Cork Quotes

We've searched our database for all the quotes and captions related to Cork. Here they are! All 100 of them:

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His heart danced upon her movements like a cork upon a tide. He heard what her eyes said to him from beneath their cowl and knew that in some dim past, whether in life or revery, he had heard their tale before.
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James Joyce (A Portrait of the Artist as a Young Man)
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Harry!" said Fred, elbowing Percy out of the way and bowing deeply. "Simply splendid to see you, old boy-" "Marvelous," said George, pushing Fred aside and seizing Harry's hand in turn. "Absolutely spiffing." Percy scowled. "That's enough, now," said Mrs. Weasley. "Mum!" said Fred as though he'd only just spotted her and seizing her hand too. "How really corking to see you-
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J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
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She was elusive. She was today. She was tomorrow. She was the faintest scent of a cactus flower, the flitting shadow of an elf owl. We did not know what to make of her. In our minds we tried to pin her to a cork board like a butterfly, but the pin merely went through and away she flew.
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Jerry Spinelli (Stargirl (Stargirl, #1))
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And for all I know he is sitting there still, under his favorite cork tree, smelling the flowers just quietly
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Munro Leaf (The Story of Ferdinand)
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Would you like me to grovel with gratitude for bringing me here, High Lord?" "Ah. The Suriel told you nothing important, did it?" That smile of his sparked something bold in my chest. "He also said that you liked being brushed, and if I'm a clever girl, I might train you with treats." Tamlin tipped his head to the sky and roared with laughter. Despite myself, I let out a quiet laugh. "I might die of surprise," Lucien said behind me. "You made a joke, Feyre." I turned to look at him with a cool smile. "You don't want to know what the Suriel said about you." I flicked my brows up, and Lucien lifted his hands in defeat. "I'd pay good money to hear what the Suriel thinks of Lucien," Tamlin said. A cork popped, followed by the sounds of Lucien chugging the bottle's contents and chuckling with a muttered, "Brushed.
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Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
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I'm just a notch on your bedpost but you're just a line in a song.
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Fall Out Boy (Fall Out Boy - From Under the Cork Tree)
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I used to ask for an easy life, now I ask to be strong.
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William Kent Krueger (Iron Lake (Cork O'Connor, #1))
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Believe me, I know all about bottle acoustics. I spent much of the sixth century in an old sesame oil jar, corked with wax, bobbing about in the Red Sea. No one heard my hollers. In the end an old fisherman set me free, by which time I was desperate enough to grant him several wishes. I erupted in the form of a smoking giant, did a few lightning bolts, and bent to ask him his desire. Poor old boy had dropped dead of a heart attack. There should be a moral there, but for the life of me I can't see one.
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Jonathan Stroud
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What contemptible scoundrel stole the cork from my lunch?
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W.C. Fields
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There is, then, a world immune from change. But I am not composed enough, standing on tiptoe on the verge of fire, still scorched by the hot breath, afraid of the door opening and the leap of the tiger, to make even one sentence. What I say is perpetually contradicted. Each time the door opens I am interrupted. I am not yet twenty-one. I am to be broken. I am to be derided all my life. I am to be cast up and down among these men and women, with their twitching faces, with their lying tongues, like a cork on a rough sea. Like a ribbon of weed I am flung far every time the door opens. I am the foam that sweeps and fills the uttermost rims of the rocks with whiteness; I am also a girl, here in this room.
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Virginia Woolf (The Waves)
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At the edge of the field Silva and Stefan witnessed heartrending images in greyscale as thousands of desperate refugees streamed down the road in leaden shades of melancholy.Β  This somber line of tired and dirty humans moved so close together that they jostled each other with each step; their random movements reminded Silva of corks bobbing in a slow moving stream.Β  They watched them pass from the side of the road, but eventually fell-in, trudging along with the suffering others, feeling safer in numbers, hoping for a destination worth finding.
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John Payton Foden (Magenta)
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At last Niko dropped his hands, and opened his eyes. His perfect tree illusion solidified and settled. "Very nice," said Briar with approval. "Couldn't have done better myself" "Couldn't do it at all yourself," muttered Tris. Briar ignored her. "But you'd never find a cork oak in these parts. Too cold." Niko looked down his nose at the boy. "I beg your pardon?" Briar shrugged. "Just thought I'd mention it." Niko glared.
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Tamora Pierce
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[H]ere was the secret of happiness, about which philosophers had disputed for so many ages, at once discovered: happiness might now be bought for a penny, and carried in the waistcoat pocket; portable ecstacies might be had corked up in a pint bottle, and peace of mind could be sent down in gallons by the mail-coach.
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Thomas de Quincey (Confessions of an English Opium Eater)
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We never love anyone. Not really. We only love our idea of another person. It is some conception of our own that we love. We love ourselves, in fact.
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William Boyd (Cork)
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I sleep better knowing that a naked cork-eater is not sneaking around at night, stealing my underwear.
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Maureen Johnson (The Bermudez Triangle)
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They have not considered that memories are like corks left out of bottles. They swell. They no longer fit.
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Harriet Doerr (Stones for Ibarra)
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The thing about champagne,you say, unfoiling the cork, unwinding the wire restraint, is that is the ultimate associative object. Every time you open a bottle of champagne, it's a celebration, so there's no better way of starting a celebration than opening a bottle of champagne. Every time you sip it, you're sipping from all those other celebrations. The joy accumulates over time.
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David Levithan (The Lover's Dictionary)
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You don’t really know how attached you are until you move away, until you’ve experienced what it means to be dislodged, a cork floating on the ocean of another place.
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Michelle Obama (Becoming)
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If you haven't heard him...man, it's like he boiled down down all the melancholy in the world, all the bruises and all the fucked-up dreams you've let go, and poured the essence into a little tiny bottle and corked it up.
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Nick Hornby (A Long Way Down)
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I elbowed my way into the grubby cafΓ©, bought a pie that tasted of shoe polish and a pot of tea with cork crumbs floating in it, and eavesdropped on a pair of Shetland pony breeders. Despondency makes one hanker after lives one never led. Why have you given your life to books, TC? Dull, dull, dull! The memoirs are bad enough, but all that ruddy fiction! Hero goes on a journey, stranger comes to town, somebody wants something, they get it or they don't, will is pitted against will. "Admire me, for I am a metaphor.
