Cornish Quotes

We've searched our database for all the quotes and captions related to Cornish. Here they are! All 100 of them:

Love is as varied and unpredictable as the rain is: it comes in constant summer drizzles, or sudden, unforseen storms that make rivers burst their banks and Cornish fishing boats rock and spill and lose their crew in the Atlantic.
Susan Fletcher (Eve Green)
I wish people weren't so set on being themselves, when that means being a bastard.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
Conversation in its true meaning isn't all wagging the tongue; sometimes it is a deeply shared silence.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
There, in the center of that silence was not eternity but the death of time and a loneliness so profound the word itself had no meaning. For loneliness assumed the absence of other people, and the solitude she found in that desperate terrain had never admitted the possibility of other people. She wept then. Tears for the deaths of the littlest things: the castaway shoes of children; broken stems of marsh grass battered and drowned by the sea; prom photographs of dead women she never knew; wedding rings in pawnshop windows; the tiny bodies of Cornish hens in a nest of rice.
Toni Morrison (Sula)
To lose somebody is to lose not only their person but all those modes and manifestations into which their person has flowed outwards; so that in losing a beloved one may find so many things, pictures, poems, melodies, places lost too: Dante, Avignon, a song of Shakespeare's, the Cornish sea.
Iris Murdoch (A Severed Head)
We tend to think human knowledge as progressive; because we know more and more, our parents and grandparents are back numbers. But a contrary theory is possible - that we simply recognize different things at different times and in different ways.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
Everything matters. The Universe is approximately fifteen billion years old, and I swear that in all that time, nothing has ever happened that has not mattered, has not contributed in some way to the totality.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
Conversations and jokes together, mutual rendering of good services, the reading together of sweetly phrased books, the sharing of nonsense and mutual attentions.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
The little boy nodded at the peony and the peony seemed to nod back. The little boy was neat, clean and pretty. The peony was unchaste, dishevelled as peonies must be, and at the height of its beauty.(...) Every hour is filled with such moments, big with significance for someone.
Robertson Davies (What's Bred in the Bone (Cornish Trilogy, #2))
You are like a fire: you warm me.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
A world without corruption would be a strange world indeed - and a damned bad world for lawyers, let me say.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
If you cling frantically to the good, how are you to find out what the good really is?
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
Be not another if thou canst be thyself.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
Subtle wits like to refresh themselves with a whiff of mild indecency.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
The house stank; a stench all its own pervaded every corner. It was a threnody in the key of Cat minor, with a ground-bass of Old Dog, and modulations of old people, waning lives, and relinquished hopes.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
..but when one human creature dies a whole world of hope and memory and feeling dies with him. To be robbed of the dignity of a natural death is a terrible deprivation.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
To marry was to take a hand in a dangerous game where the stakes are the highest - a fuller life or a life diminished and confined. It was a game for adult players.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
To instruct calls for energy, and to remain almost silent, but watchful and helpful, while students instruct themselves, calls for even greater energy. To see someone fall (which will teach him not to fall again) when a word from you would keep him on his feet but ignorant of an important danger, is one of the tasks of the teacher that calls for special energy, because holding in is more demanding than crying out.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
Half of all broccoli grown commercially in America today is a single variety- Marathon- notable for it's high yield. The overwhelming majority of the chickens raised for meat in America are the same hybrid, the Cornish cross; more than 99 percent of turkeys are the Broad-Breasted Whites.
Michael Pollan (In Defense of Food: An Eater's Manifesto)
Civilization rests on two things," said Hitzig; "the discovery that fermentation produces alcohol, and voluntary ability to inhibit defecation. And I put it to you, where would this splendidly civilized occasion be without both?
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
Marriage isn't just domesticity, or the continuance of the race, or institutionalized sex, or a form of property right. And it damned well isn't happiness, as that word is generally used. I think it's a way of finding your soul.
Robertson Davies (The Lyre of Orpheus (Cornish Trilogy, #3))
Just about all men need a woman in one way or another, unless they’re very strange indeed. Tormenting you refreshes him. And you shouldn’t underestimate the gratitude all men feel for women’s beauty. Men who truly don’t like flowers are very uncommon and men who don’t respond to a beautiful woman are even more uncommon. It’s not primarily sexual; it’s a lifting of the spirits beauty gives. He’ll be in to torment you, and tease you, and enrage you, but really to have a good, refreshing look at you.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
Wake up! Be yourself, not a bad copy of something else!
Robertson Davies (What's Bred in the Bone (Cornish Trilogy, #2))
How much more complicated life is than the attainment of a Ph.D. would lead one to believe!
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
What an amusing drama life is when one is not obliged to be one of the characters!
