Copying Someone Else Quotes

Why escape your intended purpose by copying and trying to be someone else? You will discover who you were meant to be only after you have shown confidence being yourself.

One of the most amazing and perplexing features of mainstream Christianity is that seminarians who learn the historical-critical method in their Bible classes appear to forget all about it when it comes time for them to be pastors. They are taught critical approaches to Scripture, they learn about the discrepancies and contradictions, they discover all sorts of historical errors and mistakes, they come to realize that it is difficult to know whether Moses existed or what Jesus actually said and did, they find that there are other books that were at one time considered canonical but that ultimately did not become part of Scripture (for example, other Gospels and Apocalypses), they come to recognize that a good number of the books of the Bible are pseudonymous (for example, written in the name of an apostle by someone else), that in fact we don't have the original copies of any of the biblical books but only copies made centuries later, all of which have been altered. They learn all of this, and yet when they enter church ministry they appear to put it back on the shelf. For reasons I will explore in the conclusion, pastors are, as a rule, reluctant to teach what they learned about the Bible in seminary.

There is only one you. Stop trying to devalue yourself by trying to be a copy of someone else.

God never uses one approach to the get his job done in the world. Each soul has its own way of being reached. He has put inside of each of us an unique song, that only another heart can hear clearly. To wish you were someone else robs another human being of the special blessings, talents and gifts God meant for you to share.

I suppose that the moral of this story is that trying to copy another woman, even a woman from the Bible, is almost always a bad idea. As Judy Garland liked to say, " Be a first rate version of yourself, not a second rate version of someone else.

When you draw, you copy the world don't you? You remake it on paper, but it isn't the same. It's yours. No one else could have created it just like that. When I make poems, I use the words we all use, but the order and the sound create a new power. This wood is someone's creation. We stumble through it's tendrils, as if we're crawling through the synapses of his mind.

Like most music that affects me deeply, I would never listen to it while others were around, just as I would not pass on a book that I especially loved to another. I am embarrassed to admit this, knowing that it reveals some essential lack or selfishness in my nature, and aware that it runs contrary to the instincts of most, whose passion for something leads them to want to share it, to ignite a similar passion in others, and that without the benefit of such enthusiasm I would still be ignorant of many of the books and much of the music I love most... But rather than an expansion, I've always felt a diminishment of my own pleasure when I've invited someone else to take part in it, a rupture in the intimacy I felt with the work, an invasion of privacy. It is worst when someone else picks up the copy of a book I've just been enthralled by and begins casually to thumb through the pages.

We can't become unique by copying someone else's formula any more than we can become successful by striving for someone else's definition of success. And really, what's the point of succeeding by someone else's rules anyway?

If someone wants to seem to be something, stubbornly and for a long time, he eventually finds it hard to be anything else. The profession of almost every man, even the artist, begins with hypocrisy, as he imitates from the outside, copies what is effective.

Everyone has limitations. Know that when you always say “I wish I am like someone else”, you are attempting to take alongside someone’s limitation you may not be able to manage.

Plagiarism is trying to pass someone else's work off as your own. Copying is about reverse-engineering.

God says you’re one of a kind. He wants you to become more of who he created you to be, not a copy of someone else.

Mitchell Maxwell’s Maxims • You have to create your own professional path. There’s no longer a roadmap for an artistic career. • Follow your heart and the money will follow. • Create a benchmark of your own progress. If you never look down while you’re climbing the ladder you won’t know how far you’ve come. • Don’t define success by net worth, define it by character. Success, as it’s measured by society, is a fleeting condition. • Affirm your value. Tell the world “I am an artist,” not “I want to be an artist.” • You must actively live your dream. Wishing and hoping for someday doesn’t make it happen. Get out there and get involved. • When you look into the abyss you find your character. • Young people too often let the fear of failure keep them from trying. You have to get bloody, sweaty and rejected in order to succeed. • Get your face out of Facebook and into somebody’s face. Close your e-mail and pick up the phone. Personal contact still speaks loudest. • No one is entitled to act entitled. Be willing to work hard. • If you’re going to buck the norm you’re going to have to embrace the challenges. • You have to love the journey if you’re going to work in the arts. • Only listen to people who agree with your vision. • A little anxiety is good but don’t let it become fear, fear makes you inert. • Find your own unique voice. Leave your individual imprint on the world, not a copy of someone else. • Draw strength from your mistakes; they can be your best teacher.

Hell, if someome wrote a book about you, well, it'd sell a million copies the day it was released. And if someone else was clever enough to write a parody - you know, to privide som comic relief during these extremely difficult economic times - that would probably be an even bigger seller, or at least it shoud be. So, just come clean with me, Ed. Your secret's safe with me, and whoever reads my internet blog. You...are...a...vampire!

Even when in the deepest distress, the actor ultimately cannot cease to think of the impression he and the whole scenic effect is making, even for example at the burial of his own child; he will weep over his own distress and the ways in which it expresses itself, as his own audience. The hypocrite who always plays one and the same role finally ceases to be a hypocrite; for example priests, who as young men are usually conscious or unconscious hypocrites, finally become natural and then really are priests without any affectation; or if the father fails to get that far then perhaps the son does so, employing his father's start and inheriting his habits. If someone obstinately and for a long time wants to appear something it is int he end hard for him to be anything else. The profession of almost every man, even that of the artist, begins with hypocrisy, with an imitation from without, with a copying of what is most effective. He who is always wearing a mask of a friendly countenance must finally acquire a power over benevolent moods without which the impression of friendliness cannot be obtained - and finally these acquire power over him, he is benevolent.

He thought he kept the universe alone; For all the voice in answer he could wake Was but the mocking echo of his own From some tree-hidden cliff across the lake. Some morning from the boulder-broken beach He would cry out on life, that what it wants Is not its own love back in copy speech, But counter-love, original response. And nothing ever came of what he cried Unless it was the embodiment that crashed In the cliff's talus on the other side, And then in the far-distant water splashed, But after a time allowed for it to swim, Instead of proving human when it neared And someone else additional to him, As a great buck it powerfully appeared, Pushing the crumpled water up ahead, And landed pouring like a waterfall, And stumbled through the rocks with horny tread, And forced the underbrush--and that was all.

Despite the sale of millions of copies of "How to.." books and programmes each year, very few people take actions and put what they learn into practice. Here´s why. The "how to..." book has usually been written by someone who accomplished something of value. They then capture the steps they took to accomplish it in book, training course, or multimedia programme. Innocently, they´re sharing the symptoms of their accomplishment, but not the causes. If the symptoms are like apples, the causes are the tree that grew them. When people buy "how to" books and programmes, they´re unknowingly trying to glue someone else´s apples onto their tree, without realizing an essential fact: it doesn´t work that way!

God has placed a unique design inside of your heart to make moments unlike any other. Don’t cheapen what he has created in you by just carbon copying what is inside someone else.

It’s better to be individual than a clone of someone else.

I'm only a copy of someone else. Just a decoy. I'm not really her. I'm not me. I don't know who I am or where I belong, if anywhere at all.

The only way to learn who you are is by copying someone else first.

He's the ultimate plagiarist, copying what others do if it proves successful and putting his own spin on it, which really pisses me off, because it`s far more difficult to come up with the original idea than steal someone else`s and spruce it up a bit.

Looking at someone else’s relationship for the answers was like reading about a romance novel hero and expecting to find a carbon copy in real life

...get busy copying... travelling the paths of greatness, even in someone else's footprints, is a vital means of acquiring a skill.

