Costume Party Quotes

We've searched our database for all the quotes and captions related to Costume Party. Here they are! All 100 of them:

I was ashamed of myself when I realised life was a costume party and I attended with my real face
Franz Kafka
Her outfit looked like it been picked by a kindergartner—red sneakers, yellow tights, and a green tank dress. Perhaps she was on her way to a costume party dressed as a traffic light.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
I was ashamed of myself when I realized life was a costume party and I attended with my real face
Franz Kafka
Take care of your costume and your confidence will take care of itself.
Amit Kalantri (Wealth of Words)
You’ll get a lot of ‘no’ RSVPs to your next party,” I said, brushing the smoldering bits from my costume. His smile only widened. “This isn’t the first party I’ve thrown where fewer guests left than arrived.
Jeaniene Frost (Bound by Flames (Night Prince, #3))
Of all the spirits I have seen, only Elvis and Mr. Sinatra are able to manifest in the garments of their choice. Others haunt me always in whatever they were wearing when they died. This is one reason I will never attend a costume party dressed as the traditional symbol of the New Year, in nothing buy a diaper and a top hat. Welcomed into either Hell or Heaven, I do not want to cross the threshold to the sound of demonic or angelic laughter. ~Odd Thomas
Dean Koontz (Odd Hours (Odd Thomas, #4))
does you costume involve leather?" she'd asked. and he'd said, "Actually, yeah, it might." it really did. it involved a leather dog collar, leather pants and a leash, and the leash was held by Ysandre, who was in skintight red rubber, from neck to knee high boots. she'd topped it off with a pair of devil horns and a red tridant. she'd made Shane her dog, complete with furry dog mask. ***"Breathe," Myrnin said. "I'm not much for it myself, but i hear it's quite good for humans."***
Rachel Caine (Feast of Fools (The Morganville Vampires, #4))
A mask you ask? Optional I find! Masks lend appeal of a mysterious kind.
E.A. Bucchianeri (Phantom Phantasia: Poetry for the Phantom of the Opera Phan)
It's very lonely, feeling like an outcast. Like you are invited to a costume party, but you are the only one in a mask.
Ellen Schreiber (Kissing Coffins (Vampire Kisses, #2))
With right fashion, every female would be a flame.
Amit Kalantri (Wealth of Words)
It's time to shop high heels if your fiance kisses you on the forehead.
Amit Kalantri (Wealth of Words)
I know what party you’re talking about. I might have to swing through. Especially if you’re going to be there in a costume.” He winked and leaned back in his seat. “I’m going as a homeless person.” “Sexy.
Chanelle Gray (My Heart Be Damned)
Fashion doesn't make you perfect, but it makes you pretty.
Amit Kalantri (Wealth of Words)
The office Halloween party was at the Royalton last week and I went as a mass murderer, complete with a sign painted on my back that read MASS MURDERER (which was decidedly lighter than the sandwich board I had constructed earlier that day that read DRILLER KILLER), and beneath those two words I had written in blood Yep, that's me and the suit was also covered with blood, some of it fake, most of it real. In one fist I clenched a hank of Victoria Bell's hair, and pinned next to my boutonniere (a small white rose) was a finger bone I'd boiled the flesh off of. As elaborate as my costume was, Craig McDermott still managed to win first place in the competition. He came as Ivan Boesky, which I thought was unfair since a lot of people thought I'd gone as Michael Milken last year. The Patty Winters Show this morning was about Home Abortion Kits.
Bret Easton Ellis (American Psycho)
Any girl with a grin never looks grim.
Amit Kalantri (Wealth of Words)
I had a dream about you last week. It was October 31, 2002 and we met at a Halloween party. You came dressed as yourself; I knew you’ve been hiding your true self all this time.
Rodney Jenkins
In fact, all three are so readily respectful and nice to my mother that I feel bad about how I go around feeling so superior to them. Who knows who I would be or what I would talk about if I'd been raised in the Capitol? Maybe my biggest regret would be having feathered costumes at my birthday party, too.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I reached our building only to find a wide-eyed Southern belle wearing a Civil Way-era dress blocking the front door. A silk parasol and a full hoopskirt completed her ensemble. I wore something like it to a costume party once, but hers was an original. Frustration was back, and now it was in my way. In the form of freaking Scarlatt O'Hara. Sighing, I stuck my hand through her stomach to turn the knob, meeting no resistance. I rolled my eyes as she gasped, fluttered her eyelashes, and disappeared in a puff of air. "You know, Scarlett, Rhett didn't give a dang, and frankly, I don't either.
Myra McEntire (Hourglass (Hourglass, #1))
Natsu: This is my personal Fairy Tail style send-off party. People who leave Fairy Tail must understand three rules. One: Never release information that gives a disadvantage to Fairy Tail to anyone. Two: What was it again? Mystgun: Never meet a previous costumer for personal gain. Natsu: Right, right. Three: even if our paths differ, you must live life, as long as you are still strong. Never look at your life as something insignificant, never forget... Mystgun: Those friends of yours that you loved... Natsu: Did it reach you? If you have the spirit of the guild with you, there's nothing you can't do! I hope we can meet again, Mystgun.
Hiro Mashima (フェアリーテイル 22 [Fearī Teiru 22] (Fairy Tail, #22))
Today, I attended a friend's birthday party dressed as a ninja. I soon discovered that ninjas are very misunderstood.
Wayne Gerard Trotman
My Halloween costume is Godot. I'm not showing up at the party, just texting the host every 10 minutes that I'm on my way.
Wynne McLaughlin
Beyond the table, there is an altar, with candles lit for Billie Holiday and Willa Carter and Hypatia and Patsy Cline. Next to it, an old podium that once held a Bible, on which we have repurposed an old chemistry handbook as the Book of Lilith. In its pages is our own liturgical calendar: Saint Clementine and All Wayfarers; Saints Lorena Hickok and Eleanor Roosevelt, observed in the summer with blueberries to symbolize the sapphire ring; the Vigil of Saint Juliette, complete with mints and dark chocolate; Feast of the Poets, during which Mary Oliver is recited over beds of lettuce, Kay Ryan over a dish of vinegar and oil, Audre Lorde over cucumbers, Elizabeth Bishop over some carrots; The Exaltation of Patricia Highsmith, celebrated with escargots boiling in butter and garlic and cliffhangers recited by an autumn fire; the Ascension of Frida Khalo with self-portraits and costumes; the Presentation of Shirley Jackson, a winter holiday started at dawn and ended at dusk with a gambling game played with lost milk teeth and stones. Some of them with their own books; the major and minor arcana of our little religion.
Carmen Maria Machado (Her Body and Other Parties: Stories)
Who knows who I would be or what I would talk about if I’d been raised in the Capitol? Maybe my biggest regret would be having feathered costumes at my birthday party, too.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
cause we don't hide, We parade our pride!
Ana Claudia Antunes (Pierrot & Columbine (The Pierrot´s Love Book 1))
So put your costume on, honey! Ruby said. Set Harlequin free! That party monster of yours is screaming to come out. Let the monster out!
Tom Spanbauer (In the City of Shy Hunters)
Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.
Amit Kalantri (Wealth of Words)
Dresses don't look beautiful on hangers.
