Corner Sofa Quotes

Hannah, as if she understood her place in the cosmos, grew from quiet infant to watchful child: a child fond of nooks and corners, who curled up in closets, behind sofas, under dangling tablecloths, staying out of sight as well as out of mind, to ensure the terrain of the family did not change.

Lord Peter's library was one of the most delightful bachelor rooms in London. Its scheme was black and primrose; its walls were lined with rare editions, and its chairs and Chesterfield sofa suggested the embraces of the houris. In one corner stood a black baby grand, a wood fire leaped on a wide old-fashioned hearth, and the Sèvres vases on the chimneypiece were filled with ruddy and gold chrysanthemums. To the eyes of the young man who was ushered in from the raw November fog it seemed not only rare and unattainable, but friendly and familiar, like a colourful and gilded paradise in a mediæval painting

I know that without being touched I will die. I have known it for some time. It has always felt like I need more touch than the others anyway, my hands brushing over their shoulders or the tops of their heads as they shy away, because nobody is assigned to me. I am not anybody’s loved-most, have not been for some time. I have gone days, weeks, without touch and when that happens I can feel my skin thinning, I have to lay my body against grass and velvet and the corner of the sofa and rub my hands and elbows and thighs against anything until they are raw.

She sat quietly in one corner of the sofa, the end of her sari drawn modestly over her hair. Like the motionless illusion of a madly spinning top, she was staring vacantly into space.

It’s not a corner,’ Harry said without a hint of a slur. ‘It’s an angle. Corners are on the outside. You walk round a corner, you don’t sit in one.’ ‘What about the expression a corner table?’ ‘That’s not a table in a corner, but a table with corners. As in a corner sofa.

And they went further and further from her, being attached to her by a thin thread (since they lunched with her) which would stretch and stretch, get thinner and thinner as they walked across London; as if one´s friends were attached to one´s body, after lunching with them, by a thin thread, which (as dozed there) became hazy with the sond of bells, striking the hour or ringing to service, as a single spider´s thread is blotted with rain –drops, and, burdened, sags down. So she slept. And Richard Dalloway and Hugh Whithbread hesitated at the corner of Conduit Street at the very moment that Millicent Bruton, lying on the sofa, let the thread snap, snored.

She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral. Of all that only a few random marks scrawled upon the canvas remained. And it would never be seen; never be hung even, and there was Mr Tansley whispering in her ear, “Women can’t paint, women can’t write ...” She now remembered what she had been going to say about Mrs Ramsay. She did not know how she would have put it; but it would have been something critical. She had been annoyed the other night by some highhandedness. Looking along the level of Mr Bankes’s glance at her, she thought that no woman could worship another woman in the way he worshipped; they could only seek shelter under the shade which Mr Bankes extended over them both. Looking along his beam she added to it her different ray, thinking that she was unquestionably the loveliest of people (bowed over her book); the best perhaps; but also, different too from the perfect shape which one saw there. But why different, and how different? she asked herself, scraping her palette of all those mounds of blue and green which seemed to her like clods with no life in them now, yet she vowed, she would inspire them, force them to move, flow, do her bidding tomorrow. How did she differ? What was the spirit in her, the essential thing, by which, had you found a crumpled glove in the corner of a sofa, you would have known it, from its twisted finger, hers indisputably? She was like a bird for speed, an arrow for directness. She was willful; she was commanding (of course, Lily reminded herself, I am thinking of her relations with women, and I am much younger, an insignificant person, living off the Brompton Road). She opened bedroom windows. She shut doors. (So she tried to start the tune of Mrs Ramsay in her head.) Arriving late at night, with a light tap on one’s bedroom door, wrapped in an old fur coat (for the setting of her beauty was always that—hasty, but apt), she would enact again whatever it might be—Charles Tansley losing his umbrella; Mr Carmichael snuffling and sniffing; Mr Bankes saying, “The vegetable salts are lost.” All this she would adroitly shape; even maliciously twist; and, moving over to the window, in pretence that she must go,—it was dawn, she could see the sun rising,—half turn back, more intimately, but still always laughing, insist that she must, Minta must, they all must marry, since in the whole world whatever laurels might be tossed to her (but Mrs Ramsay cared not a fig for her painting), or triumphs won by her (probably Mrs Ramsay had had her share of those), and here she saddened, darkened, and came back to her chair, there could be no disputing this: an unmarried woman (she lightly took her hand for a moment), an unmarried woman has missed the best of life. The house seemed full of children sleeping and Mrs Ramsay listening; shaded lights and regular breathing.

This was the last time I ever saw my mother alive. Just the same, this picture gets all mixed up in my mind with pictures I had of her when she was younger. The way I always see her is the way she used to be on Sunday afternoon, say, when the old folks were talking after the big Sunday dinner. I always see her wearing pale blue. She'd be sitting on the sofa. And my father would be sitting in the easy chair, not far from her. And the living room would be full of church folks and relatives. There they sit, in chairs all around the living room, and the night is creeping up outside, but nobody knows it yet. You can see the darkness growing against the windowpanes and you hear the street noises every now and again, or maybe the jangling beat of a tambourine from one of the churches close by, but it's real quiet in the room. For a moment nobody's talking, but every face looks darkening, like the sky outside. And my mother rocks a little from the waist, and my father's eyes are closed. Everyone is looking at something a child can't see. For a minute they've forgotten the children. Maybe a kid is lying on the rug, half asleep. Maybe somebody's got a kid in his lap and is absent-mindedly stroking the kid's head. Maybe there's a kid, quiet and big-eyed, curled up in a big chair in the corner. The silence, the darkness coming, and the darkness in the faces frighten the child obscurely. He hopes that the hand which strokes his forehead will never stop-- will never die. He hopes that there will never come a time when the old folks won't be sitting around the living room, talking about where they've come from, and what they've seen, and what's happened to them and their kinfolk. But something deep and watchful in the child knows that this is bound to end, is already ending. In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won't talk anymore that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he's moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It's what they've come from. It's what they endure. The child knows that they won't talk anymore because if he knows too much about what's happened to them, he'll know too much too soon, about what's going to happen to him.

I move to the corner, and Roman lies down on the sofa, places his head in my lap, and closes his eyes. “Does your leg hurt?” “Yes,” he says, but there is a slight delay in his reply. “Are you lying?” “Nope.” He shakes his head. His eyes are still closed, but the corners of his mouth lift a bit. “Oh yes, you are lying.” I bend down slightly. “You just want me to pet you.” He opens his eyes and reaches up to tuck one of the strands that’s escaped my ponytail behind my ear. “Yes,” he says and closes his eyes again.

Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known. After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine. I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that. I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull. “What are you doing?” “Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me. He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?” “Is that what it is?” I feign innocence. He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites. It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him. But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going. I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies. It’s easy to walk away from lies. Power is another thing. Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it. He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?” I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it. I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.

As far as Stephen could see they were tolerably shipshape already. The bare little rooms had been sanded and scrubbed; various neat lockers economized space; a complication of white cordage in the corner showed that a hanging chair, that most comfortable of seats, was being made; and hammocks lashed up with seven perfectly even turns and covered with a rug formed a not inelegant sofa. Jack Aubrey had spent most of his naval life in quarters very much more confined than this; he had also a good deal of experience of French and American prisons, to say nothing of English sponging houses, and it would have been a hard gaol indeed that found him at a loss.

