Constructive Conversation Quotes

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Lila was able to speak through writing; unlike me when I wrote, unlike Sarratore in his articles and poems, unlike even many writers I had read and was reading, she expressed herself in sentences that were well constructed, and without error, even though she had stopped going to school, but–further–she left no trace of effort, you weren't aware of the artifice of the written word. I read and I saw her, I heard her. The voice set in the writing overwhelmed me, enthralled me even more than when we talked face to face; it was completely cleansed of the dross of speech, of the confusion of the oral; it had the vivid orderliness that I imagined would belong to conversation if one were so fortunate as to be born from the head of Zeus and not from the Grecos, the Cerullos.
Elena Ferrante (My Brilliant Friend (My Brilliant Friend #1))
In this way, feelings can be tricky. Feelings are the language of the soul, but you must make sure you are listening to your true feelings and not some counterfeit model constructed in your mind.
Neale Donald Walsch (The Complete Conversations with God)
Some feelings are true feelings—that is, feelings born in the soul—and some feelings are counterfeit feelings. These are constructed in your mind. In other words, they are not “feelings” at all—they are thoughts. Thoughts masquerading as feelings. These thoughts are based on your previous experience and on the observed experience of others.
Neale Donald Walsch (The Complete Conversations with God)
for the first time I am confronted with the fact that places and people are like things: both made of memories and meaningful to us in the same way: we construct ourselves in our conversations with them.
Bilal Tanweer (The Scatter Here Is Too Great)
You are reminded of a conversation you had recently, comparing the merits of sentences constructed implicitly with “yes, and” rather than “yes, but.
Claudia Rankine (Citizen: An American Lyric)
Books are portals for the imagination, whether one is reading or writing, and unless one is keeping a private journal, writing something that no one is likely to read is like trying to have a conversation when you’re all alone. Readers extend and enhance the writer’s created work, and they deepen the colors of it with their own imagination and life experiences. In a sense, there’s a revision every time one's words are read by someone else, just as surely as there is whenever the writer edits. Nothing is finished or completely dead until both sides quit and it’s no longer a part of anyone’s thoughts. So it seems almost natural that a lifelong avid reader occasionally wants to construct a mindscape from scratch after wandering happily in those constructed by others. If writing is a collaborative communication between author and reader, then surely there’s a time and a place other than writing reviews for readers to 'speak' in the human literary conversation.
P.J. O'Brien
I am often amused and sometimes amazed by the free-reign constructs of my mind. That is why I converse regularly with myself - I am one of my better friends...
Gavin Mills
You should understand the value of time and use it accordingly in a constructive manner so that you can be blessed with time
Sunday Adelaja (No One Is Better Than You)
Long ago, we had both realized that the only constructive conversation possible between us was sex. Neither of us could hear normal words. We each spoke our minds and listened only to ourselves. Only during sex did we share sensations and truly be present together. How long could that last? Probably forever. Would we have been happy for eternity? Why not? Sex wasn’t about interests or cultural differences; it was self-sufficient.
Dmitry Berkut (Clochard)
The conversion of poverty into a personal moral failure was intimately tied to the construction of black Americans as disposable and subject to mass incarceration.
Jackie Wang (Carceral Capitalism)
If I – as a beneficiary of that exact formula – will concede that my own life was indeed enriched by that precise familial structure, will the social conservatives please (for once!) concede that this arrangement has always put a disproportionately cumbersome burden on women? Such a system demands that mothers become selfless to the point of near invisibility in order to construct these exemplary encironments for their families. And might those same social conservatives – instead of just praising mothers as “sacred” and “noble” – be willing to someday join a larger conversation about how we might work together as a society to construct a world where healthy children can be raised and healthy families can prosper without women have to scrape bare the walls of their own souls to do so?
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
What happened? It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shan’t embark on that. But thinking about this almost incredible episode does tell one something about the nature of civilisation. It shows that however complex and solid it seems, it is actually quite fragile. It can be destroyed. 

What are its enemies?
 
Well, first of all fear — fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops. And fear of the supernatural, which means that you daren’t question anything or change anything. The late antique world was full of meaningless rituals, mystery religions, that destroyed self-confidence. And then exhaustion, the feeling of hopelessness which can overtake people even with a high degree of material prosperity. 

There is a poem by the modern Greek poet, Cavafy, in which he imagines the people of an antique town like Alexandria waiting every day for the barbarians to come and sack the city. Finally the barbarians move off somewhere else and the city is saved; but the people are disappointed — it would have been better than nothing. Of course, civilisation requires a modicum of material prosperity—

What civilization needs:

confidence in the society in which one lives, belief in its philosophy, belief in its laws, and confidence in one’s own mental powers. The way in which the stones of the Pont du Gard are laid is not only a triumph of technical skill, but shows a vigorous belief in law and discipline. Vigour, energy, vitality: all the civilisations—or civilising epochs—have had a weight of energy behind them. People sometimes think that civilisation consists in fine sensibilities and good conversations and all that. These can be among the agreeable results of civilisation, but they are not what make a civilisation, and a society can have these amenities and yet be dead and rigid.
