Contents Cover Quotes

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You need to be content with small steps. That's all life is. Small steps that you take every day so when you look back down the road it all adds up and you know you covered some distance. It took me a long time to accept that, but it's true. You need to have patience."",
Katie Kacvinsky (Awaken (Awaken, #1))
We are like books. Most people only see our cover, the minority read only the introduction, many people believe the critics. Few will know our content.
Émile Zola
After a while it occurred to me that between the covers of each of those books lay a boundless universe waiting to be discovered while beyond those walls, in the outside world, people allowed life to pass by in afternoons of football and radio soaps, content to do little more than gaze at their navels.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Scott could feel the contents of his stomach flip over and over on themselves. He turned to the side and retched, frothy yellow bile spilled out onto the newspaper covered floor, filling the room with the putrid stench of previously ingested alcohol. 'Look's like someone can't hold their drink,' McBlane said, and Dominic and Shugg laughed. Scott was still staring at the steam rising from his evacuated stomach contents as he heard the hammer fall. The dull crack of bone splintering under its weight.
R.D. Ronald (The Elephant Tree)
They say the content and the cover are the most important things when it comes to a book or a novel, right? I totally disagree – The reader is the most important thing to a book
Jimmy Tudeski (Comedian Gone Wrong)
Read to your heart's content. Though if you are a reader, the heart is never content.
Jenny Hubbard (Paper Covers Rock)
Once upon a time, there was a king who ruled a great and glorious nation. Favourite amongst his subjects was the court painter of whom he was very proud. Everybody agreed this wizzened old man pianted the greatest pictures in the whole kingdom and the king would spend hours each day gazing at them in wonder. However, one day a dirty and dishevelled stranger presented himself at the court claiming that in fact he was the greatest painter in the land. The indignant king decreed a competition would be held between the two artists, confident it would teach the vagabond an embarrassing lesson. Within a month they were both to produce a masterpiece that would out do the other. After thirty days of working feverishly day and night, both artists were ready. They placed their paintings, each hidden by a cloth, on easels in the great hall of the castle. As a large crowd gathered, the king ordered the cloth be pulled first from the court artist’s easel. Everyone gasped as before them was revealed a wonderful oil painting of a table set with a feast. At its centre was an ornate bowl full of exotic fruits glistening moistly in the dawn light. As the crowd gazed admiringly, a sparrow perched high up on the rafters of the hall swooped down and hungrily tried to snatch one of the grapes from the painted bowl only to hit the canvas and fall down dead with shock at the feet of the king. ’Aha!’ exclaimed the king. ’My artist has produced a painting so wonderful it has fooled nature herself, surely you must agree that he is the greatest painter who ever lived!’ But the vagabond said nothing and stared solemnly at his feet. ’Now, pull the blanket from your painting and let us see what you have for us,’ cried the king. But the tramp remained motionless and said nothing. Growing impatient, the king stepped forward and reached out to grab the blanket only to freeze in horror at the last moment. ’You see,’ said the tramp quietly, ’there is no blanket covering the painting. This is actually just a painting of a cloth covering a painting. And whereas your famous artist is content to fool nature, I’ve made the king of the whole country look like a clueless little twat.
Banksy (Wall and Piece)
I laid back the lounge chair and rolled to my stomach, content. Sounds of splashing faded as I dozed. And then I heard a beautiful voice. . . . “Cover your arse, and nobody gets hurt.” I lifted my head to see Kaidan crouched next to me. He was here! Just as I was about to get up and throw my arms around him, his gaze slid down my body to my butt and stayed there. Hello, stormy eyes. I felt twice as hot under the sun as I had one minute ago. I threw the towel over my body, which forced his eyes back to mine. “Hey,” I whispered. He touched my face, and I leaned into his palm. “I feel like it’s been a year since I saw you,” he said softly. “I’ve missed you.” I reached up and cupped his hand. “I’ve missed you, too.” “But you’re still in trouble.” His voice was low and gravelly.
Wendy Higgins (Sweet Reckoning (Sweet, #3))
Bran grabbed my hand,pulled me to a chest, and swung the heavy lid open. A white cloth covered the contents. He jerked it aside. Human heads filled the chest. "Oh God." He scooped a mummified head from the chest by a scalp lock and thrust it at me. "All of them are mine." This was officially the weirdest version of "come down to my place and I'll show you some etchings" I've ever been hit with.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Bones are patient. Bones never tire nor do they run away. When you come upon a man who has been dead many years, his bones will still be lying there, in place, content, patiently waiting, but his flesh will have gotten up and left him. Water is like flesh. Water will not stand still. It is always off to somewhere else; restless, talkative, and curious. Even water in a covered jar will disappear in time. Flesh is water. Stones are like bones. Satisfied. Patient. Dependable. Tell me, then, Alobar, in order to achieve immortality, should you emulate water or stone? Should you trust your flesh or your bones?
Tom Robbins (Jitterbug Perfume)
I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you
Rudy Francisco
We are like books. Most people only see our cover, the minority read only the introduction, many people believe the critics. Few will know our content
Émile Zola
I had read it some time ago but was so completely immersed that I retained nothing. This has been an intermittent, lifelong enigma. Through early adolescence I sat and read for hours in a small grove of weed trees near the railroad track in Germantown. Like Gumby I would enter a book wholeheartedly and sometimes venture so deeply it was as if I were living within it. I finished many books in such a manner there, closing the covers ecstatically yet having no memory of the content by the time I returned home. This disturbed me but I kept this strange affliction to myself. I look at the covers of such books and their contents remain a mystery that I cannot bring myself to solve. Certain books I loved and lived within yet cannot remember.
Patti Smith (M Train)
In the old days, books had awful covers and marvelous content; nowadays, the opposite happens.
Giacomo Leopardi (Thoughts (Hesperus Classics))
IGNORANCE I didn’t know love would make me this crazy, with my eyes like the river Ceyhun carrying me in its rapids out to sea,where every bit of shattered boat sinks to the bottom. An alligator lifts its head and swallows the ocean, then the ocean floor becomes a desert covering the alligator in sand drifts. Changes do happen. I do not know how, or what remains of what has disappeared into the absolute. I hear so many stories and explanations, but I keep quiet, because I don’t know anything, and because something I swallowed in the ocean has made me completely content with ignorance.
Jalal ad-Din Muhammad ar-Rumi (The Book of Love: Poems of Ecstasy and Longing)
I think falling in love should come with a warning label: CAUTION—side effects may include sporadic singing in public (specifically Celine Dion covers), emotional intoxication, constant fool grinning, stomach flipping, eye twinkling, heart palpitations, sweaty hands, jittery feet, lack of sleep, giddiness, deep sighs of contentment, sexual fantasizing, uncontrollable bouts of happiness, and the need to help everyone else around you fall in love so they can experience this blissful state.
Katie Kacvinsky (Second Chance (First Comes Love, #2))
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
Young friends, whose string-and-tin-can phone extended from island to island, had to pay out more and more string, as if letting kites go higher and higher. They had more and more to tell each other, and less and less string. The boy asked the girl to say "I love you" into her can, giving her no further explanation. And she didn't ask for any, or say "That's silly," or "We're too young for love," or even suggest that she was saying "I love you" because he asked her to. Instead she said, "I love you." The words traveled through the long, long string. The boy covered his can with a lid, removed it from the string, and put her love for him on a shelf in his closet. Of course, he never could open the can, because then he would lose its contents. It was enough just to know it was there.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Read to your heart’s content. Though if you are a reader, the heart is never content.
Jenny Hubbard (Paper Covers Rock)
To help inspire refined analysis of the Qur’an’s content, the second field was called Tafsir—literally, “separating strands of raw flax and weaving them into a garment.” Tafsir sought to become an oral tradition for preserving knowledge about how to understand and apply the Qur’an. The field covered the meaning of words (including their Semitic root concepts and the implication of grammatical structures); their context (when it was said, to whom, and why); and their application (initial purpose, lessons for other situations, and distilled wisdom). The field aimed to capture commentary by Muhammad, the historical insights of his companions, and knowledge of preexisting Abrahamic traditions.
