Cosmic Horror Quotes

The basis of all true cosmic horror is violation of the order of nature, and the profoundest violations are always the least concrete and describable.

Horror is the natural reaction to the last 5,000 years of history.

Something was creeping and creeping and waiting to be seen and felt and heard.

The cold impassive stars didn't bother him so much as the gaps between them did.

It was just a colour out of space—a frightful messenger from unformed realms of infinity beyond all Nature as we know it; from realms whose mere existence stuns the brain and numbs us with the black extra-cosmic gulfs it throws open before our frenzied eyes.

Come, then, City That Never Sleeps. Let me show you what lurks in the empty spaces where nightmares dare not tread.

Many of us have set out on the path of enlightenment. We long for a release of self-hood in some kind of mystical union with all things. But that moment of epiphany—when we finally see the whole pattern and sense our place in the cosmic web—can be a crushing experience from which we never fully recover. Compassion hurts. When you feel connected to everything, you also feel responsible for everything. You can not turn away. Your destiny is bound to the destinies of others. You must either learn to carry the Universe or be crushed by it. You must grow strong enough to love the world, yet empty enough to sit down at the same table with its worst horrors. To seek enlightenment is to seek annihilation, rebirth, and the taking up of burdens. You must come prepared to touch and be touched by each and every thing in heaven and hell. I am One with the Universe and it hurts.

All health, beauty, intelligence, and social grace has been teased from a vast butcher’s yard of unbounded carnage, requiring incalculable eons of massacre to draw forth even the subtlest of advantages. This is not only a matter of the bloody grinding mills of selection, either, but also of the innumerable mutational abominations thrown up by the madness of chance, as it pursues its directionless path to some negligible preservable trait, and then — still further — of the unavowable horrors that ‘fitness’ (or sheer survival) itself predominantly entails. We are a minuscule sample of agonized matter, comprising genetic survival monsters, fished from a cosmic ocean of vile mutants, by a pitiless killing machine of infinite appetite. (This is still, perhaps, to put an irresponsibly positive spin on the story, but it should suffice for our purposes here.)

Far, far below the deepest delvings of the Dwarves, the world is gnawed by nameless things. Even Sauron knows them not. They are older than he. Now I have walked there, but I will bring no report to darken the light of day

There are black zones of shadow close to our daily paths, and now and then some evil soul breaks a passage through.

You would hardly think, at first, that horrid monsters lie up there waiting to be discovered by any moderately penetrating mind--monsters to which those of the oceans bear no sort of comparison." What monsters may they be?" Impersonal monsters, namely, Immensities. Until a person has thought out the stars and their inter-spaces, he has hardly learnt that there are things much more terrible than monsters of shape, namely, monsters of magnitude without known shape. Such monsters are the voids and waste places of the sky... In these our sight plunges quite beyond any twinkler we have yet visited. Those deep wells for the human mind to let itself down into, leave alone the human body! and think of the side caverns and secondary abysses to right and left as you pass on!... There is a size at which dignity begins," he exclaimed; "further on there is a size at which grandeur begins; further on there is a size at which solemnity begins; further on, a size at which awfulness begins; further on, a size at which ghastliness begins. That size faintly approaches the size of the stellar universe. So am I not right in saying that those minds who exert their imaginative powers to bury themselves in the depths of that universe merely strain their faculties to gain a new horror?

But optimism dribbles away when horror repeats.

Why did you think he described the other world—the one he said he went to most often—as a labyrinth?’ Ketterley shrugged. ‘A vision of cosmic grandeur, I suppose. A symbol of the mingled glory and horror of existence. No one gets out alive.

Concert pianists get to be quite chummy with dead composers. They can't help it. Classical music isn't just music. It's a personal diary. An uncensored confession in the dead of night. A baring of the soul. Take a modern example. Florence and the Machine? In the song 'Cosmic Love,' she catalogs the way in which the world has gone dark, distorting her, when she, a rather intense young woman, was left bereft by a love affair. 'The stars, the moon, they have all been blown out.

Seventeen years is too short to see on the cosmic timetable of our universe, of our planet, or even of our species... [She] doesn't know how many years she'll get, but right now, she's here, among the living. Conscious and breathing. She's alive on this day, in this world full of violence and unthinkable horror, cruelty and kindness, wonder and so much love.

Surely, Sartre had it right. Hell is other people

The Slithering Shadow”, by Robert E Howard. It combines two of my favorite things: cosmic horror, and white-knuckled pulp violence.

I turn away and stare through the window at the field where the scotch broom creeps yellow as hell toward my doorstep. Six years and it has advanced from the hinterlands to the picket fence in the back yard. Six more years and it will have chewed this house to the foundation, braided my bones in its hair.

Horror and the unknown or the strange are always closely connected, so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or “outsideness” without laying stress on the emotion of fear.

I've always known people who thought that "Jesus take the wheel" was somehow comforting, and not a statement of fatalistic horror. Too many humans are happy to hand control over to the first cosmic power to stumble across them.

Fully ten feet high despite a shambling, crouching attitude expressive of infinite cosmic malignancy, a monstrosity of unbelievable horror was shewn starting forward from a Cyclopean ivory throne covered with grotesque carvings.

