Correct Grammar Quotes

Ha-ha. The dumb jock who can’t talk the Queen’s English. I swear to God, the next person who corrects my grammar gets punched in the face.

Forming grammatically correct sentences is for the normal individual the prerequisite for any submission to social laws. No one is supposed to be ignorant of grammaticality; those who are belong in special institutions. The unity of language is fundamentally political.

The truth was I'd given up waiting long ago. The moment had passed, the door between the lives we could have led and the lives we led had shut in our faces. Or better to say, in my face. Grammar of my life: as a rule of thumb, wherever there appears a plural, correct for singular. Should I ever let slip a royal We put me out of my misery with a swift blow to the head.

Kim was more than a little inclined to snarl at him, but in the past few days she had learned that snarling at Mairelon did little good. He simply smiled and corrected her grammar.

I am silently correcting your grammar.

That Grace looked annoyed at me. "I didn't say you would go to jail, Junie B.," she said. "I just wish you would say the word correctly, that's all.

Let me just acknowlege that the function of grammar is to make language as efficent and clear and transparent as possible. But if we’re all constantly correcting each other’s grammar and being really snotty about it, then people stop talking because they start to be petrified that they’re going to make some sort of terrible grammatical error and that’s precisely the opposite of what grammar is supposed to do, which is to facilitate clear communication.

No comma, no period, no adjective or adverb was beneath his interest. He made no distinction between grammar and content, between form and substance. A poorly written sentence was a poorly conceived idea, and in his view the grammatical logic was as much in need of correction. “Tell me,” he would say, “why have you placed this comma here? What relationship between these phrases are you hoping to establish?

Another pair of cop cars heads over the hill. “You just drive nice, okay?” “Nicely,” she snaps. “What?” “Drive nicely, that’s how you say it. Not drive nice.” Oh God. Nicely. Correcting my grammar even at gunpoint. I’m so fucking hot for her, I think I might burst into flames.

She was, in fact, quite a pleasant looking girl, even if her bosom had clearly been intended for a girl two feet taller; but she was not Her. The Egregious Professor of Grammar and Usage would have corrected this to "she was not she," which would have caused the Professor of Logic to spit out his drink.

Most often when I stammer That's my brain Correcting my grammer.

Not long ago, I advertised for perverse rules of grammar, along the lines of "Remember to never split an infinitive" and "The passive voice should never be used." The notion of making a mistake while laying down rules ("Thimk," "We Never Make Misteaks") is highly unoriginal, and it turns out that English teachers have been circulating lists of fumblerules for years. As owner of the world's largest collection, and with thanks to scores of readers, let me pass along a bunch of these never-say-neverisms: * Avoid run-on sentences they are hard to read. * Don't use no double negatives. * Use the semicolon properly, always use it where it is appropriate; and never where it isn't. * Reserve the apostrophe for it's proper use and omit it when its not needed. * Do not put statements in the negative form. * Verbs has to agree with their subjects. * No sentence fragments. * Proofread carefully to see if you any words out. * Avoid commas, that are not necessary. * If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing. * A writer must not shift your point of view. * Eschew dialect, irregardless. * And don't start a sentence with a conjunction. * Don't overuse exclamation marks!!! * Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents. * Writers should always hyphenate between syllables and avoid un-necessary hyph-ens. * Write all adverbial forms correct. * Don't use contractions in formal writing. * Writing carefully, dangling participles must be avoided. * It is incumbent on us to avoid archaisms. * If any word is improper at the end of a sentence, a linking verb is. * Steer clear of incorrect forms of verbs that have snuck in the language. * Take the bull by the hand and avoid mixed metaphors. * Avoid trendy locutions that sound flaky. * Never, ever use repetitive redundancies. * Everyone should be careful to use a singular pronoun with singular nouns in their writing. * If I've told you once, I've told you a thousand times, resist hyperbole. * Also, avoid awkward or affected alliteration. * Don't string too many prepositional phrases together unless you are walking through the valley of the shadow of death. * Always pick on the correct idiom. * "Avoid overuse of 'quotation "marks."'" * The adverb always follows the verb. * Last but not least, avoid cliches like the plague; seek viable alternatives." (New York Times, November 4, 1979; later also published in book form)

The stoics divided philosophy into three branches: logic, physics, and ethics. Logic covered not only the rules of correct argumentation, but also grammar, linguistics, rhetorical theory, epistemology, and all the tools that might be needed to discover the truth of any matter. Physics was concerned with the nature of the world and the laws that govern it, and so included ontology and theology as well as what we would recognize as physics, astronomy, and cosmology. Ethics was concerned with how to achieve happiness, or how to live a fulfilled and flourishing life as a human being. A stoic sage was supposed to be fully expert in all three aspects.

You're barely older than me.' 'Than I,' he corrected me with a little smile.

The Egregious Professor of Grammar and Usage would have corrected this to ‘she was not she’, which would have caused the Professor of Logic to spit out his drink.

Stoic rhetoric identified five “virtues” of speech: 1. Correct grammar and good vocabulary 2. Clarity of expression, making the ideas easily understood 3. Conciseness, employing no more words than necessary 4. Appropriateness of style, suited to the subject matter and apparently also to the audience 5. Distinction, or artistic excellence, and the avoidance of vulgarity

It's wrong to take even those occasional long sentences in the Quixote with loose structures, and subdivide, tighten and correct them because they are not instances of stylistic carelessness but examples of Cervantes's masterly creation of realistic dialogue: His amused observation of the deleterious effects of natural verbosity, or of passionate interest in the subject under discussion, on the speaker's grammar.

With whom,” Logan corrects from his booth making me want to give him a big grammar Nazi high five.

Act “naturally.” It’s called an adverb, asshole, I think, but I don’t say it. He seems to get perverse pleasure when I correct his grammar.

And here’s an example of deliberate violation of a Fake Rule:   Fake Rule: The generic pronoun in English is he. Violation: “Each one in turn reads their piece aloud.”   This is wrong, say the grammar bullies, because each one, each person is a singular noun and their is a plural pronoun. But Shakespeare used their with words such as everybody, anybody, a person, and so we all do when we’re talking. (“It’s enough to drive anyone out of their senses,” said George Bernard Shaw.) The grammarians started telling us it was incorrect along in the sixteenth or seventeenth century. That was when they also declared that the pronoun he includes both sexes, as in “If a person needs an abortion, he should be required to tell his parents.” My use of their is socially motivated and, if you like, politically correct: a deliberate response to the socially and politically significant banning of our genderless pronoun by language legislators enforcing the notion that the male sex is the only one that counts. I consistently break a rule I consider to be not only fake but pernicious. I know what I’m doing and why.

watched after her sourly and considered correcting her grammar—it wasn’t could care less, it was couldn’t care less. It was an error that always irked me.

That is the correct grammar, you know: her husband and me.

watching her husband and me trade cash for keys. (That is the correct grammar, you know: her husband and me.)