Lie down there on the sofa and see if I can put you to sleep. He took up his violin fom the corner, and as I stretched myself out he began to play some low, dreamy, melodious air - his own no doubt, for he had a remarkable gift for improvisation. I have a vague remembrance of his gaunt limbs, his earnest face and the rise and fall of his bow. Then I seemed to be floated peacefully away upon a soft sea of sound until I found myself in dreamland, with the sweet face of Mary Morstan looking down upon me.

Look here, Watson; you look regularly done. Lie down there on the sofa, and see if I can put you to sleep.” He took up his violin from the corner, and as I stretched myself out he began to play some low, dreamy, melodious air,—his own, no doubt, for he had a remarkable gift for improvisation. I have a vague remembrance of his gaunt limbs, his earnest face, and the rise and fall of his bow.

We have arrived at an interesting moment in the evolution of our species when a smart person in a first-world culture is pestered by two contradictory feelings: first that he is as special a creature as nature has yet produced and second that he's not very special at all, just excited matter here for a while and off again into universal dark matter. This first feeling inflates him and makes him want to puff out his chest and preen a bit. This second feeling makes him want to crawl in a hole, act carelessly, or sit inert on the sofa. How unfortunate for a creature to be buffeted in such contradictory ways! These twin feelings lead a person to the following pair of conclusions: that while he is perhaps quite smart, he is nevertheless rather like a cockroach, trapped with a brain that really isn't big enough for his purposes, perhaps trapped in a corner of an academic discipline, a research field, a literary genre, or in some other small place, trapped by his creatureliness, and trapped by life's very smallness. I would like to dub this the god-bug syndrome: the prevalent and perhaps epidemic feeling of greatness walking hand-in-hand with smallness that plagues so many people today.

He didn’t say anything. Then something felt odd on my head – not inside it, rather more around it. It felt as if my scarf had shrunk. I could see an odd bit dangling from the corner of my eye. I put my hand on my head and then caught a glimpse of my scarf draped over the arm of the sofa: what the hell is it doing there when it’s on my head? There was a three-second window where I was perplexed at the improbability of such a thing. Then I realised; if my scarf was on the sofa, then it definitely wasn’t on my head.

If the Edwards boys were fazed by the obvious signs of poverty in the apartment (the worn-out brown carpet; the retro TV sitting on a coffee table across from the sofa; the fan in the corner struggling to do the job of an AC; the fake flowers hanging on the wall and doing nothing to brighten the living room), they did not show it. They acted as if they were in any of the apartments they visited on Park or Madison, as if it were just a different kind of beautiful apartment in a different kind of nice neighborhood.

Hannah, as if she understood her place in the cosmos, grew from quiet infant to watchful child: a child fond of nooks and corners, who curled up in closets, behind sofas, under dangling tablecloths, staying out of sight as well as out of mind, to ensure the terrain of the family did not change.)

Fjällbacka seemed strangely deserted now that summer was over and the tourists had gone home. It was like a living room on the morning after a party: dirty glasses holding the dregs of wine and beer, a crumpled banner in the corner, a party hat perched askew on the head of a guest who had passed out on the sofa.

Our chambers were always full of chemicals and of criminal relics which had a way of wandering into unlikely positions, and of turning up in the butter-dish or in even less desirable places. But his papers were my great crux. He had a horror of destroying documents, especially those which were connected with his past cases, and yet it was only once in every year or two that he would muster energy to docket and arrange them; for, as I have mentioned somewhere in these incoherent memoirs, the outbursts of passionate energy when he performed the remarkable feats with which his name is associated were followed by reactions of lethargy during which he would lie about with his violin and his books, hardly moving save from the sofa to the table. Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner. One winter's night, as we sat together by the fire, I ventured to suggest to him that, as he had finished pasting extracts into his common-place book, he might employ the next two hours in making our room a little more habitable. He could not deny the justice of my request, so with a rather rueful face he went off to his bedroom, from which he returned presently pulling a large tin box behind him. This he placed in the middle of the floor and, squatting down upon a stool in front of it, he threw back the lid. I could see that it was already a third full of bundles of paper tied up with red tape into separate packages.

Each night, he’d plop an Alka-Seltzer tablet in a glass of water. I stood by as it dissolved. I remember listening to the fizzing sound as he silently removed the cushions from the sofa and stacked them in the corner, his sad colorless pajamas dragging across the floor. Maybe that’s when his cancer started, a few odd cells forming during a bad night’s sleep in the living room.

He'd spent the majority of his life in this house and until recently had felt he'd known it in the same alert, instinctive way he knew his own body; knew its coldest stones and softest sofas, knew the best place to find midafternoon sun, knew which rooms the staff cleaned at which hours and which rooms were rarely cleaned at all, knew every hallway, every painting. Turning a corner was like bending and elbow. Opening a door like blinking an eye.

A large and comfortable double-bedded room had been placed at our disposal, and I was quickly between the sheets, for I was weary after my night of adventure. Sherlock Holmes was a man, however, who when he had an unsolved problem upon his mind would go for days, and even for a week, without rest, turning it over, rearranging his facts, looking at it from every point of view, until he had either fathomed it, or convinced himself that his data were insufficient. It was soon evident to me that he was now preparing for an all-night sitting. He took off his coat and waistcoat, put on a large blue dressing-gown, and then wandered about the room collecting pillows from his bed, and cusions from the sofa and armchairs. With these he constructed a sort of Eastern divan, upon which he perched himself cross-legged, with an ounce of shag tobacco and a box of matches laid out in front of him. In the dim light of the lamp I saw him sitting there, an old brier pipe between his lips, his eyes fixed vacantly upon the corner of the ceiling, the blue smoke curling up from him, silent, motionless, with the light shining upon his strong-set aquiline features. So he sat as I dropped off to sleep, and so he sat when a sudden ejaculation caused me to wake up, and I found the summer sun shining into the apartment. The pipe was still between his lips, the smoke still curled upwards, and the room was full of a dense tobacco haze, but nothing remained of the heap of shag which I had seen upon the previous night. 'Awake, Watson?' he asked. 'Yes.' 'Game for a morning drive?' 'Certainly.' 'Then dress. No one is stirring yet, but I know where the stable-boy sleeps, and we shall soon have the trap out.

He waked up late next day after a broken sleep. But his sleep had not refreshed him; he waked up bilious, irritable, ill-tempered, and looked with hatred at his room. It was a tiny cupboard of a room about six paces in length. It had a poverty-stricken appearance with its dusty yellow paper peeling off the walls, and it was so low-pitched that a man of more than average height was ill at ease in it and felt every moment that he would knock his head against the ceiling. The furniture was in keeping with the room: there were three old chairs, rather rickety; a painted table in the corner on which lay a few manuscripts and books; the dust that lay thick upon them showed that they had been long untouched. A big clumsy sofa occupied almost the whole of one wall and half the floor space of the room; it was once covered with chintz, but was now in rags and served Raskolnikov as a bed. Often he went to sleep on it, as he was, without undressing, without sheets, wrapped in his old student's overcoat, with his head on one little pillow, under which he heaped up all the linen he had, clean and dirty, by way of a bolster. A little table stood in front of the sofa.

