Cool And Composed Quotes

Let your soul stand cool and composed before a million universes.

According to some, heroic deaths are admirable things. I've never been convinced by this argument, mainly because, no matter how cool, stylish, composed, unflappable, manly, or defiant you are, at the end of the day you're also dead. Which is a little too permanent for my liking.

I touched my lips to hers again, and this time, it was a very different sort of kiss. It was six years’ worth of kissing, her lips coming to life under mine, tasting of orange and of desire. Her fingers ran through my sideburns and into my hair before linking around my neck, alive and cool on my warm skin. I was wild and tame and pulled into shreds and crushed into being all at once. For once in my human life, my mind didn’t wander to compose a song lyric or store the moment for later reflection. For once in my life, I was here and nowhere else. -Sam

A truly brave man is ever serene; he is never taken by surprise; nothing ruffles the equanimity of his spirit. In the heat of battle he remains cool; in the midst of catastrophes he keeps level his mind. Earthquakes do not shake him, he laughs at storms. We admire him as truly great, who, in the menacing presence of danger or death, retains his self-possession; who, for instance, can compose a poem under impending peril or hum a strain in the face of death. Such indulgence betraying no tremor in the writing or in the voice, is taken as an infallible index of a large nature—of what we call a capacious mind (Yoyū), which, far from being pressed or crowded, has always room for something more.

When I wrote the previous letter, I had made up my mind I would show you how I could be very composed and cool and not need to ask you to listen to me nor to explain anything to me nor need any help. By telling you that all this about the multiple personalities was not really true but just put on, I could show, or so I thought, that I did not need you. Well, it would have been easier if it were put on.

I have said that the soul is not more than the body, And I have said that the body is not more than the soul, And nothing, not God, is greater to one than one's self is, And whoever walks a furlong without sympathy walks to his own funeral drest in his shroud, And I or you pocketless of a dime may purchase the pick of the earth, And to glance with an eye or show a bean in its pod confounds the learning of all times, And there is no trade or employment but the young man following it may become a hero, And there is no object so soft but it makes a hub for the wheel'd universe, And I say to any man or woman, Let your soul stand cool and composed before a million universes. And I say to mankind, Be not curious about God, For I who am curious about each am not curious about God, (No array of terms can say how much I am at peace about God and about death.) I hear and behold God in every object, yet understand God not in the least, Nor do I understand who there can be more wonderful than myself. Why should I wish to see God better than this day? I see something of God each hour of the twenty-four, and each moment then, In the faces of men and women I see God, and in my own face in the glass, I find letters from God dropt in the street, and every one is sign'd by God's name, And I leave them where they are, for I know that wheresoe'er I go, Others will punctually come for ever and ever.

It is so much more threatening to have something out of hand than to believe that at any moment I can stop (I started to say "This foolishness") any time I need to. When I wrote the previous letter, I had made up my mind I would show you how I could be very composed and cool and not need to ask you to listen to me nor to explain anything to me nor need any help. By telling you that all this about the multiple personalities was not really true but just put on, I could show, or so I thought, that I did not need you. Well, it would have been easier if it were put on. But the only ruse of which I'm guilty is to have pretended for so long before coming to you that nothing was wrong. Pretending that the personalities did not exist has now caused me to lose about two days. Three weeks later Sybil reaffirmed her belief in the existence of her other selves in a letter to Miss Updyke, the school nurse of undergraduate days.

When they would finally attempt to rise from those indolent afternoons they spent together, Gyan and Sai would have melted into each other like pats of butter—how difficult it was to cool and compose themselves back into their individual beings.

After writing the letter Sybil lost almost two days. "Coming to," she stumbled across what she had written just before she had dissociated and wrote to Dr. Wilbur as follows: It's just so hard to have to feel, believe, and admit that I do not have conscious control over my selves. It is so much more threatening to have something out of hand than to believe that at any moment I can stop (I started to say "This foolishness") any time I need to. When I wrote the previous letter, I had made up my mind I would show you how I could be very composed and cool and not need to ask you to listen to me nor to explain anything to me nor need any help. By telling you that all this about the multiple personalities was not really true I could show, or so I thought, that I did not need you. Well, it would be easier if it were put on. But the only ruse of which I'm guilty is to have pretended for so long before coming to you that nothing was wrong. Pretending that the personalities did not exist has now caused me to lose about two days.

I would like to ask one favor though, if that's not too much," he said. I wonder what he saw on my face, because something flickered across his own face in response. But, before I could identify it, he'd composed his features into the same serene mask. "Anything," I vowed, my voice faintly stronger. As I watched, his frozen eyes melted. The gold became liquid again, molten, burning down into mine with an intensity that was overwhelming. "Don't do anything reckless or stupid," he ordered, no longer detached. "Do you understand what I'm saying?" I nodded helplessly. His eyes cooled, the distance returned.

Bowman was aware of some changes in his behavior patterns; it would have been absurd to expect anything else in the circumstances. He could no longer tolerate silence; except when he was sleeping, or talking over the circuit to Earth, he kept the ship's sound system running at almost painful loudness. / At first, needing the companionship of the human voice, he had listened to classical plays--especially the works of Shaw, Ibsen, and Shakespeare--or poetry readings from Discovery's enormous library of recorded sounds. The problems they dealt with, however, seemed so remote, or so easily resolved with a little common sense, that after a while he lost patience with them. / So he switched to opera--usually in Italian or German, so that he was not distracted even by the minimal intellectual content that most operas contained. This phase lasted for two weeks before he realized that the sound of all these superbly trained voices was only exacerbating his loneliness. But what finally ended this cycle was Verdi's Requiem Mass, which he had never heard performed on Earth. The "Dies Irae," roaring with ominous appropriateness through the empty ship, left him completely shattered; and when the trumpets of Doomsday echoed from the heavens, he could endure no more. / Thereafter, he played only instrumental music. He started with the romantic composers, but shed them one by one as their emotional outpourings became too oppressive. Sibelius, Tchaikovsky, Berlioz, lasted a few weeks, Beethoven rather longer. He finally found peace, as so many others had done, in the abstract architecture of Bach, occasionally ornamented with Mozart. / And so Discovery drove on toward Saturn, as often as not pulsating with the cool music of the harpsichord, the frozen thoughts of a brain that had been dust for twice a hundred years.

Studying Mahler changed many things in my tastes as a composer. Mahler & Berg are my favourite composers even today, as opposed to Hindemith, say, a Krenek and Milhaud whom I liked when I was young but cooled towards rapidly.

Satisfaction raced through his veins, even as his body screamed for its own pleasure. He loved that he could do this to her, make her scream and moan and cry out with desire. She was so strong, always so cool and composed, and yet right now she was simply and purely his, a slave to her own needs, captive to his expert touch. He kissed, he licked, he nibbled, he tugged. He tortured her until he thought she might explode. Her breath was loud and gasping, and her moans had grown more and more incoherent. And

And here, all along, she'd thought of herself as being so calm, so cool, so composed.