Look,” the Ryker copy said, “I’m you. I know everything you know. What’s the harm in talking about this stuff?” “If you know everything I know, what’s the point of talking about it?” “Sometimes, it helps to externalize things. Even if you talk to someone else about it, you’re usually talking to yourself. The other guy’s just providing a sounding board. You talk it out.

Books will change your life, Rennie," Mrgot told me, handing me a copy of A Room of One's Own. You have no idea how much you can learn about yourself by plunging into someone else's life," Margot said.

On this literary journey. I never thought that this would ever come true. I'm finally living out my dreams. Not trying to be a carbon copy I'm the blueprint, I am who I am and not going to make excuses for who I am. I'll never trying to pretend to be someone else its too hard being me as it is, nor would I try to walk in another's shoes, don't need the foot fungus. I'm too much of a Diva for that, I love my own Stillettos! Now that is my swag ™

The poem or the discovery exists in two moments of vision: the moment of appreciation as much as that of creation; for the appreciator must see the movement, wake to the echo which was started in the creation of the work. In the moment of appreciation we live again the moment when the creator saw and held the hidden likeness. When a simile takes us aback and persuades us together, when we find a juxtaposition in a picture both odd and intriguing, when a theory is at once fresh and convincing, we do not merely nod over someone else's work. We re-enact the creative act, and we ourselves make the discovery again... ...Reality is not an exhibit for man's inspection, labeled: "Do not touch." There are no appearances to be photographed, no experiences to be copied, in which we do not take part. We re-make nature by the act of discovery, in the poem or in the theorem. And the great poem and the deep theorem are new to every reader, and yet are his own experiences, because he himself re-creates them. They are the marks of unity in variety; and in the instant when the mind seizes this for itself, in art or in science, the heart misses a beat.

Most people follow the path that everyone before them has trodden. That’s the quick way to avoid being a genius. The genius, and the fool and madman (!), always create brand new paths, upon which no other person has ever set foot. Nothing is more depressing than the “role model” if that means copying someone else. That’s how to kill off genius. The genius is he who has no precedent. He doesn’t copy anyone. He goes beyond everyone else to unknown and unexplored places.

By all means, stay,” Anne said. “Have a seat. We’ll take care of you next.” “Yeah, see, I think someone else is going to be on trial next.” Baring my teeth at her in a grin I pulled out my file folder. “I’ve got some interesting reading here. And I even brought copies for everyone so you don’t have to share.” A distinguished-looking South American man on the end shook his head. “What is this? Another farce?” “No, but bonus points for using a funny word. You really want to read what I have here. Anne, you’ll be especially interested, since you have a starring role.” “Enough. Rhia—” Reth quickly flicked his wrist at her; her mouth kept moving, but no sound came out. It was one of the most satisfying things I’d ever seen. Sure, that trick had sucked when he used it on me, but I wholly approved of it now.

You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out." You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft. I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it." That so?" Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact." They'll remember this," Gerry said. "Believe me." Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke. I depressed the trigger on the one-shot and nothing happened. Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times. And Gerry's hand exploded. And so did mine. The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair. Gerry threw his head back and opened his mouth wide and bellowed in ecstasy. I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working. I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand. My broken finger came back out of the shotgun and Gerry swung the barrels toward my head. The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck. Good-bye, I thought. Everyone. It's been nice. Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back. The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell. He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil. Patrick, the eye said through the gathering smoke, you still know nothing. Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh. Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire. Burn, I thought. Burn. God help me, but burn. Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed. I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar. His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment. How you doing, Patrick?" he said and smiled broadly. And, behind him, Gerry burned on the ice. And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.

When copies are free, you need to sell things that cannot be copied. Well, what can’t be copied? Trust, for instance. Trust cannot be reproduced in bulk. You can’t purchase trust wholesale. You can’t download trust and store it in a database or warehouse it. You can’t simply duplicate someone’s else’s trust. Trust must be earned, over time. It cannot be faked. Or counterfeited (at least for long). Since we prefer to deal with someone we can trust, we will often pay a premium for that privilege. We call that branding. Brand companies can command higher prices for similar products and services from companies without brands because they are trusted for what they promise. So trust is an intangible that has increasing value in a copy-saturated world.

You don’t let your feelings run around and jump into someone else’s hand.” Mercury made a fist. “You grab on to your own life and push it around where you want it to go.” Mercury believed she had her life firmly in place beneath her tongue, and she didn’t spit it out here and there, in bits and pieces diffusing its power. She had even taken a new name, changing it from Anna to Mercury after er granddaughter brought home a copy of the periodic table in the eighth grade and explained it to her: “An element is a substance that can’t be broken down into simpler substances.” “That’s my story,” Mercury told Charlene. running her thick forefinger across the chart. “I’m all of a piece.” Charlene opened her mouth to object, to explain that her grandmother could never be one of the chemical elements, assigned an atomic number and measured for atomic weight, but Mercury presided over the kitchen like a force of nature. Charlene’s words were snatched from her mind before they ever made it to her vocal chords. She imagined they were pulled into the woman’s energy field, the electric air surrounding Mercury’s body like her own personal atmosphere.

In a world where every society and every civilization has borrowed heavily from the cultures of other societies and other civilizations, everyone does not have to go back to square one and discover fire and the wheel for himself, when someone else has already discovered it. Europeans did not have to continue copying scrolls by hand after the Chinese invented paper and printing. Malaysia could become the world’s leading rubber-producing nation after planting seeds taken from Brazil. Yet the equal-respect “identity” promoters would have each group paint itself into its own little corner, with its own insular culture, thus presenting over all a static tableau of “diversity,” rather than the dynamic process of competition on which the progress of the human race has been based for thousands of years.

Everyone should have a guy—who of course can be a gal. A guy is someone who knows everything, has endless patience, and is always available and responsive. To maintain good relations with your guy, you must be very careful to bother him only occasionally and only when all else fails. Although I have a fabulous guy, there's a sort of food chain of competence here; I believe that several people actually consider me to be their guy.

The ego (one’s self-perception) is a very shaky structure, easily undermined by unconscious drives and desires. It is possible to repress those drives for a while and feel like a capable, rational subject, but eventually they will reveal themselves in the form of idiosyncratic behaviour, slips of the tongue, even illnesses. The perception that one can craft an identity by copying that of someone else has created particular problems in today’s society.

Darwin’s great gift to science was simplifying all life to pure mathematics: your one and only goal on earth is multiplication. Everything you do, every instinct you have, is an evolutionary urge to make babies and leave behind as many copies of yourself as possible. From that perspective, heroism makes no sense. Why risk the grave for someone else if there’s no guarantee of a biological payoff? Dying for your own kids: smart. Dying for a rival’s? Genetic suicide.

Do you want to be crazy, radical, insanely different than everybody else and do something few people have the courage to do? Then try being yourself and walk a mile or two in your own shoes. Stop trying to be something you are not. Stop trying to emulate someone else. Trust me....they are probably just copying another person they think is cool. No one else will ever be able to duplicate how perfectly you personify yourself. Here is your chance to amaze the world with how different you can be.

Well, then, we have to figure something else out, because I don’t want my whole subscription base to become subscribers of yours, for you to then aggregate at the Apple store,” said Bewkes. “And the next thing you’ll do, once you have a monopoly, is come back and tell me that my magazine shouldn’t be $4 a copy but instead should be $1. If someone subscribes to our magazine, we need to know who it is, we need to be able to create online communities of those people, and we need the right to pitch them directly about renewing.