Kenneth Clark (Civilisation)
He loved the interminable winter nights, when the dissatisfied wind mewed through the keyhole, and gusts of acrid smoke were driven down through the chimney; the imperfect silence when you awoke, as of a conversation hastily lulled, objects being hastily replaced. ‘Blow, blow thou winter wind, thou art not so unkind as man’s ingratitude.’ Why was it that he felt so perfectly attuned to winter, to its fatalistic expectation of the worst, then, when the worst came, its rustic heroisms and shouldering of burdens, improvised ingeniousness, constructive despair?
Violet Trefusis (Pirates at Play)
I knew what it was to have a misconception corrected—a misconception of such magnitude that shifting it shifted the world. Now I needed to understand how the great gatekeepers of history had come to terms with their own ignorance and partiality. I thought if I could accept that what they had written was not absolute but was the result of a biased process of conversation and revision, maybe I could reconcile myself with the fact that the history most people agreed upon was not the history I had been taught. Dad could be wrong, and the great historians Carlyle and Macaulay and Trevelyan could be wrong, but from the ashes of their dispute I could construct a world to live in.
Tara Westover (Educated)
The next time you are part of a conversation that goes awry, ask for feedback. Let the other person know that the exchange didn’t go as you hoped and you wonder if you could have phrased things differently, or if you were focused on the wrong things, or if you didn’t understand their point. Then listen. Listen to what they have to say without taking offense. Maybe start with someone you know well, like a sibling or a friend. Listening to constructive criticism is never easy, but if your goal is to become better at conversations, it’s important to get an honest assessment of the areas most in need of improvement.
Celeste Headlee (We Need to Talk: How to Have Conversations That Matter)
What started as a normal conversation quickly spiraled out of hand, and Neil had no idea how they went from the construction work on the far side of campus grounds to a likely starting point for World War III. There had to be a correlation between the two, but as hard as he wracked his brain he couldn't find one. Eventually he gave up, because trying to make sense of the jump meant he couldn't actually listen to their argument. Renee expected it to start over resources, particularly water shortages, whereas Andrew was convinced the US government would get involved in the wrong conflict and draw vicious retaliation. There wasn't enough time left in break for either one of them to win the other over, and since Neil wouldn't play tiebreaker they set the debate aside for another day.
Nora Sakavic (The King's Men (All for the Game, #3))
The previous governess had used various monsters and bogeymen as a form of discipline. There was always something waiting to eat or carry off bad boys and girls for crimes like stuttering or defiantly and aggravatingly persisting in writing with their left hand. There was always a Scissor Man waiting for a little girl who sucked her thumb, always a bogeyman in the cellar. Of such bricks is the innocence of childhood constructed. Susan’s attempts at getting them to disbelieve in the things only caused the problems to get worse. Twyla had started to wet the bed. This may have been a crude form of defense against the terrible clawed creature that she was certain lived under it. Susan had found out about this one the first night, when the child had woken up crying because of a bogeyman in the closet. She’d sighed and gone to have a look. She’d been so angry that she’d pulled it out, hit it over the head with the nursery poker, dislocated its shoulder as a means of emphasis and kicked it out of the back door. The children refused to disbelieve in the monsters because, frankly, they knew damn well the things were there. But she’d found that they could, very firmly, also believe in the poker. Now she sat down on a bench and read a book. She made a point of taking the children, every day, somewhere where they could meet others of the same age. If they got the hang of the playground, she thought, adult life would hold no fears. Besides, it was nice to hear the voices of little children at play, provided you took care to be far enough away not to hear what they were actually saying. There were lessons later on. These were going a lot better now she’d got rid of the reading books about bouncy balls and dogs called Spot. She’d got Gawain on to the military campaigns of General Tacticus, which were suitably bloodthirsty but, more importantly, considered too difficult for a child. As a result his vocabulary was doubling every week and he could already use words like “disemboweled” in everyday conversation. After all, what was the point of teaching children to be children? They were naturally good at it.
Terry Pratchett (Hogfather (Discworld, #20))
Since the mirror of gentrification is representation in popular culture, increasingly only the gentrified get their stories told in mass ways. They look in the mirror and think it's a window, believing that corporate support for and inflation of their story is in fact a neutral and accurate picture of the world. If all art, politics, entertainment, relationships, and conversations must maintain that what is constructed and imposed by force is actually natural and neutral, then the gentrified mind is a very fragile parasite.
Sarah Schulman (The Gentrification of the Mind: Witness to a Lost Imagination)
From productive conversations with professional writers and editors. I once learned that only three behaviors set literate people apart. The first two are obvious: reading and writing; but the third surprised me: talking about how reading and writing work. Many of the tools came from great talk about the construction of stories and the distillation of meaning.
Roy Peter Clark (Writing Tools: 50 Essential Strategies for Every Writer)
Monomaniacs of any kind, those people fixated by a single idea, have been a source of fascination for me my whole life, for the more a man limits his field of vision, the closer he is, conversely, to the infinite; those very people who seem so remote from the world construct with their own unique material, termite-like, a remarkable and completely unique shorthand for the world itself.
Stefan Zweig (Chess Story)
Unlike him, many were able not merely to construct whole conversations that revolved around their grandchildren but to find sufficient grounds for existence in the existence of their grandchildren.