But such people (Moderate Conservatives) aren't liberal. What they are is corporate. Their habits and opinions owe far more to the standards of courtesy and taste that prevail within the white-collar world than they do to Franklin Roosevelt and the United Mine Workers. We live in a time, after all, when hard-nosed bosses compose awestruck disquisitions on the nature of 'change,' punk rockers dispense leadership secrets, shallow profundities about authenticity sell luxury cars, tech billionaires build rock'n'roll musuems, management theorists ponder the nature of coolness, and a former lyricist fro the Grateful Dead hail the dawn of New Economy capitalism from the heights of Davos. Coversvatives may not understand why, but business culture had melded with counterculture for reasons having a great deal to do with business culture's usual priority - profit.

And you’re okay with this?...” I studied his calm expression, my own features anything but calm. “Noooo…” Aeron drew the word out lazily with a slow, deliberate shake of his head. His face remained strangely composed. “Then can I please have some of whatever sedative you took…because this,” I waved my hand, motioning from his head to his feet, “is way too cool under pressure.

No mates exist for countless miles around, and a chestnut, though both male and female, will not serve itself. Yet still this tree has a secret tucked into the thin, living cylinder beneath its bark. Its cells obey an ancient formula: Keep still. Wait. Something in the lone survivor knows that even the ironclad law of Now can be outlasted. There’s work to do. Star-work, but earthbound all the same. Or as the nurse to the Union dead writes: Stand cool and composed before a million universes. As cool and composed as wood.

The fall was followed by a wail of anguish, penetrating to the dressing room behind. “See to baby, Truda,” Mama must have said, cool and composed, knowing that if the child had been crushed beneath the great chandelier of the theater it would only mean one less to take around,

As she crossed the defence team, Indrani saw Sesha sitting in a chair with his legs crossed and looking cool and composed. Mythili, who was by his side, was offering him coffee from a flask. As if they were in a cinema house waiting for the movie to resume after intermission. When everything pointed to an adverse verdict, how could he be so relaxed? He was typing something into his cell phone; perhaps tweeting. He had a massive following on Twitter. It ranged from simple appreciation for his administrative prowess to absolute fetish over everything about him—his trademark cotton pants and shirt, which had become a rage among his female fans, his Santro car, which had become a symbol of simplicity and his frugal dietary habits, which somehow raised him to a sainthood and absolved him of anything wicked. The more the mainstream media like TV and newspapers worked against him, the stronger was the support he got from his Twitter followers.

I chose option A. I kept my cool, aided by a lifetime of dealing with difficult men trying to throw me off. I did, however, grip the microphone extra hard. I wonder, though, whether I should have chosen option B. It certainly would have been better TV. Maybe I have overlearned the lesson of staying calm—biting my tongue, digging my fingernails into a clenched fist, smiling all the while, determined to present a composed face to the world. Of course, had I told Trump off, he surely would have capitalized on it gleefully.

I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.

But what after all is one night? A short space, especially when the darkness dims so soon, and so soon a bird sings, a cock crows, or a faint green quickens, like a turning leaf, in the hollows of the wave. Night, however, succeeds to night. The winter holds a pack of them in store and deals them equally, evenly, with indefatigable fingers. They lengthen; they darken. Some of them hold aloft clear planets, plates of brightness. The autumn trees, ravaged as they are, take on the flesh of tattered flags kindling in the doom of cool cathedral caves where gold letters on marble pages describe death in battle and how bones bleach and burn far away in Indian sands. The autumn trees gleam in the yellow moonlight, in the light of harvest moons, the light which mellows the energy of labour, and smooths the stubble, and brings the wave lapping blue to the shore. It seemed now as if, touched by human penitence and all its toil, divine goodness had parted the curtain and displayed behind it, single, distinct, the hare erect; the wave falling; the boat rocking; which, did we deserve them, should be ours always. But alas, divine goodness, twitching the cord, draws the curtain; it does not please him; he covers his treasures in a drench of hail, and so breaks them, so confuses them that it seems impossible that their calm should ever return or that we should ever compose from their fragments a perfect whole or read in the littered pieces the clear words of truth. For our penitence deserves a glimpse only; our toil respite only. The nights now are full of wind and destruction; the trees plunge and bend and their leaves fly helter skelter until the lawn is plastered with them and they lie packed in gutters and choke rain pipes and scatter damp paths. Also the sea tosses itself and breaks itself, and should any sleeper fancying that he might find on the beach an answer to his doubts, a sharer of his solitude, throw off his bedclothes and go down by himself to walk on the sand, no image with semblance of serving and divine promptitude comes readily to hand bringing the night to order and making the world reflect the compass of the soul. The hand dwindles in his hand; the voice bellows in his ear. Almost it would appear that it is useless in such confusion to ask the night those questions as to what, and why, and wherefore, which tempt the sleeper from his bed to seek an answer.

Inside each man, though he did not know it, nor ever considered it, was the image of the woman he someday must love. Whether she was composed of all the music he had ever heard or all the trees he had ever seen or all the friends of his childhood, certainly no one could tell. Whether the eyes were his mother's, and the chin that of a girl cousin swimming in a summer lake twenty-five years ago, this was unknowable also. But most men carried this image, like a locket, like a pearl-cameo, in their head a lifetime, taking it out only rarely, taking it never, after marriage, afraid then to compare it to the reality. And most men never saw the woman they would love anywhere, in the dark theatre, in a book, or passing on the street. They saw her only after midnight when the city was asleep and the pillow was cool under their heads. And she was a composite of all dreams and all women and every moonlit night since the calendar began

She was suddenly self-conscious of the fact that she and Jay were on the bed together, even though they'd been there, together like that, hundreds, maybe even thousands, of times before. And it had never bothered her then, when they were still just friends; but somehow with her father just a few feet away, especially right after they'd been making out, she felt like they were doing something wrong. "We're fine, Dad!" she called back, trying to sound cool and composed. And then she glared at Jay for his part in making her shout to begin with. They listened to the sound of her father walking away, and Violet noticed that even his footsteps were soft and unobtrusive. There was a long silence once they were alone again. Words that needed to be said, and maybe some that didn't, were like invisible fireworks exploding in the empty space between them. Jay was the first to give in. He reached out and took her hand, wrapping it tightly in both of his. "Look, Vi, I don't know exactly how to say this, but I don't want anything bad to happen to you. I don't think I could handle it if something, or someone, hurt you." The tone of his voice was still immovable and stubborn, despite the sweet sentiment lurking behind it. He squeezed her hand, though...firmly, as if emphasizing his point. "I know it's selfish, and I don't really care if it is, but I'm not gonna stand by and let you put yourself in danger, even if it is to catch a killer." He eased up on her throbbing fingers, and his voice got all husky and rough again. "I can't lose you," he explained, shrugging as if those weren't the most wonderful words she'd ever heard before. "Not now that I finally have you." She felt tears prickling in her eyes, and she blinked hard to try to stop them from coming. She was completely overwhelmed by what she'd just figured out...she'd realized it even before he'd finished talking. She knew what it was that he wasn't saying while he lectured her about safety. He loved her. Jay Heaton, her best friend since childhood, was in love with her. He didn't say it, but she knew that it was true. And the part that really freaked her out, the part of it that caught her completely off guard, was that he wasn't in it alone. Because even though she'd been denying it for a long long time, it had always been there...waiting just beneath the surface of their friendship. And now that it was out, there was no going back. And it was so weird to even be thinking it, but... ...she was in love with him too.

