“
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”
She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.
And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”
But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.
You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”
Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
”
”
Sarah Kay
“
Life has no victims. There are no victims in this life.
No one has the right to point fingers at his/her past and blame it for what he/she is today. We do not have the right to point our finger at someone else and blame that person for how we treat others, today.
Don’t hide in the corner, pointing fingers at your past. Don’t sit under the table, talking about someone who has hurt you. Instead, stand up and face your past! Face your fears! Face your pain! And stomach it all! You may have to do so kicking and screaming and throwing fits and crying- but by all means- face it!
This life makes no room for cowards.
”
”
C. JoyBell C. (The Sun Is Snowing: Poetry & Prose by C. Joybell C)
“
I glare at my sister with enough force to make her wince. “Not one word out of you,” I snap. “And don’t think I didn’t feel you kick me right before I passed out. Who does that, Summer? Who kicks a man when he’s down?” From the corner of my eye, I see Tucker sink to the floor. He buries his face in his hands, shaking with laughter.
”
”
Elle Kennedy (The Score (Off-Campus, #3))
“
Everyone has always said I look like Bailey, but I don't.
I have grey eyes to her green,
an oval face to her heart-shaped one,
I'm shorter, scrawnier, paler, flatter, plainer, tamer.
All we shared is a madhouse of curls
that I imprison in a ponytail
while she let hers rave
like madness
around her head.
I don't sing in my sleep
or eat the petals off flowers
or run into the rain instead of out of it.
I'm the unplugged-in one,
the side-kick sister,
tucked into a corner of her shadow.
Boys followed her everywhere;
they filled the booths at the restaurant where she waitressed,
herded around her at the river.
One day, I saw a boy come up behind her
and pull a strand of her long hair
I understood this-
I felt the same way.
In photographs of us together,
she is always looking at the camera,
and I am always looking at her.
”
”
Jandy Nelson (The Sky Is Everywhere)
“
Sahara knew she should be worried about the fact that she’d been in bed with a man who’d caused that kind of damage with a momentary and, according to him, minor loss of telekinetic control during intimacy, but she felt her lips kick up at the corners. So we literally made the earth move?
A slight pause, before Kaleb said, I suggest we don’t engage in sex in populated areas.
The cool comment made her burst into laughter.
”
”
Nalini Singh (Heart of Obsidian (Psy-Changeling, #12))
“
Besides, there's no one way to be a girl, Tay. You don't need to fit yourself into what society tells us a girl should be. Girls can be whoever they want. Whether that's an ass-kicking, sarcastic, crime-solving FBI Agent or a funny, gorgeous, witty beauty queen--or both at the same time." She swings an arm around me and pulls me in.
"Are you happy the way you are? Are you comfortable? Do you feel like yourself?"
The corner of my mouth lifts into a half smile. "Yes. Yes. And yes."
"Then that's all that matters. Fuck everything else.
”
”
Jen Wilde (Queens of Geek)
“
God is the comic shepherd who gets more of a kick out of that one lost sheep once he finds it again than out of the ninety and nine who had the good sense not to get lost in the first place. God is the eccentric host who, when the country-club crowd all turned out to have other things more important to do than come live it up with him, goes out into the skid rows and soup kitchens and charity wards and brings home a freak show. The man with no legs who sells shoelaces at the corner. The old woman in the moth-eaten fur coat who makes her daily rounds of the garbage cans. The old wino with his pint in a brown paper bag. The pusher, the whore, the village idiot who stands at the blinker light waving his hand as the cars go by. They are seated at the damask-laid table in the great hall. The candles are all lit and the champagne glasses filled. At a sign from the host, the musicians in their gallery strike up "Amazing Grace.
”
”
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
“
Whoo-eeee!”
From the corner of her eye, she caught a glimpse of Peter. He was on the road to the side, probably waiting to ensure she’d managed to negotiate the first part of the track. She didn’t stop, her adrenaline pumping. He’d catch up. “Come get me!” she yelled, making a slight counter-direction turn in the air to help her blow into the berm on the other side of the road. The trail crossed a short flat, a marked rock garden, a beam over a bog, another rock drop and berm, a zigzag around massive trees, roots and rocks that kicked the bike’s tyres this way and that and tested her balance, more air over another drop – this one caused by a massive log – enough air for her to do a back flip from a kicker over another part of the forestry trail, steep to the left. The first wall appeared. She took it fast, skidded around to slam into the side of a berm and round off on to another gully crossing.
“Whoo-eeee!
”
”
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Saskia van Essen crime thrillers))
“
Ouch!'' The cry escaped before I could stop it, and on either side of me, Chase and Devon leapt to their feet.
''Problem?'' Ali asked mildly, amusement dancing in the corners of her eyes. Given the whole Casey thing, I didn't think she had to call to be in such a good mood, but what did I know?
''No problem,'' I said darkly, rubbing my shin ''Somebody just accidentally kicked me under the table.'' I narrowed my eyes at lake, and she helped herself to another T-bone And smothered it in stake sauce.
''Wasn’t an accident'' She said cheerfully.
''Lake'' Mitch didn’t say any more than his daughters name and she rolled her eyes.
''It’s not like I shot her''.
”
”
Jennifer Lynn Barnes
“
The corner of his mouth pulled up into a crooked, boyish grin that melted the heart I was so desperate to protect. “You don’t have a monopoly on fear. Until we kick Nero’s asses out of Reno—and trust me, I have every intention of doing that—you’re a target. If anything happened to you…” He shook his head, breaking eye contact. “Can’t even think about it.
”
”
Lisa Kessler (Harvest Moon (Moon, #4))
“
How about this? Hong Kong had been appropriated by British drug pushers in the 1840s. We wanted Chinese silk, porcelain, and spices. The Chinese didn't want our clothes, tools, or salted herring, and who can blame them? They had no demand. Our solution was to make a demand, by getting large sections of the populace addicted to opium, a drug which the Chinese government had outlawed. When the Chinese understandably objected to this arrangement, we kicked the fuck out of them, set up a puppet government in Peking that hung signs on parks saying NO DOGS OR CHINESE, and occupied this corner of their country as an import base. Fucking godawful behavior, when you think about it. And we accuse them of xenophobia. It would be like the Colombians invading Washington in the early twenty-first century and forcing the White House to legalize heroin. And saying, "Don't worry, we'll show ourselves out, and take Florida while we're at it, okay? Thanks very much.
”
”
David Mitchell (Ghostwritten)
“
You see four guys bunched on a corner waiting for you, you either run like hell in the opposite direction without hesitation, or you keep on walking without slowing down or speeding up or breaking stride...Truth is, it's smarter to run. The best fight is the one you don't have. But I have never claimed to be smart. Just obstinate, and occasionally bad-tempered. Some guys kick cats. I keep walking. - Jack Reacher
”
”
Lee Child (Gone Tomorrow (Jack Reacher, #13))
“
Stop!" She advances on me with the most severe, stern look I've ever seen from her, and she yells in a strong voice. "No more. Get it out of your head, Kai! We are not running. This is happening whether you like it or not. It's time to get your game face on and get ready to kick some ass."
Holy... I honestly didn't think her capable of this kind of verbal badassery. Even in handcuffs she has taken control, walloped me, and forced my whiney inner child into a corner.
”
”
Wendy Higgins (Sweet Temptation (Sweet, #4))
“
Millions and Millions," he whispered to himself: and the enormity of the evil seemed to grow with every repetition of the word. All over the world, millions of men and women lying in pain; millions dying, at this very moment; millions more grieving over them, their faces distorted, like that poor old hag's,the tears running down their cheeks. Ad millions starving, millions frightened, and sick and anxious. Millions being cursed and kicked and beaten by other brutal millions. And everywhere the stink of garbage and drink and unwashed bodies, everywhere the blight of stupidity and ugliness. The horror was always there, even when one happened to be feeling well and happy --always there, just around the corner and behind almost every door.
”
”
Aldous Huxley (Time Must Have a Stop)
“
For the first few seconds, Jess kicked and struggled against the strong arms. Then Jess gave himself over the numbness that was buzzing to be let out from the corner of his brain. - "Bridge to Terabithia" by Katherine Patterson
”
”
Katherine Paterson
“
But my happiness is a squishy kind of happiness, squeezing itself in where it can fit, pushing around all the sadness and the stress and the pressure, finding any empty spot, any crevice, and filling it. Don’t mind me, it says. I won’t bother anyone. I know this is a room for sadness, but I just need a little corner. I try to kick it out, because it isn’t welcome here, it didn’t even come wearing black, but it won’t go. It’s a stubborn guest. One that I secretly want to stay.
”
”
Katherine Webber (Wing Jones)
“
It wasn’t Dean’s fault,” Allie insists. “Seriously, it’s all on me. I freaked out for no reason.” She finally looks over at me. “See? This is why I don’t like horror movies! You watch one scary movie when you’re a kid and suddenly everyone who comes to your door is a serial killer.”
“Are you kidding me right now? You’ll watch a horror movie with my sister but not me? We have to watch the cancer movie?”
“Dicky,” Summer chides. “You’re being grumpy.”
I glare at my sister with enough force to make her wince. “Not one word out of you,” I snap. “And don’t think I didn’t feel you kick me right before I passed out. Who does that, Summer? Who kicks a man when he’s down?”
From the corner of my eye, I see Tucker sink to the floor. He buries his face in his hands, shaking with laughter.
The EMT blocks my line of sight by squatting in front of me. “I need to examine you for a concussion.”
Oh for fuck’s sake.
”
”
Elle Kennedy (The Score (Off-Campus, #3))
“
With his forefinger and middle finger, he tipped her chin up. A corner of his mouth kicked up wickedly, as if he knew she was mentally undressing him. “My face is up here.
”
”
Ann Bruce (Parker's Price)
“
Fairy Princessfuckingrella is kicking her slutting up a notch.
He saw Livia tense out of the corner of his eye. Shit. Kyle’s going to ruin their night together.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
That's the myth of it, the required lie that allows us to render our judgments. Parasites, criminals, dope fiends, dope peddlers, whores--when we can ride past them at Fayette and Monroe, car doors locked, our field of vision cautiously restricted to the road ahead, then the long journey into darkness is underway. Pale-skinned hillbillies and hard-faced yos, toothless white trash and gold-front gangsters--when we can glide on and feel only fear, we're well on the way. And if, after a time, we can glimpse the spectacle of the corner and manage nothing beyond loathing and contempt, then we've arrived at last at that naked place where a man finally sees the sense in stretching razor wire and building barracks and directing cattle cars into the compound.
It's a reckoning of another kind, perhaps, and one that becomes a possibility only through the arrogance and certainty that so easily accompanies a well-planned and well-tended life. We know ourselves, we believe in ourselves; from what we value most, we grant ourselves the illusion that it's not chance in circumstance, that opportunity itself isn't the defining issue. We want the high ground; we want our own worth to be acknowledged. Morality, intelligence, values--we want those things measured and counted. We want it to be about Us.
Yes, if we were down there, if we were the damned of the American cities, we would not fail. We would rise above the corner. And when we tell ourselves such things, we unthinkably assume that we would be consigned to places like Fayette Street fully equipped, with all the graces and disciplines, talents and training that we now posses. Our parents would still be our parents, our teachers still our teachers, our broker still our broker. Amid the stench of so much defeat and despair, we would kick fate in the teeth and claim our deserved victory. We would escape to live the life we were supposed to live, the life we are living now. We would be saved, and as it always is in matters of salvation, we know this as a matter of perfect, pristine faith.
Why? The truth is plain:
We were not born to be niggers.
”
”
David Simon (The Corner: A Year in the Life of an Inner-City Neighborhood)
“
John laughed. “You know, I’ve heard all the sayings about the wrath of women, but whew, Scar, you have a temper.”
The others chuckled.
“Keep it in mind, John Little,” I warned him. I didn’t feel much like chuckling.
He laughed. “I’ll be sure to inform Jenny Percy,” he said.
I rolled my eyes, but this time I heard a small laugh come from Rob’s distant corner. “So she really kissed
Scar?”
“Should have seen it, Rob! Scar’s right in the middle of giving her a talking-to, and Jenny lays one on her,” Much
crowed.
“So that’s how we shut her up,” John said.
I knew he were fair close to me so I tried to kick him. It took a few attempts, but one finally hit something and I heard him whine, “Ow, Scar!”
“And none of you jumped in to defend—her—her honor?” Rob asked, but it got broken up with laughs.
“The lot of you are stupid blighters,” I snapped. “It ain’t for laughing.”
This made them crack apart with howls.
