this and Miss Honey that and Miss Honey I do honestly feel I could move almost anything in the world, not just tipping over glasses and little things like that . . . I feel I could topple tables and chairs, Miss Honey . . . Even when people are sitting in the chairs I think I could push them over, and bigger things too, much bigger things than chairs and tables . . . I only have to take a moment to get my eyes strong and then I can push it out, this strongness, at anything at all so long as I am staring at it hard enough . . . I have to stare at it very hard, Miss Honey, very very hard, and then I can feel it all happening behind my eyes, and my eyes get hot just as though they were burning but I don’t mind that in the least, and Miss Honey . . .
Roald Dahl (Matilda)
What a thunderbolt of talent the Creator must have hurled into that cottage, into the heart of that quick-tempered country boy, for the shock of it to have opened his eyes to so much beauty—by the stove, in the pigsty, on the threshing floor, in the fields; beauty which for a thousand years others had simply trampled on and ignored.
Aleksandr Solzhenitsyn (Stories and Prose Poems (FSG Classics))
When people say they come from the country, they say it abjectly, apologetically. Unlike Londoners, Tokyoites do not drive out to the country at the weekend or yearn for a country cottage. Everyone, if they had the chance, would live in Tokyo. Four hours to the next train, while inconceivable in Tokyo, was only to be expected of inaka.
Lesley Downer (On the Narrow Road to the Deep North)
There are two primary strains in the Conservative Party: grocers, and grandees. … By ‘grandees’ and ‘grocers’, I am not referring to social class or any of that; nor do I refer to the Worshipful Company of Grocers, all cloves and camels. I refer rather to two fundamental positions within the Conservative Party, regardless of one’s antecedents. … A grandee Conservative sees the country as a village: a village of which he and his party, when in government, act the Squire. As the Squire, the grandee moves jovially amongst his tenants in their tied cottages, dispensing largesse and reproof…. There are two problems with this model. The first is that HMG is not the Squire and the subjects of the Crown are not the smocked tenantry of the government of the day. The second is that these principles – or instincts, as one can hardly call them principles – however different they may be to the fiercely held maxims of Labour old and new, lead in the end to the same statist solutions as those the Left proposes, and to accepting and ‘managing’ statism when a Conservative government succeeds a Labour one. It is the grocers who will always and rightly attempt to roll back the State and its reach in favour of liberty.
G.M.W. Wemyss
lot with the passport situation. Now, with so many people downsizing and moving to the country, where they had perhaps a couple of goats, some chickens and a hive or two, he’d become a traveling apiarist, consulting and helping people concerned about maintaining bee stocks and reversing the trend of the declining bee population. He also still had an interest in his original cottage, which was now occupied by an elderly
Jenny Colgan (Little Beach Street Bakery)
We take off for New Jersey. Gigantic landscape of factories, bridges, and railroads. And then, suddenly, East Orange and a countryside as postcard as can be, with thousands of neat and tidy cottages like toys in the midst of tall poplars and magnolias. I'm shown in the little public library, bright and gay, which the neighborhood uses a lot - with a huge room for children. (Finally a country where the children are really taken care of.)
Albert Camus (American Journals)
it seemed to her that never before had she known there was malevolence in solitude. The very coach, which all the day had rocked her like a cradle, now held a note of menace in its creaks and groans. The wind tore at the roof, and the showers of rain, increasing in violence now there was no shelter from the hills, spat against the windows with new venom. On either side of the road the country stretched interminably into space. No trees, no lanes, no cluster of cottages or hamlet, but mile upon mile of bleak moorland,
Daphne du Maurier (Jamaica Inn)
Paint me a small railroad station then, ten minutes before dark. Beyond the platform are the waters of the Wekonsett River, reflecting a somber afterglow. The architecture of the station is oddly informal, gloomy but unserious, and mostly resembles a pergola, cottage or summer house although this is a climate of harsh winters. The lamps along the platform burn with a nearly palpable plaintiveness. The setting seems in some way to be at the heart of the matter. We travel by plane, oftener than not, and yet the spirit of our country seems to have remained a country of railroads. You wake in a pullman bedroom at three a.m. in a city the name of which you do not know and may never discover. A man stands on the platform with a child on his shoulders. They are waving goodbye to some traveler, but what is the child doing up so late and why is the man crying? On a siding beside the platform there is a lighted dining car where a waiter sits alone at a table, adding up his accounts. Beyond this is a water tower and beyond this a well-lighted and empty street. Then you think happily that this is your country - unique, mysterious and vast.
John Cheever (Bullet Park (Spanish Edition))
I would have sooner believed in fairy tales coming true. Of course, we all believe in fairy tales now. The Scarlet Varulv has slunk out of the pages and lives with me in this cottage. The Sleeping Prince has woken and sacked Lormere, an army of alchemy-made golems behind him as he murders his way across the country. Stories are no longer stories; characters run rampant through the world these days. All I’m waiting for is Mully-No-Hands to knock on the window, begging to come in and warm himself, and my life will be complete. Actually, no, that’s not what I’m waiting for.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
But, in Moon Cottage, they are still asleep. I let myself in quietly and make a pot of tea, and take it outside, to sit under the apple tree and feel pleased. In the Buttercup field, one of the newest calves born a couple of nights ago, feeds and nuzzles and then wanders a yard or two away from its mother. It is white as milk, huge-eyed. The wrens are flying in and out of the woodshed and the bluetits in and out of a hole in the wall, by some guttering. Over the fields and farms and rooftops of Barley, the sun climbs and climbs. The dew has almost dried. The best of the day is done.
Susan Hill (The Magic Apple Tree: A Country Year)
Youth of Cromwell [Quoted in French] The family soon lost its wealth. He retired to a small estate he possessed amidst the marshes of Huntingdon. The barren, rough and morose character of this shore district, the monotonous horizon, the muddy river, the clouded skies, the meager trees, the infrequent cottages, the rude habits of the inhabitants, were such as to make the young man’s nature concentrated and gloomy. The soul of a land seems to enter into that of man. Often a lively, ardent and profound faith seems to emanate from a poor and dismal country; like country, like man. The soul is a mirror before it becomes a home.
Vincent van Gogh
It’s a funny thing because Britain was in a terrible state in those days. It limped from crisis to crisis. It was known as the Sick Man of Europe. It was in every way poorer than now. Yet there were flower beds in roundabouts, libraries and post offices in every village, cottage hospitals in abundance, council housing for all who needed it. It was a country so comfortable and enlightened that hospitals maintained cricket pitches for their staff and mental patients lived in Victorian palaces. If we could afford it then, why not now? Someone needs to explain to me how it is that the richer Britain gets, the poorer it thinks itself.