For the first billion years, the universe continued to expand and cool as matter gravitated into the massive concentrations we call galaxies. Nearly a hundred billion of them formed, each containing hundreds of billions of stars that undergo thermonuclear fusion in their cores. Those stars with more than about ten times the mass of the Sun achieve sufficient pressure and temperature in their cores to manufacture dozens of elements heavier than hydrogen, including those that compose planets and whatever life may thrive upon them. These elements would be stunningly useless were they to remain where they formed. But high-mass stars fortuitously explode, scattering their chemically enriched guts throughout the galaxy. After nine billion years of such enrichment, in an undistinguished part of the universe (the outskirts of the Virgo Supercluster) in an undistinguished galaxy (the Milky Way) in an undistinguished region (the Orion Arm), an undistinguished star (the Sun) was born. The

And I say to any man or woman, Let your soul stand cool and composed before a million universes. And I say to mankind, Be not curious about God, For I who am curious about each am not curious about God, No array of terms can say how much I am at peace about God and about death. I hear and behold God in every object, yet understand God not in the least. Nor do I understand who there can be more wonderful than myself. Why should I wish to see God better than this day? I see something of God each hour of the twenty-four, and each moment then, In the faces of men and women I see God, and in my own face in the glass, I find letters from God dropt in the street, and every one is sign'd by God's name, And I leave them where they are, for I know that wheresoe'er I go, Others will punctually come for ever and ever.

Inside each man, though he did not know it, nor ever considered it, was the image of the woman he someday must love. Whether she was composed of all the music he had ever heard or all the trees he had ever seen or all the friends of his childhood, certainly no one could tell. Whether the eyes were his mother's, and the chin that of a girl cousin swimming in a summer lake twenty-five years ago, this was unknowable also. But most men carried this image, like a locket, like a pearl-cameo, in their head a lifetime, taking it out only rarely, taking it never, after marriage, afraid then to compare it to the reality. And most men never saw the woman they would love anywhere, in the dark theatre, in a book, or passing on the street. They saw her only after midnight when the city was asleep and the pillow was cool under their heads. And she was a composite of all dreams and all women and every moonlit night since the calendar began.

I have said that the soul is not more than the body, And I have said that the body is not more than the soul, And nothing, not God, is greater to one than one’s self is, And whoever walks a furlong without sympathy walks to his own funeral drest in his shroud, And I or you pocketless of a dime may purchase the pick of the earth, And to glance with an eye or show a bean in its pod confounds the learning of all times, And there is no trade or employment but the young man following it may become a hero, And there is no object so soft but it makes a hub for the wheel’d universe, And I say to any man or woman, Let your soul stand cool and composed before a million universes. And I say to mankind, Be not curious about God, For I who am curious about each am not curious about God, (No array of terms can say how much I am at peace about God and about death.) I hear and behold God in every object, yet understand God not in the least, Nor do I understand who there can be more wonderful than myself. Why should I wish to see God better than this day? I see something of God each hour of the twenty-four, and each moment then, In the faces of men and women I see God, and in my own face in the glass, I find letters from God dropt in the street, and every one is sign’d by God’s name, And I leave them where they are, for I know that wheresoe’er I go, Others will punctually come for ever and ever.

They then praise me for traits I don’t think I even have. Amiable presence? Hah! Lady of legends? OK, that sounds pretty cool. But righteous? Honourable? Composed? Did they just grab a dictionary and choose a bunch of positive words? And calling me polite, the girl who talks with her mouth full, the girl who speaks her mind at the worst moments, the girl who has no intention of hiding when she’s bored, annoyed or offended in order to respect the other person? Well, they’ll soon realise that polite was far from the truth. I’m not exactly impolite towards them, but I hate phoneys, and I have being phoney, too. Somehow, though, my upfront comments only spawn more of these exaggerated compliments: ‘What a sincere girl!’ and ‘We need a Pulsar of such boldness.

In the Incarnation God came to know for himself what a thing is the life of man, what a work of his hands is this creature composed of body and soul. From the dark of the womb to the black of the tomb, through childhood to manhood and the last, slow long-drawn-out agony of dying, he has known for himself what it means to live in a handful of clay, to feel the cool touch of mother’s hand on fevered flesh, to taste the salt of sweat and tears, to hear music and birdsong and the vilest of insults, to stumble and fall, be bruised and mangled and torn. He cried out at last, as have all of us at one time or another, to be spared any more burdens or suffering. The Incarnation, in short, meant that God became man, like us in all things, says Saint Paul, except sin.

For all his faults, Leifs was a unique composer, driven by the ambition to create an Icelandic sound that might intrigue and inspire the world by bringing to life the country’s literature, landscape, and vernacular songs. His friend, the writer and diplomat Kristján Albertsson, who was unusually cognizant of the composer’s strengths and weaknesses, wrote that Leifs’s purpose had been to give Iceland “a voice among the musics of the world, to let the cool, strong gale of the Icelandic weather rush into the world’s music—and to remind ourselves who we are, what we are, can be or become if we choose to be ourselves, true to our origins and character—and not simply epigones in the world of art.” In his best works, Leifs achieved his goal. They are born of a deep personal conviction and epitomize the unique soundscape of his country: roaring ocean, erupting mountains, cracking icebergs, trembling earth.

For all his faults, Leifs was a unique composer, driven by the ambition to create an Icelandic sound that might intrigue and inspire the world by bringing to life the country’s literature, landscape, and vernacular songs. His friend, the writer and diplomat Kristján Albertsson, who was unusually cognizant of the composer’s strengths and weaknesses, wrote that Leifs’s purpose had been to give Iceland “a voice among the musics of the world, to let the cool, strong gale of the Icelandic weather rush into the world’s music—and to remind ourselves who we are, what we are, can be or become if we choose to be ourselves, true to our origins and character—and not simply epigones in the world of art.” In his best works, Leifs achieved his goal. They are born of a deep personal conviction and epitomize the unique soundscape of his country: roaring ocean, erupting mountains, cracking icebergs, trembling earth.