I don't know anything but the simplest rules of English grammar, and I seldom consciously apply them. Nevertheless, I instinctively write correctly and, I like to think, in an interesting fashion. I know when something sounds right and when it doesn't, and I can tell the difference without hesitation, even when writing at breakneck speed. How do I do this? I haven't the faintest idea.

According to Diogenes Laertius, Stoic rhetoric identified five “virtues” of speech: 1. Correct grammar and good vocabulary 2. Clarity of expression, making the ideas easily understood 3. Conciseness, employing no more words than necessary 4. Appropriateness of style, suited to the subject matter and apparently also to the audience 5. Distinction, or artistic excellence, and the avoidance of vulgarity

Despite the months that had melted into years since I had left my native Scotland, I liked to maintain a grip on my heritage and a certain amount of decorum when it came to correct spelling, punctuation, and grammar. It may sound dull, but I assure you, I am not. I just appreciate the correct use of the English language.

The sad truth is, S—, most people are not writers. This has nothing to do with literacy—or intelligence, or general culture. There are people who can correct the grammar, spelling, diction, and style of a college English paper with the best of them—who are still not writers. Indeed, most of what gets published in books, magazines, and newspapers is not written by real writers—which is one reason why so much of it is so bad.

Correct spelling, correct punctuation, correct grammar. Hundreds of rules for itsy-bitsy people. No one could remember all that stuff and concentrate on what he was trying to write about. It was all table manners, not derived from any sense of kindness or decency or humanity, but originally from an egotistic desire to look like gentlemen and ladies. Gentlemen and ladies had good table manners and spoke and wrote grammatically. It was what identified one with the upper classes. In Montana, however, it didn’t have this effect at all. It identified one, instead, as a stuck-up Eastern ass.

Oh, those lapses, darling. So many of us walk around letting fly with “errors.” We could do better, but we’re so slovenly, so rushed amid the hurly-burly of modern life, so imprinted by the “let it all hang out” ethos of the sixties, that we don’t bother to observe the “rules” of “correct” grammar. To a linguist, if I may share, these “rules” occupy the exact same place as the notion of astrology, alchemy, and medicine being based on the four humors. The “rules” make no logical sense in terms of the history of our language, or what languages around the world are like. Nota bene: linguists savor articulateness in speech and fine composition in writing as much as anyone else. Our position is not—I repeat, not—that we should chuck standards of graceful composition. All of us are agreed that there is usefulness in a standard variety of a language, whose artful and effective usage requires tutelage. No argument there. The argument is about what constitutes artful and effective usage. Quite a few notions that get around out there have nothing to do with grace or clarity, and are just based on misconceptions about how languages work. Yet, in my experience, to try to get these things across to laymen often results in the person’s verging on anger. There is a sense that these “rules” just must be right, and that linguists’ purported expertise on language must be somehow flawed on this score. We are, it is said, permissive—perhaps along the lines of the notorious leftist tilt among academics, or maybe as an outgrowth of the roots of linguistics in anthropology, which teaches that all cultures are equal. In any case, we are wrong. Maybe we have a point here and there, but only that.

Cordelia glared at me. 'I expect if someone strapped you to table an swung an axe over your naked quivering flesh like The Pit and the Pendulum, you'd be correcting his grammar'.

He implied without saying." ...I scarcely had the heart to cross out "without quite saying" and to note in the margin, politely and succinctly, "

It's good netiquette to judge others by the the intent of their words not content of characters. NetworkEtiquette.net

And that’s often the problem, isn’t it? In writing and in so many things: that we accept things we’re taught without thinking about them at all.

Were have you been did you run of to give your spy riport to the Germans. Noel corrected the grammar and spelling, wrote None of your business, you utter ignoramus at the bottom and handed it back.

You're correcting my grammar now? Yes, I'm helping you to be better. And I expect the same from you. What if I don't want to be better? Then you'll be just a petulant, infinitive-splitting eavesdropper.

You're correcting my grammar now? Yes, I'm helping you to be better. And I expect the same from you. What if I don't want to be better?' Then you'll be just a petulant, infinitive-splitting eavesdropper.

I told them this was their language, this English, this most marvellous and expressive cloak of meaning and imagination. This great, exclamatory, illuminating song, it belonged to anyone who found it in their mouths. There was no wrong way to say it, or write it, the language couldn’t be compelled or herded, it couldn’t be tonsured or pruned, pollarded or plaited, it was as hard as oaths and as subtle as rhyme. It couldn’t be forced or bullied or policed by academics; it wasn’t owned by those with flat accents; nobody had the right to tell them how to use it or what to say. There are no rules and nobody speaks incorrectly, because there is no correctly: no high court of syntax. And while everyone can speak with the language, nobody speaks for the language. Not grammars, not dictionaries. They just run along behind, picking up discarded usages. This English doesn’t belong to examiners or teachers. All of you already own the greatest gift, the highest degree this country can bestow. It’s on the tip of your tongue.

If I have put the case of science at all correctly, the reader will have recognised that modern science does much more than demand that it shall be left in undisturbed possession of what the theologian and metaphysician please to term its 'legitimate field'. It claims that the whole range of phenomena, mental as well as physical-the entire universe-is its field. It asserts that the scientific method is the sole gateway to the whole region of knowledge.

One summer day when I was about ten, I sat on a stoop, chatting with a group of girls my age. We were all in pigtails and shorts and basically just killing time. What were we discussing? It could have been anything—school, our older brothers, an anthill on the ground. At one point, one of the girls, a second, third, or fourth cousin of mine, gave me a sideways look and said, just a touch hotly, “How come you talk like a white girl?” The question was pointed, meant as an insult or at least a challenge, but it also came from an earnest place. It held a kernel of something that was confusing for both of us. We seemed to be related but of two different worlds. “I don’t,” I said, looking scandalized that she’d even suggest it and mortified by the way the other girls were now staring at me. But I knew what she was getting at. There was no denying it, even if I just had. I did speak differently than some of my relatives, and so did Craig. Our parents had drilled into us the importance of using proper diction, of saying “going” instead of “goin’ ” and “isn’t” instead of “ain’t.” We were taught to finish off our words. They bought us a dictionary and a full Encyclopaedia Britannica set, which lived on a shelf in the stairwell to our apartment, its titles etched in gold. Any time we had a question about a word, or a concept, or some piece of history, they directed us toward those books. Dandy, too, was an influence, meticulously correcting our grammar or admonishing us to enunciate our words when we went over for dinner. The idea was we were to transcend, to get ourselves further. They’d planned for it. They encouraged it. We were expected not just to be smart but to own our smartness—to inhabit it with pride—and this filtered down to how we spoke.

Critical thinking using root definitions is a skill set that allows an individual, by themselves, to judge and settle disputes as well as set limits on what is considered to be morally ethical and correct manners of someone who has one’s behavior in society. However, critical thinking is much more than its root definition. Critical thinking is skillfully defining, intellectualizing, analyzing, and evaluating data and information gathered from all sources and producing belief and action in rhetoric that provides clarity and consistency through evidence and reason.

