Contiguous Quotes

The places we have known do not belong solely to the world of space in which we situate them for our greater convenience. They were only a thin slice among contiguous impressions which formed our life at that time; the memory of a certain image is but regret for a certain moment; and houses, roads, avenues are as fleeting, alas, as the years.

contiguous, adj. I felt silly for even mentioning it, but once I did, I knew I had to explain. "When I was a kid, "I had this puzzle with all fifty states on it--you know, the kind where you have to fit them all together. And one day I got it in my head that California and Nevada were in love. I told my mom, and she had no idea what I was talking about. I ran and got those two pieces and showed it to her--California and Nevada, completely in love. So a lot of the time when we're like this"--my ankles against the backs of your ankles, my knees fitting into the backs of your knees, my thighs on the backs of your legs, my stomach against your back, my chin folding into your neck--"I can't help but think about California and Nevada, and how we're a lot like them. If someone were drawing us from above as a map. that's what we'd look like; that's how we are." For a moment, you were quiet. And then you nestled in and whispered. "Contiguous." And I knew you understood.

The reality that I had known no longer existed. The places that we have known belong now only to the little world of space on which we map them for our own convenience. None of them was ever more than a thin slice, held between the contiguous impressions that composed our life at that time; remembrance of a particular form is but regret for a particular moment; and houses, roads, avenues are as fugitive, alas, as the years.

We find ourselves in a “collage” in which nothing has moved into the past and no wounds have healed with time, in which everything is present, open and bitter, in which everything coexists contiguously….

This visit has compacted the court's quarrels and intrigues, trapped them in the small space within the town's walls. The travelers have become as intimate with each other as cards in a pack: contiguous, but their paper eyes blind.

In An Enquiry Concerning Human Understanding, published in 1748, the Scottish philosopher David Hume reduced the principles of association to three: resemblance, contiguity in time and place, and causality. Our concept of association has changed radically since Hume’s days, but his three principles still provide a good start.

I WANT her though, to take the same from me. She touches me as if I were herself, her own. She has not realized yet, that fearful thing, that I am the other, she thinks we are all of one piece. It is painfully untrue. I want her to touch me at last, ah, on the root and quick of my darkness and perish on me, as I have perished on her. Then, we shall be two and distinct, we shall have each our separate being. And that will be pure existence, real liberty. Till then, we are confused, a mixture, unresolved, unextricated one from the other. It is in pure, unutterable resolvedness, distinction of being, that one is free, not in mixing, merging, not in similarity. When she has put her hand on my secret, darkest sources, the darkest outgoings, when it has struck home to her, like a death, "this is _him!_" she has no part in it, no part whatever, it is the terrible _other_, when she knows the fearful _other flesh_, ah, dark- ness unfathomable and fearful, contiguous and concrete, when she is slain against me, and lies in a heap like one outside the house, when she passes away as I have passed away being pressed up against the _other_, then I shall be glad, I shall not be confused with her, I shall be cleared, distinct, single as if burnished in silver, having no adherence, no adhesion anywhere, one clear, burnished, isolated being, unique, and she also, pure, isolated, complete, two of us, unutterably distinguished, and in unutterable conjunction. Then we shall be free, freer than angels, ah, perfect. VIII AFTER that, there will only remain that all men detach themselves and become unique, that we are all detached, moving in freedom more than the angels, conditioned only by our own pure single being, having no laws but the laws of our own being. Every human being will then be like a flower, untrammelled. Every movement will be direct. Only to be will be such delight, we cover our faces when we think of it lest our faces betray us to some untimely fiend. Every man himself, and therefore, a surpassing singleness of mankind. The blazing tiger will spring upon the deer, un-dimmed, the hen will nestle over her chickens, we shall love, we shall hate, but it will be like music, sheer utterance, issuing straight out of the unknown, the lightning and the rainbow appearing in us unbidden, unchecked, like ambassadors. We shall not look before and after. We shall _be_, _now_. We shall know in full. We, the mystic NOW. (From the poem the Manifesto)

No phonetic sign, except at a rudimentary, strictly speaking pre-linguistic level of vocal imitation, has any substantive relation or contiguity to that which it is conventionally and temporally held to designate.

In the literary machine that Proust’s “In Search of Lost Time” constitutes, we are struck by the fact that all the parts are produced as asymmetrical sections, paths that suddenly come to an end, hermetically sealed boxes, noncommunicating vessels, watertight compartments, in which there are gaps even between things that are contiguous, gaps that are affirmations, pieces of a puzzle belonging not to any one puzzle but to many, pieces assembled by forcing them into a certain place where they may or may not belong, their unmatched edges violently forced out of shape, forcibly made to fit together, to interlock, with a number of pieces always left over.

There is a Sacerdotall dignitie in my native Countrey contiguate to me, where I now contemplate: which your worshipfull benignitie could sone impenetrate for mee, if it would like you to extend your sedules, and collaude me in them to the right honourable lord Chaunceller, or rather Archgrammacian of Englande.

An artist is the magician put among men to gratify--capriciously--their urge for immortality. The temples are built and brought down around him, continuously and contiguously, from Troy to the fields of Flanders. If there is any meaning in any of it, it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities. What now of the Trojan War if it had been passed over by the artist's touch? Dust. A forgotten expedition prompted by Greek merchants looking for new markets. A minor redistribution of broken pots. But it is we who stand enriched, by a tale of heroes, of a golden apple, a wooden horse, a face that launched a thousand ships--and above all, of Ulysses, the wanderer, the most human, the most complete of all heroes--husband, father, son, lover, farmer, soldier, pacifist, politician, inventor and adventurer...

Debemos guardarnos de la confusión en que por contiguity [contiguidad] psicológica, para decirlo igual que los ingleses, muy fácilmente cae un artista: la de creer que él mismo es aquello que él puede representar, concebir, expresar. En realidad ocurre que, si él lo fuera, no lo podría en absoluto representar, concebir, expresar.

It is for this reason that we find that co-existence, which could neither be in time alone, for time has no contiguity, nor in space alone, for space has no before, after, or now,

That he didn’t demand to know why she was so upset and stupid won the guy so many brownie points, he could have led every Girl Scout troop in the contiguous forty-eight states.

movements are made up of moments, strung out over months, years, decades. They become discernible as movements—are made to look smooth, contiguous, coherent—only after they have made a substantive difference

Children begin with detail, and learn up to the general; they begin with the contiguous, and gradually comprehend the universal. The boy seemed to have begun with the generals of life, and never to have concerned himself with the particulars. To him the houses, the willows, the obscure fields beyond, were apparently regarded not as brick residences, pollards, meadows; but as human dwellings in the abstract, vegetation, and the wide dark world.

The truth is that Dr. Juvenal Urbino's suit had never been undertaken in the name of love, and it was curious, to say the least, that a militant Catholic like him would offer her only worldly goods: security, order, happiness, contiguous numbers that, once they were added together, might resemble love, almost be love. But they were not love, and these doubts increased her confusion, because she was also not convinced that love was really what she most needed to live.

Children begin with detail, and learn up to the general; they begin with the contiguous, and gradually comprehend the universal. The boy seemed to have begun with the generals of life, and never to have concerned himself with the particulars.