To control the release of energy by a nuclear reactor, ‘control rods’ are used. RBMK control rods are long, thin cylinders, composed mostly of neutron-absorbing boron carbide to hinder the reaction. The tips of each rod are made of graphite to prevent cooling water (which is also a neutron absorber) from entering the space the rod’s boron had occupied as it is withdrawn from the core, in order for that section to have a greater impact upon reactivity when reinserted. Chernobyl’s 211 control rods descend down into the core from above as necessary, and are aided in their role by an extra 24 special shortened ‘absorber rods’. These absorber rods ensure an even distribution of power across the entire width of the core by inserting upwards from below. The more control rods that are inserted into the reactor core, and the further they penetrate, the lower the levels of power will be. Conversely, fewer rods equals more power. Every control rod can be inserted together, penetrating as near or as far as the operator wishes, or they can be disconnected and inserted in groups, depending on requirements.77

Akimov didn’t understand what was happening either. He, like the other poor operators in the control room, was unaware of a devastating fatal flaw in the reactor’s design. While around 5 meters of each control rod was composed of the neutron-absorbing element boron to halt the reaction, the ends of each rod were made of graphite - the same reaction-increasing moderator as was used throughout the core of the RBMK. Between the graphite and boron was a long hollow section. The purpose of the graphite tips was to displace cooling water (which is also a moderator, albeit weaker than graphite) in the rod’s path, thus increasing the boron’s dampening effect on the fuel.119 The moment all those graphite tips began to move inside the reactor, there was a surge in positive reactivity in the lower half of the core, resulting in a huge increase in heat and steam production. This heat fractured part of the fuel assembly, distorting the control rod channels and preventing their smooth travel through the core. When a control rod is fully inserted, the tip extends below the core, but now over 200 were lodged in the centre.

*SNEAK PEAK* An Excerpt from Grace Prevailing, to be released TOMORROW!!! :) “Agabus.” Mary smiled warmly as she reached him, her luminous gray eyes twinkling with welcome and a hint of mirth. “How brave of you to join us this evening.” Agabus’ dark eyes met hers, flickering in annoyance. So much for his clever disguise! “I must ask you to lower your voice, please,” the young Pharisee hissed under his breath, wondering how many of her guests had overheard the use of his name. “You needn’t fear, Agabus,” Mary assured him, lowering her dulcet tone to placate him. “None of us wish to give you away.” “One careless slip of the tongue could very well prove ruinous,” Agabus told her, his glittering eyes sweeping cautiously about the room. “Possibly even deadly.” “Not nearly so deadly as rejecting the Way Christ has clearly revealed to you.” “He hasn’t revealed anything to me,” Agabus argued, though his tone was far from convincing. “At least, not personally.” “No?” Mary prompted, her slender brow lifting in question. “Then why are you here? And why do you persist in your questions?” “This is not about me,” Agabus insisted, his voice rising in frustration. When several believers glanced his way, he shifted uncomfortably, pulling his hooded shawl to further obscure his bearded face. “I must speak with you,” he finally concluded, his gaze shifting anxiously about the crowded room. “Alone.” “If you wish to speak, then we may speak here.” “For heaven’s sake, Mary,” Agabus breathed, his frustration mounting. “Go on,” Mary prodded, appearing perfectly composed. Maddeningly aware of the chatter and movement surrounding them, Agabus took a step closer, so close Mary could smell his spice-scented breath. “I come bearing ill tidings.” “Why doesn’t that surprise me?” Mary responded, smiling faintly. “What kind of ill tidings?” “It’s about Saul of Tarsus.” “I see,” Mary nodded, her expression sobering beneath her pale blue head covering. “What has he done now?” “It’s what he is about to do,” Agabus warned her, his obsidian eyes growing serious. “At this moment, he is attempting to obtain permission to target churches beyond Jerusalem.” “Preposterous,” Mary declared, her eyes flashing. “He hasn’t the jurisdiction to do so.” “The high priest is seriously considering granting his request,” Agabus told her grimly. “Your sect endangers the very office he holds.” “On what grounds will Saul make his arrests?” “By order of the high priest,” Agabus sighed. “I imagine Jewish men and women will be dragged from other provinces by order of the Great Sanhedrin.” “Women, too?” Mary asked, surprised. “I’m afraid no one is safe,” Agabus replied grimly. “Once within the grasp of the high priest and the Sanhedrin here in Jerusalem, I imagine far more serious political charges will be fabricated against the prisoners, resulting in life in prison—possibly even the death penalty.” Releasing a steadying sigh, Mary brushed cool fingertips across her smooth forehead, deep in thought. “This isn’t good, Mary,” Agabus warned her, daring yet another step closer. “Up to this point, your friends have been safe beyond our borders. But now… if Saul has his way, they cannot run. They cannot hide. In time, they will be hunted down and exterminated one by one. And their cause shall perish with them.” “Never,” Mary said firmly, her eyes flashing. “The gospel will reach the ends of the earth, Agabus. Mark my words.” “There’s just no way,” Agabus countered, shaking his covered head. “God has already made a Way,” Mary told him, her eyes alight with conviction. “And His name is Jesus. Jesus is the Way.

The wedding rehearsal itself was uneventful until Father Johnson decided it was time to show Marlboro Man and me the proper way to walk to the marriage altar. Evidently, all of Father Johnson’s theological studies and work was destined to culminate in whether or not Marlboro Man and I approached the altar in the perfectly correct and proper way, because he was intent on driving the point home. “At this point,” Father Johnson instructed, “you’ll start to turn and Ree will take your arm.” He lightly pushed Marlboro Man in the proper direction, and the two of us began walking forward. “Nope, nope, nope,” Father Johnson said authoritatively. “Come back, come back.” Marlboro Man’s college friends snickered. “Oh…what did we do wrong?” I asked Father Johnson humbly. Maybe he’d discovered the truth about the collages. He showed us again. Marlboro Man was to turn and begin walking, then wait for me briefly. Then, as I took his arm, he was to lead me to the altar. Wait. Wasn’t that what we just did? We tried again, and Father Johnson corrected us…again. “Nope, nope, nope,” he said, pulling us both by the arm until we were back in our starting position. Marlboro Man’s friends chuckled. My stomach growled. And Marlboro Man kept quietly restrained, despite the fact that he was being repeatedly corrected by his fiancée’s interim minister for something that arguably wasn’t all that relevant to the commitment we were making to spend the rest of our lives together. We went through no fewer than seven more takes, and with each redo I began to realize that this was Father Johnson’s final test for us. Forget the collage assignment--that was small potatoes. Whether we could keep our cool and take instruction when a nice steak dinner and drinks awaited us at the country club was Father Johnson’s real decider of whether or not Marlboro Man and I were mature, composed, and levelheaded enough to proceed with the wedding. And while I knew Marlboro Man would grit his teeth and bear it, I wasn’t entirely sure I could. But I didn’t have to. On the beginning of the eighth run, just after Father Johnson gave us another “Nope. You’re not getting it right, kids…” Mike’s loud voice echoed throughout the wood-and-marble sanctuary. “Oh, c-c-c-c-come on, Father Johnson!” The chuckles turned into laughter. And out of the corner of my eye I saw Tony giving Mike a subtle high five. Thank goodness for Mike. He was hungry. He wanted to get on to the party.