Without the Oxford comma, you can give people the wrong idea. Famously, the London Times newspaper once ran a brief description of a television documentary featuring Peter Ustinov, promising: Highlights of his global tour include encounters with Nelson Mandela, an 800-year-old demigod and a dildo collector.

The English alphabet is comprised of twenty-six letters.” Cue the sirens, because here come the grammar cops. Use plain “comprise” to mean “made up of” and you’re on safe ground. But as soon as you’re about to attach the word “of” to the word “comprise,” raise your hands to the sky and edit yourself. Once you’ve lowered your hands.

My name is Arthur and I was born in the Ardennes, or so I have been told, but I cannot be at all sure that the assertion is correct, particularly since, as you have divined, I do not in the least accept that the universe can be broken down into distinct and separate locations. I would say simply 'I was born,' if even this proposition did not mistakenly present the fact it expresses as an action completed in the past, instead of a state where time is boundless. The verb was created in such a way that all of its modes are a function of time, and I am convinced that syntax in itself anoints man as a slave to this concept, since he can only conceive thought through syntax, and his brain is essentially no more than a grammar.

Though bad writing has always been with us, the rules of correct usage are the smallest part of the problem. Any competent copy editor can turn a passage that is turgid, opaque, and filled with grammatical errors into a passage that is turgid, opaque, and free of grammatical errors. Rules of usage are well worth mastering, but they pale in importance behind principles of clarity, style, coherence, and consideration for the reader.

I fell in love with my country because of the stories my grandfather told me and because of our travels together through the south. He taught me history and geography, showed me maps, made me read Chilean writers, corrected my grammar and handwriting. As a teacher, he was short on patience but long on severity; my errors made him red with anger, but if he was content with my work he would reward me with a wedge of Camembert cheese,

Every person of intelligence should be able to use his mother tongue correctly. It only requires a little pains, a little care, a little study to enable one to do so, and the recompense is great. Consider the contrast between the well-bred, polite man who knows how to choose and use his words correctly and the underbred, vulgar boor, whose language grates upon the ear and jars the sensitiveness of the finer feelings. The blunders of the latter, his infringement of all the canons of grammar, his absurdities and monstrosities of language , make his very presence a pain, and one is glad to escape from his company. The proper grammatical formation of the English language , so that one may acquit himself as a correct conversationalist in the best society or be able to write and express his thoughts and ideas upon paper in the right manner, may be acquired in a few lessons.

There is a love for structure in them that I recognize, and a desire to worship correctness that I know and I share. When I look at them, I think: to prize traditionalism above all else in a church that began in revolution is to do a great violence to it. But I feel that same ache for the past in myself: to uphold the columns of literature, grammar, the Western tradition. The English language began as an upheaval; I am not protecting it when I try to guard it against change. The Jesus Christ of it, Chaucer, walked across the water telling dirty jokes, made twenty stories stretch to feed a million people, spelled the word "cunt" five ways, performed miracles. Any innovation I put down on paper is an attempt to remind myself of this. I am not modern. I was not born to blaze new paths or bring down walls. I break form against my nature to tell myself that revolution, too, is a tradition that must be upheld.

Beyond this [checking for spelling, punctuation, and grammar] is where copyediting can elevate itself from what sounds like something a passably sophisticated piece of software should be able to accomplish--it can't, not for style, not for grammar (even if it thinks it can), and not even for spelling (more on spelling, much more on spelling, later)--to true craft. On a good day, it achieves something between a really thorough teeth cleaning--as a writer once described it to me--and a whiz-bang magic act.

This accounted not only for the habit of abbreviating whenever possible, but also for the almost exaggerated care that was taken to make every word easily pronounceable. In Newspeak, euphony outweighed every consideration other than exactitude of meaning. Regularity of grammar was always sacrificed to it when it seemed necessary. And rightly so, since what was required, above all for political purposes, were short clipped words of unmistakable meaning which could be uttered rapidly and which roused the minimum of echoes in the speaker’s mind. The words of the B vocabulary even gained in force from the fact that nearly all of them were very much alike. Almost invariably these words—goodthink, Minipax, prolefeed, sexcrime, joy camp, Ingsoc, bellyfeel, thinkpol, and countless others—were words of two or three syllables, with the stress distributed equally between the first syllable and the last. The use of them encouraged a gabbling style of speech, at once staccato and monotonous. And this was exactly what was aimed at. The intention was to make speech, and especially speech on any subject not ideologically neutral, as nearly as possible independent of consciousness. For the purposes of everyday life it was no doubt necessary, or sometimes necessary, to reflect before speaking, but a Party member called upon to make a political or ethical judgment should be able to spray forth the correct opinions as automatically as a machine gun spraying forth bullets. His training fitted him to do this, the language gave him an almost foolproof instrument, and the texture of the words, with their harsh sound and a certain willful ugliness which was in accord with the spirit of Ingsoc, assisted the process still further. So did the fact of having very few words to choose from. Relative to our own, the Newspeak vocabulary was tiny, and new ways of reducing it were constantly being devised.

Deleuze and Guattari have been totally misunderstood because the following has been wrenched from context: "Forming grammatically correct sentences is for the normal individual the prerequisite for any submission to social laws. No one is supposed to be ignorant of grammaticality; those who are belong in special institutions. The unity of language is fundamentally political." (112) They are NOT advocating for this sort of prescriptive approach to language; rather, they are describing the social system around language--how language is a political tool. Why persist in quoting them as though they are promoting some sort of linguistic purity?

In 1861, just a year after Gage’s death, this view was further cemented through the work of Pierre Paul Broca, a physician in Paris who documented a patient who appeared normal except that he had a severe speech deficit. The patient could understand and comprehend speech perfectly, but he could utter only one sound, the word “tan.” After the patient died, Dr. Broca confirmed during the autopsy that the patient suffered from a lesion in his left temporal lobe, a region of the brain near his left ear. Dr. Broca would later confirm twelve similar cases of patients with damage to this specific area of the brain. Today patients who have damage to the temporal lobe, usually in the left hemisphere, are said to suffer from Broca’s aphasia. (In general, patients with this disorder can understand speech but cannot say anything, or else they drop many words when speaking.) Soon afterward, in 1874, German physician Carl Wernicke described patients who suffered from the opposite problem. They could articulate clearly, but they could not understand written or spoken speech. Often these patients could speak fluently with correct grammar and syntax, but with nonsensical words and meaningless jargon. Sadly, these patients often didn’t know they were spouting gibberish. Wernicke confirmed after performing autopsies that these patients had suffered damage to a slightly different area of the left temporal lobe.

Our parents had drilled us under the importance of using proper diction, of saying “going” instead of “goin” and “isn’t” instead of “ain’t “. We were taught to finish off words. They bought us a dictionary and a full Encyclopedia Britannica set, which lived on a shelf in the stairwell to our apartment, its titles etched in gold. Any time we had a question about a word, or a concept, or some piece of history, they directed us toward those books. Dandy, too, was an influence, meticulously correcting our grammar and admonishing us to enunciate our words when we went over for dinner. The idea was we were to transcend, to get ourselves further. They’d planned for it. They encouraged it. We were expected not just to be smart but to own our smartness – to inhabit it with pride – and this filtered down to how we spoke.