It was a sunny Sunday morning in spring when I got the call from an editor at the literary journal Gunzo telling me that Hear the Wind Sing had been short-listed for their Prize for New Writers. Almost a year had passed since the season opener at Jingu Stadium, and I had already turned thirty. It was around eleven a.m., but I was still fast asleep, having worked very late the night before. I picked up the receiver, but I was so groggy I had no idea at first who was on the other end or what he was trying to say. To tell the truth, by that time I had quite forgotten having sent Hear the Wind Sing to Gunzo. Once I had finished the manuscript and put it in someone else’s hands, my desire to write had completely subsided. Composing it had been, so to speak, an act of defiance—I had written it very easily, just as it came to me—so the idea that it might make the short list had never occurred to me. In fact, I had sent them my only copy. If they hadn’t selected it, it probably would have vanished forever. I probably never would have written another novel. Life is strange, when you think about it.

PROCRASTINATION The day after tomorrow, yes, only the day after tomorrow ... Tomorrow I’ll start thinking about the day after tomorrow, Maybe I could do it then; but not today ... No, nothing today; today I can’t. The confused persistence of my objective subjectivity, The sleep of my real life, intercalated, Anticipated, infinite weariness— I’m worlds too weary to catch a trolley— That kind of soul ... Only the day after tomorrow ... Today I want to prepare, I want to prepare myself for tomorrow, when I’ll think about the next day ... That’d be decisive. I’ve already got the plans sketched out, but no, today I’m not making any plans ... Tomorrow’s the day for plans. Tomorrow I’ll sit down at my desk to conquer the world; But I’ll only conquer the world the day after tomorrow ... I feel like crying, I suddenly feel like crying a lot, inside ... That’s all you’re getting today, it’s a secret, I’m not talking. Only the day after tomorrow ... When I was a kid the Sunday circus diverted me every week. Today all that diverts me is the Sunday circus from all the weeks of my childhood ... The day after tomorrow I’ll be someone else, My life will triumph, All my real qualities—intelligent, well-read, practical— Will be gathered together in a public notice ... But the public notice will go up tomorrow ... Today I want to sleep, I’ll make a fair copy tomorrow ... For today, what show will repeat my childhood to me? Even if I buy tickets tomorrow, The show would still really be the day after tomorrow ... Not before ... The day after tomorrow I’ll have the public pose I will have practiced tomorrow. The day after tomorrow I’ll finally be what I could never be today. Only the day after tomorrow ... I’m sleepy as a stray dog's chill. I’m really sleepy. Tomorrow I’ll tell you everything, or the day after tomorrow ... Yes, maybe only the day after tomorrow ... By and by ... Yes, the old by and by ...

Myung Mi Kim was the first poet who said I didn’t need to sound like a white poet nor did I have to “translate” my experiences so that they sounded accessible to a white audience. No other mentor afterwards was as emphatic about this idea as her. Illegibility was a political act. In the past, I was encouraged to write about my Asian experience but I still had to write it the way a white poet would—so instead of copying a white poet, I was copying a white poet copying their idea of an Asian poet. When Kim first read my poems, she said, “Why are you imitating someone else’s speech patterns?” I said, “I don’t know.” She said, “What is your earliest memory of language? Write a poem from that memory.

How appearance becomes being — Even when in the deepest distress, the actor ultimately cannot cease to think of the impression he and the whole scenic effect is making, even for example at the burial of his own child; he will weep over his own distress and the ways in which it expresses itself, as his own audience. The hypocrite who always plays one and the same role finally ceases to be a hypocrite; for example priests, who as young men are usually conscious or unconscious hypocrites, finally become natural and then really are priests without any affectation; or if the father fails to get that far then the son does so; employing his father’s start and inheriting his habits. If someone obstinately and for a long time wants to appear something it is in the end hard for him to be anything else. The profession of almost every man, even that of the artist, begins with hypocrisy, with an imitation from without, with a copying of what is most effective. He who is always wearing a mask of a friendly countenance must finally acquire a power over benevolent moods without which the impression of friendliness cannot be obtained — and finally these acquire power over him, he is benevolent.

I had never in my life made something for someone else that wasn't a cup of tea. True, I could download a food app on my phone or leaf through one of the cookbooks Leander kept on the counter (though I didn't want to consider why he owned a copy of 38 Meals for Your Picky Toddler), but I was intelligent. I was capable. I could figure this out for myself. An hour later, I nudged open the bedroom door, carrying a tray. Watson sat up on his elbows. "What do you have there?" he asked, his voice coated in sleep. "I made you breakfast." "How domestic of you." He picked up his glasses from the bedside table and put them on. "That's - that's a rather large plate you've got there. Plates?" "This is tray one of four," I said, placing it at the end of the bed. He blinked at me. Perhaps he was still tired. "Don't begin eating until you see all your options," I told him, and went off to fetch the next platter. By the time I'd arranged it all on my coverlet to my satisfaction, Watson had roused himself appropriately. He'd put on one of my oversized sleep shirts - CHEMISTRY IS FOR LOVERS - and poured himself a cup of coffee. That surprised me; he usually took tea. "I need real caffeine to deal with this.

At 10:50 A.M., the radio flared into life. It was Mick’s voice. He sounded weak and distant. “Bear. This is Mick. Do you copy?” The message then crackled with intermittent static. All I could make out was something about oxygen. I knew it was bad news. “Mick, say that again. What about your oxygen, over?” There was a short pause. “I’ve run out. I haven’t got any.” The words hung in the quiet of the tent at camp two. Through eyes squeezed shut, all I could think was that my best friend would soon be dying some six thousand feet above me--and I was powerless to help. “Keep talking to me, Mick. Don’t stop,” I said firmly. “Who is with you?” I knew if Mick stopped talking and didn’t find help, he would never survive. First he would lose the strength to stand, and with it the ability to stave off the cold. Immobile, hypothermic, and oxygen-starved, he would soon lose consciousness. Death would inevitably follow. “Alan’s here.” He paused. “He’s got no oxygen either. It’s…it’s not good, Bear.” I knew that we had to contact Neil, and fast. Their survival depended on there being someone else above them. Mick came back on the net: “Bear, I reckon Alan only has ten minutes to live. I don’t know what to do.” I tried to get him back on the radio but no reply came.

It’s a good sign that she has no fever, isn’t it?” Pandora asked in the afternoon. “Yes,” Kathleen replied firmly. “I expect that after the excitement of the past week, she needs rest.” “I don’t think that’s what it is,” Cassandra said. She had perched on the settee with a brush and rack of hairpins and a fashion periodical in her lap, experimenting with Pandora’s hair. They were attempting to copy one of the latest styles, an elaborate affair that consisted of locks of hair rolled and pinned into puffs atop the head, with a loose double chatelaine braid falling down the back. Unfortunately Pandora’s chocolaty hair was so heavy and slippery that it refused to stay in its pins, the locks sliding free and collapsing the puffs. “Be stern,” Pandora encouraged. “Use more pomade. My hair will respond only to brute force.” “We should have bought more at Winterborne’s,” Cassandra said with a sigh. “We’ve already gone through half the--” “Wait,” Kathleen said, staring at Cassandra. “What did you just say? Not about the pomade, the thing you said about Helen.” The girl brushed out a lock of Pandora’s hair as she answered. “I don’t think she needs rest because of too much excitement. I think…” She paused. “Kathleen, is it tattling if I say something about someone else that’s private and I know they wouldn’t want it to be repeated?” “Yes. Unless it’s about Helen and you’re telling it to me. Go on.

