Contact Lens Quotes

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People talk about nightfall, or night falling, or dusk falling, and it’s never seemed right to me. Perhaps they once meant befalling. As in night befalls. As in night happens. Perhaps they, whoever they were, thought of a falling sun. That might be it, except that that ought to give us dayfall. Day fell on Rupert the Bear. And we know, if we’ve ever read a book, that day doesn’t fall or rise. It breaks. In books, day breaks, and night falls. In life, night rises from the ground. The day hangs on for as long as it can, bright and eager, absolutely and positively the last guest to leave the party, while the ground darkens, oozing night around your ankles, swallowing for ever that dropped contact lens, making you miss that low catch in the gully on the last ball of the last over.
Hugh Laurie (The Gun Seller)
This was middle school, the age of miracles, the time when kids shot up three inches over the summer, when breasts bloomed from nothing, when voices dipped and dove. Our first flaws were emerging, but they were being corrected. Blurry vision could be fixed invisibly with the magic of the contact lens. Crooked teeth were pulled straight with braces. Spotty skin could be chemically cleared. Some girls were turning beautiful. A few boys were growing tall.
Karen Thompson Walker (The Age of Miracles)
Friday 29th July, 2005 - I spend the entire night shift feeling like water is gushing into the hull of my boat and the only thing on hand to bail it out with is a Sylvanian Family rabbit's contact lens.
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
It turns out, my suitcase was vibrating on departure from Dulles, according to the security task force guy, so the police took it off the flight. Everything was in that bag. My contact lens stuff. One red tie with blue strips. One blue tie with red stripes. These are regimental stripes, not club tie stripes. And one solid red tie.
Chuck Palahniuk (Fight Club)
eye cap is a simple ten-cent piece of plastic. It is slightly larger than a contact lens, less flexible, and considerably less comfortable. The plastic is repeatedly lanced through, so that small, sharp spurs stick up from its surface. The spurs work on the same principle as those steel spikes that threaten Severe Tire Damage on behalf of rental car companies: The eyelid will come down over an eye cap, but, once closed, will not easily open back up. Eye caps were invented by a mortician to help dead people keep their eyes shut. There have been times this
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Tom Arnold is already waiting at the bar when I arrive, and Vanessa purrs loudly when she spots him. I ignore the slut and stand next to him, waiting for him to notice me, bopping my head slightly to Andy Williams singing Can’t Take My Eyes Off You. At last, he turns and smiles at me. “Pip! You look lovely,” he tells me with an appreciative glance. I simper. “So do you,” I tell him, attempting to bat my eyelids like Vanessa would. “Have you got something in your eye?” he frowns. “Contact lens is playing up,” I mutter. “I didn’t know you wore contacts,” he says in surprise. “All the better to see you with, my dear,” I respond in a deep voice, and he gives me a strange look. I clear my throat. “It’s a free bar tonight, isn’t it?
Claire Gallagher (The Strange Imagination of Pippa Clayton)
Most people who haven’t had direct contact with the leadership of their own and other countries form their views based on what they learn in the media, and become quite naive and inappropriately opinionated as a result. That’s because dramatic stories and gossip draw more readers and viewers than does clinical objectivity. Also, in some cases “journalists” have their own ideological biases that they are trying to advance. As a result, most people who see the world through the lens of the media tend to look for who is good and who is evil rather than what the vested interests and relative powers are and how they are being played out. For example, people tend to embrace stories about how their own country is moral and the rival country is not, when most of the time these countries have different interests that they are trying to maximize. The best behaviors one can hope for come from leaders who can weigh the benefits of cooperation, and who have long enough time frames that they can see how the gifts they give this year may bring them benefits in the future.
Ray Dalio (Principles: Life and Work)
When countries negotiate with one another, they typically operate as if they are opponents in a chess match or merchants in a bazaar in which maximizing one’s own benefit is the sole objective. Smart leaders know their own countries’ vulnerabilities, take advantage of others’ vulnerabilities, and expect the other countries’ leaders to do the same. Most people who haven’t had direct contact with the leadership of their own and other countries form their views based on what they learn in the media, and become quite naive and inappropriately opinionated as a result. That’s because dramatic stories and gossip draw more readers and viewers than does clinical objectivity. Also, in some cases “journalists” have their own ideological biases that they are trying to advance. As a result, most people who see the world through the lens of the media tend to look for who is good and who is evil rather than what the vested interests and relative powers are and how they are being played out. For example, people tend to embrace stories about how their own country is moral and the rival country is not, when most of the time these countries have different interests that they are trying to maximize. The best behaviors one can hope for come from leaders who can weigh the benefits of cooperation, and who have long enough time frames that they can see how the gifts they give this year may bring them benefits in the future.