Mohamad Jebara (The Life of the Qur'an: From Eternal Roots to Enduring Legacy)
I have always been interested in this man. My father had a set of Tom Paine's books on the shelf at home. I must have opened the covers about the time I was 13. And I can still remember the flash of enlightenment which shone from his pages. It was a revelation, indeed, to encounter his views on political and religious matters, so different from the views of many people around us. Of course I did not understand him very well, but his sincerity and ardor made an impression upon me that nothing has ever served to lessen. I have heard it said that Paine borrowed from Montesquieu and Rousseau. Maybe he had read them both and learned something from each. I do not know. But I doubt that Paine ever borrowed a line from any man... Many a person who could not comprehend Rousseau, and would be puzzled by Montesquieu, could understand Paine as an open book. He wrote with a clarity, a sharpness of outline and exactness of speech that even a schoolboy should be able to grasp. There is nothing false, little that is subtle, and an impressive lack of the negative in Paine. He literally cried to his reader for a comprehending hour, and then filled that hour with such sagacious reasoning as we find surpassed nowhere else in American letters - seldom in any school of writing. Paine would have been the last to look upon himself as a man of letters. Liberty was the dear companion of his heart; truth in all things his object. ...we, perhaps, remember him best for his declaration: 'The world is my country; to do good my religion.' Again we see the spontaneous genius at work in 'The Rights of Man', and that genius busy at his favorite task - liberty. Written hurriedly and in the heat of controversy, 'The Rights of Man' yet compares favorably with classical models, and in some places rises to vaulting heights. Its appearance outmatched events attending Burke's effort in his 'Reflections'. Instantly the English public caught hold of this new contribution. It was more than a defense of liberty; it was a world declaration of what Paine had declared before in the Colonies. His reasoning was so cogent, his command of the subject so broad, that his legion of enemies found it hard to answer him. 'Tom Paine is quite right,' said Pitt, the Prime Minister, 'but if I were to encourage his views we should have a bloody revolution.' Here we see the progressive quality of Paine's genius at its best. 'The Rights of Man' amplified and reasserted what already had been said in 'Common Sense', with now a greater force and the power of a maturing mind. Just when Paine was at the height of his renown, an indictment for treason confronted him. About the same time he was elected a member of the Revolutionary Assembly and escaped to France. So little did he know of the French tongue that addresses to his constituents had to be translated by an interpreter. But he sat in the assembly. Shrinking from the guillotine, he encountered Robespierre's enmity, and presently found himself in prison, facing that dread instrument. But his imprisonment was fertile. Already he had written the first part of 'The Age of Reason' and now turned his time to the latter part. Presently his second escape cheated Robespierre of vengeance, and in the course of events 'The Age of Reason' appeared. Instantly it became a source of contention which still endures. Paine returned to the United States a little broken, and went to live at his home in New Rochelle - a public gift. Many of his old companions in the struggle for liberty avoided him, and he was publicly condemned by the unthinking. {The Philosophy of Paine, June 7, 1925}
Thomas A. Edison (Diary and Sundry Observations of Thomas Alva Edison)
Above this race of men stands an immense and tutelary power, which takes upon itself alone to secure their gratifications and to watch over their fate. That power is absolute, minute, regular, provident, and mild. It would be like the authority of a parent if, like that authority, its object was to prepare men for manhood; but it seeks, on the contrary, to keep them in perpetual childhood: it is well content that the people should rejoice, provided they think of nothing but rejoicing. For their happiness such a government willingly labors, but it chooses to be the sole agent and the only arbiter of that happiness; it provides for their security, foresees and supplies their necessities, facilitates their pleasures, manages their principal concerns, directs their industry, regulates the descent of property, and subdivides their inheritances: what remains, but to spare them all the care of thinking and all the trouble of living? Thus it every day renders the exercise of the free agency of man less useful and less frequent; it circumscribes the will within a narrower range and gradually robs a man of all the uses of himself. The principle of equality has prepared men for these things;it has predisposed men to endure them and often to look on them as benefits. After having thus successively taken each member of the community in its powerful grasp and fashioned him at will, the supreme power then extends its arm over the whole community. It covers the surface of society with a network of small complicated rules, minute and uniform, through which the most original minds and the most energetic characters cannot penetrate, to rise above the crowd. The will of man is not shattered, but softened, bent, and guided; men are seldom forced by it to act, but they are constantly restrained from acting. Such a power does not destroy, but it prevents existence; it does not tyrannize, but it compresses, enervates, extinguishes, and stupefies a people, till each nation is reduced to nothing better than a flock of timid and industrious animals, of which the government is the shepherd.
Alexis de Tocqueville (Democracy in America)
Equally arresting are British pub names. Other people are content to dub their drinking establishment with pedestrian names like Harry’s Bar and the Greenwood Lounge. But a Briton, when he wants to sup ale, must find his way to the Dog and Duck, the Goose and Firkin, the Flying Spoon, or the Spotted Dog. The names of Britain’s 70,000 or so pubs cover a broad range, running from the inspired to the improbable, from the deft to the daft. Almost any name will do so long as it is at least faintly absurd, unconnected with the name of the owner, and entirely lacking in any suggestion of drinking, conversing, and enjoying oneself. At a minimum the name should puzzle foreigners-this is a basic requirement of most British institutions-and ideally it should excite long and inconclusive debate, defy all logical explanation, and evoke images that border on the surreal.
Bill Bryson (The Mother Tongue: English and How It Got That Way)
It didn't take long. In that despondent changeless heat the entire human content of the ship congealed into a massive drunkenness. People moved flabbily about like squid in a tank of tepid smelly water. From that moment on we saw, rising to the surface, the terrifying nature of white men, exasperated, freed from constraint, absolutely unbuttoned, their true nature, same as in the war. That tropical steam bath called forth the instincts as August breeds toads and snakes on the fissured walls of prisons. In the European cold, under gray, puritanical northern skies, we seldom get to see our brothers' festering cruelty except in times of carnage, but when roused by the foul fevers of the tropics, their rottenness rises to the surface. That's when the frantic unbuttoning sets in, when filth triumphs and covers us entirely. It's a biological confession. Once work and cold weather cease to constrain us, once they relax their grip, the white man shows you the same spectacle as a beautiful beach when the tide goes out: the truth, fetid pools, crabs, carrion, and turds.
Louis-Ferdinand Céline (Journey to the End of the Night)
THE BODY of BENJAMIN FRANKLIN Printer like the cover of an old book, its contents torn out, and stripped of its lettering and gilding lies here, food for worms; Yet the work itself shall not be lost, For it will (as he believed) appear once more, in a new, and more beautiful edition, corrected and amended By The AUTHOR
Benjamin Franklin
Secrets and lies, they eat your insides until all you have left is a hard thin skin that covers you like the shell of one of those eggs you poke a little hole in and draw out its eggy contents before you dye it for Easter.
Russell Banks (Lost Memory of Skin)
The body of B. Franklin, Printer; Like the cover of an old book (it's contents torn out, and stript of its lettering and guilding), lies here, food for worms But the work shall not be wholly lost, for it will (as he believed) appear once more, in a new and more perfect edition, corrected and amended, by the Author.
Benjamin Franklin
Few people will understand that to love is like being able to select and read a good book. They don’t just stop at the title or the cover. They stop because...they wanted to read the content. The wanted to read each word, each sentence, each line, but most of all, what was in between the lines...
lauren klarfeld
When she decided to get a job, she rejected a tempting offer from a company that had just been set up in her recently created country in favor of a job at the public library, where you didn’t earn much money but where you were secure. She went to work every day, always keeping to the same timetable, always making sure she wasn’t perceived as a threat by her superiors; she was content; she didn’t struggle, and so she didn’t grow: All she wanted was her salary at the end of the month. She rented the room in the convent because the nuns required all tenants to be back at a certain hour, and then they locked the door: Anyone still outside after that had to sleep on the street. She always had a genuine excuse to give boyfriends, so as not to have to spend the night in hotel rooms or strange beds. When she used to dream of getting married, she imagined herself in a little house outside Ljubljana, with a man quite different from her father—a man who earned enough to support his family, one who would be content just to be with her in a house with an open fire and to look out at the snow-covered mountains. She had taught herself to give men a precise amount of pleasure; never more, never less, only what was necessary. She didn’t get angry with anyone, because that would mean having to react, having to do battle with the enemy and then having to face unforeseen consequences, such as vengeance. When she had achieved almost everything she wanted in life, she had reached the conclusion that her existence had no meaning, because every day was the same. And she had decided to die.
Paulo Coelho (Veronika Decides to Die)
I spent the afternoon in a bookstore. There were no books in it. None had been printed for nearly half a century. And how I have looked forward to them, after the micro films that made up the library of the Prometheus! No such luck. No longer was it possible to browse among shelves, to weigh volumes in hand, to feel their heft, the promise of ponderous reading. The bookstore resembled, instead, an electronic laboratory. The books were crystals with recorded contents. They can be read the aid of an opton, which was similar to a book but had only one page between the covers. At a touch, successive pages of the text appeared on it. But optons were little used, the sales-robot told me. The public preferred lectons - like lectons read out loud, they could be set to any voice, tempo, and modulation.
Stanisław Lem (Return From the Stars)
The recent spate of magazines for "parents" (i.e., mothers) bombard the anxiety-induced mothers of America with reassurances that they can (after a $100,000 raise and a personality transplant) produce bright, motivated, focused, fun-loving, sensitive, cooperative, confident, contented kids just like the clean, obedient ones on the cover.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
We are all books. Most people only see our cover, the minority read only the introduction, many people believe the critics. Few will know our content.’ Emile Zola
Paulina Ian-Kane (One (Angels of Wrath, #1))
A blog post is like a miniskirt … it needs to be long enough to cover the essentials but short enough to keep it interesting.” And
Joe Pulizzi (Content Inc.: How Entrepreneurs Use Content to Build Massive Audiences and Create Radically Successful Businesses)
What, is the jay more precious than the lark Because his fathers are more beautiful? Or is the adder better than the eel Because his painted skin contents the eye?
William Shakespeare (The Taming of the Shrew)
The children are not obeying you, they are only submitting to authority. They do not entertain the slightest thought of understanding you. They just cover their ears and shut their eyes and wait for the storm of your rage to pass.
Ichiro Kishimi (The Courage to be Happy: True Contentment Is In Your Power)
More things are learnt in the woods than in books. Animals, trees and rocks teach you things not to be heard elsewhere. St Bernard (1090–1153) Table of Contents Cover Page Title Page Dedication Epigraph Map Letter One I II III Two I II
Susan Fletcher (Corrag: The enthralling historical fantasy novel)
...he knew of the innermost danger of all artists, he knew the utter loneliness of the man destined to be an artist, he knew the inherent loneliness which drove such a one into the still deeper loneliness of art and into the beauty that cannot be articulated, and he knew that for the most part such men were shattered by this immolation, that it made them blind, blind to the world, blind to the divine quality in the world and in the fellow-man, that--intoxicated by their loneliness--they were able to see only their own god-likeness, which they imagined to be unique, and consequently this self-idolatry and its greed for recognition came more and more to be the sole content of their work--, a betrayal of the divine as well as of art, because in this fashion the work of art became a work of un-art, an unchaste covering for artistic vanity, so spurious that even the artist's self-complacent nakedness which it exposed became a mask; and even though such unchaste self-gratification, such dalliance with beauty, such concern with effects, even though such an un-art might, despite its brief unrenewable grant, its inextensible boundaries, find an easier way to the populace than real art ever found, it was only a specious way, a way out of the loneliness, but not, however, an affiliation with the human community, which was the aim of real art in its aspiration toward humanity, no, it was the affiliation with the mob, it was a participation in its treacherous non-community, which was incapable of the pledge, which neither created nor mastered any reality, and which was unwilling to do so, preferring only to drowse on, forgetting reality, having forfeited it as had un-art and literarity, this was the most profound danger for every artist; oh how painfully, how very painfully he knew this.