I now understand very well, by the way, that a man will carry, for many a year, deep inside his wallet, the account of a dying hour. It need not even be one especially chosen; they all have something well nigh distinctive about them. Can we not imagine someone copying out, let us say, the manner of Félix Arvers's death? He died in a hospital, at ease and in repose, and the nun perhaps supposed he was closer to death than in fact he was. She called out some instructions or other, in a very loud voice, detailing where this or that was to be found. This nun was quite uneducated; the word ‘corridor’, which she could not avoid using, she had never seen written down, so it happened that she said ‘collidor’, thinking that was how it was pronounced. This decided Arvers to postpone his death. He felt it was necessary to clear the matter up first. He became perfectly lucid, and explained to her that the word was ‘corridor’. Then he died. He was a poet and hated the inexact; or perhaps he was simply concerned with the truth; or else it bothered him that his last impression of the world should be that it was carrying on in this careless fashion. There is no determining which it was. But let no one think it was pedantry. In that case, the same stricture might be brought against the saintly Jean de Dieu, who leaped up from his deathbed and was just in time to cut down a man who had hanged himself in the garden, knowledge of whom had in some miraculous way penetrated the inward tension of the saint's agony. He too was concerned with the truth alone.

STAY AN ORIGINAL WORK OF ART In this short lifetime, Why not be -- True to your own voice, Your own story, Your own truths, Your own style, Beat and drum -- Instead of reflect the words, Songs and march of another? Why not use your soul's own Unique language, Instead of constantly try to toot something Not true, suitable or intended For your own instrument, Painting, Song, Or story? Why create an image you cannot produce? And if you can create a brilliant mask, How long will you really be able to hide your true soul Behind it Until its colors and plastic Begin to fade and melt with Time? Do not speak about truth when there is no truth in you. Do not speak about being yourself when you are trying hard to be someone else. Do not keep crying about your pain when you you have no shame creating pain in others. Do not step on truth, or someone else's truth, or someone who fights for truth -- And think there will be no repercussions; For there is more danger in silence, And for every action there will always be a reaction Of opposite or equal measure. Treasure integrity, Treasure your own story and truths. How will people remember you when you want to be an imitation? How will people remember your voice when you want to sound like another? Be so different that everybody will remember you. Be yourself because an original is worth more than a copy. Be true to yourself or your heart will never forgive you; For once you silence the music from your own instrument, Your true purpose and intended path will begin to fade. There is no greater crime Than ignoring your conscience And the truths intended For you to live, learn, And share. So Stay TRUE to YOU In everything You do. That itself is the purest And truest Art.

STAY AN ORIGINAL WORK OF ART In this short lifetime, Why not be -- True to your own voice, Your own story, Your own truths, Your own style, Beat and drum -- Instead of reflect the words, Songs and march of another? Why not use your soul's own Unique language, Instead of constantly try to toot something Not true, suitable or intended For your own instrument, Painting, Song, Or story? Why create an image you cannot produce? And if you can create a brilliant mask, How long will you really be able to hide your true soul Behind it Until its colors and plastic Begin to fade and melt with Time? Do not speak about truth when there is no truth in you. Do not speak about being yourself when you are trying hard to be someone else. Do not keep crying about your pain when you you have no shame creating pain in others. Do not step on truth, or someone else's truth, or someone who fights for truth -- And think there will be no repercussions; For there is more danger in silence, And for every action there will always be a reaction Of opposite or equal measure. Treasure integrity, Treasure your own story and truths. How will people remember you when you want to be an imitation? How will people remember your voice when you want to sound like another? Be so different that everybody will remember you. Be yourself because an original is worth more than a copy. Be true to yourself or your heart will never forgive you; For once you silence the music from your own instrument, Your true purpose and intended path will begin to fade. There is no greater crime Than ignoring your conscience And the truths intended For you to live, learn, And share. So Stay TRUE to YOU In everything You do. That itself is the purest And truest Art. Suzy Kassem, "Stay An Original Work of Art" Copyright 1993, The Spring For Wisdom

Surely you’re not going to destroy another book, are you?” “I’ve decided my obsession with reading has gotten me absolutely nowhere, so . . . I’m tossing all the nonsense out of my life and intend to travel forth with less baggage.” “You love to read.” “And I’ll occasionally indulge that love, but enough is enough.” She held up her copy of Pride and Prejudice. “This, for all intent and purposes, is a fairy tale. I’m done with fairy tales for good, as well as anything by Shakespeare. I loathe his stories, don’t understand most of what he’s written, and I was only reading them because of any future children I hoped to have. But since I’m destined to remain a spinster forever . . . I’m chucking them into the fire.” “What do Shakespeare and any children you might have in the future have in common?” Millie sent him a look that clearly said she found him a little dense. “I wanted to be knowledgeable so that my children wouldn’t suffer any embarrassment because of my ignorance and lack of education.” Everett’s mouth dropped open before he had the presence of mind to snap it shut when she shot him a glare. Bracing himself in case she got it into her head to punch him as she’d done Mr. Victor, Everett stepped closer to her and pried the copy of Pride and Prejudice out of her hand. “Any child would be lucky to call you mother, Millie. You’re smart, well-read, curious about everything, and have a true love for children.” Staring at him for a long moment, Millie tilted her head. “I knew we should have summoned the physician to take a look at you after your last brawl.” “My wits are not addled, Millie. Quite honestly, my mind is clearer right now than it’s been in years.” He brought her hand up to his lips and kissed it, relieved when her eyes widened just a bit. “And I have to tell you something else.” “What?” she asked in a voice that sounded somewhat breathless. “I can’t allow you to burn any Jane Austen book—but especially not Pride and Prejudice.” “That’s what you have to say to me—that I can’t burn a silly book?” “I finished the story, Millie. I read Pride and Prejudice from cover to cover, and . . . I’m your Mr. Darcy and you’re my Lizzy.” “You . . . finished . . . the story?” “Indeed. And if you didn’t hear me the first time, I’m Mr. Darcy.” “I’m fairly certain Mr. Darcy would have had an English accent, but since Lizzy did enjoy reading, I suppose it’s not too much of a stretch to compare me with her, although. . . .” As Millie continued talking, really rapidly at that, Everett simply watched her, taking in every detail of her face. Her green eyes were sparkling and her cheeks were flushed a delicate shade of pink. Brown curls had begun to escape the pins someone had put in her hair, and a spray of flowers that had been tucked into that hair was hanging somewhat forlornly over her ear. Her lips were still moving incredibly fast, but the second his gaze settled on them, he couldn’t seem to look away. They were delightful lips, just the right shade of pink, and . . . Everett leaned forward and claimed those rapidly moving lips with his own. For