”
”
A.C. Gaughen
“
Then she smiled that subtle, mysterious Mona Lisa smile of hers that tilted the corners of her lush mouth and caused the tiny lines at the corners of her eyes to crease, where that bastard mortality had stroked her velvet skin with skeletal fingers and carved his mark on her before she had kicked him in the balls.
”
”
Thea Harrison (Serpent's Kiss (Elder Races, #3))
“
you're Shane, right?'
He inched away from her and managed a quick nod as he twisted the rag he held in his fingers.
'Heidi sad you were willing to teach me how to ride.' Her expression shifted from entertained to confused, as if she was wondering why no one had mentioned he was a can or two shy of a six-pack.
'A horse,' he clarified, then wanted to kick himself. What else but a horse? Did he think she was here to learn to ride his mother's elephant?
One corner of Annabelle's perfect, full mouth twitched. 'A horse would be good. You seem to have several.'
He wanted to remind himself that he was usually fine around women. Smooth even. He was intelligent, funny and could, on occasion, be charming. Just not now, with his blood pumping and his brain doing nothing more than shouting "it's her, it's her" over and over again.
Chemistry, he thought grimly. It could turn the smartest man into a drooling idiot. Here he was, proving the theory true.
”
”
Susan Mallery (Summer Nights (Fool's Gold, #8))
“
With a feeling of intense disgust you kick the mass of rubbish into a corner and go home, your head full of revolutionary schemes to abolish the divine right of professors to ask questions without the consent of the questioned.
”
”
Helen Keller (The Story of My Life)
“
Someone knocked on the back door. He push back the chair and had to pause. The wolf was angry that someone had breached his sanctuary. Not even his pack had been brave enough the past few days to approch him in his home.
By the time he stalked into the kitchen, he had it mostly under control. He jerked open the back door and expect to see one of his wolves. But it was Mercy.
She didn't look cheerful—but then, she seldom did when she had to come over and talk to him. She was tough and independent and not at all happy to have him interfere in any way with that independence. It had been a long time since someone had bossed him around the way she did—and he liked it. More than a wolf who'd been Alpha for twenty years ought to like it.
She smelled of burnt car oil, Jasmine from the shampoo she'd been using that month, and chocolate. Or maybe that last was the cookies on the plate she handed him.
"Here," she said stiffly. And he realize it was shyness in the corner of her mouth. "Chocolate usually helps me regain my balance when life kicks me in the teeth."
She didn't wait for him to say anything, just turned around and walked back to her house.
He took the cookies back to the office with him. After a few minutes, he ate one. Chocolate, thick and dark, spread across his tongue, it's bitterness alleviated by a sinfull amount of brown sugar and vanilla. He'd forgotten to eat and hadn't realized it.
But it wasn't the chocolate or the food that made him feel better. It was Mercy's kindness to someone she viewed as her enemy. And right at that moment, he realized something. She would never love him for what she could do for her.
He ate another cookie before getting up to make himself dinner.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
She’s like sunshine on my face. Warm and bright. I feel like I’ve been living in the shade, in a dark corner, and rather than dragging me kicking and screaming out of it—like so many people have tried to—she’s just shifted over a little bit to share her light.
”
”
Elsie Silver (A Photo Finish (Gold Rush Ranch, #2))
“
~Here’s to kick-offs, goals, assists, shootouts, livin’ on the road, the smell of wet grass, early mornings, breakaways, crossbar shots, countless hours of practice, Nike cleats, , shin pads, big passes, loud chanting, new equipment, sniping shots, corner kicks, coaches, passion in our numbers, living with your team mates, the girls you trust become your second family, pick up, fights, let downs, miracles. Some people say soccer’s a matter of life or death, but it isn’t, it’s much more then that, and most of all – the best game in the world, our passion, our life, our future, our love, our game .. SOCCER.~
”
”
anonymise
“
So man lives seventy years. The first thirty are his human years, which are soon gone; then is he healthy, merry, works with pleasure, and is glad of his life. Then follow the ass's eighteen years, when one burden after another is laid on him, he has to carry the corn which feeds others, and blows and kicks are the reward of his faithful services. Then come the dog's twelve years, when he lies in the corner, and growls and has no longer any teeth to bite with, and when this time is over the monkey's ten years form the end. Then man is weak- headed and foolish, does silly things, and becomes the jest of the children.
”
”
Jacob Grimm (Household Tales by the Brothers Grimm)
“
Calvin clears his throat. “Do you have anything to drink?”
Booze. Right. This is the perfect situation for some booze. I jump up, and he laughs, awkwardly. “I should have thought to get champagne or something.”
“You bought the dinner,” I remind him. “Obviously the champagne was on my list and I dropped the ball.”
Pulling a bottle of vodka from the freezer, I set it on the counter and then realize I have nothing to mix it with. And I finished the last beer the other night.
“I have vodka.”
He smiles valiantly. “Straight-up vodka it is.”
“It’s Stoli.”
“Straight-up mediocre vodka it is,” he amends with a cheeky wink.
His phone buzzes, and it sets off a weird, giddy reaction in my chest. We both have full lives beyond this apartment, which remain complete mysteries to each other. One difference between us is that Calvin likely doesn’t care about my life outside of this. Yet I care intensely about his. Having him here feels like finding the key to unlock a mysterious chest that’s been sitting in the corner of my bedroom for a year.
Buzz. Buzz.
Looking up, I meet his eyes. They’re wide, almost as if he’s not sure whether to answer.
“You can get it,” I assure him. “It’s okay.”
His face darkens with a flush. “I . . . don’t think I should.”
“It’s your phone! Of course it’s okay to answer it.”
“It’s not . . .”
Buzz. Buzz.
Unless, maybe, it’s some Mafia drug lord and if he answers his ruse is up and I’ll kick him out. Or—gasp—maybe it’s a girlfriend calling?
Why had this not occurred to me?
Buzz. Buzz.
“Oh my God. Do you have a girlfriend?”
He looks horrified. “What? Of course not.”
Buzz. Buzz.
Holy shit, how long until his voicemail puts us out of our misery?
“. . . Boyfriend?”
“I don’t—” he starts, smiling through a wince. “It’s not.”
“ ‘Not’?”
“My phone isn’t ringing.”
I stare at him, bewildered.
His blush deepens. “It’s not a phone.”
When he says this, I know he’s right. It doesn’t have the right rhythm to be a phone.
I lift the vodka to my lips and chug straight from the bottle. The buzzing has the exact rhythm of my vibrator . . . the one I tucked beneath that cushion on the couch days ago.
I’m going to need to be pretty drunk to deal with this.
”
”
Christina Lauren (Roomies)
“
That guy over there in the corner is totally looking the other way,” Jace observed, pointing at the TV screen. “A spinning wheel kick would put him out of commission.”
“I can’t kick people in this game. I can only shoot them. See?” Kyle mashed some buttons.
“That’s stupid.” Jace looked over and seemed to see Simon for the first time. “Back from your breakfast meeting, I see,” he said without much welcome in his tone. “I bet you thought you were very clever, sneaking off like that.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
Behind his bedroom door, he can sit and put Hall & Oates on the record player in the corner, and nobody hears him humming along like his dad to "Rich Girl." He can wear the reading glasses he always insists he doesn't need. He can make as many meticulous study guides with color-coded sticky notes as he wants. He's not going to be the youngest elected congressman in modern history without earning it, but nobody needs to know how hard he's kicking underwater. His sex symbol stock would plummet.
”
”
Casey McQuiston
“
Keepers jump left 57 percent of the time and right 41 percent—which means they stay in the center only 2 times out of 100. A leaping keeper may of course still stop a ball aimed at the center, but how often can that happen? If only you could see the data on all penalty kicks taken toward the center of the goal! Okay, we just happen to have that: a kick toward the center, as risky as it may appear, is seven percentage points more likely to succeed than a kick to the corner. Are you willing to take the chance?
”
”
Steven D. Levitt (Think Like a Freak)
“
She would be as kick-ass as Katniss Everdeen, as uncompromising as Elizabeth Bennet, as brave as Hero.
”
”
Jenny Colgan (The Bookshop on the Corner)
“
A walk is exploring surfaces and textures with finger, toe, and—yuck—tongue; standing still and seeing who or what comes by; trying out different forms of locomotion (among them running, marching, high-kicking, galloping, scooting, projectile falling, spinning, and noisy shuffling). It is archeology: exploring the bit of discarded candy wrapper; collecting a fistful of pebbles and a twig and a torn corner of a paperback; swishing dirt back and forth along the ground. It is stopping to admire the murmuring of the breeze in the trees; locating the source of the bird’s song; pointing. Pointing!— using the arm to extend one’s fallen gaze so someone else can see what you’ve seen. It is a time of sharing. On our block,
”
”
Alexandra Horowitz (On Looking: A Walker's Guide to the Art of Observation)
“
Are you unwell, Paige?”
“Fine. My uterus is just confirming that it will not be growing a baby this month. With good reason,” I said, “since a tiny, defenseless human is not really what I need while I’m on the run from agents of tyranny.”
“You are menstruating.”
“I am menstruating,” I confirmed gravely.
“I see.” His eyes darkened. “Is it very painful?”
I considered.
“I’ve never had to describe it before,” I said, musing. “I suppose it’s like having all my lower organs crammed right down into my pelvis, then soaked in boiling water, so they’re sore and swollen. It’s a heavy, aching…downward-ness. But then it also feels like I’ve been kicked in the back. And the stomach. And the legs. Oh, and I’ve got a splitting headache.”
Arcturus had stopped plunging the coffee.
“And you feel able to train,” he said, after a long pause. “While experiencing those sensations.”
I rubbed the corner of my eye. “I’m grand.
”
”
Samantha Shannon (The Mask Falling (The Bone Season, #4))
“
One shot, one kill. Anything more is a waste.” He ejected the fired cartridge, chambered a fresh round. “Find the others.” The corner of Ian’s mouth kicked up in a sardonic half smile and he lifted the scope again. “This doesn’t mean we’re friends. I still think you’re window-licking insane, Hero.” “And I still think you’re an evil motherfucker, so we’re even. Now find me another target.
”
”
Tonya Burrows (Honor Reclaimed (HORNET, #2))
“
Almost distressed, Ethan unzipped Noah’s pants and dragged them down. Noah kicked them away to the corner of the room. Now, Noah would soon be naked before his eyes, with his exposed tool, which he had been hiding for such a long time. With slow hands, Ethan pressed his palm over Noah’s dick, over his boxers. He pressed his hands over it, and his dick peeked out through his fingers above the waistband.
”
”
Pierce Smith (Noah's Series (Enrapture #1))
“
Leave home. Fail marvelously, and succeed even better. Kick your feet up and wonder when you will be back. Stay out late. Make telephone calls from unfamiliar street corners. When your mother’s voice comes from far away and asks where you are, squint down the road and tell her you aren’t sure. Make uncertainty your home. Put the mat out for yourself. Look at your watch and think of how you’re almost home.
”
”
Nick Burd (The Letter Q: Queer Writers' Notes to their Younger Selves)
“
The Gunner's Dream (From The Final Cut)
Floating down through the clouds
Memories come rushing up to meet me now.
In the space between the heavens
and in the corner of some foreign field
I had a dream.
I had a dream.
Good-bye Max.
Good-bye Ma.
After the service when you're walking slowly to the car
And the silver in her hair shines in the cold November air
You hear the tolling bell
And touch the silk in your lapel
And as the tear drops rise to meet the comfort of the band
You take her frail hand
And hold on to the dream.
A place to stay
Enough to eat
Somewhere old heroes shuffle safely down the street
Where you can speak out loud
About your doubts and fears
And what's more no-one ever disappears
You never hear their standard issue kicking in your door.
You can relax on both sides of the tracks
And maniacs don't blow holes in bandsmen by remote control
And everyone has recourse to the law
And no-one kills the children anymore.
And no one kills the children anymore.
Night after night
Going round and round my brain
His dream is driving me insane.
In the corner of some foreign field
The gunner sleeps tonight.
What's done is done.
We cannot just write off his final scene.
Take heed of his dream.
”
”
Roger Waters
“
We were both too shiny and idealistic, too full of dreams and possibilities. It had taken life kicking us in the teeth a few times for us to shed those childish fancies and embrace the darkest corners of ourselves.
