Copyright Short Quotes

shapeshifter poems by Lucille Clifton 1 the legend is whispered in the women's tent how the moon when she rises full follows some men into themselves and changes them there the season is short but dreadful shapeshifters they wear strange hands they walk through the houses at night their daughters do not know them 2 who is there to protect her from the hands of the father not the windows which see and say nothing not the moon that awful eye not the woman she will become with her scarred tongue who who who the owl laments into the evening who will protect her this prettylittlegirl 3 if the little girl lies still enough shut enough hard enough shapeshifter may not walk tonight the full moon may not find him here the hair on him bristling rising up 4 the poem at the end of the world is the poem the little girl breathes into her pillow the one she cannot tell the one there is no one to hear this poem is a political poem is a war poem is a universal poem but is not about these things this poem is about one human heart this poem is the poem at the end of the world Credit: Copyright © 1987 by Lucille Clifton.

My life is too short to focus on legislation when I could be making art. So I'm not a copyright reformer, I'm a copyright abolitionist.

Time Out To Cry © All alone at the end of the day The time, just a little past ten Evening has come for a short stay It’s time for her sorrow again The smile on her face she’s been holding Suddenly, she lets fall And the feelings begin unfolding She comes out of her personal wall As the world settles down for the night She awakens herself from a dream And the girl they all thought had her life going right Is no longer the image she’d seem She takes off the disguise she’s been wearing Then opens her heart to the truth Behind closed doors she’s not caring About life or love in her youth So she sits by the mirror spilling tears And cries by herself in the dark A whole day of acting like she has no fears Takes a lot from an empty heart Inside she’s lonely and sad But acts like she's fine in the day Revealing her misery, secretly wishing she had A friend, or a promise to stay She’s ashamed of the truth she’s been keeping Living her hours in daylight a lie And this is the reason for in darkness she’s weeping Taking time out from each day to cry Written by Shannen Wrass Copyright © 1995 Shannen Wrass. All Rights Reserved

Where were you yesterday?" "Yesterday? Where was I-let me see...." "I thought you took a powder." "Me? How could that be?" "You mean, you wouldn't run out on me?" Run out on fragrant, sexual, high-minded Ramona? Never in a million years. Ramona had passed through the hell of profligacy and attained the seriousness of pleasure. For when will we civilized beings become really serious? said Kierkegaard. Only when we have known hell through and through. Without this, hedonism and frivolity will diffuse hell through all our days. Ramona, however, does not believe in any sin but the sin against the body, for her the true and only temple of the spirit. "But you did leave town yesterday," said Ramona. "How do you know-are you having me tailed by a private eye?" "Miss Schwartz saw you in Grand Central with a valise in your hand." "Who? Ramona said, "Perhaps some lovely woman scared you on the train, and you turned back to your Ramona." "Oh..." said Herzog. Her theme was her power to make him happy. Thinking of Ramona with her intoxicating eyes and robust breasts, her short but gentle legs, her Carmen airs, thievishly seductive, her skill in the sack (defeating invisible rivals), he felt she did not exaggerate. The facts supported her claim. "Well, were you running away?" she said. "Why should I? You're a marvelous woman, Ramona." "In that case you're being very odd, Moses." "Well, I suppose I am one of the odder beasts." "But I know better than to be proud and demanding.” “Life has taught me to be humble." Moses shut his eyes and raised his brows. Here we go. "Perhaps you feel a natural superiority because of your education." "Education! But I don't know anything..." "Your accomplishments. You're in Who's Who. I'm only a merchant-a petit-bourgeois type." "You don't really believe this. Ramona." "Then why do you keep aloof, and make me chase you? I realize you want to play the field. After great disappointments, I've done it myself, for ego-reinforcement." "A high-minded intellectual ninny, square ..." "Who?" "Myself, I mean." She went on. "But as one recovers self-confidence, one learns the simple strength of simple desires.” “Please, Ramona, Moses wanted to say-you're lovely, fragrant, sexual, good to touch-everything. Ramona paused, and Herzog said, "It's true-I have a lot to learn.” Excerpt From: Bellow, Saul. “Herzog.” iBooks. This material may be protected by copyright.