Liberty is poorly served by men whose good intent is quelled from one failure or two failures or any number of failures, or from the casual indifference or ingratitude of the people, or from the sharp show of the tushes of power, or the bringing to bear soldiers and cannon or any penal statutes. Liberty relies upon itself, invites no one, promises nothing, sits in calmness and light, is positive and composed, and knows no discouragement. The battle rages with many a loud alarm and frequent advance and retreat…the enemy triumphs…the prison, the handcuffs, the iron necklace and anklet, the scaffold, garrote and leadballs do their work…the cause is asleep…the strong throats are choked with their own blood…the young men drop their eyelashes toward the ground when they pass each other…and is liberty gone out of that place? No never. When liberty goes it is not the first to go nor the second or third to go…it waits for all the rest to go…it is the last…When the memories of the old martyrs are faded utterly away…when the large names of patriots are laughed at in the public halls from the lips of the orators…when the boys are no more christened after the same but christened after tyrants and traitors instead…when the laws of the free are grudgingly permitted and laws for informers and bloodmoney are sweet to the taste of the people…when I and you walk abroad upon the earth stung with compassion at the sight of numberless brothers answering our equal friendship and calling no man master—and when we are elated with noble joy at the sight of slaves…when the soul retires in the cool communion of the night and surveys its experience and has much extasy over the word and deed that put back a helpless innocent person into the gripe of the gripers or into any cruel inferiority…when those in all parts of these states who could easier realize the true American character but do not yet—when the swarms of cringers, suckers, dough-faces, lice of politics, planners of sly involutions for their own preferment to city offices or state legislatures or the judiciary or congress or the presidency, obtain a response of love and natural deference from the people whether they get the offices or no…when it is better to be a bound booby and rogue in office at a high salary than the poorest free mechanic or farmer with his hat unmoved from his head and firm eyes and a candid and generous heart…and when servility by town or state or the federal government or any oppression on a large scale or small scale can be tried on without its own punishment following duly after in exact proportion against the smallest chance of escape…or rather when all life and all the souls of men and women are discharged from any part of the earth—then only shall the instinct of liberty be discharged from that part of the earth.

These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977

Victor and Melody Chen lived in the Mid-Levels, in an enormous white two-story house on May Road. There was a driveway, with potted plants lining the sides. Inside, there was the quiet, efficient buzz of a household staffed with plentiful servants. Claire had taken a bus, and when she arrived, she was perspiring after the walk from the road to the house. The amah had led her to a sitting room, where she found a fan blowing blessedly cool air. A houseboy adjusted the drapes so that she was properly shaded. Her blue linen skirt, just delivered from the tailor, was wrinkled, and she had on a white voile blouse that was splotched with moisture. She hoped the Chens would allow her some time to compose herself. She shifted, feeling a drop of perspiration trickle down her thigh.

Grits know when enough is enough. Having good manners doesn’t mean you should allow others to push you around. A Southern girl knows where to draw the line. (For those of you who are still learning, that’s round about the third insult thrown your way by that neighbor who’s had one too many mint juleps.) In short, having Southern manners means conducting yourself with class at all times. Keep in mind that Grits should always be more composed than their men. After all, we’re the ones who are going to have to keep a cool head to straighten out the messes they get themselves into, bless their pea-pickin’ hearts.

He recognized that they were likely to have far more personal reasons for anxiety than he had himself. Mallinson, for instance, was engaged to a girl in England; Barnard might be married; Miss Brinklow had her work, vocation, or however she might regard it. Mallinson, incidentally, was by far the least composed; as the hours passed he showed himself increasingly excitable—apt, also, to resent to Conway’s face the very coolness which he had praised behind his back. Once, above the roar of the engine, a sharp storm of argument arose. “Look here,” Mallinson shouted angrily, “are we bound to sit here twiddling our thumbs while this maniac does everything he damn well wants? What’s to prevent us from smashing that panel and having it out with him?

Kim Jong-il had real cultural ambitions. He was a known cinephile who fancied himself a rare blend of canny Hollywood producer and serious film auteur—even authoring a film theory book called The Art of Cinema in 1973, followed by The Cinema and the Art of Directing in 1987. He offers such insights as “Language is extremely important in literature” and “Compose the plot correctly.” Dissatisfied

Daisy snorts and tilts back a little farther in her chair to act all cool and composed. And then, the legs begin to slip underneath her. I gasp, picturing her smacking backwards on the ground. But Ryke is faster than my frozen joints. His eyes have already snapped open. He reaches out and grabs the top of her chair, setting both of them on four legs at the same time. My sister puts her hands on the table, leaning forward as though a rollercoaster just flung to an abrupt stop. She looks winded and stunned all at the same time. Ryke barely misses a beat. He pushes an extra spoon in front of her. And to my surprise, she actually picks up the silverware and scoops a big bite of cake on it. She hesitates for a second. “It’s not arsenic,” he says. Her lips rise in a small smile. “Your hips also don’t have to be measured in the morning.

You need to let me go, Dmitri, and move on. I am not going to marry you.” “I will have you.” Such conviction, and he’d brought some muscle to try and prove his statement. A pair of brutes exited the car. Dmitri’s order of, “Don’t hurt her,” made her tsk aloud. Please. If he thought to subdue her, he should have brought more guys. As the one gorilla— and seriously, despite his obvious humanity, she had to wonder at his ancestry— grabbed for her arm, she sidestepped, causing him to snare only air. She, on the other hand, didn’t miss. Her foot swung out and cracked goon number one in the knee. He let out a yelp of pain, but before she could take him out fully, the second guy lunged for her. She ducked under his grasping hands and thrust, her fist connecting with his diaphragm. He gasped for breath. She took no mercy and kneed him in the groin, just as goon number one made his next move. With a tinkle of bells, the door to the coffee shop opened, and a very calm-sounding Leo said, “Lay a finger on her, and I will rip your arm off and beat you with it.” As threats went, it was adorable. Especially since, given his size and mien, Leo probably could. The idiot didn’t listen. The thug went to grab Meena’s arm, and curiosity made her let him instead of breaking his fingers. Why exert herself when Pookie seemed determined to come to her rescue? While outwardly he appeared cool and composed, a wild storm brewed in his eyes as Leo growled, “I said don’t touch.” Crack. Yup. There was one guy who wouldn’t be touching anything with that arm for a while, and he’d probably end up hoarse with the way he was screaming. Pussy. In the distance, sirens wailed to life, and it didn’t take Dmitri’s barked, “Get in the car, you idiots,” for the thugs to realize their attempt at a coerced kidnapping had failed. Meena didn’t bother watching the car speed off, not when she had something much more important to attend to. Like a man who thought she needed saving. How her dad would laugh when he heard about it. Her sister, Teena, would sigh about how romantic it was. Her mom, on the other hand, would chastise Meena for causing chaos once again. Turning to Leo, who wore a formidable glower, she threw herself at him. Apparently, he half expected it because his arms opened wide, and he caught her— without even a tiny stagger! She latched her legs around his waist, draped her arms around his neck, and exclaimed, “Pookie, you were awesome. You saved me from those big, bad men. You’re like a knight in Under Armour.” Not entirely true. He wore a plain black Fruit of the Loom T-shirt. But she could totally picture him in one of those form-fitting tees that Under Armour specialized in that would mold his perfect chest. On second thought, given how it would show off his impressive musculature, perhaps she should leave his wardrobe alone. No use taunting the female public with what they couldn’t have. It would also mean less blood for her to rinse if they dared to touch. “I’d hardly say I saved you. You seemed to be doing all right on your own.” She planted a big smooch on his lips and declared him, “My hero.