Hermann Broch (The Death of Virgil)
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night. Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible. So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming. I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me. He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm. After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck. I bit my lip. Alarm bells started going off in my head. Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?” I stammered, “I…you…I…slept just fine, thank you.” I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him. He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
What say you, can you love the gentleman? This night you shall behold him at our feast. Read o'er the volume of young Paris' face, And find delight writ there with beauty's pen; Examine every married lineament, And see how one another lends content; And what obscured in this fair volume lies Find written in the margent of his eyes. This precious book of love, this unbound lover, To beautify him only lacks a cover. The fish lives in the sea, and 'tis much pride For fair without the fair within to hide. That book in many's eyes doth share the glory, That in gold clasps locks in the golden story. So shall you share all that he doth possess, By having him, making yourself no less.
William Shakespeare (Romeo and Juliet)
Text of pleasure: the text that contents, fills, grants euphoria; the text that comes from culture and does not break with it, is linked to a comfortable practice of reading. Text of bliss: the text that imposes a state of loss, the text that discomforts (perhaps to the point of a certain boredom), unsettles the reader's historical, cultural, psychological assumptions, the consistency of his tastes, values, memories, brings to a crisis his relation with language. Now the subject who keeps the two texts in his field and in his hands the reins of pleasure and bliss is an anachronic subject, for he simultaneously and contradictorily participates in the profound hedonism of all culture (which permeates him quietly under the cover of an "art de vivre" shared by the old books) and in the destruction of that culture: he enjoys the consistency of his selfhood (that is his pleasure) and seeks its loss (that is his bliss). He is a subject split twice over, doubly perverse.
Roland Barthes (The Pleasure of the Text)
Our textbooks were ridiculous propaganda. The first English sentence we learned was "Long live Chairman Mao!" But no one dared to explain the sentence grammatically. In Chinese the term for the optative mood, expressing a wish or desire, means 'something unreal." In 1966 a lecturer at Sichuan University had been beaten up for 'having the audacity to suggest that "Long live Chairman Mao!" was unreal!" One chapter was about a model youth hero who had drowned after jumping into a flood to save an electricity pole because the pole would be used to carry the word of Mao. With great difficulty, I managed to borrow some English language textbooks published before the Cultural Revolution from lecturers in my department and from Jin-ming, who sent me books from his university by post. These contained extracts from writers like Jane Austen, Charles Dickens, and Oscar Wilde, and stories from European and American history. They were a joy to read, but much of my energy went toward finding them and then trying to keep them. Whenever someone approached, I would quickly cover the books with a newspaper. This was only partly because of their 'bourgeois' content. It was also important not to appear to be studying too conscientiously, and not to arouse my fellow students' jealousy by reading something far beyond them. Although we were studying English, and were paid par fly for our propaganda value by the government to do this, we must not be seen to be too devoted to our subject: that was considered being 'white and expert." In the mad logic of the day, being good at one's profession ('expert') was automatically equated with being politically unreliable ('white').
Jung Chang (Wild Swans: Three Daughters of China)
It is the prospect of being close to you that makes marriage partly attractive.  I can imagine the equality which we would then enjoy, it would mean more to you than any other type of equality, and be more beautiful.  I could be a son who was freer, more thankful, less guilty, and more upright; you could be a father who was less troubled, less tyrannical, more sympathetic, and more content.  But to reach this point all that has happened would need to be undone; so we would need to be abolished. But we are as we are, and marriage is your domain and so it is forbidden to me.  At times I imagine the map of the world laid out and you stretched across it.  And all that is left for my life are the areas you don’t cover or can’t reach.  And because I see you as a giant, my territory is miserable and small and doesn’t include marriage. I
Franz Kafka (Letter to My Father)
It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
Molly Harper (And One Last Thing ...)
In 1953, Allen Dulles, then director of the USA Central Intelligence Agency (CIA), named Dr Sidney Gottlieb to direct the CIA's MKULTRA programme, which included experiments conducted by psychiatrists to create amnesia, new dissociated identities, new memories, and responses to hypnotic access codes. In 1972, then-CIA director Richard Helms and Gottlieb ordered the destruction of all MKULTRA records. A clerical error spared seven boxes, containing 1738 documents, over 17,000 pages. This archive was declassified through a Freedom of Information Act Request in 1977, though the names of most people, universities, and hospitals are redacted. The CIA assigned each document a number preceded by "MORI", for "Managament of Officially Released Information", the CIA's automated electronic system at the time of document release. These documents, to be referenced throughout this chapter, are accessible on the Internet (see: abuse-of-power (dot) org/modules/content/index.php?id=31). The United States Senate held a hearing exposing the abuses of MKULTRA, entitled "Project MKULTRA, the CIA's program of research into behavioral modification" (1977).
Orit Badouk Epstein (Ritual Abuse and Mind Control)
I have always thought that art is not a category, not a realm covering innumerable concepts and derivative phenomena, but that, on the contrary, it is something concentrated, strictly limited. It is a principle that is present in every work of art, a force applied to it and a truth worked out in it. And I have never seen art as form but rather as a hidden, secret part of content…A literary creation can appeal to us in all sorts of ways—by its theme, subject, situations, characters. But above all it appeals to us by the presence in it of art...You can call it an idea, a statement about life, so all-embracing that it can’t be split up into separate words; and if there is so much as a particle of it in any work that includes other things as well, it outweighs all the other ingredients in significance and turns out to be the essence, the heart and soul of the work.
Boris Pasternak
Never judge a book by its cover, its contents may have the inspiration one needed for progression
L. Neal
Life without strife is a rose without thorns. Alive as one is thriving today towards tomorrow, Nowhere is the past but simply a school of memory. Dreams, wishes, goals then becomes a wheel of “wills,” Spirit of a unique being on each soul breathing. Care to ponder some matter or another? Awareness sliding towards discovery gliding… Peace, contentment, fulfillment, Enwrapped like a mirage enchantment. Soaring freely, excitingly, happily home-love-bound! Over precious moments in a breathing of a soul, Flowing high emotions, feelings, hearts in bliss. All around any season of one's existence, one asks: “Anyone out there? A heart of a soul that didn’t harden? A touch of a soul that didn’t hurt? A life of a soul that didn't love?” Sands of time, rough, warm, indefinite, simply spreading, transforming, mounting. Oasis of a soul from a desert journey, flourishing with endless beauty and security. Utmost bliss, fulfillment and contentment, under covers a struggling, hopeful soul, Laboring service, living justice, loving peace and tranquillity passed on to humanity!�
Angelica Hopes (Rhythm of a Heart, Music of a Soul)
Shame on the person who judges a Book by its cover without first reading the content: For you are not competent enough to perceive effectively-let along pose yourself as a Judge... READ!
Shenica N. Coleman
The planet’s witnessing the appearance of a new creature now, ones that have already conquered all continents and almost every ecological niche. They travel in packs and are anemophilous, covering large distances without difficulty. Now I see them from the window of the bus, these airborne anemones, whole packs of them, roaming the desert. Individual specimens cling on tight to brittle little desert plants, fluttering noisily-perhaps this is the way they communicate. The experts say these plastic bags open up a whole new chapter of earthly existence, breaking nature’s age-old habits. They’re made up of their surfaces exclusively, empty on the inside, and this historic forgoing of all content unexpectedly affords them great evolutionary benefits.
Olga Tokarczuk (Flights)
I believe in aristocracy, though—if that is the right word, and if a democrat may use it. Not an aristocracy of power … but … of the sensitive, the considerate.… Its members are to be found in all nations and classes, and all through the ages, and there is a secret understanding between them when they meet. They represent the true human tradition, the one permanent victory of our queer race over cruelty and chaos. Thousands of them perish in obscurity, a few are great names. They are sensitive for others as well as themselves, they are considerate without being fussy, their pluck is not swankiness but the power to endure … E. M. Forster, “What I Believe,”         in Two Cheers for Democracy             Contents   Cover   Title Page   Copyright   Dedication   Epigraph   Preface   Are You Highly Sensitive? A Self-Test   1  The Facts About Being Highly Sensitive: A (Wrong) Sense of Being Flawed   2  Digging Deeper: Understanding Your Trait for All That It Is
Elaine N. Aron (The Highly Sensitive Person: How to Survive and Thrive When the World Overwhelms You)
You know for sure Jane would be annoyed she gave you all her money and you’re not even enjoying it. Should have given it to me.’ Myrna had shaken her head in mock bewilderment. ‘I’d have known what to do with it. Boom, down to Jamaica, a nice Rasta man, a good book—’ ‘Wait a minute. You have a Rasta man and you’re reading a book?’ ‘Oh, yes. Each has a purpose. For instance, a Rasta man is great when he’s hard, but not a book.’ Clara had laughed. They shared a disdain for hard books. Not the content, but the cover. Hardcovers were simply too hard to hold, especially in bed. ‘Unlike a Rasta man,’ said Myrna.
Louise Penny (A Fatal Grace (Chief Inspector Armand Gamache, #2))
Mathematics is not a book confined within a cover and bound between brazen clasps, whose contents it need only patience to ransack; it is not a mine, whose treasures may take long to reduce to possessions, but which fill only a limited number of veins and lodes; it is not a soil, whose fertility can be exhausted by the yield of successive harvests; it is not a continent or an ocean, whose area can be mapped out and its contour defined: it is limitless as the space which it finds too narrow for its aspirations; its possibilities are as infinite as the worlds which are forever crowding in and multiplying upon the astronomer's gaze; it is as incapable of being restricted within assigned boundaries or being reduced to definitions of permanent validity, as the consciousness, the life, which seems to slumber in each monad, in every atom of matter, in each leaf and bud and cell, and is forever ready to burst forth into new forms of vegetable and animal existence.