STAY AN ORIGINAL WORK OF ART In this short lifetime, Why not be -- True to your own voice, Your own story, Your own truths, Your own style, Beat and drum -- Instead of reflect the words, Songs and march of another? Why not use your soul's own Unique language, Instead of constantly try to toot something Not true, suitable or intended For your own instrument, Painting, Song, Or story? Why create an image you cannot produce? And if you can create a brilliant mask, How long will you really be able to hide your true soul Behind it Until its colors and plastic Begin to fade and melt with Time? Do not speak about truth when there is no truth in you. Do not speak about being yourself when you are trying hard to be someone else. Do not keep crying about your pain when you you have no shame creating pain in others. Do not step on truth, or someone else's truth, or someone who fights for truth -- And think there will be no repercussions; For there is more danger in silence, And for every action there will always be a reaction Of opposite or equal measure. Treasure integrity, Treasure your own story and truths. How will people remember you when you want to be an imitation? How will people remember your voice when you want to sound like another? Be so different that everybody will remember you. Be yourself because an original is worth more than a copy. Be true to yourself or your heart will never forgive you; For once you silence the music from your own instrument, Your true purpose and intended path will begin to fade. There is no greater crime Than ignoring your conscience And the truths intended For you to live, learn, And share. So Stay TRUE to YOU In everything You do. That itself is the purest And truest Art. Suzy Kassem, "Stay An Original Work of Art" Copyright 1993, The Spring For Wisdom

And, the best short definition of natural rights and property rights I can give you is to be found in five paragraphs from Ayn Rand’s essay, “Man’s Rights,” in the book The Virtue Of Selfishness–Copyright 1963

Arnie Lightning Books Copyright © 2016 by Hey Sup Bye Publishing All rights reserved. This book is a work of fiction. Graphics used in this book are licensed and © Dollar Photo Club. No part of this book or this book as a whole may be used, reproduced, or transmitted in any form or means without written permission from the publisher. Table of Contents

​All rights reserved.  No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, electronic or mechanical, including photcopying, recording, scanning, or by any information storage or retrieval system, without the prior written permission of the publisher, except in the case of brief quotation embodied in critical reviews and certian other non-commercial uses permitted by copyright.

7 Outstanding Tips for Banner Printing Choosing to produce a printed banner is a fantastic way to maximize your promotional requirements, it helps you to give maximum stand out and showcase your brand. There are a range of options from large PVC banners to simple roller banner solutions to suit all purposes of banner printing. Let’s look at some important points that can help you to make the most out of your printed banner. 1. Use High resolution images While going for banner printing, having good quality images is imperative. If you carry your own camera, then your camera should be able to take decent quality images, but be careful with images from the internet. Not only could you infringe copyright law but the quality is usually quite poor. 2. Clever use of color Your banner printing should be such that maximizes the use of color. Imagine the environment, where will your banner be positioned? What does your competition look like? Then, you can use color to ensure that you stand out from the crowd. If you are an established business, be sure to use your brand colors and clearly position your logo towards the top of the banner, this will make sure you develop a consistent brand identity throughout your marketing material. 3. Count your words Using a large amount of written text can look busy, messy and be off putting to your audience. Try to work out on your key message or brand values and make the banner big and bold. A short & striking message or a graphic will work a hundred times better than a hundred words. The banner printing is meant to grab attention of the viewer, not bore them. 4. Reveal your benefit Succinctly convey your key benefit in your banner headline. Do you have the best price? The best service? The best quality product? Whatever it is, make your banner printing known, specific to your audience and make it centralized. 5. Include an offer Make a time – limited offer to motivate customers to respond quickly. Your offer might even be included in your headline to simplify your banner. 6. Create a memorable call to action Make it clear what customers should do next in order to take advantage of your special offer. Your call to action should be succinct as well as memorable, such as an easy-to-remember URL or phone number. Remember that potential customers will only have a few seconds to digest your banner, so they must be able to retain the action step at a glance. 7. Less is more It is a simple rule but one that makes all the difference. It is very tempting to use a banner to get across every possible message and cram it full of content and images, however from an end user perspective big, bold and simple messaging and graphics is the most effective way to grab attention as well as looking professional and confident.