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David Mitchell (Cloud Atlas)
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Oh, stick a cork in it, B," Jen snarled at Decebel. Vasile cocked his head to the side as he looked at Jen. "B?" "Yeah. Ya know, for Beta. Although, I like it because I could also be calling him the technical term for a female dog and he wouldn't know it. So really, calling him B totally works to my advantage," Jen explained in all seriousness. Everyone turned when a quick burst of laughter came from the right side of the room. When Sorin saw everyone turn their eyes on him, he quickly began coughing. Holding up his hands, he finally composed himself. "Pardon me, Alpha. I seemed to have swallowed wrong." "You have to be careful while swallowing smart ass comments, Sorin," Jen teased. "They tend to have a choking effect.
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Quinn Loftis (Just One Drop (The Grey Wolves, #3))
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What life gives us, good or bad, we seldom deserve.
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William Kent Krueger (Iron Lake (Cork O'Connor, #1))
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Resonably neat and clean?" Adrienne said incredulously. "that man is flawless from head to toe! He makes David and the Greek gods and Pan seem all out of proportion. He is raw sex in a bottle, uncorked. And somebody should cork it! He's -accck! Bah!" Adrienne spluttered and stuttered as she belatedly realised her words. Lydia was laughing so hard tears misted her eyes.
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Karen Marie Moning
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What a pure blessing it was to have a bath in a tub alone in a room where all you had to do was pump the water, not tote buckets. Then all you had to do was pull out the cork, not tote more buckets to the back porch--that kind of thing is easy to take lightly until you don't have it.
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Nancy E. Turner (Sarah's Quilt (Sarah Agnes Prine, #2))
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Write your dreams in journal,note book, card or on a cork. When you pen down your dreams, an a inner strength and divine power is activated for your to work towards the fulfillment of your dreams.
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Lailah Gifty Akita
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Wadsworth opened the bottle and handed me the cork. What the heck? What do I do now? Take it? Smell it? Lick it? A slight trickle of sweat ran down the nape of my neck as he, Margeaux and Deloris stared at me. β€œUh, what am I supposed to do with it?” β€œTake a sniff, sir. Just to make sure.” β€œOf course, of course.” Smelled just fine to me and I looked up at him with a big silly grin on my face as he poured a small amount of wine into my glass. I stared up at him. β€œAren’t you going to fill my glass?” β€œTake a sip, sir. Just to make sure.” β€œMake sure of what?” β€œThat it is to your liking, sir.” It was all I could do from turning red-faced. But I took that sip and smiled again. He then poured the wine into our glasses, nestled the bottle in the silver wine chiller and left. At that point I burst out laughing and my sweet ladies joined me.
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Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
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Ye know, Cork Courrant-Porky Implant. Tis a jest" Ian
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Kerrelyn Sparks
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Karen, her elbows folded on the deck-rail, wanted to share with someone the pleasure in being alone: this is the paradox of any happy solitude. She had never landed at Cork, so this hill and that hill beyond were as unexpected as pictures at which you say "Oh look!" Nobody was beside her to share the moment, which would have been imperfect with anyone else there.
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Elizabeth Bowen
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Every time you praise something, every time you appreciate something, every time you feel good about something, you are telling the Universe, "More of this, Please." You need never again make another verbal statement of this intent, and if you were allowing your cork to float - all good things would flow to you.
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Abraham Hicks
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The things that ask the most of us are the things most worth having.
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William Kent Krueger (Iron Lake (Cork O'Connor, #1))
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Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
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Gerard Nolst TrenitΓ© (Drop your Foreign Accent)
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The basis of your life is absolute freedom, the goal is joy, and the result of that perfect combination is motion forward, or growth. Your goal is to find objects of attention that let your cork raise.
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Abraham Hicks
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In every human being, there are two wolves constantly fighting. One is fear, and the other is love. When Cork had asked which of the wolves won the battle, Meloux’s answer had been: The one you feed. Always the one you feed.
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William Kent Krueger (Windigo Island (Cork O'Connor, #14))
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Word is you heard the Windigo too." I did. The difference is I'm ready for the son of a bitch." --Cork O'Connor
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William Kent Krueger (Iron Lake (Cork O'Connor, #1))
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He is quiet and small, he is black From his ears to the tip of his tail; He can creep through the tiniest crack He can walk on the narrowest rail. He can pick any card from a pack, He is equally cunning with dice; He is always deceiving you into believing That he's only hunting for mice. He can play any trick with a cork Or a spoon and a bit of fish-paste; If you look for a knife or a fork And you think it is merely misplaced - You have seen it one moment, and then it is gawn! But you'll find it next week lying out on the lawn. And we all say: OH! Well I never! Was there ever A Cat so clever As Magical Mr. Mistoffelees!
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T.S. Eliot (Old Possum's Book of Practical Cats)
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I saw a sign that said 'Drink Canada Dry'. So I did.
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Brendan Behan (The Complete Plays: The Hostage / The Quare Fellow / Richard's Cork Leg / Moving Out / A Garden Party / The Big House)
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There was something in the music of the accent that Douglass liked: it was as if the Cork people put long lazy hammocks in their sentences.
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Colum McCann (TransAtlantic)
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Well the days of community policing were over. The world was a bottleful of sparkling darkness and cops the ones charged with keeping the cork in while the rich shook and shook.
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Sunil Yapa (Your Heart Is a Muscle the Size of a Fist)
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He is raw sex in a bottle, uncorked. And somebody needs to cork it!
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Karen Marie Moning
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What contemptible scoundrel has stolen the cork to my lunch?
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W. Clement Stone
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I'm an outlaw, not a philosopher, but I know this much: there's meaning in everything, all things are connected, and a good champagne is a drink.' Bernard began to sing again. Timidly, Leigh-Cheri joined in. Between verses, they opened another bottle. The popping of its cork echoed throughout the great stone chamber. Of the three billion people on earth, only Bernard and Leigh-Cheri heard the popping of the cork and its echoes. Only Bernard and Leigh-Cheri passed out under the tablecloth.