Now where's this artist?" His eyes darted around the room, landed on Gennie and clung. She thought she saw surprise, quickly veiled, then amusement as quickly suppressed, tug at the corners of his mouth. "Daniel MacGregor," Grant said with wry formality. "Genvieve Grandeau." A flicker of recognition ran across Daniel's face before he rose to his rather amazing height and held out his hand. "Welcome." Gennie's hand was clasped, then enveloped. She had simultaneous impressions of strength, compassion, and stubbornness. "You have a magnificent home, Mr. MacGregor," she said, studying him candidly. "It suits you." He gave a great bellow of a laugh that might have shook the windows. "Aye.And three if your paintings hang in the west wing." His eyes slid briefly to Grant's before they came back to hers. "You carry your age well, lass." She gave him a puzzled look as Grant choked over his Scotch. "Thank you." "Get the artist a drink," he ordered, then gestured for her to sit in the chair next to his. "Now, tell me why you're wasting your time with a Campbell." "Gennie happens to be a cousin of mine," Justin said mildly as he sat on the sofa beside his son. "On the aristocratic French side." "A cousin." Daniel's eys sharpened, then an expression that could only be described as cunning pleasure spread over his face. "Aye,we like to keep things in the family. Grandeau-a good strong name.You've the look of a queen, with a bit of sorceress thrown in." "That was meant as a compliment," Serena told her as she handed Gennie a vermouth in crystal. "So I've been told." Gennie sent Grant an easy look over the rim of her glass. "One of my ancestors had an-encounter with a gypsy resulting in twins." "Gennie has a pirate in her family tree as well," Justin put in. Daniel nooded in approval. "Strong blood. The Campbells need all the help they can get." "Watch it,MacGregor," Shelby warned as Grant gave him a brief, fulminating look.

Moody blinked and looked around him. Balfour’s narrative, disjunctive and chaotic as it was, had indeed accounted for the presence of every man in the room. There by the window was the Maori man, Te Rau Tauwhare, who had been Crosbie’s loyal friend in life, though he had unwittingly betrayed him at the last. There in the farthest corner was Charlie Frost, the banker who had engineered the sale of Wells’s house and land, and opposite him, the newspaperman Benjamin Löwenthal, who had heard about the death within mere hours of its occurrence. Edgar Clinch, purchaser of Wells’s estate, was sitting on the sofa beside the billiard table, smoothing his mustache with his finger and thumb.

A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies. At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")

It seems comfortable to sink down on a sofa in a corner, to look, to listen. Then it happens that two figures standing with their backs against the window appear against the branches of a spreading tree. With a shock of emotion one feels 'There are figures without features robed in beauty'. In the pause that follows while the ripples spread, the girl to whom one should be talking says to herself, 'He is old'. But she is wrong. It is not age; it is that a drop has fallen; another drop. Time has given the arrangement another shake. Out we creep from the arch of the currant leaves, out into a wider world. The true order of things – this is our perpetual illusion – is now apparent. Thus in a moment, in a drawing-room, our life adjusts itself to the majestic march of day across the sky.

I’m taking some time off. I’m going to sleep for a year.” “And how are you going to do that?” I pulled a vial of Ativan out from between the sofa cushions, unscrewed the cap, and fished out two pills. Out of the corner of my eye, I could see Reva squirming. I chewed the pills up—simply to horrify her—swallowed and gagged, then stuffed the vial back between the cushions and lay down and closed my eyes. “Well, I’m glad you have a life plan. But to be honest,” Reva began, “I’m concerned about your health. You’ve lost at least three pounds since you started taking all those medications.” Reva was expert at guessing the weights of things and people. “What about the long term? Are you going to take pills for the rest of your life?” “I’m not thinking that far ahead. And I might not live that long.” I yawned.

In 1968, at fifteen, she turned on the television and watched chaos flaring up across the country like brush fires. Martin Luther King, Jr., then Bobby Kennedy. Students in revolt at Columbia. Riots in Chicago, Memphis, Baltimore, D.C.—everywhere, everywhere, things were falling apart. Deep inside her a spark kindled, a spark that would flare in Izzy years later. Of course she understood why this was happening: they were fighting to right injustices. But part of her shuddered at the scenes on the television screen. Grainy scenes, but no less terrifying: grocery stores ablaze, smoke billowing from their rooftops, walls gnawed to studs by flame. The jagged edges of smashed windows like fangs in the night. Soldiers marching with rifles past drugstores and Laundromats. Jeeps blocking intersections under dead traffic lights. Did you have to burn down the old to make way for the new? The carpet at her feet was soft. The sofa beneath her was patterned with roses. Outside, a mourning dove cooed from the bird feeder and a Cadillac glided to a dignified stop at the corner. She wondered which was the real world.

WHENEVER I WOKE UP, night or day, I’d shuffle through the bright marble foyer of my building and go up the block and around the corner where there was a bodega that never closed. I’d get two large coffees with cream and six sugars each, chug the first one in the elevator on the way back up to my apartment, then sip the second one slowly while I watched movies and ate animal crackers and took trazodone and Ambien and Nembutal until I fell asleep again. I lost track of time in this way. Days passed. Weeks. A few months went by. When I thought of it, I ordered delivery from the Thai restaurant across the street, or a tuna salad platter from the diner on First Avenue. I’d wake up to find voice messages on my cell phone from salons or spas confirming appointments I’d booked in my sleep. I always called back to cancel, which I hated doing because I hated talking to people. Early on in this phase, I had my dirty laundry picked up and clean laundry delivered once a week. It was a comfort to me to hear the torn plastic bags rustle in the draft from the living room windows. I liked catching whiffs of the fresh laundry smell while I dozed off on the sofa.

Janie ran to my side, where she tugged at the book eagerly as though she'd seen it before. "Flower book," she said, pointing to the cover. "Where did you find Mummy's book?" Katherine asked, hovering near me. Cautiously, I revealed the book as I sat on the sofa. "Would you like to look at it with me?" I said, avoiding the question. Katherine nodded and the boys gathered round as I cracked the spine and thumbed through page after page of beautiful camellias, pressed and glued onto each page, with handwritten notes next to each. On the page that featured the 'Camellia reticulata,' a large, salmon-colored flower, she had written: 'Edward had this one brought in from China. It's fragile. I've given it the garden's best shade.' On the next page, near the 'Camellia sasanqua,' she wrote: 'A christmas gift from Edward and the children. This one will need extra love. It hardly survived the passage from Japan. I will spend the spring nursing it back to health.' On each page, there were meticulous notes about the care and feeding of the camellias- when she planted them, how often they were watered, fertilized, and pruned. In the right-hand corner of some pages, I noticed an unusual series of numbers. "What does that mean?" I asked the children. Nicholas shrugged. "This one was Mummy's favorite," he said, flipping to the last page in the book. I marveled at the pink-tipped white blossoms as my heart began to beat faster. The Middlebury Pink.