By means of supernatural horror we may evade, if momentarily, the horrific reprisals of affirmation. Every one of us, having been stolen from nonexistence, opens his eyes on the world and looks down the road at a few convulsions and a final obliteration. What a weird scenario. So why affirm anything, why make a pathetic virtue of a terrible necessity? We are destined to a fool's fate that deserves to be mocked. And since there is no one else around to do the mocking, we will take on the job. So let us delight in the Cosmic Macabre. At least we may send up a few bitter laughs into the cobwebbed corners of this crusty old universe.

Something about the gaping hole in the fabric of the cosmos gave him the chills. He leaned over the edge of the opening, expecting to find birds, or similar avian creations of the night’s sky. Instead, he was met with a swarm of unspeakable horrors; winged, pitiful and grotesquely malformed, and to his great stupor, he noticed they had human faces and that they suffered. And as they poured out of the Well of Making, like children from the womb of the eternal feminine, these luciferin creatures spilled onto the world, shrieking in existential agony, for they knew the pain of their mortality.

For thin is the veil betwixt man and the godless deep. The skies are haunted by that which it were madness to know; and strange abominations pass evermore between earth and moon and athwart the galaxies. Unnameable things have come to us in alien horror and will come again. And the evil of the stars is not as the evil of earth.

In the dark, there is no time, just one moment, stalled out, breathless, that goes on forever.

But as always in my strange and roving existence, wonder soon drove out fear; for the luminous abyss and what it might contain presented a problem worthy of the greatest explorer.

Ketterley shrugged. ‘A vision of cosmic grandeur, I suppose. A symbol of the mingled glory and horror of existence. No one gets out alive.

There are no gods, only teeth.

One senses that it is a region of cosmic antiquity, and that man is no more significant here than any other of the insects that crawl in the dust.

Big squidhead lies a-sleeping at the bottom of the sea, And one day, when the stars are right, he’ll wake up presently, And then may wipe us all out, which sounds worrying to me, While the Tcho-Tcho sing this song… Aie! Ftagn! Ftagn! Cthulhu! Cosmic horror coming to you, The Old Ones are back now with a view to Sucking out your brains. Big Squidhead lies a-sleeping, although, in a way, he’s dead. There are dreams that change reality a-running round his head. He lies in dread R’lyeh, which is on the ocean bed. But pops up and down for fun. And the Tcho-Tcho sing Aie! Ftagn! Ftagn! Yog-Sothoth! The streets will be chockablock with shoggoth, How sweetly their cries ‘Tekeli-li!’ doth Improve the slimy hour. Big Squidhead lies a-scheming at the bottom of the sea, He is counting out the aeons that make up eternity, And when he’s done, it’s curtains for the mast majority, While the Tcho-Tcho get on down. Aie! Ftagn! Ftagn! Shub-Niggurath! We’re on the winning side to see the aftermath, Put on your marching boots because we’re on the path, To the end times, here we come! To the end times, here we come! To the end times! Here! We! Coooooooooome!

A fear of cosmic indifference seemed comical, or downright naive....Beyond them he saw the police forces at the barricade as they muscled the crowd of Negroes back; he saw the decaying facade of his tenement with new eyes; he saw the patrol cars parked in the middle of the road like three great black hounds waiting to pounce on all these gathered sheep. What was indifference compared to malice?

There are forces close here that could kill a herd of elephants in a second as easily as you or I could squash a fly. Our only chance is to keep perfectly still. Our insignificance perhaps may save us.

March 1st—our February 28th according to the International Date Line—the earthquake and storm had come. From Dunedin the Alert and her noisome crew had darted eagerly forth as if imperiously summoned, and on the other side of the earth poets and artists had begun to dream of a strange, dank Cyclopean city whilst a young sculptor had moulded in his sleep the form of the dreaded Cthulhu. March 23d the crew of the Emma landed on an unknown island and left six men dead; and on that date the dreams of sensitive men assumed a heightened vividness and darkened with dread of a giant monster’s malign pursuit, whilst an architect had gone mad and a sculptor had lapsed suddenly into delirium! And what of this storm of April 2nd—the date on which all dreams of the dank city ceased, and Wilcox emerged unharmed from the bondage of strange fever? What of all this—and of those hints of old Castro about the sunken, star-born Old Ones and their coming reign; their faithful cult and their mastery of dreams? Was I tottering on the brink of cosmic horrors beyond man’s power to bear? If so, they must be horrors of the mind alone, for in some way the second of April had put a stop to whatever monstrous menace had begun its siege of mankind’s soul.

Jeremy watches the intergeek distances increase, the outward expansion of geeks, from the central point where they were all clustered just now, out into the dark unknown, like a slow-motion geek explosion. Like the Big Bang of geekdom.

Markedly defective individuals (of the Great Race) were quickly disposed of as soon as their defects were noticed. Disease and the approach of death were, in the absence of a sense of touch or of physical pain, recognised by purely visual symptoms.

I saw the body spread on that dank stone, And knew those things which feasted were not men; I knew this strange, grey world was not my own, But Yuggoth, past the starry voids—and then The body shrieked at me with a dead cry, And all too late I knew that it was I!