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Tom Robbins (Still Life with Woodpecker)
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Insulated from natural contacts with earth, air and sunlight, by corsets pressing on the solar plexus, by voluminous petticoats, cotton stockings and kid boots, the drowsy well-fed girls lounging in the shade were no more a part of their environment than figures in a photograph album, arbitrarily posed against a backcloth of cork rocks and cardboard trees.
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Joan Lindsay (Picnic at Hanging Rock)
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Cork wished there were a forecast for his spirit. He felt the dark and the cold penetrating deep in him. He wondered when there would be warmth again, when there would be light.
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William Kent Krueger (Iron Lake (Cork O'Connor, #1))
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His heart danced upon her movements like a cork on the tide.
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James Joyce (A Portrait of the Artist as a Young Man)
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People who don’t know me well wonder that I’d give up my badge for an apron, thinking that flipping burgers is a big step down. If they asked me, which they don’t, I would tell them that when a man stumbles onto happiness, he’d be a fool to pass it by. It’s as simple as that. Sam’s Place makes me happy.
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William Kent Krueger (Thunder Bay (Cork O'Connor, #7))
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All of you, get off my damned window now!" "Shit," Locke muttered from a few feet above and to her left, his eloquence temporarily frightened into submission. "Madam, you're complicating our night, so before we come in and complicate yours, kindly cork you bullshit bottle and close the gods-damned window!" She looked up, aghast. "Two of you? All of you, get down, get down, get down!" "Close your window, close your window, close your fucking window!" "I'll kill both you shitsuckers' huffed Fernez 'I'll drop both you off this fucking--" There was a marrow-chillingly loud cracking noise, and the trellis shuddered beneath the hands of three men clinging to it.
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Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
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Who is the best marshal they have?' The sheriff thought on it for a minute. He said, 'I would have to weigh that proposition. There is near about two hundred of them. I reckon William Waters is the best tracker. He is a half-breed Comanche and it is something to see, watching him cut for sign. The meanest one is Rooster Cogburn. He is a pitiless man, double-tough, and fear don't enter into his thinking. He loves to pull a cork. Now L.T. Quinn, he brings his prisoners in alive. He may let one get by now and then but he believes even the worst of men is entitled to a fair shake. Also the court does not pay any fees for dead men. Quinn is a good peace officer and a lay preacher to boot. He will not plant evidence or abuse a prisoner. He is straight as a string. Yes, I will say Quinn is about the best they have.' I said, 'Where can I find this Rooster?
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Charles Portis (True Grit)
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I say, Bertie, is it really true that you were once engaged to Honoria?" "It is." Biffy coughed. "How did you get out - I mean, what was the nature of the tragedy that prevented the marriage?" "Jeeves worked it. He thought out the entire scheme." "I think, before I go," said Biffy thoughtfully, "I'll just step into the kitchen and have a word with Jeeves." I felt that the situation called for complete candour. "Biffy, old egg," I said, "as man to man, do you want to oil out of this thing?" "Bertie, old cork," said Biffy earnestly, "as one friend to another, I do.
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P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
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With alcoholic ritual, the whole point is generosity. If you open a bottle of wine, for heaven's sake have the grace to throw away the damn cork.
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Christopher Hitchens (Everyday Drinking: The Distilled Kingsley Amis)
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I don’t drink coffee,” she said, taking a sip from her tea. β€œCoffee is for Americans and Protestants. Irish people should drink tea. That’s how we were brought up after all. Give me a nice cup of Lyons and I’m content.” β€œI don’t mind the occasional cup of Barry’s myself.” β€œNo, that’s from Cork.
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John Boyne (The Heart's Invisible Furies)
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Fable of the Mermaid and the Drunks" All those men were there inside, when she came in totally naked. They had been drinking: they began to spit. Newly come from the river, she knew nothing. She was a mermaid who had lost her way. The insults flowed down her gleaming flesh. Obscenities drowned her golden breasts. Not knowing tears, she did not weep tears. Not knowing clothes, she did not have clothes. They blackened her with burnt corks and cigarette stubs, and rolled around laughing on the tavern floor. She did not speak because she had no speech. Her eyes were the colour of distant love, her twin arms were made of white topaz. Her lips moved, silent, in a coral light, and suddenly she went out by that door. Entering the river she was cleaned, shining like a white stone in the rain, and without looking back she swam again swam towards emptiness, swam towards death.
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Pablo Neruda (The Essential Neruda: Selected Poems)
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Most animals can be tamed, I suppose," Cork replied. "The question is, do you really want to? Make them tame and they become easy prey for people not as kindly disposed toward them as you are.
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William Kent Krueger (Iron Lake (Cork O'Connor, #1))
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He had lived without her before. He could get over it! In a year or so he'd be able to walk straight past her without his heart so much as missing a beat. He needed her as much as a drunk needs a cork! But he understood all too quickly how vain these thoughts were. How can you tear something out of your heart? Your heart isn't made out of paper and your life isn't written down in ink. You can't erase the imprint of years.
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Vasily Grossman (Life and Fate)
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Seating themselves on the greensward, they eat while the corks fly and there is talk, laughter and merriment, and perfect freedom, for the universe is their drawing room and the sun their lamp. Besides, they have appetite, Nature's special gift, which lends to such a meal a vivacity unknown indoors, however beautiful the surroundings.
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Jean Anthelme Brillat-Savarin
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If he believed it all, he was just like those theologians who store their theology somewhere in a locked compartment of the brain, or rather, perhaps, like those travellers who carry a bottle of iodine in their luggage and take care to keep it tightly corked in case it leaks and ruins their belongings.
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HalldΓ³r Laxness (The Fish Can Sing)
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We are automata entirely controlled by the forces of the medium being tossed about like corks on the surface of the water, but mistaking the resultant of the impulses from the outside for free will. The movements and other actions we perform are always life preservative and tho seemingly quite independent from one another, we are connected by invisible links
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Nikola Tesla (My Inventions)
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Straight is my path. Straight is my mind. Straight is my heart. Straight is my speech. Kind will I be to my brothers and sisters. Kind will I be to beast and bird.