Reasons to keep books: To read them one day! If you hope to read the book one day, definitely keep it. It’s fine to be aspirational; no one else will keep score on what you have actually read. It’s great to dream and hope that one day you do have the time to read all your books. To tell your story. Some people give away every book they’ve read explaining, “What’s the point in keeping a book after I’ve read it if I’m not going to read it again? It’s someone else’s turn to read my copy now.” If that works for you, then only keep books on your shelves that you haven’t read yet. However you can probably understand that the books that you haven’t yet read only tell the story of your future, they don’t say much about where you’ve been and what made you who you are today. To make people think you’ve read the book! This one may be hard or easy for you to admit, but we don’t think there is any shame in it. Sometimes we hold on to books because they represent our aspirational selves, supporting the perception of how well read or intelligent we are. They are certainly the books our ideal selves would read, but in reality—if we had to admit it—we probably never will. We would argue that you should still have these books around. They are part of your story and who you want to be. To inspire someone else in your household to read those books one day. Perhaps it’s your kids or maybe your guests. Keeping books for the benefit of others is thoughtful and generous. At the very least, anyone who comes into your home will know that these are important books and will be exposed to the subjects and authors that you feel are important. Whether they actually read Charles Dickens or just know that he existed and was a prolific writer after seeing your books: mission accomplished! To retain sentimental value. People keep a lot of things that have sentimental value: photographs, concert ticket stubs, travel knickknacks. Books, we would argue, have deeper meaning as sentimental objects. That childhood book of your grandmother's— she may have spent hours and hours with it and perhaps it was instrumental in her education. That is much more impactful than a photograph or a ceramic figurine. You are holding in your hands what she held in her hands. This brings her into the present and into your home, taking up space on your shelves and acknowledging the thread of family and history that unites you. Books can do that in ways that other objects cannot. To prove to someone that you still have it! This may be a book that you are otherwise ready to give away, but because a friend gifted it, you want to make sure you have it on display when they visit. This I’ve found happens a lot with coffee table books. It can be a little frustrating when the biggest books are the ones you want to get rid of the most, yet, you are beholden to keeping them. This dilemma is probably better suited to “Dear Abby” than to our guidance here. You will know if it’s time to part ways with a book if you notice it frequently and agonize over the need to keep it to stay friends with your friend. You should probably donate it to a good organization and then tell your friend you spilled coffee all over it and had to give it away! To make your shelves look good! There is no shame in keeping books just because they look good. It’s great if your books all belong on your shelves for multiple reasons, but if it’s only one reason and that it is that it looks good, that is good enough for us. When you need room for new acquisitions, maybe cull some books that only look good and aren’t serving other purposes.

I don't want anyone else but sometimes, surprisingly, there's someone, not the prettiest or the most available, but you know that in another life it would be her. Or him, don't you find? A small quickening. The room responds slightly to being entered. Like a raised blind. Nothing intended, and a long way from doing anything, but you catch the glint of being someone else's possibility, and it's a sort of politeness to show you haven't missed it, so you push it a little, well within safety, but there's that sense of a promise almost being made in the touching and kissing without which no one can seem to say good morning in this poney business and one more push would do it. -The Real Thing (London 1982), p.73 Today, I bought a copy of the play at the co-op, I thought I should send it to you- out of a sort of politeness.

God has placed a unique design inside of your heart to make moments unlike any other. Don’t cheapen what he has created in you by just carbon copying what is inside someone else.

Being yourself is the meat and potatoes of mothering, and if you are forever copying someone else's way you are apt to lose touch with your own truth.

It should be obvious why it's easier to copy someone else's painting, rather than work on site or even from a photograph. All the selection, rejection and design have already been done for you.

The reward feels good, and we keep doing what others want us to do in order to get the reward. With that fear of being punished and that fear of not getting the reward, we start pretending to be what we are not, just to please others, just to be good enough for someone else. We try to please Mom and Dad, we try to please the teachers at school, we try to please the church, and so we start acting. We pretend to be what we are not because we are afraid of being rejected. The fear of being rejected becomes the fear of not being good enough. Eventually we become someone that we are not. We become a copy of Mamma’s beliefs, Daddy’s beliefs, society’s beliefs, and religion’s beliefs.

it’s human nature to assume that when we see a mistake, it’s due to defects in someone else’s department, knowledge, or character,

The point of love, genuine Christian love, what the New Testament writers call agape (though some Greek writers used this word, too, in a wider sense like the English 'love'), was that it meant copying the self-giving love of Jesus himself. This love is included in the command to 'put on' Jesus, as in verse 14. And in that self-giving love there is no room for immorality, particularly for cheating in marriage, your own or someone else's - however much it tries to disguise itself as 'love'.

From the Bridge” by Captain Hank Bracker Behind “The Exciting Story of Cuba” It was on a rainy evening in January of 2013, after Captain Hank and his wife Ursula returned by ship from a cruise in the Mediterranean, that Captain Hank was pondering on how to market his book, Seawater One. Some years prior he had published the book “Suppressed I Rise.” But lacking a good marketing plan the book floundered. Locally it was well received and the newspapers gave it great reviews, but Ursula was battling allergies and, unfortunately, the timing was off, as was the economy. Captain Hank has the ability to see sunshine when it’s raining and he’s not one easily deterred. Perhaps the timing was off for a novel or a textbook, like the Scramble Book he wrote years before computers made the scene. The history of West Africa was an option, however such a book would have limited public interest and besides, he had written a section regarding this topic for the second Seawater book. No, what he was embarking on would have to be steeped in history and be intertwined with true-life adventures that people could identify with. Out of the blue, his friend Jorge suggested that he write about Cuba. “You were there prior to the Revolution when Fidel Castro was in jail,” he ventured. Laughing, Captain Hank told a story of Mardi Gras in Havana. “Half of the Miami Police Department was there and the Coca-Cola cost more than the rum. Havana was one hell of a place!” Hank said. “I’ll tell you what I could do. I could write a pamphlet about the history of the island. It doesn’t have to be very long… 25 to 30 pages would do it.” His idea was to test the waters for public interest and then later add it to his book Seawater One. Writing is a passion surpassed only by his love for telling stories. It is true that Captain Hank had visited Cuba prior to the Revolution, but back then he was interested more in the beauty of the Latino girls than the history or politics of the country. “You don’t have to be Greek to appreciate Greek history,” Hank once said. “History is not owned solely by historians. It is a part of everyone’s heritage.” And so it was that he started to write about Cuba. When asked about why he wasn’t footnoting his work, he replied that the pamphlet, which grew into a book over 600 pages long, was a book for the people. “I’m not writing this to be a history book or an academic paper. I’m writing this book, so that by knowing Cuba’s past, people would understand it’s present.” He added that unless you lived it, you got it from somewhere else anyway, and footnoting just identifies where it came from. Aside from having been a ship’s captain and harbor pilot, Captain Hank was a high school math and science teacher and was once awarded the status of “Teacher of the Month” by the Connecticut State Board of Education. He has done extensive graduate work, was a union leader and the attendance officer at a vocational technical school. He was also an officer in the Naval Reserve and an officer in the U.S. Army for a total of over 40 years. He once said that “Life is to be lived,” and he certainly has. Active with Military Intelligence he returned to Europe, and when I asked what he did there, he jokingly said that if he had told me he would have to kill me. The Exciting Story of Cuba has the exhilaration of a novel. It is packed full of interesting details and, with the normalizing of the United States and Cuba, it belongs on everyone’s bookshelf, or at least in the bathroom if that’s where you do your reading. Captain Hank is not someone you can hold down and after having read a Proof Copy I know that it will be universally received as the book to go to, if you want to know anything about Cuba! Excerpts from a conversation with Chief Warrant Officer Peter Rommel, USA Retired, Military Intelligence Corps, Winter of 2014.

