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Grief is the stuff of life. A life without grief is no life at all. But regret is a prison. Some part of you which you deeply value lies forever impaled at a crossroads you can no longer find and never forget.
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Cormac McCarthy (The Passenger (The Passenger #1))
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But I will tell you Squire that having read even a few dozen books in common is a force more binding than blood.
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Cormac McCarthy (The Passenger (The Passenger #1))
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Mercy is in the province of the person alone. There is mass hatred and mass grief. Mass vengeance and even mass suicide. But there is no mass forgiveness. There is only you.
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Cormac McCarthy (The Passenger (The Passenger #1))
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Beauty makes promises that beauty cant keep.
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Cormac McCarthy (The Passenger (The Passenger #1))
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If you had to say something definitive about the world in a single sentence what would that sentence be?
It would be this: the world has created no living thing that it does not intend to destroy.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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He thought that Godβs goodness appeared in strange places. Dont close your eyes.
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Cormac McCarthy (The Passenger (The Passenger #1))
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Itβs just that sometimes I think I would have found my life pretty funny if I hadnt had to live it.
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Cormac McCarthy (The Passenger (The Passenger #1))
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Rage is only for what you believe can be fixed. All the rest is grief.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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In that mycoidal phantom blooming in the dawn like an evil lotus and in the melting of solids not heretofore known to do so stood a truth that would silence poetry for a thousand years.
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Cormac McCarthy (The Passenger (The Passenger #1))
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History is a collection of paper. A few fading recollections. After a while what is not written never happened.
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Cormac McCarthy (The Passenger (The Passenger #1))
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When the onset of universal night is finally acknowledged as irreversible even the coldest cynic will be astonished at the celerity with which every rule and stricture shoring up this creaking edifice is abandoned and every aberrancy embraced. It should be quite a spectacle.
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Cormac McCarthy (The Passenger (The Passenger #1))
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People will go to strange lengths to avoid the suffering they have coming.
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Cormac McCarthy (The Passenger (The Passenger #1))
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If the world itself is a horror then there is nothing to fix and the only thing you could be protected from would be the contemplation of it.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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A calamity can be erased by no amount of good. It can only be erased by a worse calamity.
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Cormac McCarthy (The Passenger (The Passenger #1))
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I think our time is up. I know. Hold my hand. Hold your hand? Yes. I want you to. All right. Why? Because thatβs what people do when theyβre waiting for the end of something.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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When all trace of our existence is gone, for whom then will this be a tragedy?
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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Nobody comes with names. You give them names so that you can find them in the dark.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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The world has created no living thing that it does not intend to destroy.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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I feel old, Squire. Every conversation is about the past.
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Cormac McCarthy (The Passenger (The Passenger #1))
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The truth is that everyone is under arrest. Or soon will be. They dont have to restrict your movements. They just have to know where you are.
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Cormac McCarthy (The Passenger (The Passenger #1))
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God was not interested in our theology but only in our silence.
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Cormac McCarthy (The Passenger (The Passenger #1))
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I would like to belong but I dont.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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He knew that on the day of his death he would see her face and he could hope to carry that beauty into the darkness with him, the last pagan on earth, singing softly upon his pallet in an unknown tongue.
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Cormac McCarthy (The Passenger (The Passenger #1))
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We would hardly wish to know ourselves again as once we were and yet we mourn the days.
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Cormac McCarthy (The Passenger (The Passenger #1))
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You might think that fingerprints and numbers give you a distinct identity. But soon there will be no identity so distinct as simply to have none.
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Cormac McCarthy (The Passenger (The Passenger #1))
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I'm not really concerned about what other people believe. I dont consider them qualified to have an opinion.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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I know that to be female is an older thing even than to be human. I want to be as old as I can be.
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Cormac McCarthy (The Passenger (The Passenger #1))
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The abyss of the past into which the world is falling. Everything vanishing as if it had never been. We would hardly wish to know ourselves again as we once were and yet we mourn the days.