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William Kent Krueger (Boundary Waters (Cork O'Connor, #2))
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But at some point in her passage, the trees began to change. They stretched taller, and the soft, pale bark darkened, roughened. She put her hand to a tree and touched the lichen growing dark green upon brown, and it felt like old cork, dry and crumbling. Here the sun mellowed, took on the cast of late afternoon, and the shadows seemed to fall a bit longer; the forest had sunk into a deeper silence, magnifying what sounds did arise. The sudden, quick crash of a fox bounding through the brush was as loud as the slam of a great wooden door.
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Malinda Lo (Ash)
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I'll stay with you a little, my unforgettable delight, for as long as my arms and my hands and my lips remember you. I'll put my grief for you in a work that will endure and be worthy of you. I'll write your memory into an image of aching tenderness and sorrow. I'll stay here till this is done, then I too will go. This is how I will portray you, I'll trace your features on paper as the sea, after a fearful storm has churned it up, traces the form of the greatest, farthest-reaching wave on the sand. Seaweed, shells, cork, pebbles, the lightest, most imponderable things that it could lift from its bed, are cast up in a broken, sinuous line on the sand. This line endlessly stretching into the distance is the frontier of the highest tide. That was how life's storm cast you up on my shore, O my pride, that is how I'll portray you.
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Boris Pasternak (Doctor Zhivago)
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Long before we discovered that he had fathered two children by two different women, one in Drimoloeague and one in Clonakilty, Father James Monroe stood on the altar of the Church of Our Lady, Star of the Sea, in the parish of Goleen, West Cork, and denounced my mother as a whore.
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John Boyne (The Heart's Invisible Furies)
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I loved the way drink made me feel, and I loved it's special power of deflection, it's ability to shift my focus away from my own awareness of self and onto something else, something less painful than my own feelings. I loved the sounds of drink: the slide of a cork as it eased out of a wine bottle, the distinct glug-glug of booze pouring into a glass, the clatter of ice cubes in a tumbler. I loved the rituals, the camaraderie of drinking with others, the warming, melting feeling of ease and courage it gave me.
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Caroline Knapp (Drinking: A Love Story)
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I am seeing that woman for the first and last time. I will never in my lifetime see her again.’ My thoughts floated aimlessly, like a cork down an uncharted river. For a moment they bobbed around the woman beneath the thatch. What did she matter to me? But I could not rid myself of the thought that, for an instant, she was a part of my life that would never be repeated; from my point of view it was as if she were already dead: a brief delay of the train, a call from inside the house, and that woman would never have existed in my life. Everything seemed fleeting, transitory, futile, nebulous. My brain was not functioning well, but MarΓ­a was a recurring vision, something hazy and melancholy.
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Ernesto Sabato (El tΓΊnel)
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This is a powder that when applied to the air causes ghosts to become visible,” Henry said. Magnus tilted the jar of shining grains up to the lamp admiringly, and when Henry beamed in an encouraging fashion, Magnus removed the cork. β€œIt seems very fine to me,” he said, and on a whim he poured it upon his hand. It coated his brown skin, gloving one hand in shimmering luminescence. β€œAnd in addition to its practical uses, it would seem to work for cosmetic purposes. This powder would make my very skin glimmer for eternity.” Henry frowned. β€œNot eternity,” he said, but then he brightened. β€œBut I could make you up another batch whenever you please!” β€œI could shine at will!” Magnus grinned at Henry
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Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
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These days things had a way of happening around him. Although events seemed chaotic, Cork was beginning to suspect they weren't at all. Sam Winter Moon used to say that sometimes the only way a man learns the true spirit of a rock is to stub his toe on it.
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William Kent Krueger (Iron Lake (Cork O'Connor, #1))
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Haven't you seen that part of me as well? A man's many things. To isolate one part of him and judge him on that alone is to do him an injustice, don't you think?
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”
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
β€œ
In the absence of proof, you believe.
”
”
William Kent Krueger (Purgatory Ridge (Cork O'Connor, #3))
β€œ
Long before we discovered that he had fathered two children by two different women, one in Drimoleague and one in Clonakilty, Father James Monroe stood on the altar of the Church of Our Lady, Star of the Sea, in the parish of Goleen, West Cork, and denounced my mother as a whore.
”
”
John Boyne (The Heart's Invisible Furies)
β€œ
I know it, and I wanted so much not to drag you into it!’ said Kitty remorsefully. β€˜I thought, if only you knew nothing about it, it would serve as a reason for you to put an end to our engagement!’ β€˜Yes, I know you did. Told me so, in that letter you wrote me. Dashed cork-brained notion! Stands to reason if you’re in it I must be too.
”
”
Georgette Heyer (Cotillion)
β€œ
Conscience was a devil that plagued the individual. Collectively, a people squashed it as easily as stepping on a daisy.
”
”
William Kent Krueger (Purgatory Ridge (Cork O'Connor, #3))
β€œ
He knew there was no magic to wipe clean the slate of memory. You just learned how to move on.
”
”
William Kent Krueger (Lightning Strike (Cork O'Connor, #0))
β€œ
They understand that if you repeat a lie often enough, eventually the public is going to accept it as truth.
”
”
William Kent Krueger (Desolation Mountain (Cork O'Connor, #17))
β€œ
Sam's Place had never felt so empty. He suspected the emptiness was not in the old Quonset hut; it was in him. There was nothing in him now, nothing but the great emptiness of death, which he seemed to carry with him like a virus.
”
”
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
β€œ
He sighed and opened the black box and took out his rings and slipped them on. Another box held a set of knives and Klatchian steel, their blades darkened with lamp black. Various cunning and intricate devices were taken from velvet bags and dropped into pockets. A couple of long-bladed throwing tlingas were slipped into their sheaths inside his boots. A thin silk line and folding grapnel were wound around his waist, over the chain-mail shirt. A blowpipe was attached to its leather thong and dropped down the back of his cloak; Teppic picked a slim tin container with an assortment of darts, their tips corked and their stems braille-coded for ease of selection in the dark. He winced, checked the blade of his rapier and slung the baldric over his right shoulder, to balance the bag of lead slingshot ammunition. As an afterthought he opened his sock drawer and took a pistol crossbow, a flask of oil, a roll of lockpicks and, after some consideration, a punch dagger, a bag of assorted caltrops and a set of brass knuckles. Teppic picked up his hat and checked it's lining for the coil of cheesewire. He placed it on his head at a jaunty angle, took a last satisfied look at himself in the mirror, turned on his heel and, very slowly, fell over.