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
Finns have a deep and abiding love of their country’s forests and lakes. In July Finland is one of the world’s most relaxing, joyful places to be – a reason Finns traditionally have not been big travellers. After the long winter, why miss the best their country has to offer? Finns head en masse for the mökki (summer cottage) from midsummer until the end of the July holidays. Most Finns of any age could forage in a forest for an hour at the right time of year and emerge with a feast of fresh berries, wild mushrooms and probably a fish or two. City-dwelling Finns are far more in touch with nature than most of their European equivalents.
Lonely Planet Finland
He might have been speaking before the House of Commons, rather than to a small group of men fogged by cigars and alcohol in a quiet country house. “We seek no treasure,” Churchill said, “we seek no territorial gains, we seek only the right of man to be free; we seek his right to worship his God, to lead his life in his own way, secure from persecution. As the humble laborer returns from his work when the day is done, and sees the smoke curling upwards from his cottage home in the serene evening sky, we wish him to know that no rat-a-tat-tat”—here Churchill knocked loudly on the table—“of the secret police upon his door will disturb his leisure or interrupt his rest.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Cassandra continued her obstacle course along the wall, hoping to find a gate or a door, anything permitting entry. The sun was rising in the sky and the birds had relaxed their singing. The air was heavy with the sweet, swooning perfume of a climbing rose. Although it was autumn, Cassandra was becoming hot. To think she had once imagined England a cold country to which the sun was a stranger. She stopped to wipe sweat from her brow and bumped her head on something low-hanging. The gnarled bough of a tree reached armlike over the wall. An apple tree, Cassandra realized, when she saw that the branch bore fruit- shiny, golden apples. They were so ripe, so deliciously fragrant, that she couldn't resist picking one.
Kate Morton (The Forgotten Garden)
reverted to a feral state.’ A longing came to my mind, then, that I should be able to do this also. The word ‘feral’ had a kind of magical potency which allied itself with two other words, ‘ferocious’ and ‘free’. ‘Fairy’ ‘Fey’, ‘aeriel’ and other discreditable alliances ranged themselves behind the great chord of ‘ferox’. To revert to a feral state! I took a farm-labourer’s cottage at five shillings a week, and wrote to Germany for a goshawk. Feral. He wanted to be free. He wanted to be ferocious. He wanted to be fey, a fairy, ferox. All those elements of himself he’d pushed away, his sexuality, his desire for cruelty, for mastery: all these were suddenly there in the figure of the hawk. White had found himself in the hawk that Blaine had lost. He clutched it tightly. It might hurt him, but he wouldn’t let go. He would train it. Yes. He would teach the hawk, and he would teach himself, and he would write a book about it and teach his readers this doomed and ancient art. It was as if he were holding aloft the flag of some long-defeated country to which he staked his allegiance. He’d train his hawk in the ruins of his former life. And then when the war came, as it surely would, and everything around him crumbled into ruin and anarchy, White would fly his goshawk, eat the pheasants it caught, a survivor, a yeoman living off the land, far from the bitter, sexual confusion of the metropolis or the small wars of the schoolroom.
Helen Macdonald (H is for Hawk)
I really do think Britain had attained something approaching perfection just around the time of my arrival. It’s a funny thing because Britain was in a terrible state in those days. It limped from crisis to crisis. It was known as the Sick Man of Europe. It was in every way poorer than now. Yet there were flowerbeds on roundabouts, libraries and post offices in every village, cottage hospitals in abundance, council housing for all who needed it. It was a country so comfortable and enlightened that hospitals maintained cricket pitches for their staff and mental patients lived in Victorian palaces. If we could afford it then, why not now? Someone needs to explain to me how it is that the richer Britain gets the poorer it thinks itself.
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
I talk too much about the slightest nuance between women and trees, about the earth’s enchantment, about a country with no passport stamp, I ask: Is it true, good ladies and gentlemen, that the earth of Man is for all human beings as you say? In that case, where is my little cottage, and where am I? The conference audiences applaud me for another three minutes, three minutes of freedom and recognition. The conference approves our right of return, like all chickens and horses, to a dream made of stone. I shake hands with them, one by one. I bow to them. Then I continue my journey to another country and talk about the difference between a mirage and the rain. I ask: Is it true, good ladies and gentlemen, that the earth of Man is for all human beings?
Darwish, Mahmoud
At all times it is a bewildering thing to the poor weaver to see his employer removing from house to house, each one grander than the last, till he ends in building one more magnificent than all, or withdraws his money from the concern, or sells his mill, to buy an estate in the country, while all the time the weaver, who thinks he and his fellows are the real makers of this wealth, is struggling on for bread for his children, through the vicissitudes of lowered wages, short hours, fewer hands employed, etc. And when he knows trade is bad, and could understand (at least partially) that there are not buyers enough in the market to purchase the goods already made, and consequently that there is no demand for more; when he would bear and endure much without complaining, could he also see that his employers were bearing their share; he is, I say, bewildered and (to use his own word) "aggravated" to see that all goes on just as usual with the millowners. Large houses are still occupied, while spinners' and weavers' cottages stand empty, because the families that once filled them are obliged to live in rooms or cellars. Carriages still roll along the streets, concerts are still crowded by subscribers, the shops for expensive luxuries still find daily customers, while the workman loiters away his unemployed time in watching these things, and thinking of the pale, uncomplaining wife at home, and the wailing children asking in vain for enough of food--of the sinking health, of the dying life of those near and dear to him. The contrast is too great. Why should he alone suffer from bad times?
Elizabeth Gaskell (Mary Barton)
The church was locked. In the back, by the graveyard, stood a cottage with a sign that read CARETAKER, SZEKERES JÁNOS. Béla banged on the door and windows, until Szekeres János came out, rubbing his eyes. Unlocking the church, he proceeded to talk for an hour about pillars and naves and Cain and Abel. Part of a great king’s body might have been buried in the crypt at some point. The king had originally been buried in Budapest, then canonized, then exhumed and dispatched, in pieces, to reliquaries across the country. The remains of the remains were reinterred. During the Ottoman invasion, they were dug up again and sent away for safekeeping—maybe to this very crypt, although then again maybe not; the caretaker meticulously weighed the evidence pro and con. In any case, nothing was here now, it had all been sent back to Budapest after the Ottomans left. I expected the crypt to be dark and gloomy, but it was pale and light, with yellow vaulted ceilings and archways, so maybe death would be that way, too. • • • We visited a folklore museum.