Constantly changing shape as its rulers annexed contiguous territories, Russia was an empire out of scale in comparison with any of the European countries. Moreover, with every new conquest, the character of the state changed as it incorporated another brand-new, restive, non-Russian ethnic group. This was one of the reasons Russia felt obliged to maintain huge armies whose size was unrelated to any plausible threat to its external security.

Each form is inadequate, like a graft to be rejected by its intractable and unrelenting host and thus can only serve a brief and momentary purpose coherent to a context rooted in contiguous reason. This unbridled brash Spirit is, to itself, burdensome, yet dynamic, for it sees no flaw in working within the confines of a closed system to achieve ends that extend beyond it. This Spirit is, in fact, self-deceptive for to achieve such ends, it becomes necessary to bound manipulable fragments of the Self with a twine by which these parts can be joined indissolubly and maneuvered adroitly with the skill of a marionettist.

But she was wrong; it was what gave her away; she had not taken into account that this fragmentary detail of the truth had sharp edges which could not be made to fit in, except to those contiguous fragments of the truth from which she had arbitrarily detached it, edges which, whatever the fictitious details in which she might embed it, would continue to shew, by their overlapping angles and by the gaps which she had forgotten to fill, that its proper place was elsewhere.

When the essence of a scene demands the simultaneous presence of two or more factors in the action, montage is ruled out.” It can reclaim its right to be used, however, whenever the import of the action no longer depends on physical contiguity even though this may be implied. For example, it was all right for Lamorisse to show, as he did, the head of the horse in close-up, turning obediently in the boy’s direction, but he should have shown the two of them in the same frame in the preceding shot.

The places we have known do not belong only to the world of space on which we map them for our own convenience. They were only a thin slice, held between the contiguous impressions that composed our life at that time; the memory of a particular image is but regret for a particular moment; and houses, roads, avenues are as fugitive, alas, as the years

When two things have frequently existed in close temporal contiguity, either comes in time to cause the other.

By merely foreswearing violence and taking advantage of their unique position contiguous with the world’s most creative people, the Palestinians could be rich and happy.

The basin of the Mississippi encompasses a good two thirds of the contiguous forty-eight states, thirty-one of which—together with two Canadian provinces—contribute waters to its flow.

Also the spectacle and the awareness of her own body. Daily and, so to speak, ceremoniously soiled with saliva and sperm, she felt herself literally to be the respository of impurity, the sink mentioned in the Scriptures. And yet those parts of her body most constantly offended, having become less sensitive, at the same time seemed to her to have become more beautiful and, as it were, ennobled: her mouth closed upon anonymous members, the tips of her breasts constantly fondled by hands, and between her quartered thighs the twin, contiguous paths wantonly ploughed.

At the fourth, the fractal (or viral, or radiant) stage of value, there is no point of reference at all, and value radiates in all directions, occupying all interstices, without reference to anything whatsoever, by virtue of pure contiguity. At the fractal stage there is no longer any equivalence, whether natural or general. Properly speaking there is now no law of value, merely a sort of epidemic of value, a sort of general metastasis of value, a haphazard proliferation and dispersal of value. Indeed, we should really no longer speak of 'value' at all, for this kind of propagation or chain reaction makes all valuation possible.

learned to distinguish between these states which reigned alternately in my mind, during certain periods, going so far as to divide every day between them, each one returning to dispossess the other with the regularity of a fever and ague: contiguous, and yet so foreign to one another, so devoid of means of communication, that I could no longer understand, or even picture to myself, in one state what I had desired or dreaded or even done in the other.

But she was wrong; it was what gave her away; she had not taken into account that this fragmentary detail of the truth had sharp edges which could not be made to fit in, except to those contiguous fragments of the truth from which she had arbitrarily detached it, edges which, whatever the fictitious details in which she might embed it, would continue to shew, by their overlapping angles and by the gaps which she had forgotten to fill, that its proper place was elsewhere.

Some hells present an appearance like the ruins of houses and cities after conflagrations, in which infernal spirits dwell and hide themselves. In the milder hells there is an appearance of rude huts, in some cases contiguous in the form of a city with lanes and streets.

Built up by the contiguity of the memories that followed one another, the black tunnel, in which my thoughts had been straying so long that they had even ceased to be aware of it, was suddenly broken by an interval of sunlight, allowing me to see in the distance a blue and smiling universe in which Albertine was no more than a memory, unimportant and full of charm. Is it this, I asked myself, that is the true Albertine, or is it indeed the person who, in the darkness through which I have so long been rolling, seemed to me the sole reality?

Even in former days, Korea was known as the 'hermit kingdom' for its stubborn resistance to outsiders. And if you wanted to create a totally isolated and hermetic society, northern Korea in the years after the 1953 'armistice' would have been the place to start. It was bounded on two sides by the sea, and to the south by the impregnable and uncrossable DMZ, which divided it from South Korea. Its northern frontier consisted of a long stretch of China and a short stretch of Siberia; in other words its only contiguous neighbors were Mao and Stalin. (The next-nearest neighbor was Japan, historic enemy of the Koreans and the cruel colonial occupier until 1945.) Add to that the fact that almost every work of man had been reduced to shards by the Korean War. Air-force general Curtis LeMay later boasted that 'we burned down every town in North Korea,' and that he grounded his bombers only when there were no more targets to hit anywhere north of the 38th parallel. Pyongyang was an ashen moonscape. It was Year Zero. Kim Il Sung could create a laboratory, with controlled conditions, where he alone would be the engineer of the human soul.

I suspect, nevertheless, that he was not very capable of thought. To think is to forget a difference, to generalize, to abstract. In the overly replete world of Funes there were nothing but details, almost contiguous details. The equivocal clarity of dawn penetrated along the earthen patio.

Advertisers must spend more per person to advertise on popular TV shows relative to less popular shows, and those selling social products are willing to pay this premium to reach larger contiguous audiences. Taken to the extreme during major TV events like the Super Bowl, the majority of ads are selling social goods.31

The places we have known do not belong only to the world of space on which we map them for our own convenience. They were only a thin slice, held between the contiguous impressions that composed our life at that time; the memory of a particular image is but regret for a particular moment; and houses, roads, avenues are as fugitive, alas, as the years.

The places we have known do not belong only to the world of space on which we map them for our own convenience. They were only a thin slice, held between the contiguous impressions that composed our life at that time; the memory of a particular image is but regret for a particular moment; and houses, roads, avenues are as fugitive, alas, as the years.

The places that we have known belong now only to the little world of space on which we map them for our own convenience. None of them was ever more than a thin slice, held between the contiguous impressions that composed our life at that time; remembrance of a particular form is but regret for a particular moment; and houses, roads, avenues are as fugitive, alas, as the years.

enough to make the Avenue different. The places we have known do not belong solely to the world of space in which we situate them for our greater convenience. They were only a thin slice among contiguous impressions which formed our life at that time; the memory of a certain image is but regret for a certain moment; and houses, roads, avenues are as fleeting, alas, as the years.

In the USA, only 4 per cent of the entire landmass of the 48 contiguous states is used to grow plants directly for human consumption.5 Beef production uses around half of agricultural land in the USA but only provides 3 per cent of the population’s total caloric intake.6 Astonishingly, the United Nations reports that 26 per cent of the world’s land surface is given to grazing animals.7

I've heard people talk about the circle of life. What comes around goes around and other such contiguous descriptions. But I think life is a seesaw, the kind that used to populate every children's playground. Seesaws rarely balance. They're usually in motion, either flinging you up or dropping you down. They can be fun or they can be terrifying - a lot of it depends on the other person.