Philip Roth (Everyman)
I think it should be done over, Buddy. …Please make peace with your wit. It's not going to go away, Buddy. To dump it on your own advice would be as bad and unnatural as dumping your adjectives and your adverbs because Prof. B. wants you to. What does he know about it? What do you really know about your own wit? I've been sitting here tearing up notes to you. I keep starting to say things like 'This one is wonderfully constructed,' and 'The conversation between the two cops is terrific.' So I'm hedging. I'm not sure why. I started to get a little nervous right after you began to read. It sounded like the beginning of something your arch-enemy Bob B. calls a rattling good story. Don't you think he would call this a step in the right direction? Doesn't that worry you? Even what is funny about the woman on the back of the truck doesn't sound like something you think is funny. It sounds much more like something that you think is universally considered funny. I feel gypped. Does that make you mad? You can say our relatedness spoils my judgement. It worries me enough. But I'm also just a reader. Are you a writer or just a writer of rattling good stories. I mind getting a rattling good story from you.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
We are eating warm bread slathered in cold butter and topped with salty anchovies, one of those three-ingredient Italian constructions- a shopping list more than a recipe- that can stop a conversation in its tracks.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Of course, I’ve only brought up two examples. Other universal laws of physics have been used as weapons as well, though we don’t know all of them. It’s very possible that every law of physics has been weaponized. It’s possible that in some parts of the universe, even … Forget it, I don’t even believe that.” “What were you going to say?” “The foundation of mathematics.” Cheng Xin tried to imagine it, but it was simply impossible. “That’s … madness.” Then she asked, “Will the universe turn into a war ruin? Or, maybe it’s more accurate to ask: Will the laws of physics turn into war ruins?” “Maybe they already are.… The physicists and cosmologists of the new world are focused on trying to recover the original appearance of the universe before the wars more than ten billion years ago. They’ve already constructed a fairly clear theoretical model describing the pre-war universe. That was a really lovely time, when the universe itself was a Garden of Eden. Of course, the beauty could only be described mathematically. We can’t picture it: Our brains don’t have enough dimensions.” Cheng Xin thought back to the conversation with the Ring again. Did you build this four-dimensional fragment? You told me that you came from the sea. Did you build the sea? “You are saying that the universe of the Edenic Age was four-dimensional, and that the speed of light was much higher?” “No, not at all. The universe of the Edenic Age was ten-dimensional. The speed of light back then wasn’t only much higher—rather, it was close to infinity. Light back then was capable of action at a distance, and could go from one end of the cosmos to the other within a Planck time.… If you had been to four-dimensional space, you would have some vague hint of how beautiful that ten-dimensional Garden must have been.” “You’re saying—” “I’m not saying anything.” Yifan seemed to have awakened from a dream. “We’ve only seen small hints; everything else is just guessing. You should treat it as a guess, just a dark myth we’ve made up.” But Cheng Xin continued to follow the course of the discussion taken so far. “—that during the wars after the Edenic Age, one dimension after another was imprisoned from the macroscopic into the microscopic, and the speed of light was reduced again and again.…” “As I said, I’m not saying anything, just guessing.” Yifan’s voice grew softer. “But no one knows if the truth is even darker than our guesses.… We are certain of only one thing: The universe is dying.” The
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
1. Where in your life or your work are you currently pursuing comfort, when what’s called for is a little discomfort? Pursuing the life projects that matter to you the most will almost always entail not feeling fully in control of your time, immune to the painful assaults of reality, or confident about the future. It means embarking on ventures that might fail, perhaps because you’ll find you lacked sufficient talent; it means risking embarrassment, holding difficult conversations, disappointing others, and getting so deep into relationships that additional suffering—when bad things happen to those you care about—is all but guaranteed. And so we naturally tend to make decisions about our daily use of time that prioritize anxiety-avoidance instead. Procrastination, distraction, commitment-phobia, clearing the decks, and taking on too many projects at once are all ways of trying to maintain the illusion that you’re in charge of things. In a subtler way, so too is compulsive worrying, which offers its own gloomy but comforting sense that you’re doing something constructive to try to stay in control. James Hollis recommends asking of every significant decision in life: “Does this choice diminish me, or enlarge me?” The question circumvents the urge to make decisions in the service of alleviating anxiety and instead helps you make contact with your deeper intentions for your time. If you’re trying to decide whether to leave a given job or relationship, say, or to redouble your commitment to it, asking what would make you happiest is likely to lure you toward the most comfortable option, or else leave you paralyzed by indecision. But you usually know, intuitively, whether remaining in a relationship or job would present the kind of challenges that will help you grow as a person (enlargement) or the kind that will cause your soul to shrivel with every passing week (diminishment). Choose uncomfortable enlargement over comfortable diminishment whenever you can.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
Loneliness is painful, emotionally and even physically, born from a “want of intimacy” when we need it most, in early childhood. Solitude—the capacity to be contentedly and constructively alone—is built from successful human connection at just that time.
Sherry Turkle (Reclaiming Conversation: The Power of Talk in a Digital Age)
If you're a woman with a gun, and you're getting into a conversation with a man you're attracted to, for example, at a party, it's always best to say, should he look quizzically at your weapon, 'My father taught me. I'm a rather good shot.' What you don't say is, 'My mother taught me' or -- even worse -- 'My ma taught me and I'm an expert crack shot.