James Joseph Sylvester
I want you so badly I feel I might go insane if I do not have you at this moment." She lay her head over his, rubbing his thick mane of golden hair with her chin. "But?" Julian sighed softly. "I will have to be content with looking at you in adoration." He reluctantly released her and stepped away. "I think I can manage to wait a short time." His golden eyes glittered at her dangerously. "If you do something to distract me." Desari tilted her head, her long hair sliding like so much silk over her shoulder, partially covering her bare skin from his view. A small, feminine smile curved her soft mouth. Just the sight of it made him groan. "Distract you?" Her voice hummed with promise. "I can think of several interesting things we can try to distract you from thinking of my family." Her smile was sexy, enticing, a promise. "You are not helping me," he scolded, his body as unrelenting ache. Desari had slowly merged her mind with his. She saw his terrible need of her, the images of them intertwined. She felt the fire rushing in his blood, the heaviness pooling between his legs. The monster roaring for release, inciting him to take his lifemate with heat and passion and damn the strangers he was trying to be considerate of.
Christine Feehan (Dark Challenge (Dark, #5))
Young Adam was always an obedient child. Something in him shrank from violence, from contention, from the silent shrieking tensions that can rip at a house. He contributed to the quiet he wished for by offering no violence, no contention, and to do this he had to retire into secretness, since there is some violence in everyone. He covered his life with a veil of vagueness, while behind his quiet eyes a rich full life went on. This did not protect him from assault but it allowed him an immunity.
John Steinbeck (East of Eden)
Approaching Em’s cottage, especially at night, always enchanted him. It was like walking into those fairy tales he’d read by flashlight under his bedcovers, full of rose-covered cottages and small stone bridges, glowing hearths and content couples hand in hand. His relieved father had thought he was reading Playboy but instead he was doing something infinitely more pleasurable and dangerous. He was dreaming of the day he’d create this fairy-tale world for himself, and he’d succeeded, at least in part. He had himself become a fairy. And as he looked at Em’s cottage, its buttery light beaconing, he knew he’d walked right into the book he’d used to comfort himself when the world seemed cold and hard and unfair. Now he smiled and walked toward the house, carrying his Christmas Eve offering.
Louise Penny (A Fatal Grace (Chief Inspector Armand Gamache, #2))
Look—here’s a table covered with a red cloth. On it is a cage the size of a small fish aquarium. In the cage is a white rabbit with a pink nose and pink-rimmed eyes. In its front paws is a carrot-stub upon which it is contentedly munching. On its back, clearly marked in blue ink, is the numeral 8. Do we see the same thing? We’d have to get together and compare notes to make absolutely sure, but I think we do. There will be necessary variations, of course: some receivers will see a cloth which is turkey red, some will see one that’s scarlet, while others may see still other shades. (To color-blind receivers, the red tablecloth is the dark gray of cigar ashes.) Some may see scalloped edges, some may see straight ones. Decorative souls may add a little lace, and welcome—my tablecloth is your tablecloth, knock yourself out.
Stephen King (On Writing: A Memoir of the Craft)
I could not even imagine any place of secondary importance for myself, and for that very reason I quite contentedly occupied the most insignificant one in real life. Either a hero or dirt - there was no middle way. That turned out to be my undoing, for while wallowing in dirt I consoled myself with the thought that at other times I was a hero, and the hero overlaid the dirt: an ordinary mortal, as it were, was ashamed to wallow in dirt, but a hero was too exalted a person to be entirely covered in dirt, and hence I could wallow in dirt with an easy conscience.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
Look your fill ” the creature murmured his voice as sweet and rich as syllabub sauce. And his lusty grin when he said it was sinful—and pleasurable. Prue was certain her face flamed red at the barbarian’s insinuation. “I’m sure I don’t know what you mean ” she replied tartly. He smiled and drained his goblet. His head was tilted back exposing the thick cords in his throat and Prue watched him eagerly drink down the entire contents in one swallow. Never had she seen such a vulgar display. Never had she been so engrossed in the workings of a man’s throat and the movement of his Adam’s apple. With a thunk he set the goblet down and shoved his chair back. His legs were spread and the black leather riding britches he wore were pulled snugly over his massive thighs…and other parts as well. Flushing Prudence glanced away. She could not look at him like that with his lace jabot untied and lying on either side of his opened shirt. A shirt that was unbuttoned and opened to his waist exposing a vast amount of dark male skin hairless and bronzed. “Shall you not look my lady ” he beckoned softly. “I like the feel of your eyes on me.” “Cover yourself sir ” she demanded. “It’s most unseemly.” “Ah the lady is Temperance indeed ” the brute murmured huskily.
Charlotte Featherstone (Lust (The Sins and The Virtues, #1))
Amazon sells the same products as competitors such as Barnesandnoble.com, and they receive the same product descriptions, cover images, and editorial content from their vendors. But Amazon has made a science of user engagement. They have an order of magnitude more user reviews, invitations to participate in varied ways
Tim O'Reilly (What is Web 2.0)
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever." "Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute. "What about me?" St. Clair examines his watch. "Sideburns. You'll be seeing him next month." He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really. But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny." Shut up,Anna. Shut.Up. St. Clair unbuckles and rebuckles and unbuckles his watchband. "I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward. He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it. "Oof," he says. "Hey,there's a bed there." "Thanks for the warning." "No problem." "It's freezing in here.Do you have a fan on or something?" "It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help." He pats his way around the bed and slides back in. "Ow," he says. "Yes?" "My belt.Would it be weird..." I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor. "Um," he says. "Would it be weird-" "Yes." "Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover. "All we need now are Sixteen Candles and a game of Truth or Dare." He coughs. "Wh-what?" "The movie,pervert.I was just thinking it's been a while since I've had a sleepover." A pause. "Oh." "..." "..." "St. Clair?" "Yeah?" "Your elbow is murdering my back." "Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm. NO! I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life. I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I find that following sympathetic characters on the secular pilgrimages they make—and we all must make—is the fun of storytelling. Most of the time we are quite content to live in the protective cocoons we have spun, but these stories, and the cover I chose are a reminder that when the butterfly emerges it is fully capable of taking wing.
Millicent Vetterlein (Once Upon the Possible)
Oftentimes, people meet our writing before they meet us; our writing is our first impression.People read our résumés, cover letters, proposals, and emails, and that's the basis on which we are judged first. If our writing is full of grammar and punctuation errors, even though the content may be great, it’s like wearing a beautifully made Prada dress that has deodorant stains
Jenny Baranick (Kiss My Asterisk: A Feisty Guide to Punctuation and Grammar)
If it were possible for a metaphysician to be a golfer, he might perhaps occasionally notice that his ball, instead of moving forward in a vertical plane (like the generality of projectiles, such as brickbats and cricket balls), skewed away gradually to the right. If he did notice it, his methods would naturally lead him to content himself with his caddies's remark-'ye heeled that yin,' or 'Ye jist sliced it.' ... But a scientific man is not to be put off with such flimsy verbiage as that. He must know more. What is 'Heeling', what is 'slicing', and why would either operation (if it could be thoroughly carried out) send a ball as if to cover point, thence to long slip, and finally behind back-stop? These, as Falstaff said, are 'questions to be asked.
Peter Guthrie Tait
Some primitive peoples, like the Veddahs of Ceylon, had no dwellings at all, and were content with the earth and the sky; some, like the Tasmanians, slept in hollow trees; some, like the natives of New South Wales, lived in caves; others, like the Bushmen, built here and there a wind-shelter of branches, or, more rarely, drove piles into the soil and covered their tops with moss and twigs.
Will Durant (Our Oriental Heritage (Story of Civilization 1))
He is dead. Cassius. This is a nightmare. I’ll wake up in my bunk on the Archi and find him yawning in the cockpit. I cover my mouth to stop myself from crying out in pain. Why did he go? Why did he have to go? Why didn’t he just wait for me on his ship? It’s such a waste. I just got him back. I can’t think of anything but him smiling on the Archimedes when I told him we were brothers and he agreed and how he then just sat there in such contentment. So safe with me. Why did he go? I don’t want to be here. I want to be home with Virginia’s arms around me. Or back with him in the cockpit. We should have stayed on Europa. We should have fought. Dying at his side would have been better than this. I’d trade him for all the ships. All these Moon Lords. He was worth them all put together.
Pierce Brown (Light Bringer (Red Rising Saga, #6))
But she drew in a breath and asked with saccharine sweetness, “Trace, are you ready?” No, he wasn’t ready. Somehow he had to regain control of this situation. Right now she had the upper hand, and that was untenable. With the perfect plan in mind, Trace shook his head, but said with what he hoped sounded like indifference, “Quit stalling.” And then he pulled out his cell phone. This time, she was all but naked. What little material covered her proved mere decoration, like icing on a very sweet cake—a cake he wouldn’t mine eating, slowly, top to toes and everywhere in between. Priss stood with her hands on her generous hips, her feet apart, shoulders back. How such a small woman packed so many perfect curves, he didn’t know. But she managed it with flair. Boy, did she ever. “Good enough.” When she smiled at him, he lifted the cell phone and used it to take a picture. Squawking, Priss leaped behind the curtain and her face went up in flames. “What do you think you’re doing?” “Suddenly shy?” Content with her appalled tone and burning-red face, Trace looked down at the phone. Oh, yeah, that’d do. He pushed a few buttons, then put the cell phone away. “Don’t worry, honey. I emailed it to myself.” His smile felt like a leer. “No one else will see it.” Unappeased by that promise, she glared at him. “You—!” “Now, Priss. Modesty at this late date is more than suspicious. You wanted my approval.” He shrugged—and struggled to keep his attention on her face and off the curves that showed even beneath the curtain she clutched to her chin. “You’ve got it, with my admiration, too.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
And that discovery would betray the closely guarded secret of modern culture to the laughter of the world. For we moderns have nothing of our own. We only become worth notice by filling ourselves to overflowing with foreign customs, arts, philosophies, religions and sciences: we are wandering encyclopaedias, as an ancient Greek who had strayed into our time would probably call us. But the only value of an encyclopaedia lies in the inside, in the contents, not in what is written outside, in the binding or the wrapper. And so the whole of modern culture is essentially internal; the bookbinder prints something like this on the cover: “Manual of internal culture for external barbarians.” The opposition of inner and outer makes the outer side still more barbarous, as it would naturally be, when the outward growth of a rude people merely developed its primitive inner needs. For what means has nature of repressing too great a luxuriance from without? Only one,—to be affected by it as little as possible, to set it aside and stamp it out at the first opportunity. And so we have the custom of no longer taking real things seriously, we get the feeble personality on which the real and the permanent make so little impression. Men become at last more careless and accommodating in external matters, and the [Pg 34] considerable cleft between substance and form is widened; until they have no longer any feeling for barbarism, if only their memories be kept continually titillated, and there flow a constant stream of new things to be known, that can be neatly packed up in the cupboards of their memory.