Amit Kalantri (Wealth of Words)
I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume. But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more that that. They might throw you out - but then again, they might not. They probably won't throw you out, actually. The ballroom is often more welcoming and supportive than you could ever imagine. Somebody might even think you're brilliant and marvelous. You might end up dancing with royalty. Or you might just end up having to dance alone in the corner of the castle with your big, ungainly red foam claws waving in the empty air. that's fine, too. Sometimes it's like that. What you absolutely must not do is turn around and walk out. Otherwise, you will miss the party, and that would be a pity, because - please believe me - we did not come all this great distance, and make all this great effort, only to miss the party at the last moment.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Charlotte, dressed in a very short-skirted policewoman's outfit, was leading a dancing brigade, jumping around at the front of the room, her long red hair flapping up and down like a matador's cape. She was head girl, and she would shows us how to party if she had to. I wasn't really sure why Charlotte had decided to come to the party as a stripper. I found myself at a loss for words as she complimented us on our costumes. "You're a..." I tried to find the right thing to say. "Really...hot cop?" "I'm Amy Pond," she said. "From Doctor Who. This is her kissogram outfit.
Maureen Johnson (The Name of the Star (Shades of London, #1))
Veda began it, but when she finished it, or whether she finished it, Mildred never quite knew. Little quivers went through her and they kept going through her the rest of the night, during the supper party, when Veda sat with the white scarf wound around her throat, during the brief half hour, while she undressed Veda, and put the costume away; in the dark, while she lay there alone, trying to sleep, not wanting to sleep. This was the climax of Mildred's life.
James M. Cain (Mildred Pierce)
I play the trombone like it’s a tombstone. I perform at funerals or parties, and both have the exact same playlist and vibe. I also rent duck costumes, but they do not come with swimming instructions.
Jarod Kintz (BearPaw Duck And Meme Farm presents: Two Ducks Brawling Is A Pre-Pillow Fight)
In the morn when they woke, it was Halloween Day. There was bobbing for apples and rides in the hay. There were costume parties, and games to be played. Cupcakes and candy and, of course, a parade! After dinner was served, and the kids were done eating, it was finally time to go trick-or-treating! Moms re-painted faces, and straightened clown hats, put wings back on fairies, angels, and bats. Jack-o-lanterns were set out on porches with care. Their grins seemed to say, “Knock if you dare.
Natasha Wing (The Night Before Halloween)
The parties at the Tunons’ house always ended unquestionably late, and since the hosts enjoyed costume parties in particular, it was not unusual to see Chinas Poblanas with their folkloric skirts and ribbons in their hair arrive in the company of a harlequin or a cowboy.
Silvia Moreno-Garcia (Mexican Gothic)
If you want to preach, young man, you ought to wear some kind of clerical costume so people would be warned. In my mind, there are too many unpleasant things in life as it is without creating still more of them. I hate le misérabilisme. I’m in the shining business, not the darkening business.
Susan Vreeland (Luncheon of the Boating Party)
It's bad form to go to a Halloween party without a costume, Neil," Nicky said. "Besides, the bartenders give out a free round to anyone who comes dressed up." "I don't drink," Neil said. "Then give your shot to me, you stingy child," Nicky said. "I know you said you'd never come shopping with us again, but we're doing you a huge favor dragging you along. You wouldn't trust me to pick out your costume, would you? I'd probably make you a French maid or something. Come on.
Nora Sakavic (The Raven King (All for the Game, #2))
Bekka treated her role has Frankenstein's bride more like an audition to be Brett's bride. Every part of her body had been colored bright kelly green - even parts that her mother had stressed were 'not to be seen by anyone except God and the inside of a toilet bowl.' Instead of wearing a wig, Bekka had teased and then shellacked her own hair into a windblown cone and she'd used female-mustache bleach to create white streaks. Her seams, made of real suture thread, had been attached to her neck and wrists with clear double-sided costume tape because drawing them on with kohl would not have been 'honoring the character.' Her Costume Castle dress had been exchanged for something 'more authentic' from the Bridal Barn. If Brett didn't see his future in her heavily black-shadowed eyes tonight, he never would. Or so she believed.
Lisi Harrison (Monster High (Monster High, #1))
Since when do wizards wear robes?" I whispered. "That's falling into every human stereotype ever created." Jeezum. Next thing you knew, they'd be waving around magic wands. "The First Elder thought they'd look more intimidating in robes than in business suits," Alex whispered back. "They look like they're on their way to a costume party at Hogwarts.
Suzanne Johnson (Pirate's Alley (Sentinels of New Orleans, #4))
An old fashioned outfit is not a costume, it's a comedy.
Amit Kalantri (Wealth of Words)
Jessie eyed the row of costumes and picked one, a sly smile forming on her lips. “I’m going to be Little Red Riding Hood.” I raised my eyebrows. “Seriously? At a werewolf party?
Kelley Heckart (Awakening the Wolf)
When discussing manliness, the elephant in the room was not homophobia but perhaps a fear of appearing gay. This fear runs like an electric fence around the territory that is acceptably masculine. This is somewhat ironic, as the Department of Masculinity’s long-running propaganda campaign for Traditional Manhood may look a lot like a Village People-themed costume party.
Grayson Perry (The Descent of Man)
…are you saving enough stuff to furnish a whole alternate universe in which a skinnier you uses that dusty abdominal crunch machine every morning before inserting all your photos into a new album and then dons the old wig you’ve been storing for a costume party you’re hosting at which everyone will be lounging in the extra chairs that have been languishing in your basement for the last six years?
Claire Middleton (Downsizing Your Life for Freedom Flexibility and Financial Peace)
Like I could take a nap at 4:15 p.m. and then I'll wake up twenty minutes later and have absolutely no clue where I am. I'm like, "What era is this? Is it the 1920s? Am I a flapper? Should I go and put on a flapper costume and go flap at a party?" Then I'm like, "Is that what flappers even do? Flap? Is flapping a verb?" I'm that out of it. And I'm also drenched in sweat. Like some little Dutch boy in knickers ran over to me while I was sleeping and poured a bucket of water on me. Or like I have malaria and it's 1932 and I'm surrounded by mosquito netting. I'm drenched. I'm covered in goo. I'm like a baby deer covered in placenta hobbling around trying to learn how to walk, thinking that it's the 1920s and I'm a flapper and there's a little Dutch boy running around with a bucket of water. That's what naps are like for me.
Michael Showalter (Mr. Funny Pants)
In 1991, Disney forced a group of New Zealand parents in a remote country town to remove their amateur renditions of Pluto and Donald Duck from a playground mural; and Barney has been breaking up children's birthday parties across the U.S., claiming that any parent caught dressed in a purple dinosaur suit is violating its trademark. The Lyons Group, which owns the Barney character, "has sent 1,000 letters to shop owners" renting or selling the offending costumes. "They can have a dinosaur costume. It's when it's a purple dinosaur that it's illegal, and it doesn't matter what shade of purple, either," says Susan Elsner Furman, Lyons' spokesperson.