I know this is being your second relationship and mine be the first one. I'd shed a lot of tears to find my love of life undoubtedly after my mom. Babu, I literally don't know whether I'm perfect for you or not but ya at times i feel like there will always be someone more perfect than me for you. May be he won't able to love you the same way that i do but ya there is someone.... This is my first and only relationship. I know i make lots of mistakes but I swear upon you and my mom that i never ever want to hurt you. There are nights for me in which i just think of myself without you and those nights be so silent that i can hear someone laughing at me Or shall i say that those are the one which literally make me realize my position. Driver for family, termed as useless creature by my father betrayed by my own trust worthies. It feels like time stop at that particular moments and they just want me to haunt it down all through the night. And then comes the time when I'm with you probably spending an hour with you. It seems like life is so good. At that point of time i enjoy the most. Unwillingly i need to drop you back home. Obviously right now I can't or you can't take me home. I had never ever felt so much loved by anyone else. You may think that this guy had copied from net. Once in a while that just comes up. Right!? But just like you do your art work through your heart i do the same. I just express myself to you, my love for you and that is just beyond your imagination. I never ever thought of getting physical or had that mindset to do any such thing with you, your hugs are my favorite and yea "JAAN" too. These two things makes up my day. You can compare me to numerous and i would be not a strong guy or may be I don't possess other qualities which many other have but yea i can challenge you that no one can love you as much as i do. I know for you your parents are first in love and I respect this from my heart. I know i have failed many a times and many times and i have disappointed you, i really regret that and I'm trying to not make those silly or may be big mistakes again. When i say I don't watch a girl or don't get my eyes on her I seriously mean it. Because when I'm having one of the most infact best and most beautiful girl with me why should i get keen on seeing or watching out others. I really don't know what em i up to like I don't know about others but ya there are few persons whom i always want smiling my mom you and my brother. I really wish if i could see your expression after sending you this. Lastly babu, I love you.

Every day I text and e-mail while driving. Every day I speed. I’ve driven double the speed limit. I used to steal plates of cake out of the revolving glass tower in a deli. I knew where my parents kept their cash, and I stole money from them all through my childhood. I used to steal bulk candy every time I went into the grocery store. I drank underage. I drove a car before I had a license. We had scavenger hunts in college where we had to steal everything to win. I used a fake ID. I smoked pot. I used shrooms. I did cocaine. I took Ecstasy. I used speed. I took LSD. I’ve driven drunk. I snuck an animal through customs. I backed into a car in a parking lot and drove away. I’ve cheated on my income taxes. I forged a signature on a car title. I evaded police when they tried to pull me over. I forged a college degree to get a trade license. I bribed a police officer after I was caught drunk driving. I broke my car out of an impound lot and used a friend’s license plates to drive it home. I carried a revolver licensed to someone else in my backpack across my college campus. I took a credit card that had been left in the copy machine at Staples and charged two thousand dollars’ worth of stuff on it before I threw it away.

When you copy someone else's content it's like displaying a picture frame with the photo that came with it when you bought it. It looks good but it's not you, and everyone knows it.

July 13th A LEADER LEADS “One person, on doing well by others, immediately accounts the expected favor in return. Another is not so quick, but still considers the person a debtor and knows the favor. A third kind of person acts as if not conscious of the deed, rather like a vine producing a cluster of grapes without making further demands, like a horse after its race, or a dog after its walk, or a bee after making its honey. Such a person, having done a good deed, won’t go shouting from rooftops but simply moves on to the next deed just like the vine produces another bunch of grapes in the right season.” —MARCUS AURELIUS, MEDITATIONS, 5.6 Have you ever heard someone else repeat one of your ideas as though it were their own? Did you ever notice a younger sibling or relative mimic your behavior, perhaps the way you dress or the music you listen to? Maybe you moved to a new neighborhood and a bunch of hipsters followed. When we are young and inexperienced, we can react negatively to these situations. Stop copying me! I was here first! As we mature, we start to see them in a different light. We understand that stepping up and helping is a service that leaders provide to the world. It’s our duty to do this—in big situations and small ones. If we expect to be leaders, we must see that thankless service comes with the job. We must do what leaders do, because it’s what leaders do—not for the credit, not for the thanks, not for the recognition. It’s our duty.

The reward feels good, and we keep doing what others want us to do in order to get the reward. With that fear of being punished and that fear of not getting the reward, we start pretending to be what we are not, just to please others, just to be good enough for someone else. We try to please Mom and Dad, we try to please the teachers at school, we try to please the church, and so we start acting. We pretend to be what we are not because we are afraid of being rejected. The fear of being rejected becomes the fear of not being good enough. Eventually we become someone that we are not. We become a copy of Mamma's beliefs, Daddy's beliefs, society's beliefs, and religion's beliefs.

I’m remembering something else, too. That remark you made to me about Shakespeare. I asked the woman at the library about Othello, and she got me a copy. He was just about as stupid as me. But with me, I didn’t have someone egging me on. I did it to myself. Looking for a treasure when I already had one.

Envy is hard to manage, as it’s a socially unacceptable emotion, even though it’s something most people feel. Envy also takes the focus off your work, your business, and your customers. When we give in to envious feelings, the best we can hope for is second best, since we’re focused on copying someone else’s path and not forging our own.

If you would be less concerned with someone else's shine and focus on your grind, you would see the growth and progress that you desire in your own life.

Whenever my wife and I purchase a new appliance, we add another instruction manual to our collection. We have instruction manuals for the various appliances in our home, for the automobile, and for office equipment such as tape recorders, computers, and copying machines. Someone may say, “I wish we had a manual of instruction for life.” We do. It’s called the Bible, the Word of God. “Your hands have made me and fashioned me; give me understanding, that I may learn Your commandments” (v. 73). God made and fashioned us in His image. According to Psalm 139, He had plans for each of our lives before we were born. He gave each of us a unique mind and genetic structure. He wrote into His book the days that He assigned to us, and He planned the best for us. He also wrote a manual to help us live the way we ought. He gives us the Bible and says, “I want to give you understanding. The better you understand this book, the better you will understand yourself. You are made in My image. I want to reveal to you from My Word how to use your hands, your feet, your eyes, your ears, and your tongue. I want to tell you how My Word can make your heart work the way it is supposed to work.” The psalmist says, “Your hands have made me and fashioned me”—that’s our origin. “Give me understanding, that I may learn Your commandments”—that’s our operation. The Bible is the operation manual for life. How strange it is that people try to live their lives without an instruction book. They wonder why their marriages fall apart, why their bodies are in trouble, and why they’ve gotten themselves into a jam. Before all else fails, read the Word of God, the instruction manual for everyday living.