The words looped in my head. Download it for free. Cheerful, triumphant. Download it for free! What a freaking bargain. “I’m sorry,” I said. “She found what?” "That website. Meems, what was the name again? Bongo or something?” Mimi looked up from her iPad. “What are you talking about?” “That website where you found Sarah’s book.” "Oh,” she said. “Bingo. Haven’t you heard of it? It’s like an online library. You can download almost anything for free. It’s amazing.” My hands were shaking. I set down Jen’s phone, and then I set down the wineglass next to it. Without a coaster. "You mean a pirate site,” I said. “Oh God, no! I would never. It’s an online library.” "That’s what they call it. But they’re just stealing. They’re fencing stolen goods. Easy to do with electronic copies.” "No. That’s not true.” Mimi’s voice rose a little. Sharpened a little. “Libraries lend out e-books.” “Real libraries do. They buy them from the publisher. Sites like Bingo just upload unauthorized copies to sell advertising or put cookies on your phone or whatever else. They’re pirates.” There was a small, shrill silence. I lifted my wineglass and took a long drink, even though my fingers were trembling so badly, I knew everyone could see the vibration. "Well,” said Mimi. “It’s not like it matters. I mean, the book’s been out for years and everything, it’s like public domain.” I put down the wineglass and picked up my tote bag. “So I don’t have time to lecture you about copyright law or anything. Basically, if publishers don’t get paid, authors don’t get paid. That’s kind of how it works.” "Oh, come on,” said Mimi. “You got paid for this book.” "Not as much as you think. Definitely not as much as your husband gets paid to short derivatives or whatever he does that buys all this stuff.” I waved my hand at the walls. “And you know, fine, maybe it’s not the big sellers who suffer. It’s the midlist authors, the great names you never hear of, where every sale counts … What am I saying? You don’t care. None of you actually cares. Sitting here in your palaces in the sky. You never had to earn a penny of your own. Why the hell should you care about royalties?” I climbed out of my silver chair and hoisted my tote bag over my shoulder. “It’s about a dollar a book, by the way. Paid out every six months. So I walked all the way over here, gave up an evening of my life, and even if every single one of you had actually bought a legitimate copy, I would have earned about a dozen bucks for my trouble. Twelve dollars and a glass of cheap wine. I’ll see myself out.

Acknowledgements Also by Julie Cohen Copyright ‘It is, in short, music which observes neither end nor beginning, music with neither real climax nor real resolution, music which, like Baudelaire’s lovers, “rests lightly on the wings of the unchecked wind.

Footnoting references, signalling quotations, and so on were no part of a 13th-century scholar's duty. He could recycle his own and his predecessor's work without a qualm. He knew nothing of copyright and plagiarism, which are 17th-century inventions.

THE CROSSOVER: A SHORT STORY OF TWIN BROTHERS IN SEPARATE WORLDS   By:  Rhonda Mc Alister                       Edited by Fran Briggs ©Copyright 2010

in “Wyrd Sisters was plagiarized from Shakespeare.” That was a book of mine and, yes, well, it certainly does add to the enjoyment if you’ve heard of a certain Scottish play and … er … where do I start?) Now add to this the growth of strange ideas about copyright. At one end of the spectrum I get nervous letters asking “Will it be all right if I name my cat after one of your characters?” At the other are the e-mails like: “I enjoyed the story so much that I’ve scanned it in and put it on my Web page … hope you don’t mind.” Copyright is either thought to exist in every single word, or not at all. In short, I began to worry, in this overheated atmosphere, about what would happen if I used a story line that a fan had already posted on the Net or on some fan-fiction Web page.

DC might very well lose the copyright to Superman in only a few short years.

When you begin to wonder if life is really just waiting for buses on Tottenham Court Road and ordering books you’ll never read off Amazon; in short, you are having an existential crisis. You are realizing the mundanity of life. You are finally understanding how little point there is to anything. You are moving out of the realm of fantasy ‘when I grow up’ and adjusting to the reality that you’re there; it’s happening. And it wasn’t what you thought it might be. You are not who you thought you’d be. Once you start digging a hole of those questions, it’s very difficult to take the day-to-day functionalities of life seriously. Throughout my twenty-fifth year, it was as if I had created a trench of my own thoughts and unanswerable questions, and from the darkness I peered up, watching people care about the things I had cared about: haircuts, the newspaper, parties, dinner, January sales on Tottenham Court Road, deals on Amazon – and I couldn’t fathom climbing out and knowing how to immerse myself in any of it again.” Excerpt From Everything I Know About Love Dolly Alderton This material may be protected by copyright.