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Cormac McCarthy (The Passenger (The Passenger #1))
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Music is made out of nothing but some fairly simple rules . . . The notes themselves amount to almost nothing. But why some particular arrangement of these notes should have such a profound effect on our emotions is a mystery beyond even the hope of comprehension.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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All of history [is] a rehearsal for its own extinction.
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Cormac McCarthy (The Passenger (The Passenger #1))
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At what age in a childβs life does rage become sorrow?
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Cormac McCarthy (Stella Maris (The Passenger #2))
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The purpose of all families in their lives and in their deaths is to create the traitor who will finally erase their history forever.
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Cormac McCarthy (The Passenger (The Passenger #1))
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I gave up apologizing for myself a long time ago. What should I say? That Iβm sorry to be that which I am? Iβd very little to do with it.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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Sites that have been host to extraordinary suffering will eventually be either burned to the ground or turned into temples.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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The arrival of language was like the invasion of a parasitic system. Co-opting those areas of the brain that were the least dedicated. The most susceptible to appropriation.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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If youβre sane enough to know that youβre crazy then youβre not as crazy as if you thought you were sane.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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Without malefactors the world of the righteous is robbed of all meaning.
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Cormac McCarthy (The Passenger (The Passenger #1))
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She knew that in the end you really cant know. You cant get hold of the world. You can only draw a picture. Whether itβs a bull on the wall of a cave or a partial differential equation itβs all the same thing.
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Cormac McCarthy (The Passenger (The Passenger #1))
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People are interested in other people. But your unconscious is not. Or only as they might directly affect you. Itβs been hired to do a very specific job. It never sleeps. Itβs more faithful than God.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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In my experience people who say no matter what seldom know what what might turn out to be. They dont know how bad what might get. Iβll see you.
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Cormac McCarthy (The Passenger (The Passenger #1))
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To win a war or a revolution does not validate the cause.
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Cormac McCarthy (The Passenger (The Passenger #1))
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She asked the girl what she wanted to be when she grew up and she said dead.
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Cormac McCarthy (The Passenger (The Passenger #1))
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We dont move through the days, Squire. They move through us.
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Cormac McCarthy (The Passenger (The Passenger #1))
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Those who choose a love that can never be fulfilled will be hounded by a rage that can never be extinguished.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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If psychosis was was just some synapses misfiring why wouldnt you simply get static?
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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Real trouble doesnt begin in a society until boredom has become its most general feature. Boredom will drive even quietminded people down paths theyβd never imagined.
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Cormac McCarthy (The Passenger (The Passenger #1))
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Host and sorrow to waste as one without distinction until the wretched coagulant is shoveled into the ground at last and the rain primes the stones for fresh tragedies.
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Cormac McCarthy (The Passenger Box Set: The Passenger, Stella Maris (The Passenger, #1-2))
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Here is a story. The last of all men who stands alone in the universe while it darkens about him. Who sorrows all things with a single sorrow. Out of the pitiable and exhausted remnants of what was once his soul heβll find nothing from which to craft the least thing godlike to guide him in these last of days.
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Cormac McCarthy (The Passenger (The Passenger #1))
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So how bad is the world?
How bad. The world's truth constitutes a /vision so terrifying as to beggar the prophecies of the bleakest seer who ever walked it. Once you accept that then the idea that all of this will one day be ground to powder and blown into the void becomes not a prophecy but a promise. So allow me in turn to ask you this question: When we and all our works are gone together with every memory of them and every machine in which such memory could be encoded and stored and the Earth is not even a cinder, for whom then will this be a tragedy? Where would such a being be found? And by whom?
p.377
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Cormac McCarthy (The Passenger (The Passenger #1))
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Weβve been a long time without a nuclear war. Yes. Well, itβs probably like any bankruptcy. The longer youβre able to put it off the worse itβs going to be. The next great war wont arrive until everyone who remembers the last one is dead.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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The more naive your life the more frightening your dreams. Your unconscious will keep trying to wake you. In every sense. Imperilment is bottomless. As long as you are breathing you can always be more scared.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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I think people regret what they didnt do more than what they did. I think everbody has things they failed to do. You cant see what is coming, Bobby. And if you could it is no guarantee youβd make the right choice even then. I believe in Godβs design.