Robertson Davies (The Lyre of Orpheus (Cornish Trilogy, #3))
... 'But Gold was not all. The other kings bring Frank Innocence and Mirth.' | Darcourt was startled, then delighted. 'That is very fine, Yerko; is it your own?' | 'No, it is in the story. I saw it in New York. The kings say, We bring you Gold, Frank Innocence, and Mirth.' | 'Sancta simplicitas,' said Darcourt, raising his eyes to mine. 'If only there were more Mirth in the message He has left to us. We miss it sadly, in the world we have made. And Frank Innocence. Oh, Yerko, you dear man.' ...
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
Providence ever turns bad to the good, if you have eyes to see it.
D.M. Cornish (Factotum (Monster Blood Tattoo, #3) (The Foundling's Tale, #3))
The recognition of oneself as a part of nature, and reliance on natural things, are disappearing for hundreds of millions of people who do not know that anything is being lost.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
The art of the quoter is to know when to stop.
Robertson Davies (What's Bred in the Bone (Cornish Trilogy, #2))
You can't persuade most of the public that education and making a living aren't the same thing.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
I know well enough how people in love drag the name of the loved one into every conversation, simply to utter that magical word, to savor it on the tongue.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
إذا كانت فراشة قادرة على التسبب في إعصار، لماذا لا يمكن للإنسان العادي أن يجعل من الصحراء جنة مزهرة؟ ولماذا لا يستطيع إنقاذ الآلاف من أطفال المستقبل؟ نحن الأناس العاديين نستطيع أن نكون مؤثرين فعلاً في ماذا يمكن أن يحدث في المستقبل. إن حيرتنا هي في أننا لا نعرف تماماً كيف نتأكد من أن تأثيرنا سيكون نحو الأفضل وليس نحو الأسوأ
Edward Cornish (Futuring: The Exploration of the Future)
--Nature and nurture are inextricable; only scientists and psychologists could think otherwise, and we know all about them, don't we? --We should. We've watched them since they were tribal wizards, yelping around the campfire. ...
Robertson Davies (What's Bred in the Bone (Cornish Trilogy, #2))
If you are determined on the religious life, you have to toughen up your mind. You have to let it be a thouroughfare for all thoughts, and among them you must make choices.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
Poor woman, I suppose she led a dog’s life, and it made her disagreeable, which she mistook for being strong.
Robertson Davies (The Cornish Trilogy: The Rebel Angels, What's Bred in the Bone, The Lyre of Orpheus)
Who's Mrs. Gummidge?' 'If you're a good girl and get well soon I'll lend you the book.' 'Oh, somebody in a book! All you people like Nilla and the Cornishes and that man Darcourt seem to live out of books. As if everything was in books!' 'Well, Schnak, just about everything is in books. No, that's wrong. We recognize in books what we've met in life. But if you'd read a few books you wouldn't have to meet everything as if it had never happened before, and take every blow right on the chin. You'd see a few things coming...
Robertson Davies (The Lyre of Orpheus (Cornish Trilogy, #3))
Offering care means being a companion, not a superior. It doesn’t matter whether the person we are caring for is experiencing cancer, the flu, dementia, or grief. If you are a doctor or surgeon, your expertise and knowledge comes from a superior position. But when our role is to be providers of care, we should be there as equals.
Judy Cornish (The Dementia Handbook: How to Provide Dementia Care at Home)
A little later, as we talked of the Maniot dirges by which I was obsessed, I was surprised to hear this bloodshot-eyed and barefoot old man say: “Yes, it’s the old iambic tetrameter acalectic.” It was the equivalent of a Cornish fisherman pointing out the difference, in practicality incomprehensible dialect, between the Petrachian and the Spenserian sonnet. It was quite correct. Where on earth had he learnt it? His last bit of information was that, in the old days (that wonderful cupboard!) the Arabs used to come to this coast to dive for the murex.
Patrick Leigh Fermor (Mani: Travels in the Southern Peloponnese)
I level him with a stare and angrily state, “I am a short, round Cornish seamstress with a West Country accent that only gets thicker when I’m flustered. I’m obsessed with cats, and my freckles look like the Milky Way galaxy on a clear night.” “I love your freckles!” he barks, splaying one hand out on the counter and using his other hand to bop my nose. “They make me want to play connect the dots on your wee face.
Amy Daws (Blindsided (Harris Brothers World, #2))
Elsie, who had a lot of energy and no shame...she seduced me. It was not a success, from Elsie's point of view, because the orgasm for women was just coming into general popularity then, and she didn't have one.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
The body is the inescapable factor, you see. You can keep in good shape for what you are, but radical change is impossible. Health isn't making everybody into a Greek ideal; it's living out the destiny of the body.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
When I hear girls I know longing to be what they call liberated, and when I hear others rejoicing in what they think of as liberation, I feel a fool, because I simply do not know where I stand. (Maria Magdalena Theotoky)
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
His system is a combination of ferocious blows, holds and throws, adapted from Japanese bayonet tactics, ju-jitsu, Chinese boxing, Sikh wrestling, French wrestling and Cornish collar-and-elbow wrestling, plus expert knowledge of hip-shooting, knife fighting and use of the Tommy gun and hand grenade.