”
”
Hailey Edwards (How to Kiss an Undead Bride (The Beginner's Guide to Necromancy, #7))
“
As children, we tolerate working conditions that we'd find intolerable as adults: the constant exposure of our attainment to a hostile audience; the motivation by threat instead of encouragement (and big threats, too: if you don't do this, you'll ruin your whole future life . . .); the social world in which you're mocked and teased, your most embarrassing desires exposed, your new-formed body held up for the kind of scrutiny that would destroy an adult. Often, during childhood, this comes with physical threats, too—being pushed and shoved on the playground, punched and kicked. The eternal menace that something more savage is waiting around the corner on your way home. Imagine how that would feel to you as an adult: that perpetual threat to your bodily integrity and your mental wellbeing. We would never stand for it, but we did as children because it was expected of us and we didn't know any better.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
Winston hits a switch. The lights go out. There's a rustle of blankets. 'If I hear any of you talk,' Winston says. 'I will personally send Brendan over to kick you in the face.'
'I am not going to kick anyone in the face.'
'Kick yourself in the face, Brendan.'
'I don't even know why we're friends.'
'Please shut up,' Lily shouts from her corner.
'You heard the lady,' Winston says. 'Everyone shut up.'
'You're the one talking dumbass,' Ian says.
'Brendan, kick him in the face, please.'
'Shut up, mate, I am not kicking any-'
'Good Night,' Castle says.
Everyone stops breathing.
'Good night, sir,' Kenji whispers.
I roll over so I'm face-to-face with Kenji. He grins at me in the dark. I grin back.
'Good night,' I mouth.
He winks at me.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
You say that about everything,” I complained, trailing after him. “Everything is a long story, too long to tell me. I suppose after two hundred years, or whatever, things get a little convoluted, but can’t you paraphrase? How do you know the Rectors?”
When we rounded the corner, it became apparent there wouldn’t be time for any stories at all, paraphrased or not. Not because the gray clouds that were hanging so threateningly overhead had burst open, the way I was half expecting them to, but because the family we’d seen earlier, along with Mr. Smith and the people holding the clipboards, were climbing into their various vehicles in the parking lot right in front of us.
It shouldn’t have been a big deal. We were just an ordinary young couple, taking a late afternoon stroll through the cemetery.
I’d forgotten that, due to the “vandalism” that had occurred there earlier in the week, the cemetery gates (which John had kicked apart in a fit of temper) had been ordered locked twenty-four hours a day by the chief of police.
So it kind of was a big deal.
Still, that didn’t explain why one of the women-the grandmother, if her gray hair was any indication-took one look at my face, made the sign of the cross, cried, “Dios mio!” then passed out cold right in front of us.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
When I was eight, I saw some older boys torture a dog. At first they only kicked it. Then one of them took out his penknife and slit its eyes. I remember watching it stagger down the street. I was desperate for its suffering to end; please please let it be run over. But the creature blundered across the road and round the corner, and when I got there it was gone. For weeks I prayed that it had died quickly. But young as I was, I suspected that a God who allows such cruelty wouldn’t have cared about bringing it to an end
”
”
Michelle Paver (Dark Matter: A Ghost Story)
“
―When you kick out for yourself, Stephen―as I daresay you will one of these days―rememer, whatever you do, to mix with gentlemen. When I was a young fellow I tell you I enjoyed myself. I mixed with fine decent fellows. Everyone of us could lo something. One fellow had a good voice, another fellow was a good actor, another could sing a good comic song, another was a good oarsman or a good racket player, another could tell a good story and so on. We kept the ball rolling anyhow and enjoyed ourselves and saw a bit of life and we were none the worse of it either. But we were all gentlemen, Stephen―at least I hope we were―and bloody good honest Irishmen too. That's the kind of fellows I want you to associate with, fellows of the right kidney. I'm talking to you as a friend, Stephen. I don't believe a son should be afraid of his father. No, I treat you as your grandfather treated me when I was a young chap. We were more like brothers than father and son. I`ll never forget the first day he caught me smoking. I was standing at the end of the South Terrace one day with some maneens like myself and sure we thought we were grand fellows because we had pipes stuck in the corners of our mouths. Suddenly the governor passed. He didn't say a word, or stop even. But the next day, Sunday, we were out for a walk together and when we were coming home he took out his cigar case and said:―By the by, Simon, I didn't know you smoked, or something like that.―Of course I tried to carry it off as best I could.―If you want a good smoke, he said, try one of these cigars. An American captain made me a present of them last night in Queenstown.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen. And we did.
”
”
Becky Chambers (To Be Taught, If Fortunate)
“
I got kicked out of my first home for poking a wire hanger into an electrical outlet. My foster mom caught me, shrieked, and called the DCFS to come cart me away, because I was clearly suicidal and no one had told her that I was a child with ‘special needs.’”
“Were you? Suicidal?”
“I was five.”
“Still.”
“No, I wasn’t trying to off myself. I was curious. Little kids spend half their waking hours being warned not to do things. Don’t run with scissors. Don’t lick a flagpole in winter. Don’t stick anything into electrical outlets. Those three little holes looked so mysterious. I had to know if they were as dangerous as everyone said.”
“What happened?” A smile curled the corner of Conn’s mouth, indicating he’d already guessed the answer—which wasn’t exactly hard, given that I was standing right there in front of him, and not buried in an early grave with the tombstone Here Lies Darcy Jones, electrocuted orphan.
”
”
Marie Rutkoski (The Shadow Society (The Shadow Society, #1))
“
Hope you got your things together.’” I sang, stabbing a pillow with my spear. Feathers exploded into the air. “‘Hope you are quite prepared to die!’” I spun in a dazzling whirl of lights, landed a killer back-kick on a phantom Shade, and simultaneously punched the magazine rack. “‘Looks like we’re in for nasty weather!’” I took a swan dive at a short, imaginary Shade, lunged up at a taller one—
—and froze.
Barrons stood inside the front door, dripping cool-world elegance.
I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me.
“‘One eye is taken for an eye . . .’” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped.
I’d reached the sound dock, and just turned it off, when he exploded.
I whirled. “I didn’t look that funny,” I snapped.
His shoulders shook.
“Oh, come on! Stop it!”
He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one.
I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs.
“You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder.
I wasn’t sure he even heard me, he was laughing so hard.
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.”
Harper laughed.
“What’s funny?”
“I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.”
Trent’s mouth twitched, a slight smile making its way to his lips.
“Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?”
Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift.
“Trent,” she squealed, kicking her feet to get free. “What are you doing?”
He slapped her butt playfully and laughed as he carried her down the hallway.
Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others.
“Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.”
Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks.
“Pick one.”
“Pick one what?”
“Sink. Which do you want?”
“You’re giving me a whole sink? Wait … stop…”
Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her.
Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity.
He did the same thing with the vanity drawers and created some space under the sink.
“I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.”
“You like the vanilla?” It never ceased to surprise her, the details he remembered.
Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.”
“Oh my goodness, you are beyond!” Harper blushed furiously.
“I want you for so much more than just sex, Harper.
”
”
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
“
The thigh pressing his legs apart rubbed side to side, massaging the growing bulge in his jeans. James groaned and bit down on one corner of his lower lip to hold back a startled yelp when the pressure increased to the point of near pain.
"Does that feel good to you, baby? Like that? Like it slow and gentle?" He lessened the pressure and slipped a hand between them, thumbing open the buttons of James’ jeans as he talked. Finding nothing under them except heated flesh, he shoved his hand inside and grabbed James’ cock, dragging calluses and fingernails lightly over the sensitive organ. James squirmed and made a strangled, animal sound in the back of his throat.
"No, you wouldn’t be on this side of town, in this bar, if gentle was what you were looking for. Maybe you want it a little rougher." He shoved his fingers down farther and captured the tight sac beneath. "A little harder." He massaged James, grinning at the increased squirming and guttural whimpers his heavy caress produced. "A little deeper."
Kicking James’ legs farther apart, he slid two fingers behind the sac, tracing the thin ridge of sensitive flesh that led up to his opening. Without hesitation, he shoved both fingers into James’ body, twisting and stroking the hot, slippery walls of muscle within. A guttural gasp rewarded his efforts.
He chuckled low and throaty, nudging James’ cheek with his nose, silently commanding him to look up until their eyes met. "You got yourself all ready for me, baby. All nice," the long agile fingers twisted roughly, "and slick," plunged deeper, "and tight.
”
”
Laura Baumbach
“
When the boys turned the corner was inflammation in the air already forming knuckles as they pummeled the body being kicked and beaten until knocked unconscious his right eye closed shut blood refusing to clot flowing from both ears were they hearing their own breathing their own ears allowing their blows to take custody of this body fallen against the hardness of the concrete floor leveled without give?
”
”
Claudia Rankine (Citizen: An American Lyric)
“
I let out a hoarse shriek. All rational thought abandons me. My fight‑or‑flight instincts kick in, and because there’s nowhere to run, I can only fight. I jerk back, squirm and punch and kick out like a wild, cornered animal. Oh my god, I think hysterically as my fist connects with something hard. I’m about to be murdered by a ghost girl in a cabin in the middle of nowhere. The school isn’t even going to take responsibility because they made us sign that form—
”
”
Ann Liang (I Hope This Doesn't Find You)
“
It is interesting how one word can spark memories that one believes she has buried beyond recognition. War reminded me of the sharp and bittersweet smell of burning homes, temples, and palaces. It made my eyes cloud over with a haze of dense smoke, kicked up dirt as people went running and careening around corners, and the flashing colors of different garments as citizens ran in all directions, their lives suddenly meaningless. The word war made me twelve years old again and frightened beyond sanity.
”
”
Mandy Nachampassack-Maloney (Asha in Time)
“
I don't. Of course I don't. Despite the fairy-tale snowstorm out there, this isn't Narnia. This is London, real life, where hearts get kicked and bruised and broken, but somehow they still keep beating. I watch him recede as the taxi lurches cautiously away, and he watches me too, his hands shoved deep in his pockets, his shoulders bunched against the wind. I lay my head against the cold glass as we turn the corner, my heart and my conscience lead heavy in my chest.
I wish I'd never laid eyes on Jack O'Mara.
”
”
Josie Silver (One Day in December)
“
So you’d keep me here against my will—”
“Know this, pirate,” he said, his hands gripping the railing, “you are my passenger, and I will be damned before I let any harm come to you.”
She was unsure how to respond to the fervor of those words. “Another rule?” she managed finally.
“A promise. If I see that you’re in danger from Ironwood, I will help you escape myself. But should you try to leave on your own, know that I will go to the ends of the earth to bring you back.”
She felt color begin to creep up her throat, her cheeks, at the intensity of his words. “You’d risk not getting your payment?”
“Don’t be ridiculous. We’ll escape after I get my payment.” He shook his head, but Etta caught the hint of teasing in his tone. “Really, Miss Spencer. You ought to surrender your colors for that.”
“Do pirates ever surrender?” she asked. “I thought they only went down in blazes of glory.”
“Only the bad ones,” he said, one corner of his mouth kicked up. “The rest live long enough for another war and go legitimate.”
She managed a small smile. “I’ll keep that in mind.
”
”
Alexandra Bracken (Passenger (Passenger, #1))
“
Travis?” Her voice came out scratchy and cracked. “What are you doing in my room?” Those eyes—not quite green, not quite brown—crinkled at the corners. “I’m not in your room, darlin’. You’re in mine.” What? Maybe she was still dreaming. That would explain why Travis was here and why nothing was making a lick of sense. But the throbbing behind her ear seemed awfully real. “My head hurts.” “You were kicked by a mule.” A mule? Meredith frowned. Uncle Everett didn’t own a mule. Had she been injured at the livery fetching Ginger? And why was Travis grinning at her? Shouldn’t he be more concerned? “It’s not very heroic of you to smile at my misfortune.” Really. This was her dream after all. Her hero should be more solicitous. Of course, usually in her dreams, Travis rescued her before any injury occurred. The man was getting lax. She’d started to tell him so when he laid the back of his hand on her forehead as if feeling for fever. The gentle touch instantly dissolved her pique. He removed his hand and met her gaze. “I’m smiling because I’m happy to see you awake. We’ve been worried about you.” “Awake?” Meredith scrunched her brows together until the throbbing around her skull forced her to relax. “Travis, you’re not making any sense. I can’t be awake. You only come to me when I’m dreaming. Although you’re usually younger and . . . well . . . cleaner, and not so in need of a shave. “But don’t get me wrong,” she hurried to assure him. It wouldn’t do to insult her hero. “You’re just as handsome as always. I don’t even mind that you didn’t save me this time. The important thing is that you’re here.
”
”
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
“
Solitary Swedish Houses"
A mix-max of black spruce
and smoking moonbeams.
Here’s the croft lying low
and not a sign of life.
Till the morning dew murmurs
and an old man opens
– with a shaky hand – his window
and lets out an owl.