Anna Burns (Little Constructions)
Think about what you want to be, do, and have. Think about it often until you are very clear about this. Then, when you are very clear, think about nothing else. Imagine no other possibilities. Throw all negative thoughts out of your mental constructions. Lose all pessimism. Release all doubts. Reject all fears. Discipline your mind to hold fast to the original creative thought. When your thoughts are clear and steadfast, begin to speak them as truths. Say them out loud. Use the great command that calls forth creative power: I am. Make I-am statements to others. “I am” is the strongest creative statement in the universe. Whatever you think, whatever you say, after the words “I am” sets into motion those experiences, calls them forth, brings them to you. There is no other way the universe knows how to work. There is no other route it knows to take. The universe responds to “I am” as would a genie in a bottle.
Neale Donald Walsch (The Complete Conversations with God)
No. It’s because masters cannot truthfully make the statement that your present construction of marriage seeks to make: that one person is more special to them than another. This is not a statement that a master makes, and it is not a statement that God makes. The fact is that your marriage vows, as you presently construct them, have you making a very un-Godly statement. It is the height of irony that you feel this is the holiest of holy promises, for it is a promise that God would never make.
Neale Donald Walsch (The Complete Conversations with God)
A note about me: I do not think stress is a legitimate topic of conversation, in public anyway. No one ever wants to hear how stressed out anyone else is, because most of the time everyone is stressed out. Going on and on in detail about how stressed out I am isn’t conversation. It’ll never lead anywhere. No one is going to say, “Wow, Mindy, you really have it especially bad. I have heard some stories of stress, but this just takes the cake.” This is entirely because my parents are immigrant professionals, and talking about one’s stress level was just totally outlandish to them. When I was three years old my mom was in the middle of her medical residency in Boston. She had been a practicing obstetrician and gynecologist in Nigeria, but in the United States she was required to do her residency all over again. She’d get up at 4:00 a.m. and prepare breakfast, lunch, and dinner for my brother and me, because she knew she wouldn’t be home in time to have dinner with us. Then she’d leave by 5:30 a.m. to start rounds at the hospital. My dad, an architect, had a contract for a building in New Haven, Connecticut, which was two hours and forty-five minutes away. It would’ve been easier for him to move to New Haven for the time of the construction of the building, but then who would have taken care of us when my mom was at the hospital at night? In my parents’ vivid imaginations, lack of at least one parent’s supervision was a gateway to drugs, kidnapping, or at the very minimum, too much television watching. In order to spend time with us and save money for our family, my dad dropped us off at school, commuted the two hours and forty-five minutes every morning, and then returned in time to pick us up from our after-school program. Then he came home and boiled us hot dogs as an after-school snack, even though he was a vegetarian and had never eaten a hot dog before. In my entire life, I never once heard either of my parents say they were stressed. That was just not a phrase I grew up being allowed to say. That, and the concept of “Me time.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
And then there was a long conversation, mostly one-sided, definitely biased toward the LA guy doing all the talking, which Reacher couldn’t hear, and Chang’s facial expressions could have launched a thousand competing scenarios, so he got no real guidance from her. He had a sense the guy worked hard on one thing after another, episodically. And in great detail. Maybe he was an actor. Or a movie person. The context was unclear. In the end Reacher gave up trying to construct a plausible narrative, and just waited.
Lee Child (Make Me (Jack Reacher, #20))
We can’t allow ourselves to be used in this way, to be used against the future. We can’t permit our data to be used to sell us the very things that must not be sold, such as journalism. If we do, the journalism we get will be merely the journalism we want, or the journalism that the powerful want us to have, not the honest collective conversation that’s necessary. We can’t let the godlike surveillance we’re under be used to “calculate” our citizenship scores, or to “predict” our criminal activity; to tell us what kind of education we can have, or what kind of job we can have, or whether we can have an education or a job at all; to discriminate against us based on our financial, legal, and medical histories, not to mention our ethnicity or race, which are constructs that data often assumes or imposes. And as for our most intimate data, our genetic information: if we allow it to be used to identify us, then it will be used to victimize us, even to modify us—to remake the very essence of our humanity in the image of the technology that seeks its control. Of course, all of the above has already happened.
Edward Snowden (Permanent Record)
Children born into a web of attuned relationships know how to join in conversations with new people and read social signals. They see the world as a welcoming place. Children born into a web of threatening relationships can be fearful, withdrawn, or overaggressive. They often perceive threats, even when none exist. They may not be able to read signals or have a sense of themselves as someone worth listening to. This act of unconscious reality construction powerfully determines what we see and what we pay attention to. It powerfully shapes what we will end up doing.