”
”
Terry Pratchett (Pyramids (Discworld, #7))
β€œ
Literature is a field a great many men consider theirs by right. Virginia Woolf committed successful competition in that field. She barely escaped the first and most effective punishment--omission from the literary canon after her death. Yet eighty or ninety years later charges of snobbery and invalidism are still used to discredit and diminish her. Marcel Proust's limitations and his neuroticism were at least as notable as hers. But that Proust needed not only a room of his own but a cork-lined one is taken as proof he was a genius. That Woolf heard the birds singing in Greek shows only that she was a sick woman.
”
”
Ursula K. Le Guin (No Time To Spare: Thinking About What Matters)
β€œ
Come on, you winefizzling, ginsizzling, booseguzzling existences! Come on, you dog-gone, bullnecked, beetlebrowed, hogjowled, peanutbrained, weaseleyed fourflushers, false alarms and excess baggage! Come on, you triple extract of infamy! Alexander J. Christ Dowie, that's yanked to glory most half this planet from 'Frisco Beach to Vladivostok. The Deity ain't no nickel dime bumshow. I put it to you that he's on the square and a corking fine business proposition. He's the grandest thing yet and don't you forget it. Shout salvation in king Jesus. You'll need to rise precious early, you sinner there, if you want to diddle the Almighty God. Pflaaaap! Not half. He's got a coughmixture with a punch in it for you, my friend, in his backpocket. Just you try it on.
”
”
James Joyce (Ulysses)
β€œ
But Virginia, bacon is breafast. And nothing sets my nostrils twitching like bacon in the morning. Little pigs parading up and down with their curly cork screw tails... Bacon sizzling away on a iron frying pan. Baste it, roast it, toast it, nibble it, chew it, bite right through it, wobble it, gobble it, wrap it round a couple of chickens and am I ravenous!
”
”
Kathryn Wesley (The 10th Kingdom)
β€œ
Chip the glasses and crack the plates! Β  Β  Blunt the knives and bend the forks! That’s what Bilbo Baggins hates– Β  Β  Smash the bottles and burn the corks! Cut the cloth and tread on the fat! Β  Β  Pour the milk on the pantry floor! Leave the bones on the bedroom mat! Β  Β  Splash the wine on every door! Dump the crocks in a boiling bowl; Β  Β  Pound them up with a thumping pole; And when you’ve finished, if any are whole, Β  Β  Send them down the hall to roll! That’s what Bilbo Baggins hates! So, carefully! carefully with the plates!
”
”
J.R.R. Tolkien (The Hobbit)
β€œ
When we observe how some people know how to manage their experiences--their insignificant, everyday experiences--so that they become an arable soil that bears fruit three times a year, while others--and how many there are!--are driven through surging waves of destiny, the most multifarious currents of the times and the nations, and yet always remain on top, bobbing like a cork, then we are in the end tempted to divide mankind into a minority (a minimality) of those who know how to make much of little, and a majority of those who know how to make little of much.
”
”
Friedrich Nietzsche
β€œ
Romero never made any contortions, always it was straight and pure and natural in line. The others twisted themselves like cork-screws, their elbows raised, and leaned against the flanks of the bull after his horns had passed, to give a faked look of danger. Afterward, all that was faked turned bad and gave an unpleasant feeling. Romero’s bull-fighting gave real emotion, because he kept the absolute purity of line in his movements and always quietly and calmly let the horns pass him close each time. He did not have to emphasize their closeness. Brett saw how something that was beautiful done close to the bull was ridiculous if it were done a little way off. I told her how since the death of Joselito all the bull-fighters had been developing a technic that simulated this appearance of danger in order to give a fake emotional feeling, while the bull-fighter was really safe. Romero had the old thing, the holding of his purity of line through the maximum of exposure, while he dominated the bull by making him realize he was unattainable, while he prepared him for the killing.
”
”
Ernest Hemingway (The Sun Also Rises)
β€œ
A real panic took hold of me. I didn't know where I was going. I ran along the docks, turned into the deserted streets in the Beauvoisis district; the houses watched my flight with their mournful eyes. I repeated with anguish: Where shall I go? where shall I go? Anything can happen. Sometimes, my heart pounding, I made a sudden right about turn: what was happening behind my back? Maybe it would start behind me and when I would turn around, suddenly, it would be too late. As long as I could stare at things nothing would happen: I looked at them as much as I could, pavements, houses, gaslights; my eyes went rapidly from one to the other, to catch them unawares, stop them in the midst of their metamorphosis. They didn't look too natural, but I told myself forcibly: this is a gaslight, this is a drinking fountain, and I tried to reduce them to their everyday aspect by the power of my gaze. Several times I came across barriers in my path: the Cafe des Bretons, the Bar de la Marine. I stopped, hesitated in front of their pink net curtains: perhaps these snug places had been spared, perhaps they still held a bit of yesterday's world, isolated, forgotten. But I would have to push the door open and enter. I didn't dare; I went on. Doors of houses frightened me especially. I was afraid they would open of themselves. I ended by walking in the middle of the street. I suddenly came out on the Quai des Bassins du Nord. Fishing smacks and small yachts. I put my foot on a ring set in the stone. Here, far from houses, far from doors, I would have a moment of respite. A cork was floating on the calm, black speckled water. "And under the water? You haven't thought what could be under the water." A monster? A giant carapace? sunk in the mud? A dozen pairs of claws or fins labouring slowly in the slime. The monster rises. At the bottom of the water. I went nearer, watching every eddy and undulation. The cork stayed immobile among the black spots.
”
”
Jean-Paul Sartre (Nausea)
β€œ
And then he began to laugh in a peculiar way of his own which was both violent and soundless. His heavy reclining body, draped in its black gown, heaved to and fro. His knees drew themselves up to his chin. His arms dangled over the sides of the chair and were helpless. His head rolled from side to side. It was as though he were in the last stages of strychnine poisoning. But no sound came, nor did his mouth even open. Gradually the spasm grew weaker, and when the natural sand colour of his face had returned (for his corked-up laughter had turned it dark red) he began his smoking again in earnest.