Naomi Klein (No Logo)
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
Rupert Thomson (The Five Gates of Hell)
Twelfth Night, or the eve of Epiphany, marked the coming of the magi. This year, instead of the usual masquerade ball, costumes, and revelry, the Brockwells'Twelfth Night party became more of a celebration of not one but two engagements:
Julie Klassen (The Bride of Ivy Green (Tales from Ivy Hill, #3))
The best costume is a Security Guard outfit, because it's guaranteed to get you into any party—even if you're not on the guest list. And that's always fashionable. After I put my ducks to bed on Friday nights, I go out partying—even though I’ve not been invited.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
The costumes raised memories of the Night of the Kinken Shards, when the New Quill Party had overrun the khepri ghetto in a storm of murder, shattering spit-sculptures in the Plaza of Statues, stamping the mindless males and butchering the women until they trod a ground of glass needles, ichor, blood.
China Miéville (Iron Council (New Crobuzon, #3))
SOCIAL/GENERAL ICEBREAKERS 1. What do you think of the movie/restaurant/party? 2. Tell me about the best vacation you’ve ever taken. 3. What’s your favorite thing to do on a rainy day? 4. If you could replay any moment in your life, what would it be? 5. What one thing would you really like to own? Why? 6. Tell me about one of your favorite relatives. 7. What was it like in the town where you grew up? 8. What would you like to come back as in your next life? 9. Tell me about your kids. 10. What do you think is the perfect age? Why? 11. What is a typical day like for you? 12. Of all the places you’ve lived, tell me about the one you like the best. 13. What’s your favorite holiday? What do you enjoy about it? 14. What are some of your family traditions that you particularly enjoy? 15. Tell me about the first car you ever bought. 16. How has the Internet affected your life? 17. Who were your idols as a kid? Have they changed? 18. Describe a memorable teacher you had. 19. Tell me about a movie/book you’ve seen or read more than once. 20. What’s your favorite restaurant? Why? 21. Tell me why you were named ______. What is the origin of your last name? 22. Tell me about a place you’ve visited that you hope never to return to. get over your mom’s good intentions. 23. What’s the best surprise you’ve ever received? 24. What’s the neatest surprise you’ve ever planned and pulled off for someone else? 25. Skiing here is always challenging. What are some of your favorite places to ski? 26. Who would star as you in a movie about your life? Why that person? 27. Who is the most famous person you’ve met? 28. Tell me about some of your New Year’s resolutions. 29. What’s the most antiestablishment thing you’ve ever done? 30. Describe a costume that you wore to a party. 31. Tell me about a political position you’d like to hold. 32. What song reminds you of an incident in your life? 33. What’s the most memorable meal you’ve eaten? 34. What’s the most unforgettable coincidence you’ve experienced or heard about? 35. How are you able to tell if that melon is ripe? 36. What motion picture star would you like to interview? Why? 37. Tell me about your family. 38. What aroma brings forth a special memory? 39. Describe the scariest person you ever met. 40. What’s your favorite thing to do alone? 41. Tell me about a childhood friend who used to get you in trouble. 42. Tell me about a time when you had too much to eat or drink. 43. Describe your first away-from-home living quarters or experience. 44. Tell me about a time that you lost a job. 45. Share a memory of one of your grandparents. 46. Describe an embarrassing moment you’ve had. 47. Tell me something most people would never guess about you. 48. What would you do if you won a million dollars? 49. Describe your ideal weather and why. 50. How did you learn to ski/hang drywall/play piano?
Debra Fine (The Fine Art of Small Talk: How to Start a Conversation, Keep It Going, Build Networking Skills and Leave a Positive Impression!)
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
When one is raised in polite English society, one does not expect to find oneself keeping a mental list of gruesome crime scenes one has visited—and certainly not to silently rank them by quantity of blood and horridness of smells. What one expects to learn is how to dance the polonaise and to make small talk with the viscount at Mother’s garden party and to stuff oneself into an elaborate costume to be presented at court. All things considered, the murder scene was not so bad.
William Ritter (The Dire King (Jackaby, #4))
Ready for what?” Just then, Jonah came bouncing over, wearing a blue-and-red dinosaur costume. “Let’s go, let’s go, let’s go!” he yelled louder than necessary. My mom put her hand on his shoulder and he stopped bouncing. She continued to look at me, waiting for an answer. “I’m going out with Isabel,” I said. “You didn’t tell me that,” Mom said. I panicked, my mind rewinding through the week to try to pick out the conversation I could’ve sworn I had with my mom so I could reference it now. It didn’t exist. “You said you’d take us trick-or-treating,” Jonah whined. “Ashley can take you,” I said. My sister shook her head. “Nope. I’m going to a Halloween party tonight.” “Can’t Mom take you?” I asked Jonah, desperate now because I knew how he got when he had his mind set on something. Mom gave me her disappointed look but to Jonah said, “Yes, I’ll take you.” The dinosaur head tipped forward as he looked at the ground in a pout. It was a really pathetic sight. As I clung to my stained shirt, I knew neither
Kasie West (P.S. I Like You)
— Gwen has a lot of friends. They are there in the halls and in her classes. They are there on her Facebook page. And they are all there at her house for the party that night. Everyone in the family and many of my friends have chipped in with decorations, so it’s like every age I’ve already been is represented—construction paper cutouts and crayon drawings alongside a supercut of the past year playing in a loop on the TV screen. Friends laughing. Friends in costumes. Friends singing. Gwen at the center of it all. I work hard to keep track of who’s who, but I can barely keep up. April (age four) hangs by my side and provides a good diversion, especially because a lot of my friends have to introduce themselves to her and explain who they are. Then the moment comes when the lights are turned off and a cake is carried in, its eighteen candles (“One for good luck!”) flickering to show me all the friendly faces who’ve gathered to celebrate with me. “Make a wish!” Gwen’s mother calls out, and I want to wish for word from Rhiannon and I know I should wish for Moses’s
David Levithan (Someday (Every Day #3))
Today each nation flies its own flag, a symbolic embodiment of its territorial status. But patriotism is not enough. The ancient tribal hunter lurking inside each citizen finds himself unsatisfied by membership of such a vast conglomeration of individuals, most of whom are totally unknown to him personally. He does his best to feel that he shares a common territorial defence with them all, but the scale of the operation has become inhuman. It is hard to feel a sense of belonging with a tribe of fifty million or more. His answer is to form sub-groups, nearer to his ancient pattern, smaller and more personally known to him - the local club, the teenage gang, the union, the specialist society, the sports association, the political party, the college fraternity, the social clique, the protest group, and the rest. Rare indeed is the individual who does not belong to at least one of these splinter groups, and take from it a sense of tribal allegiance and brotherhood. Typical of all these groups is the development of Territorial Signals - badges, costumes, headquarters, banners, slogans, and all the other displays of group identity. This is where the action is, in terms of tribal territorialism, and only when a major war breaks out does the emphasis shift upwards to the higher group level of the nation.