Friedrich Nietzsche (On the Advantage and Disadvantage of History for Life)
The people of this island and of all the other islands which I have found and seen, or have not seen, all go naked, men and women, as their mothers bore them, except that some women cover one place only with the leaf of a plant or with a net of cotton which they make for that purpose. They have no iron or steel or weapons, nor are they capable of using them, although they are well-built people of handsome stature, because they are wondrous timid. . . . [T]hey are so artless and free with all they possess, that no one would believe it without having seen it. Of anything they have, if you ask them for it, they never say no; rather they invite the person to share it, and show as much love as if they were giving their hearts; and whether the thing be of value or of small price, at once they are content with whatever little thing of whatever kind may be given to them.
David E. Stannard (American Holocaust: Columbus and the Conquest of the New World)
Under the reign of Caracalla (AD 211–217), the gold content was further reduced to 6.5 grams, and under Diocletian (AD 284–305) it was further reduced to 5.5g, before he introduced a replacement coin called the solidus, with only 4.5 grams of gold. On Diocletian's watch, the denarius only had traces of silver to cover its bronze core, and the silver would disappear quite quickly with wear and tear, ending the denarius as a silver coin.
Saifedean Ammous (The Bitcoin Standard: The Decentralized Alternative to Central Banking)
I’ve never been kissed like this before. Other than when I was a child, my face would be covered in soft kisses from my mother, but this was entirely different. I was a full-grown man now. I played one of the roughest sports out there, and right now, I was basking in every single one of her kisses that she plastered over my nose, cheeks, and eyelids. I let her drown me in her affection. I embraced it as I closed my eyes and groaned in contentment.
Remi Rose (Nodus Tollens (Nodus Tollens Duet #1))
What I'd like more than anything," he said quietly, "is for you to listen to an apology." "You have nothing to apologize for." "I'm afraid I do." He let out a measured breath. "But first, I have something to give you." He went to a cabinet in a corner of the room and rummaged through its contents. Finding the object he sought... a small book... he brought it to her. Phoebe blinked in wonder as she read the gold and black lettering on the battered cloth cover. The title was worn and faded, but still legible. Stephen Armstrong: Treasure Hunter Opening the book with unsteady fingers, she found the words written on the inside cover in her own childish hand, long ago. Dear Henry, whenever you feel alone, look for the kisses I left for you on my favorite pages. Blinded by a hot, stinging blur, Phoebe closed the book. Even without looking, she knew there were tiny x's in the margins of several chapters.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Most nonfiction writers have a definitiveness complex. They feel that they are under some obligation—to the subject, to their honor, to the gods of writing—to make their article the last word. It’s a commendable impulse, but there is no last word. What you think is definitive today will turn undefinitive by tonight, and writers who doggedly pursue every last fact will find themselves pursuing the rainbow and never settling down to write. Nobody can write a book or an article “about” something. Tolstoy couldn’t write a book about war and peace, or Melville a book about whaling. They made certain reductive decisions about time and place and about individual characters in that time and place—one man pursuing one whale. Every writing project must be reduced before you start to write. Therefore think small. Decide what corner of your subject you’re going to bite off, and be content to cover it well and stop.
William Zinsser (On Writing Well: The Classic Guide to Writing Nonfiction)
Happiness found me alone one day and took me by the hand. He showed me how the sun gave out its warmth across the land. Sadness found me content and smiling upward at the sun. He talked of droughts and blindness and what burning rays had done. Happiness found me alone again and pointed to the sky. He showed me how the storms created rainbows way up high. Sadness found me intrigued and took me to the rainbow’s end. He showed me how it disappeared to ne’er return again. Happiness found me alone and taught me how to sing a song. He sang a dozen melodies as I chirped right along. Sadness found me singing out and covered up his ears. He said the noise was deafening, and wished he couldn’t hear. Happiness found me alone and gave me seven coins of gold. He showed me many fancy things that merchants often sold. Sadness found me admiring the pretty things I’d bought. He pointed out my empty purse and money I had not. Happiness found me alone and helped me talk to someone new. He called the boy my friend and said that I was his friend too. Sadness found me together with my kind, attentive friend. He whispered of betrayal and how broken hearts don’t mend. Happiness found me alone and held me tight in his embrace. He whispered kindness in my ear and kissed me on the face. Sadness found me with Happiness but before he spoke at all, I told him he’d have better luck at talking to the wall.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Bones are patient. Bones never tire nor do they run away. When you come upon a man who has been dead many years, his bones will still be lying there, in place, content, patiently waiting, but his flesh will have gotten up and left him. Water is like flesh. Water will not stand still. It is always off to somewhere else; restless, talkative, and curious. Even water in a covered jar will disappear in time. Flesh is water. Stones are like bones. Satisfied. Patient. Dependable.
Tom Robbins (Jitterbug Perfume)
A man does what he must, in spite of personal consequences, in spite of obstacles and dangers and pressure, and that is the basis of all human morality. And whatever maybe the sactifices he faces if he follows his conscience, the loss of his friends, his fortune, his contentment, even the esteem of his fellow men, each man must decide for himself the course he will follow. The stories of past courage cannot supply courage itself. For this each man must look into his own soul.
Leo Damore (Senatorial Privilege: The Chappaquiddick Cover-Up)
The two sat quietly on the park bench, and Dove liked it. If she sat perfectly still, neither could ruin the moment. He seemed to feel the change as well as they watched two squirrels bound about in front of them. The squirrels were adorable and brave, jumping close to Dove and Johnson—maybe because they were motionless. Dove wanted to comment on the Disneyesque scene in front of them but kept her words on the tip of her tongue, not wanting to spoil the quiet. The two squirrels sat side by side, each a mirror of the other, munching on acorns in their paws. With their fuzzy faces and sweet, black eyes, they reminded Dove of exactly why she loved the park. Next to her, Johnson sighed in contentment. The male squirrel dropped his nut and jumped quickly behind the female squirrel. Oh dear God! Don’t do it. You horny little bastard! The male squirrel refused to read Dove’s mind and started climbing on the female squirrel. Dove heard Johnson’s groan of disgust as the male began the motions of copulation. She shook her head. Fucking figures. The tender new feelings between Dove and this handsome man were now spoiled with the obscene visual of the hairy rodents humping. Johnson had to comment. “Wow. Squirrels usually engage in some style of MATING dance.” He looked around the park for other examples to prove his point. “Much like humans, they’re attracted to the smell of the GENITALS and fancy tail motions.” Dove tried to figure out where she belonged in this conversation that he apparently thought was acceptable small talk. The obscene, public intercourse ended with one final, furry pump. The female never even dropped her nut. “Well, I guess that was a dinner date.” Dove covered her mouth and shook her head. She prayed for a flock of hungry hawks to swoop in and eat the little Snow White porn stars so she and Mr. Gorgeouspants could just stop talking about nether regions for a minute. “This time of the year, NUTS are more important than anything else.
Debra Anastasia (Fire Down Below (Gynazule #1))
The room was small, lit by two naked bulbs in wall recesses, and bare of anything except for two solid wooden posts the height of a man and four feet apart. In each post, at just below shoulder height, was set a large iron ring. There were two other men already waiting, both leathermen. Len indicated each in turn. 'Rick and Sam.' The two men regarded Mike with arms folded. Rick was in his late twenties, a tall, blond biker, his hair hanging down well past his shoulders. Under his leather waistcoat he was bare-chested, his spare, pale flesh covered with tattoos of skulls, burning angels and other biker motifs, the twining reds, blues and blacks extending along both arms as well. He was wearing black leather gloves and impenetrable black shades. Shaven-headed Sam was older, shorter and stockier, built like a rugby player. A leather harness stretched across the barrel of his chest, its steel circlet buried in wiry hair. Through his leather chaps Mike could see a sizeable pouch, heavy with its contents.
Jack Stevens (Fellowship of Iron)
The scene strongly brings to mind a stack of magazines tied up with string in an attic. It strongly brings to mind that medical superman of yesteryear, the old doc on the cover of The Saturday Evening Post with his stethoscope planted on the chest of a child's doll, the old doc who rode from house to house through deep snows with his black bag beside him and his roan gelding pulling the sleigh, the old doc who did appendectomies on the kitchen table, the old doc who worked nine days a week and rested on the tenth.