Elif Batuman (The Idiot)
Nor were the intellectuals of the 1920s a vanguard of a new outlook, as they themselves supposed, but the exhausted rearguard of Victorian romanticism. They sought refuge from an industrialised and ugly world. Some, like Virginia Woolf, found it in polishing up an exquisite sensibility. Others, like her husband Leonard Woolf and of course Gilbert Murray, found escape in designing an ideal society...It was a sheltered world, this of the intelligentsia of the 1920s, its inhabitants mostly shielded by private means from crude personal reminders of the outside struggle for survival. They circulated at leisure from country house to country cottage...back again to Bloomsbury or one of the ancient universities; convinced that they carried in their luggage the soul of civilisation. The memoirs of the epoch are fragrant with cultured weekends - witty chat on the lawn and brilliant profundity at the dining table. It was a circle of flimsy and precious people, of whom Lady Ottoline Morrell was perhaps the manliest. And so, while not all intellectuals were active pacifists or internationalists, they were generally more concerned with classical French and Greek culture - 'the good life' - than with 'Philistine' matters like industrial and strategic power.
Correlli Barnett (The Collapse of British Power)
I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“ “What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window. His apparent lack of concern so enraged the vicar that he surged to his feet and stalked over to Ian’s side, glowering at his profile. “She told me you ruined Elizabeth Cameron’s reputation beyond recall,” he snapped bitterly. “She told me that you convinced that innocent girl-who’d never been away from her country home until a few weeks before meeting you-that she should meet you in a secluded cottage, and later in a greenhouse. She told me that the scene was witnessed by individuals who made great haste to spread the gossip, and that it was all over the city in a matter of days. She told me Elizabeth’s fiancé heard of it and withdrew his offer because of you. When he did that, society assumed Elizabeth’s character must indeed be of the blackest nature, and she was summarily dropped by the ton. She told me that a few days later Elizabeth’s brother fled England to escape their creditors, who would have been paid off when Elizabeth made an advantageous marriage, and that he’s never returned.” With grim satisfaction the vicar observed the muscle that was beginning to twitch in Ian’s rigid jaw. “She told me the reason for Elizabeth’s going to London in the first place had been the necessity for making such a marriage-and that you destroyed any chance of that ever happening. Which is why that child will now have to marry a man you describe as a lecher three times her age!” Satisfied that his verbal shots were finding their mark, he fired his final, most killing around. “As a result of everything you have done, that brave, beautiful girl has been living in shamed seclusion for nearly two years. Her house, of which she spoke with such love, has been stripped of its valuables by creditors. I congratulate you, Ian. You have made an innocent girl into an impoverished leper! And all because she fell in love with you on sight. Knowing what I now know of you, I can only wonder what she saw in you!
Judith McNaught (Almost Heaven (Sequels, #3))
Meanwhile, Trucker and I, through all of this, had been renting that cottage together, on a country estate six miles outside of Bristol. We were paying a tiny rent, as the place was so rundown, with no heating or modern conveniences. But I loved it. The cottage overlooked a huge green valley on one side and had beautiful woodland on the other. We had friends around most nights, held live music parties, and burned wood from the dilapidated shed as heating for the solid-fuel stove. Our newly found army pay was spent on a bar tab in the local pub. We were probably the tenants from hell, as we let the garden fall into disrepair, and burned our way steadily through the wood of the various rotting sheds in the garden. But heh, the landlord was a miserable old sod with a terrible reputation, anyway! When the grass got too long we tried trimming it--but broke both our string trimmers. Instead we torched the garden. This worked a little too well, and we narrowly avoided burning down the whole cottage as the fire spread wildly. What was great about the place was that we could get in and out of Bristol on our 100 cc motorbikes, riding almost all the way on little footpaths through the woods--without ever having to go on any roads. I remember one night, after a fun evening out in town, Trucker and I were riding our motorbikes back home. My exhaust started to malfunction--glowing red, then white hot--before letting out one massive backfire and grinding to a halt. We found some old fence wire in the dark and Trucker towed me all the way home, both of us crying with laughter. From then on my bike would only start by rolling it down the farm track that ran down the steep valley next to our house. If the motorbike hadn’t jump-started by the bottom I would have to push the damn thing two hundred yards up the hill and try again. It was ridiculous, but kept me fit--and Trucker amused. Fun days.
Bear Grylls (Mud, Sweat and Tears)
If it will reassure you that I’m not a coward, I suppose I could rearrange his face.” Quietly he added, “The music has ended,” and for the first time Elizabeth realized they were no longer waltzing but were only swaying lightly together. With no other excuse to stand in his arms, Elizabeth tried to ignore her disappointment and step back, but just then the musicians began another melody, and their bodies began to move together in perfect time to the music. “Since I’ve already deprived you of your escort for the outing to the village tomorrow,” he said after a minute, “would you consider an alternative?” Her heart soared, because she thought he was going to offer to escort her himself. Again he read her thoughts, but his words were dampening. “I cannot escort you there,” he said flatly. Her smile faded. “Why not?” “Don’t be a henwit. Being seen in my company is hardly the sort of thing to enhance a debutante’s reputation.” Her mind whirled, trying to tally some sort of balance sheet that would disprove his claim. After all, he was a favorite of the Duke of Hammund’s…but while the duke was considered a great matrimonial prize, his reputation as a libertine and rake made mamas fear him as much as they coveted him as a son-in-law. On the other hand, Charise Dumont was considered perfectly respectable by the ton, and so this country gathering was above reproach. Except it wasn’t, according to Lord Howard. “Is that why you refused to dance with me when I asked you to earlier?” “That was part of the reason.” “What was the rest of it?” she asked curiously. His chuckle was grim. “Call it a well-developed instinct for self-preservation.” “What?” “Your eyes are more lethal than dueling pistols, my sweet,” he said wryly. “They could make a saint forget his goal.” Elizabeth had heard many flowery praises sung to her beauty, and she endured them with polite disinterest, but Ian’s blunt, almost reluctant flattery made her chuckle. Later she would realize that at this moment she had made her greatest mistake of all-she had been lulled into regarding him as an equal, a gently bred person whom she could trust, even relax with. “What sort of alternative were you going to suggest for tomorrow?” “Luncheon,” he said. “Somewhere private where we can talk, and where we won’t be seen together.” A cozy picnic luncheon for two was definitely not on Lucinda’s list of acceptable pastimes for London debutantes, but even so, Elizabeth was reluctant to refuse. “Outdoors…by the lake?” she speculated aloud, trying to justify the idea by making it public. “I think it’s going to rain tomorrow, and besides, we’d risk being seen together there.” “Then where?” “In the woods. I’ll meet you at the woodcutter’s cottage at the south end of the property near the stream at eleven. There's a path that leads to it two miles from the gate-off the main road." Elizabeth was too alarmed by such a prospect to stop to wonder how and when Ian Thornton had become so familiar with Charise's property and all its secluded haunts. "Absolutely not," she said in a shaky, breathless voice. Even she was not naïve enough to consider being alone with a man in a cottage, and she was terribly disappointed that he'd suggested it. Gentlemen didn't make such suggestions, and well-bred ladies never accepted them. Lucinda's warnings about such things had been eloquent and, Elizabeth felt, sensible.