Helen, a junior high math teacher in Minnesota, spent most of the school week teaching a difficult “new math” lesson. She could tell her students were frustrated and restless by week’s end. They were becoming rowdy so she told them to put their books away. She then instructed the class to take out clean sheets of paper. She gave each of them this assignment: Write down every one of your classmates’ names on the left, and then, on the right, put down one thing you like about that student. The tense and rowdy mood subsided and the room quieted when the students went to work. Their moods lifted as they dug into the assignment. There was frequent laughter and giggling. They looked around the room, sharing quips about one another. Helen’s class was a much happier group when the bell signaled the end of the school day. She took their lists home over the weekend and spent both days off recording what was said about each student on separate sheets of paper so she could pass on all the nice things said about each person without giving away who said what. The next Monday she handed out the lists she’d made for each student. The room buzzed with excitement and laughter. “Wow. Thanks! This is the coolest!” “I didn’t think anyone even noticed me!” “Someone thinks I’m beautiful?” Helen had come up with the exercise just to settle down her class, but it ended up giving them a big boost. They grew closer as classmates and more confident as individuals. She could tell they all seemed more relaxed and joyful. About ten years later, Helen learned that one of her favorite students in that class, a charming boy named Mark, had been killed while serving in Vietnam. She received an invitation to the funeral from Mark’s parents, who included a note saying they wanted to be sure she came to their farmhouse after the services to speak with them. Helen arrived and the grieving parents took her aside. The father showed her Mark’s billfold and then from it he removed two worn pieces of lined paper that had been taped, folded, and refolded many times over the years. Helen recognized her handwriting on the paper and tears came to her eyes. Mark’s parents said he’d always carried the list of nice things written by his classmates. “Thank you so much for doing that,” his mother said. “He treasured it, as you can see.” Still teary-eyed, Helen walked into the kitchen where many of Mark’s former junior high classmates were assembled. They saw that Mark’s parents had his list from that class. One by one, they either produced their own copies from wallets and purses or they confessed to keeping theirs in an album, drawer, diary, or file at home. Helen the teacher was a “people builder.” She instinctively found ways to build up her students. Being a people builder means you consistently find ways to invest in and bring out the best in others. You give without asking for anything in return. You offer advice, speak faith into them, build their confidence, and challenge them to go higher. I’ve found that all most people need is a boost. All they need is a little push, a little encouragement, to become what God has created them to be. The fact is, none of us will reach our highest potential by ourselves. We need one another. You can be the one to tip the scales for someone else. You can be the one to stir up their seeds of greatness.

Promotions Every time your company gives someone a promotion, everyone else at that person’s organizational level evaluates the promotion and judges whether merit or political favors yielded it. If the latter, then the other employees generally react in one of three ways: 1. They sulk and feel undervalued. 2. They outwardly disagree, campaign against the person, and undermine them in their new position. 3. They attempt to copy the political behavior that generated the unwarranted promotion. Clearly, you don’t want any of these behaviors in your company. Therefore, you must have a formal, visible, defensible promotion process that governs every employee promotion. Often this process must be different for people on your own staff. (The general process may involve various managers who are familiar with the employee’s work; the executive process should include the board of directors.) The purpose of the process is twofold. First, it will give the organization confidence that the company at least attempted to base the promotion on merit. Second, the process will produce the information necessary for your team to explain the promotion decisions you made.

The software engineer had been studying how the cell processes information in order to write a computer simulation of gene expression. He showed me a book called Design Patterns, a standard text for software engineers. The text was full of different design strategies - strategies foe processing, storing, copying, organizing, accessing, and correcting digitally encoded strings of information. My colleague told me that he recognized many of these specific design patterns and strategies at work in the cell. He expressed his awe at the "sophistication of its design logic" and its resemblance to that used in the software industry. He said the cell often employs a functional logic that mirrors our own, but exceeds it in the elegance of its execution. It's like we are looking at 8.0 or 9.0 versions of design strategies that we have just begun to implement. When I see how the cell processes information, it gives me an eerie feeling that someone else figured this out before we got here.

We’re talking about practice here, not plagiarism—plagiarism is trying to pass someone else’s work off as your own. Copying is about reverse-engineering. It’s like a mechanic taking apart a car to see how it works.

So it was that Lavinia fired a shot against Sue’s publication. Her protest to Ward laid out the law of ownership. A writer might give a manuscript to someone else, but the possessor is not the owner. Legally, the copyright on the writing remains with writer, and upon death transfers to the writer’s heir. On the basis of Emily’s will, which left Lavinia ‘everything’, Lavinia claimed (pushing the point) that Emily had granted her exclusive rights to her papers, and though Emily gave copies of poems to others they were given simply for private reading ‘and not to pass the property in them, which is mine’. Unsurprisingly Susan challenged this. She had lost her husband to Mabel. Her friendship with Lavinia was being destroyed and now the thing she held most dear, her private relationship with Emily, was being ripped from her. She sounds a little desperate as she writes to Ward: ‘the sister is quite jealous of my treasure … All[?] [the poems and letters] I have are mine—given me by my dear Emily while living[,] so I can in honor do with them as I please.

I tell that writer about the private diary of Anne Frank, a young Jewish girl who lived and died during World War II. The words in that book—which have now been read almost ubiquitously by generations of students—were written by a thirteen-year-old girl who had no idea what she was writing while she was writing it. She even makes a comment in the journal to that effect. Writing in a diary is a really strange experience for someone like me. Not only because I’ve never written anything before, but also because it seems to me that later on neither I nor anyone else will be interested in the musings of a thirteen-year old school girl. Oh well, it doesn’t matter. I feel like writing.1 Catch the irony here. This is a book that has sold more than 30 million copies and has been translated into 70 languages. But did Anne Frank know her words would be read that widely? Or did she just feel like writing?

It’s very easy to find fault with ourselves and think we need to be like someone else. Be who you are and don’t try to be a copy!

The problem about Social Media is most people lack creativity. If someone does something. It works for them and they become successful and get exposure. Everyone else, leave whatever they are doing, then try to recreate the same event and moment. Thinking they will also be successful. Ways of success are like a airplane ticket. Everyone has must have their own ticket. Once ticket is torn , you can give it to someone if you want, but it will be useless. That is what happens when people trying to copy someone success. They are using a used ticket hoping they will fly.

Hey _Node_ — how well do you know X? Or combine the two: Hey _Node_, hope all is well! I noticed you [are connected to _Investor_ on LinkedIn] and heard from a few folks they’re pretty good. They have relevant experience to what we’re building and I’d love to get to know them. Do you know them really well? If not, I’ll find someone else, no stress. If you do know them well, I’d love an introduction. Here’s a quick email draft you can copy and paste. Feel free to modify as you see fit! Thank you so much. "Hey _Investor_, hope all is well!   I have a friend, Ryan Breslow, who is building Bolt. They are doing one-click checkout for the entire online commerce landscape. Ryan is sharp, and I think you both should get to know each other. Can I make the introduction? _Node_

Zhong has also shown the reverse process: immorality makes people want to get clean. People who are asked to recall their own moral transgressions, or merely to copy by hand an account of someone else’s moral transgression, find themselves thinking about cleanliness more often, and wanting more strongly to cleanse themselves.26 They are more likely to select hand wipes and other cleaning products when given a choice of consumer products to take home with them after the experiment. Zhong calls this the Macbeth effect, named for Lady Macbeth’s obsession with water and cleansing after she goads her husband into murdering King Duncan. (She goes from “A little water clears us of this deed” to “Out, damn’d spot! out, I say!”)

These are someone else’s clothes—someone else’s style. You must find your own.” “What if I don’t have one?” “Don’t be silly. Everyone has a style. Most women just never bother to find it. It’s easier to open a magazine or turn on Dynasty and copy someone else. That’s why everything in the stores looks the same. Because everybody is trying to look like everybody else. They’re happy being vanilla. But you’re not vanilla, Rory. You’re lovely and exceptional, with a flavor all your own.

Consistent with our prior findings, we saw that having any new exercise-boosting technique to copy worked better than just making a plan, regardless of where the technique came from. But interestingly, it was more helpful if people found strategies to copy and paste themselves than if the strategies came from someone else.

it often occurred to me that there was a time before family radios and television when people had nothing but themselves for entertainment. The point I thought we missed about all that was that in those days – the ‘olden days’, as Ronnie puts it – there was little to take you out of your home. Television did more because there was little left to the imagination. You were captured totally in someone else’s imagination, whether it was the set designs, the settings chosen or the lighting and sound to accompany the actors. Computers wired you to the outside world in a much more complete way. It was something you did alone. Ronnie tried to get me to go into his office to witness what he was seeing, but for the most part he was oblivious to everything and everyone else around him. He was truly gone for those hours he spent reading emails, sending them, copying and pasting in quotes and jokes, and reading the blogs he favored.