General Sherman praised the shows as "wonderfully realistic and historically reminiscent." Reviews and the show's own publicity always stressed its "realism." There is no doubt it was more realistic, visually and in essence, than any of the competing Wild Wests. There were four other Wild West shows that year: Adam Forepaugh had one, Dr. A. W. Carver another; there was a third called Fargo's Wild West and one known as Hennessey's Wild West. Cody criticized all their claims and their use of the words "Wild West." He had copyrighted the term according to an act of Congress on December 22, 1883, and registered a typescript at the Library of Congress on June 1, 1885. The copyright title read: The Wild West or Life among the Red Man and the Road Agents of the Plains and Prairies-An Equine Dramatic Exposition on Grass or Under Canvas, of the Adventures of Frontiersmen and Cowboys. Additional copy was headed BUFFALO BILL'S "WILD WEST" PRAIRIE EXHIBITION AND ROCKY MOUNTAIN SHOW, A DRAMATIC-EQUESTRIAN EXPOSITION OF LIFE ON THE PLAINS, WITH ACCOMPANYING MONOLOGUE AND INCIDENTAL MUSIC THE WHOLE INVENTED AND ARRANGED BY W.F. CODY W.F. CODY AND N. SALSBURY, PROPRIETORS AND MANAGERS WHO HEREBY CLAIM AS THEIR SPECIAL PROPERTY THE VARIOUS EFFECTS INTRODUCED IN THE PUBLIC PERFORMANCES OF BUFFALO BILL'S "WILD WEST" Although the show's first year under enlarged and reorganized management had not been a financial success, at least one good thing had come from it. Also showing in New Orleans that winter had been the Sells Brothers Circus. One of its performers who had wandered over to visit the Wild West lot was Annie Oakley. The story of Annie Oakley's life was so much in the American grain that it might have come from the pen of Horatio Alger Jr., the minister turned best-selling author, who chronicled the fictional lives of poor boys who made good. Ragged Dick: or, Street Life in New York, Ragged Tom, and Luck Moses then married Dan Brumbaugh, who died in an accident shortly afterward, leaving another daughter. When she was seven, Annie frequently fed the family with quail she had caught in homemade traps, much as young Will Cody had trapped small game. In an interview she once said: "I was eight years old when I made my first shot, and I still consider it one of the best shots I ever

© Copyright 2021 by Janani Sathish - All rights reserved. This document is geared towards providing exact and reliable information in regards to the topic and issue covered. The publication is sold with the idea that the publisher is not required to render accounting, officially permitted, or otherwise, qualified services. If advice is necessary, legal or professional, a practiced individual in the profession should be ordered.- From a Declaration of Principles which was accepted and approved equally by a Committee of the American Bar Association and a Committee of Publishers and Associations. In no way is it legal to reproduce, duplicate, or transmit any part of this document in either electronic means or in printed format. Recording of this publication is strictly prohibited and any storage of this document is not allowed unless with written permission from the publisher. All rights reserved.The information provided herein is stated to be truthful and consistent, in that any liability, in terms of inattention or otherwise, by any usage or abuse of any policies, processes, or directions contained within is the solitary and utter responsibility of the recipient reader. Under no circumstances will any legal responsibility or blame be held against the publisher for any reparation, damages, or monetary loss due to the information herein, either directly or indirectly. Respective authors own all copyrights not held by the publisher. The information herein is offered for informational purposes solely, and is universal as so. The presentation of the information is without contract or any type of guarantee assurance. The trademarks that are used are without any consent, and the publication of the trademark is without permission or backing by the trademark owner.Spells are each reason devices of a wizard or witch; short eruptions of sorcery used to achieve single specific

BEDTIME STORIES FOR KIDS COLLECTION OF SHORT BEDTIME STORIES TO MAKE THEM LEARN AND SLEEP © Copyright 2017 by ___Miley Wilson___________________

This is not a conventional “how-to” book. It contains no exercises, and it has few formulas saying “first do this, then do that.” This is intentional. As we’ll see later, eros doesn’t like to be told what to do. If you set a goal, your sexual mind will be happy to reject it. It’s kind of childish and brilliant that way. You also won’t find much about sexual biology or neurochemistry on these pages. Sex books these days tend to be full of advice for “boosting your dopamine”—or your oxytocin, or some other such nonsense. In all my 30 years as a sex therapist, I’ve yet to see a dopamine molecule walk into my office. We’ll stick with things you can see and feel yourself, without needing a laboratory. I’ll also spare you the body diagrams. You already know what a penis and vagina look like, right? And we won’t discuss how many neurons are concentrated in your clitoris. It’s an impressive number, but who really cares? There are a few great sex books already out there, and I’ll point them out to you as we go along. But reading most of the others is like gnawing on dry bones. As my friend and colleague Paul Joannides, the author of Guide to Getting it On (one of the aforementioned great ones), has accurately noted, “the trouble with most books on sex is they don’t get anyone hard or wet.” This book is not intended to get you hard or wet. But it’s meant not to get in your way either. The chapters are short, so you can read them even if you get a little distracted. Hey, I hope you get a little distracted. There are no lists to memorize, and there won’t be a test afterwards. We’re dealing with a part of the human mind that hasn’t gone to school yet, and never will. Any questions? OK, let’s get started . . . Adapted from LOVE WORTH MAKING by Stephen Snyder, M.D. Copyright © 2018 by the author and reprinted with permission of St. Martin’s Press, LLC.

Contents Title Page Copyright Notice Begin Reading Preview of Summer Secrets About the Author Also by Jane Green Copyright

A little bit of sacrifice is needed in order to succeed, if you don’t then your success might become short of what it could have been.