more than anything.” He turned to Jean Louise. “Seven-thirty tonight and no Landing. We’ll go to the show.” “Okay. Where’re you all going?” “Courthouse. Meeting.” “On Sunday?” “Yep.” “That’s right, I keep forgetting all the politicking’s done on Sunday in these parts.” Atticus called for Henry to come on. “Bye, baby,” he said. Jean Louise followed him into the livingroom. When the front door slammed behind her father and Henry, she went to her father’s chair to tidy up the papers he had left on the floor beside it. She picked them up, arranged them in sectional order, and put them on the sofa in a neat pile. She crossed the room again to straighten the stack of books on his lamp table, and was doing so when a pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said. Alexandra looked over her glasses at it. “Something of your father’s.” Jean Louise stepped on the garbage can trigger and threw the pamphlet in. “Don’t do that,” said Alexandra. “They’re hard to come by these days.” Jean Louise opened her mouth, shut it, and opened it again. “Aunty, have you read that thing? Do you know what’s in it?” “Certainly.” If Alexandra had uttered an obscenity in her face, Jean Louise would have been less surprised. “You—Aunty, do you know the stuff in that thing makes Dr. Goebbels look like a naive little country boy?” “I don’t know what you’re talking about, Jean Louise. There are a lot of truths in that book.” “Yes indeedy,” said Jean Louise wryly. “I especially liked the part where the Negroes, bless their hearts, couldn’t help being inferior to the white race because their skulls are thicker and their brain-pans shallower—whatever that means—so we must all be very kind to them and not let them do anything to hurt themselves and keep them in their places. Good God, Aunty—” Alexandra was ramrod straight. “Well?” she said. Jean Louise said, “It’s just that I never knew you went in for salacious reading material, Aunty.” Her aunt was silent, and Jean Louise continued: “I was real impressed with the parable where since the dawn of history the rulers of the world have always been white, except Genghis Khan or somebody—the author was real fair about that—and he made a killin’ point about even the Pharaohs were white and their subjects were either black or Jews—” “That’s true, isn’t it?” “Sure, but what’s that got to do with the case?” When Jean Louise felt apprehensive, expectant, or on edge, especially when confronting her aunt, her brain clicked to the meter of Gilbertian tomfoolery. Three sprightly figures

Favorite painting...?" "Painting? Odalisque," I said. "Really.His non-nude nude. Interesting." It was,to me. Edward's most famous painting of Diana is Troie, where he painted her as Helen of Troy: naked except for the diamond bracelet and the occasional tendril of auburn hair. It had caused quite a stir at its exhibition. Apparently, Millicent Carnegie Biddle fainted on seeing it. It wasn't quite what she was used to viewing when she sat across from Mrs. Edward Willing every few weeks, sipping tea from Wedgewood china cups. Odalisque was more daring in its way, and infinitely more interesting to me. Most of the Post-Impressionist painters did an odalisque, or harem girl, reclining on a sofa or carpet, promising with their eyes that whatever it was that they did to men, they did it well. An odalisque was almost compulsory material.But unlike any of them,Edward had painted his subject-Diana-covered from neck to ankle in shimmery gauze.Covered,but still the ultimate object of desire. "Why that one?" Dr. Rothaus asked. "I don't know-" "Oh,please.Don't go all stupid teenager on me now.You know exactly why you like the painting.Humor me and articulate it." I felt myself beginning the ubiquitos shoulder dip. "Okay. Everyone is covering up something. I guess I think there's an interesting question there." "'What are they hiding?'" I shook my head. "'Does it make a difference?'" "Ah." One sharp corner of her mouth lifted. I would hesitate to call it a smile. "That is interesting.But your favorite Willing piece isn't a painting." "How-" "You hesitated when I asked. Let me guess...Ravaged Man?" "How-" "You're a young woman. And-" Dr. Rothaus levered herself off the desk-"you went through the 1899 file. I know the archive.

The Addams dwelling at 25 West Fifty-fourth Street was directly behind the Museum of Modern Art, at the top of the building. It was reached by an ancient elevator, which rumbled up to the twelfth floor. From there, one climbed through a red-painted stairwell where a real mounted crossbow hovered. The Addams door was marked by a "big black number 13," and a knocker in the shape of a vampire. ...Inside, one entered a little kingdom that fulfilled every fantasy one might have entertained about its inhabitant. On a pedestal in the corner of the bookcase stood a rare "Maximilian" suit of armor, which Addams had bought at a good price ("a bargain at $700")... It was joined by a half-suit, a North Italian Morion of "Spanish" form, circa 1570-80, and a collection of warrior helmets, perched on long stalks like decapitated heads... There were enough arms and armaments to defend the Addams fortress against the most persistent invader: wheel-lock guns; an Italian prod; two maces; three swords. Above a sofa bed, a spectacular array of medieval crossbows rose like birds in flight. "Don't worry, they've only fallen down once," Addams once told an overnight guest. ... Everywhere one looked in the apartment, something caught the eye. A rare papier-mache and polychrome anatomical study figure, nineteenth century, with removable organs and body parts captioned in French, protected by a glass bell. ("It's not exactly another human heart beating in the house, but it's close enough." said Addams.) A set of engraved aquatint plates from an antique book on armor. A lamp in the shape of a miniature suit of armor, topped by a black shade. There were various snakes; biopsy scissors ("It reaches inside, and nips a little piece of flesh," explained Addams); and a shiny human thighbone - a Christmas present from one wife. There was a sewing basket fashioned from an armadillo, a gift from another. In front of the couch stood a most unusual coffee table - "a drying out table," the man at the wonderfully named antiques shop, the Gettysburg Sutler, had called it. ("What was dried on it?" a reporter had asked. "Bodies," said Addams.)...

This was the last time I ever saw my Mother alive. Just the same, this picture gets all mixed up in my mind with pictures I had of her when she was younger. The way I always see her is the way she used to be on Sunday afternoon, say, when the old folks were talking after the big Sunday dinner. I always see her wearing pale blue. She'd be sitting on the sofa. And my Father would be sitting in the easy chair, not far from her. And the living room would be full of church folks and relatives. There they sit, in chairs all around the living room, and the night is creeping up outside, but nobody knows it yet. You can see the darkness growing against the windowpanes and you hear the street noises every now and again, or maybe the jangling beat of a tambourine from one of the churches close by, but it's real quiet in the room. For a moment nobody's talking, but every face looks darkening, like the sky outside. And my Mother rocks a little from the waist, and my Father's eyes are closed. Everyone is looking at something a child can't see. For a minute they've forgotten the children. Maybe a kid is lying on the rug, half asleep. Maybe somebody's got a kid in his lap and is absent-mindedly stroking the kid's head. Maybe there's a kid, quiet and big-eyed, curled up in a big chair in the corner. The silence, the darkness coming, and the darkness in the faces frighten the child obscurely. He hopes that the hand which strokes his forehead will never stop - will never die. He hopes that there will never come a time when the old folks won't be sitting around the living room, talking about where they've come from, and what they've seen, and what's happened to them and their kinfolk. But something deep and watchful in the child knows that this is bound to end, is already ending. In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won't talk anymore that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he's moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It's what they've come from. It's what they endure. The child knows that they won't talk anymore because if he knows too much about what's happened to them, he'll know too much too soon, about what's going to happen to him.

The only light came from the windows of those houses she passed that had open curtains, revealing little tableaux of family life: the young couple prostrate on a sofa in front of the television, their small child playing on the floor; the solitary old lady reading the paper; the table set for tea, while an unwatched television cast an aurora borealis of moving shadows in the corner.

it was being done... But he always took the penny back afterwards. Poor grandfather! Wild, he was, at the fright I'd made of myself. But he frightened me that time. Do you know what I did, madam? I ran away. Yes, I did, round the corners, in and out, I don't know how far I didn't run. Oh, dear, I must have looked a sight, with my hand rolled up in my pinny and my hair sticking out. People must have laughed when they saw me... ... No, madam, grandfather never got over it. He couldn't bear the sight of me after. Couldn't eat his dinner, even, if I was there. So my aunt took me. She was a cripple, an upholstress. Tiny! She had to stand on the sofas when she wanted to cut out the backs. And it was helping her I met my lady... ... Not so very, madam. I was thirteen,

I demand that you leave at once, sir!” he said. “You are breaking and entering!” “Ah, shut up, Dursley, yeh great prune,” said the giant; he reached over the back of the sofa, jerked the gun out of Uncle Vernon’s hands, bent it into a knot as easily as if it had been made of rubber, and threw it into a corner of the room.