Judith McNaught (Almost Heaven (Sequels, #3))
How about you then, Brian, any action?' 'Not really.' This sounds a bit feeble, so I add, nonchalantly, There is this girl, Alice, and she's invited me to stay with her tomorrow, at her cottage, so . . .' 'Her cottage? says Spencer. 'What is she? A milkmaid?' 'You know, a house, in the country, her parents' . . .' 'So you're shagging her then?' asks Tone. 'It's platonic.' 'What's platonic mean then?' asks Spencer, even though he knows. 'It means she won't let him shag her,' says Tone.
David Nicholls (Starter for Ten)
Right Away in the west of Ireland lies a tiny hamlet called Kraighten. It is situated, alone, at the base of a low hill. Far around there spreads a waste of bleak and totally inhospitable country; where, here and there at great intervals, one may come upon the ruins of some long desolate cottage—unthatched and stark. The whole land is bare and unpeopled, the very earth scarcely covering the rock that lies beneath it, and with which the country abounds, in places rising out of the soil in wave-shaped ridges.
William Hope Hodgson (The Collected Fiction of William Hope Hodgson: House on Borderland & Other Mysteriou)
age of computers and programming, and he couldn’t understand either. Sure, he could send emails, had even mastered Word and Excel, but apart from that, the complexities of the machine left him baffled. There was unemployment, but he had never taken the dole, or he could go overseas, try his luck on an oil rig. Even if that were possible, he didn’t want to go, but these were desperate times, and now, to add confusion, there was a solution. Betty Galton, his former sister-in-law, had in her possession a million pounds in gold. He opened his laptop and switched it on. How does one melt gold? How does one dispose of it? he thought. He entered the search terms, fingering one key at a time, and pressed enter. If a criminal act was committed during the planning stage, then he was guilty as charged. And for once, he did not care. He hummed a tune to himself. It had been some time since he had been contented. For that night, he would forget what would be required and envisage what his life could be like with money in his pocket. Maybe a small place in the country, a dog, possibly a woman. How long had it been since he had enjoyed the closeness of another’s skin? He picked up his phone and made a call. It was a special treat for himself and for once the budget was going to be blown. He knew she’d look after him, the way she looked after so many others. Chapter 11 Clare woke early the next day; her phone was ringing. She leant over and picked it up. ‘Yarwood, I’m at the hospital,’ Tremayne said. She could tell by his voice that something was amiss. ‘I’ll be there in fifteen.’ ‘Thanks, and don’t tell anyone.’ A quick shower, some food for her cat, and Clare was out of her cottage. A murder enquiry was serious; her boss being ill, more so. Parking at the hospital, she soon found her way to outpatients, meeting someone she knew. ‘It’s Tremayne, he’s not well,’ Clare said. ‘And please, not a word to anyone.’ The woman, a friend, understood. Inside, behind some screens, Tremayne was lying flat on his back. His shoes had been removed, and his tie had been loosened. ‘How long have you been here?’ Clare said. She knew Tremayne would not appreciate lashings of sympathy, although he looked dreadful. ‘Since last night. I’d had a few drinks, a few cigarettes, and all of a sudden I’m in the back of an ambulance.’ ‘Does Jean know?’ ‘Not yet. Maybe you can phone her. She went to see her son for a few days, left me on my own.’ ‘Off the leash and into trouble, that’s you, guv.’ ‘Not today, Yarwood. Maybe Moulton’s right about me retiring.’ ‘Having you feeling sorry for yourself isn’t going to help, is it?’ The nurse, standing on the other side of the bed, looked over at Clare disapprovingly. ‘It’s how we work,’ Clare said. ‘That may be the case, but Mr Tremayne has had a bit of a scare. He needs to be here for a few days while we conduct a few checks.’ ‘What’s the problem?’ ‘It’s not for me to say. That’s for the doctor.’ ‘He told me to cut down on the beer, quit smoking, and take it easy.’ ‘Retire, is that it?’ Clare said. ‘They don’t get it, do they?’ Tremayne looked over at the nurse who was monitoring his condition. ‘Sorry. We’ve got a murder to deal with, nothing personal.’ ‘Don’t worry about me. We get our fair share of people, men mainly, who think they’re invincible. You’re not the first, not the last, who thinks they know more
Phillip Strang (Death by a Dead Man's Hand (DI Tremayne Thriller Series #5))
Peaceful and lovely though his country seemed, there was nothing in it that clutched at his heart and dragged it out by the roots. He didn't belong to it, could never belong to it. He knew those picturesque cottages! It was probable that not one in five hundred possessed a bathroom, much less up-to-date plumbing or steam-heating or electric refrigeration. All this talk about "calls of the blood" was simply bunk. He had always described himself as a hundred-per-cent. American. At that moment the percentage had risen to a hundred and fifty. Probably, by the time he had got to Ludlow, it would reach two hundred.
Francis Brett Young (Cage Bird, And Other Stories)
they board unmarked planes known by the acronym JANET—Joint Air Network Transpiration. Only
Addison Moore (Country Cottage Mysteries: Books 1-3 (Country Cottage Mysteries Boxed Set Book 1))
In a curious parallel to Warlock and Moeran’s rowdy tenure at Eynsford, on the other side of the country in North Devon the village of Georgeham had been intruded upon by another outside artistic presence. Novelist Henry Williamson moved to a cottage there in 1921 and proceeded to outrage local decency with a string of louche girlfriends, naked swimming displays, throwing apples at neighbouring farmers, dressing like a proto-hippy in loose clothing and bare feet. Best known as author of the children’s book Tarka the Otter, Williamson’s many books, including his fifteen-volume fictionalised memoir A Chronicle of Ancient Sunlight, testify to a quasi-mystical relationship with nature and the English landscape, while his reputation was later severely tarnished because of his vocal support of the Hitler Youth and Oswald Mosley’s British fascist movement. His son Harry, born in 1950, was destined to become an associate of hippy progressive rockers Gong in the early 1970s, and was part of the collective that organised the earliest free festivals at Stonehenge (see Chapter 16). Already, in the unconventional lifestyle choices of the likes of Warlock, Moeran and Williamson, the pre-echoes of a later British counter-cultural pattern are faintly detectable.