In every area of thought we must rely ultimately on our judgments, tested by reflection, subject to correction by the counterarguments of others, modified by the imagination and by comparison with alternatives. Antirealism is always a conjectural possibility: the question can always be posed, whether there is anything more to truth in a certain domain than our tendency to reach certain conclusions in this way, perhaps in convergence with others. Sometimes, as with grammar or etiquette, the answer is no. For that reason the intuitive conviction that a particular domain, like the physical world, or mathematics, or morality, or aesthetics, is one in which our judgments are attempts to respond to a kind of truth that is independent of them may be impossible to establish decisively. Yet it may be very robust all the same, and not unjustified. To be sure, there are competing subjectivist explanations of the appearance of mind-independence in the truth of moral and other value judgments. One of the things a sophisticated subjectivism allows us to say when we judge that infanticide is wrong is that it would be wrong even if none of us thought so, even though that second judgment too is still ultimately grounded in our responses. However, I find those quasi-realist, expressivist accounts of the ground of objectivity in moral judgments no more plausible than the subjectivist account of simpler value judgments. These epicycles are of the same kind as the original proposal: they deny that value judgments can be true in their own right, and this does not accord with what I believe to be the best overall understanding of our thought about value. There is no crucial experiment that will establish or refute realism about value. One ground for rejecting it, the type used by Hume, is simply question-begging: if it is supposed that objective moral truths can exist only if they are like other kinds of facts--physical, psychological, or logical--then it is clear that there aren't any. But the failure of this argument doesn't prove that there are objective moral truths. Positive support for realism can come only from the fruitfulness of evaluative and moral thought in producing results, including corrections of beliefs formerly widely held and the development of new and improved methods and arguments over time. The realist interpretation of what we are doing in thinking about these things can carry conviction only if it is a better account than the subjectivist or social-constructivist alternatives, and that is always going to be a comparative question and a matter of judgment, as it is about any other domain, whether it be mathematics or science or history or aesthetics.

To begin with, it has nothing to do with archaism, with the salvaging of obsolete words and turns of speech, or with the setting-up of a "standard English" which must never be departed from. On the contrary, it is especially concerned with the scrapping of every word or idiom which has outworn its usefulness. It has nothing to do with correct grammar and syntax, which are of no importance so long as one makes one's meaning clear, or with the avoidance of Americanisms, or with having what is called "good prose style." On the other hand it is not concerned with fake simplicity and the attempt to make written English colloquial. Nor does it even imply in every case preferring the Saxon word to the Latin one, though it does imply using the fewest and shortest words that will cover one's meaning. What is above all needed is to let the meaning choose the word, and not the other way about. In prose the worst thing one can do with words is to surrender to them. When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing, you probably hunt about till you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possible and get one's meaning as clear as one can through pictures or sensations. Afterwards one can choose--not simply accept--the phrases that will best cover the meaning, and then switch round and decide what impression one's words are likely to make on another person. This last effort of the mind cuts out all stale or mixed images, all prefabricated phrases, needless repetitions, and humbug and vagueness generally.

descriptive grammars, that is, they set out to account for the language we use without necessarily making judgements about its correctness. However, the word ‘grammar’, as we have seen, can be used to indicate what rules exist for combining units together and whether these have been followed correctly. For example, the variety of English I speak has a rule that if you use a number greater than one with a noun, the noun has to be plural (I say ‘three cats’, not ‘three cat’). Books which set out this view of language are prescriptive grammars which aim to tell people how they should speak rather than to describe how they do speak. Prescriptive grammars contain the notion of the ‘correct’ use of language. For example, many people were taught that an English verb in the infinitive form (underlined in the example below) should not be separated from its preceding to. So the introduction to the TV series Star Trek …to boldly go where no man has gone before is criticised on the grounds that to and go should not be

I awoke to the fraud that had been committed in socialism’s name, and felt an immediate obligation to do something about it. All those laws formulated by the British Labour Party, which set out to organize society for the greater good of everyone, by controlling, marginalizing or forbidding some natural human activity, took on another meaning for me. I was suddenly struck by the impertinence of a political party that sets out to confiscate whole industries from those who had created them, to abolish the grammar schools to which I owed my education, to force schools to amalgamate, to control relations in the workplace, to regulate hours of work, to compel workers to join a union, to ban hunting, to take property from a landlord and bestow it on his tenant, to compel businesses to sell themselves to the government at a dictated price, to police all our activities through quangos designed to check us for political correctness. And I saw that this desire to control society in the name of equality expresses exactly the contempt for human freedom that I encountered in Eastern Europe.

Erroneous plurals of nouns, as vallies or echos. Barbarous compound nouns, as viewpoint or upkeep. Want of correspondence in number between noun and verb where the two are widely separated or the construction involved. Ambiguous use of pronouns. Erroneous case of pronouns, as whom for who, and vice versa, or phrases like “between you and I,” or “Let we who are loyal, act promptly.” Erroneous use of shall and will, and of other auxiliary verbs. Use of intransitive for transitive verbs, as “he was graduated from college,” or vice versa, as “he ingratiated with the tyrant.” Use of nouns for verbs, as “he motored to Boston,” or “he voiced a protest.” Errors in moods and tenses of verbs, as “If I was he, I should do otherwise,” or “He said the earth was round.” The split infinitive, as “to calmly glide.” The erroneous perfect infinitive, as “Last week I expected to have met you.” False verb-forms, as “I pled with him.” Use of like for as, as “I strive to write like Pope wrote.” Misuse of prepositions, as “The gift was bestowed to an unworthy object,” or “The gold was divided between the five men.” The superfluous conjunction, as “I wish for you to do this.” Use of words in wrong senses, as “The book greatly intrigued me,” “Leave me take this,” “He was obsessed with the idea,” or “He is a meticulous writer.” Erroneous use of non-Anglicised foreign forms, as “a strange phenomena,” or “two stratas of clouds.” Use of false or unauthorized words, as burglarize or supremest. Errors of taste, including vulgarisms, pompousness, repetition, vagueness, ambiguousness, colloquialism, bathos, bombast, pleonasm, tautology, harshness, mixed metaphor, and every sort of rhetorical awkwardness. Errors of spelling and punctuation, and confusion of forms such as that which leads many to place an apostrophe in the possessive pronoun its. Of all blunders, there is hardly one which might not be avoided through diligent study of simple textbooks on grammar and rhetoric, intelligent perusal of the best authors, and care and forethought in composition. Almost no excuse exists for their persistent occurrence, since the sources of correction are so numerous and so available.