A woman once told me that, for a time after her husband died, her grief was as constant as breathing. Then one day, while pushing a shopping cart, she realized she was thinking about yogurt. With time, thoughts in this vein became contiguous. With more time thoughts in this vein became sustained. Eventually they won a kind of majority. Her grieving had ended while she wasn’t watching (although, she added, grief never ends). And so it was with my depression. One day in December I changed a furnace filter with modest interest in the process. The day after that I drove to Gorst for the repair of a faulty seat belt. On the thirty-first I went walking with a friend—grasslands, cattails, asparagus fields, ice-bound sloughs, frost-rimed fencerows—with a familiar engrossment in the changing of winter light. I was home, that night, in time to bang pots and pans at the year’s turn: “E quindi uscimmo a riveder le stelle.” It wasn’t at all like that—this eve was cloudy, the stars hidden by high racing clouds—but I found myself looking skyward anyway, into the night’s maw, and I noticed I was thinking of January’s appointments without a shudder, even with anticipation. Who knows why, but the edge had come off, and being me felt endurable again. My crucible had crested, not suddenly but less gradually than how it had come, and I felt the way a newborn fawn looks in an elementary school documentary. Born, but on shaky, insecure legs. Vulnerable, but in this world for now, with its leaf buds and packs of wolves. Was it pharmacology, and if so, is that a bad thing? Or do I credit time for my healing? Or my Jungian? My reading? My seclusion? My wife’s love? Maybe I finally exhausted my tears, or my dreams at last found sufficient purchase, or maybe the news just began to sound better, the world less precarious, not headed for disaster. Or was it talk in the end, the acknowledgments I made? The surfacing of so many festering pains? My children’s voices down the hall,

He felt himself dissolving down into the great mass of the mountain, tumbling slowly down through the rock. The mountain mumbled in his ear, "I am." With a puff of its cheeks it blew him aloft, threw his atoms out into the sky. They tumbled off on the wind and dispersed to every point of the compass . . .until his body and California were contiguous, united, one. Only his vision remained separate.

Nevertheless, in spite of all these professional grudges, artists are conscious of a social warmth from each other's presence and contiguity. They shiver at the remembrance of their lonely studios in the unsympathizing cities of their native land. For the sake of such brotherhood as they can find, more than for any good that they get from galleries, they linger year after year in Italy, while their originality dies out of them, or is polished away as a barbarism.

Writing is a cerebral journey where the writer molds experience into useful thought capsules and thoughtfully takes recitative inventory of their spiritual depot. The act of personal essay writing is a subtle search to track and discover how a contiguous chain of occurrences links the essayist’s case history of rational and irrational behavior. Writing a person’s life story fosters acceptance of their prior personal failures and serves to open a doorway to living modestly and harmoniously.

It might be worth pausing over the variety of ways in which we can think of signs in language, all of which have to do with the way in which a given sign might be chosen to go into a speech sentence. Take the word "ship." "Ship" is very closely related in sound to certain other words. We won't specify them for fear of a Freudian slip, but that is one cluster. That is one associational matrix or network that one can think of in the arrangement of that sign in language, but there are also synonyms for "ship": "bark, "boat," "bateau," a great many other synonyms--"sailboat," whatever. They, too, exist in a cluster: "steamship," "ocean liner," in other words, words that don't sound at all the same, but are contiguous in synonymity. They cluster in that way. And then furthermore "ship" is also the opposite of certain things, so that it would also enter into a relationship with "train," "car," "truck," "mule," modes of transportation, right? In all of these ways, "ship" is clustered associationally in language in ways that make it available to be chosen, available to be chosen as appropriate for a certain semantic context that we try to develop when we speak.

Spectators learn to assign every shot a cause internal to the film's narrative. Jean-Pierre Oudart used the word suture to describe how fillms thus produce the impression of contiguous space by soliciting the viewer's unconscious cooperation. The classical Hollywood film follows the model of Velázquez's Las Meninas, a painting that envelops the space in which we viewers stand, yet erases us in the process. In the classical Hollywood cinema, editing moves far too quickly and efficiently to let us savor this paradox. It solicits, even exploits, our psychic labor in knitting the film together and sells us back that labor as entertainment.

All this fantastic effort—giant machines, road networks, strip mines, conveyor belt, pipelines, slurry lines, loading towers, railway and electric train, hundred-million-dollar coal-burning power plant; ten thousand miles of high-tension towers and high-voltage power lines; the devastation of the landscape, the destruction of Indian homes and Indian grazing lands, Indian shrines and Indian burial grounds; the poisoning of the last big clean-air reservoir in the forty-eight contiguous United States, the exhaustion of precious water supplies—all that ball-breaking labor and all that backbreaking expense and all that heartbreaking insult to land and sky and human heart, for what? All that for what? Why, to light the lamps of Phoenix suburbs not yet built, to run the air conditioners of San Diego and Los Angeles, to illuminate shopping-center parking lots at two in the morning, to power aluminum plants, magnesium plants, vinyl-chloride factories and copper smelters, to charge the neon tubing that makes the meaning (all the meaning there is) of Las Vegas, Albuquerque, Tucson, Salt Lake City, the amalgamated metropoli of southern California, to keep alive that phosphorescent putrefying glory (all the glory there is left) called Down Town, Night Time, Wonderville, U.S.A. They

Abhed, my father had called heredity-"indivisible." There is an old trope in popular culture of the "crazy genius," a mind split between madness and brilliance, oscillating between the two states at the throw of a single switch. But Rajesh had no switch. There was no split or oscillation, no pendulum. The magic and the mania were perfectly contiguous-bordering kingdoms with no passports. They were part of the same whole, indivisible. "We of the craft are all crazy," Lord Byron, the high priest of crazies, wrote. "Some are affected by gaiety, others by melancholy, but all are more or less touched." Versions of this story have been tool, over and over, with bipolar disease, with some variants of schizophrenia, and with rare cases of autism; all are "more or less touched." It is tempting to romanticize psychotic illness, so let me emphasize that the men and women with these mental disorders experience paralyzing cognitive, social, and psychological disturbances that send gashes of devastation through their lives. But also indubitably, some patients with these syndromes possess exceptional and unusual abilities. The effervescence of bipolar disease has long been linked to extraordinary creativity; at times, the heightened creative impulse is manifest during the throes of mania.

Every one of us feeble creatures is excusable in thinking that to be his own which is comprised under this measure; but withal, beyond these limits, 'tis nothing but confusion; 'tis the largest extent we can grant to our own claims. The more we amplify our need and our possession, so much the more do we expose ourselves to the blows of Fortune and adversities. The career of our desires ought to be circumscribed and restrained to a short limit of the nearest and most contiguous commodities; and their course ought, moreover, to be performed not in a right line, that ends elsewhere, but in a circle, of which the two points, by a short wheel, meet and terminate in ourselves.