Among these little affairs was one which we called “Company K’s Skirmish,” because it brought out the fact that this company, which was composed entirely of South Carolina men, and had never shone in drill or discipline, stood near the head of the regiment for coolness and courage,—the defect of discipline showing itself only in their extreme unwillingness to halt when once let loose. It was at this time that the small comedy of the Goose occurred,—an anecdote which Wendell Phillips5 has since made his own. One of the advancing line of skirmishers, usually an active fellow enough, was observed to move clumsily and irregularly. It soon appeared that he had encountered a fine specimen of the domestic goose, which had surrendered at discretion. Not wishing to lose it, he could yet find no way to hold it but between his legs; and so he went on, loading, firing, advancing, halting, always with the goose writhing and struggling and hissing in this natural pair of stocks. Both happily came off unwounded, and retired in good order at the signal, or some time after it; but I have hardly a cooler thing to put on record.

Let your soul stand cool and composed before a million universes.” –Walt Whitman

Feeling the hairs on her nape prickle with awareness, Beatrix sent a quick glance around the room. Her gaze was immediately caught by a pair of cool gray eyes. Christopher was staring at her, unsmiling. Chickering gracefully pulled her into the waltz. Following the completion of one turn, Beatrix glanced over her shoulder, but Christopher was no longer staring at her. In fact, he didn’t glance at her even once after that. Beatrix forced herself to laugh and dance with Chickering, while privately reflecting that there was nothing so trying as pretending you were happy when you weren’t. Discreetly she watched Christopher, who was inundated with women who wanted to flirt with him and men who wanted to hear war stories. Everyone, it seemed, wanted to associate with the man whom many were calling England’s most celebrated war hero. Christopher bore it all with equanimity, looking composed and courteous, occasionally flashing a charming smile. “It’s hard for a fellow to challenge that,” Chickering told Beatrix dryly, nodding in Christopher’s direction. “Fame, great wealth, and a full head of hair. And one can’t even despise him, because he singlehandedly won the war.” Beatrix laughed and gave him a mock-pitying glance. “You’re no less impressive than Captain Phelan, Mr. Chickering.” “By what measure? I wasn’t in the military, and I have neither fame nor great wealth.” “But you do have a full head of hair,” Beatrix pointed out. Chickering grinned. “Dance with me again, and you can view my abundant tresses at your leisure.” “Thank you, but I’ve already danced with you twice, and any more would be scandalous.” “You have broken my heart,” he informed her, and she laughed. “There are many delightful ladies here who would be happy to mend it,” she said. “Please go and favor them--a gentleman who dances as well as you should not be monopolized.

I’m surprised you’re here.” Her mouth curved upward. “I warned you I’d be joining you.” He ignored the heat that spread inside him at the sight of her smile. “That’s just it.” Her smile grew wider. “A politician who keeps his word—what a remarkable aberration in the species.” “How could I have forgotten that keen wit of yours?” he marveled. “Yeah, I’m full of surprises. Might want to remember that.” Then, throwing caution to the wind, he let his eyes roam slowly over her, lingering. She’d have to be blind not to see the hunger in them. Which she clearly wasn’t. She retreated a step. He followed, his longer legs closing the distance, until his body almost brushed hers. That cool composer of Lily’s was unraveling, no matter how hard she struggled to pretend otherwise. The signs were there, in the fine trembling of her limbs, in the flush that stole over her porcelain smooth cheeks. Fierce satisfaction filled Sean at her involuntary reaction. He dipped his head until his lips hovered, a soft whisper away. “Lily?” “Yes?” There was a husky catch to her voice. Sean’s fingers reached up and traced the rosy bloom on her cheek. Was it the sweet flush of desire that made her skin so soft? he wondered, his eyes and fingers memorizing every detail, every sensation. God, he’d die for a taste of her. But Sean denied himself the pleasure. He raised his head, putting distance between himself and his greatest temptation, and forced himself to lower his hand. At the loss of contact, Lily’s head jerked, as if coming out of a trance. Sean stepped back before she could flay him alive. “You’re looking a little pink, Lily. I’ve got some zinc oxide in my bag. I’d be happy to put some on you. Especially on those hard to reach places.” He gave her a casual smile and pulled his sunglasses from the breast pocket of his T-shirt, ignoring the violent thudding of his heart against the cotton fabric. His hands shook, too, racked with tremors of need. Somehow, he managed to settle his shades across the slightly crooked bridge of his nose, before shoving them deep into his pocket, out of sight. Damn Sean and his effect on me, Lily swore silently. He had only to bestow the paltriest of caresses and she nearly swooned. Even more galling was the fact that she was equally helpless before Sean’s verbal taunts. The thought of Sean’s hands, slick with lotion, gliding over her body in long, sweeping caresses had her pulse racing. Lily’s voice was filled with contempt—never mind that it was self-directed—as she spoke. “You know, you and John Granger should get to know each other. You could compare notes on really great pickup lines. By the way, Sean, your nose? Does it trouble you still? I hope so.