”
”
Mervyn Peake (Gormenghast (Gormenghast, #2))
β€œ
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time." And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer. Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. " ... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
”
”
Herman Melville (Moby Dick)
β€œ
The blond's booming voice was well-educated British, but his outfit didn't match it. His hair was the only normal thing about him--close cropped and without noticeable style. But his T-shirt was crossed with enough ammunition to take out a platoon, and he had a tool belt slung low on his hips that, along with a strap across his back, looked like it carried one of every type of handheld weapon on the market. I recognized a machete, two knives, a sawed-off shotgun, a crossbow, two handguns--one strapped to his thigh--and a couple of honest-to-God grenades. There were other things I couldn't identify, including a row of cork-topped bottles along the front of the belt. The getup, sort of mad scientist meets Rambo, would have made me smile, except that I believe in showing respect for someone carrying that much hardware.
”
”
Karen Chance (Touch the Dark (Cassandra Palmer, #1))
β€œ
Nancy According to astronomers, every atom in my body was forged in a star. I am made, they insist, of stardust. I am stardust braided into strands and streamers of information, proteins and DNA, double helixes of stardust. In every cell of my body there is a thread of stardust as long as my arm.
”
”
Chet Raymo (The Dork of Cork)
β€œ
That night, as Cork lay in his bedroll, he thought about the bear they were after. He was glad Sam had changed his mind about killing the great animal, but he hoped they would at least see it. He thought about the Windigo, which was something he hoped he would not see. And he thought about his father, whom he would never see again. These were all elements of his life, and although they were separate things, they were now intertwined somehow like the roots of a tree. All his life he would remember the bear hunt with Sam Winter Moon. In some manner he didn't quite understand, the hunt had opened a way in him for the grief to begin passing through. All his life he would be grateful to his father's friend.
”
”
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
β€œ
If he expected an answer - and he wasn't certain that he didn't - he was disappointed. He told himself he had imagined the voice in the wind. The Windigo was a myth. But there was a part of him that knew different. Sam Winter Moon has cautioned him long ago that it was best to believe in all possibilities, that there were more mysteries in the world than a man could ever hope to understand.
”
”
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
β€œ
I stood back up and looked down at my feces. A lovely snail-shell architecture, still steaming. Borromini. My bowels must be in good shape, because everyone knows you have nothing to worry about unless your feces are to soft or downright liquid. I was seeing my shit for the first time (in the city you sit on the bowl, then flush right away, without looking). I was now calling it shit, which I think is what people call it. Shit is the most personal and private thing we have. Anyone can get to know the rest - your facial expression, your gaze, your gestures. Even your naked body: at the beach, at the doctor's, making love. Even your thoughts, since usually you express them, or else others guess them from the way you look at them or appear embarrassed. Of course, there are such things as secret thoughts... but in general thoughts too are revealed. Shit, however, is not. Except for an extremely brief period of your life, when your mother is still changing your diapers, it is all yours. And since my shit at that moment must not have been all that different from what I had produced over the course of my past life, I was in that instant reuniting with my old, forgotten self, undergoing the first experience capable of merging with countless previous experiences, even those from when I did my business in the vineyards as a boy. Perhaps if I took a god look around, I would find the remains of those shits past, and then, triangulating properly, Clarabelle's treasure. But I stopped there. Shit was not my linden-blossom tea, of course not, how could I have expected to conduct my recherche with my sphincter? In order to rediscover lost time, one should have not diarrhea but asthma. Asthma is pneumatic, it is the breath (however labored) of the spirit: it is for the rich, who can afford cork-lined rooms. The poor, in the fields, attend less to spiritual than to bodily functions. And yet I felt not disinherited but content, and I mean truly content, in a way I had not felt since reawakening. The ways of the Lord are infinite, I said to myself, they go even through the butthole.
”
”
Umberto Eco (The Mysterious Flame Of Queen Loana)
β€œ
Just as that puzzled savage who has picked up - a strange cast-up from the ocean? - something unearthed from the sands? - or an obscure object fallen down from the sky? - intricate in curves, it gleams first dully and then with a bright thrust of light. Just as he turns it this way and that, turns it over, trying to discover what to do with it, trying to discover some mundane function within his own grasp, never dreaming of its higher function. So also we, holding Art in our hands, confidently consider ourselves to be its masters; boldly we direct it, we renew, reform and manifest it; we sell it for money, use it to please those in power; turn to it at one moment for amusement - right down to popular songs and night-clubs, and at another - grabbing the nearest weapon, cork or cudgel - for the passing needs of politics and for narrow-minded social ends. But art is not defiled by our efforts, neither does it thereby depart from its true nature, but on each occasion and in each application it gives to us a part of its secret inner light.
”
”
Aleksandr Solzhenitsyn (Nobel Lecture (Bilingual Edition) (English and Russian Edition))
β€œ
Because I Cannot Sleep Because I cannot sleep I make music at night. I am troubled by the one whose face has the color of spring flowers. I have neither sleep nor patience, neither a good reputation nor disgrace. A thousand robes of wisdom are gone. All my good manners have moved a thousand miles away. The heart and the mind are left angry with each other. The stars and the moon are envious of each other. Because of this alienation the physical universe is getting tighter and tighter. The moon says, 'How long will I remain suspended without a sun?' Without Love's jewel inside of me, let the bazaar of my existence be destroyed stone by stone. O Love, You who have been called by a thousand names, You who know how to pour the wine into the chalice of the body, You who give culture to a thousand cultures, You who are faceless but have a thousand faces, O Love, You who shape the faces of Turks, Europeans, and Zanzibaris, give me a glass from Your bottle, or a handful of being from Your Branch. Remove the cork once more. Then we'll see a thousand chiefs prostrate themselves, and a circle of ecstatic troubadours will play. Then the addict will be freed of craving. and will be resurrected, and stand in awe till Judgement Day
”
”
Jalal ad-Din Muhammad ar-Rumi
β€œ
Closing her eyes, she began to let herself dream. Not sleep dreaming, but dreaming of how her life might be. It was a thing she didn't often do. In her experience, good things came with great difficulty and were too easily snatched away. She'd longo ago learned to accept what she had at any given moment and try to be happy with only that. She could think about the furniture, plan even, but not expect. It was the expectation that was the trap.