Thus he proposed the principle of association: “[T]here is a secret tie or union among particular ideas, which causes the mind to conjoin them more frequently together, and makes the one, upon its appearance, introduce the other.”6 Further, these associations follow three principles: resemblance, contiguity in time and place, and causation. Of these, Hume recognizes that causation takes us beyond our senses: it links present experiences to past experiences and infers predictions of the future. Hume concludes that “all reasonings concerning matters of fact seem to be founded on the relation of Cause and Effect.”7 This conclusion foretold the downfall of Descartes’s dualism.

The intuition we refer to then bears above all upon internal duration. It grasps a succession which is not juxtaposition, a growth from within, the uninterrupted prolongation of the past into a present which is already blending into the future. It is the direct vision of the mind by the mind,—nothing intervening, no refraction through the prism, one of whose facets is space and another, language. Instead of states contiguous to states, which become words in juxtaposition to words, we have here the indivisible and therefore substantial continuity of the flow of the inner life. Intuition, then, signifies first of all consciousness, but immediate consciousness, a vision which is scarcely distinguishable from the object seen, a knowledge which is contact and even coincidence.—

Whenever I seek the deepest contrast to me, the incalculable baseness of the instincts, I always find my mother and sister — to believe that I am related to such riff-raff would be a blasphemy against my divinity. The treatment I have experienced at the hands of my mother and sister, up until this very moment, introduces in me unspeakable horror: here there is at work a perfect hell machine that, with impeccable accuracy, picks the very moment at which it can inflict a bloody wound, at my highest moments, . . . since then every power is lacking to defend oneself against such a poisonous worm . . . the physiological contiguity makes possible such a pre-established disharmony . . . But I confess that the deepest objection to the 'eternal recurrence,' my most terrible thought, is always my mother and my sister.

Together, by 2005, the contiguous parts of the Belarusian and Ukrainian zones made up a total area of more than 4,700 square kilometers of northwestern Ukraine and southern Belarus, all of it rendered officially uninhabitable by radiation. Beyond the borders of the evacuated land, the contamination of Europe with radionuclides from the explosion had proved widespread and long lasting: for years after the accident, meat, dairy products, and produce raised on farms from Minsk to Aberdeen and from France to Finland were found laced with strontium and cesium and had to be confiscated and destroyed. In Britain, restrictions on the sale of sheep grazed on the hill farms of North Wales would not be lifted until 2012. Subsequent studies found that three decades after the accident, half of the wild boar shot by hunters in the forests of the Czech Republic were still too radioactive for human consumption. At

It’s happening everywhere; commercial and housing development, along with the road network needed to support it, is the single greatest pressure on natural landscapes in the United States, and by its very pervasiveness the hardest to control. Between 1982 and 1997, developed land in the forty-eight contiguous states increased by 25 million acres—meaning a quarter of all the open land lost since European settlement disappeared in just those fifteen years. This isn’t a trend, it’s a juggernaut, and the worst may be yet to come. At this pace, by 2025 there will be 68 million more rural acres in development, an area about the size of Wyoming, and the total developed land in the United States will stand at a Texas-sized 174 million acres. Already, just the impervious covering we put on the land, the things like roads, sidewalks, and buildings we pave with asphalt or concrete, adds up to an area the size of Ohio.3

Philotheo: All of this is true, and contradicts nothing we've said, rather to the contrary we've said that there are dissimilar finite parts in one infinity, and have offered considerations how this might be true. Perhaps it might be expressed proportionately, how one might have many continuous parts which form a unity, using the example and simile of liquid mud, which, though water is contiguous with water in every part, and earth with earth, smaller than we can apprehend sensibly, these are called neither discrete nor continuous, not water nor earth, but only a continuum of mud; another might like to say that since the atoms of water are not actually continuous with one another, nor earth with earth, but perhaps water with earth and earth with water; a third might disagree with both and say only mud is continuous with mud. Following these reasons it can be stated that the infinite universe is a continuum, in which discreteness is not created by the interposition of ether between the great celestial bodies, than it would be were air to be mixed and interposed among the dry and watery particles, the difference being only in the consistency of the smallest parts of the mud, beneath the level of our sensible apprehension, or in the size, greatness, and sensibility of the parts that make up our universe: and so, contrary and diverse moving parts cooperate and compose a single immobile continuum, where contraries converge to make up a single whole, achieve single order, and become one. Certainly, it would be inconvenient and impossible to imagine two infinities distinct from one another, since it would be impossible to imagine the dividing line between them, where one infinity would end and the other begin, or in what way each would terminate against the other. Moreover, it is extremely difficult to imagine two bodies which are finite and bounded on one side and infinite on the other.

Truth also consists of relationships between events. Truth occurs when things communicate with each other on the basis of a similarity or some other form of closeness between them, when they turn towards each other and enter into relationships with each other, even befriend each other: truth [la vérité] will be attained by him [the author] only when he takes two different objects, states the connection between them … and encloses them in the necessary links of a wellwrought style; truth – and life too – can be attained by us only when, by comparing a quality common to two sensations, we succeed in extracting their common essence and in reuniting them to each other, liberated from the contingencies of time, within a metaphor[, thus linking them to each other through the ineffable efficacy of the combination of words].22 Only relationships based on similarity, friendship or affinity make things true. Truth is opposed to the accident of pure contiguity. Truth means commitment, relationship and closeness. Only through intense relationships do things become real in the first place:

Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round in his blazing brain, till the very throbbing of his life-spot became insufferable anguish; and when, as was sometimes the case, these spiritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beckoned him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire. Yet these, perhaps, instead of being the unsuppressable symptoms of some latent weakness, or fright at his own resolve, were but the plainest tokens of its intensity. For, at such times, crazy Ahab, the scheming, unappeasedly steadfast hunter of the White Whale; this Ahab that had gone to his hammock, was not the agent that so causedhim to burst from it in horror again. The latter was the eternal, living principle or soul in him; and in sleep, being for the time dissociated from the characterizing mind, which at other times employed it for its outer vehicle or agent, it spontaneously sought escape from the scorching contiguity of the frantic thing, of which, for the time, it was no longer an integral. But as the mind does not exist unless leagued with the soul, therefore it must have been that, in Ahab's case, yielding up all his thoughts and fancies to his one supreme purpose; that purpose, by its own sheer inveteracy of will, forced itself against gods and devils into a kind of self-assumed, independent being of its own. Nay, could grimly live and burn, while the common vitality to which it was conjoined, fled horror-stricken from the unbidden and unfathered birth. Therefore, the tormented spirit that glared out of bodily eyes, when what seemed Ahab rushed from his room, was for the time but a vacated thing, a formless somnambulistic being, a ray of living light, to be sure, but without an object to color, and therefore a blankness in itself. God help thee, old man, thy thoughts have created a creature in thee; and he whose intense thinking thus makes him a Prometheus; a vulture feeds upon that heart for ever; that vulture the very creature he creates.