Further off, the new building
stands steaming
with the laundry butterfly
fluttering at the corner
in the middle of a dying wood
where the mouldering reads
through spectacles of sap
the proceedings of the bark-drillers.
Summer with flaxen-haired rain
or one solitary thunder-cloud
above a barking dog.
The seed is kicking inside the earth.
Agitated voices, faces
fly in the telephone wires
on stunted rapid wings
across the moorland miles.
The house on an island in the river
brooding on its stony foundations.
Perpetual smoke – they’re burning
the forest’s secret papers.
The rain wheels in the sky.
The light coils in the river.
Houses on the slope supervise
the waterfall’s white oxen.
Autumn with a gang of starlings
holding dawn in check.
The people move stiffly
in the lamplight’s theatre.
Let them feel without alarm
the camouflaged wings
and God’s energy
coiled up in the dark.
”
”
Tomas Tranströmer (Samlade dikter: 1954–1996)
“
IN MY OPINION (and this is based on my experience), having nothing you feel compelled to write about may make it harder to get started, but once the engine kicks in and the vehicle starts rolling, the writing is actually easier. This is because the flip side of having nothing you must write is being able to write freely about anything. Your material may be lightweight, but if you can grasp how to link the pieces together so that magic results, you can go on to write as many novels as you wish. You will be astounded how the mastery of that technique can lead to the creation of works with both weight and depth—as long as, that is, you retain a healthy amount of writerly ambition. In contrast, writers who from the first write about heavy topics may eventually—although, obviously, this does not occur in all cases—find themselves faltering under the very weight of that material. Writers who launch their careers writing about war, for example, can approach their subject matter from various angles in various works, but at a certain point they may, to some degree or other, find themselves backed into a corner when forced to think of what to write next.
”
”
Haruki Murakami (Novelist as a Vocation)
“
A lean heron of a fellow darted ahead of the others, and Lan danced the forms. Time like cool honey. The graylark sang, and the lean man shrieked as Cutting the Clouds removed his right hand at the wrist, and Lan flowed to one side so the rest could not all come at him together, flowed from form to form. Soft Rain at Sunset laid open a fat man’s face, took his left eye, and a ginger-haired young splinter drew a gash across Lan’s ribs with Black Pebbles on Snow. Only in stories did one man face six without injury. The Rose Unfolds sliced down a bald man’s left arm, and ginger-hair nicked the corner of Lan’s eye. Only in stories did one man face six and survive. He had known that from the start. Duty was a mountain, death a feather, and his duty was to Bukama, who had carried an infant on his back. For this moment he lived, though, so he fought, kicking ginger-hair in the head, dancing his way toward death, danced and took wounds, bled and danced the razor’s edge of life. Time like cool honey, flowing from form to form, and there could only be one ending. Thought was distant. Death was a feather. Dandelion in the Wind slashed open the now one-eyed fat man’s throat—he had barely paused when his face was ruined—a fork-bearded fellow with shoulders like a blacksmith gasped in surprise as Kissing the Adder put Lan’s steel through his heart. And suddenly Lan realized that he alone stood, with six men sprawled across the width of the stableyard. The ginger-haired youth thrashed his heels on the ground one last time, and then only Lan of the seven still breathed. He shook blood from his blade, bent to wipe the last drops off on the blacksmith’s too-fine coat, sheathed his sword as formally as if he were in the training yard under Bukama’s eye.
”
”
Robert Jordan (New Spring (The Wheel of Time, #0))
“
Greta’s car was three blocks away, and up ahead there looked to be a crowd of people gathering. They had probably come outside to see what the commotion was. Rapp stopped running. There was no quicker way to attract attention than running in street clothes at night when gunshots had been fired. The sirens were much closer now. At the next intersection a police car came skidding around the corner. Rapp’s training kicked in. He stopped and stared directly at the two policemen in the front seat. That’s what innocent people did. Guilty people looked away, hid their faces, and even ran.
”
”
Vince Flynn (Kill Shot (Mitch Rapp, #2))
“
Mental toughness is the ability to focus on and execute solutions, especially in the face of adversity.
Greatness rarely happens on accident. If you want to achieve excellence, you will have to act like you really want it. How? Quite simply: by dedicating time and energy into consistently doing what needs to be done.
Excuses are the antithesis of accountability.
Important decisions aren’t supposed to be easy, but don’t let that stop you from making them.
When it comes to decisions, decide to always decide.
The second we stop growing, we start dying. Stagnation easily morphs into laziness, and once a person stops trying to grow and improve, he or she is nothing more than mediocre.
Develop the no-excuse mentality.
Do not let anything interrupt those tasks that are most critical for growth in the important areas of your life. Find a way, no matter what, to prioritize your daily process goals, even when you have a viable excuse to justify not doing it.
“If you don’t evaluate yourself, how in the heck are you ever going to know what you are doing well and what you need to improve?
Those who are most successful evaluate themselves daily. Daily evaluation is the key to daily success, and daily success is the key to success in life.
If you want to achieve greatness, push yourself to the limits of your potential by continuously looking for improvements.
Within 60 seconds, replace all problem-focused thought with solution-focused thinking.
When people focus on problems, their problems actually grow and reproduce. When you train your mind to focus on solutions, guess what expands?
Talking about your problems will lead to more problems, not to solutions. If you want solutions, start thinking and talking about your solutions.
Believe that every problem, no matter how large, has at the very least a +1 solution, you will find it easier to stay on the solution side of the chalkboard.
When you set your mind to do something, find a way to get it done…no matter what!
If you come up short on your discipline, keep fighting, kicking, and scratching to improve. Find the nearest mirror and look yourself in the eye while you tell yourself, “There is no excuse, and this will not happen again.” Get outside help if needed, but never, ever give up on being disciplined.
Greatness will not magically appear in your life without significant accountability, focus, and optimism on your part. Are you ready to commit fully to turning your potential into a leadership performance that will propel you to greatness.
Mental toughness is understanding that the only true obstacles in life are self-imposed. You always have the choice to stay down or rise above. In truth, the only real obstacles to your ultimate success will come from within yourself and fall into one of the following three categories: apathy, laziness and fear.
Laziness breeds more laziness. When you start the day by sleeping past the alarm or cutting corners in the morning, you’re more likely to continue that slothful attitude later in the day.
”
”
Jason Selk (Executive Toughness: The Mental-Training Program to Increase Your Leadership Performance)
“
There were, inevitably, children’s clothing stores, furniture shops still offering bedroom sets by layaway, and dollar stores whose awnings teemed with suspended inflatable dolls, beach chairs, laundry carts, and other impulse purchases a mom might make on a Saturday afternoon, exhausted by errand running with her kids. There was the sneaker store where Olga used to buy her cute kicks, the fruit store Prieto had worked at in high school, the little storefront that sold the kind of old-lady bras Abuelita used to wear. On the sidewalks, the Mexican women began to set up their snack stands. Mango with lime and chili on this corner, tamales on that. Until the Mexicans had come to Sunset Park, Olga had never tried any of this food, and now she always tried to leave a little room to grab a snack on her way home. Despite the relatively early hour, most of the shops were open, music blasting into the streets, granting the avenue the aura of a party. In a few more hours, cars with their stereos pumping, teens with boom boxes en route to the neighborhood’s public pool, and laughing children darting in front of their mothers would add to the cacophony that Olga had grown to think of as the sound of a Saturday.
”
”
Xóchitl González (Olga Dies Dreaming)
“
NO ONE COULD say exactly when the great celebration erupted. There were those who claimed it kicked off as soon as the war was over, straight after the Japanese surrender on 14 August 1945, when everyone danced in the streets and a Jewish refugee, Alfred Eisenstaedt of Life magazine, took the photograph of his life on Times Square: a sailor, delirious with joy, kissing a nurse on the lips. These were the months when GIs returned from all corners of the globe, the years when people suddenly had money in their pockets. Even in America, luxuries had been scarce and rationed for years; now you could buy washing
”
”
Geert Mak (In America: Travels with John Steinbeck)
“
As I turn the corner, I hear Peter calling out, “Wait! Wait! Sir!” He’s following a security guard who is approaching a red backpack on the floor.
The security guard bends down and picks it up. “Is this yours?” he demands.
“Uh, yeah--”
“Why did you leave it on the ground?” He unzips the backpack and pulls out a teddy bear.
Peter’s eyes dart around. “Can you put that back inside? It’s for a promposal for my girlfriend. It’s supposed to be a surprise.”
The security guard is shaking his head. He mutters to himself and starts looking in the backpack again.
“Sir, please just squeeze the bear.”
“I’m not squeezing the bear,” the security guard tells him.
Peter reaches out and squeezes the teddy bear and the bear squeaks out, “Will you go to prom with me, Lara Jean?”
I clap my hands to my mouth in delight.
Sternly the security guard says, “You’re in New York City, kid. You can’t just leave a backpack on the ground for your proposal.”
“It’s actually called a promposal,” Peter corrects, and the security guard gives him a look. “Sorry. Can I just have the bear back?” He spots me then. “Tell him Sleepless in Seattle is your favorite movie, Lara Jean!”
I rush over. “Sir, it’s my favorite movie. Please don’t kick him out.”
The security guard is trying not to smile. “I wasn’t going to kick him out,” he says to me. To Peter he says, “Just be more aware next time. In New York, we’re vigilant. If we see something, we say something, do you feel me? This is not whatever little country town you guys are from. This is New York City. We do not play around here.”
Both Peter and I nod, and the security guard walks away. As soon as he’s gone, Peter and I look at each other and break out into giddy laughter. “Somebody reported my book bag!” he says. “My promposal got fucked.”
I take the teddy bear out of his bag and hug it to my chest. I’m so happy I don’t even tell him not to cuss. “I love it.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
I saw you the second I walked into the bar that night. I saw you and felt you were different.”
His lips had moved so close to hers that if she edged forward a bit, his mouth would be on hers. “I’m actually not different,” she said, hating that her voice sounded all breathy and nervous. “I’m similar to lots of people. I can even list off a bunch of people who look like me. And these boots aren’t really kick-ass boots. I bought them because they were on the clearance rack.”
A smile tugged at the corner of his mouth before his lips touched hers, and all her carefully constructed reasons as to why she’d never get involved with a man like Matt burned to ashes.
”
”
Victoria James (Falling for the P.I. (Still Harbor, #1))
“
She took the bird to her worktable and put a rubber tube into its beak. With the end of the tube in her mouth, she massaged its ribs with her finger as she puffed, very gently, into the tube. The little swallow kicked, and she held it gently between her hands.
“Just like resuscitating a person,” murmured Bern.
“Exactly like that,” agreed the Lady. “Most animals want to live. They struggle toward life regardless of their surroundings.” She deposited the bird in the cage, a sad smile pulling at the corners of her mouth. “Human beings are more difficult. At some point of trauma, most people just give up and die.”
Bern’s face changed, something like guilt shadowing his eyes. “Only if they’re let to, Mistress.
”
”
Sara A. Mueller (The Bone Orchard)
“
I yanked the knife out as I strode back into the room, throwing my bag to the side and pulling the blade free as I kicked the door shut. We were dropped almost entirely into darkness, but Aly must have sensed the danger in the room with her because she scrambled away as I stalked toward her, fear edging out lust. I raised the blade high. She threw herself to the far side of the bed. “What are you –” I stabbed the knife down. Straight into the corner of her mattress. She clapped her hands over her mouth to muffle her horrified scream. I crooked a finger at her, beckoning her forward. “Come here, Aly,” I said, wrapping my other hand around the knife handle so there would be no mistaking my intent. “I want to watch you ride it.
”
”
Navessa Allen (Lights Out)
“
It looked like every cartoon of a flying saucer Newt had ever seen.
As he stared over the top of his map, a door in the saucer slid aside with a satisfying whoosh, revealing a gleaming walkway which extended automatically down to the road. Brilliant blue light shone out, outlining three alien shapes. They walked down the ramp. At least, two of them walked. The one that looked like a pepper pot just skidded down it, and fell over at the bottom.
The other two ignored its frantic beeping and walked over to the car quite slowly, in the worldwide approved manner of policemen already compiling the charge sheet it their heads. The tallest one, a yellow toad dressed in kitchen foil, rapped on Newt's window. He wound it down. The thing was wearing the kind of mirror-finished sunglasses that Newt always thought of as Cool Hand Luke shades.
'Morning, sir or madam or neuter,' the thing said. 'This your planet, is it?'