But part of her shuddered at the scenes on the television screen. Grainy scenes, but no less terrifying: grocery stores ablaze, smoke billowing from their rooftops, walls gnawed to studs by flame. The jagged edges of smashed windows like fangs in the night. Soldiers marching with rifles past drugstores and Laundromats. Jeeps blocking intersections under dead traffic lights. Did you have to burn down the old to make way for the new? The carpet at her feet was soft. The sofa beneath her was patterned with roses. Outside, a mourning dove cooed from the bird feeder and a Cadillac glided to a dignified stop at the corner. She wondered which was the real world.

My entire adolescence was spent hanging about with my friends and their boyfriends. Smiling along as they play-fought on the sofa or pretending to play snake on my phone while they snogged in a corner of the room.

And I don't have a corner sofa or a sweater-wearing husband. But I am here. The Noelle of right now, is right here.

But here I am, having worked so hard and for so long that I’ve made myself sick. And worst of all, I’ve nearly forgotten how to rest. I’m tired, inevitably. But it’s more than that. I’m hollowed out. I’m tetchy and irritable, constantly feeling like prey, believing that everything is urgent and that I can never do enough. And my house—my beloved home—has suffered a kind of entropy in which everything has slowly collapsed and broken and worn out, with detritus collecting on every surface and corner, and I have been helpless in the face of it. Since being signed off sick, I’ve been forced to lean back on the sofa and stare at the wreckage for hours at a time, wondering how the hell it got so bad. There’s not a single soothing place left in the house, where you can rest a while without being reminded that something needs to be mended or cleaned. The windows are clouded with the dusty veil of a hundred rainstorms. The varnish is wearing from the floorboards. The walls are dotted with nails that are missing their pictures or holes that should be filled and painted over. Even the television hangs at a drunken angle. When I stand on a chair and empty the top shelf in the wardrobe, I find that I have meant to replace the bedroom curtains at least three times in the last few years, and every bundle of fabric I’ve bought has ended up folded neatly and stowed away, entirely forgotten. That I’m noticing these things only now that I’m physically unable to remedy them feels like the kind of exquisite torture devised by vengeful Greek gods. But here it is: my winter. It’s an open invitation to transition into a more sustainable life and to wrest back control over the chaos I’ve created. It’s a moment when I have to step into solitude and contemplation. It’s also a moment when I have to walk away from old alliances, to let the strings of some friendships fall loose, if only for a while. It’s a path I’ve walked over and over again in my life. I have learned the skill set of wintering the hard way.

Hanna as if she understood her place in the cosmos, grew from quiet infant to watchful child: a child fond of nooks and corners, who curled up in closets, behind sofas, under dangling tablecloths, staying out of sight as well as out of mind, to ensure the terrain of the family did not change.

The smell of incense filled his nose before he realised it was coming from the potted plants suspended from the ceiling, snuggled in crochet baskets. The bohemian living area was neat and colourful with scattered pillows on the sofa, a shaggy rug, and… a sex swing in the corner.

When we reached his door, he went inside, leaving it open for me to follow. I stepped across the threshold and closed out the hall, then surveyed what lay before me: a lavish main room much like mine in Hytanica, with a fireplace; a rich, comfortable sofa upon which Narian settled; several armchairs; a carved wooden table scattered with papers; and two bookshelves stocked with volumes. Heavy drapes covered one wall, and when I crossed the thick rug that blanketed the floor to push the fabric aside, I learned the reason--they hid a set of large windows. I turned around and saw that an expansive mural covered the wall above and to the sides of the door. It combined horses, a sunrise and sunset, stars in a deep blue sky, noblewomen and men, creatures of myth and a Cokyrian flag into a single stunning piece of artwork. Intricate tapestries were common in Hytanica, but I had never seen anything approaching the beauty of this painting before. Narian was content to let me explore, so I approached the table, skimming the papers atop it, which ranged from correspondence and scrawled notes to maps and battle strategies. Spying his bedroom beyond, which was open to the main room but secluded by a wall, I glanced at him for approval, and went inside upon his nod. His bed was built into a corner, on a raised platform, permitting access from only one side by what appeared to be a climbing net. Practical for a military man--and fun for a child. He followed me, stopping in the archway to watch me explore his private space. “May I?” I asked, crossing to his wardrobe, for I was curious about the style of his attire here in Cokyri, and he again motioned me ahead. I glanced between Narian and the clothing inside the wardrobe several times, trying to understand the disparity. The Narian I knew dressed practically, ever a soldier, thinking of comfort and of blending into his surroundings. Yet he possessed a collection of rich clothing, the fabrics similar to what I would have expected to find in Steldor’s or my father’s wardrobe, not in his. Mounted on the inside of one of the doors were dress swords, and on the other, shelves that held jewels far more valuable than anything we had in Hytanica. “Narian, this is…” I started, then shook my head in wonder. “Ridiculous, I know.” He crossed to his bed and leaned against the netting. “No!” I exclaimed. “It’s unbelievably beautiful.” I pointed to an exquisite ruby ring and flashed him a smile. “This could have been my betrothal ring.

She understood that becoming a nun was a lifetime commitment. Testing her daughter’s resolve was wise. The Koehler family together, 1923 First Homes As an adult, I visited Rosie’s first home at 83 Beals Street in Brookline, Massachusetts, to get a sense of her early life and that of her famous family. The compact Victorian residence stands three stories tall on a small lot in the Boston suburb. It was easy to picture the young Kennedy children playing in the back yard. Rose Kennedy wrote in Times to Remember, her 1974 autobiography: “It was a nice old wooden-frame house with clapboard siding; seven rooms, plus two small ones in the converted attic, all on a small lot with a few bushes and trees . . . about twenty-five minutes from the center of the city by trolley.” 5 The family home on Beals Street is now the John Fitzgerald Kennedy National Historic Site, run by the National Park Service. From the deep browns and reds of the rugs on the hardwood floors to the homey couch and chairs, the home felt warm and comfortable to me. I suppressed a desire to kick off my sandals and flop on the sofa. The Kennedys’ house on Beals Street, Rosie’s first home But my perspective as a child would have triggered a different impression. I would have whispered to my mother, “They’re rich!” (I’ve since discovered that money isn’t the only measure of wealth. There’s wealth in memories, too.) A lovely grand piano occupies one corner of the Kennedys’ old living room. It was a wedding gift to Rose Kennedy from her uncles, and she delighted in playing her favorite song, “Sweet Adeline,” on it. Although her children took piano lessons, Mrs. Kennedy lamented that her own passion never ignited a similar spark in any of her daughters. She did often ask Rosemary to perform, however. I see an image of Rosemary declaring she couldn’t, her hands stretching awkwardly across the keys. But her mother encouraged Rosie to practice, confident she’d

Natalie’s house, not least because of the seventeen-inch Zenith, inside a pale wood cabinet, the biggest television Miri had ever seen. Her grandmother had a set but it was small with rabbit ears and sometimes the picture was snowy. The furniture in the Osners’ den all matched, the beige sofas and club chairs arranged around a Danish modern coffee table, with its neat stacks of magazines—Life, Look, Scientific American, National Geographic. A cloth bag with a wood handle, holding Mrs. Osner’s latest needlepoint project, sat on one of the chairs. A complete set of the Encyclopaedia Britannica took up three shelves of the bookcase, along with family photos, including one of Natalie at summer camp, in jodhpurs, atop a sleek black horse, holding her ribbons, and another of her little sister, Fern, perched on a pony. In one corner of the room was a game table with a chess set standing ready, not that she and Natalie knew how to play, but Natalie’s older brother, Steve, did and sometimes he and Dr. Osner would play for hours.