What is it that makes a person the very person that she is, herself alone and not another, an integrity of identity that persists over time, undergoing changes and yet still continuing to be—until she does not continue any longer, at least not unproblematically? I stare at the picture of a small child at a summer’s picnic, clutching her big sister’s hand with one tiny hand while in the other she has a precarious hold on a big slice of watermelon that she appears to be struggling to have intersect with the small o of her mouth. That child is me. But why is she me? I have no memory at all of that summer’s day, no privileged knowledge of whether that child succeeded in getting the watermelon into her mouth. It’s true that a smooth series of contiguous physical events can be traced from her body to mine, so that we would want to say that her body is mine; and perhaps bodily identity is all that our personal identity consists in. But bodily persistence over time, too, presents philosophical dilemmas. The series of contiguous physical events has rendered the child’s body so different from the one I glance down on at this moment; the very atoms that composed her body no longer compose mine. And if our bodies are dissimilar, our points of view are even more so. Mine would be as inaccessible to her—just let her try to figure out [Spinoza’s] Ethics—as hers is now to me. Her thought processes, prelinguistic, would largely elude me. Yet she is me, that tiny determined thing in the frilly white pinafore. She has continued to exist, survived her childhood illnesses, the near-drowning in a rip current on Rockaway Beach at the age of twelve, other dramas. There are presumably adventures that she—that is that I—can’t undergo and still continue to be herself. Would I then be someone else or would I just no longer be? Were I to lose all sense of myself—were schizophrenia or demonic possession, a coma or progressive dementia to remove me from myself—would it be I who would be undergoing those trials, or would I have quit the premises? Would there then be someone else, or would there be no one? Is death one of those adventures from which I can’t emerge as myself? The sister whose hand I am clutching in the picture is dead. I wonder every day whether she still exists. A person whom one has loved seems altogether too significant a thing to simply vanish altogether from the world. A person whom one loves is a world, just as one knows oneself to be a world. How can worlds like these simply cease altogether? But if my sister does exist, then what is she, and what makes that thing that she now is identical with the beautiful girl laughing at her little sister on that forgotten day? In this passage from Betraying Spinoza, the philosopher and novelist Rebecca Newberger Goldstein (to whom I am married) explains the philosophical puzzle of personal identity, one of the problems that engaged the Dutch-Jewish thinker who is the subject of her book.5 Like her fellow humanist Dawkins, Goldstein analyzes the vertiginous enigma of existence and death, but their styles could not be more different—a reminder of the diverse ways that the resources of language can be deployed to illuminate a topic.

Open the so-called body and spread out all its surfaces: not only the skin with each of its folds, wrinkles, scars, with its great velvety planes, and contiguous to that, the scalp and its mane of hair, the tender pubic fur, nipples, nails, hard transparent skin under the heel, the light frills of the eyelids, set with lashes - but open and spread, expose the labia majora, so also the labia minora with their blue network bathed in mucus, dilate the diaphragm of the anal sphincter, longitudinally cut and flatten out the black conduit of the rectum, then the colon, then the caecum, now a ribbon with its surface all striated and polluted with shit ; as though your dress maker' s scissors were opening the leg of an old pair of trousers, go on, expose the small intestines' alleged interior, the jejunum, the ileum, the duodenum, or else, at the other end, undo the mouth at its corners, pull out the tongue at its most distant roots and split it, spread out the bats' wings of the palate and its damp basements, open the trachea and make it the skeleton of a boat under construction; armed with scalpels and tweezers, dismantle and lay out the bundles and bodies of the encephalon; and then the whole network of veins and arteries, intact, on an immense mattress, and then the lymphatic network, and the fine bony pieces of the wrist, the ankle, take them apart and put them end to end with all the layers of nerve tissue which surround the aqueous humours and the cavernous body of the penis, and extract the great muscles, the great dorsal nets, spread them out like smooth sleeping dolphins. Work as the sun does when you're sunbathing or taking grass.

Reading a screenful of information is quite a different thing from looking. It is a digital form of exploration in which the eye moves along an endless broken line. The relationship to the interlocutor in communication, like the relationship to knowledge in data-handling, is similar: tactile and exploratory. A computer-generated voice, even a voice over the telephone, is a tactile voice, neutral and functional. It is no longer in fact exactly a voice, any more than looking at a screen is exactly looking. The whole paradigm of the sensory has changed. The tactility here is not the organic sense of touch: it implies merely an epidermal contiguity of eye and image, the collapse of the aesthetic distance involved in looking. We draw ever closer to the surface of the screen; our gaze is, as it were, strewn across the image. We no longer have the spectator's distance from the stage - all theatrical conventions are gone. That we fall so easily into the screen's coma of the imagination is due to the fact that the screen presents a perpetual void that we are invited to fill. Proxemics of images: promiscuity of images: tactile pornography of images. Yet the image is always light years away. It is invariably a tele-image - an image located at a very special kind of distance which can only be described as unbridgeable by the body. The body can cross the distance that separates it from language, from the stage, or from the mirror - this is what keeps it human and allows it to partake in exchange. But the screen is merely virtual - and hence unbridgeable. This is why it partakes only of that abstract - definitively abstract - form known as communication.

If I walk along a shore towards a ship which has run aground, and the funnel or masts merge into the forest bordering on the sand dune, there will be a moment when these details suddenly become part of the ship, and indissolubly fused with it. As I approached, I did not perceive resemblances or proximities which finally came together to form a continuous picture of the upper part of the ship. I merely felt that the look of the object was on the point of altering, that something was imminent in this tension, as a storm is imminent in storm clouds. Suddenly the sight before me was recast in a manner satisfying to my vague expectation. Only afterwards did I recognize, as justifications for the change, the resemblance and contiguity of what I call ‘stimuli’— namely the most determinate phenomena, seen at close quarters and with which I compose the ‘true’ world. ‘How could I have failed to see that these pieces of wood were an integral part of the ship? For they were of the same colour as the ship, and fitted well enough into its superstructure.’ But these reasons for correct perception were not given as reasons beforehand. The unity of the object is based on the foreshadowing of an imminent order which is about to spring upon us a reply to questions merely latent in the landscape. It solves a problem set only in the form of a vague feeling of uneasiness, it organizes elements which up to that moment did not belong to the same universe and which, for that reason, as Kant said with profound insight, could not be associated. By placing them on the same footing, that of the unique object, synopsis makes continuity and resemblance between them possible. An impression can never by itself be associated with another impression.

The river’s isolation and secrecy, however, were only part of what made it superlative. There was also its vertical drop. The Colorado’s watershed encompasses a series of high-desert plateaus that stretch across the most austere and hostile quarter of the West, an area encompassing one-twelfth the landmass of the continental United States, whose breadth and average height are surpassed only by the highlands of Tibet. Each winter, storms lumbering across the Great Basin build up a thick snowpack along the crest of the mountains that line the perimeter of this plateau—an immense, sickle-shaped curve of peaks whose summits exceed fourteen thousand feet. As the snowmelt cascades off those summits during the spring and spills toward the Sea of Cortés, the water drops more than two and a half miles. That amounts to eight vertical feet per horizontal mile, an angle that is thirty-two times steeper than that of the Mississippi. The grade is unequaled by any major waterway in the contiguous United States and very few long stretches of river beyond the Himalayas. (The Nile, in contrast, falls only six thousand feet in its entire four-thousand-mile trek to the Mediterranean.) Also unlike the Nile, whose discharge is generated primarily by rain, the engine that drives almost all of this activity is snow. This means that the bulk of the Colorado’s discharge tends to come down in one headlong rush. Throughout the autumn and the winter, the river might trickle through the canyonlands of southern Utah at a mere three thousand cubic feet per second. With the melt-out in late May and early June, however, the river’s flow can undergo spectacular bursts of change. In the space of a week, the level can easily surge to 30,000 cfs, and a few days after that it can once again rocket up, surpassing 100,000 cfs. Few rivers on earth can match such manic swings from benign trickle to insane torrent. But the story doesn’t end there, because these savage transitions are exacerbated by yet another unusual phenomenon, one that is a direct outgrowth of the region’s unusual climate and terrain. On