In a century or two this planet will have been destroyed by external cosmic forces or by the senseless activity of the human race. Human life is a freak phenomenon, soon to be blotted out. That is a consoling thought. Meanwhile we are surrounded by strange invisible entities, possibly your angels." "I hope so." "Ah, you think they are good, they cannot be good, there is no good, the tendency to evil is overwhelming. One has only to think of the horrors of sex, its violence, its cruelty, its filthy vulgarity, its descent into bestial degradation. You had better go and dream in your monastery." "Would you come and visit me there?" "Of course not. I do not visit. Only, unfortunately, am sometimes visited." "You don't want to discuss — you know — what happened? My priest said — " "No." "I care about how you are, I love you." "You still fail to realise how this sort of talk sickens me. Now please go. This will do for a welcome home scene. Tell them not to come. I desire to be left alone.

Isompi ko lato... täynnä kiemurtelevia köysijä... olento on kokonaisuuvessaan vähän niinkö kananmunan muotoinen ja isompi ko mikkään mitä oon eläissäni nähäny, ja sillä on kymmenittäin sianpään kokosia jalakoja jokka sulkeutuvat puolittain sen astuvessa... siinä ei oo mittään kiintiää - ihanko hillova koko otus ja täynnä erillisiä, luikertelevia köysijä jokka on lähellä toisiaan... suuria, mulukosilimiä joka puolella... kymmene tai kakskymmentä suuta tai kärsää pistää essiin joka puolelta sen kylijistä, yhtä isoja ko savupiiput ja heiluvat ja avautuvat ja sulukeutuvat koko ajan - kaikki harmaita ja niissä on jonkinlaisia sinisiä tai purppuranpunaisia renkuloita... Ja Luoja siunakkoon taivaassa - sillä on kasvot siellä yläpuolella...

He senses something wrong. He sees nothing, hears nothing, yet feels surrounded, then enveloped, by a presence of undiluted evil. He is immobilized. Then a savage merging of oblivion and agony, as if buried alive in a living expanse of living, malignant soil invading the self, violating him, becoming him. Every fiber, every atom, strains with the effort to expel it, to escape.

In Nevada I could feel the Long Crisis with a terrifying intimacy, as if it was some sort of uncanny, bodily contact— like the feeling you get camped out in the swirling, galaxy-littered darkness of the open range when a reptile brushes up against your prostrate body. Except that the reptile at least shares with you some deep, serpentine connection, a lineage lost somewhere in the plummet of primeval time. The Crisis, on the other hand, is a vast creature, not contained by familiar scales of time or space. It is a social terror made of masses of machinery and animals, yet not in any way kin to these components. And what we sense of it today is merely one of its many limbs extending backward from its true body writhing somewhere just out of sight, at home in our own incomprehensible future.

A love that is true to living persons and existing realities is steadfast and fine. But I saw then, for the first time, that a love which was fastened upon the dead and true to nothing but a past that was finished, is not a good nor true emotion. If it went on too long, it could become an incubus, throttling a man from the real life of the present, which is the life that we were fashioned to meet and experience.

Ninety aeons ago, before even the gods had danced upon its pointed peak, that mountain had spoken with fire and roared with the voices of the inner thunders. Now it towered all silent and sinister, bearing on the hidden side that secret titan image whereof rumour told. And there were caves in that mountain, which might be empty and alone with elder darkness, or might—if legend spoke truly—hold horrors of a form not to be surmised.

There are seven occult kingdoms in the universe, which are the kingdoms of Satan and the fallen angels. There are various planes, zones, realms and centers as well as deities, gods and lords. The Five Cosmic Seals (occult levels) are the universal summary of the 400,000 categories of occult initiations, powers and demons (Astrometaphysical Operations). There are male and female, neuter and mermaid spirits (demons or Cosmic Forces).

Compassion for human hurt, a humble sense of our impermanence, an absolute valuation of justice—all of our so-called virtues only trouble us and serve to bolster, not assuage, horror. In addition, these qualities are our least vital, the least in line with life. More often than not, they stand in the way of one’s rise in the welter of this world, which found its pace long ago and has not deviated from it since. The putative affirmations of life—each of them based on the propaganda of Tomorrow: reproduction, revolution in its widest sense, piety in any form you can name—are only affirmations of our desires. And, in fact, these affirmations affirm nothing but our penchant for self-torment, our mania to preserve a demented innocence in the face of gruesome facts. By means of supernatural horror we may evade, if momentarily, the horrific reprisals of affirmation. Every one of us, having been stolen from nonexistence, opens his eyes on the world and looks down the road at a few convulsions and a final obliteration. What a weird scenario. So why affirm anything, why make a pathetic virtue of a terrible necessity? We are destined to a fool’s fate that deserves to be mocked. And since there is no one else around to do the mocking, we will take on the job. So let us indulge in cruel pleasures against ourselves and our pretensions, let us delight in the Cosmic Macabre. At least we may send up a few bitter laughs into the cobwebbed corners of this crusty old universe.