John McPhee (Table of Contents)
In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate’s face at their wedding would never be duplicated. But when they placed the tiny little boy in his father’s gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He’d taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances. “Generations of our families,” he said softly, “all there, in that face.” He’d looked down at his wife with unashamedly wet eyes. “In our son’s face.” She wiped her own tears away with a corner of the sheet and coaxed Tate’s head down so that she could do the same for him where they were, temporarily, by themselves. Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. “Isn’t he beautiful?” he murmured, still awed by the child. “Next time, we have to have a little girl,” he said with a tender smile, “so that she can look like you.” Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn. “My heart is happy when I see you,” she whispered in Lakota. He chuckled, having momentarily forgotten that he’d taught her how to say it. “Mine is equally happy when I see you,” he replied in English. She reached out and clasped his big hand with her small one. On the table beside her was a bouquet of roses, red and crisp with a delightful soft perfume. Her eyes traced them, and she remembered the first rose he’d ever given her, when she was seventeen: a beautiful red paper rose that he’d brought her from Japan. Now the roses were real, not imitation. Just as her love for him, and his for her, had become real enough to touch. He frowned slightly at her expression. “What is it?” he asked softly. “I was remembering the paper rose you brought me from Japan, just after I went to live with Leta.” She shrugged and smiled self-consciously. He smiled back. “And now you’re covered in real ones,” he discerned. She nodded, delighted to see that he understood exactly what she was talking about. But, then, they always had seemed to read each others’ thoughts-never more than now, with the baby who was a living, breathing manifestation of their love. “Yes,” she said contentedly. “The roses are real, now.” Outside the window, rain was coming down in torrents, silver droplets shattering on the bright green leaves of the bushes. In the room, no one noticed. The baby was sleeping and his parents were watching him, their eyes full of warm, soft dreams.
Diana Palmer (Paper Rose (Hutton & Co. #2))
This is not a small matter. According to a recent poll conducted by the Freedom Forum, a liberal foundation in Tennessee, 89 percent of American political journalists covering Washington politics voted for Bill Clinton, and only 7 percent identified themselves as conservatives. The journalism profession in America has undergone a sea change in recent years. Previously, beat reporters were just that, reporters. They often did not have undergraduate college degrees, not to mention degrees from journalism schools. But now they do, and notoriously they write editorial content into their reporting.
David Horowitz (Hating Whitey and Other Progressive Causes)
He undid the lock and pulled open the cover to reveal a large stack of envelopes, each one labeled with a different name: Franklin Hobart, Brian Yancey, Everett Singer, Larry Steczynski…it was this last one he grabbed and pulled open, emptying its contents into his wallet and pockets. “Larry Steczynski?” I asked incredulously. Sage smiled. “You don’t think it suits me?” “Oh, I think you suits you perfectly. How many aliases do you have?” “I’m a bit of a collector.” I placed a hand on his wrist, stopping him as he transferred something into his wallet. “Does Larry Steczynski carry a black AmEx?” “He might.” “My mom doesn’t even carry a black AmEx.” “Apparently your mom doesn’t move in the same circles as Larry Steczynski.” “Sage,” Ben called from across the room. He had knelt down to gaze closely at a sculpted figurine that sat on an end table, and his voice broke with awe. “This...this is a real Michelangelo, isn’t it?” “Yeah, yeah it is.” “But it’s a Michelangelo!” “Yep.” “And that painting,” Ben said, nodding to a piece on the wall featuring a sketch of what looked like a somewhat cherubic version of Sage himself. “That’s a real Rubens?” “It is.” “It looks like you.” “Strong genetics in the family line,” Sage explained.
Hilary Duff (Elixir (Elixir, #1))
Daniel was quite pleased with her breathless and flustered state when she straightened, and was satisfied that he'd just established that two could play at her torture game. Unfortunately, in the next moment that contentment gave way to shock when Suzette proved that she was better at it than he was, by using the basket as cover as she dropped one hand down, slit it beneath her bottom and squeezed him through his trousers. It was then Daniel acknowledged that the wench was going to drive him mad until he got her wed...and probably for the rest of his life. But as she squeezed him again, he admitted that his ride to bedlam would be an enjoyable one.
Lynsay Sands (The Heiress (Madison Sisters, #2))
stories involving the troubles in Northern Ireland, Morocco’s war for the Spanish Sahara, and a ring of traders violating the sanctions against Rhodesia. He was exhilarated by danger. Once in Belfast he insisted that we go cover a demonstration, when I was quite content to stay at the bar of the Europa Hotel. He showed me that even though the street clashes might seem violent and bloody on television, just a half block away things were calm and safe. Journalism required an eagerness to get up and go places. While we were out, a bomb went off at the Europa Hotel. Blundy insisted that this should serve as a lesson for me. I agreed. But when he was killed a few years later by a sniper’s bullet in El Salvador, I gave up trying to fathom the meaning of the lesson he wanted me to learn.
Walter Isaacson (American Sketches: Great Leaders, Creative Thinkers & Heroes of a Hurricane)
I let the mercenary go. He collapsed on the ground and rolled into a ball, covering his face. His body shook and an unsettling low sound came from him. He was sobbing. I had opened his mind with my magic can opener, scooped out the contents, and displayed them for all to see. It was a deep violation of his person. People were staring at me, their eyes brimming with fear. A couple of them gripped their weapons in alarm. I had horrified the professional soldiers. I looked at my mother. Sadness softened her face, her mouth slack. It hit me. I was the monster on the street. Without me, they would’ve questioned and even tortured this veteran mercenary. They would’ve done it with the understanding that he would resist and he wouldn’t have faulted them for it, because in their place he would’ve done the same. There was a twisted kind of professional courtesy about it all. But me, I didn’t torture. I broke his will without even breathing hard. Each one of them could see themselves in the mercenary’s place. I could make them tell me all their secrets and that was more frightening than Rogan stopping a massive tanker truck at full speed. I’d never felt so alone in my whole life. Rogan stepped between me and them, his eyes full of something. Whatever it was—pride? Admiration? Love?—I held on to it like it was a lifeline. He understood. At some point in his life he had stood just like that, while people stared at him in horror, and he must’ve felt alone, because now he was here, and he was shielding me from their judgment. “You’re amazing,” Connor Rogan said and smiled.
Ilona Andrews (White Hot (Hidden Legacy, #2))
When Czechoslovak communists won elections in 1946 and then proceeded to claim full power after a coup in 1948, many Czechoslovak citizens were euphoric. When the dissident thinker Václav Havel wrote “The Power of the Powerless” three decades later, in 1978, he was explaining the continuity of an oppressive regime in whose goals and ideology few people still believed. He offered a parable of a greengrocer who places a sign reading “Workers of the world, unite!” in his shop window. It is not that the man actually endorses the content of this quotation from The Communist Manifesto. He places the sign in his window so that he can withdraw into daily life without trouble from the authorities. When everyone else follows the same logic, the public sphere is covered with signs of loyalty, and resistance
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)
I sat at my table, had my brown toast with olive oil, and opened Camus’s The First Man. I had read it some time ago but was so completely immersed that I retained nothing. This has been an intermittent, lifelong enigma. Through early adolescence I sat and read for hours in a small grove of weed trees near the railroad track in Germantown. Like Gumby I would enter a book wholeheartedly and sometimes venture so deeply it was as if I were living within it. I finished many books in such a manner there, closing the covers ecstatically yet having no memory of the content by the time I returned home. This disturbed me but I kept this strange affliction to myself. I look at the covers of such books and their contents remain a mystery that I cannot bring myself to solve. Certain books I loved and lived within yet cannot remember.
Patti Smith (M Train)
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you. "You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes. "Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people. "Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you. "Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
I opened the John Green and read the first five pages. At first, I mistook my stomach pain for the aftermath of a chilli garlic chicken curry I had eaten that night, and powered on past page one, wincing at the knots, until I arrived at page five and vomited blood over the e-reader in the shape of a fractured heart. I doubled over, howling in pain. I could not believe a book could be that appalling. I screamed out: ‘I called this book a daring take on a controversial topic! I said this was a brave and beautiful novel to be cherished for decades to come!’ I clutched my stomach and screamed. I ran out onto the street, shouting nonsense, assaulting people who tried to help, eventually passing out in a motorway layby, covered in slime and scum, having leapt into a polluted pond to cleanse myself of the foulness that had overtaken me. Then I entered the most horrific dreams, the content of which I am not prepared to speak about and that I will take to the grave.
M.J. Nicholls (The House of Writers)
Buck up, Bree,” said Cor. “It’s far worse for me than for you. You aren’t going to be educated. I shall be learning reading and writing and heraldry and dancing and history and music while you’ll be galloping and rolling on the hills of Narnia to your heart’s content.” “But that’s just the point,” groaned Bree. “Do Talking Horses roll? Supposing they don’t? I can’t bear to give it up. What do you think, Hwin?” “I’m going to roll anyway,” said Hwin. “I don’t suppose any of them will care two lumps of sugar whether you roll or not.” “Are we near that castle?” said Bree to Cor. “Round the next bend,” said the Prince. “Well,” said Bree, “I’m going to have a good one now: it may be the last. Wait for me a minute.” It was five minutes before he rose again, blowing hard and covered with bits of bracken. “Now I’m ready,” he said in a voice of profound gloom. “Lead on, Prince Cor, Narnia and the North.” But he looked more like a horse going to a funeral than a long-lost captive returning to home and freedom.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #5))
The late history of communism, when no one believed in the revolution anymore, offers a final lesson about symbols. Even when citizens are demoralized and wish only to be left alone, public markers can still sustain a tyrannical regime. When Czechoslovak communists won elections in 1946 and then proceeded to claim full power after a coup in 1948, many Czechoslovak citizens were euphoric. When the dissident thinker Václav Havel wrote “The Power of the Powerless” three decades later, in 1978, he was explaining the continuity of an oppressive regime in whose goals and ideology few people still believed. He offered a parable of a greengrocer who places a sign reading “Workers of the world, unite!” in his shop window. It is not that the man actually endorses the content of this quotation from The Communist Manifesto. He places the sign in his window so that he can withdraw into daily life without trouble from the authorities. When everyone else follows the same logic, the public sphere is covered with signs of loyalty, and resistance becomes unthinkable.