The Zombie Firetruck by Stewart Stafford Sirens moan, grave duty's flash of red, A mortuary whiff of something dead, Hoses trained with brains they suck, Your friendly neighbourhood zombie firetruck! All that remained of the human fire team, From the zombie pandemic of 2017, Still in their uniforms, their only treasures, Apocalyptic times call for end-time measures. When they reached the fire, people did scoff, They lurched, staggered, body parts fell off, As they wandered around, fire hoses forlorn, These knightly living dead faced a blazing dawn. The chief, hat off to his skeleton crew, In a voice once alive, now croaky like flu: 'To the hydrant, my ghouls, let's save Gothik Town, Or they'll call Ghostbusters, we'll be the clowns!' A glowering inferno, a cremation scene, Zombie firefighters, brave and light green. Through smoke and ash, they gravely stand, Composed decomposition with skeletal hand. Axeman Bony Ed led their clattering charge, Into the smoke, his cadavers did barge, The townsfolk looked on in dead of night, And disbelief, tiredness and mild fright. There soon followed medic Cemetery Phil, Decaying Murphy, Old Salty, and Dead Drill, Slab Stevens, Madly Hyde and Molly Voodoo, Determined to shake their initial hoodoo. A mother and baby backed by burning drapes, Team Macabre charged up the fire escape, Saving both and getting everyone out, Drank Brainer Ade as they leaked like a spout. Somehow, undead teamwork saved the day, No lives were lost as the water sprayed, Doused the flames, cool flatlined heroes, Much zombie kudos, no longer scary zeroes. The crowd cheered, did they ever doubt it? High fives lost hands but new ones sprouted, Frankenstein proud in their flapping flesh, Sure to get medals at the HalloweenFest. With a final groan and a clatter of bones, The zombie firetruck headed back home. Rotten yet proud, in their reanimated way, The risen would fight fires another day. © 2024, Stewart Stafford. All rights reserved.

When you’re angry, you might feel a wave of frustration, as though everything and everyone is getting on your nerves. This frustration can quickly escalate to irritation, making it hard to stay calm and composed.

The spiritual aspect of valor is evidenced by composure—calm presence of mind. Tranquility is courage in repose. It is a statical manifestation of valor, as daring deeds are a dynamical. A truly brave man is ever serene; he is never taken by surprise; nothing ruffles the equanimity of his spirit. In the heat of battle he remains cool; in the midst of catastrophes he keeps level his mind. Earthquakes do not shake him, he laughs at storms. We admire him as truly great, who, in the menacing presence of danger or death, retains his self-possession; who, for instance, can compose a poem under impending peril or hum a strain in the face of death. Such indulgence, betraying no tremor in the writing or in the voice, is taken as an infallible index of a large nature—of what we call a capacious mind (Yoyū), which, far from being pressed or crowded, has always room for something more.

The soul remaining chestnut goes on flowering. But its blooms have no more blooms to answer them. No mates exist for countless miles around, and a chestnut, though both male and female, will not serve itself. Yet this tree has a secret tucked into the thin, living cylinder beneath its bark. Its cells obey an ancient formula: Keep still. Wait. Something in the lone survivor knows that even the ironclad law of Now can be outlasted. There's work to do. Star-work, but earthbound all the same. Or as the nurse to the Union dead writes: Stand cool and composed before a million universes. As cool and composed as wood.

All that becomes known of the course of events in War is usually very simple, and has a great sameness in appearance; no one on the mere relation of such events perceives the difficulties connected with them which had to be overcome. It is only now and again, in the memoirs of Generals or of those in their confidence, or by reason of some special historical inquiry directed to a particular circumstance, that a portion of the many threads composing the whole web is brought to light. The reflections, mental doubts, and conflicts which precede the execution of great acts are purposely concealed because they affect political interests, or the recollection of them is accidentally lost because they have been looked upon as mere scaffolding which had to be removed on the completion of the building. If, now, in conclusion, without venturing upon a closer definition of the higher powers of the soul, we should admit a distinction in the intelligent faculties themselves according to the common ideas established by language, and ask ourselves what kind of mind comes closest to military genius, then a look at the subject as well as at experience will tell us that searching rather than inventive minds, comprehensive minds rather than such as have a special bent, cool rather than fiery heads, are those to which in time of War we should prefer to trust the welfare of our women and children, the honour and the safety of our fatherland.

I couldn’t really mean what my poems said. Could any sane person really oppose hope, romance, love, marriage, children, family: the most basic materials of human society? Was I—the cool and composed sweetheart of the smart set, the Girl Poet made flesh—secretly a monster for entertaining such suspicions?

We began with two buttery sweet edamame and one sugar syrup-soaked shrimp in a crunchy soft shell. A lightly simmered baby octopus practically melted in our mouths, while a tiny cup of clear, lemony soup provided cooling refreshment. The soup held three slices of okra and several slippery cool strands of junsai (water shield), a luxury food that grows in ponds and marshes throughout Asia, Australia, West Africa, and North America. In the late spring the tiny plant develops leafy shoots surrounded by a gelatinous sheath that floats on the water's surface, enabling the Japanese to scoop it up by hand from small boats. The edamame, okra, and water shield represented items from the mountains, while the shrimp and octopus exemplified the ocean. I could tell John was intrigued and amused by this artistic (perhaps puny?) array of exotica. Two pearly pieces of sea bream, several fat triangles of tuna, and sweet shelled raw baby shrimp composed the sashimi course, which arrived on a pale turquoise dish about the size of a bread plate. It was the raw fish portion of the meal, similar to the mukozuke in a tea kaiseki. To counter the beefy richness of the tuna, we wrapped the triangles in pungent shiso leaves , then dunked them in soy. After the sashimi, the waitress brought out the mushimono (steamed dish). In a coal-black ceramic bowl sat an ivory potato dumpling suspended in a clear wiggly broth of dashi thickened with kudzu starch, freckled with glistening orange salmon roe. The steamed dumplings, reminiscent of a white peach, was all at once velvety, sweet, starchy, and feathery and had a center "pit" of ground chicken. The whole dish, served warm and with a little wooden spoon, embodied the young, tender softness of spring.

No one asked you, boy,” Gawain said. “Get back with the other soldiers.”   Clark flinched, his shoulders climbing to his ears and his face falling. His gaze darted to Fallon and away as he took the dressing down.   “I asked him here,” Shea said, staring Gawain down.   He snorted but didn’t say anything, Fallon’s presence keeping him from voicing his opinion.   “I’ll just go, Shea. It’s alright. I should probably report back to see if they need any scouts.” Clark didn’t wait for a reply, turning his horse and sending it galloping back to the line.   She watched him go before taking a deep breath. She turned back around. Eamon and Buck watched her for a moment before giving the Rain Clan’s elder hard glances. He didn’t pay them any attention, probably deciding they were no worthier of being here, than Clark had been.   “You do the boy no favors by making him think he can break the chain of command,” Gawain said, his tone patronizing. “You won’t always be there to protect him.”   Shea’s hands tightened on the reins of her mount. It took considerable effort to bite back the words that wanted to escape her. Only the knowledge that Fallon might have need of this man kept her from the scathing retort she had forming.   In a coordinated movement, made all the more comical for it, Buck and Eamon stuck their tongues out and rolled their eyes before assuming their normal stone-faced expressions—the ones they wore around Trateri expedition leaders whom they found obnoxious.   Shea smothered the brief giggle the sight caused her. She schooled her face and gave them a nod of gratitude. She looked up and blinked, as she found herself pinned under the enigmatic gaze of Fallon. His eyes flicked to her two friends then back to her.   She held her breath, sensing a chastisement coming. He lowered one eyelid in an exaggerated wink before sticking just the tip of his tongue out and wrinkling his nose. This time she didn’t quite contain her laugh.   Fallon’s face was cool and implacable as Shea lost the battle and her chortles rolled out. The rest of the party besides Fallon, Eamon and Buck eyed her with concern, not seeing what she found so funny.   “If the Telroi could compose herself, perhaps we could get back to the business at hand,” Braden said.   “My name is Shea. I suggest you remember it.