Desmond Morris (Peoplewatching: The Desmond Morris Guide to Body Language)
My mother comes in, somewhat shyly, and says that Cinna has asked her to show the preps how she did my hair the day of the reaping. They respond with enthusiasm and then watch, thoroughly engrossed, as she breaks down the process of the elaborate braided hairdo. In the mirror, I can see their earnest faces following her every move, their eagerness when it is their turn to try a step. In fact, all three are so readily respectful and nice to my mother that I feel bad about how I go around feeling so superior to them. Who knows who I would be or what I would talk about if I’d been raised in the Capitol? Maybe my biggest regret would be having feathered costumes at my birthday party, too.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
LAST FALL UNIVERSITY OF MERIT The music was loud enough to shake the pictures on the walls. An angel and a wizard made out on the stairs. Two naughty cats tugged a vampire between them, a guy with yellow contacts howled, and someone spilled a Solo cup of cheap beer near Eli’s feet. He snagged the horns from a devil by the front door, and set them on top of his head. He’d seen the girl walk in, flanked by a Barbie and a Catholic schoolgirl flaunting numerous uniform infractions, but she was in jeans and a polo, blond hair loose, falling over her shoulders. He’d lost sight of her for only a moment, and now her friends were there, weaving through the crowd with interlocking fingers held over their heads, but she was gone. She should have stood out, the lack of costume conspicuous at a Halloween party, but she was nowhere to be found.
V.E. Schwab (Vicious (Villains, #1))
She compromised by stuffing all the shining mass loosely into a pink chenille net. The net matched her foaming mousseline gown, also the color of a pink seashell. Like all fashionably dressed women with unlimited means, Miranda had a special gown for every imaginable function. A walking costume could hardly be worn for midday dinner, still less for tea. A morning négligée, no matter how elaborately be-flounced and beribboned, might never appear after noon even in the privacy of the bedroom. This shell-pink gown had been contrived by the knowing modiste for one purpose only- the gratification of a husband's eye at just such an intimate supper party as Miranda was planning. Its graceful skirt belled but slightly over a petticoat stiffened with horsehair, the tight bodice was cut very low into a heart shape to show the swell of the white breasts. The only trimming were tiny rose velvet bows sewn at random with a careless gaiety as though a swarm of rosy bees had settled on a pink cloud.
Anya Seton (Dragonwyck)
I’m sorry,” said the kitty. “I’ve wrecked your broomstick ride.” “No matter,” said Witch Mildred. “We’re here. Let’s go inside!” The clock atop the castle read twenty after eight, but the promised buffet table held only emptied plates! “No eye or newt? No sautéed slug? No pickleworm pate? No casserole of cockroach! No spiderweb soufflé! Those greedy gobbling goblins left zilch for us to eat.” Said the starving skeleton, “Why don’t we trick-or-treat?” They passed a lighted cottage, from which rose song and laughter. The mummy boldly rang the bell, All others traipsing after. The children squealed and giggled as they greeted their new guests, for of all the trick-or-treaters, these costumes were the best! The hostess asked the callers to join them at their party. “Check out this spread!” the mummy said. The hostess said, “Eat hearty.” “Taffy apples! Candy corn! Purple punch, ice-cold! My tongue’s not touched such tastiness since I was six years old!” In the corner of the kitchen Witch Mildred found a mop. “I think this will do nicely while my broom is in the shop.” “May I, please?” asked Mildred, and seated her new friends. With a loud “Thank you!” away they flew, in loopy swoops and bends. That night Witch Mildred dreamed of cakes and lemonade, but far more sweet than party treats were the friendships she had made!
Elizabeth Spurr (Halloween Sky Ride)
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
Kate Angell (The Cottage on Pumpkin and Vine)
A couple is invited to a swanky masked Halloween party but she gets a terrible headache and tells him to go to the party alone. Being a devoted husband, he protests, but she insists that she is going to take some aspirin and go to bed, and there is no reason he shouldn’t go ahead and have a good time. So he takes his costume and off he goes. The wife, after sleeping soundly for one hour, awakens without pain and decides to go to the party after all. Since her husband won’t recognize her in her costume, she thinks she might have some fun watching him in secret. She soon spots her husband cavorting on the dance floor, dancing with every pretty girl he can, copping a little feel here and a little kiss there. Being a rather seductive babe herself, the wife ventures onto the dance floor to entice her own husband away from his current partner. She lets him go as far as he wishes, naturally, since he is, after all, her husband. Finally he whispers a little proposition in her ear and she agrees. Off they go to his parked car for a little bang. Just before midnight, when the party guests are planning to unmask and reveal their identities, she slips away, goes home, stashes her costume, and gets into bed, wondering what his husband will report about the evening. She is sitting up reading when he comes in. “How was it?” she asks, nonchalantly. “Oh, the same old thing. You know I never have a good time when you’re not there.” “Did you dance much?” “I never even danced one dance. When I got there I met Pete, Bill Brown, and some other guys, so we went into the den and played poker all evening. But I’ll tell you... the guy I loaned my costume to sure had a real good time!
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
Dear Mom and Dad How are you? If you are reading this it means your back from the wonderful cruise my brothers and I sent you on for your anniversary. We’re sure you both had a wonderful time. We want you to know that, while you were away, we did almost everything you asked. All but one thing, that is. We killed the lawn. We killed it dead. You asked us not to and we killed it. We killed it with extreme prejudice and no regard for its planty life. We killed the lawn. Now we know what you’re thinking: “But sons, whom we love ever so much, how can this be so? We expressly asked you to care for the lawn? The exactly opposite of what you are now conveying to us in an open digital forum.” True enough. We cannot dispute this. However, we have killed the lawn. We have killed it good. We threw a party and it was quite a good time. We had a moon bounce and beer and games and pirate costumes, oh it was a good time. Were it anyone else’s party that probably would have been enough but, hey, you know us. So we got a foam machine. A frothy, wet, quite fun yet evidently deadly, foam machine. Now this dastardly devise didn’t kill the lawn per se. We hypothesize it was more that it made the lawn very wet and that dancing in said area for a great many hours over the course of several days did the deed. Our jubilant frolicking simply beat the poor grass into submission. We collected every beer cap, bottle, and can. There is not a single cigarette butt or cigar to be found. The house is still standing, the dog is still barking, Grandma is still grandmaing but the lawn is no longer lawning. Now we’re sure, as you return from your wonderful vacation, that you’re quite upset but lets put this in perspective. For one thing whose idea was it for you to leave us alone in the first place? Not your best parenting decision right there. We’re little better than baboons. The mere fact that we haven’t killed each other in years past is, at best, luck. Secondly, let us not forget, you raised us to be this way. Always pushing out limits, making sure we thought creatively. This is really as much your fault as it is ours, if not more so. If anything we should be very disappointed in you. Finally lets not forget your cruise was our present to you. We paid for it. If you look at how much that cost and subtract the cost of reseeding the lawn you still came out ahead so, really, what position are you in to complain? So let’s review; we love you, you enjoyed a week on a cruise because of us, the lawn is dead, and it’s partially your fault. Glad that’s all out in the open. Can you have dinner ready for us by 6 tonight? We’d like macaroni and cheese. Love always Peter, James & Carmine
Peter F. DiSilvio
My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .