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Cormac McCarthy (The Passenger (The Passenger #1))
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Do you think you can learn all there is to know about yourself from yourself?
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Cormac McCarthy (The Passenger (The Passenger #1))
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People will tell a stranger on a bus what they wont tell their spouse.
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Cormac McCarthy (The Passenger (The Passenger #1))
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That there is little joy in the world is not just a view of things. Every benevolence is suspect. You finally figure out that the world does not have you in mind. It never did.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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Diabolical on the other hand is all but synonymous with ingenious. What Satan had for sale in the garden was knowledge.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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...do you think if you died drunk youβd sober up before you met Jesus?
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Cormac McCarthy (The Passenger (The Passenger #1))
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What the Squire has never understood is that forgiveness has a time limit. While itβs never too late for revenge.
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Cormac McCarthy (The Passenger (The Passenger #1))
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He said that a Godless life would not prepare one for a Godless death. To that I have no answer.
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Cormac McCarthy (The Passenger (The Passenger #1))
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Your life is set upon you like a dog.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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you shouldnt worry about what people think of you because they dont do it that often.
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Cormac McCarthy (The Passenger (The Passenger #1))
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The elevation of grief to a status transcending that which it sorrows.
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Cormac McCarthy (The Passenger Box Set: The Passenger, Stella Maris (The Passenger, #1-2))
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I have never thought this life particularly salubrious or benign and I have never
understood in the slightest why I was here. If there is an afterlife - and I pray most fervently that there is not - I can only hope that they wont sing. Be of good cheer, Squire. This was the ongoing adjuration of the early Christians and in this at least they were right. You know that I've always thought your history unnecessarily embittered. Suffering is a part of the human condition and must be borne. But misery is a choice.
p.347
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Cormac McCarthy (The Passenger (The Passenger #1))
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I no longer have an opinion about reality. I used to. Now I dont. The first rule of the world is that everything vanishes forever. To the extent that you refuse to accept that then you are living in a fantasy.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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In the beginning always was nothing. The novae exploding silently. In total darkness. The stars, the passing comets. Everything at best of alleged being. Black fires. Like the fires of hell. Silence. Nothingness. Night. Black Suns herding the planets through a universe where the concept of space was meaningless for want of any end to it. For want of any concept to stand it against.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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I think what is being pointed out is that human consciousness and reality are not the same thing.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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And it may even be that in the end all problems are spiritual problems.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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What was it you said? After the math comes the aftermath?
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Cormac McCarthy (The Passenger (The Passenger #1))
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The defeated have their cause and the victors have their victory.
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Cormac McCarthy (The Passenger (The Passenger #1))
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The days are long but the years are short.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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We pour water upon the child and name it. Not to fix it in our hearts but in our clutches. The daughters of men sit in half darkened closets inscribing messages upon their arms with razorblades and sleep is no part of their life.
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Cormac McCarthy (The Passenger (The Passenger #1))
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In the spring of the year birds began to arrive on the beach from across the gulf. Weary passerines. Vireos. Kingbirds and grosbeaks. Too exhausted to move. You could pick them up out of the sand and hold them trembling in your palm. Their small hearts beating and their eyes shuttering. He walked the beach with his flashlight the whole of the night to fend away predators and toward the dawn he slept with them in the sand. That none disturb these passengers.
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Cormac McCarthy (The Passenger (The Passenger #1))
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Names are important. They set the parameters for the rules of engagement. The origin of language is in the single sound that designates the other person. Before you do something to them.