Ray Dalio (Principles: Life and Work)
Legs? Check. I am five foot seven, after all. They’re slender but not too skinny. I run every morning, so my legs have always been slightly muscled, but in a feminine way — at least I hope they look feminine; bulky is not a word I’d want someone to use. I think the not too short, but short enough to still be very stylish, pleated and thickly cuffed navy blue shorts show my legs off nicely. My cork and white wedges with a cute little bow at each ankle are the perfect finishing touch. A simple dove-gray ribbed tank completes the outfit and hugs my curves. Maybe there is something to Mel’s theory after all.  My golden-blonde hair is sun-kissed in the summer, and its soft waves cascade to the middle of my back. I usually have it up, but tonight Melanie insisted that I leave it down and wavy. I let her play Barbie, and I can’t say I hate it. The real show-stopper, though, is my eyes. They’re a bright, vibrant green. They look almost fake, but as I lean into the mirror to get a closer look, I catch small little flecks of gold around the outside that I know no contact lens could replicate. I have always loved my eyes. I have my mother’s eyes. I’ve seen them in the few pictures I have from my childhood. Even if my eyes were the murkiest, dingiest, dullest brown, I still would have loved them, as long as they were my mother’s. It’s really the only thing I have left of her.  I gave in on the hair and let Melanie have a field day, but I insisted on keeping my makeup simple — a soft pale pink blush, clear lip gloss, and a light dusting of gold eye shadow is all I need. A quick swipe of some mascara, and the look is complete.
Melissa Collins (Let Love In (Love, #1))
Thus, when the eye-cups (the future retina), which grow out of the brain at the end of two stalks (the future optic nerves), make physical contact with the surface, the skin over the contact area folds into the concave cups and differentiates into transparent lenses (see arrows on the right of the diagram). The eye-cup induces the skin to form a lens, and the lens in its turn induces adjacent tissues to form a transparent horny membrane, the cornea. Moreover, if an eye-cup is transplanted under the skin on the belly of a frog embryo, the skin over it will obligingly differentiate into a lens. We may regard this obligingness or 'docility' of embryonic tissue, its readiness to differentiate into the kind of organ best suited to the tissue's position in the growing organism, as a manifestation of the integrative tendency, of the part's subordination to the interests of the whole.
Arthur Koestler (The Ghost in the Machine)
minutes away from the UPS Worldport hub means that a lot of customers order as late as midnight EST, and are surprised when their orders show up on their doorstep eight hours later. This creates a WOW experience, which our customers remember for a very long time and tell their friends and family about. We receive thousands and thousands of phone calls and e-mails every single day, and we really view each contact as an opportunity to build the Zappos brand into being about the very best customer service and customer experience. Seeing every interaction through a branding lens instead of an expense-minimization lens means we run our call center very differently from most call centers. Most call centers measure their employees’ performance based on what’s known in the industry as “average handle time,” which focuses on how many phone calls each rep can take in a day. This translates into reps worrying
Tony Hsieh (Delivering Happiness: A Path to Profits, Passion, and Purpose)
A New Vision offers complete vision care for the entire family. Dr. Stone specializes in optometric vision therapy and vision rehabilitation for children and adults. We provide the highest quality in comprehensive vision examinations, frame and lens selections, and contact lens fittings. The staff of A NEW VISION is dedicated to providing the highest standard of care to all our patients. Our goal is to educate and advise while helping to meet each individual's vision needs.
A New Vision
And then, with care, Justin put the second lens in, giving me my eyes. Turning to the mirror on the wall, I saw myself, unblocked by glass and wire. I felt beautiful, changed—freed from the identity of the “girl who wears glasses.
Aspen Matis (Your Blue Is Not My Blue: A Missing Person Memoir)
Her outline kept slipping, like a wonky contact lens that wouldn’t sit on the iris. When other people were around, she could do the back-and-forth talk, but lately it felt like muscle memory, rather than genuine engagement. Now and again both her selves overlapped perfectly, clicked into place, and suddenly she was there, in the moment. Intense feelings would surge through her, both good and not-so-good, then her outline would detach again. She was living her life a short distance from herself.