”
”
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
β€œ
Do you believe in God?" St. Kawasaki looked amused. "Hell of a question to ask a priest." [...] "I'm asking because I've been a cop most of my life, but I don't believe in justice anymore. I just wondered if the same was true in your work." "Why wouldn't it be? Priests are only human. We wuestion, doubt, even grow a little despondent at times because what the world shoves at us doesn't seem to bear much mark of the divine." [...] "But in the end I always come back to believing." "Why? Why believe in something that continues to let you down?" "Like justice, eh?" The priest drank and made a satified sound. "Sure hits the spot, Cork." He looked down where Cork sat on the folding canvas chair. "Everything disappoints us sometimes. Everybody disappoints us. Men let women down, women let men down, ideals don't hold water. And God doesn't seem to give a damn. I can't speak for God, Cork, but I'll tell you what I think. I think we expect too much. Simple as that. And the only thing that lets us down is our own expectaton. I used to pray God for an easy life. Now I pray to be a strong person.
”
”
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
β€œ
So where did you go, Holly?” Rafiq never tires of this conversation, no matter how often we do it. β€œEverywhere,” says Lorelei, being brave and selfless. β€œColombia, Australia, China, Iceland, Old New York. Didn’t you, Gran?” β€œI did, yes.” I wonder what life in Cartagena, in Perth, in Shanghai is like now. Ten years ago I could have streetviewed the cities, but the Net’s so torn and ragged now that even when we have reception it runs at prebroadband speed. My tab’s getting old, too, and I only have one more in storage. If any arrive via Ringaskiddy Concession, they never make it out of Cork City. I remember the pictures of seawater flooding Fremantle during the deluge of ’33. Or was it the deluge of ’37? Or am I confusing it with pictures of the sea sluicing into the New York subway, when five thousand people drowned underground? Or was that Athens? Or Mumbai? Footage of catastrophes flowed so thick and fast through the thirties that it was hard to keep track of which coastal region had been devastated this week, or which city had been decimated by Ebola or Ratflu. The news turned into a plotless never-ending disaster movie I could hardly bring myself to watch.
”
”
David Mitchell (The Bone Clocks)
β€œ
The girl beside the window looked up. She had straggly, waist-length, dirty blonde hair, very pale eyebrows and protuberant eyes that gave her a permanently surprised look. Harry knew at once why Neville had chosen to pass this compartment by. The girl gave off an aura of distinct dottiness. Perhaps it was the fact that she had stuck her wand behind her left ear for safekeeping, or that she had chosen to wear a necklace of Butterbeer corks, or that she was reading a magazine upside-down. Her eyes ranged over Neville and came to rest on Harry. She nodded. β€˜Thanks,’ said Ginny, smiling at her. Harry and Neville stowed the three trunks and Hedwig’s cage in the luggage rack and sat down. Luna watched them over her upside-down magazine, which was called The Quibbler. She did not seem to need to blink as much as normal humans. She stared and stared at Harry, who had taken the seat opposite her and now wished he hadn’t. β€˜Had a good summer, Luna?’ Ginny asked. β€˜Yes,’ said Luna dreamily, without taking her eyes off Harry. β€˜Yes, it was quite enjoyable, you know. You’re Harry Potter,’ she added. β€˜I know I am,’ said Harry. Neville chuckled. Luna turned her pale eyes on him instead. β€˜And I don’t know who you are.’ β€˜I’m nobody,’ said Neville hurriedly. β€˜No you’re not,’ said Ginny sharply. β€˜Neville Longbottom – Luna Lovegood. Luna’s in my year, but in Ravenclaw.’ β€˜Wit beyond measure is man’s greatest treasure,’ said Luna in a singsong voice. She raised her upside-down magazine high enough to hide her face and fell silent. Harry and Neville looked at each other with their eyebrows raised. Ginny suppressed a giggle.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β€œ
you are an exit wound the extra shot of tequila the tangled knot of hair that has to be cut out you are the cell phone ringing in a hushed theatre pebble wedged in the sole of a boot the bloody hangnail you are, just this once you are flip flops in a thunderstorm the boy’s lost erection a pen gone dry you are my father’s nightmare my mother’s mirage you are a manic high which is to say: you are a bad idea you are herpes despite the condom you are, I know better you are pieces of cork floating in the wine glass you are the morning after whose name I can’t remember still in my bed the hole in my rain boots vibrator with no batteries you are, shut up and kiss me you are naked wearing socks mascara bleeding down laughing cheeks you are the wrong guy buying me a drink you are the typo in an otherwise brilliant novel sweetalk into unprotected sex the married coworker my stubbed toe you are not new or uncommon not brilliant or beautiful you are a bad idea rock star in the back seat of a taxi burned popcorn top shelf, at half price you are everything I want you are a poem I cannot write a word I cannot translate you are an exit wound a name I cannot bring myself to say aloud
”
”
Jeanann Verlee
β€œ
Agnes shut her eyes, clenched her fists, opened her mouth and screamed. It started low. Plaster dust drifted down from the ceiling. The prisms on the chandelier chimed gently as they shook. It rose, passing quickly through the mysterious pitch at fourteen cycles per second where the human spirit begins to feel distinctly uncomfortable about the universe and the place in it of the bowels. Small items around the Opera House vibrated off shelves and smashed on the floor. The note climbed, rang like a bell, climbed again. In the Pit, all the violin strings snapped, one by one. As the tone rose, the crystal prisms shook in the chandelier. In the bar, champagne corks fired a salvo. Ice jingled and shattered in its bucket. A line of wine-glasses joined in the chorus, blurred around the rims, and then exploded like hazardous thistledown with attitude. There were harmonics and echoes that caused strange effects. In the dressing-rooms the No. 3 greasepaint melted. Mirrors cracked, filling the ballet school with a million fractured images. Dust rose, insects fell. In the stones of the Opera House tiny particles of quartz danced briefly... Then there was silence, broken by the occasional thud and tinkle. Nanny grinned. 'Ah,' she said, 'now the opera's over.