Vivian Gornick (The Romance of American Communism)
Beth had never been one of those girls who'd imagined her wedding. Acted it out with some barbies. Bought Bride magazine as soon as she hit her twenties. She was pretty sure that if she had been, though, none of the hypotheticals would have resembled this in the slightest: surrounded by vampires, possibly pregnant, with a fallen angel in an Elvis costume mangling the ceremony from the Book of Common Prayer. And yet as she stared up at her soon-to-be husband, she couldn't have pictured anything she would have liked more. Then again, when you were facing the right person? None of the things they talked about on television, no Vera Wang dress, no champagne waterfall, no DJ or place setting or party favor mattered. ~Beth Ch.51
J.R. Ward
A costume party… great… a chance for the bimbos to whore themselves out with no penalty of conscience. I found myself excruciatingly curious as to what she was going as, a sailor? No. A pilot. That would be something
Bruce Crown (Forlorn Passions)
She looked like a preschooler dressed up as a squaw for a costume party, but had the vocabulary of a sailor in Tijuana and the glittery eyes of a magpie with three convictions for aggravated burglary.
Paula Guran (Vampires: The Recent Undead (Otherworld Stories series))
They were drones, men costumed in independent thought who'd become slaves of party groupspeak. (p. 4)
Jonathan Lethem (Dissident Gardens)
This is how you must do it, people. I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume. But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more than that. They might throw you out - but then again, they might not. They probably won't throw you out, actually. The ballroom is often more welcoming and supportive than you could ever imagine. Somebody might even think you're brilliant and marvelous. You might end up dancing with royalty. Or you might end up just having to dance alone in the corner of the castle with your big, ungainly red foam claws waving in the empty air. That's fine, too. Sometimes it's like that. What you must not do is turn around and walk out. Otherwise you will miss the party, and that would be a pity because, - please believe me - we did not come all this great distance, and make all this great effort, only to miss the party at the last moment.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
The student with whom Hal shared a bedroom, Englishman John Abel Smith, bore educational credentials that Hal could only dimly conceive. John was the namesake of a renowned merchant banker and British Member of Parliament. He had attended Eton, one of the world’s most famous preparatory schools, before entering Cambridge, where he had “read” under the personal tutelage of English scholars. Hal began to understand the difference between his public-school education and the background of his roommates when he surveyed them relative to a reading list he came across. It was titled, “One Hundred Books Every Educated Person Ought to Have Read.” George Montgomery and Powell Cabot had read approximately seventy and eighty, respectively. John Abel Smith had read all but four. Hal had read (though not necessarily finished) six. Hal also felt his social inferiority. He had long known that his parents weren’t fashionable. His mother never had her hair done in a beauty parlor. His father owned only one pair of dress shoes at a time and frequently took long trips abroad with nothing but his briefcase and a single change of underwear, washing his clothes—including a “wash-and-wear” suit—in hotel sinks at night. That was part of the reason why Hal took an expensive tailored suit—a broad-shouldered pinstripe—and a new fedora hat to Boston. He knew that he needed to rise to a new level, fashion-wise. But he realized that his fashion statement had failed when Powell Cabot asked, late in October, to borrow his suit and hat. Hal’s swell of pride turned to chagrin when Powell explained his purpose—he had been invited to a Halloween costume party, and he wanted to go as a gangster.
Robert I. Eaton (I Will Lead You Along: The Life of Henry B. Eyring)
April 10: Marilyn appears on time for six hours of costume tests for Something’s Got to Give. She is irritated that Cukor is not there to meet her. She looks radiant, and Peter Levathes tells the press, “This will be the best Monroe picture ever. Marilyn is at the peak of her beauty and ability.” But that evening, producer Henry Weinstein finds her sprawled across a bed and unconscious after an overdose of barbiturates. He calls Ralph Greenson, who revives her. It is announced to the press that Marilyn will be part of the entertainment at the president’s Madison Square Garden birthday party. Marilyn agrees to pay $1,440.33 for the cost of producing a dress decorated with hand-stitched rhinestones, beading, and mirrors.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
Tony glanced over at Jade’s expression and laid a hand on his shoulder. “All right. This nun gets into a cab, and the cabdriver asks her what’s up with the celibacy vow thing, right? So the nun says, ‘Well, maybe I’d consider having an affair, but the man would have to be Catholic, unmarried, and not have any children.’ So the cabbie says, ‘Well that describes me perfectly. Why don’t you come on up here?’ And the nun goes in the front seat and gives him a blow job.” “That was quick.” “Indeed. So she finishes up and the guy starts laughing, and she asks him, ‘What’s so funny?’ And he says, ‘Well, I’m Protestant, and I’m married with two kids.’ And the nun looks at him for a moment, then shrugs and says, ‘Well, that’s okay, my name’s Fred and I’m on my way to a costume party.’ 
Gregg Andrew Hurwitz (The Tower)
In order to pressure the government to change its approach, however, Alinsky urged black activists to dress in African tribal costumes and greet government officials flying into Chicago from Washington, D.C. This action, he said, would dramatize the “colonial mentality” of the antipoverty establishment. I learned about this particular Alinsky caper from Hillary Clinton’s Wellesley College thesis.18 Alinsky
Dinesh D'Souza (Stealing America: What My Experience with Criminal Gangs Taught Me about Obama, Hillary, and the Democratic Party)
In the morn when they woke, It was Halloween Day. There was bobbing for apples and rides in the hay. There were costume parties, and games to be played. Cupcakes and candy and, of course, a parade!
Natasha Wing (The Night Before Halloween)
Don’t even think about it, Mimi. You are not coming out with me if you have garlic breath.”   “But I haven’t eaten anything since breakfast. I could brush my teeth twice,” I offered.   “No. We don’t have time. You haven’t even finished your costume yet. We’re in and out, OK? Maybe Rachel’ll put some in the fridge for you.”   “You’re heartless.”   “Like that’s news to anyone. Stop whining.”   Rachel poked her head out of the kitchen, a baguette in her hand. She pointed it at Jack. Pointing is a Luci-family thing. Beatrice does it too, only she’s usually holding a sharp dental instrument, so it’s considerably scarier.   “Are you bullying Mio again?” Rachel demanded. The warm light from the kitchen made her pale brown skin glow, and her long, toffee-coloured hair – the same colour as Jack’s before she bleached it – gleam. Jack and Rachel’s grandmother was from Barbados, which means they both have an amazing all-year-round golden tan. Unlike me. According to the manga I read, if I lived in Japan, my naturally pale skin would be totally sexy. Shame it only counts as pasty in the UK.   “No,” Jack said.   “Yes.” I did my pitiful expression. “She won’t let me have any dinner.”   Behind trendy square glasses, Rachel narrowed her eyes at her sister. “If you’re thinking of developing an eating disorder, you’d better know right now that I will intervention your ass off, Jacqueline.” Rachel is a graduate psychology student. She likes to work that into the conversation as often as she can.   “Oh, save it,” Jack said, yawning for effect. “We’re just in a rush, that’s all. We’ve got a party to go to.
Zoë Marriott (The Night Itself (The Name of the Blade, #1))
The little commissar in Russian leather boots and party tunic—his habitual costume in the twenties and thirties—was not in fact the person of steel self-control that his adopted name and normal public demeanor suggested. Behind the scenes, according to testimony from numerous sources, he was frequently moody and prone to outbursts of temper.[357] He could work with prodigious energy, but he could also be indolent. His vindictive disposition became proverbial in upper party circles owing to a remark he made in conversation with Kamenev and Dzerzhinsky over wine one summer day in 1923. The three men began to speak of what they loved most in life. As Kamenev later related the story to Trotsky, Stalin said: “The greatest delight is to mark one’s enemy, prepare everything, avenge oneself thoroughly, and then go to sleep.”[358] This became known among Stalin’s party comrades as his theory of sweet revenge. They considered it a self-revealing confession.