David Brooks (The Social Animal: The Hidden Sources Of Love, Character, And Achievement)
Our communications are full of road clocks that prevents real communication with others. Two are "judging" and "sending solutions". With people close to us, we fell we should be critical. Otherwise, we don't see how they will ever change. With others, we feel the need to give them a label. But by doing so, we cease to see the person before us, only a type. Our good advice is rarely constructive. We may be so used to having road blocks that we wonder what would be left if we remove them from the style of our conversation. What remains is the ability to understand and empathize with other people and make our concerns clearly known
Tom Butler-Bowdon (50 Psychology Classics: Who We Are, How We Think, What We Do (50 Classics))
In retrospect, it is easy to see that Hitler's successful gamble in the Rhineland brought him a victory more staggering and more fatal in its immense consequences than could be comprehended at the time. At home it fortified his popularity and his power, raising them to heights which no German ruler of the past had ever enjoyed. It assured his ascendancy over his generals, who had hesitated and weakened at a moment of crisis when he had held firm. It taught them that in foreign politics and even in military affairs his judgment was superior to theirs. They had feared that the French would fight; he knew better. And finally, and above all, the Rhineland occupation, small as it was as a military operation, opened the way, as only Hitler (and Churchill, alone, in England) seemed to realize, to vast new opportunities in a Europe which was not only shaken but whose strategic situation was irrevocably changed by the parading of three German battalions across the Rhine bridges. Conversely, it is equally easy to see, in retrospect, that France's failure to repel the Wehrmacht battalions and Britain's failure to back her in what would have been nothing more than a police action was a disaster for the West from which sprang all the later ones of even greater magnitude. In March 1936 the two Western democracies were given their last chance to halt, without the risk of a serious war, the rise of a militarized, aggressive, totalitarian Germany and, in fact - as we have seen Hitler admitting - bring the Nazi dictator and his regime tumbling down. They let the chance slip by. For France, it was the beginning of the end. Her allies in the East, Russia, Poland, Czechoslovakia, Rumania and Yugoslavia, suddenly were faced with the fact that France would not fight against German aggression to preserve the security system which the French government itself had taken the lead in so laboriously building up. But more than that. These Eastern allies began to realize that even if France were not so supine, she would soon not be able to lend them much assistance because of Germany's feverish construction of a West Wall behind the Franco-German border. The erection of this fortress line, they saw, would quickly change the strategic map of Europe, to their detriment. They could scarcely expect a France which did not dare, with her one hundred divisions, to repel three German battalions, to bleed her young manhood against impregnable German fortifications which the Wehrmacht attacked in the East. But even if the unexpected took place, it would be futile. Henceforth the French could tie down in the West only a small part of the growing German Army. The rest would be free for operations against Germany's Eastern neighbors.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
I propose that in our day this alternation of the market place and mountain requires the capacity for the constructive use of solitude. It requires that we be able to retire from a world that is “too much with us,” that we be able to be quiet, that we let the solitude work for us and in us. It is a characteristic of our time that many people are afraid of solitude: to be alone is a sign one is a social failure, for no one would be alone if he or she could help it. It often occurs to me that people living in our modern, hectic civilization, amid the constant din of radio and TV, subjecting themselves to every kind of stimulation whether of the passive sort of TV or the more active sort of conversation, work, and activity, that people with such constant preoccupations find it exceedingly difficult to let insights from unconscious depths break through. Of course, when an individual is afraid of the irrational—that is, of the unconscious dimensions of experience—he tries to keep busiest, tries to keep most “noise” going on about him. The avoidance of the anxiety of solitude by constant agitated diversion is what Kierkegaard, in a nice simile, likened to the settlers in the early days of America who used to beat on pots and pans at night to make enough din to keep the wolves away. Obviously if we are to experience insights from our unconscious, we need to be able to give ourselves to solitude.
Rollo May (The Courage to Create)
Thus pleasantly conversing on the favorable circumstances of our position as compared with those of past pilgrims and of narrow-minded ones at the present day, we soon found ourselves at the foot of the Hill Difficulty. Through the very heart of this rocky mountain a tunnel has been constructed of most admirable architecture, with a lofty arch and a spacious double track; so that, unless the earth and rocks should chance to crumble down, it will remain an eternal monument of the builder's skill and enterprise. It is a great though incidental advantage that the materials from the heart of the Hill Difficulty have been employed in filling up the Valley of Humiliation, thus obviating the necessity of descending into that disagreeable and unwholesome hollow.
Nathaniel Hawthorne (Mosses from an Old Manse and other stories)
Kids didn’t just disappear unless someone made them disappear.‘Relax, mate,’ the head of security said. ‘We’ve never lost one yet.’ Lots of kids wandered off at the Easter Show, he told them. They were always found, usually somewhere near the food.Doug had tried to relax, to stay calm, but he could feel the panic building inside him.The place was too big.There were too many people.Lockie could be anywhere. The police were called. It took hours for everyone to leave the showgrounds because every family was stopped. Every parent was questioned and every child identified. It was way past midnight when everyone had finally gone home, and still they had not found Lockie.The head of security changed his tone. The police held whispered conversations in groups. They began to look at him with sympathy in their eyes.Doug felt his heart slow down. There was a ringing in his ears. He was underwater and he couldn’t swim.Lockie was gone.They had lost one.Sammy had gone from impatience to hunger to exhaustion. She didn’t understand what was happening.Sarah sat next to the pram twisting her hands. She did not cry. She didn’t cry for days, but every time Doug went near her he could hear her muttering the word ‘please’. ‘Please, please, please, please.’ It drove Doug mad and he had to move away because he wanted to hit her, to snap her out of her trance. He had never lifted a hand to his wife or his children, but now he had to close his fist and dig his nails into his palm to keep himself from lashing out Sarah didn’t believe in hitting children; she believed in time out and consequences. It was different to the way Doug had been raised but he had come around to the idea. The thought of anyone—especially himself—hurting Sarah and the kids was almost too much to bear.Doug sometimes wondered, after, if whoever had taken his son had hit him. When he did think about someone hurting his boy he could feel his hands curl into fists. He would embrace the rush of heat that came with the anger because at least it was a different feeling to the sorrow and despair. Anger felt constructive. He wanted to kill everyone, even himself. But as fast as the anger came it would recede and he would be back at the place he hated to be. Mired in his own helplessness. There was fuck-all he could do.