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
Almost every child will complain about their parents sometimes. It is natural, because when people stay together for a long time, they will start to have argument. But ignore about the unhappy time, our parents love us all the time. No matter what happen to us, they will stand by our sides. We should be grateful to them and try to understand them. 카톡►ppt33◄ 〓 라인►pxp32◄ 홈피는 친추로 연락주세요 팔팔정판매,팔팔정팝니다,팔팔정구입방법,팔팔정구매방법,팔팔정판매사이트,팔팔정약효, 비아그라복용법,시알리스복용법,레비트라복용법 The fire of the liquid, which makes you, when you wake up, when you wake up, when you're stoned, when you're stoned, when you turn heaven and earth upside down, when you turn black and white, when the world turns right and wrong, when it turns human history upside down, when it turns four arts of the Chinese scholar, when it turns red and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white, when it turns black and white and white, when it turns black and white and white, when it turns Crazy poem immortal, Make Public Cao Cao, write hongmen banquet, Wet Qingming Apricot rain, thin Begonia Li Qingzhao, Jingyanggang, help Wu Song three Fists Kill Tigers, Xunyang Tower, Vertical Song Jiang Poem Rebellion, you Ah, you, how many Heroes Jin Yong's Linghu Chong put down how many village men singing and dancing with you, beauty with you, urge poetry, Zhuang Literati Bold, some people borrow you crazy, some people borrow you to seize power, sometimes you are just a prop, to set off the atmosphere at the negotiating table, sometimes you are more like a hidden weapon, knocking out the opponents who drink too much. You, you, have entered both the luxurious houses of Zhu men and the humble cottages, both overflowing the golden bottles of the Royal Family and filling the coarse bowls of the peasant family. You are needed for sorrow, and you are needed for joy, on your wedding night, when you meet a friend from another country, when your name is inscribed on the gold list, the migrating and exiled prisoners, the down-and-out Literati, the high-flying officials of the imperial court, are all your confidants, your companions, and even the condemned prisoners who are about to go on their way, they all want you to say goodbye to them because of you, how many great events have been delayed, because of you, how many unjust cases have been made, because of you, how many anecdotes have been kept alive, because of you, how many famous works have been produced, but also because of you, how many people's liver cancer has been created, and the soul has gone to heaven, it is true, there are successes and failures as well as you, life also has you, death also has you, you drown sorrow more sorrow, poor also has you, rich also has you, thousands of families also can not leave you.
팔팔정처방 via2.co.to 카톡:ppt33 팔팔정판매 팔팔정구매 팔팔정파는곳 팔팔정구입사이트
The sons of those who had survived the horrors of the trenches were marching off to war again, singing, There’ll always be an England While there’s a country lane, Wherever there’s a cottage small Beside a field of grain.
Jeremy Paxman (The English: A Portrait of a People)
Lily came suddenly and violently awake a few hours later, and she stared up at Caleb with wide eyes as he held her in place on the bed, her hands pressed into the pillows. “Who was it?” he demanded. Lily knew he was asking who had attacked her in her cottage the night of the fire, knew he wouldn’t wait any longer to be told. Still she hesitated, not to protect Judd, but because she feared what could happen to Caleb if he took his revenge. “Judd Ingram,” she said quietly. Caleb swore, and the look in his eyes was murderous. “He didn’t hurt me, Caleb,” Lily reasoned hastily, grabbing at his upper arm with both hands. She was under no illusion that she could restrain the major if he chose to pull away, but she held on with all her might just the same. “Why are you defending the bastard?” Lily sighed. “I’m not, Caleb—he can burn in hell for all I care. It’s you I’m worried about.” Caleb relaxed a little and let his forehead rest against Lily’s. “I want to kill him,” he breathed. “I want to gut him like a trout and feed his insides to the crows.” “I know,” Lily said gently, her hands moving soothingly on his tense shoulders, “but you mustn’t take the law into your own hands. We’ve got trouble enough, Caleb, without your being hanged for murder or confined to a federal prison for the rest of your life.” He kissed her lightly on the mouth. “You’re right,” he conceded after a long moment. “You could have Judd thrown out of the army, couldn’t you?” Caleb nodded grimly. “Yes. But if I did that, he’d be free to hang around this part of the country. If you should end up on that homestead of yours, you’d be vulnerable to him.” Lily’s face fell at the prospect. “No,” Caleb went on, “I’ll have him transferred. Say, to Fort Yuma. He’ll feel right at home there with all those other scorpions to keep him company.” Lily sighed. “Suppose he attacks somebody else, Caleb? Suppose they don’t get away like I did?” Caleb’s hands were gentle on her shoulders. “I’ll make sure Ingram’s commanding officer knows what kind of man he is, Lily. Don’t worry.” With
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Shoulder the Sky is another story about Mureth Farm and Drumburly and the people who live there; it continues the theme of Vittoria Cottage and Music in the Hills but it is a complete novel in itself. The three books are merely strung together by the story of James and Rhoda and their friends. Mureth and Drumburly are not real places in the geographical sense of the word. There is no metalled road that leads to Drumburly (the best road to take is an easy chair before the fire on a winter’s evening), but the picture represented is artistically true of the Scottish Border Country; of the rolling hills, the rivers and the burns, of the storms and the sunshine. So, in one sense, Drumburly is real and in another it is imaginary — and the same is true of the characters in the story; they are not real individuals and yet they are true to life. To me they are real and human for I have been living amongst them and sharing their joys and sorrows for months on end. Now the time has come for me to leave Drumburly and say good-bye. D. E. STEVENSON 
D.E. Stevenson (Shoulder the Sky (Dering Family #3))
Caroline was slightly taken aback (shocked would be much too strong a word to describe her feelings). It was difficult to know what to say to Widgeon. The whole affair seemed so topsy turvy, so typical of the topsy turvy conditions of modern life. She had tried to help her country by Growing More Food, and all she had got for the trouble involved was more trouble. She had received countless forms to fill up; she had been visited by inspectors who seemed to think it was within their province to be rude to her, and who treated her as if she were trying to defraud the authorities of their just and lawful due, and she had been fined quite heavily for doing something she did not know was wrong. Somewhat naturally Caroline felt annoyed and the opportunity to break the law without any risk at all tempted her considerably.