The other alien, which was stubby and green, had wandered off into the woods by the side of the road. Out of the corner of his eye Newt saw it kick a tree, and then run a leaf through some complicated gadget on its belt. It didn't look very pleased.
'Well, yes. I suppose so.' he said.
The toad stared thoughtfully at the skyline.
'Had it long, have we, sir?' it said.
'Er. Not personally. I mean, as a species, about half a million years. I think.'
The alien exchanged glances with its colleague. 'Been letting the old acid rain build up, haven't we, sir?' it said. 'Been letting ourselves go a bit with the old hydrocarbons, perhaps?'
'I'm sorry.'
'Could you tell me your planet's albedo, sir?' said the the toad, still staring levelly at the horizon as though it was doing something interesting.
'Er. No.'
'Well, I'm sorry to have to tell you, sir, that your polar ice caps are below regulation size for a planet of this category, sir.'
'Oh, dear,' said Newt. He was wondering who he could tell about this, and realizing that there was absolutely no one who would believe him. [...]
The small alien walked past the car.
'CO2 level up 0.5 percent,' it rasped, giving him a meaningful look. 'You do know you could find yourself charged with being a dominant species while under the influence of impulse-driven consumerism, don't you?
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
That's bullshit, buddy. And you know it.
The trouble was, he DIDN'T know it. He had come face to face with something Susannah had found out for herself after shooting the bear: he could TALK about how he didn't want to be a gunslinger, how he didn't want to be tramping around this crazy world where the three of them seemed to be the only human life, that what he really wanted more than anything else was to be standing on the corner of Broadway and Forty-second Street, popping his fingers, munching a chili-dog, and listening to Creedence Clearwater Revival blast out of his Walkman earphones as he watched the girls go by, those ultimately sexy New York girls with their pouty go-to-hell mouths and their long legs in short skirts. He could talk about those things until he was blue in the face, but his heart knew other things. It knew that he had ENJOYED blowing the electronic menagerie back to glory, at least while the game was on and Roland's gun was his own private handheld thunderstorm. He had ENJOYED kicking the robot rat, even though it had hurt his foot and even though he had been scared shitless. In some weird way, that part--the being scared part--actually seemed to add to the enjoyment.
All that was bad enough, but his heart knew something even worse: that if a door leading back to New York appeared in front of him right now, he might not walk through it. Not, at least, until he had seen the Dark Tower for himself. He was beginning to believe that Roland's illness was a communicable disease.
”
”
Stephen King (The Waste Lands (The Dark Tower, #3))
“
I shoot up out of my chair. “It’s Bree. Hide the board!”
Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!”
His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!”
“LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat.
Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”.
Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me.
“Erase it!” Price whispers frantically.
“No, we didn’t write it down anywhere else! We’ll lose all the ideas.”
I can hear Bree’s footsteps getting closer. “Nathan? Are you home?”
“Uh—yeah! In the kitchen.”
Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet.
“Just flip it over!” I tell anyone who’s not running in a circle chasing his tail.
As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit.
Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?”
Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply.
We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine.
“What’s with the whiteboard?” she asks, taking a step toward it.
I hop off the table and get in her path. “Huh? Oh, it’s…nothing.”
She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.”
“Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.”
She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment?
My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me.
Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.”
Her eyes narrow.
”
”
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
“
Rounding the corner at Haste, the crowd rushed toward People’s Park, smashing through the fence and sweeping across the lawn, attacking construction vehicles, slashing tires and seat cushions, knocking out glass. Down came the work lights. They kicked in the door to Nestor Arriola’s trailer and ransacked it. They scaled the remaining trees to take up residence. I didn’t witness any of it. I was sitting onstage in the silent auditorium, squinting in the direction of the light booth. The glare made it impossible to tell if UC Berkeley executive vice chancellor George Greenspan was in there. Just in case, I waved and gave him a thumbs-up. Judy Bronson shifted to face me. The creak of her chair leather carried clear to the back of the room. Zellerbach Hall has world-class acoustics. She said, “What just happened.” I said, “Berkeley.
”
”
Jonathan Kellerman (Half Moon Bay (Clay Edison, #3))
“
So…it wasn’t love at first sight then? With Dad? You fell in love later?” I don’t know why I feel disappointed. I don’t even believe in love at first sight. Except where it applies to my parents being perfect for each other. And anyways, isn’t that a kind of child-myth that all kids want to believe?
“Sweetie…It was never love.”
Screw disappointment. Now I feel gut-kicked. “What do you mean? But you had to…Then how did I…?”
Mom sighs. “You were…the result of a moment of…weakness on my part.” But she takes too long to choose her words. I wonder what she thought of first, instead of “weakness.” Pity? Stupidity? She dabs her napkin at some imaginary syrup at the corner of her mouth. “The only weak moment we ever had, which is kind of extraordinary. Not that I regret it at all,” she says quickly. “I wouldn’t trade you for anything. You know that, right?”
I wonder if “I wouldn’t trade you for anything” is also a child-myth. “So I was an accident. Not even the normal kind of accident. Like, a one-night stand, or a oops-I-didn’t-take-my-pill accident. I was an oops-I-accidentally-mated-with-my-first-experiment accident.” I put my head in my hands. “Lovely.”
“That man loved you, Emma, from the moment you were born. He’d be very upset to hear you talking like that right now. Frankly, I am, too. I was not some experiment.”
I bite my lip. “I know. It’s just…a lot, don’t you think?”
“That’s why we’re going to have two pieces of strawberry pie, Agnes,” Mom says, her voice strained.
I pull my stricken face from my hands and force it to smile. “Yes, please,” I say. I’m beginning to think Agnes isn’t a waitress for financial gain. I think she needs gossip to thrive. There’s no way a normal waitress would be or should be this attentive.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Sit down and have a cup of coffee
With your firm conviction that they're out to get you
Sit down and have a cigarette with your awful fear of death
I saw Milarepa at the all-night diner sharing a table with his personal demons
He said You've got to invite them in with compassion on your breath
Stop running away, 'cause nobody runs as fast as pain and sorrow
Stop pushing away, you're just making it hard
Stop putting it off, 'cause it'll be back to kick your ass tomorrow
Breathe in, breathe out, let down your guard
Sit down and start shooting the shit
With the fear that you'll never measure up to your ideals
Sit down and have a bottle of beer with the ache of all you've lost
I saw Milarepa at the coffee house having a Danish with his hurts and hatreds
He said You've got to invite them in, or you pay ten times the cost.
Stop running away, 'cause nobody runs as fast as fear and loathing
Stop pushing away, you're just making it worse
Stop putting it off, cause it'll be back again in different clothing
Just pop the clutch and go into reverse
Invite them in and let them be there while you learn to stand it
Invite them in and give them room to stomp and shout
When they can come and go
They won't be always pounding on your door
If you let them in you can let them out.
Sit down and have a conversation
With the loneliness that's eating you alive
Sit down and watch a sunset with your overwhelming rage
I saw Milarepa at the corner bar buying a round for the monsters in his heart
He said They're really not so bad when they're let out of their cage
Stop running away, 'cause nobody runs as fast as pain and sorrow
Stop pushing away, you're just making it hard
Stop putting it off, 'cause it'll be back to kick your ass tomorrow
Breathe in, breathe out, let down your guard
”
”
Allison Lonsdale
“
Wiping his streaming eyes on his jacket sleeve, Hagrid swung himself onto the motorcycle and kicked the engine into life; with a roar it rose into the air and off into the night. “I shall see you soon, I expect, Professor McGonagall,” said Dumbledore, nodding to her. Professor McGonagall blew her nose in reply. Dumbledore turned and walked back down the street. On the corner he stopped and took out the silver Put-Outer. He clicked it once, and twelve balls of light sped back to their street lamps so that Privet Drive glowed suddenly orange and he could make out a tabby cat slinking around the corner at the other end of the street. He could just see the bundle of blankets on the step of number four. “Good luck, Harry,” he murmured. He turned on his heel and with a swish of his cloak, he was gone. A breeze ruffled the neat hedges of Privet Drive, which lay silent and tidy under the inky sky,
”
”
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
“
The few remaining men can exist out their puny days dropped out on drugs or
strutting around in drag or passively watching the high-powered female in action,
fulfilling themselves as spectators, vicarious liver*, or breeding in the cow pasture
with the toadies, or they can go off to the nearest friendly suicide center where
they will be quietly, quickly, and painlessly gassed to death.
Prior to the institution of automation, to the replacement of males by machines,
the male should be of use to the female, wait on her, cater to her slightest whim,
obey her every command, be totally subservient to her, exist in perfect obedience
to her will, as opposed to the completely warped, degenerate situation we have
now of men, not only not only not existing at all, cluttering up the world with their
ignominious presence, but being pandered to and groveled before by the mass of
females, millions of women piously worshiping the Golden Calf, the dog leading
the master on a leash, when in fact the male, short of being a drag queen, is least
miserable when his dogginess is recognized – no unrealistic emotional demands are
made of him and the completely together female is calling the shots. Rational men
want to be squashed, stepped on, crushed and crunched, treated as the curs, the
filth that they are, have their repulsiveness confirmed.
The sick, irrational men, those who attempt to defend themselves against their
disgustingness, when they see SCUM barreling down on them, will cling in terror
to Big Mama with her Big Bouncy Boobies, but Boobies won’t protect them
against SCUM; Big Mama will be clinging to Big Daddy, who will be in the corner
shitting in his forceful, dynamic pants. Men who are rational, however, won’t kick
or struggle or raise a distressing fuss, but will just sit back, relax, enjoy the show
and ride the waves to their demise.
”
”
Valerie Solanas
“
Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.
”
”
Becky Chambers (To Be Taught, If Fortunate)
“
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing.
A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback?
The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at.
I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting.
It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.”
“Emma, run!” Mom yells.
Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing.
Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.”
Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another.
I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that.
Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs.
He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack.
Mom has never been girlie.
Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.”
Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
What are we doing for supper tonight?” Avery asked, turning around in my desk chair and separating me from my memories.
I grunted and tossed a package of ramen over my shoulder.
She groaned. “Not again. Please. You need real food, Summer.”
“Noodles are real food. They’re a relative to real pasta, which came from Italy and we know how kick-ass Italian food is. Boom. They’re gourmet badassness.”
She tossed them to the corner. “They’re not, and I’m pulling my friendship card.”
No way. She couldn’t.
I rotated around in my chair to stare at her. “Not the friendship card.”
“Totally the friendship card.”
I pretended to gasp and shudder. Okay, I really did shudder. I’d never admit it, but the ramen wasn’t doing it for me either...
"I was thinking we could go to a restaurant or something.”
“What is this you speak of? A dwelling where they serve many varieties of solids?”
Her lip twitched in a grin. “Yeah, that. You and me, we’re going to dress up, and we’re going to dine like queens.”
“Can I wear a tiara?”
“Without a doubt.” She winked at me as she got up and went to the door. “Thirty minutes, then we’re leaving.
”
”
Tijan (Anti-Stepbrother)
“
The necessary special effects are not in my possession, but what I’d like for you to imagine is Clementine’s white face coming close to mine, her sleepy eyes closing, her
medicine-sweet lips puckering up, and all the other sounds of the world going silent—the rustling of our dresses, her mother counting leg lifts downstairs, the airplane outside making an exclamation mark in the sky—all silent, as Clementine’s highly educated, eight-year-old lips met mine.
And then, somewhere below this, my heart reacting.
Not a thump exactly. Not even a leap. But a kind of swish, like a frog kicking off from a muddy bank. My heart, that amphibian, moving that moment between two elements:
one, excitement; the other, fear. I tried to pay attention. I tried to hold up my end of things. But Clementine was way ahead of me. She swiveled her head back and forth the way actresses did in the movies. I started doing the same, but out of the corner of her mouth she scolded, “You’re the man.” So I stopped. I stood stiffly with arms at my sides. Finally Clementine broke off the kiss. She looked at me blankly a moment, and then responded, “Not bad for your first time.