Ah, God! what trances of torments does that man endure who is consumed with one unachieved revengeful desire. He sleeps with clenched hands; and wakes with his own bloody nails in his palms. Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round in his blazing brain, till the very throbbing of his life-spot became insufferable anguish; and when, as was sometimes the case, these spiritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beckoned him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire. Yet these, perhaps, instead of being the unsuppressable symptoms of some latent weakness, or fright at his own resolve, were but the plainest tokens of its intensity. For, at such times, crazy Ahab, the scheming, unappeasedly steadfast hunter of the White Whale; this Ahab that had gone to his hammock, was not the agent that so caused him to burst from it in horror again. The latter was the eternal, living principle or soul in him; and in sleep, being for the time dissociated from the characterizing mind, which at other times employed it for its outer vehicle or agent, it spontaneously sought escape from the scorching contiguity of the frantic thing, of which, for the time, it was no longer an integral. But as the mind does not exist unless leagued with the soul, therefore it must have been that, in Ahab's case, yielding up all his thoughts and fancies to his one supreme purpose; that purpose, by its own sheer inveteracy of will, forced itself against gods and devils into a kind of self-assumed, independent being of its own. Nay, could grimly live and burn, while the common vitality to which it was conjoined, fled horror-stricken from the unbidden and unfathered birth. Therefore, the tormented spirit that glared out of bodily eyes, when what seemed Ahab rushed from his room, was for the time but a vacated thing, a formless somnambulistic being, a ray of living light, to be sure, but without an object to color, and therefore a blankness in itself. God help thee, old man, thy thoughts have created a creature in thee; and he whose intense thinking thus makes him a Prometheus; a vulture feeds upon that heart for ever; that vulture the very creature he creates.

Over the forty-two years that the Rice family lived in Missouri during the 19th century, the family evolved from poor dirt farmers to be the owners of many slaves and several contiguous plantations laid out on broad flat plains and green fields south of the wide river. They could leverage vast wealth embodied in human beings whom they owned as one might own a horse or a hat.

The truth is that Juvenal Urbino's suite had never been undertaken in the name of love, and it was curious, to say the least, that A militant Catholic like him would offer her only worldly goods: security, order, happiness, contiguous numbers that, once they were added together might resemble love, almost be love. But they were not love, and these doubts increased her confusion, because she was not convinced that love was what she really needed to live.

Table 6.1 Skill Categories Skill Category Description Comment Determining the Meaning of Words (Word Meaning) Student determines the meaning of words in context by recognizing known words and connecting them to prior vocabulary knowledge. Student uses a variety of skills to determine the meaning of unfamiliar words, including pronouncing words to trigger recognition, searching for related words with similar meanings, and analyzing prefixes, roots, and suffixes. This skill category includes more than just lexical access, as word identification and lexical recall are combined with morphological analyses. Understanding the Content, Form, and Function of Sentences (Sentence Meaning) Student builds upon an understanding of words and phrases to determine the meaning of a sentence. Student analyzes sentence structures and draws on an understanding of grammar rules to determine how the parts of speech in a sentence operate together to support the overall meaning. Student confirms that his or her understanding of a sentence makes sense in relationship to previous sentences, personal experience, and general knowledge of the world. This skill category focuses on the syntactical, grammatical, and semantic case analyses that support elementary proposition encoding and integration of propositions across contiguous sentences. Understanding the Situation Implied by a Text (Situation Model) Student develops a mental model (i.e., image, conception) of the people, things, setting, actions, ideas, and events in a text. Student draws on personal experience and world knowledge to infer cause-and-effect relationships between actions and events to fill in additional information needed to understand the situation implied by the text. This skill category is a hybrid of the explicit text model and the elaborated situation model described by Kintsch (1998). As such, category three combines both lower-level explicit text interpretation and higher-level inferential processes that connect the explicit text to existing knowledge structures and schemata. Understanding the Content, Form, and Function of Larger Sections of Text (Global Text Meaning) Student synthesizes the meaning of multiple sentences into an understanding of paragraphs or larger sections of texts. Student recognizes a text’s organizational structure and uses that organization to guide his or her reading. Student can identify the main point of, summarize, characterize, or evaluate the meaning of larger sections of text. Student can identify underlying assumptions in a text, recognize implied consequences, and draw conclusions from a text. This skill category focuses on the integration of local propositions into macro-level text structures (Kintsch & van Dijk, 1978) and more global themes (Louwerse & Van Peer, 2003). It also includes elaborative inferencing that supports interpretation and critical comprehension, such as identifying assumptions, causes, and consequence and drawing conclusions at the level of the situation model. Analyzing Authors’ Purposes, Goals, and Strategies (Pragmatic Meaning) Student identifies an author’s intended audience and purposes for writing. Student analyzes an author’s choices regarding content, organization, style, and genre, evaluating how those choices support the author’s purpose and are appropriate for the intended audience and situation. This skill category includes contextual and pragmatic discourse analyses that support interpretation of texts in light of inferred authorial intentions and strategies.

The problem is that three of the neighboring farms leased their land to Frazer Gas for fracking. Under Pennsylvania law, if three contiguous farms lease to frackers, the gas company can drill underneath your parcel, whether you leased or not.

Taylor chose the right side first. She stood in the doorway and looked into the room, running her Maglite over the dimness. She didn’t need the overhead to see the blood. Copious amounts of red, startling against the contiguous white theme, was very defining. From her vantage point at the doorway, she could see blood everywhere, cast off on the unmade bed and headboard, washed across the wall, soaking the carpet. In the middle of the bed, a dark-haired woman lay on her stomach, facedown on the sheets, which were nearly black. Exsanguination, her mind told her. The woman’s legs were akimbo, the left twisted under the right as if she’d fallen at an angle onto the mattress. Taylor couldn’t see her arms. She

There is no mythology about a solid earth. It is either contiguously “honeycombed,” as it were, with extensive caverns and tunnels, and/or it is hollow and habitable within. The mythic record tells us both is the case.

An Enquiry Concerning Human Understanding, published in 1748, the Scottish philosopher David Hume reduced the principles of association to three: resemblance, contiguity in time and place, and causality. Our concept of association has changed radically since Hume’s days, but his three principles still provide a good start.

CRISPR spacers are first transcribed into a long contiguous RNA, which is then sliced into discrete CRISPR RNAs corresponding to individual spacers. This RNA then forms a complex with Cas proteins that targets the corresponding

Jefferson, who was only 33 years old at the time, was himself one of the freemen at large who exercised the right of the "use of arms." When Thomas was 10 years old, his father Colonel Peter Jefferson gave him a gun and sent him into the forest to promote self-reliance.36 By the time his father died when the lad was only 14, "he had already taught him to sit his horse, fire his gun, boldly stem the Rivanna when the swollen river was 'Rolling red from brae to brae,’ and press his way with unflagging foot through the rocky summits of the contiguous hills in pursuit of deer and wild turkeys.