64. Are snowflakes exactly unique? We are terribly sorry to burst anyone's bubble here. Seeing both claims numerous times (i.e. “every snowflake is unique” vs. “no snowflake is unique”), we feel this needs clarification. Also, the truth is far more interesting, let alone weird than you may think. First of all, we do recognize 35 basic snowflake shapes today. But those are merely templates upon which actual snowflakes are built. Secondly, it is clear that microscopic snowflakes and snow crystals (i.e. water crystals) can be identical. However, what we see with our bare eyes are complex snowflakes, which are composed of a large number of such crystals. Interestingly enough, those crystals grow in fractals, beautiful shapes described by complex mathematical functions.

64. Are snowflakes exactly unique? We are terribly sorry to burst anyone's bubble here. Seeing both claims numerous times (i.e. “every snowflake is unique” vs. “no snowflake is unique”), we feel this needs clarification. Also, the truth is far more interesting, let alone weird than you may think. First of all, we do recognize 35 basic snowflake shapes today. But those are merely templates upon which actual snowflakes are built. Secondly, it is clear that microscopic snowflakes and snow crystals (i.e. water crystals) can be identical. However, what we see with our bare eyes are complex snowflakes, which are composed of a large number of such crystals. Interestingly enough, those crystals grow in fractals, beautiful shapes described by complex mathematical functions. But most mind-staggering part here is the probability of two snowflakes being identical. When we crunch the numbers on this, every complex snowflake can have one of many – very many – combinations. In fact, the number of these combinations is larger than the total number of atoms in the known universe. Thus, it is extremely unlikely you will see two identical snowflakes. Ever.

The sole remaining chestnut goes on flowering. But its blooms have no more blooms to answer them. No mates exist for countless miles around, and a chestnut, though both male and female, will not serve itself. Yet still this tree has a secret tucked into the thin, living cylinder beneath its bark. Its cells obey an ancient formula: Keep still. Wait. Something in the lone survivor knows that even the ironclad law of Now can be outlasted. There’s work to do. Star-work, but earthbound all the same. Or as the nurse to the Union dead writes: Stand cool and composed before a million universes. As cool and composed as wood.

How we are likely to feel when our needs are being met absorbed adventurous affectionate alert alive amazed amused animated appreciative ardent aroused astonished blissful breathless buoyant calm carefree cheerful comfortable complacent composed concerned confident contented cool curious dazzled delighted eager ebullient ecstatic effervescent elated enchanted encouraged energetic engrossed enlivened enthusiastic excited exhilarated expansive expectant exultant fascinated free friendly fulfilled glad gleeful glorious glowing good-humored grateful gratified happy helpful hopeful inquisitive inspired intense interested intrigued invigorated involved joyous, joyful jubilant keyed-up loving mellow merry mirthful moved optimistic overjoyed overwhelmed peaceful perky pleasant pleased proud quiet radiant rapturous refreshed relaxed relieved satisfied secure sensitive serene spellbound splendid stimulated surprised tender thankful thrilled touched tranquil trusting upbeat warm wide-awake wonderful zestful How we are likely to feel when our needs are not being met afraid aggravated agitated alarmed aloof angry anguished annoyed anxious apathetic apprehensive aroused ashamed beat bewildered bitter blah blue bored brokenhearted chagrined cold concerned confused cool cross dejected depressed despairing despondent detached disaffected disappointed discouraged disenchanted disgruntled disgusted disheartened dismayed displeased disquieted distressed disturbed downcast downhearted dull edgy embarrassed embittered exasperated exhausted fatigued fearful fidgety forlorn frightened frustrated furious gloomy guilty harried heavy helpless hesitant horrible horrified hostile hot humdrum hurt impatient indifferent intense irate irked irritated jealous jittery keyed-up lazy leery lethargic listless lonely mad mean miserable mopey morose mournful nervous nettled numb overwhelmed panicky passive perplexed pessimistic puzzled rancorous reluctant repelled resentful restless sad scared sensitive shaky shocked skeptical sleepy sorrowful sorry spiritless startled surprised suspicious tepid terrified tired troubled uncomfortable unconcerned uneasy unglued unhappy unnerved unsteady upset uptight vexed weary wistful withdrawn woeful worried wretched Summary

In the Incarnation God came to know for himself what a thing is the life of man, what a work of his hands is this creature composed of body and soul. From the dark of the womb to the black of the tomb, through childhood to manhood and the last, slow long-drawn-out agony of dying, he has known for himself what it means to live in a handful of clay, to feel the cool touch of mother’s hand on fevered flesh, to taste the salt of sweat and tears, to hear music and birdsong and the vilest of insults, to stumble and fall, be bruised and mangled and torn.

Stacy smiled proudly and he filed the image of her sweet face in the section of his heart he shared with no one else ~ Brian, Song of the Snowman "Mom said if you put ears on your snowman, he’ll hear the music of the angels and sing songs to you.” ~ Stacy, Song of the Snowman The sweet promise of her embrace cured the loneliness in him. In her arms, he was whole. ~ Brian, Song of the Snowman He composed music, dreamed of the future, and kept the situations he couldn’t change at bay to the rhythm of his feet drumming on the concrete. Brian, Song of the Snowman This was as simple as his life got  rhythm, rhyme, and fingertips on cool keys. ~ Brian, Song of the Snowman

Stay Classy I wrote earlier that customers have the upper hand. A few taps on their smartphone, and they can bring up reviews and alternative vendors. I think the easiest way of dealing with this is to focus on your business, as outlined above. But if you choose to focus on the weaknesses of your competitors, you’re in dangerous territory. There’s nothing against self-improvement through comparison; indeed, you can build businesses from that. But exposing those weaknesses to customers in a bid to win them over is not cool. Badmouthing the competition makes you look weak, desperate, and sloppy. It seldom weakens their business but yours: how you behave toward others in your industry is one of the criteria by which potential partners and customers may judge you. While you might fool a few customers, the majority will see through the trash talk to the pettiness behind it. And once that bridge is burned, there’s little you can do to rebuild it. The competition is composed of people like you—hardworking teams who’ve dedicated their careers to making customers’ lives better. Denigrating them doesn’t make you look better; it makes you look bitter. Not just to customers, but to important people in the market: influencers, leaders, investors, and other people you will increasingly come into contact with and might one day rely on. So no matter how bad the competition gets, no matter how crowded the market, don’t attack your competitors. Stay classy instead.