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Cormac McCarthy (The Passenger (The Passenger #1))
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Thereβs data in the world available only to those who have reached a certain level of wretchedness. You dont know whatβs down there if you havent been down there. Joy on the other hand hardly even teaches gratitude. A thoughtful silence.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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Because I knew what my brother did not. That there was an ill-contained horror beneath the surface of the world and there always had been. That at the core of reality lies a deep and eternal demonium. All religions understand this. And it wasnt going away. And that to imagine that the grim eruptions of this century were in any way either singular or exhaustive was simply a folly.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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I think that if there was a reason then that would just be one more thing to inquire about. My notion is you probably make up reasons after youβve decided what it is youβre goin to do. Or not do.
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Cormac McCarthy (The Passenger (The Passenger #1))
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The more noise you make the more likely you are to be eaten. If youβve no way to escape you keep silent. If birds couldnt fly they wouldnt sing. When youβre defenseless you keep your opinions to yourself.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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We're here on a need-to-know basis. There is no machinery in evolution for informing us of the existence of phenomena that do not affect our survival. What is here that we dont know about we dont know about.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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Listen, Ducklescence, he whispered. You will never know what the world is made of. The only thing thatβs certain is that itβs not made of the world. As you close upon some mathematical description of reality you cant help but lose what is being described. Every inquiry displaces what is addressed. A moment in time is a fact, not a possibility. The world will take your life. But above all and lastly the world does not know that you are here. You think that you understand this. But you dont. Not in your heart you dont. If you did you would be terrified. And youβre not. Not yet. And now, good night.
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Cormac McCarthy (The Passenger (The Passenger #1))
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To prepare for any struggle is largely a work of unburdening oneself. If you carry your past into battle you are riding to your death. Austerity lifts the heart and focuses the vision. Travel light. A few ideas are enough. Every remedy for loneliness only postpones it. And that day is coming in which there will be no remedy at all.
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Cormac McCarthy (The Passenger (The Passenger #1))
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There were people who escaped Hiroshima and rushed to Nagasaki to see that their loved ones were safe. Arriving just in time to be incinerated. He went there after the war with a team of scientists. My father. He said that everything was rusty. Everything looked covered with rust. There were burnt-out shells of trolleycars standing in the streets. The glass melted out of the sashes and pooled on the bricks. Seated on the blackened springs the charred skeletons of the passengers with their clothes and hair gone and their bones hung with blackened strips of flesh. Their eyes boiled from their sockets. Lips and noses burned away. Sitting in their seats laughing. The living walked about but there was no place to go. They waded by the thousands into the river and died there. They were like insects in that no one direction was preferable to another. Burning people crawled among the corpses like some horror in a vast crematorium. They simply thought that the world had ended. It hardly even occurred to them that it had anything to do with the war. They carried their skin bundled up in their arms before them like wash that it not drag in the rubble and ash and they passed one another mindlessly on their mindless journeyings over the smoking afterground, the sighted no better served than the blind. The news of all this did not even leave the city for two days. Those who survived would often remember these horrors with a certain aesthetic to them. In that mycoidal phantom blooming in the dawn like an evil lotus and in the melting of solids not heretofore known to do so stood a truth that would silence poetry a thousand years. Like an immense bladder, they would say. Like some sea thing. Wobbling slightly on the near horizon. Then the unspeakable noise. They saw birds in the dawn sky ignite and explode soundlessly and fall in long arcs earthward like burning party favors.
p.116
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Cormac McCarthy (The Passenger (The Passenger #1))
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The real issue is that every line is a broken line. You retrace your steps and nothing is familiar. So you turn around to come back only now youβve got the same problem going the other way. Every worldline is discrete and the caesura ford a void that is bottomless. Every step traverses death.
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Cormac McCarthy (The Passenger (The Passenger #1))
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It must surely be true that there is no such collective domain of joy as there is of sorrow. You cant be sure that another man's happiness resembles your own. But where the collective of pain is concerned there can be little doubt at all.
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Cormac McCarthy (The Passenger (The Passenger #1))
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If mathematical objects exist independently of human thought what else are they independent of? The universe, I suppose. When you solve a problem there is always the compelling sense that the solution was there and that you have discovered it.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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You have to believe that there is good in the world. I'm goin to say that you have to believe that the work of your hands will bring it into your life. You may be wrong, but if you dont believe that then you will not have a life. You may call it one. But it wont be one.