Robert C. Tucker (Stalin as Revolutionary: A Study in History and Personality, 1879-1929)
Dr. Spaceman enters from I.C.U. His lab coat is covered in blood. The women all gasp. DR. SPACEMAN What, this? No, no, I was at a costume party earlier this evening… and the hostess’s dog attacked me so I had to stab it.
Tina Fey (Bossypants)
Who's Vanessa?" "I don't believe you. She's only the most popular girl in the whole school." She pointed a finger at the girl in the middle of the three who were still watching Tianna closely. "Everyone knows Vanessa." Vanessa had perfect skin, large blue eyes, and luxurious blond hair that curled over her shoulders. "Are those extensions?" Tianna asked. "All hers." Corrine sighed. Vanessa was dressed in a funky white coat of fake fur that went down to her brown suede boots; underneath was a low-hanging party-girl skirt with two gold belts draped around her tan waist. "Where'd she get the clothes? They're so cool." Tianna glanced self-consciously at her own jeans. The knees were soiled, and there was a long black mark on the side, as if she had skidded in dirt or oil. "Her mom's a costume designer for the movies," Corrine confided. Tianna felt a pang of jealousy- not for the clothes, but from the mention of Vanessa's mother. She wondered where hers was. Why hadn't she been with her this morning?
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
I’ve attended some pretty glamorous events over the years, like the Costume Ball at the Met, the Golden Globes, and the Vanity Fair Oscar party. They are usually held at distinguished cultural institutions like the Met or the Annenberg Center—always beautiful spaces that are home to priceless works of art. The first thing they do when a Hollywood party rents out the place is push all the art to the corner so it doesn’t get in the way. They have to do that so there’s room for a red carpet, a bar, a prime rib carving station, a photo booth, and, for some reason, an Acura parked inside, in the middle of the party floor. There’s always a parked Acura at every major Hollywood party. Who
Mindy Kaling (Why Not Me?)
I see you lost more of your eyebrows last night. Any other big Zombie changes happen?” “Not really, Dad.” I wanted to tell him about my extra chin mold, but my Dad would’ve probably made a big deal about it. “I remember when I turned 13,” my Dad said. “I really wanted to grow a mold mustache but I couldn’t. So I just let my nose hairs grow really long and it looked just as good. Eating was a bit of a problem, but I eventually got used to it.” Man. My parents are so weird. But, I got my whole schedule all set up for today. First my Mom is going to take me to Zombies R Us to buy some more stuff for my birthday Party. And she needed to get another costume for Wesley since I kind of destroyed his. She wasn’t too happy I took Wesley’s costume. But I think she forgot about it once she saw that Wesley and I were going to have matching costumes this Halloween.
Zack Zombie (Zombie's Birthday Apocalypse (Diary of a Minecraft Zombie, #9))
Well, we have to remember that this whole band thing was kind of thrown together at the last minute. We hadn’t even picked a name yet.” Sasha started talking into a headset, and suddenly the house lights dimmed. The curtains opened to reveal the first act, which was a seventh-grade rap group dressed in fuzzy dog costumes. They were performing the song “Who Let the Dogs Out?” I hoped it was supposed to be a comedy act. “This is SO unfair!” Chloe groaned. “There has to be something we can do!” Zoey moaned. “That’s showbiz!” Violet said sarcastically. Sasha shot us a dirty look and covered the mic on her headset. “In case you haven’t noticed, I’m trying to put on a show here. Take it out in the hall. Please!” We sighed and slowly shuffled out of the dark auditorium. Then the five of us threw a private pity party for Dorkalicious. Everyone looked SO disappointed. It was heartbreaking.
Rachel Renée Russell (Tales from a Not-So-Talented Pop Star (Dork Diaries, #3))
What the fuck is that?” At the sound of V’s voice, John turned with the rest of them . . . and when he saw what was up at the head of the grand staircase, he blinked once. Twice. Twelve times. Lassiter was standing at the top of the carpeted steps, his blond-and-black hair styled in a pompadour, a heavy Bible under his armpit, piercings catching the light . . . But none of that was the real shocker. The fallen angel was dressed in a sparkling white Elvis costume. Complete with bell-bottoms, balloon sleeves, and lapels big enough to tent up the backyard. Oh, and rainbow wings that revealed themselves as he held his arms out, preacher style. “Time to get the party started,” he said as he jogged down, sequins winking and flashing. “And where the hell’s my pulpit?” V coughed out the smoke he’d just inhaled. “She’s having you do the service?” The angel popped his already mile-high collar. “She said she wanted the holiest thing in the house to do it.” “She got holey, all right,” somebody muttered. “Is that Butch’s Bible?” V asked. The angel flashed the goods. “Yup. And his BoC, he called it? I also got a sermon I did myself.” “Saints preserve us,” came from the opposite side of the crowd. “Wait, wait, wait.” V waved his hand-rolled around. “I’m the son of a deity and she picked you?” “You can call me Pastor—and before Mr. Sox Fan gets his panties in a wad, I want everyone to know I’m legit. I went online, took a minister’s course in under an hour, and I’m ordained, baby.” Rhage raised his hand. “Pastor Ass-hat, I have a question.” “Yes, my son, you are going to hell.” Lassiter made the sign of the cross and then looked around. “So where’s our bride? The groom? I’m ready to marry somebody.” “I didn’t bring enough tobacco for this,” V bitched. Rhage sighed. “There’s Goose in the bar, my brother—oh, wait. We don’t have a bar anymore.” “I think I’ll just run an IV of morphine.” “Can I put it in?” Lassiter asked. “That’s what she said,” somebody shot back
J.R. Ward (The King (Black Dagger Brotherhood, #12))
[Dylan's friend] Zack's girlfriend, Devon, made a book for us.... There was Dylan--grinning while pushing Zack's dad into the pool; sporting a Hawaiian shirt and a bunch of leis at a costume party Devon had thrown; clowning around with Zack and making a hokey thumbs-up sign for the camera. I spent hours poring over these artifacts, desperate for confirmation that the sensitive, fun-loving kid Tom and I remembered had been real
Sue Klebold
I think back to the parties Aimee and I planned, and how all those tuxedos and ball gowns weren't really that much different, costumewise, than some of these getups. Not as elaborate or out there, to be sure, but not so different. After all, is an hour at Bobbi Brown for the perfect party makeup that much of a stretch from an hour putting on a Klingon forehead or Spock ears? Is searching for the perfect dress, shoes, bag, wrap, jewelry so much different from the perfect jumpsuit, ray gun, ammo belt, and communicator? And unlike most of the regular parties we did, these people are way open to each other and the experience. There don't seem to be gaggles of people standing back to judge the other gaggles. And while a lot of the subsets do seem to flock together, Star Wars over here, Lord of the Rings over there, I haven't overheard one snarky comment about someone's costume. None of the women here, in all of their variety of shapes and sizes, seem to be doing anything other than squeeing at each other and praising how gorgeous they are. And everyone seems to just own themselves. I've been at hundreds of events looking at a sea of black dresses because everyone thinks it is slimming. But today I've seen a riot of color and skin. Including a 350-pound raven-haired vixen in a chain-mail corset, with cleavage you could park a hovercraft in, surrounded by a coterie of clearly smitten men. I wanted to high-five her.