1. Give your toddler some large tubular pasta and a shoelace.  Show her how to thread the shoelace through the pasta. 2. Take an empty long wrapping paper tube and place one end on the edge of the sofa and the other end on the floor.  Give him a small ball such as a Ping Pong ball to roll down the tube.   3. Give her some individually wrapped toilet tissues, some boxes of facial tissue or some small tins of food such as tomato paste.  Then let her have fun stacking them.     4. Wrap a small toy and discuss what might be inside it.  Give it to him to unwrap. Then rewrap as he watches.  Have him unwrap it again.    5. Cut  such fruits as strawberries and bananas into chunks.  Show her how to slide the chunks onto a long plastic straw.  Then show her how you can take off one chunk at a time, dip it into some yogurt and eat it.   6. Place a paper towel over a water-filled glass.  Wrap a rubber band around the top of the glass to hold the towel in place.  Then place a penny on top of the paper towel in the centre of the glass.  Give your child a pencil to poke holes in the towel until the penny sinks to the bottom of the glass.   7. You will need a small sheet of coarse sandpaper and various lengths of chunky wool.  Show him how to place these lengths of wool on the sandpaper and how the strands stick to it.   8. Use a large photo or picture and laminate it or put it between the sheets of clear contact paper.  Cut it into several pieces to create a puzzle.   9. Give her two glasses, one empty and one filled with water.  Then show her how to use a large eyedropper in order to transfer some of the water into the empty glass.   10. Tie the ends/corners of several scarves together.  Stuff the scarf inside an empty baby wipes container and pull a small portion up through the lid and then close the lid.  Let your toddler enjoy pulling the scarf out of the container.   11. Give your child some magnets to put on a cookie sheet.  As your child puts the magnets on the cookie sheet and takes them off, talk about the magnets’ colours, sizes, etc.   12. Use two matching sets of stickers. Put a few in a line on a page and see if he can match the pattern.  Initially, you may need to lift an edge of the sticker off the page since that can be difficult to do.    13. You will need a piece of thin Styrofoam or craft foam and a few cookie cutters.  Cut out shapes in the Styrofoam with the cookie cutters and yet still keep the frame of the styrofoam intact.  See if your child can place the cookie cutters back into their appropriate holes.        14. Give her a collection of pompoms that vary in colour and size and see if she can sort them by colour or size into several small dishes. For younger toddlers, put a sample pompom colour in each dish.   15. Gather a selection of primary colour paint chips or cut squares of card stock or construction paper.  Make sure you have several of the same colour.  Choose primary colours.  See if he can match the colours.  Initially, he may be just content to play with the colored chips stacking them or making patterns with them.

There were filing cabinets, desks once occupied by long-redundant agents, tables, piles of paperwork, back issues of Spells magazine, several worn-out sofas, and in the corner, a moose.

Since the library has just opened for the day, there's no one else there and I have the elegant reading room all to myself. It's exactly like in the photo on in the magazine -- roomy and comfortable, with a high ceiling. Every once in a while a gentle breeze blows through the open window, the white curtains rustling softly in the air that has a hint of the sea. And I love the comfortable sofa. An upright piano stands in the corner, and the whole place makes me feel like I'm in some friend's home. As I relax on the sofa and gaze around the room a thought hits me: This is exactly the place I've been looking for forever. A little hideaway in some sinkhole somewhere. I'd always thought of it as a secret, imaginary place, and can barely believe that it actually exists.

Leaving his bowl on the counter, I settle myself in the corner of the sofa. I flip on the TV but

Green Mask stands by the corner, watching the scene outside, apparently. The yellow mask, however, sits on a sofa with a participant on his lap. No kidding. The one with the number eighty-nine is using Yellow Mask as a chair.

AVA LEANED INTO THE SOFA, shifting the unwieldy bulk of her eight-months-pregnant body farther into the embroidered cushions that decorated the couch. Malachi’s eyes were trained on the television in a corner of the room, the black and white image glowing in the dim sitting room. The fire crackled in the hearth and early snow fell outside the window. A peaceful scene. Idyllic on a cold winter night.

Micro-studios are very trendy right now, Ms. Mascolo.” I am standing in the tiniest apartment I’ve ever seen. My real estate broker, Cindy, has now shown me three apartments, each smaller than the last. This one is only seventy square feet. Yes, that’s right. Seven-zero. I need to suck in my breath to fit into the room. There are coffins larger than this apartment. “And it’s furnished,” Cindy adds, gesturing at the small sofa pushed against the wall, and the tiny desk smashed into a corner. There’s even a mini-fridge on the side of the sofa, doubling as an end table. “You’ll just need a microwave and maybe some sort of hot pot.” “What about a closet?” I ask around the bile rising in my throat. Cindy pushes aside a faded yellow curtain and there it is: what may be my new closet. It’s roughly one-sixth the size of my current clothing space. I’ll have to get rid of most of what I own if I move in here. I glance around again, sure I’ve missed something. “What about sleeping?” I’m certain Cindy’s going to inform me that sleeping standing up is all the rage right now, but instead, she gestures at a set of stairs leading to a nook just above our heads. No wonder the ceiling is so low. “You’ve got an upstairs bedroom,” Cindy says, without cracking the smile that I feel such a statement clearly deserves. I climb the stairs, which is more of a ladder than a staircase. It leads to a tiny nook above the apartment where I can put a mattress. When I’m lying there, I will have about a foot of space between my nose and the ceiling. The coffin metaphor is becoming more and more apt. “What about a bathroom?” I ask. “There’s one in the hallway. You’ll share it with four other residents.