Giles Milton (Churchill's Ministry of Ungentlemanly Warfare: The Mavericks Who Plotted Hitler's Defeat)
The rest of us are still living on the borrowed fuel of potential and so far have not left deep footprints. But together we carry a brackish air of importance. As if we are doing something worthy in the world. Maybe how we live our lives is the grand experiment? Mixing company, throwing out customs, using first names, waiting to marry, ignoring the rules, and choosing what to care about. Is that why we matter? Or perhaps Miss Warre-Cornish is right and we do not matter in the least.
Priya Parmar (Vanessa and Her Sister)
What really shapes and conditions and makes us is somebody only a few of us ever have the courage to face: and that is the child you once were, long before formal education ever got its claws into you - that impatient, all-demanding child who wants love and power and can't get enough of either and who goes on raging and weeping in your spirit till at last your eyes are closed and all the fools say, 'Doesn't he look peaceful?' It is those pent-up, craving children who make all the wars and all the horrors and all the art and all the beauty and discovery in life, because they are trying to achieve what lay beyond their grasp before they were five years old.
Robertson Davies (The Cornish Trilogy: The Rebel Angels / What's Bred in the Bone / The Lyre of Orpheus)
It is part of the received doctrine of modern biography that all characters are Flawed, and as a Christian priest I am quite ready to agree, but the Flaws the biographers exhibited usually meant that the person under discussion had not seen eye to eye with the biographer on matters of politics, or social betterment, or something impersonal.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
Education for immediate effective consumption is more popular than ever, and nobody wants to think of the long term, or the intellectual tone of the nation.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
You are right there, Mrs Cornish,’ Cutter said. ‘I am not going to tell you.
Paraic O'Donnell (The House on Vesper Sands)
Chaldean roots which are surely to be traced in the Cornish branch of the great Celtic speech.
Arthur Conan Doyle (Sherlock Holmes: The Complete Novels and Stories Volume II (Sherlock Holmes The Complete Novels and Stories Book 2))
Making corn dollies under the watchful eye of Mrs Darley was an absolute must for all of us living in the tiny Cornish hamlet on Bodmin Moor.
Carole Carlton (Mrs Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality and Traditions of the Year)
Michael Faraday, the son of a Yorkshire blacksmith, was born in south London in 1791. He was self-educated, leaving school at fourteen to become an apprentice bookbinder. He engineered his own lucky break into the world of professional science after attending a lecture in London by the Cornish scientist Sir Humphry Davy in 1811. Faraday sent the notes he had taken at the lecture to Davy, who was so impressed by Faraday’s diligent transcription that he appointed him his scientific assistant. Faraday went on to become a giant of nineteenth-century science, widely acknowledged to have been one of the greatest experimental physicists of all time. Davy is quoted as saying that Faraday was his greatest scientific discovery.
Brian Cox (Why Does E=mc²? (And Why Should We Care?))
Living on the water took away the boundaries created by land and custom and introversion. Without fences and driveways, the water provided a constant thread of connection and dependency.
Lily Graham (The Cornish Escape)
One moment they were in a Brandenyard street, the next running by wicket-fenced fields where stupidly dignified goats with great, flopping ears and fat, overlong noses stared at them solemnly.
D.M. Cornish (Factotum (Monster Blood Tattoo, #3))
That is, " Harry said, " because the world has never seen - in initiative, imagination, courage, and steadfastness - anything like the American fighting man. Not the Germans, the non-Germans, the semi-German Viennese, the British, the Scots, the Welsh, the Cornish, the Danish, or the Nepalese. You may in the future condemn us for it. You may continue to think that we are savage, disproportionate, and uncivilized. But we saved you the last time. And it is we, I guarantee you, will will liberate Paris and drive into Berlin. We don't like it. We don't like fighting and dying. But ... when it comes time for that, we are facile princeps, and will always be. We were born for it. The terrain of the New World educated us in it. That in America every man is a king assures us of it.
Mark Helprin (In Sunlight and in Shadow)
In my opinion,” said the Superintendent slowly, “an arm-chair review of a case is often far more profitable than any number of enquiries and cross-examinations. You get a better perspective. More wood. Fewer trees.
John Bude (The Cornish Coast Murder)
Benton had a strong interest in helping to ensure that Warren's home life wasn't greatly disturbed: his wife was Cornish, and that morning Warren had arrived with six Cornish pasties of remarkable flavour and succulence.