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Cormac McCarthy (The Passenger (The Passenger #1))
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Talking is just recording what youβre thinking. Itβs not the thing itself. When Iβm talking to you some separate part of my mind is composing what Iβm about to say. But itβs not yet in the form of words. So what is it in the form of? Thereβs certainly no sense of some homunculus whispering to us the words weβre about to say. Aside from raising the spectre of an infinite regressβas in who is whispering to the whispererβit raises the question of a language of thought. Part of the general puzzle of how we get from the mind to the world. A hundred billion synaptic events clicking away in the dark like blind ladies
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Cormac McCarthy (Stella Maris (The Passenger #2))
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And what do these categories signify? Where did they come from? What does it mean that they are two shades of blue? In my eyes. If music was here before we were, for whom was it here? Schopenhauer says somewhere that if the entire universe should vanish the only thing left would be music.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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I thought that I would go to Romania and that when I got there I would go to some small town and buy secondhand clothes in the market. Shoes. A blanket. Iβd burn everything I owned. My passport. Maybe Iβd just put my clothes in the trash. Change money in the street. Then Iβd hike into the mountains. Stay off the road. Take no chances. Crossing the ancestral lands by foot. Maybe by night. There are bears and wolves up there. I looked it up. You could have a small fire at night. Maybe find a cave. A mountain stream. Iβd have a canteen for water for when the time came that I was too weak to move about. After a while the water would taste extraordinary. It would taste like music. Iβd wrap myself in the blanket at night against the cold and watch the bones take shape beneath my skin and I would pray that I might see the truth of the world before I died. Sometimes at night the animals would come to the edge of the fire and move about and their shadows would move among the trees and I would understand that when the last fire was ashes they would come and carry me away and I would be their eucharist. And that would be my life. And I would be happy.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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The dream wakes us to tell us to remember. Maybe thereβs nothing to be done. Maybe the question is whether the terror is a warning about the world or about ourselves. The night world from which you are brought upright in your bed gasping and sweating. Are you waking from something you have seen or from something that you are?
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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Where he walked the tideline at dusk the last red reaches of the sun flared slowly out along the sky to the west and the tidepools stood like spills of blood. He stopped to look back at his bare footprints. Filling with water one by one. The reefs seemed to move slowly in the last hours and the late colors of the sun drained away and then the sudden darkness fell like a foundry shutting down for the night.
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Cormac McCarthy (The Passenger (The Passenger #1))
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Women enjoy a different history of madness. From witchcraft to hysteria we're just bad news. We know that women were condemned as witches because they were mentally unstable but no one has considered the numbers - even few as they might be - of women who were stoned to death for being bright. That I havent wound up chained to a cellar wall or burned at the stake is not a testament to our ascending civility but to our ascending skepticism. If we still believed in witches we'd still be burning them.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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You dont know what antipsychotics are and you dont know how they work. Or why. All we have finally is the spectacle of tardive dyskinetics feeling their way along the wall. Jerking and drooling and muttering. Of course for those trekking toward the void there are waystations where the news will very suddenly become altogether bleaker. Maybe a sudden chill. Thereβs data in the world available only to those who have reached a certain level of wretchedness. You dont know whatβs down there if you havent been down there.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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Youβre pretty much obliged to reckon that at the last suspiration the dying become not only acceptant of death but dedicated to it. That there must be some epiphany that makes it possible for even the dullest and most deluded of us to accept not only what is unacceptable but unimaginable. The absolute terminus of the world. Which will not wonder even for the briefest second what might have become of us.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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If imaginary beings die an imaginary death they will be dead nonetheless. You think that you can create a history of what has been. Present artifacts. A clutch of letters. A sachet in a dressingtable drawer. But that's not what's at the heart of the tale. The problem is that what drives the tale will not survive the tale. As the room dims and the sound of voices fades you understand that the world and all in it will soon cease to be. You believe that it will begin again. You point to other lives. But their world was never yours.