Broca’s area is adjacent to the part of the motor-control strip dedicated to the jaws, lip, and tongue, and it was once thought that Broca’s area is involved in the production of language (though obviously not speech per se, because writing and signing are just as affected). But the area seems to be implicated in grammatical processing in general. A defect in grammar will be most obvious in the output, because any slip will lead to a sentence that is conspicuously defective. Comprehension, on the other hand, can often exploit the redundancy in speech to come up with sensible interpretations with little in the way of actual parsing. For example, one can understand The dog bit the man or The apple that the boy is eating is red just by knowing that dogs bite men, boys eat apples, and apples are red. Even The car pushes the truck can be guessed at because the cause is mentioned before the effect. For a century, Broca’s aphasics fooled neurologists by using shortcuts. Their trickery was finally unmasked when psycholinguists asked them to act out sentences that could be understood only by their syntax, like The car is pushed by the truck or The girl whom the boy is pushing is tall. The patients gave the correct interpretation half the time and its opposite half the time—a mental coin flip.

The aim is to get the students actively involved in seeking this evidence: their role is not simply to do tasks as decided by teachers, but to actively manage and understand their learning gains. This includes evaluating their own progress, being more responsible for their learning, and being involved with peers in learning together about gains in learning. If students are to become active evaluators of their own progress, teachers must provide the students with appropriate feedback so that they can engage in this task. Van den Bergh, Ros, and Beijaard (2010: 3) describe the task thus: Fostering active learning seems a very challenging and demanding task for teachers, requiring knowledge of students’ learning processes, skills in providing guidance and feedback and classroom management. The need is to engage students in this same challenging and demanding task. The suggestion in this chapter is to start lessons with helping students to understand the intention of the lesson and showing them what success might look like at the end. Many times, teachers look for the interesting beginning to a lesson – for the hook, and the motivating question. Dan Willingham (2009) has provided an excellent argument for not thinking in this way. He advocates starting with what the student is likely to think about. Interesting hooks, demonstrations, fascinating facts, and likewise may seem to be captivating (and often are), but he suggests that there are likely to be other parts of the lesson that are more suitable for the attention-grabber. The place for the attention-grabber is more likely to be at the end of the lesson, because this will help to consolidate what has been learnt. Most importantly,Willingham asks teachers to think long and hard about how to make the connection between the attention-grabber and the point that it is designed to make; preferably, that point will be the main idea from the lesson. Having too many open-ended activities (discovery learning, searching the Internet, preparing PowerPoint presentations) can make it difficult to direct students’ attention to that which matters – because they often love to explore the details, the irrelevancies, and the unimportant while doing these activities. One of Willingham's principles is that any teaching method is most useful when there is plenty of prompt feedback about whether the student is thinking about a problem in the right way. Similarly, he promotes the notion that assignments should be primarily about what the teacher wants the students to think about (not about demonstrating ‘what they know’). Students are very good at ignoring what you say (‘I value connections, deep ideas, your thoughts’) and seeing what you value (corrections to the grammar, comments on referencing, correctness or absence of facts). Thus teachers must develop a scoring rubric for any assignment before they complete the question or prompts, and show the rubric to the students so that they know what the teacher values. Such formative feedback can reinforce the ‘big ideas’ and the important understandings, and help to make the investment of

How can you trust someone who doesn't bother to spell correctly or can't manage to lay out a simple declarative sentence?

Every time you argue with your word processor about whether or not to indent that line, to correct that grammar, or fix that typo, you are killing your creativity!

Let me guess—you were good at hockey and football when you were at school, but not at tennis.” He laughed at that, eyes crinkling at the corners. “Tennis? At an Inverness grammar school? Soft Southron sport, we’d have called it; game for poofters. But I take your point—no, you’re right, I was fine at the football, but not much at rounders. Why?” “You don’t have any binocular vision,” I said. “Chances are that someone noticed it when you were a child, and made an effort to correct it with prismatic lenses—but it’s likely that it would have been too late by the time you were seven or eight,” I added hastily, seeing his face go blank. “If that’s going to work, it needs to be done very young—before the age of five.” “I don’t … binocular vision? But doesn’t everyone?… I mean, both my eyes do work, don’t they?” He looked mildly bewildered. He looked down into the palm of his hand, closing one eye, then the other, as though some answer might be found among the lines there. “Your eyes are fine,” I assured him. “It’s just that they don’t work together. It’s really a fairly common condition—and many people who have it don’t realize it. It’s just that in some people, for one reason or another, the brain never learns to merge the images coming in from both eyes in order to make a three-dimensional image.” “I don’t see in three dimensions?” He looked at me, now, squinting hard, as though expecting me suddenly to flatten out against the wall. “Well, I haven’t quite got a trained oculist’s kit”—I waved a hand at the burned-out candle, the wooden spoon, the drawn figures, and a couple of sticks I had been using—“nor yet an oculist’s training. But I’m reasonably sure, yes.

When it comes to the college essay, feel free to break some rules. Many still apply, of course: you need to watch your grammar and spell everything correctly. Sentence structure still matters. But the formula that got you A’s in English can be a straitjacket when you’re writing your college essay.

mind. He’s got one foot in bed already.   ____   When it comes to the college essay, feel free to break some rules. Many still apply, of course: you need to watch your grammar and spell everything correctly. Sentence structure still matters. But the formula that got you A’s in English can be a straitjacket when you’re writing your college essay.

of writing instruction in both K–12 schools and colleges is a symptom of this cluelessness among professionals. We would not likely see such inconsistency, after all, if any one or two approaches to teaching writing had had any discernible success. To mention just a few examples of this inconsistency, some K–12 teachers (but not all) virtually equate good writing with correct grammar, but when and if those students get to college they are often told that grammar is overrated, if not completely unimportant. In some cases, students encounter these confusingly conflicting attitudes toward grammar side by side both in K–12 and college. In a similarly confusing way, “writing” in K–12 often means creative writing or personal narrative, but in college the term shifts without warning to mean rigorous exposition, analysis, and argument. This shift often comes as a surprise or shock to students—if they become aware of it at all—because neither K–12 schools nor colleges take responsibility for informing students about it, much less explaining and justifying it.

When writing a letter the street laborer should bear in mind that only the letter of a street-laborer is expected from him, no matter to whom his communication may be addressed and that neither the grammar nor the diction of a Chesterfield or Gladstone is looked for in his language.

Not long after this attempt, the issue arose again. A conference on November 8 instructed Joseph Smith to review the commandments and 'correct those errors or mistakes which he may discover by the holy Spirit.' Correcting 'errors' in language supposedly spoken by God again raised the question of authenticity. If from God, how could the language be corrected? Correction implied Joseph's human mind had introduced errors; if so, were the revelations really his productions? The editing process uncovered Joseph's anomalous assumptions about the nature of revealed words. He never considered the wording infallible. God's language stood in an indefinite relationship to the human language coming through the Prophet. The revealed preface to the Book of Commandments specified that the language of the revelations was Joseph Smith's: 'These commandments are of me, and were given unto my servants in their weakness, after the manner of their language, that they might come to understanding.' They were couched in language suitable to Joseph's time. The idioms, the grammar, even the tone had to be combrehensible to 1830s Americans. Recognizing the pliability of the revealed words, Joseph freely edited the revelations 'by the Holy Spirit,' making emendations with each new edition. He thought of his revelations as imprinted on his mind, not graven in stone. With each edition, he patched pieces together and altered the wording to clarify meaning. The words were both his and God's.