”
”
Jeffrey Eugenides (Middlesex)
“
You are personally responsible for so much of the sunshine that brightens up your life. Optimists and gentle souls continually benefit from their very own versions of daylight saving time. They get extra hours of happiness and sunshine every day. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life
The secret joys of living are not found by rushing from point A to point B, but by slowing down and inventing some imaginary letters along the way. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life
“There is nothing more important than family.” Those words should be etched in stone on the sidewalks that lead to every home. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life
I may be uncertain about exactly where I’m headed, but I am very clear regarding this: I’m glad I’ve got a ticket to go on this magnificent journey. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life
When your heart is filled with gratitude for what you do have, your head isn’t nearly so worried about what you don’t. – Douglas Pagels, from Simple Thoughts That Can Literally Change Your Life
Don’t let cynical people transfer their cynicism off on you. In spite of its problems, it is still a pretty amazing world, and there are lots of truly wonderful people spinning around on this planet. – Douglas Pagels, from Required Reading for All Teenagers
All the good things you can do – having the right attitude, having a strong belief in your abilities, making good choices and responsible decisions – all those good things will pay huge dividends. You’ll see. Your prayers will be heard. Your karma will kick in. The sacrifices you made will be repaid. And the good work will have all been worth it. – Douglas Pagels, from Required Reading for All Teenagers
The more you’re bothered by something that’s wrong, the more you’re empowered to make things right. – Douglas Pagels, from Everyone Should Have a Book Like This to Get Through the Gray Days
May you be blessed with all these things: A little more joy, a little less stress, a lot more understanding of your wonderfulness. Abundance in your life, blessings in your days, dreams that come true, and hopes that stay. A rainbow on the horizon, an angel by your side, and everything that could ever bring a smile to your life. – Douglas Pagels, from May You Be Blessed with All These Things
Each day brings with it the miracle of a new beginning. Many of the moments ahead will be marvelously disguised as ordinary days, but each one of us has the chance to make something extraordinary out of them. – Douglas Pagels, from May You Be Blessed with All These Things
Keep planting the seeds of your dreams, because if you keep believing in them, they will keep trying their best to blossom for you. – Douglas Pagels, from May You Be Blessed with All These Things
I hope your dreams take you... to the corners of your smiles, to the highest of your hopes, to the windows of your opportunities, and to the most special places your heart has ever known. – Douglas Pagels, from May You Be Blessed with All These Things
Love is what holds everything together. It’s the ribbon around the gift of life. – Douglas Pagels, from May You Be Blessed with All These Things
There are times in life when just being brave is all you need to be. – Douglas Pagels, from May You Be Blessed with All These Things
When it comes to anything – whether it involves people or places or jobs or hoped-for plans – you never know what the answer will be if you don’t ask. And you never know what the result will be if you don’t try. – Douglas Pagels, from Make Every Day a Positive One
Don’t just have minutes in the day; have moments in time. – Douglas Pagels, from Chasing Away the Clouds
A life well lived is simply a compilation of days well spent. – Douglas Pagels, from Chasing Away the Clouds
”
”
Douglas Pagels
“
would ask. Through the corner of his eyes, Notch saw that Smoot was looking perplexed. Notch made a sick groaning sound and this alarmed Smoot even more. He knew where the key was to the dungeon cell. All he had to do was fetch it and open it. Then he could check on Notch and see if everything was alright. “He’s so weak that there’s no harm…” Smoot thought. He rushed to fetch the keys as Notch waited impatiently. Smoot was back with another villager, just for a safety measure. But Notch was still willing to take the chance even if there were two. Together, they heaved Notch out of the cell and placed him on the floor. “What could be wrong?” Smoot asked the other villager. “It looks like he’s passed out, but we’ve been feeding him well enough…” “Let’s see if there’s something inside the cell… maybe a spider?” suggested the other villager. It was almost too good to be true. Smoot and the other villager peered into the dungeon cell long enough for Notch to launch a kick. “Hey!!” they cried out, but it was too late. Notch was already dashing out. He decided to hide somewhere inside the building. He knew that once the villagers heard that he’d escaped, they’d search outside first. So, Notch looked around until he found some chests. He hid behind one of them and waited. Smoot and the other villager were already rushing out, shouting that Notch had escaped.
”
”
The Miners (The Great Villager Takeover: A Mining Novel)
“
Homie caught a body
Got a naughty shawty
Throw her in the trunk of my purple buggati
Opps on my tail damn making this a party
Firing shots man I think they might’ve got me
Bleeding and speeding on the 401
This is hood economics 101
Got that gangsta archetype like Carl Yung
Damn making me ask who am I running from?
When I know I got balls and a fuckin loaded gun
Roll out on the freeway while takin some heat
One cop two cop three’s on his feet
Yeah bullseye put one his knee
Cryin oh please don’t hurt me you know I got family
Put him to sleep with nice slick kick
As I head to his home to go meet his kids
His wife’s crying in the corner as I fire from the hip
Yeah there’s heart in this clip
I put my all in this shit
Leaving their home while unfulfilled
Got a taste for killing need more blood to spill
God looking down asking me to chill
Fire shots in the air tellin him no deal
Already dug my grave and wrote my will
Therapist tells me just stay home and masturbate man
Tell him fuck off you know I’m Patrick Bateman
Killers don’t discriminate you know I still kill women
Brutally beat them into mush on the pavement
Screaming for help with no-one here to save them
My life has purpose and I know who I am
A cold blooded killer with two glocks in his hands
Better run mothafucka you know you stand no chance
Cause it takes two to tango and damn I wanna dance
”
”
Gubba
“
If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer.
“Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, inviting-brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight…wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking…teasing!
She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quit the way I remembered it.”
“Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation.
“Care to try it again?” Ian invited, still willing to indulge in a few pleasurable minutes of shared ardor, so long as there was no pretense that it was anything but that, and no loss of control on his part.
The bland amusement in his tone finally made her suspect he was treating this as some sort of diverting game or perhaps a challenge, and she looked at him in shock, “Is this a-a contest?”
“Do you want to make it into one?”
Elizabeth shook her head and abruptly surrendered her secret memories of tenderness and stormy passion. Like all her other former illusions about him, that too had evidently been false. With a mixture of exasperation and sadness, she looked at him and said, “I don’t think so.”
“Why not?”
“You’re playing a game,” she told him honestly, mentally throwing her hands up in weary despair, “and I don’t understand the rules.”
“They haven’t changed,” he informed her. “It’s the same game we played before-I kiss you, and,” he emphasized meaningfully, “you kiss me.”
His blunt criticism of her lack of participation left her caught between acute embarrassment and the urge to kick him in the shin, but his arm was tightening around her waist while his other hand was sliding slowly up her back, sensuously stroking her nape.
“How do you remember it?” he teased as his lips came closer. “Show me.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Everything’s awful,” said Jessie, picking at a corner of her bedroom wallpaper that was peeling. She explained to her grandmother about the trial yesterday and the basketball game and Scott kicking the ball into the swamp. She told her how Evan had to hunt for the ball for half an hour before finally finding it, and how he told all his friends to just go home, he’d find it himself, just go home. So they did. And how Evan and Jessie were left to look for the ball, and how Evan didn’t talk the whole time they did. “And today he’s not even eating, or anything,” said Jessie. “Did you know that it’s Yom Kippur?” “Yom Kippur, is that the one where the kids dress up?” asked Jessie’s grandmother. “No, that’s Purim.” Grandma was always mixing up things like that, things that sounded kind of the same, but were different. During their last phone call, she was talking with Jessie about the sequoia trees in California, but she kept using the word sequester instead. “Yom Kippur is the day when the Jewish people ask for forgiveness and they don’t eat.” “Is Evan Jewish now?” asked Grandma. “No, but he’s not eating. He says he’s not hungry,” said Jessie. “Sometimes that happens to me,” Grandma said. “I practically forget to eat.” “But Evan’s always hungry,” said Jessie. “Mom says he’s a bottomless pit.” “He’ll eat when he’s ready,” said Grandma. “Let it go.” Jessie hated it when her grandmother said that. She was always telling Jessie to let it go and be the tree. Crazy yoga grandma. How could anyone be a tree? “But
”
”
Jacqueline Davies (The Lemonade Crime (The Lemonade War Series Book 2))
“
When Miss Minchin sent her sister, Miss Amelia, to see what the child was doing, she found she could not open the door.
“I have locked it,” said a queer, polite little voice from inside. “I want to be quite by myself, if you please.”
Miss Amelia was fat and dumpy, and stood very much in awe of her sister. She was really the better-natured person of the two, but she never disobeyed Miss Minchin. She went downstairs again, looking almost alarmed.
“I never saw such a funny, old-fashioned child, sister,” she said. “She has locked herself in, and she is not making the least particle of noise.”
“It is much better than if she kicked and screamed, as some of them do,” Miss Minchin answered. “I expected that a child as much spoiled as she is would set the whole house in an uproar. If ever a child was given her own way in everything, she is.”
“I’ve been opening her trunks and putting her things away,” said Miss Amelia. “I never saw anything like them--sable and ermine on her coats, and real Valenciennes lace on her underclothing. You have seen some of her clothes. What do you think of them?”
“I think they are perfectly ridiculous,” replied Miss Minchin, sharply; “but they will look very well at the head of the line when we take the schoolchildren to church on Sunday. She has been provided for as if she were a little princess.”
And upstairs in the locked room Sara and Emily sat on the floor and stared at the corner round which the cab had disappeared, while Captain Crewe looked backward, waving and kissing his hand as if he could not bear to stop.
”
”
Frances Hodgson Burnett (A Little Princess)
“
The town of Khan Yunis in the Gaza Strip, like all the other towns and villages in the West Bank and the Strip, was placed under military curfew for three days. This short period was enough for the army to perform its routine devastation. Muhammad Ahmad al-Astal, who was then twenty-four years old, recalled how the soldiers burst into the house where his friends usually gathered, about ten Palestinian men in all. The soldiers took four of them to another room. He remained with three other members of the family. Two of them were taken by the soldiers to a corner of the room and beaten with rifle stocks; they were also punched, slapped and kicked. He and another family member were ordered to empty the cupboard of its contents, clothing and other household items.
In his own words: ‘The soldiers called me over, slapped me on the face and told me, ‘You are Hamas’. I returned to empty the cupboard but I was called over again. This time they told me, ‘You are Islamic Jihad’, and slapped me again.’ There was a third round of abuse in which he was told, ‘You are PLO’. Another man in the room was treated in a similar way. Then they were both summoned: ‘one soldier held me by the neck and banged our heads together’.
It turned out that in the next room the same abuse was taking place and then they were united with two men from the other room and ordered to stand facing the wall with their hands up in the air: ‘the soldiers gave us back our ID cards to hold up in the air and told us to remain like this’. After half an hour the older members of the family told them the soldiers had left
”
”
Ilan Pappé (The Biggest Prison on Earth: A History of the Occupied Territories)
“
She remembered those fancy receipt books written by Lady Nonesuch, or Countess Thingumabob, and laughed out loud. They boasted how damnable high bred the lady was, and how the reader might herself be reckoned à la mode, if she could only cook such stuff herself.
No, her book would hold a dark mirror to such conceits. Since Mother Eve's day, women had whispered of herblore and crafty potions, the wise woman's weapons against the injustices of life; a life of ill treatment, the life of a dog. If women were to be kicked into the kitchen they might play it to their advantage, for what was a kitchen but a witch's brewhouse? Men had no notion of what women whispered to each other, hugger-mugger by the chimney corner; of treaclish syrups and bitter pods, of fat black berries and bulbous roots. Such remedies were rarely scribbled on paper; they were carried in noses, fingertips and stealthy tongues. Methods were shared in secret, of how to make a body hot with lust or shiver with fever, or to doze for a stretch or to sleep for eternity.
Like a chorus the hungry ghosts started up around her: voices that croaked and cackled and damned their captors headlong into hell. Her ghosts were the women who had sailed out beside her to Botany Bay, nearly five years back on the convict ship Experiment. She made a start with that most innocent of dishes: Brinny's best receipt for Apple Pie. For there was magic in even that- the taking of uneatables: sour apples, claggy fat, dusty flour- and their abradabrification into a crisp-lidded, syrupy miracle. Mother Eve's Secrets, she titled her book, a collection of best receipts and treacherous remedies.
”
”
Martine Bailey (A Taste for Nightshade)
“
Many people approach Tolstoy with mixed feelings. They love the artist in him and are intensely bored by the preacher; but at the same time it is rather difficult to separate Tolstoy the preacher from Tolstoy the artist—it is the same deep slow voice, the same robust shoulder pushing up a cloud of visions or a load of ideas. What one would like to do, would be to kick the glorified soapbox from under his sandalled feet and then lock him up in a stone house on a desert island with gallons of ink and reams of paper—far away from the things, ethical and pedagogical, that diverted his attention from observing the way the dark hair curled above Anna's white neck. But the thing cannot be done : Tolstoy is homogeneous, is one, and the struggle which, especially in the later years, went on between the man who gloated over the beauty of black earth, white flesh, blue snow, green fields, purple thunderclouds, and the man who maintained that fiction is sinful and art immoral—this struggle was still confined within the same man. Whether painting or preaching, Tolstoy was striving, in spite of all obstacles, to get at the truth. As the author of Anna Karenin, he used one method of discovering truth; in his sermons, he used another; but somehow, no matter how subtle his art was and no matter how dull some of his other attitudes were, truth which he was ponderously groping for or magically finding just around the corner, was always the same truth — this truth was he and this he was an art.