P.D. James (The Private Patient (Adam Dalgliesh, #14))
The Golden Snitch is walnut-sized, as was the Golden Snidget. It is bewitched to evade capture as long as possible. There is a tale that a Golden Snitch evaded capture for six months on Bodmin Moor in 1884, both teams finally giving up in disgust at their Seekers' poor performances. Cornish wizards familiar with the area insist to this day that the Snitch is still living wild on the moor, though I have not been able to confirm this story.
J.K. Rowling
Mum—my real mum, not Mrs. Cornish—always told me that men hate it when women bring up their menses. I thought it was ridiculous. They love to moan about their own aches and pains, why should they begrudge us a little complaining about ours?
Sherry Thomas (A Study in Scarlet Women (Lady Sherlock, #1))
no matter what he’d believed all these years, the sort of love that Erik Rexford had had for Laire Cornish wasn’t the type that died. It was still there, living inside him, dormant but safe, waiting for her all these years, for the opportunity to bloom again. He
Katy Regnery (Don't Speak (A Modern Fairytale, #5))
—If Francis has really made up his soul [...], what lies ahead of him? Hasn't he achieved the great end of life? —[...] Having got his soul under his eye, so to speak, Francis must now begin to understand it and be worthy of it [...]. Making up a soul isn't an end; it's the new beginning in the middle of life.
Robertson Davies (What's Bred in the Bone (Cornish Trilogy, #2))
So where—?" asked Robin. "I'm taking you to the Ritz for champagne," said Strike. "Are you serious?" "Yeah. It's why I'm wearing you a suit." For a moment Robin simply looked at him, then she reached up and hugged him tightly. Surrounded by banked flowers, both remembered the hug they'd shared at the top of the stairs on her wedding day, but this time, Robin turned her face and kissed Strike deliberately on the cheek, lips to stubble. "Thanks, Strike. This really means a lot." And that, thought her partner, as the two of them headed away toward the Ritz in the golden glow of the early evening, really was well worth sixty quid and a bit of an effort . . . Out of his subconscious rose the names Mazankov and Krupov, and it was a second or two before he remembered where he'd heard them, why they sounded Cornish, and why he thought of them now. The corners of his mouth twitched, but as Robin didn't see him smiling, he felt no compulsion to explain.
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
Newlyn does not look like the Cornish towns on either side: Penzance and Mousehole. Those are resort towns where British vacationers practice that peculiarly British pastime of strolling the beaches and walkways, bundled in sweaters and mufflers. But Newlyn is a fishing town - or, increasingly, an out-of-work fishing town.
Mark Kurlansky (Cod: A Biography of the Fish that Changed the World)
The traditional ingredients of the 'oggie', as it is called in the old Cornish language, are naturally disputed, but on some things most experts agree: the meat must be chopped, not minced, the vegetables (perhaps potato, onion and turnip) must be sliced and the ingredients are not pre-cooked before they are put in the pastry.
Janet Clarkson (Pie: A Global History (The Edible Series))
The new priest in his whitish lab-coat gives you nothing at all except a constantly changing vocabulary which he -- because he usually doesn't know any Greek -- can't pronounce, and you are expected to trust him implicitly because he knows what you are too dumb to comprehend. It's the most overweening, pompous priesthood mankind has ever endured in all its recorded history, and its lack of symbol and metaphor and its zeal for abstraction drive mankind to a barren land of starved imagination.
Robertson Davies (What's Bred in the Bone (Cornish Trilogy, #2))
What we call luck is the inner man externalized. We make things happen to us.
Robertson Davies (Cornish Trilogy Omnibus)
A groan burst from Poirot. “What have I always told you? Everything must be taken into account. If the fact will not fit the theory—let the theory go.
Agatha Christie (AGATHA CHRISTIE Premium Collection: The Mysterious Affair at Styles, The Secret Adversary, The Murder on the Links, The Cornish Mystery, Hercule Poirot's Cases)
Trump lookalike partner makes me want to giggle. Polly huffs in disgust. ‘Well.
Phillipa Ashley (Confetti at the Cornish Cafe (The Penwith Trilogy #3))
If you're going to make the past your present, be prepared for a lifetime of dust ...
Lily Graham (The Cornish Escape)
She blew out a breath. What was the world coming to, now that she, Morvoren Hollow, admired a fisherman?
Deborah M. Hathaway (In the Waves of Tristwick (A Cornish Romance Book 4))
Nobody gets through life without a broken heart. The important thing is to break the heart so that when it mends it will be stronger than before.
Robertson Davies (What's Bred in the Bone (Cornish Trilogy, #2))
You and I have precisely the same amount of time as the Old Masters— twenty-four hours in every day. There is no more, and never any less.
Robertson Davies (What's Bred in the Bone (Cornish Trilogy, #2))
If Heloise had been more clear-headed she’d have seen that Abelard was a frightful nerd in human relationships.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
banking is like religion: you have to accept certain rather dicey things simply on faith, and then everything else follows in marvellous logic.