For those learning English as a second language, there is little to do but roll the eyes, tear at the hair, and grimly memorize each one.

Split infinitive This, the saying or writing of to really think, to boldly go, etc., is the best known of the imaginary rules that petty linguistic tyrants seek to lay upon the English language. There is no grammatical reason whatever against splitting an infinitive and often the avoidance of one lands the writer in trouble, as in Fowler’s example: The men are declared strongly to favour a strike. Here, in the course of evading the suspect to strongly favour, the writer has left the reader in some doubt whether strongly applies to the declaring or the favouring. As Fowler remarks elsewhere in his article: It is of no avail merely to fling oneself desperately out of temptation; one must do it so that no traces of the struggle remain; that is, sentences must be thoroughly remodelled instead of having a word lifted from its original place and dumped elsewhere. A warning that every writer, at least, should take generally to heart. Towards the end of the piece, Fowler lays down his recommended policy: We will split infinitives rather than be barbarous or artificial; more than that, we will freely admit that sufficient recasting will get rid of any s[plit] i[nfinitive] without involving either of those faults, [and] yet reserve to ourselves the right of deciding in each case whether recasting is worth while. The whole Fowler notice deserves and repays perusal, all 1800-odd words of it. See MEU, pp. 558–561. That last sentence of his is as true as any such sentence can be. But although he was writing nearly seventy years ago, the ‘rule’ against split infinitives shows no signs of yielding to reason. This fact prompts some gloomy conclusions. One such is that anti-split-infinitive fanatics are beyond reason. Another is that, whatever anybody may say, split infinitives are still to be avoided in most circumstances. Consider: people with strong erroneous views about ‘correct’ English are just the sort of people who consider your application for a job, decide whether you are ‘educated’ or not, wonder about your general suitability for this and that (e.g. your inclusion in a reading list). Do you want to be right or do you want to get on? – sorry, to succeed. I personally think that to split an infinitive is perfectly legitimate, but I do my best never to split one in public and I would certainly not advise anybody else to do so, even today. Today we have reached a point at which some of our grammatical martinets have not actually been taught grammar, with the result that they are as hard as ever on the big SI without being at all clear what it is. Indeed, even their slightly better-educated predecessors were often shaky on the point, seeming to think that a phrase like ‘X is thought to be easily led’ contained an example. Any ungainly departure from natural word-order is likely to betray a fear that a splittable infinitive may be lurking somewhere in the reeds. When a correspondent, a self-declared Yorkshireman, demands of the editor of The Times, ‘Have you lost completely your sense of proportion?’ seasoned campaigners will sniff the air, in this case and others without result. But nobody is ever quite safe.

(...) this first-approximation reification of language very easily passes over unnoticed into a harder idealization, especially in everyday parlance. It is this idealization that, for instance, leads people to say that "the language" is degenerating because teenagers don't know how to talk anymore (they were saying that in the eighteenth century too!). It is also behind seeing the dictionary as an authority on the "correct meanings" of words rather than as an attempt to record how words are understood in the speech community. Even linguists adopt this stance all the time in everyday life (especially as teachers of students who can't write a decent paragraph). But once we go inside the heads of speakers to study their own individual cognitive structure, the stance must be dropped.

In McDonough’s classroom study, recasts (and other forms of corrective feedback) were more likely to have been noticed because the Thai learners were accustomed to traditional grammar instruction and a focus on accuracy. This is not always the case, however. As we learned in Chapter 5, when the instructional focus is on expressing meaning through subject-matter instruction, the teachers’ recasts may not be perceived by the learners as an attempt to correct their language form but rather as just another way of saying the same thing. Later in this chapter we will look at classroom studies related to the ‘Get it right in the end’ position that have investigated the effects of more explicit corrective feedback on second language learning.

I hate it when people misuse the word 'literally,'' Eva said. Jordy noted that the grammar was corrected but the swearing went unremarked.

I love you all for bearing with me, whether I was asking your opinion on the best sources to base the magic in the book off of, hearing your suggestions on wording, or having an argument with you on just how "that sentence has completely correct grammar." On that note, also telling me when the fantasy just got way too cheesy.

There is no great writing, only great rewriting.

Oh, those lapses, darling. So many of us walk around letting fly with “errors.” We could do better, but we’re so slovenly, so rushed amid the hurly-burly of modern life, so imprinted by the “let it all hang out” ethos of the sixties, that we don’t bother to observe the “rules” of “correct” grammar. To a linguist, if I may share, these “rules” occupy the exact same place as the notion of astrology, alchemy, and medicine being based on the four humors. The “rules” make no logical sense in terms of the history of our language, or what languages around the world are like.

Correcting my grammar even at gunpoint. I’m so fucking hot for her, I think I might burst into flames.

brakes as a squad car of grammar police pulls that burgeoning sentence to the side of the road and demands that “like” be replaced with “such as.

The first English grammar book to achieve lasting influence and popularity by creating laws for language was Robert Lowth’s 1758 A Short Introduction to English Grammar. Lowth boldly announced that it was his aim to “lay down rules” for grammar. These rules, he felt, were usually best presented by showing violations of them along with judicious corrections. Accordingly, he assembled examples from some of the very worst syntactical offenders available in English at the time, true grammatical failures including Shakespeare, Donne, Pope, Swift, and Milton.

Never correct someone's grammar if you understood what they meant. Verbalism doesn't increase the information content of a message. The academic exercise of judging one's form of expression is a clear mark of a non-doer.

Teddy had trouble with people using they/them as their pronouns. “I understand it,” he’d said once when Gretchen corrected him but he was clearly frustrated. “But it’s grammatically wrong.” It haunted him, this misuse of grammar.

[During the honeymoon at a Catskill resort] A quiz was held during the afternoon, and guests were invited to volunteer. I raised my hand, of course, and became one of the contestants.... I was third in line, and when I rose to field my question in the first round, spontaneous laughter broke out from the audience. They had laughed at no one else. The trouble was that I looked anxious, and when I look anxious I look even more stupid than usual. The reason I was anxious was that I wanted to shine and feared I would not. I knew that I was neither handsome, self-assured, athletic, wealthy, nor sophisticated. The only thing I had going for me was that I was clever and I wanted to show off to Gertruded. And I was afraid of failing and spelling "weigh" "WIEGH." I ignored the laughter as best I could, and tried to concentrate. The master of ceremonies, trying not to grin and failing, said, "Use the word 'pitch' in sentences in such a way to demonstrate five different meanings of the word." (Heaven only knows where he got his questions.) More laughter, as I paused for a moment to collect my thoughts. I then said, "John pitched the pitch-covered ball as intensely as though he was fighting a pitched battled, while Mary singing in a high-pitched voice, pitched a tent." The laughter stopped as though someone had pulled a plug out of the socket. The master of ceremonies had me repeat it, counted the pitches, considered them, and pronounced me correct. Naturally by the time the quiz was over, I had won.... I noticed, though, that winning the quiz did not make me popular at the resort. Many people resented having wasted their laughter. The thought apparently was that I had no right to look stupid without being stupid; that, by doing so, I had cheated.

special acknowledgments 1. my sun & rain, who believed i could write this even when i didn't. 1. my father, who probably didn't know i was a writer but will hopefully be proud of me for writing this. 1. my sister-savior, who wouldn't imagine giving up on me even in the darkest of times. 1. the rest of my family, who always encouraged me to keep moving forward even if it meant pushing me out of my comfort zone. 1. my beta readers (christine, mira, danika, shauna, rob, mason & lauren), who cried while reading this & — most importantly — pointed out my inconsistencies & corrected most of my grammar mistakes.