Now, through an act as simple as walking across a stage and collecting an empty plastic folder representing a degree, our stock had plummeted to nothing, the wretched leavings of some cosmic Ponzi scheme. A lifetime's worth of planning and training and delusion gone with the wind. Some of us were moving home to live free of charge in our parents' guest rooms, or if we were thin enough, heading west to try our luck in L.A.; others, to our collective horror, were being forced to work at actual jobs.

I cannot think of the deep sea without shuddering at the nameless things that may at this very moment be crawling and floundering on its slimy bed, worshipping their ancient stone idols and carving their own detestable likenesses on submarine obelisks of water-soaked granite. I dream of a day when they may rise above the billows to drag down in their reeking talons the remnants of puny, war-exhausted mankind- of a day when the land shall sink, and the dark ocean floor shall ascend amidst universal pandemonium.

I thought it was the quiet screwing with my imagination, and the isolation, and the bigness of it--how much of the world I could see laid out in front of me. And how time seemed to be holding its breath. As if everything would stay the way it was forever, with sunset not more than forty minutes away and the sun sitting red over the horizon and that faded clarity in the air. I thought it was those things that were making me see faces where there was nothing but coincidence. I think differently now, but now it's too late.

Bahnsen declared that, appearances to the contrary, all reality is the expression of a unified, unchanging force—a cosmic movement that various philosophers have characterized in various ways. To Bahnsen, this force and its movement were monstrous in nature, resulting in a universe of indiscriminate butchery and mutual slaughter among its individuated parts. Additionally, the “universe according to Bahnsen” has never had a hint of design or direction. From the beginning, it was a play with no plot and no players that were anything more than portions of a master drive of purposeless self-mutilation.

That is to say, believing that God writes books is bad enough, but because the cosmos is a perverse cornucopia, spouting endless tragedies and absurdities, the theist must go one step beyond even that foolish affirmation; she must cast aside all pretense of being a dignified, sentient rebel against the cosmic horrors, and perpetrate a bonus bit of nonsense: she must pretend to care about her manifestly fictional deity while actively ignoring most of what this deity is supposed to have miraculously penetrated the present world to tell her. Having resigned herself to the undead god’s tyranny, with no thought of resistance, the theist utterly abandons herself to the sway of mindless forces, heaping one absurdity upon another until the local process of complexification is complete: natural forces, including the biases and fallacies to which we’re prone,produce a fantasy world in the theist’s mind, a mental map that bears as little relation to natural reality as one cosmos would bear to another in the multiverse. The theist’s worldview, complete with anthropomorphisms, delusions, fallacies, and so forth, stands as an emergent level of reality, like scum floating to the surface which nevertheless boasts patterns of putrefaction that can be divined by an intrepid anthropologist.

I stare at my freakish eyeball, gaze into the distorted pupil until it expands and fills the mirror, fills my brain and I’m rushing through vacuum. Wide awake and so far at such speed I flatten into a subatomic contrail. That grand cosmic maw, that eater of galaxies, possesses sufficient gravitational force to rend the fabric of space and time, to obliterate reality, and in I go, bursting into trillions of minute particles, quadrillions of whining fleas, consumed. Nanoseconds later, I understand everything there is to understand. Reduced to my “essential saltes” as it were, I’m the prime mover seed that gets sown after the heat death of the universe when the Ouroboros swallows itself and the cycle begins anew with a big bang.

To my mind, it’s far from accidental that for the past few decades, every presidential election here in the United States has been enlivened by bumper stickers and buttons calling on voters to support the presidential ambitions of Cthulhu, the tentacled primeval horror featured in H. P. Lovecraft’s tales of cosmic dread. I’m sorry to say that the Great Old One’s campaign faces a serious constitutional challenge, as he was spawned on the world of Vhoorl in the twenty-third nebula and currently resides in the drowned corpse-city of R’lyeh, and as far as I know neither of these are U.S. territories. Still, his bids for the White House have gone much further than most other imaginary candidacies, and I’ve long thought that the secret behind that success is Cthulhu’s campaign slogan: “Why settle for the lesser evil?

There was a single window that tapered into a funnel, with eerie moonlight passing through it, reflecting directly off the globe like a mirror. For a moment, as I rose I saw something glimmering within. Dumbly, with feverish whispers assailing me, I realized it was the center of one of the distant galaxies, flaring after some unknown cataclysm. Its radiance was such that it burst from its prison. It met the moonlight halfway. It created kaleidoscopic colours on the walls. Then, in answer, the reliefs transformed from majestic art into something approaching divine, alive, plays from Egyptian memory, given the spark of life from space. I saw animal-headed gods move. They stepped from the walls to take their place around the altar. All stared at the globe. Each raised their arms in silent supplication. And such was their toxic ecstasy that I wished to join them, to forget my dreadful experiences and revel in something truly wondrous.