Robertson Davies (What's Bred in the Bone (Cornish Trilogy, #2))
Nobody told me he was an American." "Not American—Canadian." "Well, what's the difference?" "They're touchier, that's what.
Robertson Davies (Cornish Trilogy Omnibus)
New Money wore dinner suits, which it called tuxedos, and smoked big cigars from which it removed the band before lighting up—an unthinkable solecism, for
Robertson Davies (Cornish Trilogy Omnibus)
However much science and educational theory and advanced thinking you pump into a college or a university, it always retains a strong hint of its medieval origins.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
But remember, ye can’t control what others do, only what ye do. And sometimes, the risk o’ fishin’ in a storm be worth the rain that falls on ye, for the catch’ll be all the better.
Deborah M. Hathaway (In the Waves of Tristwick (A Cornish Romance Book 4))
In 1994, Flavia published a biography of her mother, picking up the story where Myself When Young leaves off—the marriage to Tommy Browning and subsequent family life. The biography concludes with a celebration of the scattering of her mother’s ashes over the Cornish cliffs, and a belief that she has joined her dead husband in a boat sailing them into infinity.
Daphne du Maurier (Myself When Young)
When you consider the superstitions and the imaginings of the old Cornish country-folk up to my grandmother's day, how their lives were swaddled in them from the cradle to the grave, their daily actions in large part determined by them - so many things you would not think of doing, like starting a journey on a Friday, or looking at the moon through a pane of glass, or failing to wear something new on Whitsunday - their minds haunted by ghosts and fears, you have a fair idea of what the minds of these people in the sixteenth century were like. It was a life full of shadows that frightened them and dangers that might come home to them; how much more so in those days when their fears had the sanction, and even the corroboration, of the elect and the intelligent: when a uniform religion existed to enforce its lessons and draw the moral. However, no doubt it filled up life for them, made it more interesting and exciting, more mysterious and incalculable; it added a dimension to it, where the modern uneducated, rid of their fears and ghosts, are apt to find life empty and void of meaning.
A.L. Rowse
The Earth is our spiritual mother and we sense that the Divine is not 'out there' but all around us. Nature itself is sacred and holy, a manifestation of the Divine Life Force. Greenpeace,
Sophie Cornish (Witchcraft: A Beginners Guide to Witchcraft)
It is perhaps dangerous to conclude too much about the character and intentions of a nation based on the snacks menu in a railway carriage, but I couldn't help wonder if Scottish nationalism hasn't gone a little too far now. I mean, these poor people are denying themselves simple comforts like KitKats and Cornish pasties and instead are eating neeps and foot medication on grounds of patriotism. Seems a bit unnecessary to me.
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
It had become a disease with both nations, he reflected, this discussion of Britain vs. America; this incessant, irritated, family scolding. Of course back in the cornfields of the Middlewest, people didn't often discuss it, nor did the villagers on the Yorkshire moors, nor Cornish fishermen. But the people who traveled and met their cousins of the other nation, the people who fed on newspapers on either side the water, they were all obsessed.
Sinclair Lewis (Dodsworth)
"You see, I do a little in this way myself," he explained; "here is my most prized piece." He took from his pocket a snuffbox, which looked to be of eighteenth-century workmanship. Inside the lid was an enamel picture of Leda and the Swan, and when a knob was pushed to and fro the swan thrust itself between Leda's legs, which jerked in mechanical ecstasy. A nasty toy, I thought, but Urky doted on it. "We single gentlemen like to have these things," he said. "What do you do, Darcourt? Of course we know that Hollier has his beautiful Maria." To my astonishment Hollier blushed, but said nothing. His beautiful Maria? My Miss Theotoky, of New Testament Greek? I didn't like it at all.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
What we call luck is the inner man externalized. We make things happen to us. I know that sounds horrible and cruel, considering what happens to a lot of people, and it can’t be the whole explanation. But it’s a considerable part of it.
Robertson Davies (What's Bred in the Bone (Cornish Trilogy, #2))
Even though people experiencing dementia become unable to recount what has just happened, they still go through the experience—even without recall. The psychological present lasts about three seconds. We experience the present even when we have dementia. The emotional pain caused by callous treatment or unkind talk occurs during that period. The moods and actions of people with dementia are expressions of what they have experienced, whether they can still use language and recall, or not.
Judy Cornish (The Dementia Handbook: How to Provide Dementia Care at Home)
Who ever talks about a lifelong, intimate friendship expressing itself in the broadest possible range of conversation? If people are really alive and alert it ought to go on and on, prolonging life because there is always something more to be said.