From the sixteenth century onwards, prescriptive works in Britain largely follow Priscian’s Latin model. Bullokar’s Bref Grammar for English (1586), for example, takes the eight Priscianic word classes set out in William Lily’s Grammar of Latin in English (c.1540) and applies them to English; the prescriptions of Robert Lowth’s Introduction to English Grammar (1762) are likewise informed by Latin, and even by 1795, Lindley Murray’s English Grammar was arguing for three nominal cases (nominative, genitive, accusative), justified on the model of Latin, in spite of the fact that English – then as now – only regularly distinguishes nominative and accusative in pronouns (he saw me vs. I saw him). While prescriptive grammarians of English are no longer as in thrall to Latin as they once were, many complaints about ‘bad’ English, as we saw in Chapter 1, start from assumptions about Latin grammar. Simon Heffer’s Strictly English: The correct way to write… and why it matters, published in 2011, still condemns the use of split infinitives, though its author seems more relaxed than his predecessors about ending sentences with prepositions (p.

the discovery of a crumpled love note in Kazuko’s school locker. Kazuko had striking cheekbones. They glazed the sunshine and sliced the shadows into two parts: darker and lighter. Her eyes sat on top of her cheekbones with a curve, sliding into her temples. Boys stuttered at her; she could correct their grammar while all they could think about was kissing her pert lips. She enrolled in modelling school and learned about manicures, pedicures, skin massage points, creams and the secrets of a flawless complexion. “Look at me, Toyo-nesan!” she exclaimed with a heavy book balanced on her head, walking back and forth along the corridor. “This is how models walk.” Toyo lived with Ryu in the building that housed his menswear shop. From her window she could see customers entering and exiting, the traffic from the nearby train station ebbing and flowing as work began and finished. At first Ryu did not want her to assist in the shop. She could not see why and was affronted by his refusal even to let her come downstairs: “Get back up, Toyo! Don’t let the customers see you.” Kazuko told Toyo that he wanted to keep her beauty all to himself, that her entry into the Zhang family was already spreading like wildfire down the street, and the increased traffic past the menswear shop consisted, partially, of

If our parents didn't speak to us when we were very small, the opportunity to enter the world of language would close. There are reports from various countries and at various times of children who were found running wild. They learnt to survive by running and hunting with dogs or wolves, but they couldn't speak and it was very difficult for them to learn to speak. The fact that we can speak is based on the fact of parents and friends talking with us; without them we would be empty; we are filled with them and this is amazing. Gratitude starts to dissolve the barrier of duality; without you there is no me. 'I am me because I am not you!' is our ordinary ego position: I am who I am. But what do we have? Language. We were invited into it by people repeatedly speaking to us when we were small, and kindly correcting our grammar and vocabulary. The teachers at school helped us to learn to read and write and not to make our notebooks such a mess. The competencies that we now have were transmitted to us; we become ourselves through the other.

None of my professors at BYU had examined my writing the way Professor Steinberg did. No comma, no period, no adjective or adverb was beneath his interest. He made no distinction between grammar and content, between form and substance. A poorly written sentence was a poorly conceived idea, and in his view the grammatical logic was as much in need of correction. “Tell me,” he would say, “why have you placed this comma here? What relationship between these phrases are you hoping to establish?” When I gave my explanation sometimes he would say, “Quite right,” and other times he would correct me with lengthy explanations of syntax.

I woke up every morning at six to study—because it was easier to focus in the mornings, before I was worn out from scrapping. Although I was still fearful of God’s wrath, I reasoned with myself that my passing the ACT was so unlikely, it would take an act of God. And if God acted, then surely my going to school was His will. The ACT was composed of four sections: math, English, science and reading. My math skills were improving but they were not strong. While I could answer most of the questions on the practice exam, I was slow, needing double or triple the allotted time. I lacked even a basic knowledge of grammar, though I was learning, beginning with nouns and moving on to prepositions and gerunds. Science was a mystery, perhaps because the only science book I’d ever read had had detachable pages for coloring. Of the four sections, reading was the only one about which I felt confident. BYU was a competitive school. I’d need a high score—a twenty-seven at least, which meant the top fifteen percent of my cohort. I was sixteen, had never taken an exam, and had only recently undertaken anything like a systematic education; still I registered for the test. It felt like throwing dice, like the roll was out of my hands. God would score the toss. I didn’t sleep the night before. My brain conjured so many scenes of disaster, it burned as if with a fever. At five I got out of bed, ate breakfast, and drove the forty miles to Utah State University. I was led into a white classroom with thirty other students, who took their seats and placed their pencils on their desks. A middle-aged woman handed out tests and strange pink sheets I’d never seen before. “Excuse me,” I said when she gave me mine. “What is this?” “It’s a bubble sheet. To mark your answers.” “How does it work?” I said. “It’s the same as any other bubble sheet.” She began to move away from me, visibly irritated, as if I were playing a prank. “I’ve never used one before.” She appraised me for a moment. “Fill in the bubble of the correct answer,” she said. “Blacken it completely. Understand?” The test began. I’d never sat at a desk for four hours in a room full of people. The noise was unbelievable, yet I seemed to be the only person who heard it, who couldn’t divert her attention from the rustle of turning pages and the scratch of pencils on paper. When it was over I suspected that I’d failed the math, and I was positive that I’d failed the science. My answers for the science portion couldn’t even be called guesses. They were random, just patterns of dots on that strange pink sheet. I drove home. I felt stupid, but more than stupid I felt ridiculous. Now that I’d seen the other students—watched them march into the classroom in neat rows, claim their seats and calmly fill in their answers, as if they were performing a practiced routine—it seemed absurd that I had thought I could score in the top fifteen percent. That was their world. I stepped into overalls and returned to mine.

But what are you going to say when she asks you about it?" I asked. Lizzie cleared her throat. "Miss Watson, dat sum conebread lak I neva before et." "Try 'dat be,' " I said. "That would be the correct incorrect grammar." "Dat be sum of conebread lak neva I et," she said. "Very good," I said.

I cannot take advice from anyone who does not know how to use the words, know and no correctly.