Nicole Trope (The Boy Under the Table)
While an increasing number of male academic, political, and cultural figures have felt comfortable enough in recent years to proclaim themselves feminists, absorbing aspects of feminist politics and theory into their thinking, their gestures are most often built on an essentialized and static dichotomy between men and women. But men must do more than admit their complicity in patriarchy; they must begin to rethink the very boundaries that shape and define what it means to be a man. Conversely, women must play an important part in this reevaluation, an idea suggest by Eve Kosofsky Sedgwikc’s admonition that “when something is about masculinity, it isn’t always ‘about men’.” Far from being just about men, the idea of masculinity engages, inflects, and shapes everyone.
Maurice Berger (Constructing Masculinity (Discussion in Contemporary Culture, 11))
The woman [Cadsuane] looked at the battered tea things as if she had all the time in the world. “Now you know,” she said at last, calm as ever, “that I know your future, and your present. The Light’s mercy fades to nothing for a man who can channel. Some see that and believe the Light denies those men. I do not. Have you begun to hear voices, yet?” “What do you mean?” he asked slowly. He could feel Lews Therin listening. [...] “Some men who can channel begin to hear voices.” She spoke almost absently, frowning at the flattened sphere of silver and gold. “It is a part of the madness. Voices conversing with them, telling them what to do.” The teapot drifted gently to the floor by her feet. “Have you heard any?” [...] “I will ask the questions,” Rand said firmly. “You seem to forget. I am the Dragon Reborn.” You are real, aren’t you? he wondered. There was no answer. Lews Therin? Sometimes the man did not answer, but Aes Sedai always drew him. Lews Therin? He was not mad; the voice was real, not imagination. Not madness. A sudden desire to laugh did not help. Cadsuane sighed. “You are a young man who has little idea where he is going or why, or what lies ahead. You seem overwrought. Perhaps we can speak when you are more settled. Have you any objection to my taking Merana and Annoura away for a little while? I’ve seen neither in quite some time.” Rand gaped at her. She swooped in, insulted him, threatened him, casually announced she knew about the voice in his head, and with that she wanted to leave and talk with Merana and Annoura? Is she mad? Still no answer from Lews Therin. The man was real. He was! “Go away,” he said. “Go away, and...” He was not mad. “All of you, get out! Get out!” [...] Finally they were all gone, and he was alone. Alone. Convulsively he hurled the Dragon Scepter. The spear-point stuck quivering in the back of one the chairs, the tassels swaying. “I am not mad,” he said to the empty room. Lews Therin had told him things; he would never have escaped Galina’s chest without the dead man’s voice. But he had used the Power before he ever heard the voice; he had figured out how to call lightning and hurl fire and form a construct that had killed hundreds of Trollocs. But then, maybe that had been Lews Therin, like those memories of climbing trees in a plum orchard, and entering the Hall of the Servants, and a dozen more that crept up on him unawares. And maybe those memories were all fancies, mad dreams of a mad mind, just like the voice.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
14 Ways to Become an Incredible Listener 1. Be present and provide your undivided attention. 2. Seek first to understand, then to be understood. 3. Listen attentively and respond appropriately. 4. Minimize or eliminate distractions. 5. Focus your attention and energy with singleness of purpose on what the other person is saying. 6. Quiet your mind and suspend your thoughts to make room in your head to hear what is said—in the moment! 7. Ask questions and demonstrate empathy. 8. Use your body language and nonverbal cues constructively and pay attention to theirs. 9. Follow the rhythm of their speech; hear their tone. 10. Repeat and summarize what you have heard them say to confirm understanding. 11. Be open-minded and non-defensive. 12. Respond rather than react. 13. Be respectful, calm, and positive. 14. Try to resolve conflicts, not win them.
