Cool Recycle Quotes

It’s cool when fashion recycles itself, it’s not cool when sustainable living does because it means there was (and is as I write) a period of absolute and possibly irreversible destruction.

A mind that is racing over worries about the future or recycling resentments from the past is ill equipped to handle the challenges of the moment. By slowing down, we can train the mind to focus completely in the present. Then we will find that we can function well whatever the difficulties. That is what it means to be stress-proof: not avoiding stress but being at our best under pressure, calm, cool, and creative in the midst of the storm.

But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool Girl – I couldn’t have been Cool Girl with anyone else. I wouldn’t have wanted to. I can’t say I didn’t enjoy some of it: I ate a MoonPie, I walked barefoot, I stopped worrying. I watched dumb movies and ate chemically laced foods. I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.

Dipping into the archive is always an interesting, if sometimes unsettling, proposition. It often begins with anxiety, with the fear that the thing you want won't surface. But ultimately the process is a little like tapping into the unconscious, and can bring with it the ambivalent gratification of rediscovering forgotten selves. Rather than making new pictures why can't I just recycle some of these old ones? Claim "found" photographs from among my boxes? And have this gesture signify "resistance to further production/consumption"? (96)

I’m sure they won’t,” Cyrus agreed. “But the fate of the free world is at stake here. We can’t put it on hold so you can spend the week with your mommy. Your spring break is now officially Operation Tiger Shark.” “Tiger Shark?” Erica asked, impressed. “I thought the CIA had run out of cool names like that.” This was true. The CIA had been naming operations for several decades, and the good options were running low. Our last mission had been dubbed Pungent Muskrat. “I made an executive decision,” Cyrus replied. “I’m not initiating ops with names like Mangy Weasel or Scrawny Chicken anymore. It’s bad for morale. So I recycled an old mission name. Now go get packing. I want you moving out at oh-two-hundred.” “That’s two in the morning!” I exclaimed. “I know when oh-two-hundred is,” Cyrus snapped.

Since 1963, LEGO bricks have been manufactured from acrylonitrile-butadiene-styrene copolymer - ABS copolymer for short - a plastic with a matte finish. It is very hard and robust - import criteria for a children's toy. Laboratories in Switzerland and Denmark regularly test the quality of the ABS. The plastic is distributed to factories as granules rather than in liquid form. These grains of plastic are heated up to 232ºC and converted into a molten mass. Injection moulding machines weighing up to 150 tonnes squeeze the viscous plastic mass into the desired injection moulds - of which there are 2,400 varieties. After seven seconds, the brick produced in this way has cooled down enough to be removed from the mould. The injection moulding method is so precise that out of every million elements produced, only about 18 units have to be rejected. Unsold bricks are converted back into granulates and recycled.

The problem for him in high school was that debate made you a nerd and poetry made you a pussy – even if both could help you get to the vaguely imagines East Coast city from which your experiences in Topeka would be recounted with great irony. The key was to narrate participation in debate as a form of linguistic combat; the key was to be a bully, quick and vicious and ready to spread an interlocutor with insults at the at the smallest provocation. Poetry could be excused if it upped your game, became cipher and flow, if it was part of why Amber was fucking you and not Reynolds et al. If linguistic prowess could do damage and get you laid, then it could be integrated into the adolescent social realm without entirely departing from the household values of intellect and expression. It was not a reconciliation, but a workable tension. His disastrous tonsorial compromise. The migraines. Fortunately for Adam, this shifting of aggression to the domain of language was sanctioned by one of the practices the types had appropriated: after several hours of drinking, if no fight or noise complain had broken up the party, you were likely to encounter freestyling. In many ways, this was the most shameful of all the poses, the clearest manifestation of a crisis in white masculinity and its representational regimes, a small group of privileged crackers often arrhythmically recycling the genre’s dominant and to them totally inapplicable clichés. But it was socially essential for him: the rap battle transmuted his prowess as a public speaker and aspiring poet into something cool. His luck was dizzying: that there was a rapid, ritualized poetic insult exchange bridging the gap between his Saturday afternoons in abandoned high schools and his Saturday nights in unsupervised houses, allowing him to transition from one contest to the other.