I had no idea what I wanted to be when I grew up, which is a problem when you've already grown up

It has become increasingly common for people, for a variety of reasons, to use "they/them" as their personal pronouns rather than using gendered pronouns. Unfortunately, people who object to using or respecting the use of they/them pronouns often point to "grammar" as the reason they cannot use someone's correct pronouns. These people are both disrespectful and incorrect: the singular "they" is the English language dates back to the 1300s. Regardless, grammar is a pathetic excuse to deny someone their humanity and not use their correct pronouns.

Then, at Miletus, at the beginning of the fifth century before our era, Thales, his pupil Anaximander, Hecataeus and their school find a different way of looking for answers. This immense revolution in thought inaugurates a new mode of knowledge and understanding, and signals the first dawn of scientific thought. The Milesians understand that by shrewdly using observation and reason, rather than searching for answers in fantasy, ancient myths or religion – and, above all, by using critical thought in a discriminating way – it is possible to repeatedly correct our world view, and to discover new aspects of reality which are hidden to the common view. It is possible to discover the new. Perhaps the decisive discovery is that of a different style of thinking, where the disciple is no longer obliged to respect and share the ideas of the master but is free to build on those ideas without being afraid to discard or criticize the part that can be improved. This is a novel middle way, placed between full adherence to a school and generic deprecation of ideas. It is the key to the subsequent development of philosophical and scientific thinking: from this moment onwards, knowledge begins to grow at a vertiginous pace, nourished by past knowledge but at the same time by the possibility of criticism, and therefore of improving knowledge and understanding. The dazzling incipit of Hecataeus’s book of history goes to the heart of this critical thinking, including as it does the awareness of our own fallibility: ‘I wrote things which seem true to me, because the accounts of the Greeks seem to be full of contradictory and ridiculous things.’ According to legend, Heracles descended to Hades from Cape Tenaro. Hecataeus visits Cape Tenaro, and determines that there is in fact no subterranean passage or other access to Hades there – and therefore judges the legend to be false. This marks the dawn of a new era. This new approach to knowledge works quickly and impressively. Within a matter of a few years, Anaximander understands that the Earth floats in the sky and the sky continues beneath the Earth; that rainwater comes from the evaporation of water on Earth; that the variety of substances in the world must be susceptible to being understood in terms of a single, unitary and simple constituent, which he calls apeiron, the indistinct; that the animals and plants evolve and adapt to changes in the environment, and that man must have evolved from other animals. Thus, gradually, was founded the basis of a grammar for understanding the world which is substantially still our own today.

No one had ever taught the sad prisoners how to write letters, because, in the school, the noun and the verb and grammar were considered more important; which was quite right and correct, since how could a hired man possibly strew dung over a field if he didn’t know what a possessive pronoun was and what sort of bread would a woman bake if she didn’t know on what tree the nominative case grew?

it does not contain any correct grammar.

Another pair of cop cars heads over the hill. “You just drive nice, okay?” “Nicely,” she snaps. “What?” “Drive nicely, that’s how you say it. Not drive nice.” Oh God. Nicely. Correcting my grammar even at gunpoint. I’m so fucking hot for her, I think I might burst into flames.

From the Bridge” by Captain Hank Bracker Pebbles, Rocks & Mountains Rocks can be formed in many different ways and are found in just about every corner of our planet, the Moon, up in space and who knows where else. Now pebbles are the mini-me’s of rocks and generally are about one to three inches in size. Geologists will tell you that they are about 5 millimeters in diameter, but who’s counting? In fact there are two beaches that are made up entirely of pebbles such as the Shingle Beach in Somerset, England. Generally pebbles are found along rivers, streams and creeks whereas mountains are usually a part of a chain that was created along geothermal fault lines. The process of Mountain formation is associated with movements of the earth's crust, which is referred to as plate tectonics. See; now that I looked it up, I know these things! What I’m about to say has absolutely nothing to do with geology and everything to do about human nature. In the course of events we never trip over mountains and seldom over rocks, but tripping over pebbles is another thing. Marilyn French, a writer and feminist scholar is credited with saying, “Men (she should have included Women) stumble over pebbles, never over mountains.” She was the lady (I should have said woman) whose provocative 1977 novel, “The Women's Room” captured the frustration and fury of a generation of women fed up with society's traditional conceptions of their roles (and this is true). However, this has nothing to do with the feminist movement and is simply a metaphor. Of course we’re not going to trip over mountains, not unless we are bigger than the “Jolly Green Giant!” and so it’s usually the little things that trip us up and cause us problems. What comes to mind is found on page 466 of The Exciting Story of Cuba. This is a book that won two awards by the “Florida Authors & Publishers Association” and yet there are small mistakes. They weren’t even caused by me or my team and yet there they are, getting bigger and bigger every time I look at them. Now I’m not about to tell you what they are, since that would take the fun out of it, but if you look hard enough in the book, you’ll succeed in discovering them! I will however tell you that one of these mistakes was caused by a computer program called “Word.” It’s wonderful that this program has a spell check and can even correct my grammar, but it can’t read my mind. In its infernal wisdom, the program was so insistent that it was right and that I was wrong that it changed the spelling of, in this case, the name of a person in the middle of the night. It happened while I was sleeping! I would have seen it if it had been as big as a mountain, however being just a little pebble it escaped my review and even escaped the eagle eyes of Lucy who still remains the best proof reader and copy editor that I know. When you discover what I missed please refrain from emailing me, although, normally, I would really enjoy hearing from you! I unfortunately already know most of the errors in the book, for which I take full responsibility. The truth of it is that my mistakes leave me feeling stupid and frustrated. Now, you may disagree with me however I don’t think that I am really all that stupid, but when you write hundreds of thousands of words, a few of them might just slip between the cracks. None of us are infallible and we all make mistakes. I sometimes like to say that “I once thought that I had made a mistake, but then found out that I was mistaken.” And so it is; if you think about it, it’s the pebbles that create most of our problems, not the rocks and certainly not the mountains. I’ll let you know as soon as my other books, Suppressed I Rise – Revised Edition; Seawater One…. And Words of Wisdom, “From the Bridge” are available. It’s Seawater One that has the naughty bits in it… but that just spices it up. Now with that book you can really tell me what you think….

Growing up with well-educated parents and an older sister with her Master’s Degree in English Language and Literature, I was left with little wiggle room as a child to use poor grammar. When I would inadvertently slip, I would be corrected in a matter of moments—excuse me, seconds! While it may have been irritating for a 10-year-old, I am eternally grateful as an adult that the grammar police kept me in line.

Even with my focused intention to be eloquent and reflect perfect grammar, syntax, and punctuation in my writing, I still flub up occasionally. Thank heavens for spell check, auto-correct, and the brilliance of my amazing editor Elizabeth Dixon. None of us is perfect, but our editing needs to be as thorough as possible if we hope to make a great impression.

In order to speak and write the English language correctly, it is imperative that the fundamental principles of the Grammar be mastered, for no matter how much we may read of the best authors, no matter how much we may associate with and imitate the best speakers,

I found your letter on the sidewalk and I corrected your grammar. Wrote "avoid hyperbole" in the margins, "your not you're." Gave it a D- and left it on the sidewalk for you to find.