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
In their offices in the top floor of the Rookery, Daniel Burnham, forty-three, and his partner, John Root, newly forty, felt the electricity more keenly than most. They had participated in secret conversations, received certain assurances, and gone so far as to make reconnaissance forays to outlying parts of the city. They were Chicago’s leading architects: They had pioneered the erection of tall structures and designed the first building in the country ever to be called a skyscraper; every year, it seemed, some new building of theirs became the tallest in the world. When they moved into the Rookery at La Salle and Adams, a gorgeous light-filled structure of Root’s design, they saw views of the lake and city that no one but construction workers had seen before. They knew, however, that today’s event had the potential to make their success so far seem meager
Erik Larson (The Devil in the White City)
In one of our early conversations, Bob said to me, "I like Einstein as a character, because everybody knows who he is." In a sense, we didn't need to tell an Einstein story because everybody who eventually saw our Einstein brought their own story with them. In the four months that we toured Einstein in Europe we had many occasions to meet with our audiences, and people occasionally would ask us what it "meant." But far more often people told us what it meant to them, sometimes even giving us plot elucidation and complete scenario. The point about Einstein was clearly not what it "meant" but that it was meaningful as generally experienced by the people who saw it. From the viewpoint of the creators, of course, that is exactly the way it was constructed to work. Though we made no attempt at all to tell a story, we did use dramaturgical devices to create a clearly paced overall dramatic shape. For instance, a "finale" is a dramaturgical device; an "epilogue" is another. Using contrasting sections, like a slow trial scene followed by a fast dance scene, is a dramaturgical device, and we used such devices freely. I am sure that the absence of direct connotative "meaning" made it all the easier for the spectator to personalize the experience by supplying his own special "meaning" out of his own experience, while the work itself remained resolutely abstract. As to the use of three visual schemes, or images, Bob often mentioned that he envisioned them in three distinct ways: (1) a landscape seen at a distance (the Field/Spaceship scenes); (2) still lifes seen at a middle distance (the Trial scenes); and (3) portraits seen as in a closeup (the Knee Plays). As these three perspectives rotated through the four acts of the work, they created the sequence of images in an ordered scale. Furthermore, the recurrence of the images implied a kind of quasi-development. For example, the sequence of Train scenes from the Act I, scene 1 Train, to the "night train" of Act II and finally the building which resembled in perspective the departing night train, presented that sequence of images in a reductive order (each one became less "train-like") and at the same time more focused and energized. The same process applies to the sequence of Trial scenes (ending with a bar of light representing the bed) as well as the Field/Spaceship, with the final scene in the interior of the spaceship serving as a kind of apocalyptic grand finale of the whole work. Each time an image reappeared, it was altered to become more abstract and, oddly enough, more powerful. The way these three sequences were intercut with each other, as well as with the portrait-scale Knee Plays, served to heighten the dramatic effect.
Philip Glass (Opera on the Beach: On His New World of Music)
The day we visited, mothers were chatting comfortably on one of the benches while their children ran around happily exploring and playing games. The beauty of natural playgrounds is that they tap directly into children’s passions. In traditional playspaces constructed of metal and plastic, decisions about what to play are made by the designers. First you swing. Then you go down the slide. Too often, the result is competition, with kids arguing over who gets to do what, followed by frustration and tears. Conversely, in natural play areas, the child is boss. Imaginations are fired up as kids invent games with the available loose parts. Studies show that interactions tend to be more cooperative as well. Bullying is greatly decreased, and both vandalism and aggressive behavior also go down if there is a tree canopy. And with greater engagement comes longer play intervals, about three times longer compared with old-style play equipment.
Scott D. Sampson (How to Raise a Wild Child: The Art and Science of Falling in Love with Nature)
PART II THE RETURN OF ODYSSEUS TO HIS OWN COUNTRY CHAPTER V. Odysseus on the Island of Calypso VI. Odysseus Constructs a Raft and Leaves the Island VII. Odysseus is Saved on the Island of Scheria VIII. Nausicaä is Sent to the River by Athena IX. Odysseus Arrives at the Palace of Alkinoös X. Odysseus in the Halls of Alkinoös XI. The Banquet in Honor of Odysseus XII. Odysseus Relates His Adventures XIII. The Lotus-Eaters and the Cyclops XIV. The Cave of the Cyclops XV. The Blinding of the Cyclops XVI. Odysseus and His Companions Leave the Land of the Cyclops XVII. The Adventures of Odysseus on the Island of Æolus XVIII. Odysseus at the Home of Circè XIX. Circè Instructs Odysseus Concerning His Descent to Hades XX. The Adventures of Odysseus in Hades XXI. Odysseus Converses with His Mother and Agamemnon XXII. Conversation with Achilles and Other Heroes XXIII. The Return of Odysseus to the Island of Circè XXIV. Odysseus Meets the Sirens, Skylla, and Charybdis XXV. Odysseus on the Island of Hēlios XXVI. The Departure of Odysseus from the Island of Scheria XXVII. Odysseus Arrives at Ithaca XXVIII. Odysseus Seeks the Swineherd
Homer (Odysseus, the Hero of Ithaca Adapted from the Third Book of the Primary Schools of Athens, Greece)