D.E. Stevenson (Vittoria Cottage (Dering Family #1))
So what do you want?” St. Just asked quietly. Winnie looked away, reminding him poignantly of Emmie in the midst of difficult discussions. “What do you want, princess?” he asked again. “I want…” Winnie’s little shoulders heaved, and still St. Just waited. “I want Emmie to s-s-stay.” She hurled herself across the mattress, sending her writing implements flying in her haste to throw herself into St. Just’s arms. “Don’t let her go away, please,” Winnie wailed. “I’ll be good, just… Make her stay. You have to make her stay.” He wrapped her in his arms and held her while she cried, producing a handkerchief when the storm seemed to be subsiding. All the while he held her, he thought of Her Grace raising ten children, ten little hearts that potentially broke over every lost stuffed bear, dead pony, and broken toy. Ten stubborn little chins, ten complicated little minds, each as dear and deserving as the last, and all with intense little worlds of their own. Ye Gods. And what to say? Never lie to your men, St. Just admonished himself… “I don’t want her to go, either,” St. Just murmured when Winnie’s tears had quieted to sniffles. “But Emmie has her business to run, Win. She won’t go far, though, just back to the cottage, and we can visit her there a lot.” Like hell. “She isn’t going to the cottage,” Winnie replied with desperate conviction. “She’s going to marry Vicar and his brother will die and she’ll be rich, but far, far away. Cumbria is like another country, farther away than Scotland or France or anywhere.” “Hush,” St. Just soothed, fearing he was about to witness the youngest female crying jag of his experience. “Emmie hasn’t said anything to me, Winnie, and I think she’d let me know if she were going somewhere.” She had, however, told him to find another governess by Christmas at the latest. “She’s going,” Winnie said, heartsick misery in her tone. “I know it, but she’ll listen to you if you tell her to stay.” “I can’t tell her, Win.” St. Just rose to turn back the bedcovers. “I can only ask.” “Then ask her,” Winnie pleaded as she scooted between the sheets. “Please, you have to.” “I will ask her what her plans are, but that doesn’t affect your needing and deserving a governess. Understand?” When Winnie’s chin jutted, he dropped onto the bed and met her eyes. “We haven’t hired anybody yet, we haven’t even interviewed anybody yet, and we won’t expect you to tolerate anybody who isn’t acceptable to both Emmie and me, all right?” “I don’t want a governess,” Winnie said, but her tone was whimpery, miserable, and hopeless. “I understand that, and I only want you to have a governess you’re going to like, Winnie. All I’m asking is that you give somebody a chance to help you learn, whether Emmie’s here, back at the cottage, or married to the Vicar.” “I love Emmie,” Winnie said, reaching for Mrs. Bear. “I love Emmie, and I don’t want her to go, and I don’t want her to marry Vicar.” “Neither do I, princess.” St. Just blew out her candle. “Neither do I.” He
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Merkel is the opposite of ostentatious. She has kept her small cottage near her home town of Templin, goes to her customary hairdresser in Berlin and from time to time is seen grocery shopping. She devours art. She sometimes phones her one or two favourite museum directors directly to ask them if they wouldn’t mind staying open a little longer so that she can see a particular exhibition without any fuss.
John Kampfner (Why the Germans Do it Better: Notes from a Grown-Up Country)
next.
Addison Moore (Raining Cats and Killers (Country Cottage Mysteries, #17))
The splendor of nature erupts in a riot of color as the leaves give way to the art of dying.
Addison Moore (Kittyzen's Arrest (Country Cottage Mysteries, #1))
It was midnight. On the right could be seen the whole village, a long street stretching far away for four miles. All was buried in deep silent slumber; not a movement, not a sound; one could hardly believe that nature could be so still. When on a moonlight night you see a broad village street, with its cottages, haystacks, and slumbering willows, a feeling of calm comes over the soul; in this peace, wrapped away from care, toil, and sorrow in the darkness of night, it is mild, melancholy, beautiful, and it seems as though the stars look down upon it kindly and with tenderness, and as though there were no evil on earth and all were well. On the left the open country began from the end of the village; it could be seen stretching far away to the horizon, and there was no movement, no sound in that whole expanse bathed in moonlight.
Anton Chekhov (Selected Stories of Anton Chekhov)
When on a moonlight night you see a broad village street, with its cottages, haystacks, and slumbering willows, a feeling of calm comes over the soul; in this peace, wrapped away from care, toil, and sorrow in the darkness of night, it is mild, melancholy, beautiful, and it seems as though the stars look down upon it kindly and with tenderness, and as though there were no evil on earth and all were well. On the left the open country began from the end of the village; it could be seen stretching far away to the horizon, and there was no movement, no sound in that whole expanse bathed in moonlight.
Anton Chekhov (The Collected Short Stories, Vol 1: 100 Short Stories)
Filthy-minded old bastard,' he muttered viciously under his breath. No wonder the world such a rotten place, rotten and filthy and cheap and smelly. Where is that place they talk of and paint nice pictures of and described in all the homey magazines? Where is that place with the clean, white cottages surrounding the new, red brick church with the clean, white steeple, were the families all have two children, one boy and one girl, and a shiny new car in the garage and a dog and a cat and life is like living in the land of the happily-ever-after? Surely it must be around here someplace, someplace in America. Or is it just that it's not for me? Maybe I dealt myself out, but what about that young kid on Burnside who was in the army and found it wasn't enough so that he has to keep proving to everyone who comes in for a cup of coffee that he was fighting for his country like the button on his shirt says he did because the army didn't do anything about his face to make him look more American? And what about the poor niggers on Jackson Street who can't find anything better to do than spit on the sidewalk and show me the way to Tokyo? They're on the outside looking in, just like that kid and just like me and just like everybody else I’ve ever seen or known. Even Mr. Carrick. Why isn't he in? Why is he on the outside squandering his goodness on outcasts like me? Maybe the answer is that there is no in. Maybe the whole damn country is pushing and shoving and screaming to get into some place that doesn't exist, because they don't know that the outside could be the inside if only they would stop all this pushing and shoving and screaming, and they haven't got enough sense to realise that. That makes sense. I've got the answer all figured out, simple and neat, and sensible.