Jergen Moltmann writes, End-time histories might better be referred to as exterminism. These are acts of military, economic, or ecological violence. Anyone who talks about “the apocalypse” or “the battle of Armageddon” is providing a religious interpretation for mass human crime, and is trying to make God responsible for what human beings are doing. Nothing has a more fatal effect than the expectation of a fatal future. These “cosmic catastrophe promoters” do not awaken the faith and hope of people. The only result is a general alarmism. What Christian apocalyptic intends is not to evoke horror in the face of the end, but to encourage endurance in resisting the powers of this world. Anyone who interprets the threatening nuclear annihilation of humanity apocalyptically as Armageddon is pushing onto God the responsibility of human beings. This is the height of godlessness and irresponsibility. This type of apocalyptic must be exposed.

ITS ANNIHILATING HOLINESS: In the Hebrew Scriptures, in the desert, under the merciless sun, the Israelites witness repeated outbreaks of Yahweh, Who “is a consuming fire,” an untamable force, a burning pestilence, a plague of serpents. And so is He revealed not just as the Holy Other but as Wholly Other, possessed of a cosmically singular sui generis nature that cannot and will not abide contradiction. In the words of Luther himself, if you sin “then He will devour thee up, for God is a fire that consumeth, devoureth, rageth; verily He is your undoing, as fire consumeth a house and maketh it dust and ashes.” As Otto wrote with such frightening clarity of apprehension, there is something baffling in the way His wrath is kindled and manifested, for it is “like a hidden force of nature, like stored-up electricity, discharging itself upon anyone who comes too near. It is incalculable and arbitrary.” To see His luminance shining from the face of Moses is a horror. To see His face is to die.

Gods do not decide who goes to Heaven or who goes to Hell. That is for the Cosmic Forces to decide. You are as close to being like a God than you ever will be. Gods are the creators and if they are proud of their work they will remain as silent watchers. This isn’t like the ancient times when Gods would interfere in the affairs of man, or whatever creatures they created. They became arrogant and selfish in their deeds, only concerned with their own private agendas and using their creations as tools of blackmail and spite. It got so they were completely shaping the destinies of worlds just to seduce a sibling into practicing explicit acts of intercourse. They were incestuous monstrosities who were given far too many liberties, and they abused the power bestowed upon them. Eventually the Cosmic Forces intervened and limited the powers of the Gods. These days Gods are not born and they do not perform sex. The few that are left are merely prisoners of the Cosmic Forces, free to roam across the Multiverse and create, but unable to indulge in their own egotistical fantasies. They have become tortured souls, much like their creations.

Islam tells us that on the unappealable Day of Judgment, all who have perpetrated images of living things will reawaken with their works, and will be ordered to blow life into them, and they will fail, and they and their works will be cast into the fires of punishment. As a child, I knew that horror of the spectral duplication or multiplication of reality, but mine would come as I stood before large mirrors. As soon as it began to grow dark outside, the constant, infallible functioning of mirrors, the way they followed my every movement, their cosmic pantomime, would seem eerie to me. One of my insistent pleas to God and my guardian angel was that I not dream of mirrors; I recall clearly that I would keep one eye on them uneasily. I feared sometimes that they would begin to veer off from reality; other times, that I would see my face in them disfigured by strange misfortunes. I have learned that this horror is monstrously abroad in the world again. The story is quite simple, and terribly unpleasant. In 1927, I met a grave young woman, first by telephone (because Julia began as a voice without a name or face) and then on a corner at nightfall. Her eyes were alarmingly large, her hair jet black and straight, her figure severe. She was the granddaughter and greatgranddaughter of Federalists, as I was the grandson and great-grandson of Unitarians,* but that ancient discord between our lineages was, for us, a bond, a fuller possession of our homeland. She lived with her family in a big run-down high-ceiling'd house, in the resentment and savorlessness of genteel poverty. In the afternoons— only very rarely at night—we would go out walking through her neighbor-hood, which was Balvanera.* We would stroll along beside the high blank wall of the railway yard; once we walked down Sarmien to all the way to the cleared grounds of the Parque Centenario.*Between us there was neither love itself nor the fiction of love; I sensed in her an intensity that was utterly unlike the intensity of eroticism, and I feared it. In order to forge an intimacy with women, one often tells them about true or apocryphal things that happened in one's youth; I must have told her at some point about my horror of mirrors, and so in 1928 I must have planted the hallucination that was to flower in 1931. Now I have just learned that she has gone insane, and that in her room all the mirrors are covered, because she sees my reflection in them— usurping her own—and she trembles and cannot speak, and says that I am magically following her, watching her, stalking her. What dreadful bondage, the bondage of my face—or one of my former faces. Its odious fate makes me odious as well, but I don't care anymore.

As the sky is clear with an azure apparition of substance that effectively conceals the immensity of its depth—thereby protecting the over-wrought sensibilities of linear humans from the cosmic horrors of the void. The same indifference to existence, including his own, formed the basis of the emotional composition and character of Burning Hot Coals.

[I]t is interesting to note how sharply our prevailing attitudes distinguish between our honoring the “art” of selective breeding and our deep suspicion and disapproval of the “technology” of gene-splicing. Let’s hear it for art, but not for technology, we say, forgetting that the words share a common ancestor, techné, the Greek word for art, skill, or craft in any work. We retreat in horror from genetically engineered tomatoes, and turn up our noses at “artificial” fibers in our clothing, while extolling such “organic” and “natural” products as whole grain flour or cotton and wool, forgetting that grains and cotton plants and sheep are themselves products of human technology, of skillful hybridization and rearing techniques. He who would clothe himself in fibers unimproved by technology and live on food from nondomesticated sources is going to be cold and hungry indeed.