Never quit self to copy someone else

The reward feels good, and we keep doing what others want us to do in order to get the reward. With that fear of being punished and that fear of not getting the reward, we start pretending to be what we are not, just to please others, just to be good enough for someone else. We try to please Mom and Dad, we try to please the teachers at school, we try to please the church, and so we start acting. We pretend to be what we are not because we are afraid of being rejected. The fear of being rejected becomes the fear of not being good enough. Eventually we become someone that we are not. We become a copy of Mamma’s beliefs, Daddy’s beliefs, society’s beliefs, and religion’s beliefs.

Your deepest secrets cannot be smelled out by someone else; except you tell him. If you disclose it to a trusted friend and he divulges it, should you be inflamed? Who divulged it first? Even you could not keep it secret. Why be angry that your friend ‘copied and pasted’ you? He can’t carry what you couldn’t carry, that makes the two of you.

Don't copy to be like someone else; be yourself; it matters; it's you.

Her hands are curled around a stroller bar, housing a baby who appears to be fast asleep. “Of Mice and Men,” she replies with a soft grin. “My friend insists I need to read it, and she gave her copy to someone else.” My gaze shifts to the left, spotting a petite blond, her hair a similar color to Gabe’s, with her nose in a book.

Almost at the same time, one of Lacan’s young followers, Françoise Girard, asked Klein for permission to translate the book; Klein replied that someone else was already working on it, although she did not mention who that person was. She advised Girard to translate Contributions to Psycho-Analysis instead. When Lacan returned to Paris, he began translating The Psycho-Analysis of Children, but soon put it aside and asked René Diatkine—who at that time was being analysed by Lacan—to continue the work. When Diatkine finished translating the first part of the book from the German edition, Lacan asked to see the translation. Diatkine gave it to him, but Lacan never returned it. Unfortunately it was the only copy of the French translation that then existed. Two years later, at the Amsterdam Congress in 1951, Diatkine told Klein about what had happened.

tell people not to be scared to put conditions on a financial gift. You could give them money only if they agree to go through Financial Peace University. You could give them a copy of this book or another one of my books, The Total Money Makeover, and “pay” them to write you a book report. You could require that they submit three monthly budgets to you as you continue to help them through a transitional time. If they accuse you of butting in, just remind them that they are ASKING you to butt in by giving them money. If they want your help, they need to take all of your help, not just your money. Third, I remind people that they can only help others if they have the cash on hand themselves. Never cosign a loan to “help” someone else, and never loan money to a friend or relative. That just keeps them in debt longer, strains the relationship, and keeps the cycle of destruction going.

Don’t be silly. Everyone has a style. Most women just never bother to find it. It’s easier to open a magazine or turn on Dynasty and copy someone else. That’s why everything in the stores looks the same. Because everybody is trying to look like everybody else. They’re happy being vanilla. But you’re not vanilla, Rory. You’re lovely and exceptional, with a flavor all your own. But you’ve been hiding in those boyish clothes for so long that you can’t see yourself anymore.

Another of my homonym rules is that I have to think of the homonyms myself. What is the point of looking at someone else’s list and copying it? My list is original.

It is the heavy reality of the writing life which makes the “why” so easy to forget: Gutless rejection letters, denigrating revision letters, incompetent copy edits, insulting reviews, late checks, disappointing sales, down-trending print-runs, shrinking advances, royalties paid in a geological timeframe, imprints folding, publishers downsizing their lists and conglomerating their overhead.  One day your editor expresses all the enthusiasm of an overtired undertaker. The next day your agent demonstrates all the faith and commitment of a diseased streetwalker. Your book is packaged with a cover that would embarrass anyone who wasn’t raised in a Red Light district. You give a thoughtful interview only to discover the resultant article describes you as churning out potboilers. Three people show up at your book signing, two of them because they thought you were someone else; the third person came because you owe him money. When you make the New York Times list, a neighbor asks you “which” NYT list you’re on, because there must be a separate one for the trash you write. Though you’ve been publishing regularly for years, you know people who ask, every single time they see you, if you still write. (No, I fell back on my independent wealth when the going got tough.)

Forget being like someone else. You are not a copy. You are a one of a kind MASTERPIECE. Realize this and become who you are. Your like will never come this way again. Only you can be you!

Every time before you speak, look in the mirror and be sure not to copy someone else.

Copying someone else’s work helps me understand my strengths and weaknesses, artistically speaking, as I develop my own style.

When God created you, he broke the mold. Why break his heart by being a copy of someone else?

Every body have different journey in life. copying someone else journey will make you end up loosing

He seemed surprised to hear from me now, his tone holding a note of shock. “Saint, how are you? What can I do for you?” “Kenneth. I just heard about the new volunteer counselor. I was hoping to get a copy of his credentials. As you know, the situation with some of the kids is pretty tenuous and new people scare them,” I said. “Oh! Didn’t you know he was coming? He said he had been approved months ago but he had delayed his start date due to traveling out of state for a family death. His name is Roland Cunningham. He’s been a high school counselor for fifteen years and now he’s semi-retired and wants to give back. He says that he saw so many gay kids who needed an ear.” I rolled my eyes so hard I almost hurt myself and Rio frowned at me questioningly. I shook my head and pulled in one deep breath before I spoke. “No, he hasn’t been approved for months. I’ve never heard of him. I suspect he’s a spy who belongs to Clay Greene.” I could hear Kenneth suck air, then chuckle disbelievingly. “Oh, no, Saint. That’s impossible. He had a copy of a volunteer application that you signed and dated in January. You probably just forgot, I know you’ve had a lot on your mind with your sister and everything.” I heard him click his tongue and had to work to not reach through the phone and wring his neck. “He’s going to make sure the kids have someone else to talk to. Don’t worry about it, I’m taking care of everything.” Rio’s frown had morphed into mild alarm, and I wasn’t sure what my face was doing that was causing it but whatever it was must have been interesting. He edged closer as I took several deep breaths. “Kenneth. Listen to me. You need to be cautious. Have you seen the security reports from Mr. Rao? Did make sure you let him know about this Cunningham? Did you run the background check?” “I glanced through the reports, yes, but no, I didn’t tell him about Roland. Mr. Rao is the night guard and Roland is scheduled for afternoons.” He chuckled lightly. “I didn’t see the overlap.” I did not grind my teeth, but it was a near thing. Rio hovered, not touching me, which I was grateful for. Once I got off this phone I was going to go off. “What about the background check, Ken? You know the background check policy.” “Oh, yes,” Kenneth said. “We did the background check. Completely clean, exemplary record with several awards from his career. Really, you need to calm down. I have it all under control.” “Right,” I said. “Well, I’ll let you get back to it then, Ken. Thank you.” I hung up before Kenneth could reply and Rio looked at me warily. “I am going to have him kicked off the board so fast his fucking head is going to spin. Shouldn’t be too hard, it’s full of ball bearings and broken gravel,” I snarled. “So that didn’t go well,” Rio observed quietly. He was still hovering, clearly unsure of how best to handle me.