Marian Keyes (Grown Ups)
American Indians use goldenrod as a gambling medicine, among other things. But American Indian games of chance must be perceived through an American Indian lens. Gambling is not only a source of entertainment and community building, it is a sacred practice that is representative of the unpredictable Trickster consciousness and those unknown and unexplainable gray areas of the cosmos. Gambling is sacred chance, an opportunity to be in contact with the living, breathing, scattered cosmos.
Enrique Salmón (Iwigara: The Kinship of Plants and People: American Indian Ethnobotanical Traditions and Science)
She had once tried to copy Jojo’s sexy wink – drink had been taken – but she had simply succeeded in dislodging her contact lens which had made her eyelid flutter like a trapped butterfly.
Marian Keyes (The Other Side of the Story)
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They were dancing, or what passed for it—a lot of swaying back and forth with occasional lunges toward the floor as if one of them had dropped a contact lens—
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Putting it simply, my brother had a hotline to Heaven. When he dropped a contact lens on the bathroom floor, instead of crawling on hands and knees, anxious to find it, he just closed his eyes, prayed for a minute, then looked down and it would be there. Nothing was his battle. Any struggle, no matter the size, belonged to his Friend. Sinclair knew the power of Yahushua.
Jason Wilson
dipping them into a Pyrex contact-lens of ketchup,
David Nicholls (Starter for Ten)
From ‘Kokor Hekkus the Killing Machine’, Chapter IV of The Demon Princes, by Caril Carphen (Elucidarian Press, New Wexford, Aloysius, Vega): If Malagate the Woe can be characterized by the single word ‘grim’ and Howard Alan Treesong by ‘incomprehensible’, then Lens Larque, Viole Falushe and Kokor Hekkus all lay claim to the word ‘fantastic’. Which one exceeds the other two in ‘fantasy’? It is an amusing if profitless speculation. Consider Viole Falushe’s Palace of Love, Lens Larque’s monument, the vast and incredible outrages Kokor Hekkus has visited upon humanity: such extravagances are impossible to comprehend, let alone compare. It is fair to say, however, that Kokor Hekkus has captured the popular imagination with his grotesque and eerie humor. Let us listen to what he has to say in an abstract from the famous telephoned address, The Theory and Practice of Terror, to the students of Cervantes University: “… To produce the maximum effect, one must identify and intensify those basic dreads already existing within the subject. It is a mistake to regard the fear of death as the most extreme fear. I find a dozen other types to be more poignant, such as: The fear of inability to protect a cherished dependent. The fear of disesteem. The fear of noisome contact. The fear of being made afraid. “My goal is to produce a ‘nightmare’ quality of fright, and to maintain it over an appreciable duration. A nightmare is the result of the under-mind exploring its most sensitive areas, and so serves as an index for the operator. Once an apparently sensitive area is located the operator to the best of his ingenuity employs means to emphasize, to dramatize this fear, then augment it by orders of magnitude. If the subject fears heights, the operator takes him to the base of a tall cliff, attaches him to a slender, obviously fragile or frayed cord and slowly raises him up the face of the cliff, not too far and not too close to the face. Scale must be emphasized, together with the tantalizing but infeasible possibility of clinging to the vertical surface. The lifting mechanism should be arranged to falter and jerk. To intensify claustrophobic dread the subject is conveyed into a pit or excavation, inserted head-foremost into a narrow and constricted tunnel which slants downward, and occasionally changes direction by sharp and cramping angles. Whereupon the pit or excavation is filled and subject must proceed ahead, for the most part in a downward direction.
Jack Vance (Demon Princes (Demon Princes #1-5))
Several times per heartbeat, over and over from birth to death, we each separate the specific from the general, the figure from the ground, and decide which shape is the mushroom (or the field mouse or the lost contact lens) and which is not. We fit together the pieces that we can, and set aside the rest. The process of being unfolds as an endlessly overlapping succession of most-plausible-pictures. We become who we are by virtue of the choices we make — consciously or otherwise — about which parts belong in our story, and which parts can be left out.” It
Ted Orland (The View From The Studio Door - How Artists Find Their Way In An Uncertain World)