What troubles one, is merely that he did not always recognize his own self when confronted with truth. I like the story of his picking up a book one dreary day in his old age, many years after he had stopped writing novels, and starting to read in the middle, and getting interested and very much pleased, and then looking at the title—and seeing: Anna Karenin by Leo Tolstoy.
What obsessed Tolstoy, what obscured his genius, what now distresses the good reader, was that, somehow, the process of seeking the Truth seemed more important to him than the easy, vivid, brilliant discovery of the illusion of truth through the medium of his artistic genius. Old Russian Truth was never a comfortable companion; it had a violent temper and a heavy tread. It was not simply truth, not merely everyday pravda but immortal istina—not truth but the inner light of truth. When Tolstoy did happen to find it in himself, in the splendor of his creative imagination, then, almost unconsciously, he was on the right path. What does his tussle with the ruling Greek-Catholic Church matter, what importance do his ethical opinions have, in the light of this or that imaginative passage in any of his novels?
Essential truth, istina, is one of the few words in the Russian language that cannot be rhymed. It has no verbal mate, no verbal associations, it stands alone and aloof, with only a vague suggestion of the root "to stand" in the dark brilliancy of its immemorial rock. Most Russian writers have been tremendously interested in Truth's exact whereabouts and essential properties. To Pushkin it was of marble under a noble sun ; Dostoevski, a much inferior artist, saw it as a thing of blood and tears and hysterical and topical politics and sweat; and Chekhov kept a quizzical eye upon it, while seemingly engrossed in the hazy scenery all around. Tolstoy marched straight at it, head bent and fists clenched, and found the place where the cross had once stood, or found—the image of his own self.
”
”
Vladimir Nabokov (Lectures on Russian Literature)
“
Harvard pointed. “You know, right there is when the stuntman catches the sword out of frame.”
“I know.”
Aiden did know. Harvard always told him this fact at this precise moment. Aiden had watched this movie without Harvard once—on a date. Seeing the sword fly without the familiar murmur had upset Aiden enough to turn off the movie.
Tonight, Harvard was here with him. They were both lying on their stomachs with their legs kicked up and their hands cupped in their chins, as though they were six years old.
They weren’t.
Aiden tangled their legs together slightly, deliberately. It felt far more dangerous than crossing swords. Aiden couldn’t imagine a match with so much at stake.
“During a date when you stay in,” Aiden said, teaching, “you should try to see if the other person is receptive to you getting closer.”
Harvard gave Aiden a look out of the corner of his eye, and let their legs stay tangled, resting with light pressure against one another. Love was a delusion, nothing but an electrical impulse in the brain, but there were many impulses running electric under Aiden’s skin right now.
The man in black smiled beneath his mask and switched his sword to his right hand. The clash of swords rang over the sound of the sea.
Aiden sneaked another look at Harvard, the shine of his dark eyes and white teeth in the silvery glow from the screen. Harvard caught him looking, but he returned Aiden’s look with a look of his own, warmly affectionate and never suspicious at all. Harvard never suspected a thing.
Because Aiden was his best friend, and Harvard trusted him. And Harvard could trust him. Aiden would never do anything to hurt Harvard, not anything at all.
Aiden moved in still closer, his arm set against Harvard’s, solid muscle under the thin material of his shirtsleeve. He could put his arm around Harvard’s shoulders or slip an arm around his waist or lean in. He was allowed, just for tonight.
”
”
Sarah Rees Brennan (Striking Distance (Fence, #1))
“
There's a million dark little corners in Baytowne for you two to snuggle-"
"Ohmysweetgoodness, Chloe, stop!" I giggle and shiver at the same time and accidentally imagine walking around The Village in Baytowne Wharf with Galen. The Village is exactly that-a sleepy little village of tourist shops in the middle of a golf-course resort. During the daytime anyway. At night though...that's when the dance club wakes up and opens its doors to all the sunburned partiers roaming the cobblestoned walkways with their daiquiris. Galen would look great under the twinling lights, even with a shirt on...
Chloe smirks. "Uh-huh. Already thought of that, huh?"
"No!"
"Uh-huh. Then why are your cheeks as red as hot sauce?"
"Nuh-uh!" I laugh. She does, too.
"You want me to go ask him to meet us, then?"
I nod. "How old do you think he is?"
She shrugs. "Not creepy-old. Old enough for me to be jailboat, though. Lucky for him, you just turned eighteen...What the...did you just kick me?" She peers into the water, wswipes her hand over the surface as if clearing away something to see better. "Something just bumped me.”
She cups her hands over her eyes and squints, leaving down so close that one good wave could slap her chin. The concentration on her face almost convinces me. Almost. But I grew up with Chloe-we’ve been next-door neighbors since the third grade. I’ve grown used to fake rubber snakes on my front porch, salt in the sugar dish, and Saran wrap spread across the toilet seat-well, actually, Mom fell prey to that one. The point is Chloe loves pranks almost as much as she loves running. And this is definitely a prank.
“Yep, I kicked you,” I tell her, rolling my eyes.
“But…but you can’t reach me, Emma. My legs are longer than yours, and I can’t reach you…There it is again! You didn’t feel that?”
I didn’t feel it, but I did see her leg twitch. I wonder how long she’s been planning this. Since we got here? Since we boarded the plane in Jersey? Sine we turned twelve?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
This book consists not only of my stories of mistakes, rather it’s all our stories of mistakes and heart aches. It’s the plight of all of us who were rebelling, and kicking against the social messes we found ourselves in. Yet there are so many others who are not alive today, and I feel obligated in not allowing the lessons of their mistakes to lie in the grave with them.
It was the United States Senator, Al Franken, who stated, “Mistakes are a part of being human. Precious life lessons that can only be learned the hard way unless it's a fatal mistake, which, at least, others can learn from.” I’m revealing all of those mistakes and more, sadly a lot of them are fatal. In an attempt to have these real life lessons obtained in blood, prevent the blood-shedding of so many others. These stories are ones that young people can understand and identify with. While at the same time empowering them, to make better decisions about their choice of friends, the proper use of their time and how one wrong move can be fatal. I guess the major question that we all have to ask ourselves at the end of the day would be: how could I and so many others have been prevented from becoming monsters? You be the judge.
I now extend my hand to you, and personally invite you to take a journey with me into the heartlands of innocence to menacing, from a youngster to a monster, and the making of a predator. I will safely walk you down the deserted and darkened street corners which were once my world of crime, gang violence and senseless murders.
It’s a different world unto itself, one which could only be observed up close by invitation only. Together we will learn the motivation behind hard-core gangsters, and explore the minds of cold-blooded murderers. You will discover the way they think about their own lives, and why they are so remorseless about the taking of another’s life. So, if you will, please journey with me as we discover together how the fight of our lives were wrapped up in our fathers.
”
”
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
“
to exonerate him. Given the personalities involved, Skarpellos and Lama, I would suddenly discover that Tony was playing cribbage with a dozen elderly matrons the night Ben was killed. “Suspects are your job,” I tell Nelson. “I think we’re satisfied with the defendant we have. All we need to know is who helped her. Who carried the body, used the shotgun,” he says. “It’s an offer made to fail. Even if she were willing to enter a plea to a crime she didn’t commit in order to save her life, she can’t fulfill the terms.” He looks at me, like “Nice story, but it won’t wash.” Lama kicks in. “Have you heard,” he says, “we got a photo ID party goin’ down at the office? Seems the lady was a creature of habit. Ended up at the same place every night. A motel clerk from hell says she brought her entire stable of studs to his front door. We got him lookin’ at pictures of all her friends. Only a matter of time. Then the deal’s off.” Harry meets this with some logic. “To listen to you, our client already had all the freedom she could ask for. Lovers on every corner, and a cozy home to come home to when she got tired,” says Harry. “Why would she want to kill the meal ticket?” “Seems the victim was getting a little tired of her indiscretions. He was considering a divorce,” says Nelson. “You have read the prenuptial agreement? A divorce, and it was back to work for your client.” Harry and I look at one another. “Who told you Ben was considering a divorce?” I ask. “We have a witness,” says Nelson. He is not the kind to gloat over bad news delivered to an adversary. “You haven’t disclosed him to us.” “True,” he says. “We discovered him after the prelim. We’re still checking it out. When we have everything we’ll pass it along. But I will tell you, it sounds like gospel.” Lama’s expression is Cheshire cat-like, beaming from the corner of the couch. I sense that this is his doing. “I think you should talk to your client. I’m sure she’ll see reason,” says Nelson. “If you move, I think I can convince the judge to go along with the deal.” “I’ll have to talk to her,” I tell him, “but I can’t hold out much hope.” “Talk,” he says. “But let me know your answer soon. If we’re going to trial, I intend to ask for an early date.
”
”
Steve Martini (Compelling Evidence (Paul Madriani, #1))
“
The front door swung open and a gust of wind rushed inside. Boots scuffled along the floor, and Camille turned to see what pig had shown up at Daphne’s so early in the day. Her heart thumped as the door slammed. Stuart McGreenery tucked his arched captain’s hat under his arm and pulled off his white gloves.
“A charming establishment,” he said. He turned up his nose, and sniffed the air.
“Is that desperation I smell?”
Oscar threw his fork and knife on the table and kicked back his chair. “Did you decide to join us for breakfast?”
McGreenery lunged forward and Oscar rose to his feet.
“I came to see what you know about the hole in the hull of my ship, you insolent whelp,” McGreenery said.
Oscar’s cheek twitched with pleasure. “Why not just have me escorted down to it with a knife in my back?”
Camille stood and inserted herself between the two men. Daphne sat in the corner of the parlor rolling cigars, her wide eyes darting from McGreenery to Oscar.
“We heard the explosion,” Camille said. “What makes you think we had anything to do with it?”
McGreenery retreated one small step and stared down the slope of his nose at her. This time he kept his icy stare level with her eyes. “Because it was not an accident. The explosion was set in a deliberate attempt to keep me from departing for Port Adelaide.”
Camille tried to subdue the shake of her knees. “We certainly didn’t see it. Oscar and I were in our room.”
McGreenery cocked his head.
“I heard you were sharing a room.” He glanced at Oscar. “I doubt William would be fond of that.”
“You don’t have the right to even speak his name,” Oscar said, strangling each word.
McGreenery gracefully removed the hat out from under his arm and slipped it back on. “It doesn’t matter. Nothing will stop me from reaching the stone, least of all a little girl and her trained monkey.”
Camille rushed forward, ready to smack McGreenery across the cheek. Oscar grabbed her around the waist and held her back. McGreenery bowed slightly, grinning with pleasure, and then whisked out the front door.
She shrugged out form Oscar’s grasp and watched through the windows as McGreenery sauntered down the street toward the Stealth, where she could hear the echo of repairs already under way.
“One day that prick is going to get what he deserves,” Oscar muttered. “I just hope I’m the one who gets to give it to him.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
For years now I have heard the word “Wait!” It rings in the ear of every Negro with piercing familiarity. This “Wait” has almost always meant “Never.” We must come to see, with one of our distinguished jurists, that “justice too long delayed is justice denied.” We have waited for more than 340 years for our constitutional and God-given rights. The nations of Asia and Africa are moving with jet-like speed toward gaining political independence, but we still creep at horse-and-buggy pace toward gaining a cup of coffee at a lunch counter. Perhaps it is easy for those who have never felt the stinging darts of segregation to say, “Wait.” But when you have seen vicious mobs lynch your mothers and fathers at will and drown your sisters and brothers at whim; when you have seen hate-filled policemen curse, kick, and even kill your black brothers and sisters; when you see the vast majority of your twenty million Negro brothers smothering in an airtight cage of poverty in the midst of an affluent society; when you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six-year-old daughter why she can’t go to the public amusement park that has just been advertised on television, and see tears welling up in her eyes when she is told that Funtown is closed to colored children, and see ominous clouds of inferiority beginning to form in her little mental sky, and see her beginning to distort her personality by developing an unconscious bitterness toward white people; when you have to concoct an answer for a five-year-old son who is asking: “Daddy, why do white people treat colored people so mean?”; when you take a cross-county drive and find it necessary to sleep night after night in the uncomfortable corners of your automobile because no motel will accept you; when you are humiliated day in and day out by nagging signs reading “white” and “colored”; when your first name becomes “nigger,” your middle names becomes “boy” (however old you are), and your last name becomes “John,” and your wife and mother are never given the respected title “Mrs.”; when you are harried by day and haunted by night by the fact that you are a Negro, living constantly at tiptoe stance, never quite knowing what to expect next, and are plagued with inner fears and outer resentments; when you are forever fighting a degenerating sense of “nobodiness”—then you will understand why we find it difficult to wait.