QUESTION: Are you suggesting that history is irrelevant, then, and the temporal span of humankind merely the recycling of tropes? ANSWER: Well, I think it’s two things. It’s always two things, unless it’s three. The first thing is moms and martyrs are the way we will think, just as when we dance we tend to tango. Jung suspected as much, you know, and every story could, I suppose, be seen as such a spyglass. Second, either there is or there isn’t, point-blank, and if there is not, and something besides lead backs our philosophies, then previously Truth flashed its temper like a fictitious schoolgirl showing her panties, then went all cowboy cool in the neonew, barely speaking, keeping mum, despite the fact we’s done forgot dear mammy, savoring the slow satisfying burn of a cigarette before the bonfire of a billion bodies, and still millions more wait their turn, we’re better at keeping our appointments, at any rate, skinny corpses stripped of teeth and hair and skin, difference plucked like daisies, for there is no difference; in ether words, to hear the Great Apes tell it, every plague is one for the pointless and every poppy’s got jack to do with Us. Hoohah! A particularly ballsy bit of business given the most recent nearing too close, we’re singing our rondel with a bellyful of gravy and sourmash, we’re at the highpocked end, and there’s no more to come, come the dawn. Though bear in mind we’ve no pret-a-porter poodle sniffing around here, nossir, we’re not afraid to say stay, still, we’ll stay right here, eating off the apple of your eye, carving the plump of your cheek caught in the family photo, the flash in the pan goes off and so does your head, or so Buttercup says, we’re stuck, that is to say, in the over-brought dawn of this new clearer Age, in which we play patsy to witness just this: everything is beauty-full, in its own way. . . .

Create a wonderful Christmas or winter centerpiece using this wine bottle craft! You'll turn something destined for the recycling bin into a gorgeous and dramatic centerpiece, perfect for holiday parties.

The problem with trying to be relevant is it makes us copy what culture is already doing. To be relevant, you have to copy what is cool. So we put our mouths on the tailpipe of secular culture in hopes we can recycle some of it and use it for ourselves. The problem with this is that it automatically puts us ten to fifteen years behind culture because rather than setting the precedent, we are copying their systems. This is where we get a huge section of Christian apparel and coffee mugs that simply copy secular logos. My favorite is the shirt with the words “Holy Spirit” printed in the same font and logo as Sprite. Or the one with “A bread crumb and a fish” instead of Abercrombie and Fitch. We call it redeeming, but it’s actually stealing. Making bad art is bad in and of itself, but if we are Christians, this takes on a whole other level of weight. Because we are called to mirror and reflect God, everything we do should give people a proper picture of who he is.

The time when perfection was of the order of crime is over, when beneath perfect beauty something criminal lay hidden. With the cloning and recycling of the species in conformity with an ideal norm, it will no longer even be a crime to be perfect. The exactitude of the creature will shine in the genetic firmament. There will be a universal presumption of innocence and a total excommunication of evil. This technical redemption of all the taints of the species will render any new divine intervention useless. There will no longer be any Last Judgement. Reality for us is a little like the ground for trapeze artists, who work with a net without knowing that beneath it the ground has disappeared. In this way, screens allowed the real to slip away. In this way, icons allowed God to slip quietly away.