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)
Sitting down on the stairs, Cheyenne watched Behr through the slats in the railing. She liked what she saw. Covered in a fine sheen of perspiration, muscles swollen from what was clearly a grueling workout, Behr’s toned physique was a serious distraction from her worries, making her content to just sit and watch. Each thump of his fist into the bag resonated in her bones. Each kick of his leg thundered in her ears. Every move seemed to be in time with the harsh sounds of the music pumping through the room, until he was a frenzy of movement. It was frighteningly beautiful. Standing, Cheyenne called out to him. “Behr? Are you hungry?” She was feeling a little peckish herself, and she needed something to keep her hands busy. Between a combination of brutal punches, knee jabs and the music, Behr didn’t hear a word she said. So she decided to go to him. Winding her way through equipment and stepping over the discarded sweaty T-shirt, Cheyenne approached him. Waiting for the right moment to interrupt, she tapped him on the shoulder during a brief pause. Big mistake. Huge.
Brandi Salazar (A Warrior's Betrayal (Brotherhood, #2))
expected that it would go on to have such a long and varied life. I started with a very simple image of two boys sitting on either side of a fence, talking to each other, and was immediately interested in the journey that would bring them there, the conversations they would have, and the necessary end that I felt their story would reach. Ten years later, the novel not only changed my life but introduced me to people whom I had never expected to encounter. In my travels, I’ve been fortunate to meet survivors of the many death camps that were built around Europe during the early 1940s and to hear their stories firsthand, as well as descendants of the murdered, who have been generous enough to share their memories and grief with me. It’s been a privilege to be present for such moments and to take part in such emotive conversations. There are two things that interest me above all others in young people’s literature, and I’ve returned to them several times in subsequent books: the manner in which war affects and destroys the experience of childhood, which is supposed to be a happy and carefree period, and what it means for a child to be thrust into an adult situation far ahead of time. The heroes of my novels are, like Bruno, always optimistic, resourceful, and a little naïve, and they don’t want an adult to solve their problems for them, even when they’re not always capable of solving them themselves. They’re growing up surrounded by confusion and trying to make sense of it all. Sometimes they succeed and sometimes the chaos overwhelms them. But they’re never defeated. I will always be grateful to those millions of readers who allowed The Boy in the Striped Pajamas into their lives, those who have been moved by the story and, indeed, those who have taken issue with aspects of it and been vocal in their antipathy. After all, the great joy of literature, as opposed to politics or religion, is that it embraces differing opinions, it encourages debate, it allows us to have heated conversations with our closest friends and dearest loved ones. And through it all, no one gets hurt, no one gets taken away from their homes, and no one gets killed. Contents Cover Title Page Copyright Dedication Acknowledgements Introduction
John Boyne (The Boy in the Striped Pyjamas)
Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan. I was supposed to check the monitor and announce if the temperature was above ninety-degrees. The first one was fine. But before I had a chance to remove the probe, Tim set the hot branding iron against the steer’s left hip. The animal let out a guttural Mooooooooooooo!, and as he did, the contents of its large intestine emptied all over my hand and forearm. Tim said, “Okay, Ree, you can take it out now.” I did. I didn’t know what to do. My arm was covered in runny, stinky cow crap. Was this supposed to happen? Should I say anything? I glanced at my sister, who was looking at me, completely horrified. The second animal entered the chute. The routine began again. I stuck it in. Tim branded. The steer bellowed. The crap squirted out. I was amazed at how consistent and predictable the whole nasty process was, and how nonchalant everyone--excluding my sister--was acting. But then slowly…surely…I began to notice something. On about the twentieth animal, I began inserting the thermometer. Tim removed his branding iron from the fire and brought it toward the steer’s hip. At the last second, however, I fumbled with my device and had to stop for a moment. Out of the corner of my eye, I noticed that when I paused, Tim did, too. It appeared he was actually waiting until I had the thermometer fully inserted before he branded the animal, ensuring that I’d be right in the line of fire when everything came pouring out. He had planned this all along, the dirty dog. Seventy-eight steers later, we were finished. I was a sight. Layer upon layer of manure covered my arm. I’m sure I was pale and in shock. The cowboys grinned politely. Tim directed me to an outdoor faucet where I could clean my arm. Marlboro Man watched as he gathered up the tools and the gear…and he chuckled. As my sister and I pulled away in the car later that day, she could only say, “Oh. My. God.” She made me promise never to return to that awful place. I didn’t know it at the time, but I’d found out later that this, from Tim’s perspective, was my initiation. It was his sick, twisted way of measuring my worth.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He murmurs, low and hungry, "I really want to ruin you." Eden bites her lip. She can barely breathe as she rasps, "Then what are you waiting for?" He hums, content, as he reaches behind her to help lift her bralette up and over her head. Alexander grabs at her small breasts, easily covering her with his massive hands. She shivers, both amused and aroused at how small and protected he makes her feel. He leaves a line of kisses from her breasts down her stomach, marking her as he works his way down to her jeans. It's a wonder to watch his skilled fingers undo the front of her pants before tugging them off with great haste. All that remains is her matching white lace thong, one that leaves little to the imagination. Alexander growls. "You're really going to kill me, you know that?" "Sorry," she replies, breathless. "Don't be," he mumbles, moving in to lick at her mound through the fabric. Pleasure spears through her in a massive shock wave, the warmth of his tongue seeping through the lace. The throbbing wetness between her legs grows more and more unbearable with every second. But Alexander takes his time, mouthing at her through her thong with slow and controlled determination. It's torturous. It's heaven. "Take it off," she commands, barely recognizing the sound of her own voice. "Take it---" "Be patient." Eden whines. "But I want---" "I know." "Please---" "I told you. I want to ruin you." Eden moans, lightheaded and babbling nonsense. It's enough to make her toes curl. She's sure she sounds pathetic, panting and mewling like she's in heat.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
Here is what we know and where we are going. First, shame is blended into our present human condition. That doesn’t mean that happiness and joy only come at the cost of massive denial. No, there can be real contentment and peace. We don’t feel all of our emotions at once. But if you look deeply within yourself, you will find shame. It is part of being human. It is why hiding and covering are universal instincts. Second, we can be bold in the face of shame because shame can be removed, though not by something we do. There is absolutely nothing you can do to detach it, which you already know. You might try bolstering your resumé, confronting your low self-esteem with positive affirmations, or even reciting to yourself the new identity given you by God. But all these strategies are like putting cheap paint over rust; they might work for a season, but the rust will win in the end. There is only one specific remedy that can bring change and transform. The purpose of this journey is to discover that remedy and let it wash you all over. Third, shame is tackled best in the context of a relationship. Granted, going public with your shame is something you have tried to avoid, but being open about it, at least with someone who is a wise encourager, is part of the way out of shame. Wonderful deeds deserve to be praised publicly. But if your shame is due to something evil that someone else did to you, those deeds deserve to be publicly “unpraised” (as a friend said to me), and you can’t do that by yourself. Do not allow shame to intimidate you into silence.
Edward T. Welch (Shame Interrupted: How God Lifts the Pain of Worthlessness and Rejection)
Two observations take us across the finish line. The Second Law ensures that entropy increases throughout the entire process, and so the information hidden within the hard drives, Kindles, old-fashioned paper books, and everything else you packed into the region is less than that hidden in the black hole. From the results of Bekenstein and Hawking, we know that the black hole's hidden information content is given by the area of its event horizon. Moreover, because you were careful not to overspill the original region of space, the black hole's event horizon coincides with the region's boundary, so the black hole's entropy equals the area of this surrounding surface. We thus learn an important lesson. The amount of information contained within a region of space, stored in any objects of any design, is always less than the area of the surface that surrounds the region (measured in square Planck units). This is the conclusion we've been chasing. Notice that although black holes are central to the reasoning, the analysis applies to any region of space, whether or not a black hole is actually present. If you max out a region's storage capacity, you'll create a black hole, but as long as you stay under the limit, no black hole will form. I hasten to add that in any practical sense, the information storage limit is of no concern. Compared with today's rudimentary storage devices, the potential storage capacity on the surface of a spatial region is humongous. A stack of five off-the-shelf terabyte hard drives fits comfortable within a sphere of radius 50 centimeters, whose surface is covered by about 10^70 Planck cells. The surface's storage capacity is thus about 10^70 bits, which is about a billion, trillion, trillion, trillion, trillion terabytes, and so enormously exceeds anything you can buy. No one in Silicon Valley cares much about these theoretical constraints. Yet as a guide to how the universe works, the storage limitations are telling. Think of any region of space, such as the room in which I'm writing or the one in which you're reading. Take a Wheelerian perspective and imagine that whatever happens in the region amounts to information processing-information regarding how things are right now is transformed by the laws of physics into information regarding how they will be in a second or a minute or an hour. Since the physical processes we witness, as well as those by which we're governed, seemingly take place within the region, it's natural to expect that the information those processes carry is also found within the region. But the results just derived suggest an alternative view. For black holes, we found that the link between information and surface area goes beyond mere numerical accounting; there's a concrete sense in which information is stored on their surfaces. Susskind and 'tHooft stressed that the lesson should be general: since the information required to describe physical phenomena within any given region of space can be fully encoded by data on a surface that surrounds the region, then there's reason to think that the surface is where the fundamental physical processes actually happen. Our familiar three-dimensional reality, these bold thinkers suggested, would then be likened to a holographic projection of those distant two-dimensional physical processes. If this line of reasoning is correct, then there are physical processes taking place on some distant surface that, much like a puppeteer pulls strings, are fully linked to the processes taking place in my fingers, arms, and brain as I type these words at my desk. Our experiences here, and that distant reality there, would form the most interlocked of parallel worlds. Phenomena in the two-I'll call them Holographic Parallel Universes-would be so fully joined that their respective evolutions would be as connected as me and my shadow.