Stacey Ballis (Out to Lunch)
Her outfit looked like it had been picked by a kindergartener—red sneakers, yellow tights, and a green tank dress. Perhaps she was on her way to a costume party dressed as a traffic light.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
when all of life is a costume party, costume parties are no longer possible.
Judith Martin (Miss Manners' Guide to Excruciatingly Correct Behavior)
Contrary to the impression left by toga party costumes, the toga was closer to the size of a bedroom than a bedsheet, about 20 square meters (24 square yards). Assuming 20 threads to the centimeter (about 130 to the inch), historian Mary Harlow calculates that a toga required about 40 kilometers (25 miles) of wool yarn—enough to reach from Central Park to Greenwich, Connecticut. Spinning that much yarn would take some nine hundred hours, or more than four months of labor, working eight hours a day, six days a week. Ignoring textiles, Harlow cautions, blinds classical scholars to some of the most important economic, political, and organizational challenges that ancient societies faced. Cloth isn’t just for clothes, after all. “Increasingly complex societies required more and more textiles,” she writes. The Roman army, for instance, was a mass consumer of textiles.… Building a fleet required long term planning as woven sails required large amounts of raw material and time to produce. The raw materials needed to be bred, pastured, shorn or grown, harvested, and processed before they reached the spinners. Textile production for both domestic and wider needs demanded time and planning.
Virginia Postrel (The Fabric of Civilization: How Textiles Made the World)
when you spend all your hours with horses, your soul expands a bit until the ways of men reveal themselves to be no more than a costume party you’d be well advised not to take at face value.
Richard Powers (The Overstory)
The theme of music making the dancer dance turns up everywhere in Astaire’s work. It is his most fundamental creative impulse. Following this theme also helps connect Astaire to trends in popular music and jazz, highlighting his desire to meet the changing tastes of his audience. His comic partner dance with Marjorie Reynolds to the Irving Berlin song “I Can’t Tell a Lie” in Holiday Inn (1942) provides a revealing example. Performed in eighteenth-century costumes and wigs for a Washington’s birthday–themed floor show, the dance is built around abrupt musical shifts between the light classical sound of flute, strings, and harpsichord and four contrasting popular music styles played on the soundtrack by Bob Crosby and His Orchestra, a popular dance band. Moderate swing, a bluesy trumpet shuffle, hot flag-waving swing, and the Conga take turns interrupting what would have been a graceful, if effete, gavotte. The script supervisor heard these contrasts on the set during filming to playback. In her notes, she used commonplace musical terms to describe the action: “going through routine to La Conga music, then music changing back and forth from minuet to jazz—cutting as he holds her hand and she whirls doing minuet.”13 Astaire and Reynolds play professional dancers who are expected to respond correctly and instantaneously to the musical cues being given by the band. In an era when variety was a hallmark of popular music, different dance rhythms and tempos cued different dances. Competency on the dance floor meant a working knowledge of different dance styles and the ability to match these moves to the shifting musical program of the bands that played in ballrooms large and small. The constant stylistic shifts in “I Can’t Tell a Lie” are all to the popular music point. The joke isn’t only that the classical-sounding music that matches the couple’s costumes keeps being interrupted by pop sounds; it’s that the interruptions reference real varieties of popular music heard everywhere outside the movie theaters where Holiday Inn first played to capacity audiences. The routine runs through a veritable catalog of popular dance music circa 1942. The brief bit of Conga was a particularly poignant joke at the time. A huge hit in the late 1930s, the Conga during the war became an invitation to controlled mayhem, a crazy release of energy in a time of crisis when the dance floor was an important place of escape. A regular feature at servicemen’s canteens, the Conga was an old novelty dance everybody knew, so its intrusion into “I Can’t Tell a Lie” can perhaps be imagined as something like hearing the mid-1990s hit “Macarena” after the 2001 terrorist attacks—old party music echoing from a less complicated time.14 If today we miss these finer points, in 1942 audiences—who flocked to this movie—certainly got them all. “I Can’t Tell a Lie” was funnier then, and for specifically musical reasons that had everything to do with the larger world of popular music and dance. As subsequent chapters will demonstrate, many such musical jokes or references can be recovered by listening to Astaire’s films in the context of the popular music marketplace.
Todd Decker (Music Makes Me: Fred Astaire and Jazz)
I rented out everything but a few T-shirts. You can choose between orange shirts designed with either I Don't Do Costumes, Now Step Aside, You're Standing on My Invisible Dog, or If One Door Closes and Another One Opens, Start Worrying, 'Cause Your House Is Probably Haunted." "That's it?" She pursed her lips. "There is one more..." "I'll wear it." "Only if you're absolutely sure." "I'm sure." Halloweener was the most remembered costume at the party.
Kate Angell (The Café Between Pumpkin and Pie (Moonbright, Maine #3))
Jackie Kennedy came into the ballroom in an exquisite gown of ivory satin embroidered with pearls. “I’m so sorry to hear you aren’t feelingwell,” she said, hurrying to Rosemary’s side. Rosemary explained about the mouse-bite, minimizing it so Jackie wouldn’t worry. “You’d better have your legs tied down,” Jackie said, “in case of convulsions.” “Yes, I suppose so,” Rosemary said. “There’s always a chance it was rabid.” She watched with interest as white-smocked interns tied her legs, and her arms too, to the four bedposts. “If the music bothers you,” Jackie said, “let me know and I’ll have it stopped.” “Oh, no,” Rosemary said. “Please don’t change the program on my account. It doesn’t bother me at all, really it doesn’t.” Jackie smiled warmly at her. “Try to sleep,” she said. “We’ll be waiting up on deck.” She withdrew, her satin gown whispering. Rosemary slept a while, and then Guy came in and began making love to her. He stroked her with both hands—a long, relishing stroke that began at her bound wrists, slid down over her arms, breasts, and loins, and became a voluptuous tickling between her legs. He repeated the exciting stroke again and again, his hands hot and sharp-nailed, and then, when she was ready-ready-more-than-ready, he slipped a hand in under her buttocks, raised them, lodged his hardness against her, and pushed it powerfully in.Bigger he was than always; painfully, wonderfully big. He lay forward upon her, his other arm sliding under her back to hold her, his broad chest crushing her breasts. (He was wearing, because it was to be a costume party, a suit of coarse leathery armor.) Brutally, rhythmically, he drove his new hugeness. She opened her eyes and looked into yellow furnace-eyes, smelled sulphur and tannis root, felt wet breath on her mouth, heard lust-grunts and the breathing of onlookers. This is no dream, she thought. This is real, this is happening. Protest woke in her eyes and throat, but something covered her face, smothering her in a sweet stench. The hugeness kept driving in her, the leathery body banging itself against her again and again and again. The Pope came in with a suitcase in his hand and a coat over his arm. “Jackie tells me you’ve been bitten by a mouse,” he said. “Yes,” Rosemary said. “That’s why I didn’t come see you.” She spoke sadly, so he wouldn’t suspect she had just had an orgasm. “That’s all right,” he said. “We wouldn’t want you to jeopardize your health.” “Am I forgiven, Father?” she asked. “Absolutely,” he said. He held out his hand for her to kiss the ring. Its stone was a silver filigree ball less than an inch in diameter; inside it, very tiny, Anna Maria Alberghetti sat waiting. Rosemary kissed it and the Pope hurried out to catch his plane.