Herein lies the basis of what Lovecraft called “cosmic horror” – the paradoxical realization of the world’s hiddenness as an absolute hiddenness. It is a sentiment frequently expressed in Lovecraft’s many letters: “Now all my tales are based on the fundamental premise that common human laws and interests are emotions have no validity or significance in the vast cosmos-at-large. To me there is nothing but puerility in a tale in which the human form – and the local human passions and conditions and standards – are depicted as native to other worlds or other universes. To achieve the essence of real externality, whether of time or space or dimension, one must forget that such things as organic life, good and evil, love and hate, and all such local attributes of a negligible and temporary race called mankind, have any existence at all…but when we cross the line to the boundless and hideous unknown – the shadow-haunted Outside – we must remember to leave our humanity and terrestrialism at the threshold.

tibi terra levis. “May the earth lie light upon thee,

Sit tibi terra levis. “May the earth lie light upon

It is a curious fact that men who know nothing of each other tend to work in the same direction at the same time. Darwin and Wallace, Mendel and de Vries.

The man was disconcerting and, when I spoke again, it annoyed me to hear that my tone sounded apologetic.

All of us are too much concerned with this life,” she remarked; she spoke as if what she were saying was an obvious fact instead of a philosophic platitude. “It is time that a man like Julian

The true weird tale has something more than secret murder, bloody bones, or a sheeted form clanking chains according to rule. A certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; and there must be a hint, expressed with a seriousness and portentousness becoming its subject, of that most terrible conception of the human brain--a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space

Later, when questioned, he would struggle to articulate how he'd felt with the dog-headed thing within his hands. But he did offer, to anyone to whom he told his story, that he'd never felt as insignificant. Tiny, an irrelevant witness and a mere speck upon a great tide of time that surged ever forward. A tide upon which he too would be extinguished: the spark of all he was doused in less than a cosmic moment, just as the mind that had occupied the skull in his bag had been extinguished so many years before.

Leibniz’s assertion that we live in the best of all possible worlds is, no matter what present appearances suggest, absolutely true – because the issue has to be considered over an entire cosmic Age, not just one snapshot in time. All the horrors of today are necessary for the glories of tomorrow. They provide the dialectical obstacles we must overcome, and we do so by becoming more and more perfect ourselves.

Seals: The Five Cosmic Seals are five occult Level 333, 666, 999, 1330 and 003 operating 400,000 minuet mystical degrees.

First Cosmic Seal: (Devic Seal 333) One who has received this Cosmic Seal is empowered to control not less than 40,000 spirits.

Second Cosmic Seal: (Seal of Karl 666) One who has received this Cosmic Seal is empowered to control not less than 160,000 spirits. Many great politicians, military commanders, etc. on earth are at this occult level of operations. This will be the occult level of Antichrist.

Third Cosmic Seal: (Shiva Seal 999 - Seal Destruction) One who has received this Cosmic Seal is empowered to control not less than 2,500,000 spirits which depends on the mastership of one's occult and psychic projections. Women are generally kept at this level with a few women exceeding this level.

Fourth Cosmic Seal: (Terrestrial Seal 1330 - Seal of Ba-Vara) One who has received this Cosmic Seal (Living Grand Master of the Order of Astral and Terrestrial Hierachy) is empowered to control not less than 100,000,000 spirits and 33,000,000 demi-gods.

Fifth Cosmic Seal: (Liber 003 - Seal of Tuzassotama) One who has received this Cosmic Seal is mystically empowered to proclaim himself as "God, Lord, Universal Master or God-Incarnate" on earth and he controls all spirits of the occult kingdoms.

If the 4th "dimension" is blocked, which is a kind of cosmic umbrella, through which 5D through 9D and higher are designed to operate in physical realms, being non-physical, then the Devil who controls "the spice" controls everything. It would be easy to continue with the reasons behind death, terrible plague on earth.

Sometimes I think our presence here is due to a cosmic blunder, that we were meant for another planet altogether, with other arrangements, and other laws, and other, grimmer skies. I try to imagine it, our true place, off on the far side of the galaxy, whirling and whirling. And the ones who were meant for here, are they out there, baffled and homesick, like us? No, they would have become extinct long ago. How could they survive, these gentle earthlings, in a world that was made to contain us.

The goat let out a god awful high pitched scream as it impaled itself on the shotgun barrel. Shelton pushed the safety to the off position and fired. Goat fur and blood splattered the inside of his Jeep

As he drove down the claustrophobic corridor of khaki colored corn stalks the wicked witch was quickly replaced by Michael Myers. Who better to walk out into the middle of the road at that point. Ok, maybe Leatherface or even Jason Voorhees. The more he let his childhood nightmares fill his mind the faster he drove. The house kept growing in size as he got closer.