John Okada (No-No Boy (Classics of Asian American Literature))
Somebody is in a queer state of mind, perhaps behaves oddly, and no reason for this can be discovered at the time. Later—a month, a year, 10 years—the cause of this effect reveals itself. Because of where or what or how I am now, I behaved in such a fashion then.”54 Priestley called this the “future-influencing-present effect”—not unlike what later researchers would call presentiment but unfolding in many cases across a much longer timeframe of an individual’s life. In his 1964 book Man & Time, Priestley described several examples. One letter-writer was a WWII veteran with what we would now call PTSD, who experienced a “breakdown” during the war and relapses of his condition thereafter. He credited his recovery to a somewhat older woman with children whom he met and married after the war and, by the time of his writing, had a teenage daughter with. But “for a year before he met his wife or knew anything about her, he used to pass the gate of her country cottage on the local bus. And he never did this without feeling that he and that cottage were somehow related.”55 Another, older letter writer recalled being a girl during the First World War and when out walking one night in London, “found herself looking up at a hospital, quite strange to her, with tears streaming down her cheeks.” Years later, she moved in with a woman friend, and they remained partners for 25 years. “This friend was then taken ill and she died in that same hospital at which the girl so many years before had stared through her inexplicable tears.”56 Priestley also gives an example from two acquaintances of his own: Dr A began to receive official reports from Mrs B, who was in charge of one branch of a large department. These were not personal letters signed by Mrs B, but the usual duplicated official documents. Dr A did not know Mrs B, had never seen her, knew nothing about her except that she had this particular job. Nevertheless, he felt a growing excitement as he received more and more of these communications from Mrs B. This was so obvious that his secretary made some comment on it. A year later he had met Mrs B and fallen in love with her. They are now most happily married. He believes … that he felt this strange excitement because the future relationship communicated it to him; we might say that one part of his mind, not accessible to consciousness except as a queer feeling, already knew that Mrs B was to be tremendously important to him.57
Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
until after I can form a truce with the kaftan-wearing granny responsible for the melee.
Addison Moore ('Twas the Night Before Murder (Country Cottage Mysteries, #21))
I want a house in the country. Just a cottage, with a fence and a cat to sit in my lap and a dog to sleep at my feet. A spot of earth for a graden with flowers as well as vegetables, food on the table, and a little leisure time in which to read the books I've not had time to read or just sit... in the sunshine.
Christina Dodd (Rules of Engagement (Governess Brides, #3))
Glasgow can be uncommonly dreich, smirr blurring the architectural mishmash of the city's skyline. The east coast plays host to some truly cruel gales, eroding the sharp edges off fishermen's cottages in Fife and Angus. In the winter months it can feel like the country takes any opportunity to grind to a halt. The faintest threat of snow causes chaos across road, rail and air.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
fresh organic catnip, which looks like grass.
Addison Moore (Raining Cats and Killers (Country Cottage Mysteries, #17))
Just because you have a pseudo-limb swinging between your legs doesn’t mean it gives you the right to dictate what women can or can’t do.
Addison Moore (Murder Bites (Country Cottage Mysteries, #5))
I keep my voice low in the event they pick up on it. Once you even hint at the thought of a walk with a dog, you’re pretty much obligated.
Addison Moore (Itching for Justice (Country Cottage Mysteries, #16))
I can’t let her off the hook. She wrote regency porn about my husband.
Addison Moore (Lock, Stock, and Feral (Country Cottage Mysteries, #15))
The next three days were busy ones for the ladies at Flint Cottage. Red-berried holly, pale mistletoe and glossy ivy were collected, and used to decorate the living room. Two red candles stood one at each end of the mantelpiece, and a holly garland hung from the brass knocker on the front door. The cake was iced, the pudding fetched down from the top shelf in the pantry, the mincemeat jar stood ready for the pies and a trifle was made. One of Mrs. Pringle's chickens arrived ready for the table, and sausage meat came from the butcher.
Miss Read (A Country Christmas)
draw in visitors. We’ll have dessert and a few savory treats as well.
Addison Moore (Kittyzen's Arrest (Country Cottage Mysteries, #1))
Baker’s love of the Essex landscape is already clear, and, long before he is following peregrines, he is rehearsing some of the writing that appears in his later work: ‘The loveliest country of all lies between Gt. Baddow and West Hanningfield. Green undulating fields, rugged, furrowed earth, luscious orchards, pine clumps, rows of stately elms – all these combine and resolve into a delicately balanced landscape that can never become tedious to the eye. One cannot get far from people – from the little rustic cottages that huddle in the winding lanes. Yet the very proximity of these dwellings seems to give an impression of remoteness. / As you walk across these fields – Danbury stands all green and misty blue in the late afternoon of declining summer. Everchanging – sometimes assuming truly mountainous grandeur – it fascinates the eyes and brings an exaltation and a faith. / These last days of summer are delicate poems in green and gold – the clouds unfurl in unsurpassed magnificence and move me to tears for their passing. / This country with its little fields and murmuring streams that basks in its waning summer gold will still be there when you return – it is for you and all men, for it is beauty.
J.A. Baker (The Peregrine)
I dated a guy once in college who played the sax and he almost ripped my head off when I dared to touch it. He let me know the brass is sensitive to the oil from people’s fingertips. Turns out, I was sensitive to people almost ripping my head off and we parted ways soon thereafter.
Addison Moore (A Christmas to Dismember (Country Cottage Mysteries #12))
I can’t look. I lied. I’m not a tough girl. I’m a lap cat who likes to take sun naps. I certainly don’t live for danger. I set the poor thing down on the sand. Hopefully, she’ll run for cover.
Addison Moore (Just Buried (Country Cottage Mysteries, #9))
Several years ago, I visited a friend who had built a country cottage, surrounded by a vast rolling garden of sunlit meadows, rainbow blooms, shaded glens, streams and ponds. It was impossible to see the entire garden all at once. The only way to imagine the wholeness of the garden was to walk through it, follow the winding path and view the garden from different perspectives. Invariably, secrets revealed themselves around each bend. And sometimes, I chose to step off the winding path and follow the contours of the land and my heart. In my youth, I imaged my entire life planned out before me, a straight path, if you like. Today, I know that I was seeing only one perspective. And like any winding path, perspective may change around each bend: youth, sacrifice, friendship, success, love, parenthood, joy, loss, folly, misfortune, and aging. And yet, no matter how many turns we may take, we may not fully comprehend the wholeness of our life, the unifying secret of our life, until we look back on all that has come before.
Jeffrey A. White (A Blueness I Could Eat Forever)
Dreams of freedom and country cottages were all well and good, but Anna rather thought that she was nothing, if not practical. She would likely never have that cottage, never have true freedom. And she would almost certainly never have a chance such as this again. Let them call her the Ice Maiden of Anover House, she thought. She would know differently. She, and no one else.
Alissa Johnson (Practically Wicked)
After Mrs. Culpepper, Max probably knew more about her than any other person in her life. They were the only two people who knew of her dream to buy a country cottage. And he was the only one to know of her silly wish for a hound. Which, now that she thought on it, was a sad state of affairs, indeed. She had no better claim to friendship outside of Mrs. Culpepper than a man with whom she'd spent such a nominal amount of time? And who had been read to toss her bodily from Caldwell Manor only yesterday? Surely she had more depth of character than what could be mined in the course of an evening. She did not begin and end with her dreams of a thousand pounds, a hound, and a home. She was vastly more complex, far more interesting than that. She had to be. The alternative was too depressing to entertain. Almost as depressing as never having known a friend who'd not been paid to keep her company. But that, at least, could be changed.