”
”
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
β€œ
I believe hurling is the best of us, one of the greatest and most beautiful expressions of what we can be. For me that is the perspective that death and loss cast on the game. If you could live again you would hurl more, because that is living. You'd pay less attention to the rows and the mortgage and the car and all the daily drudge. Hurling is our song and our verse, and when I walk in the graveyard in Cloyne and look at the familiar names on the headstones I know that their ownders would want us to hurl with more joy and more exuberance and more (as Frank Murphy used to tell us) abandon than before, because life is shorter than the second half of a tournament game that starts at dusk.
”
”
DΓ³nal Γ“g Cusack (Come What May)
β€œ
Digging Between my finger and my thumb The squat pen rests; snug as a gun. Under my window, a clean rasping sound When the spade sinks into gravelly ground: My father, digging. I look down Till his straining rump among the flowerbeds Bends low, comes up twenty years away Stooping in rhythm through potato drills Where he was digging. The coarse boot nestled on the lug, the shaft Against the inside knee was levered firmly. He rooted out tall tops, buried the bright edge deep To scatter new potatoes that we picked, Loving their cool hardness in our hands. By God, the old man could handle a spade. Just like his old man. My grandfather cut more turf in a day Than any other man on Toner’s bog. Once I carried him milk in a bottle Corked sloppily with paper. He straightened up To drink it, then fell to right away Nicking and slicing neatly, heaving sods Over his shoulder, going down and down For the good turf. Digging. The cold smell of potato mould, the squelch and slap Of soggy peat, the curt cuts of an edge Through living roots awaken in my head. But I’ve no spade to follow men like them. Between my finger and my thumb The squat pen rests. I’ll dig with it.
”
”
Seamus Heaney
β€œ
champagne, n. You appear at the foot of the bed with a bottle of champagne, and I have no idea why. I search my mind desperately for an occasion I've forgotten - is this some obscure anniversary or, even worse, a not-so-obscure one? Then I think you have something to tell me, some good news to share, but your smile is silent, cryptic. I sit up in bed, ask you what's going on, and you shake your head, as if to say that nothing's going on, as if to pretend that we usually start our Wednesday mornings with champagne. You touch the bottle to my leg - I feel the cool condensation and the glass, the fact that the bottle must have been sleeping all night in the refrigerator without me noticing. You have long-stemmed glasses in you other hand, and you place them on the nightstand, beside the uncommenting clock, the box of kleenex, the tumbler of water. "The thing about champagne," you say, unfailing the cork, unwinding its wire restraint, "is that it is the ultimate associative object. Every time you open a bottle of champagne, it's a celebration, so there's no better way of starting a celebration than opening a bottle of champagne. Every time you sip it, you're sipping from all those other celebrations. The joy accumulates over time." You pop the cork. The bubbles rise. I feel some of the spray on my skin. You pour. "But why?" I ask as you hand me my glass. You raise yours and ask, "Why not? What better way to start the day?" We drink a toast to that.
”
”
David Levithan (The Lover's Dictionary)
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Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.' Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.' LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.' Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink. LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them. I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.' By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.
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Charles Portis (True Grit)
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Let's get it over with, so I can stop wondering. How many have there been?" Lauren stared at him."How many what?" "Lovers," he clarified bitterly. She could hardly believe her ears. After treating her as if her standards of morality were childish, after acting as if promiscuity was a virtue, after telling her how man preferred experienced women, he was jealous. Because now he cared. Lauren didn't know whether to hit him, burst out laughing or hug him. Instead she decided to exact just a tiny bit of revenge for all the misery and uncertainty he had put her through. Turning,she walked over to the bar and reached for a bottle of white wine. "Why should the number make any difference?" she asked innocently. "You told me in Harbor Springs that men don't prize virginity anymore, that they don't expect or want a woman to be inexperienced.Right?" "Right," he said grimly, glowering at the ice cubes in his glass. "You also said," she continued, biting back a smile, "that women have the same physical desires men have,and that we have the right to satisfy them with whomever we wish.You were very emphatic about that-" "Lauren," he warned in a low voice, "I asked you a simple question. I don't care what the answer is, I just want an answer so I can stop wondering. Tell me how many there were. Tell me if you liked the, if you didn't give a damn abou them,or if you did it to get even with me.Just tell me.I won't hold it against you." Like hell you wouldn't! Lauren thought happily as she struggled to uncork the bottle of wine. "Of course you won't hold it against me," she said lightly. "You specifically said-" "I know what I said," he snapped tersely. "Now,how many?" She flicked a glance in his direction, implying that she was bewildered by his tone. "Only one." Angry regret flared in his eyes,and his body tensed as if he had just felt a physical blow. "Did you...care about him?" "I thought I loved him at the time," Lauren said brightly, twisting the corkscrew deeper into the cork. "All right.Let's forget him," Nick said curtly. He finally noticed her efforts with the wine bottle and walked over to help her. "Are you going to be able to forget him?" Lauren asked, admiring the ease with which he managed the stubborn cork. "I will...after a while." "What do you mean,after a while? You said there was nothing promiscuous about a woman satisfying her biological-" "I know what I said,dammit!" "Then why do you look so angry? You didn't lie to me,did you?" "I didn't lie," he said, slamming the bottle onto the bar and reaching for a glass from the cabinet. "I believed it at the time." "Why?" she goaded. "Because it was convenient to believe it," he bit out. "I was not in love with you then." Lauren loved him more at that moment than ever. "Would you like me to tell you about him?" "No," he said coldly. Her eyes twinkled, but she backed a cautious step out of his reach. "You would have approved of him. He was tall, dark, and handsome, like you. Very elegant,sophisticated and experienced. He wore down my resistence in two days,and-" "Dammit, stop it!" Nick grated in genuine fury. "His name is John." Nick braced both hands on the liguor cabinet,his back to her. "I do not want to hear this!" "John Nicholas Sinclair," Lauren clarified.
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Judith McNaught (Double Standards)