Ira Levin (Rosemary’s Baby)
I give her another once-over, taking in her long, toned legs, her smooth stomach, thankfully visible due to her why-bother-wearing-me top. Her body is drop-dead gorgeous, but when you reach her eyes, they speak nothing of vixen, rather more like pure innocence. A total contradiction that has my mind reeling. “So, what are you supposed to be? A cat?” She glances at her outfit and sighs, taking another sip of her beer. She almost seems bored to be at the party. “I’m pretty sure I’m supposed to be a panther but my roommates fell short in the costume department.” “Yeah, really short,” I add, eyeing her barely-there skirt. “Please tell me you’re wearing something under that.” “Nope,” she answers, sipping her beer and then smacking her lips. “I like to feel the wind in my undercarriage when I’m walking.” I wince. “Undercarriage? Fuck, I don’t want you to call it that.” She laughs and shakes her head. “I’m not a lady of the night, Knox. Of course I have something under this skirt.” She lifts up the side, flashing tiny black boy shorts. “Honestly, I’m going to be a librarian. I need to be sensible.” Sensible? More like hot as fuck. I saw partial ass cheek. I grip my beer close to my mouth and take a deep breath. “A sensible librarian wouldn’t flash a horny college guy her underwear.” “Well, maybe I’m more of a modern-day librarian then.” She winks and starts to walk away. “Hey, where are you going?” She looks over her shoulder. “I have more people to flash. Don’t think you’re the only lucky one.” Damn, that doesn’t sit well with me. Not one fucking bit.
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
But it’s Idaho, and when you spend all your hours with horses, your soul expands a bit until the ways of men reveal themselves to be no more than a costume party you’d be well advised not to take at face value.
Richard Powers (The Overstory)
Like the time JTC sent me an invitation to MaryEllen Marini’s costume party, which might have been okay if I was actually invited to her party, and it had been a costume party.
Cindy Callaghan (Lost in Paris)
They resisted him because they wanted things to be easy, as they had been. They glutted themselves on their riches and their games. Feasts manifested that all too much, with their exotic food, their rich costumes. The world itself seemed close to ending, and the Alethi threw a party.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Women and men with bodies covered in feathers and heads crowned with tiny curved horns dangled from the ceiling, twirling and spinning around thick sheets of gold or magenta silk that hung like massive party ribbons. Below them, performers in costumes made of fur, more feathers and paint slathered over skin, prowled and crawled as if they were wild chimeras escaped from another world. Tella saw performers dressed to look like tigers with dragon wings, horses with forked tails, snakes with lion manes, and wolves with ram horns, who growled and nipped and sometimes licked at the hells of guests. There were a few low balconies where shirtless men with wings as large as angels' and fallen stars pushed grinning couples back and forth on giant swings hanging from canopies of thorns and flowers.
Stephanie Garber, Legendary
After stowing their costumes in the carrier behind Frank’s motorcycle, the two boys set off for the center of Bayport. White wisps of fog swirled in the glare of their headlights and almost blotted out traffic. Both riders slowed to a cautious pace. At last the boys maneuvered to a stop in Milton Place just off Main Street. Through the fog and gathering dusk, vague lights could be seen in the big brick building on the opposite corner. “They’re working overtime at the bank,” Joe pointed out and grinned. “Counting the extra money they took in during evening hours.” The brothers walked around the corner onto Main Street and entered a soda shop. Minutes later they emerged, each carrying a two-gallon drum of ice cream packed in dry ice. “Wow! This is cold!” said Joe, as they turned into the alley. Frank and Joe placed the cylinders in Joe’s carrier. “Now for the party!” Frank grinned.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
In a few hours I'm going to be eleven. That's a whole new decade…I have fifteen kids coming here tomorrow night. That's fifteen friends who chose to come to my party instead of Leo's. Even if I'll be stuck wearing a Dorothy costume, I'm going to try to have a good time. After all, like Mom said, I'm only going to turn eleven once. I just wish I wasn't doing it alone.
Wendy Mass (11 Birthdays (Willow Falls, #1))
She didn’t have a standing reservation at SoulCycle or Barry’s Bootcamp, nor did she have any desire to vacation like a migratory bird—with Palm Beach in the winter and East Hampton in the summer. Add to the mix the fact that she was the main breadwinner of the family (gasp!) and she might as well have been showing up to this party in a Halloween costume, she was so out of place.
Lindsay Cameron (No One Needs to Know)
Layla sat on the floor in costume and makeup, waiting for the others for the pre-performance activities that Miss Ginger insisted on. First practice. Then pep talk and prayer. Mercedes slipped into the tiny room and sat beside her, stretching a little. “You okay?” Layla asked. “Talking to the cops freaked me out,” Mercedes confessed. “How am I supposed to dance after that?” Layla met her eyes. “I don't know if Diamond is kidnapped or at a party with movie stars. But somehow I'm not feeling a party.” She spritzed more hair spray on her wayward curls. “Yeah, me neither,” Mercedes admitted. “I got this bad feeling. Damn it! I never should have let her go to the food court alone.” “Hey, you can't swallow this blame,” Layla told her. “That mall is like our second home. There was no way you could have guessed something bad would happen.” “Yeah, I know, but I still feel responsible. I didn't need that new leotard! We shoulda stayed together. If I had just....
Sharon M. Draper (Panic)
Musk loves costume parties as well, and turned up at one dressed like a knight and using a parasol to duel a midget wearing a Darth Vader costume.
Ashlee Vance (Elon Musk: Inventing the Future)
It didn’t take peering at the brass plates at the bottom of the paintings to guess who they must have been: my very own Lord and Lady Uppington, presiding over Uppington Hall in paint as they once had in the flesh. One could almost picture them stepping out of their frames to play host, sweeping aside the tourists and signaling the silent harp into song. The re-enactors were all wrong; from their costumes, they were late Regency, 1820 or so, rather than the pre-Regency period in which I was interested. There was a wide gap between the two, in style and in outlook. But the servants would probably have looked very much the same, in their livery in the Uppington colors, and so would the pre-Victorian Christmas decorations. If I ignored the “party guests” and the other tourists, it was just possible to picture what it might have been like two hundred years ago, when Lord and Lady Uppington had held Christmas at the family seat. I paused, struck by the symmetry of it. It would have been almost exactly two hundred years ago, wouldn’t it? December 1803 to December 2003. It would have been Colin’s ancestors’ first Christmas together after the mad upheaval of their marriage the previous spring. There would have been candles, just as there were now, and the smell of oranges and cloves. There would have been gaily gowned ladies and excited children and tables laden with ratafia biscuits and dried fruit and the inevitable sticky sweet slices of mince pie….
Lauren Willig (Ivy and Intrigue: A Very Selwick Christmas)