Brian Greene (The Hidden Reality: Parallel Universes and the Deep Laws of the Cosmos)
Hundreds of men crowded the yard, and not a one among them was whole. They covered the ground thick as maggots on a week old carcass, the dirt itself hardly anywhere visible. No one could move without all feeling it and thus rising together in a hellish contortion of agony. Everywhere men moaned, shouting for water and praying for God to end their suffering. They screamed and groaned in an unending litany, calling for mothers and wives and fathers and sisters. The predominant color was blue, though nauseations of red intruded throughout. Men lay half naked, piled on top of one another in scenes to pitiful to imagine. Bloodied heads rested on shoulders and laps, broken feet upon arms. Tired hands held in torn guts and torsos twisted every which way. Dirty shirts dressed the bleeding bodies and not enough material existed in all the world to sop up the spilled blood. A boy clad in gray, perhaps the only rebel among them, lay quietly in one corner, raised arm rigid with a finger extended, as if pointing to the heavens. His face was a singular portrait of contentment among the misery. Broken bones, dirty white and soiled with the passing of hours since injury, were everywhere abundant. All manner of devices splinted the damaged and battered limbs: muskets, branches, bayonets, lengths of wood or iron from barns and carts. One individual had bone splinted with bone: the dried femur of a horse was lashed to his busted shin. A blind man, his eyes subtracted by the minié ball that had enfiladed him, moaned over and over “I’m kilt, I’m kilt! Oh Gawd, I’m kilt!” Others lay limp, in shock. These last were mostly quiet, their color unnaturally pale. It was agonizingly humid in the still air of the yard. The stink of blood mixed with human waste produced a potent and offensive odor not unlike that of a hog farm in the high heat of a South Carolina summer. Swarms of fat, green blowflies everywhere harassed the soldiers to the point of insanity, biting at their wounds. Their steady buzz was a noise straight out of hell itself, a distress to the ears.
Edison McDaniels (Not One Among Them Whole: A Novel of Gettysburg)
Dom rose from his kneeling position, a keen hunger shining in his eyes. “Was that wicked enough for you, sweeting?” he drawled as he used his cravat to wipe his mouth. With her heart thundering loudly in her ears and her breathing staggered, it took her a moment to answer. “Not quite,” she managed, then tugged at the waistband of his drawers. “You still have these on.” That seemed to startle him. Then one corner of his lips quirked up. “I never guessed you were such a greedy little--“ “Wanton?” she asked before he could accuse her of being one. But he just shot her a smoldering smile. “Siren.” “Oh.” She liked that word much better. Feeling her oats, she gestured to his drawers. “So take them off.” With a laugh, he did so. “There, my lusty beauty. You have your wish.” “Yes…yes, I do.” Now she could study him to her heart’s content. But the reality was rather sobering. His member, jutting from a nest of dark curls, couldn’t possibly be hidden behind a tiny fig leaf like the ones on statues. “Oh my. It’s even bigger and more…er…thrusting without the drawers.” “Are you rethinking your plan for seduction now?” he asked, with a decided tension in his voice. “No.” She cast him a game smile. “Just…reassessing the…er…fit.” “It’s not as fearsome as it looks.” “Good,” she said lightly, only half joking. She looped her arms about his neck. “Because I’m not as fearless as I look.” “You’re a great deal more fearless than you realize,” he murmured. “But this may cause you some pain.” She swallowed her apprehension. “I know. You can’t protect me from everything.” “No. But I can try to make it worth your trouble.” And before she could respond to that, he was kissing her so sweetly and caressing her so deftly that within moments he had her squirming and yearning for more. Only then did he attempt to breach her fortress by sliding into her. To her immense relief, there was only a piercing pop of discomfort before he was filling her flesh with his. All ten feet of it. Or that’s what it felt like, anyway. She gripped his arms. Hard. He didn’t seem to notice, for he inched farther in, his breath beating hot against her hair. “God, Jane, you’re exactly as I imagined. Only better.” “You’re exactly…as I imagined,” she said in a strained tone. “Only bigger.” That got his attention. He drew back to stare at her. “Are you all right?” She forced a smile. “Now I’m rethinking the seduction.” He brushed a kiss to her forehead. “Let’s see what I can do about that.” He grabbed her beneath her thighs. “Hook your legs around mine if you can.” When she did, the pressure eased some, and she let out a breath. “Better?” he rasped. She nodded. Covering her breast with his hand, he kneaded it gently as he pushed farther into her below. “It will feel even better if you can relax.” Relax? Might as well ask a tree to ignore the ax biting into it. “I’ll try,” she murmured. She forced herself to concentrate on other things than his very thick thing--like how he was touching her, how he was fondling her…how amazing it felt to be joined so intimately to the man she’d been waiting nearly half her life for.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
A box sat on top of Jade’s pillows, wrapped in green paper with a white bow. He frowned slightly. Who would’ve left a gift on Jade’s bed? “You have a present.” “What?” Jade turned her head when he gestured toward the box. Confusion filled her eyes. She sat up and reached for the box. “I don’t understand.” Zach sat by her again and wrapped his arm around her waist. “Maybe there’s a card.” After searching beneath the large white bow, Jade pulled out a small envelope. Zach looked over her shoulder as she withdrew the card and read it aloud. “‘To Mom and Zach. Have fun tonight. Bre.’” Zach chuckled, both at Breanna’s card and at Jade’s blush. “Your daughter has quite a sense of humor.” “My daughter deserves to be spanked.” She lifted the box onto her lap. “I’m afraid to open it.” “Would you like me to? It’s addressed to both of us.” “I’m even more afraid for you to open it.” “Go ahead. It can’t be that bad.” “You don’t know my daughter.” Untying the bow, Jade raised the lid and pulled apart the bright green tissue paper. Several sex toys lay in the box. She gasped. “Oh, my God. I can’t believe she did this!” She started to push the tissue paper back over the contents, but Zach held her hand to stop her. “Wait. Let’s see what she bought.” “I am going to kill her, after I beat her.” Chuckling, Zach dug through the box, lifting the different items as he came to them. “Cock ring. Chocolate body paint. Stay-hard gel.” He looked into Jade’s eyes. “I don’t think I’ll need that tonight.” Her cheeks turned a deep pink. He dropped a kiss on her lips before beginning to explore again. “Anal beads. Ben-Wa balls. Fur-lined handcuffs. Nipple clamps. Lemon-flavored nipple cream.” His gaze dipped to her breasts. “Interesting.” She huffed out a breath. “Can we close the box now?” “Not yet. I like it when you blush.” Zach grinned when Jade scowled at him. “This is completely spoiling the mood.” “I won’t have any problem getting hard again.” “Zach!” Ignoring her outraged tone, he continued to sift through the items. “Lifelike dildo.” He held it up to eye level. “Close, but not quite as big as I am.” Jade covered her eyes with one hand. “I don’t believe this,” she muttered. “Butt plug. Wait, I’m wrong. It’s a vibrating butt plug. Very interesting. I hope you have batteries. Never mind. Breanna included several packages.” “Okay, that’s enough.” Jade tried to jerk the box out of his reach, but Zach held on to the side. “There’re only a couple more items. We might as well see what they are.” “I don’t care what they are.” “You might care about one of them.” Zach held up a large box of condoms. “Oh.” He turned the box in his hand. “I’m flattered, but I don’t think I’ll be able to use one hundred of these tonight.” “One hundred?” “All different types, sizes, and colors.” Jade laughed. “Oh, Bre.” She pushed her hair behind one ear. “What’s the last thing?” “Cherry-flavored lubricant. It looks like she thought of everything.” “You must think my daughter is crazy.” “I think your daughter loves you very much and wants you to be happy.” “That’s true. But we won’t use all this…stuff.” “Who says we won’t?
Lynn LaFleur (Rent-A-Stud (Coopers' Companions, #1))
Days like that I feel that my mind is going 1,000,000 miles an hour, visions of the past, present, and future race through my mind. It races, like a train as if I was looking out the window of the car while it is speeding down the line. I am on a track that will never end.' 'I feel that I am going to derail from this runaway train that I am becoming. I cannot sleep at night, because of the fear inside me.' 'I feel restless, depressed, and loveless as well as not content with myself. I would have to say that my passion for life is gone; my imagination is the only thing that keeps me going.' 'I write the day's events that have gone by in my book of life of all the pastimes, while dreaming of what could have been in it, and besides what has not been in it.' 'If this does not stop, I am going to crack. I look into my mirror, and I do not see me, I see an impression of what I used to be.' 'I see my long brown hair that covers part of my face and covers my blue eyes of emotion. I see the cross around my neck that brings me confidence.' 'I hide behind a smile; I see the body in which nobody thinks is without drought flawless.' 'The bare body that is touched in all ways, yet I tried to hide behind my makeup. I gasp at my pale skin and the look of my body.' 'I am 95 pounds, really tiny; surely there is someone that would find me attractive?' 'I wonder if I can find someone who can think for themselves. I want someone who will love me, for who I am- and not what they want me to be.' 'Most importantly, I need someone that will not use me. Is that too much to ask for?' 'Fear!' 'Anxiety is something that I have inside, it is the source of the things which lead to distress. Not finding someone that loves me, for who I am, is some of my fears.' 'I fear the fact that I am most likely going to be alone forever. Another being that everyone that has meaning in my life is fading away from me it seems.' 'I fear not having a family by my side at all times. I have tears about the overwhelming struggle to rebuild my reputation, which has been destroyed.' 'I ask this question if I was to die tomorrow would anybody come to my wake, to see me lying there?' 'I fear what society has done to me. I fear that I have no trust in anyone or anything. I fear that my life has no meaning.' 'I fear that I will never get out of this hell.' 'I just want to start my life and get a degree in nursing someday from- 'The Conemaugh School of Nursing,' if I can make it through all of this. I do not think that is too much to ask for or is it?' 'I think that if I could be left alone, with the one that I want. I could have a life; you know what I am sure of it. I fear that the towering entity will never collapse, and the demons will keep playing in my head. I fear that I will never have a social ability, to be part of the nobility of compatibility.' 'I fear that the terror will never stop in these innocent lives like mine, and they will not be saved. I fear that nobody will ever see my creativity or recognize me for the good in which I do for others. I feel like I am the only one left in this world, that I call my life.' 'All the beauty in life has been dejected, and it is all ablaze around me. Yes, I fear to be in the outside realm of things.' 'I want to scream yet no one is going to hear it. I ask- am I becoming institutionalized?
Marcel Ray Duriez (Walking the Halls (Nevaeh))