AMANDA: Do you realize that we're living in sin? ELYOT: Not according to the Catholics; Catholics don't recognize divorce. We're married as much as ever we were. AMANDA: Yes, dear, but we're not Catholics. ELYOT: Never mind, it's nice to think they'd sort of back us up. We were married in the eyes of heaven, and we still are. AMANDA: We may be alright in the eyes of Heaven, but we look like being in the hell of a mess socially. ELYOT: Who cares? AMANDA: Are we going to marry again, after Victor and Sibyl divorce us? ELYOT: I suppose so. What do you think? AMANDA: I feel rather scared of marriage really. ELYOT: It is a frowsy business. AMANDA: I believe it was just the fact of our being married, and clamped together publicly, that wrecked us before. ELYOT: That, and not knowing bow to manage each other. AMANDA: Do you think we know how to manage each other now? ELYOT: This week's been very successful. We've hardly used Solomon Isaacs at all. AMANDA: Solomon Isaacs is so long, let's shorten it to Sollocks. ELYOT: All right. AMANDA: Darling, you do look awfully sweet in your little dressing-gown. ELYOT: Yes, it's pretty ravishing, isn't it? AMANDA: Do you mind if I come round and kiss you? [...] AMANDA: We're tormenting one another. Sit down, sweet, I'm scared. ELYOT [Slowly]: Very well. [He sits down thoughtfully.] AMANDA: We should have said Sollocks ages ago. ELYOT: We're in love all right. [...] AMANDA: [Victor] had a positive mania for looking after me, and protecting me. ELYOT: That would have died down in time, dear. AMANDA: You mustn't be rude; there's no necessity to be rude. ELYOT: I wasn't in the least rude; I merely made a perfectly rational statement. AMANDA: Your voice was decidedly bitter. ELYOT: Victor bad glorious legs, hadn't he? And fascinating ears. AMANDA: Don't be silly. ELYOT: He probably looked radiant in the morning, all flushed and tumbled on the pillow. AMANDA: I never saw him on the pillow. ELYOT: I'm surprised to hear it. AMANDA [angrily]: Elyot! ELYOT: There's no need to be cross. AMANDA: What did you mean by that? ELYOT: I'm sick of listening to you yap, yap, yap, yap, yap, yapping about Victor. AMANDA: Now listen Elyot, once and for all --, ELYOT: Oh my dear, Sollocks! Sollocks! -- two minutes -- Sollocks. AMANDA: But -- ELYOT [firmly]: Sollocks! [They sit in dead silence, looking at each other. AMANDA makes a sign that she wants a cigarette. ELYOT gets up, hands her the box, and lights one for her and himself. AMANDA rises and walks over to the window, and stands there, looking out for a moment. Presently ELYOT joins her. She slips her arm through his, and they kiss lightly. They draw the curtains and then come down and sit side by side on the sofa. ELYOT looks at his watch. AMANDA raises her eyebrows at him and he nods, then they both sigh, audibly] That was a near thing. AMANDA: It was my fault. I'm terribly sorry, darling. ELYOT: I was very irritating, I know I was. I'm sure Victor was awfully nice, and you're perfectly right to be sweet about him. AMANDA: That's downright handsome of you. Sweetheart! [She kisses him.] ELYOT [leaning back with her on the sofa]: I think I love you more than ever before. Isn't it ridiculous? Put your feet up. [She puts her legs across his, and they snuggle back together in the corner of the sofa, his head resting on her shoulder.]

While Princess Betsy poured her tea, Vronsky came over to Anna. ‘What do they write to you?’ he repeated. ‘I often think that men don’t understand what is noble and what is ignoble, though they always talk about it,’ Anna said without answering him. ‘I’ve long wanted to tell you,’ she added and, moving a few steps away, sat down by a corner table with albums on it. ‘I don’t quite understand the meaning of your words,’ he said, handing her the cup. She glanced at the sofa beside her, and he sat down at once. ‘Yes, I’ve wanted to tell you,’ she said without looking at him. ‘You acted badly - very, very badly.’ ‘Don’t I know that I acted badly? But who was the cause of my acting so?’ ‘Why do you say that to me?’ she said, glancing sternly at him. ‘You know why,’ he replied boldly and joyfully, meeting her eyes and continuing to look. It was not he but she who became embarrassed. ‘That proves only that you have no heart,’ she said. But her eyes said that she knew he did have a heart, and because of it she was afraid of him.

They’d been up off and on since 4:00 a.m. Frida’s article was due last week. All morning, she went back and forth between Harriet’s play corner and back to the living room sofa, where she had her notes spread out on the coffee table. She wrote the same paragraph over and over, trying to explain Bayesian modeling in layman’s terms.

Plants add life. Books offer exploration and contemplation. Rugs and paintings give warmth and texture and transform the sound of voices into the voices secrets are exchanged in by lovers. Replace the uniform light from above with pockets of light that guide you to the best places. The floor lamp by the sofa whispers, “Grab a book from the shelf and join me.” The green lamp on the wooden desk with the old-school typewriter asks you to come and play. In the corner a globe sends your eyes and your imagination walking.

walls of the Young Adult Room were painted purple and yellow. There were swirly zebra-print rugs on the floor and a lumpy cluster of beanbag chairs. A couple of sofas were designed to look like Scrabble trays, with letter-square pillows. Akimi nudged Kyle in the ribs. “Check it out.” In the far corner stood a carnival ticket booth with a mechanical dummy seated inside. A “Fun & Games” banner hung off the booth’s striped roof. The dummy inside the glass booth? He looked like Mr. Lemoncello. He wasn’t wearing a turban, but the Mr. Lemoncello mannequin reminded Kyle of the Zoltar Speaks fortuneteller booths he’d seen in video game arcades. “That’s not really him, is it?” said Akimi, who was right behind Kyle. “No. It’s a mechanical doll.” The frozen automaton was dressed in a black top hat and a bright red ringmaster jacket. Since the booth had the “Fun & Games” banner, Kyle figured you might have to talk to the dummy to get a game. “Um, hello,” he said. “We’d like to play a board game.” Bells rang, whistles whistled, and chaser lights blinked.

I’m hungry, Daddy…but I know you’re mad at me…so I’ll go away. After fumbling with the straps, the little boy turned away from the table. He went to the sofa and pulled himself onto it. Sitting in the corner, not making a sound, he watched the rest of his family eat. I’m so sorry. I was trying to help. I didn’t mean to cause any trouble. I know I was a bad boy. I’m so sorry. Mr. Hinkle’s heart broke for little Noah.

How can the heart accept the signals of the brain, however powerful and rational, that a known universe, in which the blotter stands where it has always stood on the office desk, the sofa in the lounge of the house, the shop on the corner of the street, is about to disappear for ever?

Wallflowers are harmless. They are pretty things that stand in corners with a pleasant look on their face. It's the wall-weeds I can't stand. They moan about the mantles, mope upon the sofas, and pout about the punch bowls, waiting to be asked, 'Are you all right? You look so sad.' Wall-weeds will linger for hours if you let them. And the only thing that seems to drive them away is other people's happiness.

Riley and Jack stood at the words and turned to face the small woman who looked like she couldn't blow over a paper tower. Gray hair and dark-rimmed glasses certainly gave her the appearance of a school mistress, but being so close to the floor? She couldn't be an inch over five feet, and Jack felt like a giant. God knew how Riley felt. ... Jack expected her to sit behind the desk that sat imposingly in the corner, but instead, she led them to a grouping of comfy chairs. The chair seemed to swallow Jack, and he struggled to sit upright, looking over to see Riley was having the same problem. Squirming without making it too obvious, he perched more towards the front. Clearly, the chairs were some kind of torture for parents, one way to level the playing field given her height. She forced all the tall big people to fall into a sofa abyss.

And they went further and further from her, being attached to her by a thin thread (since they had lunched with her) which would stretch and stretch, get thinner and thinner as they walked across London; as if one's friends were attached to one's body, after lunching with them, by a thin thread, which (as she dozed there) became hazy with the sound of bells, striking the hour or ringing to service, as a single spider's thread is blot- ted with rain-drops, and, burdened, sags down. So she slept. And Richard Dalloway and Hugh Whitbread hesitated at the corner of Conduit Street at the very moment that Millicent Bruton, lying on the sofa, let the thread snap; snored. Contrary winds buffeted at the street corner. They looked in at a shop window; they did not wish to buy or to talk but to part, only with contrary winds buffeting the street corner, with some sort of lapse in the tides of the body, two forces meeting in a swirl, morning and afternoon, they paused.

