Corn Maze Quotes

We've searched our database for all the quotes and captions related to Corn Maze. Here they are! All 24 of them:

What no one tells you is that the road to accomplishing your goals isn’t a straight line; it looks more like a corn maze. You stopped, you went, you backed up, and took a few wrong turns along the way, but the important thing you had to remember was that there was an exit. Somewhere.
Mariana Zapata (The Wall of Winnipeg and Me)
(Matty) 'I'm going to a corn maze.' (Elliot) 'Oh, bitch. You've lost your ever-loving mind.
Leta Blake (Training Season (Training Season, #1))
What no one tells you is that the road to accomplishing your goals isn’t a straight line; it looks more like a corn maze. You stopped, you went, you backed up, and took a few wrong turns along the way, but the important thing you had to remember was that there was an exit. Somewhere. You just couldn’t give
Mariana Zapata (The Wall of Winnipeg and Me)
I'd always wanted a voice-activated virtual assistant for my palace on Olympus, but Hephaestus hadn't been able to get the technology quite right. The one time he tried, the assistant had been named Alexasiriastrophona. She'd been very picky about having her name pronounced perfectly, and at the same time had an annoying habit of getting my requests wrong. I'd say, Alexasiriastrophona, send a plague arrow to destroy Corinth, please. And she would reply, I think you said: Men blame rows of soy and corn fleas.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
a prayer that asked for quiet—for peace and for silence—and itself twisted and turned around the line strength in tranquility and tranquility in strength. I’d always understood “strength in tranquility” and taken “tranquility in strength” to mean that if one was strong, one could make the tranquility one needed. But now, twisting and turning through the corn maze, I began to see it differently, that “tranquility in strength” meant having the strength to keep one’s tranquility of mind, no matter what the world brought. It meant being tranquil—peaceful—even when one was strong, not bullying or picking fights.
Katherine Addison (The Witness for the Dead (The Cemeteries of Amalo, #1))
The ox hath therefore stretch'd his yoke in vain, The ploughman lost his sweat; and the green corn Hath rotted ere his youth attain'd a beard: The fold stands empty in the drownèd field, And crows are fatted with the murrion flock; The nine men's morris is fill'd up with mud; And the quaint mazes in the wanton green, For lack of tread, are undistinguishable: The human mortals want their winter here; No night is now with hymn or carol blest:— Therefore the moon, the governess of floods, Pale in her anger, washes all the air, That rheumatic diseases do abound: And thorough this distemperature we see The seasons alter: hoary-headed frosts Fall in the fresh lap of the crimson rose; And on old Hyem's thin and icy crown An odorous chaplet of sweet summer buds Is, as in mockery, set: the spring, the summer, The childing autumn, angry winter, change Their wonted liveries; and the maz'd world, By their increase, now knows not which is which: And this same progeny of evils comes
William Shakespeare (A Midsummer Night's Dream)
Sam scanned the orchards. U-Pickers laughed and posed for photos with apples on their heads, babies in the baskets, hugging trees. She lifted her head to study the sky, blue as her eyes. The clouds moved across the sun, blocking it out for long distances at a time, causing the landscape in front of her to become illuminated one patchwork piece at a time: the rolling hills lined with grass and endless rows of trees, peach, tart cherry, apples of every variety; blueberry bushes sitting at the bottom of the hill where the rain pooled; the old red barn where high school kids doled out baskets for fruit, which Sam's father weighed when they returned; the old shed where more high schoolers handed out free donut samples and sips of apple cider to arriving cars; the farmhouse with shutters- designed with apple cutouts- where her grandparents, Willo and Gordon, lived; the blue-green waters of Suttons Bay stretching out beyond the trees, the Old Mission Peninsula jutting into it; the family cornfields that sat across M-22 and would soon be cut into an intricate corn maze filled with spooks and goblins to scare fall visitors. This slice of northern Michigan was Sam's home, her whole world.