Robertson Davies (The Rebel Angels (The Cornish Trilogy, #1))
The attitude of the Bodrugans to his idea of letting a poacher off with a warning was, he knew, the attitude all society would adopt, though they might dress it in politer phrases. Even Cornish society, which looked with such tolerance on the smuggler. The smuggler was a clever fellow who knew how to cheat the government of its revenues and bring them brandy at half price. The poacher not only trespassed literally upon someone’s land, he trespassed metaphorically upon all the inalienable rights of personal property. He was an outlaw and a felon. Hanging was barely good enough.
Winston Graham (Ross Poldark (Poldark, #1))
all-too-familiar homes. There were at least a dozen people waiting at the meat counter, and the dairy case had already been emptied of the pound blocks of butter Grandma liked to use for baking. I tried not to get annoyed and made substitutions whenever I came across an item on my list that had sold out. It actually seemed appropriate somehow to have such a hodgepodge holiday. I had to settle for chicken instead of the traditional Cornish game hens that Grandma prepared for our Christmas feast. Low-fat eggnog because the regular cartons were already gone. Margarine substituted for butter. At the checkout, I counted the cash that Grandma
Nicole Baart (After the Leaves Fall)
Noble continued, “The administration’s new Sedition Act permits placement of a citizen in prison for twenty years if he or she ‘utters, prints, writes or publishes any disloyal, profane, scurrilous, or abusive language about the government of the United States’. Just a simple criticism could land a citizen in jail for a very long time.
David Cornish (1918)
It was in the Cornish summer of his twelfth year that Peter began to notice just how different the worlds of children and grown-ups were. You could not exactly say that the parents never had fun. They went for swims - but never for longer than twenty minutes. They liked a game of volleyball, but only for half an hour or so. Occasionally they could be talked into hide-and-seek or lurky turkey or building a giant sand-castle, but those were special occasions. The fact was that all grown-ups, given half the chance, chose to sink into one of three activities on the beach: sitting around talking, reading newspapers and books, or snoozing. Their only exercise (if you could call it that) was long boring walks, and these were nothing more than excuses for more talking. On the beach, they often glanced at their watches and, long before anyone was hungry, began telling each other it was time to start thinking about lunch or supper. They invented errands for themselves - to the odd-job man who lived half a mile away, or to the garage in the village, or to the nearby town on shopping expeditions. They came back complaining about the holiday traffic, but of course they were the holiday traffic. These restless grown-ups made constant visits to the telephone box at the end of the lane to call their relatives, or their work, or their grown-up children. Peter noticed that most grown-ups could not begin their day happily until they had driven off to find a newspaper, the right newspaper. Others could not get through the day without cigarettes. Others had to have beer. Others could not get by without coffee. Some could not read a newspaper without smoking a cigarette and drinking coffee. Adults were always snapping their fingers and groaning because someone had returned from town and forgotten something; there was always one more thing needed, and promises were made to get it tomorrow - another folding chair, shampoo, garlic, sun-glasses, clothes pegs - as if the holiday could not be enjoyed, could not even begin, until all these useless items had been gathered up.
Ian McEwan (The Daydreamer)
Several years later, I received a letter from a young Englishman. He said that his father had died in the race, he knew not how or why. He had come across “Fastnet, Force 10” in a library and now he understood. Now, he wrote, it was time for him to sail his own Fastnet and finish the race that his father had completed. I sympathized; I was on a journey of my own as a student in divinity school. Yet I worried that he might be a little reckless out there, and suggested that there are other ways to honor the dead. I never again heard from him, but I do believe that—as in the Cornish tale about the water calling, “The hour is come, but not the man”—he joined the line of landsmen inevitably rushing down the hills to the sea.
John Rousmaniere (Fastnet, Force 10: The Deadliest Storm in the History of Modern Sailing)
I am fascinated by the evolution of language, and how local versions diverge to become dialects like Cornish English and Geordie and then imperceptibly diverge further to become mutually unintelligible but obviously related languages like German and Dutch. The analogy to genetic evolution is close enough to be illuminating and misleading at the same time. When populations diverge to become species, the time of separation is defined as the moment when they can no longer interbreed. I suggest that two dialects should be deemed to reach the status of separate languages when they have diverged to an analogously critical point: the point where, if a native speaker of one attempts to speak the other it is taken as a compliment rather than as an insult.