The way I always see her is the way she used to be on a Sunday afternoon, say, when the old folks were talking after the big Sunday dinner. I always see her wearing pale blue. She’d be sitting on the sofa. And my father would be sitting in the easy chair, not far from her. And the living room would be full of church folks and relatives. There they sit, in chairs all around the living room, and the night is creeping up outside, but nobody knows it yet. You can see the darkness growing against the windowpanes and you hear the street noises every now and again, or maybe the jangling beat of a tambourine from one of the churches close by, but it’s real quiet in the room. For a moment nobody’s talking, but every face looks darkening, like the sky outside. And my mother rocks a little from the waist, and my father’s eyes are closed. Everyone is looking at something a child can’t see. For a minute they’ve forgotten the children. Maybe a kid is lying on the rug, half asleep. Maybe somebody’s got a kid in his lap and is absent-mindedly stroking the kid’s head. Maybe there’s a kid, quiet and big-eyed, curled up in a big chair in the corner. The silence, the darkness coming, and the darkness in the faces frightens the child obscurely. He hopes that the hand which strokes his forehead will never stop—will never die. He hopes that there will never come a time when the old folks won’t be sitting around the living room, talking about where they’ve come from, and what they’ve seen, and what’s happened to them and their kinfolk. But something deep and watchful in the child knows that this is bound to end, is already ending. In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won’t talk any more that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he’s moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It’s what they’ve come from. It’s what they endure. The child knows that they won’t talk any more because if he knows too much about what’s happened to them, he’ll know too much too soon, about what’s going to happen to him.

I waited, looking at my phone with my heart in my throat. The doorbell rang. I laughed, leaping off the sofa, tears pouring down my cheeks. Of course he was waiting for me. That’s all Josh ever did. He’d never have to do it again. I threw open the door. He stood on the porch beaming with his dimples and his messy cowlick hair. I dove into his arms, and his cedar scent crashed into me, the familiar shape of his body wrapped around mine, instantly making me whole. He laughed with relief and lifted me off the ground, holding me so hard I couldn’t catch my breath. “Okay,” I whispered. “Okay.” Josh is mine. The happiness was almost too much. And then just as deeply, as it settled in that my struggle had all been in vain, I felt the loss of the last few months without him. The weeks we could have been taking care of each other, carrying one another through this tragedy. “Josh, I’m so sorry. I’m so sorry for hurting you.” I clutched him, crying. “Thank you for never giving up.” “Shhhhhhhh.” He squeezed me. “I would have fought for you for a lifetime. I’m just glad you didn’t make me wait that long.” He smiled with his forehead to mine, his eyes closed. “Are you ready for the best part?” I sniffled. “Did you steal a baby?” He laughed, running a knuckle down my cheek, his brown eyes creasing at the corners. “No. But it’s almost as good.” He held my gaze. “I already have a surrogate lined up.” I jerked back. “No. Sloan is not in any place emotionally or mentally to do this. I don’t know if she’ll ever be in a place—” “It’s not Sloan.” He gave me a smile. “It’s my sisters.” I blinked. “What?” He grinned at me. “I went home to have a family meeting. I met with all six of my sisters and their husbands. I told them I was head over heels in love with a very practical woman who wouldn’t have me unless I figured this out.” A laughing sob choked from my lips, and I put a hand over my mouth. “All six of them volunteered. They even argued about who gets to go first. It’s no fun unless they get to argue.” I snorted, rivers spilling over my cheeks. He pulled me in, thumbing tears off my face. “Kristen, I need you to know that if none of these options were available to us, I would still want you. I want you no matter what. I want you first before I want anything else.” His face was earnest and steady. “I have no chance of happiness if I can’t have you. None.” I buried my face into his neck, and he held me to him. “It’s hard for me, Josh. It’s hard to feel like I’m enough,” I whispered. “Well, I’ll just have to spend the rest of our lives working on that, won’t I? Which brings me to the next thing. Look at me.

tracked the members of the TARDIS crew moving cautiously down corridors that had been designed for something other than humans. It was the sound of this metal city that made the biggest impression on me. It was somehow unnatural, suggesting a vast construction made of curious alloys, flexing with the expansions and contractions of constantly changing temperatures. I watched with growing anxiety, a cushion firmly held in front of me (I was not a behind the sofa child) as Barbara was ‘gated’ along a particular route by unseen watchers. Finally she found herself cornered and confronted by one of the occupants of the city. We saw nothing more than her terrified reaction and the end of something that looked vaguely like a sink plunger… I had to wait a whole agonising week to find out what this alien that had terrified Barbara so much looked like.

I keep getting drunk. There’s no more interesting way to say it. Only drunk does the volume crank down. Liquor no longer lets me bullshit myself that I’m taller, faster, funnier. Instead, it shrinks me to a plodding zombie state in which one day smudges into every other—it blurs time. Swaying on the back landing in the small hours, I stare at the boxy garage and ghostly replicas of it multiplying along either side, like playing cards spread against the slate sky. Though this plural perspective is standard, I’m surprised by my own shitfaced state. The walkman sends punk rock banging across the tiny bones of my ears. And with the phonebook-sized stack of papers on my lap still unmarked, I—once more, with feeling—take the pledge to quit drinking. Cross my heart. Pinky swear to myself. This is it, I say, the last night I sit here. Okay, I say in my head. I give. You’re right. (Who am I talking to? Fighting with?) By the next afternoon, while I’m lugging the third armload of groceries up the back stairs, Dev, who’s bolted ahead to the living room, shrieks like he’s been stabbed, and I drop the sack on the kitchen floor, hearing as it hits what must be a jar of tomato sauce detonating. In the living room, I find Dev has leaped—illicitly, for the nine hundredth time—off the sofa back, trying to land in the clothes basket like a circus diver into a bucket of water. He’s whapped his noggin on the coffee table corner. Now dead center on his pale, formerly smooth forehead, there’s a blue knot like a horn trying to break through. I gather him up and rush to the kitchen, aiming to grab a soothing bag of frozen peas. But I step on a shard of tomato sauce jar, gash my instep, slide as on a banana peel, barely hanging on to Dev till we skid to a stop. I tiptoe across the linoleum, dragging a snail of blood till I can plop him in a kitchen chair, instructing him to hold the peas to his head and not move an inch while I bunny-hop upstairs to bandage my foot. Coming back, I find he’s dragged the formerly white laundry into the kitchen to mop up the tomato sauce. I’m helping, he says, albeit surrounded by gleaming daggers of glass while on his forehead the blue Bambi horn seems to throb. Minutes later, my hand twists off a beer cap as I tell myself that a beer isn’t really a drink after all. So I have another after that to speed preparing the pot roast, and maybe even a third. Before we head to the park, I tuck two more beer bottles in my coat pocket, plus one in my purse alongside a juice box.

So every night I had to set traps for them. And every morning, while my wife and children watched fearfully over my shoulder, I had to open each of the closet and cupboard doors, peer behind each of the sofas and beds and corner armchairs, to see what new and ugly surprise was lying in wait for me to help launch that particular day. Even no surprise was a shocking surprise. It bothered me to have my family standing around staring at me in such grave absorption and suspense, because two of my children are high-strung and insecure to begin with and were already scared enough. My other boy has brain damage and doesn’t know anything. And I wasn’t so sure even then that I liked my family well enough as a group to want them pressing upon me so closely in such a tense and personal situation.

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