Viola Shipman (The Recipe Box)
These are the forgeries of jealousy; And never, since the middle summer’s spring, Met we on hill, in dale, forest, or mead, By pavèd fountain or by rushy brook, Or in the beachèd margent of the sea, To dance our ringlets to the whistling wind, But with thy brawls thou hast disturbed our sport. Therefore the winds, piping to us in vain, As in revenge have sucked up from the sea Contagious fogs, which, falling in the land, Hath every pelting river made so proud That they have overborne their continents. The ox hath therefore stretched his yoke in vain, The plowman lost his sweat, and the green corn Hath rotted ere his youth attained a beard. The fold stands empty in the drownèd field, And crows are fatted with the murrain flock. The nine-men’s-morris is filled up with mud, And the quaint mazes in the wanton green, For lack of tread, are undistinguishable. The human mortals want their winter here. No night is now with hymn or carol blessed. Therefore the moon, the governess of floods, Pale in her anger, washes all the air, That rheumatic diseases do abound. And thorough this distemperature we see The seasons alter: hoary-headed frosts Fall in the fresh lap of the crimson rose, And on old Hiems’ thin and icy crown An odorous chaplet of sweet summer buds Is, as in mockery, set. The spring, the summer, The childing autumn, angry winter, change Their wonted liveries, and the mazèd world By their increase now knows not which is which. And this same progeny of evils comes From our debate, from our dissension; We are their parents and original.
William Shakespeare (A Midsummer Night’s Dream)
She leaned over the basket again, taking in the mouthwatering aromas wafting out of it. "Fried chicken? Oh, I'm thinking buttermilk fried chicken?" Dylan was once again amused. "How do you do that?" "I like food." "You don't say." "And I love Southern fried chicken." She tried to open the basket, and he tapped her hand jokingly. "Sit," he said. And she did, crossing her legs and plopping down on the blanket. Opening the basket and playing waiter, Dylan began removing flatware and plates and red-checkered napkins, and then wrapped food. "For lunch today in Chez Orchard de Pomme, we have some lovely cheese, made from the milk of my buddy Mike's goat Shelia." He removed the plastic wrap, which covered a small log of fresh white cheese on a small plate, and handed it to her. Grace put her nose to the cheese. It was heavenly. "Oh, Shelia is my new best friend." "It's good stuff. And we have some fresh chili corn bread. The corn, I think, is from Peter Lindsey's new crop, just cut out from the maze, which is right down this hill." He motioned with his head toward the field, and then he handed her a big loaf of the fresh corn bread wrapped loosely in wax paper. "It's still warm!" Delighted, she held it to her cheek. Then he pulled out a large oval Tupperware container. "And, yes, we have Dolly's buttermilk fried chicken." Grace peeled open the top and smelled. "Fabulous." "It is!" He also pulled out a mason jar of sourwood honey, a sack of pecans, and a couple of very cold bottles of a local mountain-brewed beer.
Jeffrey Stepakoff (The Orchard)
Sometimes being a parent feels like being dropped in a corn maze with no map, no guide, and very little hope you’ll ever make it out.
Sammy Rhodes (This Is Awkward: How Life's Uncomfortable Moments Open the Door to Intimacy and Connection)
FORTUNE COOKIE THE BLACK WIDOW SPIDER MYSTERY THE RADIO MYSTERY THE MYSTERY OF THE RUNAWAY GHOST THE FINDERS KEEPERS MYSTERY THE MYSTERY OF THE HAUNTED BOXCAR THE CLUE IN THE CORN MAZE THE GHOST OF THE CHATTERING BONES THE SWORD OF THE SILVER KNIGHT THE GAME STORE MYSTERY THE MYSTERY OF THE ORPHAN TRAIN THE VANISHING PASSENGER THE GIANT YO-YO MYSTERY THE CREATURE IN OGOPOGO LAKE THE ROCK ’N’ ROLL MYSTERY THE SECRET OF THE MASK THE SEATTLE PUZZLE THE GHOST IN THE FIRST ROW THE BOX THAT WATCH FOUND A HORSE NAMED DRAGON THE GREAT DETECTIVE RACE T
Gertrude Chandler Warner (Houseboat Mystery (The Boxcar Children Mysteries))
What no one tells you is that the road to accomplishing your goals isn’t a straight line; it looks more like a corn maze. You stopped, you went, you backed up, and took a few wrong turns along the way, but the important thing you had to remember was that there was an exit. Somewhere. You just couldn’t give up looking for it, even when you really wanted to. And especially not when it was easier and less scary to go with the flow than actually strike out on your own and make your path.