I hate puppets. Hate them. They descend from a demonic line parallel to mimes and clowns and are wholly of the devil, especially the lifelike variety.

would not be for the sake of a woman five years dead whose image in my mind was now as evanescent as the smell of lavender in an old drawer.

The universe is a dark forest. Every civilization is an armed hunter stalking through the trees like a ghost, gently pushing aside branches that block the path and trying to tread without sound. Even breathing is done with care. The hunter has to be careful, because everywhere in the forest are stealthy hunters like him. If he finds other life—another hunter, an angel or a demon, a delicate infant or a tottering old man, a fairy or a demigod—there’s only one thing he can do: open fire and eliminate them. In this forest, hell is other people. An eternal threat that any life that exposes its own existence will be swiftly wiped out. This is the picture of cosmic civilization. It’s the explanation for the Fermi Paradox.

His awareness of this life would ultimately become but a dream to him--a series of fading images and memories and feelings that he would not be able to take with him. His entire life would become just like all the rest of the dreams he'd already forgotten.

Shub Niggurath, Black Goat of the Woods with a Thousand Young. Her love is felt across the cosmos and we happily fall under Her warm, eldritch embrace. Iä! Shub-Niggurath! Iä! Shub-Niggurath!

The measurements of space and time, the photographs of far stars and of points of light which proved to be composed of thousands of stars, filled him with an awe which felt like the edge of a delicious panic.

In the fretful days and weeks that followed Caesar’s assassination, evidence of a seemingly cosmic doom was to be seen in the skies. The days began to darken. The sun was lost behind a bruised and violet gloom. Some, like Antony, believed that it was turning its gaze away in horror ‘from the foul wrong done to Caesar’.39 Others, more bleakly, dreaded retribution for the crimes of the entire age, and the onset of an eternal night. These anxieties intensified yet further when a comet was seen burning in the sky for seven days in a row.*5 What did it mean? Once again, there was a variety of opinions. Already, in the immediate wake of Caesar’s death, crowds of angry mourners had set up an altar to him in the Forum; and now, as the fiery star streaked across the sky, a conviction gathered weight that the soul of the slain Dictator was ascending to heaven, ‘there to be received among the spirits of the immortal gods’.40 Others, though, were unconvinced. Comets, after all, were baneful things.

The brutality of language conceals the banality of thought and, with certain major exceptions, is indistinguishable from a kind of conformism. Cities, once the initial euphoria of discovery had worn off, were beginning to provoke in her a kind of unease. in New York, there was nothing, deep down, that appealed to her in the mixture of puritanism and megalomania that typified this people without a civilization. What helps you live, in times of helplessness or horror? The necessity of earning or kneading, the bread that you eat, sleeping, loving, putting on clean clothes, rereading an old book, the smell of ripe cranberries and the memory of the Parthenon. All that was good during times of delight is exquisite in times of distress. The atomic bomb does not bring us anything new, for nothing is more ancient than death. It is atrocious that these cosmic forces, barely mastered, should immediately be used for murder, but the first man who took it into his head to roll a boulder for the purpose of crushing his enemy used gravity to kill someone. She was very courteous, but inflexible regarding her decisions. When she had finished with her classes, she wanted above all to devote herself to her personal work and her reading. She did not mix with her colleagues and held herself aloof from university life. No one really got to know her. Yourcenar was a singular an exotic personage. She dressed in an eccentric but very attractive way, always cloaked in capes, in shawls, wrapped up in her dresses. You saw very little of her skin or her body. She made you think of a monk. She liked browns, purple, black, she had a great sense of what colors went well together. There was something mysterious about her that made her exciting. She read very quickly and intensely, as do those who have refused to submit to the passivity and laziness of the image, for whom the only real means of communication is the written word. During the last catastrophe, WWII, the US enjoyed certain immunities: we were neither cold nor hungry; these are great gifts. On the other hand, certain pleasures of Mediterranean life, so familiar we are hardly aware of them - leisure time, strolling about, friendly conversation - do not exist. Hadrian. This Roman emperor of the second century, was a great individualist, who, for that very reason, was a great legist and a great reformer; a great sensualist and also a citizen, a lover obsessed by his memories, variously bound to several beings, but at the same time and up until the end, one of the most controlled minds that have been. Just when the gods had ceased to be, and the Christ had not yet come, there was a unique moment in history, between Cicero and Marcus Aurelius, when man stood alone. We know Yourcenar's strengths: a perfect style that is supple and mobile, in the service of an immense learnedness and a disabused, decorative philosophy. We also know her weakness: the absence of dramatic pitch, of a fictional progression, the absence of effects. Writers of books to which the work ( Memoirs of Hadrian ) or the author can be likened: Walter Pater, Ernest Renan. Composition: harmonious. Style: perfect. Literary value: certain. Degree of interest of the work: moderate. Public: a cultivated elite. Cannot be placed in everyone's hands. Commercial value: weak. People who, like her, have a prodigious capacity for intellectual work are always exasperated by those who can't keep us with them. Despite her acquired nationality, she would never be totally autonomous in the US because she feared being part of a community in which she risked losing her mastery of what was so essential to her work; the French language. Their modus vivendi could only be shaped around travel, accepted by Frick, required by Yourcenar.