Richard Dawkins (An Appetite for Wonder: The Making of a Scientist)
They came generally from people writing theses on fantasy or on the Dark Is Rising books. They were full of questions I’d never thought about and false assumptions that I didn’t want to think about. They would ask me in great detail for, say, the specific local and mythical derivations of my Greenwitch, a leaf-figure thrown over a Cornish cliff as a fertility sacrifice, and I would have to write back and say, “I’m terribly sorry; I made it all up.” They told me I echoed Hassidic myth, which I hadn’t read, and the Mormon suprastructure, which I’d never even heard of. They saw symbols and buried meanings and allegories everywhere. I’d thought I was making a clear soup, but for them it was a thick mysterious stew. from "In Defense of the the Artist" in Signposts to Criticism of Children's Literature (1983)
Susan Cooper
I would. Our childhoods, while parallel, were nothing alike.” “They were exactly the same,” Skye said, temper flaring. “I have to go. I have work to do.” That afternoon, as she flew through a sky the color of the Cornish sea—a deep, fathomless blue—one thought whirled through Skye’s head like a blizzard: she and Liberty told two such different versions of the same story. Whose was right? Perhaps Liberty was just trying to take away the one thing they shared beyond their surname—their history. But if they didn’t even have a past, then what would tether them together now and in the future? Don’t think about it, she told herself. Liberty’s childish kicking had simply been replaced by exasperating behavior designed to goad the other party into lashing out. And as usual, Skye had managed to do something she regretted: storm off. There was no point dwelling on it. The next time she saw her sister, Liberty was sure to have moved on to some other provocation.
Natasha Lester (The Paris Secret)
That this exceptionally scholarly man whose judgments, always rich and sensitive, though sometimes austere, should have embarked on an intensely romantic retelling of the old Cornish legend of that famous pair of tragic lovers, Tristan and Queen Iseult, is intriguing in itself. But what makes it even more fascinating is that Daphne du Maurier, asked by “Q” ’s daughter long after her father’s death to finish this novel that he had set aside “near the end of a chapter, halfway through,” did so in such a skillful fashion that it is impossible to guess with any certainty the exact point at which she began to write. She says, in a modest foreword, that she “could not imitate ‘Q’’s style… that would have been robbing the dead,” but she had known him when she was a child, remembered him as a genial host at many a Sunday supper, and “by thinking back to conversations long forgotten” she could recapture something of the man himself and trust herself to “fall into his mood.
Daphne du Maurier (Castle Dor)
You’re just pushing your food around, aren’t you? You’ve barely taken two bites. I thought you loved Lou’s Cornish hens.” “I do. I’m sorry. All I can think about is that English project due this week.” I look over at Ryder with a faux scowl. “We’re already way behind--you’ve always got some excuse. We should probably work on it tonight.” “Probably so,” Ryder says with an exasperated-sounding sigh. “That’s the third project the two of you have been paired up on,” Mama says, shaking her head. “I hope you two can behave well enough to get your work done properly. No more arguing like the last time.” We’d pretended to fight over a calculus project. Yes, a calculus project. Is there really any such thing? “We’re trying really hard to behave,” I say, shooting Ryder a sidelong glance. “Right?” His cheeks pinken deliciously at the innuendo. I love it when Ryder blushes. Totally adorable. “Right,” he mumbles, his gaze fixed on his lap. Laura Grace gives us both a pointed look. “You two better learn to get along, you hear? You’re going to be spending a lot of time together for the next four years.” Four years. Just the two of us--away from our meddling mamas. I have to bite my lip to force back the smile that’s threatening to give us away. “She’s right,” Mama says, nodding. “The only way I’m allowing Jemma to go to NYU is if she promises not to go off campus without Ryder to escort her.” Escort me? What is it, the 1950s or something? Besides, I don’t think she realizes that NYU isn’t a traditional campus. There’s no fences or gates or anything like that. I guess she’ll find out when she comes to visit over Thanksgiving, but by then it’ll be too late. That’s what she gets for not looking over the application materials I gave her. “Fine,” I say, trying to sound slightly annoyed. “I promise.” Beneath the table, Ryder releases my hand and lays it open in my lap, palm up. And then I feel him tracing letters on my palm with his fingertip. I. L. O. V. E. Y.O.U. I can’t help myself--I shiver. I shiver a lot when Ryder’s around, it turns out. He seems to have that effect on me.
Kristi Cook (Magnolia (Magnolia Branch, #1))
the Spanish press doesn’t have the same censorship that the French, German, and British governments have imposed on their newspapers.” “Correct again, Lilly,” said Noble. “You can add American government censorship of the press, also. As far as I can see, in A.I. Office communications regarding The War, there is no Spanish press censorship at all. There was even wide press coverage in the last week of Spanish King Alphonse XIII and his family’s serious illnesses with the grippe.” “Both the Allies and the Central Powers don’t want to let on there has been any reduction in fighting capacity. So, very little appears in their respective newspapers. The Spanish, however, are free to report all the various details of the influenza epidemic. It would be simple wrong to conclude the epidemic is ‘Spanish’ in origin.