Mariana Zapata (The Wall of Winnipeg and Me)
Shattered Silence" (aka "When Michael Calls") for that early 1970s Halloween school carnival feel. It stars a young Michael Douglas and has decidedly autumnal feel. The nostalgic/vintage Halloween also includes the classic elements of the season from ghosts made of sheets and witches flying on broomsticks to pumpkin patches, corn mazes, apple cider, apple bobbing, fall leaves, Sleepy Hollow, and the like. You might start getting inspired with some candy of your childhood with candy crate collections – 1950s, 1960s
Sharon Day (Adult Halloween: Taking Back the Season!)
Our little darkling is lost in this big maze. Let’s show her how well the corn keeps the screams from escaping,
Santana Knox (No Way Out)
Look at you. Pretty little darkling, all alone in this big, empty corn maze.” He was using a voice changer.
Santana Knox (No Way Out)
What no one tells you is that the road to accomplishing your goals isn’t a straight line; it looks more like a corn maze. You stopped, you went, you backed up, and took a few wrong turns along the way, but the important thing you had to remember
Mariana Zapata (The Wall of Winnipeg and Me)
What no one tells you is that the road to accomplishing your goals isn’t a straight line; it looks more like a corn maze. You stopped, you went, you backed up, and took a few wrong turns along the way, but the important thing you had to remember was that there was an exit. Somewhere. You just couldn’t give up looking for it, even when you really wanted to.
Mariana Zapata (The Wall of Winnipeg and Me)
Rural Ohio. Yup. The corn maze was a joke of a holiday event, because regardless of whether it was Halloween, it would probably still exist. This entire state was a fucking corn maze, plus Cedar Point. Corn mazes and Cedar Point. The only good thing about this place was that when winter came, you could leave your beer outside to keep it cold.
Santana Knox (No Way Out)
The psalmist says, ‘He makes me lie down in green pastures; he leads me beside still waters.’ I find it beautiful that in the face of terror; God doesn't bid us toward courage as we might perceive it. Instead, he draws us toward fear’s essential sister, rest—a sister who is not meant to replace fear but to exist together in tension and harmony with it […] And, of course, there is a fear that leans more toward awe than terror. A kind of delight. Your gut plummets within you as you drop from a bungee cord. The drum of a heart turning corners in a corn maze. I believe fear has the holy potential to draw out awe in us. To lead us into deeper patterns of protection and trust. To mould us into people engaged in the unknown, capable of making mystery of it instead of terror.
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
I’ve never seen a skeleton army, but if they exist, I’m absolutely positive they’d be marching on Ohio. There’s nothing else to do in Ohio. It’s just corn, corn, skeleton army, possibly evil corn maze, football, corn.
Seanan McGuire (That Ain’t Witchcraft (InCryptid, #8))
Gosh,
Teresa Bateman (The Clue in the Corn Maze (The Boxcar Children Mysteries Book 101))
The Clue in the Corn Maze Created by Gertrude Chandler Warner Illustrated by Robert Papp
Teresa Bateman (The Clue in the Corn Maze (The Boxcar Children Mysteries Book 101))
Their wagon crawled along over gently rolling humps and swells, generally following the dusty valley floor between and around a maze of overlapping ridges. Thin pine and oak forests covered the lower slopes but never quite reached the red-rock ridgetops. Nor were there many trees down in the dry valleys of prairie grass and sage, where the occasional stunted, wind-rustled corn patch of a mestizo farm huddled against the road, or the mangy dogs of a native village ran out to pester the horses. But even in the afternoon when the road began to climb, winding through gaps in the craggy mountains toward the town of Arteaga, Caleb noted that it was a much better and smoother road than the one from Agua Nueva.
Dale Cramer (Paradise Valley (Daughters of Caleb Bender, #1))
3 The Park that Barks One of the best things about living on a farm is that there’s lots of space. You can run around with other animal friends. You can dash through the corn maze. Or you can explore a brand-new path through the woods with your best friend. Scrapper and I were doing that now. Hank, Imani, and Wyatt walked with
Cam Higgins (The Bark Park (Good Dog Book 13))