”
”
Martin Luther King Jr. (The Autobiography of Martin Luther King, Jr.)
“
The final examination came and my mother came down to watch it. She hated watching me fight. (Unlike my school friends, who took a weird pleasure in the fights--and more and more so as I got better.)
But Mum had a bad habit.
Instead of standing on the balcony overlooking the gymnasium where the martial arts grading and fights took place, she would lie down on the ground--among everyone else vying to get a good view.
Now don’t ask me why. She will say it is because she couldn’t bear to watch me get hurt. But I could never figure out why she just couldn’t stay outside if that was her reasoning.
I have, though, learned that there is never much logic to my wonderful mother, but at heart there is great love and concern, and that has always shone through with Mum.
Anyway, it was the big day. I had performed all the routines and katas and it was now time for the kumite, or fighting part of the black-belt grading.
The European grandmaster Sensei Enoeda had come down to adjudicate. I was both excited and terrified--again.
The fight started.
My opponent (a rugby ace from a nearby college), and I traded punches, blocks, and kicks, but there was no real breakthrough.
Suddenly I found myself being backed into a corner, and out of instinct (or desperation), I dropped low, spun around, and caught my opponent square round the head with a spinning back fist.
Down he went.
Now this was not good news for me.
It was bad form and showed a lack of control.
On top of that, you simply weren’t meant to deck your opponent. The idea was to win with the use of semicontact strikes, delivered with speed and technique that hit but didn’t injure your opponent.
So I winced, apologized, and then helped the guy up.
I then looked over to Sensei Enoeda, expecting a disapproving scowl, but instead was met with a look of delight. The sort of look that a kid gives when handed an unexpected present.
I guess that the fighter in him loved it, and on that note I passed and was given my black belt.
I had never felt so proud as I did finally wearing that belt after having crawled my way up the rungs of yellow, green, orange, purple, brown--you name it--colored belts.
I had done this on my own and the hard way; you can’t buy your way to a black belt.
I remember being told by our instructor that martial arts is not about the belts, it is about the spirit; and I agree…but I still couldn’t help sleeping with my black belt on that first night.
Oh, and the bullying stopped.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
May I speak with you for a minute, Frank?” He stopped working. “James, Dan. Keep Janie out of trouble.” “Yes, sir.” Both boys gave a salute. Frank’s long legs consumed the expanse, and he met me in the bright sunlight. We rounded the corner of the barn and moved away from its wall, closer to the pigpen. “Is there a problem?” He bent slightly, resting his arms on the top of the rail fence surrounding the sty, one foot propped up on the lower slat. I picked at the jagged edge of a fingernail and cleared my throat. “I’m going home.” “I know.” He looked almost . . . stricken. But it passed. Worried about not having made arrangement yet for the children, I imagined. He cleared his throat, kicked at a clod of dirt. “At the end of the month.” “This morning, actually. I have my train ticket.” Only his jaw moved, the muscle tightening and loosening and tightening again. I paced behind him, reached the other side of the small enclosure, chewed my lip, waited for him to say something. Anything. But the silence closed in around me. I had to get free of it. “I’ve been here long enough. I know that now. You need to be with your family, Frank. You need to sleep in your own bed, be among your own things. The children are comfortable with you again. Besides”—I grabbed the top rail of the pen to hold me steady—“I have my own life to live.” I stared off into the distance, hoping he thought I gazed happily into the life I desired. The quiet boiled between us until his words spat out like a flash of lightning. “Just like that, you’d abandon us?” I whirled to face him. “Just a few days earlier than you promised to send me home, remember?” He shoved his hands into the pockets of his overalls and looked me over as if I were a possum in the bedroom. “They’ve lost their mother. And Adabelle. Now they’ll lose you, too. You don’t think they’ll feel that?” I shook my head, my heart breaking into tiny shards. “They’re young. They’ll take to whoever you bring in as quickly as they took to me.” His face reddened. He stalked toward the barn, then turned and came back, pointing his finger in my face. “Let’s get this straight. I’ve not asked you to leave. You’ve taken this on yourself.” “It’s for the best, Frank. It really is. But . . .” I hesitated. The intensity of his anger made me unsure of my final request. My voice shrank to nearly a whisper. “Will you tell them for me?” His eyebrows arched. He threw back his head and belched a derisive laugh. “You want to leave? Fine. I can’t stop you. But I’m not going to be the one to tell them. You are.
”
”
Anne Mateer (Wings of a Dream)
“
Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.
”
”
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
“
So, what did you want to watch?’
‘Thought we might play a game instead,’ he said, holding up a familiar dark green box. ‘Found this on the bottom shelf of your DVD cupboard … if you tilt the glass, the champagne won’t froth like that.’
Neve finished pouring champagne into the 50p champagne flutes she’d got from the discount store and waited until Max had drunk a good half of his in two swift swallows. ‘The thing is, you might find it hard to believe but I can be very competitive and I have an astonishing vocabulary from years spent having no life and reading a lot – and well, if you play Scrabble with me, I’ll totally kick your arse.’
Max was about to eat his first bite of molten mug cake but he paused with the spoon halfway to his mouth. ‘You’re gonna kick my arse?’
‘Until it’s black and blue and you won’t be able to sit down for a week.’ That sounded very arrogant. ‘Really, Max, Mum stopped me from playing when I was thirteen after I got a score of four hundred and twenty-seven, and when I was at Oxford, I used to play with two Linguistics post-grads and an English don.’
‘Well, my little pancake girlfriend, I played Scrabble against Carol Vorderman for a Guardian feature and I kicked her arse because Scrabble has got nothing to do with vocabulary; it’s logic and tactics,’ Max informed her loftily, taking a huge bite of the cake.
For a second, Neve hoped that it was as foul-tasting as she suspected just to get Max back for that snide little speech, but he just licked the back of the spoon thoughtfully. ‘This is surprisingly more-ish, do you want some?’
‘I think I’ll pass.’
‘Well, you’re not getting out of Scrabble that easily.’ Max leaned back against the cushions, the mug cradled to his chest, and propped his feet up on the table so he could poke the Scrabble box nearer to Neve. ‘Come on, set ’em up. Unless you’re too scared.’
‘Max, I have all the two-letter words memorised, and as for Carol Vorderman – well, she might be good at maths but there was a reason why she wasn’t in Dictionary Corner on Countdown so I’m not surprised you beat her at Scrabble.’
‘Fighting talk.’ Max rapped his knuckles gently against Neve’s head, which made her furious. ‘I’ll remind you of that little speech once I’m done making you eat every single one of those high-scoring words you seem to think you’re so good at.’
‘Right, that does it.’ Neve snatched up the box and practically tore off the lid, so she could bang the board down on the coffee table.
‘You can’t be that good at Scrabble if you keep your letters in a crumpled paper bag,’ Max noted, actually daring to nudge her arm with his foot. Neve knew he was only doing it to get a rise out of her, but God, it was working.
‘Game on, Pancake Boy,’ she snarled, throwing a letter rack at Max, which just made him laugh. ‘And don’t think I’m going to let you win just because it’s your birthday.’
It was the most fun Neve had ever had playing Scrabble. It might even have been the most fun she had ever had. For every obscure word she tried to play in the highest scoring place, Max would put down three tiles to make three different words and block off huge sections of the board.
Every time she tried to flounce or throw a strop because ‘you’re going against the whole spirit of the game’, Max would pop another Quality Street into her mouth because, as he said, ‘It is Treat Sunday and you only had one roast potato.’
When there were no more Quality Street left and they’d drunk all the champagne, he stopped each one of her snits with a slow, devastating kiss so there were long pauses between each round.
It was a point of honour to Neve that she won in the most satisfying way possible; finally getting to use her ‘q’ on a triple word score by turning Max’s ‘hogs’ into ‘quahogs’ and waving the Oxford English Dictionary in his face when he dared to challenge her.
”
”
Sarra Manning (You Don't Have to Say You Love Me)
“
Orion threw a grin back at me as headed to the bar, ducking behind it. “What would madam like?” he asked in a formal tone which was a damn good impression of the Acruxes' butler. I giggled hurrying over to take a stool in front of the bar and placing my clutch down, relishing the cool breeze against my burning neck.
“Hmm...a Manhattan?” I teased and he cocked his head.
“I'm afraid we're fresh out of bullshit, how about a white wine spritzer with a tiny umbrella in it?”
I laughed, nodding eagerly as he made up my drink then poured himself a measure of bourbon.
He held it out for me and I leaned across the bar to take it. As I took hold of the glass, he didn't let go and I gazed up at him under my lashes questioning why.
“Have I told you have exceptionally beautiful you look tonight, Darcy?”
Darcy.
He'd said my name. For the first time ever. And why did it sound like so much more than a name when he spoke it? It was like he'd fired an arrow and it had punctured a flesh wound in me at the exact same moment.
Hell. I needed to get over this guy. Why was I so caught up on him?
Unavailable, that's what it was. We always want what we can't have and Professor Orion was off limits. Simple as that. And those muscles. And the beard. And the dark eyes. And the dimple. But that was it.
“That's the first I've heard of it, Professor,” I whispered, unable to make my voice rise any louder.
“Don't do that,” he grunted, releasing the drink.
I eyed him curiously as he walked around the bar with his bourbon in hand. He took the stool beside mine, his arm butting up against me.
“Do what?” I asked, swivelling around to face the pool and taking a sip of my spritzer. It fizzed on my tongue and sent a deep kick of heat through my chest.
“You know what.”
“You're very presumptuous, Orion. You think I'm far more aware of your chaotic way of thinking than I really am.” I sipped my drink again, spying on him from the corner of my eye.
He took a swig of his own drink and the familiar waft of bourbon drifted over me, tingling my senses. It was becoming a trigger, like the moment I walked into his office and he uncorked a bottle, it made me want to taste it on his mouth. And then that led to me wondering whether his fangs would brush my tongue when we kissed, and that always led to me mentally undressing him, then me conjuring an image of what those muscles looked like beneath that shirt...
“I have something for you,” he said and I turned, blinking out of my dark fantasy.
“You do?”
He nodded, reaching into his inside pocket and taking out my coil of blue hair. My heart combusted and a choked noise escaped me. I reached for it and he slid it onto my wrist.
He kept my hand in his, his eyes downcast as they remained on the band of hair. “I want you to know, I believe you would have gotten this back yourself when you were ready. But I took a lot of pleasure in retrieving it for you all the same.”
I stared at him in complete shock, unsure what to say, my tongue tied in knots. “But Fae don't fight battles for other Fae,” I blurted, completely astonished that his actions that day had been to take this back from Seth. For me. And nothing else.
He finished his drink and planted the glass on the bar, rising to his feet. He didn't reply to what I'd said and I barely even remembered what it was as he started pulling his clothes off.
“Err, what are you doing?” I half laughed as he shed his jacket and kicked off his shoes, pulling off his socks. Oh my god.
“I hate parties, but I like swimming.” He started undoing the buttons of his shirt and thought his back was to me, I was still captivated as he dropped it to the floor like a silken sheet. My eyes scraped down his skin to where his muscles etched an upside down v into his lower back, disappearing beneath his waistband. His shoulders were tanned and heavenly broad, making me long to explore all of those muscles with my hands.(Darcy)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
Quitempredictably, the enormous economic rewards created both by the drug-war forfeiture and Byrne-grant laws has created an environment in which a very old one line exists between the lawful andnunlawful taking of other people's money and property-- line so thin that some officers disregard the formalities of search warrants, probable cause, and reasonable suspicion altogether. In United States v. Reese, for example, the Ninth Circuit Court of Appeals described a drug task force completely corrupted by its dependence on federal drug money. Operating as a separate unit within the Oakland Housing Authority, the task force behaved, in the words of one officer, "more or less like a wolf pack," driving up jnmpolice vehicles and taking "anything and everything we saw on the street corner." The officers were under tremendous pressure from their commander to keep their arrest numbers up, and all of the officers were awaremthat their jobs depended on the renewal of a federal grant. The task force commander emphasized that they would need statistics to show that the grant money was well spent and sent the task force out to begin a shift with comments like, "Let's go out and kick ass," and "Everybody goes to jail for every thing, right?
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)