If you are easily upset, don’t continue year after year that way. If you allow little things like long lines, the weather, a grumpy salesman, or an inconsiderate receptionist to steal your joy, draw a line in the sand. Say, “You know what? That’s it. I’m not giving away my power anymore. I’m staying calm, cool, and collected. David J. Pollay, author of The Law of the Garbage Truck, was in a New York City taxicab when a car jumped out from a parking place right in front of it. His cabbie had to slam on the brakes, the car skidded, and the tires squealed, but the taxi stopped an inch from the other car. The driver of the other car whipped his head around, and honked and screamed in anger. But David was surprised when his cabbie just smiled real big, and waved at him. David said, “That man almost totaled your cab and sent us to the hospital. I can’t believe you didn’t yell back at him. How were you able to keep your cool?” The cab driver’s response, which David calls, “The Law of the Garbage Truck,” was this: “Many people are like garbage trucks. They run around full of garbage, full of frustration, full of anger, and full of disappointment. As their garbage piles up, they look for a place to dump it. And if you let them, they’ll dump it on you. So when someone wants to dump on you, don’t take it personally. It doesn’t have anything to do with you. Just smile, wave, wish them well, and move on. Believe me, you’ll be happier.” Successful people don’t allow garbage trucks to unload on them. If somebody dumps a load on you, don’t be upset. Don’t be angry. Don’t be offended. If you make that mistake, you’ll end up carrying their loads around and eventually you’ll dump them on somebody else. Keep your lid on. Sometimes you may need to have a steel lid. These days, though, so many people are dumping out poison through criticism, bad news, and anger, you’ll need to keep that lid on tight. We can’t stop people from dumping their garbage, but by keeping our lids on, we can tell them to recycle instead!

And so they did. Over the next several weeks, the garden friends collected trash that they found lying around—from soda cans that had tumbled out of the recycling bin, to a weather-beaten cardboard box, to an old baseball cap that was the perfect size for a mosquito-sized soda fountain. The friends used this junk to construct tiny buildings. They decorated their new business with colorful leaves and flower petals, and they used rocks and pebbles for tables and chairs. Wiggly worked hard at making tunnels in the dirt for his new park, and even Snarky caught on to the enthusiasm and collected shiny pebbles for his shop. By the time they were finished, Garden Town had come to be—a tiny town with a soda fountain, a park, a restaurant, and a pebble shop. Wiggly Worm and his friends had proved that, with a little hard work and determination, it’s possible to make your dreams come true! Just for Fun Activity Collect old containers and other trash-bound items in your house. With a little imagination (and some craft supplies), I bet you can make a pretty cool Garden Town of your own! Glue the town to a piece of poster

Based on the parts of this... this scene that are not covered in refuse, and the drawings you have done for me, I know you are an artist with talent. Maybe I have old-fashioned views, but I simply don't understand why you would spend your time creating something like this." He shrugged his shoulders. "The sort of art I am used to seeing is more..." I raised an eyebrow. "More what?" He bit his lip, as though searching for the right words. "Pleasant to look at, I suppose." He shrugged again. "Scenes from nature. Little girls wearing filly white dresses and playing beside riverbanks. Bowls of fruit." "This piece shows a beach and a lake," I pointed out. "It's a scene from nature." "But it's covered in refuse." I nodded. "My art combines objects I find with images I paint. Sometimes what I find and incorporate is literal trash. But I also feel that my art is more than just trash. It's meaningful. These pieces aren't just flat, lifeless images on canvas. They say something." "Oh." He came even closer to the landscapes, kneeling so he could peer at them up close. "And what does your art... say?" His nose was just a few inches from an old McDonald's Quarter Pounder wrapper I'd laminated to the canvas so it looked like it was rising out of Lake Michigan. I'd meant for it to represent capitalism's crushing stranglehold on the natural world. Also, it just sort of looked cool. But I decided to give him a broader explanation. "I want to create something memorable with my art. Something lasting. I want to give people who see my works an experience that won't fade away. Something that will stay with them long after they see it." He frowned skeptically. "And you accomplish that by displaying ephemera others throw away?" I was about to counter by telling him that even the prettiest painting in the fanciest museum faded from memory once the patrons went home. That by using things other people throw away, I took the ephemeral and make it permanent in a way no pretty watercolor ever could.

Shelly pulled out another crate. “People back then were the original recyclers, weren’t they? Wooden crates, reusable glass soda bottles. That was kind of cool. Why did we ever stop? Now we have plastic bottles littering the ocean.

I chose Grandma Prisbrey, an old lady who built a village out of recycled garbage in the seventies before upcycling was cool, so I figured no one would care enough about my Californian to really pay attention to me.

Sometimes when I couldn't sleep, I'd pull my blanket above my head, the air getting warmer and heavier until my lungs burned with recycled breath. It was a pleasant pain, precisely because of the relief I felt after: ripping the blanket down, gasping, gasping again, mercifully cool air pouring down my throat.