The violence [Gewalt] of positivity that derives from overproduction, overachievement, and overcommunication is no longer “viral.” Immunology offers no way of approaching the phenomenon. Rejection occurring in response to excess positivity does not amount to immunological defense, but to digestive-neuronal abreaction and refusal. Likewise, exhaustion, fatigue, and suffocation—when too much exists—do not constitute immunological reactions. These phenomena concern neuronal power, which is not viral because it does not derive from immunological negativity. Baudrillard’s theory of power [Gewalt] is riddled with leaps of argument and vague definitions because it attempts to describe the violence of positivity—or, in other words, the violence of the Same when no Otherness is involved—in immunological terms. Thus he writes: The violence of networks and the virtual is viral: it is the violence of benign extermination, operating at the genetic and communicational level; a violence of consensus. . . . A viral violence in the sense that it does not operate head-on, but by contiguity, contagion, and chain reaction, its aim being the loss of all our immunities. And also in the sense that, contrary to the historical violence of negation, this virus operates hyperpositively, like cancerous cells, through endless proliferation, excrescence, and metastases. Between virtuality and virality, there is a kind of complicity.

How wonderful and racy is the creation of love; love's providence is the shoreless divine capability in which the plenary reality dictates that this world must remain intact and engaged with integrity and innocence with the irrefutable, indomitable, and unbroken union of approximation and faith so that there can be a total degradation of untruth and vices. Lucky are those who are immensely engrossed in its attachment and consider themselves in its deuced power since there is no deconvolution and distracted acts. Whatever may be its outcome, modestly it will always run with spanless effectiveness as a positive and heavenly energy within. The entrance of amour contiguity is like a picturesque spell in which the entire world is engulfed and quotient in the hypnotism of the magic of fascination and its suggestion. This is a priceless treasure in the universe given by God and the most suitable fuel of spirit; every entity is an undefeated leader of it because this is a limitless proportion where they will not be surmountable every time.

Association of ideas depends upon two principles known, respectively, as (1) the law of contiguity; and (2) the law of similarity.

And a big part of that meant getting in good with people like Darren Parsons, his streetwise roommate from Detroit, one of the grittiest, and at that time, shittiest parts of the contiguous United States.

Antarctica.  Though the width through the center of the continent was about the same as that of the US, the total area was nearly twice that of the fifty contiguous states. Antarctica was the coldest, windiest continent, and on average the highest. It was also the driest. The latter had been a surprise to some of the expedition members, who imagined it snowing constantly for six months of the year. In fact, much of the wind-driven snow featured in movies and videos of Antarctica was picked up from the ground and tossed in the strong winds, rather than falling from the sky.

All the sportive forms of God are but displays and manifestations of the Absolute . Again, the Absolute manifests Himself of these endless sportive forms. This link between the Absolute and the Relative and vice versa is inseparable, contiguous and eternal.

The modern theory of the infinite evolved in a contiguous way out of the mathematics that preceded it.

could walk into most college classrooms today and know exactly where to stand and how to address his class. If we are going to imagine new learning institutions that are not based on the contiguity of

In many of these countries they have no written language, consequently no Bible, and are only led by the most childish customs and traditions. Such, for instance, are all the middle and back parts of North America, the inland parts of South America, the South-Sea Islands, New Holland, New Zealand, New Guinea; and I may add Great Tartary, Siberia, Samojedia, and the other parts of Asia contiguous to the frozen sea; the greatest part of Africa, the island of Madagascar, and many places beside. In many of these parts also they are cannibals, feeding upon the flesh of their slain enemies, with the greatest brutality and eagerness.

On the other hand, the achievements of the Mongols, military and otherwise, have been widely lauded as evidence of a highly sophisticated and worldly people. The Mongols created not only the largest contiguous land empire in history but an empire that, despite the terror it raised, initiated broad social programs, showed remarkable religious and cultural tolerance, and ushered in a relatively stable era of economic prosperity.

a seasonally flowing stream of water and an amazing amount of desert vegetation, trees, and wildlife. Just to the west, the San Pedro River valley and the richest habitat for birds and mammals anywhere in the Southwest. With over eighty different mammals and four hundred species of birds, the San Pedro River Valley was home to more than half the species of birds found in the entire United States. This little section of southern Arizona had more species of animals than any other place in the contiguous United States.

contiguous with both India and Pakistan and with a Muslim majority, the Hindu ruler wavered. In the

Doom, meanwhile, had a long-term impact on the world of gaming far exceeding even that of Myst. The latest of a series of experiments with interactive 3D graphics by id programmer John Carmack, Doom shares with Myst only its immersive first-person point of view; in all other respects, this fast-paced, ultraviolent shooter is the polar opposite of the cerebral Myst. Whereas the world of Myst is presented as a collection of static nodes that the player can move among, each represented by a relatively static picture of its own, the world of Doom is contiguous. As the player roams about, Doom must continually recalculate in real time the view of the world that it presents to her on the screen, in effect drawing for her a completely new picture with every frame using a vastly simplified version of the 3D-rendering techniques that Eric Graham began experimenting with on the Amiga back in 1986. First-person viewpoints had certainly existed in games previously, but mostly in the context of flight simulators, of puzzle-oriented adventures such as Myst, or of space-combat games such as Elite. Doom has a special quality that those earlier efforts lack in that the player embodies her avatar as she moves through 3D space in a way that feels shockingly, almost physically real. She does not view the world through a windscreen, is not separated from it by an adventure game’s point-and-click mechanics and static artificiality. Doom marks a revolutionary change in action gaming, the most significant to come about between the videogame’s inception and the present. If the player directs the action in a game such as Menace, Doom makes her feel as if she is in the action, in the game’s world. Given the Amiga platform’s importance as a tool for noninteractive 3D rendering, it is ironic that the Amiga is uniquely unsuited to Doom and the many iterations and clones of it that would follow. Most of the Amiga attributes that we employed in the Menace reconstruction—its scrolling playfields, its copper, its sprites—are of no use to a 3D-engine programmer. Indeed, the Intel-based machines on which Carmack created Doom possess none of these features. Even the Amiga’s bitplane-based playfields, the source of so many useful graphical tricks and hacks when programming a 2D game such as Menace, are an impediment and annoyance in a game such as Doom. Much preferable are the Intel-based machines’ straightforward chunky playfields because these layouts are much easier to work with when every frame of video must be drawn afresh from scratch. What is required most of all for a game such as Doom is sufficient raw processing power to perform the necessary thousands of calculations needed to render each frame quickly enough to support the frenetic action for which the game is known. By 1993, the plebian Intel-based computer, so long derided by Amiga owners for its inefficiencies and lack of design imagination, at last possessed this raw power. The Amiga simply had no answer to the Intel 80486s and Pentiums that powered this new, revolutionary genre of first-person shooters. Throughout

If we are going to imagine new learning institutions that are not based on the contiguity of time and place-virtual institutions-we have to ask, what are those institutions and what work do they perform? What does a virtual learning institution look like, who supports it, what does it do? We know that informal learning happens, constantly and in many new ways, because of the collaborative opportunities offered by social networking sites, wikis, blogs, and many other interactive digital sources.