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Cormac McCarthy (The Passenger (The Passenger #1))
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The horrors of the past lose their edge, and in the doing they blind us to a world careening toward a darkness beyond the bitterest speculation. It's sure to be interesting. When the onset of universal night is finally acknowledged as irreversible even the coldest cynic will be astonished at the celerity with which every rule and stricture shoring up this creaking edifice is abandoned and every aberrancy embraced. It should be quite a spectacle. However brief.
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Cormac McCarthy (The Passenger (The Passenger #1))
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If you have a patient with a condition that's not understood why not ascribe it to a disorder that is also not understood? Autism occurs in males more than it does in females. So does higher order mathematical intuition. We think: What is this about? Dont know. What is at the heart of it? Dont know. All I can tell you is that I like numbers. I like their shapes and their colors and their smells and the way they taste. And I dont like to take people's word for things.
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Cormac McCarthy (Stella Maris (The Passenger, #2))
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So how bad is the world?
How bad. The world's truth constitutes a vision so terrifying as to beggar the prophecies of the bleakest seer who ever walked it. Once you accept that then the idea that all of this will one day be ground to powder and blown into the void becomes not a prophecy but a promise. So allow me in turn to ask you this question: When we and all our works are gone together with every memory of them and every machine in which such memory could be encoded and stored and the Earth is not even a cinder, for whom then will this be a tragedy? Where would such a being be found? And by whom?
p.377
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Cormac McCarthy (The Passenger (The Passenger #1))
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Do reflections also travel at the speed of light? What does your buddy Albert think? When the light hits the glass and starts back in the opposite direction doesnt it have to come to a full stop first? And so everything is supposed to hang on the speed of light but nobody wants to talk about the speed of dark. Whatβs in a shadow? Do they move along at the speed of the light that casts them? How deep do they get? How far down can you clamp your calipers? You scribbled somewhere in the margins that when you lose a dimension youβve given up all claims to reality. Save for the mathematical. Is there a route here from the tangible to the numerical that hasnt been explored? I dont know. Me either. Photons are quantum particles. Theyβre not little tennisballs. Yeah, said the Kid. He dredged up his watch and checked the time. Maybe youβd better go eat. You need to keep your strength up if you aim to wrest the secrets of creation from the gods. Theyβre a testy lot by all accounts.
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Cormac McCarthy (The Passenger (The Passenger #1))
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It has to do with intelligence. Yes. And again, when youβre talking about intelligence youβre talking about number. A claim that the mathless are quick to frown upon. Itβs about calculation and the nature of calculation. Verbal intelligence will only take you so far. There is a wall there, and if you dont understand numbers you wont even see the wall. People from the other side will seem odd to you. And you will never understand the latitude which they extend to you. They will be cordialβor notβdepending on their nature. Of course one might also add that intelligence is a basic component of evil. The more stupid you are the less capable you are of doing harm. Except perhaps in a clumsy and inadvertent manner. The word cretin comes from the French chrΓ©tien. Supposedly if you could think of nothing good to say about a dullard you would say that he was a good Christian. Diabolical on the other hand is all but synonymous with ingenious. What Satan had for sale in the garden was knowledge.
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Cormac McCarthy (Stella Maris (The Passenger #2))
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One of the things I realized was that the universe had been evolving for countless billions of years in total darkness and total silence and that the way that we imagine it is not the way that it was. In the beginning always was nothing. The novae exploding silently. In total darkness. The stars, the passing comets. Everything at best of alleged being. Black fires. Like the fires of hell. Silence. Nothingness. Night. Black suns herding the planets through a universe where the concept of space was meaningless for want of any end to it. For want of any concept to stand it against. And the question once again of the nature of that reality to which there was no witness. All of this until the first living creature possessed of vision agreed to imprint the universe upon its primitive and trembling sensorium and then to touch it with color and movement and memory. It made of me an overnight solipsist and to some extent I amΒ yet.
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Cormac McCarthy (Stella Maris (The Passenger #2))