Was I tottering on the brink of cosmic horrors beyond man’s power to bear? If so,

Take me to our cosmic egg!

The grass inside that rough grouping did look a bit patchy and yellow compared to the thigh-high greenery in the rest of the field (it stretches down to a wide acreage of mixed oaks, firs, and birches), but it was by no means dead. What caught my attention closer by was a little cluster of sumac bushes. Those weren't dead, either--at least I don't think so, but the leaves were black instead of green-streaked-with-red, and they had no shape. They were ill-formed things, somehow hard to look at. They offended the order the eye expected. I can't put it any better than that.

The day was fading. The sun was a ball of red gas, flattened at the top and bottom, sitting above the western horizon. The river was a long, bloody snake in its reflected glow, eight or ten miles distant, but the sound of it carrying to me on the still evening air. Blue-gray woods rose behind it in a series of ridges to the far horizon. I couldn't see a single house or road. Not a bird sang. It was as if I'd been tumbled back four hundred years in time. Or four million. The first white streamers of groundmist were rising out of the hay--which was high. Nobody had been in there to cut it, although that was a big field, and good graze. The mist came out of the darkening green like breath. As if the earth itself was alive.

Decades of debauchery Erode both body and soul ‘Til mortal becomes mere shade Devoid of substance and light. The living are like strangers As the dead draw all too near.

She’s part of the nothing now.” Hot tears flooded Monique’s cheeks. She tried to swallow the burning lump in her throat. “We fed her to the empty place.” “No, No Lady smiled wide and shook her head. “Most of the universe is empty. We feel stretches of the worm, and she’s with him now, and full and infinatellsetsfree-” Her words smashed together and thinned like Phoebe across time, becoming nothing.

[...] fun for me was sneaking off to peer into a tidal pool, to grasp the intricacies of the creatures that lived there. Sustenance for me was tied to ecosystem and habitat, orgasm the sudden realization of the interconnectivity of living things. Observation had always meant more to me than interaction. He knew all of this, I think. But I never could express myself that well to him, although I did try, and he did listen. And yet, I was nothing but expression in other ways. My sole gift or talent, I believe now, was that places could impress themselves upon me, and I could become a part of them with ease. Even a bar was a type of ecosystem, if a crude one, and to someone entering, someone without my husband’s agenda, that person could have seen me sitting there and had no trouble imagining that I was happy in my little bubble of silence. Would have had no trouble believing I fit in [...]

To the North of this, in the direction of the West, I saw The Place Where The Silent Ones Kill; and this was so named, because there, maybe ten thousand years gone, certain humans adventuring from the Pyramid, came off the Road Where The Silent Ones Walk, and into that place, and were immediately destroyed. And this was told by one who escaped; though he died also very quickly, for his heart was frozen. And this I cannot explain; but so it was set out in the Records.

WAY PAST ALL OUR BEDTIMES and loving it, the kids and I were soaked to the skin and shivering around the bonfire. I heard Seamus clear his throat to tell one of his famous ghost stories. I remembered them from when I was a kid. Run-of-the-mill ghost stories were for pansies. Seamus’s tales were H. P. Lovecraft–inspired yarns about fish creatures so horrifying, just the sight of them made people go insane. I mean, anyone can scare a little child. Few can introduce them to cosmic horror.

Sometimes sad people take permanent steps to cure a temporary mood.

Only the monstrous could ever be ascendant. Sadists and sociopaths had completely enslaved us and removed any chance of inner or spiritual life. The inmost light had been doused within a whole species.

He was a man uneasy on the earth. He recognized himself as purposeless and of a species purposeless and born into a universe that had no purpose. He saw human life and indeed all life as the result of a series of accidental cosmic occurrences. He viewed the human mind as he viewed the beak of a bird or the roots of a tree, saw it as nothing more nor less than the latest chapter in the history of adjustments to those reasonless occurrences. With a deathly seriousness, he divined that everything about himself, as well as about his entire serious kind, possessed an element of exquisite and excruciating comedy. Occasionally he laughed at the huge joke of human pomposity; more often then long thin crooked fingers of his powerful hands would rise quickly and nervously to his head, and there try to caress the crop of thick black wiry hair into some kind of order... From the enormous futility, he derived no sense of liberty whatever, but instead only a kind of bleak, questioning unrest. Any horror might be true: there was no golden Book or Rules to prevent it.

They ate my humanity but no humanity in beginning humans Earth dust atoms Clever microorganisms defy gods But defy nothing Phantom of truth Beneath reality's facade

...horror reminds us of the utter hopelessness and meaninglessness of evil and suffering; when a child dies of cancer there is no “hidden” meaning, no cosmic plan that we have to wait for to be revealed one day that will make sense of this great suffering, rather, the death of any child is an utter disgrace, a meaningless void of pain that hurts every part of what it means to be human, and any attempt to frame such tragedy as part of God’s plan needs to be exorcised from all our thinking.

The gospel is the declaration that love has entered into the fullness of our violence, fear, and horror in the Person of Jesus; love is the cosmic cure to the totality of death, not simply a soothing word when we are trembling, but the promise that one day all will be well.