In the year 1800 we find Beethoven engaged in the composition of his "Christ on the Mount of Olives," the first performance of which took place on the 5th of April, 1803. He wrote this work during his summer-residence at Hetzendorf, a pleasant village, closely contiguous to the gardens of the imperial palace of Schönbrunn, where he passed several summers of his life in profound seclusion.

The places we have known do not belong solely to the world of space in which we situate them for our greater convenience. They were only a thin slice among contiguous impressions which formed our life at that time; the memory of a certain image is but regret for a certain moment; and houses, roads, avenues are as fleeting, alas, as the years

Plants remind us that we are contiguous with our environment, impacted by its every fluctuation, impacts that reverberate through our lineage. Our environment shapes our lives and the lives of our descendants. We inherit their environment in bodily form. One could say we inherit the earth.

His soul, filled with ecstasy, thirsted for freedom, space, latitude. Above him wide and boundless keeled the cupola of the heavens, full of quiet, brilliant stars. Doubled from zenith to horizon ran the Milky Way, as yet unclear. The cool night, quiet to the point of fixity, enveloped the earth. The white towers and golden domes of the cathedral sparkled in the sapphire sky. In the flowerbeds luxuriant autumn flowers had fallen asleep until morning. The earth’s silence seemed to fuse with that of the heavens, the earth’s mystery came into contact with that of the stars … Alyosha stood, looked and suddenly cast himself down upon the earth like one who has had the legs cut from under him. Why he embraced it he did not know, he did not try to explain to himself why he so desperately wanted to kiss it, kiss it, all of it, but weeping he kissed it, sobbing and drenching it with his tears, and frenziedly he swore to love it, love it until the end of the ages. ‘Drench the earth with the tears of your joy and love those tears of yours …’ resounded in his soul. What did he weep about? Oh, he wept in his ecstasy even about those stars that shone to him out of the abyss, and ‘was not ashamed of this frenzy’. As though threads from all these countless of God’s worlds had all coincided within his soul at once, and it trembled all over, in ‘the contiguity with other worlds’. He wanted to forgive all creatures for all things and to ask forgiveness, oh, not for himself, but for all persons, all creatures and all things, while ‘others asked the same for me’ – resounded again in his soul. But with each moment that passed he felt plainly and almost palpably that something as firm and unshakeable as this celestial vault was descending into his soul. Something that was almost an idea took mastery of his intellect – and now for the rest of his life and until the end of the ages. A feeble youth had he fallen to the earth, yet now he arose a resolute warrior for the rest of his life and knew and felt this suddenly, at that same moment of his ecstasy. And never, never for all the rest of his life would Alyosha be able to forget that moment. ‘Someone visited my soul in that hour,’ he would say later with resolute faith in his words …

For a long time I used to go to bed early. None of them was ever more than a thin slice, held between the contiguous impressions that composed our life at that time; remembrance of a particular form is but regret for a particular moment; and houses, roads, avenues are as fugitive, alas, as the years.

My goal is to have a Constitution that would be as attractive to nations that are recognized as states as to peoples that are still stateless. The Constitution will fail if the language is not identical for both. Therefore there are aspirations you would have to give up and claims you would have to relinquish. But I think you will see that the same will be true for the states that now occupy territory you claim for the Quechua and Aymara peoples. The principles of majority, viability, contiguity, and compactness would guarantee you a self-governing territory, albeit one much smaller than your present claim.

THE ADIRONDACK PARK, a vast wilderness area sprawling over six million acres in northeastern New York, is the largest public land preserve in the contiguous United States. Roughly the size of Vermont, it is larger than seven other American states—so large, in fact, the national parks of Yellowstone, Yosemite, Glacier, the Grand Canyon, and the Great Smoky Mountains could all fit neatly within its boundaries.

The crux of the [AIT and IAMT ] debate therefore centers around the a priori existence of the Vedic Sarasvati river. With the existence of the Sarasvati established the entire construct of the geographically contiguous Harrapan and Rig Vedic Civilizations falls neatly into place.

What, if not a death drive, would impel sexual beings towards a pre sexual form of reproduction (in the depths of our imagination, moreover, is it not precisely this scissiparous form of reproduction and proliferation based solely on contiguity that for us is death and the death drive?). And what, if not a death drive, would further impel us at the same time, on the metaphysical plane, to deny all otherness, to shun any alteration in the Same, and to seek nothing beyond the perpetuation of an identity, nothing but the transparency of a genetic inscription no longer subject even to the vicissitudes of procreation? But enough of the death drive. Are we faced here with a phantasy of selfgenesis? No, because such phantasies always involve the figures of the mother and the father - sexed parental figures whom the subject may indeed yearn to eliminate, the better to usurp their positions, but this in no sense implies contesting the symbolic structure of procreation: if you become your own child, you are still the child of someone. Cloning, on the other hand, radically eliminates not only the mother but also the father, for it eliminates the interaction between his genes and the mother's, the imbrication of the parents' differences, and above all the joint act of procreation. The cloner does not beget himself: he sprouts from each of his genes' segments. One may well speculate about the value of such plant-like shoots, which in effect resolve all Oedipal sexuality in favour of a 'non-human' sex, a sex based on contiguity and unmediated propagation. But at all events the phantasy of self-genesis is definitively out of the picture. Father and mother are gone, but their disappearance, far from widening an aleatory freedom for the subject, instead leaves the way clear for a matrix known as a code. No more mother, no more father: just a matrix. And it is this matrix, this genetic code, which is destined to 'give birth', from now till eternity, in an operational mode from which all chance sexual elements have been expunged.

Each of us fabricates an anaglyphic portfolio demarking our contiguous photo-essay.

By July, oil prices were beginning to subside.13 But the consequences of the offensive were startling. With its fanatic but well-organized military drive, ISIS had redrawn, at least for a time, the map at the heart of the Middle East. It now controlled a contiguous territory that reached from north-central Syria all the way across Iraq to Mosul—almost the same distance as from London to Edinburgh—with as many as eight million people under its rule.

the consequences of the offensive were startling. With its fanatic but well-organized military drive, ISIS had redrawn, at least for a time, the map at the heart of the Middle East. It now controlled a contiguous territory that reached from north-central Syria all the way across Iraq to Mosul—almost the same distance as from London to Edinburgh—with as many as eight million people under its rule.

But the Bellagio’s fountain, often mocked as a symbol of water excess in the arid Southwest, may in fact represent some of the highest-value water around. The 12 million gallons a year needed to keep it topped up starts as water too salty to drink, drawn from an old well that once irrigated the Dunes Hotel golf course. Twelve million gallons sounds like a lot, but it’s really just enough to irrigate eight acres of alfalfa in the Imperial Valley.3 Total revenue at the seven giant casino–resort hotels contiguous to the fountain, at the corner of Flamingo Road and South Las Vegas Boulevard—the heart of the famed Las Vegas Strip—is an estimated $3.6 billion.4 Include all of the hotel/casino operations in the greater Las Vegas metro area, and the total rises to $21 billion.5 That compares with total agricultural revenue of $1.9 billion in all of Imperial County.6 Imperial County’s farmers get ten times the water Las Vegas gets. Las Vegas makes ten times the money Imperial County farming does. Given the crowds lining the sidewalks for each one of the fountain’s dancing-water shows, the fountains must represent one of the most economically productive uses of water you’ll find in the West.