David Cornish (1918)
Rosie’s heart swelled with pride. She had poured her heart, her soul, and her life savings into this venture. Rosie had spent hours painstakingly deliberating over every inch of the shop. Her past life as an interior designer meant she knew just how to make the shop into the welcoming time capsule that made her heart soar every time she stepped inside. There was a herringbone floor, finished with a walnut stain, which was complimented by the dark wallpaper adorning the walls, covered with floral blooms in muted pinks, blues, yellows, oranges, and whites. It was dramatic - the perfect backdrop to selling snippets of people’s lives. Velvet pink lampshades with tassels hanging from the ceiling flooded the shop with light. Rosie had displayed the vintage clothes, jewellery, shoes, bags, and accessories in several ways. From shelves made of driftwood, an up-cycled antique sideboard, and brass clothes rails.
Elizabeth Holland (The Cornish Vintage Dress Shop)
What do you think, Jemma” It takes a second to realize that she’s talking to me. I’m too focused on the fact that Ryder’s sitting beside me--just inches away--holding my hand beneath the table. “What?” I ask, glancing around at the expected faces. “Oh, the train. Yeah, maybe.” “They should go up a week early,” Laura Grace declares. “Take some time to see the city. Maybe catch a couple of Broadway shows or ball games or something. We could go with them!” “No,” Ryder says, a little too loudly. “I just meant…we should probably do it on our own, me and Jemma. Learn our way around and all that. Y’all can come up for Thanksgiving break, once we get settled and everything.” Laura Grace nods. “That’s a great idea. We could get rooms at the Plaza, watch the Macy’s Parade. And the two of you can show us around.” Ryder nods. “Exactly.” Beneath the table, I give his hand a squeeze. Laura Grace eyes my plate suspiciously. “You’re just pushing your food around, aren’t you? You’ve barely taken two bites. I thought you loved Lou’s Cornish hens.” “I do. I’m sorry. All I can think about is that English project due this week.” I look over at Ryder with a faux scowl. “We’re already way behind--you’ve always got some excuse. We should probably work on it tonight.” “Probably so,” Ryder says with an exasperated-sounding sigh. “That’s the third project the two of you have been paired up on,” Mama says, shaking her head. “I hope you two can behave well enough to get your work done properly. No more arguing like the last time.” We’d pretended to fight over a calculus project. Yes, a calculus project. Is there really any such thing? “We’re trying really hard to behave,” I say, shooting Ryder a sidelong glance. “Right?” His cheeks pinken deliciously at the innuendo. I love it when Ryder blushes. Totally adorable. “Right,” he mumbles, his gaze fixed on his lap.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Mystery is the sugar in the cup,' said the Doctor. She picked up the container of white crystals the delicatessen had included in the picnic basket and poured a large dollop into her cognac. 'I don’t think I’d do that, Gunilla,' said Darcourt. 'Nobody wants you to do it, Simon. I am doing it, and that’s enough. That is the curse of life—when people want everybody to do the same wise, stupid thing. Listen: Do you want to know what life is? I’ll tell you. Life is a drama.' 'Shakespeare was ahead of you, Gunilla,' said Darcourt. '"All the world’s a stage,"' he declaimed. 'Shakespeare had the mind of a grocer,' said Gunilla. 'A poet, yes, but the soul of a grocer. He wanted to please people.' 'That was his trade,' said Darcourt. 'And it’s yours, too. Don’t you want this opera to please people?' 'Yes, I do. But that is not philosophy. Hoffmann was no philosopher. Now be quiet, everybody, and listen, because this is very important. Life is a drama. I know. I am a student of the divine Goethe, not that grocer Shakespeare. Life is a drama. But it is a drama we have never understood and most of us are very poor actors. That is why our lives seem to lack meaning and we look for meaning in toys—money, love, fame. Our lives seem to lack meaning but'—the Doctor raised a finger to emphasize her great revelation—'they don’t, you know.' She seemed to be having some difficulty in sitting upright, and her natural pallor had become ashen. 'You’re off the track, Nilla,' said Darcourt. 'I think we all have a personal myth. Maybe not much of a myth, but anyhow a myth that has its shape and its pattern somewhere outside our daily world.' 'This is all too deep for me,' said Yerko. 'I am glad I am a Gypsy and do not have to have a philosophy and an explanation for everything. Madame, are you not well?' Too plainly the Doctor was not well. Yerko, an old hand at this kind of illness, lifted her to her feet and gently, but quickly, took her to the door—the door to the outside parking lot. There were terrible sounds of whooping, retching, gagging, and pitiful cries in a language which must have been Swedish. When at last he brought a greatly diminished Gunilla back to the feast, he thought it best to prop her, in a seated position, against the wall. At once she sank sideways to the floor. 'That sugar was really salt,' said Darcourt. 'I knew it, but she wouldn’t listen. Her part in the great drama now seems to call for a long silence.' 'When she comes back to life I shall give her a shot of my personal plum brandy,' said Yerko. 'Will you have one now, Priest Simon?
Robertson Davies (The Lyre of Orpheus (Cornish Trilogy, #3))