Alissa Johnson (Practically Wicked)
Victoria Devane," she said aloud. "I'm Victoria." Her lips moved in countless repetitions of the sounds... her name, her real name. It was like a key that unlocked all the sealed places in her mind. Images of her past paraded before her... the country cottage where she spent her days occupied with books and visiting schoolchildren. Her friends from the village... a long-ago trip to the seashore... her father's funeral. Closing her eyes tightly, she pictured the patient, kind face of her father. He had been a scholarly man, a philosopher, preferring his books to the harsh reality of the world outside. Victoria had adored him, and had spent hours and days reading alongside him. She had never loved any man in the romantic sense, had never wanted to. Since her mother had left Forest Crest, Victoria had cared only for her father and seldom-seen sister... There had been no room for anyone else. Love was too dangerous; it was much better to stay alone and safe. In the quiet haven of the village, she had few responsibilities except to look after herself. She would never have ventured away had her irresponsible sister not landed herself in more trouble than she could manage.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
Masters are under no cosmic compulsion to limit their residence.” My companion glanced at me quizzically. “The Himalayas in India and Tibet have no monopoly on saints. What one does not trouble to find within will not be discovered by transporting the body hither and yon. As soon as the devotee is willing to go even to the ends of the earth for spiritual enlightenment, his guru appears nearby.” I silently agreed, recalling my prayer in the Benares hermitage, followed by the meeting with Sri Yukteswar in a crowded lane. “Are you able to have a little room where you can close the door and be alone?” “Yes.” I reflected that this saint descended from the general to the particular with disconcerting speed. “That is your cave.” The yogi bestowed on me a gaze of illumination which I have never forgotten. “That is your sacred mountain. That is where you will find the kingdom of God.” His simple words instantaneously banished my life-long obsession for the Himalayas. In a burning paddy field I awoke from the monticolous dreams of eternal snows. “Young sir, your divine thirst is laudable. I feel great love for you.” Ram Gopal took my hand and led me to a quaint hamlet. The adobe houses were covered with coconut leaves and adorned with rustic entrances. The saint seated me on the umbrageous bamboo platform of his small cottage. After giving me sweetened lime juice and a piece of rock candy, he entered his patio and assumed the lotus posture. In about four hours, I opened my meditative eyes and saw that the moonlit figure of the yogi was still motionless. As I was sternly reminding my stomach that man does not live by bread alone, Ram Gopal approached me. “I see you are famished; food will be ready soon.” A fire was kindled under a clay oven on the patio; rice and dal were quickly served on large banana leaves. My host courteously refused my aid in all cooking chores. ‘The guest is God,’ a Hindu proverb, has commanded devout observance from time immemorial. In my later world travels, I was charmed to see that a similar respect for visitors is manifested in rural sections of many countries. The city dweller finds the keen edge of hospitality blunted by superabundance of strange faces.
Paramahansa Yogananda (The Autobiography of a Yogi ("Popular Life Stories"))
And the house stood much too near the road for purposes of grandeur, had such purposes ever swelled the breast of any of the squires of Allington. But I fancy that our ideas of rural grandeur have altered since many of our older country seats were built. To be near the village, so as in some way to afford comfort, protection, and patronage, and perhaps also with some view to the pleasantness of neighbourhood for its own inmates, seemed to be the object of a gentleman when building his house in the old days. A solitude in the centre of a wide park is now the only site that can be recognised as eligible. No cottage must be seen, unless the cottage orné of the gardener. The village, if it cannot be abolished, must be got out of sight. The sound of the church bells is not desirable, and the road on which the profane vulgar travel by their own right must be at a distance. When some old Dale of Allington built his house, he thought differently. There stood the church and there the village, and, pleased with such vicinity, he sat himself down close to his God and to his tenants.
Anthony Trollope (Complete Works of Anthony Trollope)
I pointed out to her what sort of life she would be able to lead upon nine hundred a year. As an instance, I told her that she could have a country cottage in Devonshire and a little car, and a daily maid, and still have money to spare for a moderate amount of foreign travel.
Nevil Shute (A Town Like Alice)
What you seem unwilling to accept is that no gentleman of stature is going to choose a future of poverty with a girl he loves over wealth with a girl he merely tolerates.” “There might be a few.” At his derisive glance, she said defensively, “There might be one. Why can’t we allow Helen a chance to find him?” West broke in. “That would mean giving up any possibility of marrying Winterborne. And then if Helen doesn’t succeed in bringing someone up to scratch during the season, she’ll have nothing.” “In that case, she can live with me,” Kathleen said. “I’ll find a cottage in the country, where she and I will live off the income from my jointure.” Turning from the fireplace, Devon gave her a narrow-eyed glance. “How do I fit into your future plans?” A hostile silence followed. “I really don’t think I should be here,” West said to the ceiling.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I’ll find a cottage in the country, where she and I will live off the income from my jointure.” Turning from the fireplace, Devon gave her a narrow-eyed glance. “How do I fit into your future plans?” A hostile silence followed. “I really don’t think I should be here,” West said to the ceiling. “You’re able to take care of yourself,” Kathleen told Devon. “Helen can’t. She’ll have no protection against Winterborne, if he should mistreat her.” “Of course she will. West and I will always protect her.” “You should be protecting her now.” West stood and strode to the door. “Is this what it’s like to have a family?” he asked irritably. “Endless arguing, and talking about feelings from dawn to dusk? When the devil can I do as I please and not have to account to a half-dozen people for it?” “When you live alone on an island with a single palm tree and a coconut,” Kathleen snapped. “And even then, I’m sure you would find the coconut far too demanding.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Free, Sarah thought. Free of me. If I hadn’t been born, Mama would live in a nice cottage in the country with flowers all around. Mama would be happy. Mama would be alive.
Francine Rivers (Redeeming Love)
She wasn’t sure what worried her the most; the fact that he didn’t think her new country clothes were suitable, or that they were about to get very dirty.
Emma Davies (The Little Cottage on the Hill (The Little Cottage, #1))
She wasn’t sure what worried her the most; the fact that he didn’t think her new country clothes were suitable, or that they were about to get very dirty. ‘Well if we’re about to get filthy then the clothes I have on will cease to be nice or new-looking, won’t they? Problem solved. And I’m quite comfortable, thank you.
Emma Davies (The Little Cottage on the Hill (The Little Cottage, #1))