Build houses and make yourselves at home. You are not camping. This is your home; make yourself at home. This may not be your favorite place, but it is a place. Dig foundations; construct a habitation; develop the best environment for living that you can. If all you do is sit around and pine for the time you get back to Jerusalem, your present lives will be squalid and empty. Your life right now is every bit as valuable as it was when you were in Jerusalem, and every bit as valuable as it will be when you get back to Jerusalem. Babylonian exile is not your choice, but it is what you are given. Build a Babylonian house and live in it as well as you are able. Put in gardens and eat what grows in the country. Enter into the rhythm of the seasons. Become a productive part of the economy of the place. You are not parasites. Don’t expect others to do it for you. Get your hands into the Babylonian soil. Become knowledgeable about the Babylonian irrigation system. Acquire skill in cultivating fruits and vegetables in this soil and climate. Get some Babylonian recipes and cook them. Marry and have children. These people among whom you are living are not beneath you, nor are they above you; they are your equals with whom you can engage in the most intimate and responsible of relationships. You cannot be the person God wants you to be if you keep yourself aloof from others. That which you have in common is far more significant than what separates you. They are God’s persons: your task as a person of faith is to develop trust and conversation, love and understanding. Make yourselves at home there and work for the country’s welfare. Pray for Babylon’s well-being. If things go well for Babylon, things will go well for you. Welfare: shalom. Shalom means wholeness, the dynamic, vibrating health of a society that pulses with divinely directed purpose and surges with life-transforming love. Seek the shalom and pray for it. Throw yourselves into the place in which you find yourselves, but not on its terms, on God’s terms. Pray. Search for that center in which God’s will is being worked out (which is what we do when we pray) and work from that center. Jeremiah’s letter is a rebuke and a challenge: “Quit sitting around feeling sorry for yourselves. The aim of the person of faith is not to be as comfortable as possible but to live as deeply and thoroughly as possible—to deal with the reality of life, discover truth, create beauty, act out love. You didn’t do it when you were in Jerusalem. Why don’t you try doing it here, in Babylon? Don’t listen to the lying prophets who make an irresponsible living by selling you false hopes. You are in Babylon for a long time. You better make the best of it. Don’t just get along, waiting for some miraculous intervention. Build houses, plant gardens, marry husbands, marry wives, have children, pray for the wholeness of Babylon, and do everything you can to develop that wholeness. The only place you have to be human is where you are right now. The only opportunity you will ever have to live by faith is in the circumstances you are provided this very day: this house you live in, this family you find yourself in, this job you have been given, the weather conditions that prevail at this moment.
Eugene H. Peterson (Run with the Horses: The Quest for Life at Its Best)
In practice, every man who is not a Dr Pangloss and every social movement undergoes the pull of both reformism and revolutionism, and with varying strength at different times. Except at rare moments just preceeding or during profound crises and revolutions, the most extreme revolutionaries must also have a policy about the existing world in which they are obliged to live. If they want to make it more tolerable while preparing for revolution, or even if they want to prepare effectively, they must also be reformists, unless they abandon the world altogether by constructing some Communist Zion in the desert or on the prairie, or – like many religious bodies – transfer their hope entirely to the hereafter, merely seeking to traverse this vale of tears uncomplainingly until liberated by death. (In the latter case they cease to be either revolutionaries or reformists and become conservatives.) Conversely, the hope of a really good and perfect society is so powerful, that its ideal haunts even those who have resigned themselves to the impossibility of changing either the ‘world’ or ‘human nature’, and merely hope for lesser reforms and the correction of abuses. Inside the most militant reformist there is often a modest and overawed revolutionist hankering to be let out, though advancing age normally imprisons him more firmly. Given the total absence of the prospect of successful revolution, revolutionaries may turn into de facto reformists. In the intoxicating and ecstatic moments of revolution the great surge of human hope may sweep even reformists into the camp of the revolutionaries, though perhaps with some mental reservations. Between these two extremes a wide variety of positions may be occupied.
Eric J. Hobsbawm (Primitive Rebels)
But if the same man is in a quiet corner of a bar, drinking alone, he will get more depressed. Now there’s nothing to distract him. Drinking puts you at the mercy of your environment. It crowds out everything except the most immediate experiences.2 Here’s another example. One of the central observations of myopia theory is that drunkenness has its greatest effect in situations of “high conflict”—where there are two sets of considerations, one near and one far, that are in opposition. So, suppose that you are a successful professional comedian. The world thinks you are very funny. You think you are very funny. If you get drunk, you don’t think of yourself as even funnier. There’s no conflict over your hilariousness that alcohol can resolve. But suppose you think you are very funny and the world generally doesn’t. In fact, whenever you try to entertain a group with a funny story, a friend pulls you aside the next morning and gently discourages you from ever doing it again. Under normal circumstances, the thought of that awkward conversation with your friend keeps you in check. But when you’re drunk? The alcohol makes the conflict go away. You no longer think about the future corrective feedback regarding your bad jokes. Now it is possible for you to believe that you are actually funny. When you are drunk, your understanding of your true self changes. This is the crucial implication of drunkenness as myopia. The old disinhibition idea implied that what was revealed when someone got drunk was a kind of stripped-down, distilled version of their sober self—without any of the muddying effects of social nicety and propriety. You got the real you. As the ancient saying goes, In vino veritas: “In wine there is truth.” But that’s backward. The kinds of conflicts that normally keep our impulses in check are a crucial part of how we form our character. All of us construct our personality by managing the conflict between immediate, near considerations and more complicated, longer-term considerations. That is what it means to be ethical or productive or responsible. The good parent is someone who is willing to temper their own immediate selfish needs (to be left alone, to be allowed to sleep) with longer-term goals (to raise a good child). When alcohol peels away those longer-term constraints on our behavior, it obliterates our true self. So who were the Camba, in reality? Heath says their society was marked by a singular lack of “communal expression.” They were itinerant farmworkers. Kinship ties were weak. Their daily labor tended to be solitary, the hours long.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
For example, Pegeen’s students have constructed time lines of their lives, replete with photos and annotations, and posted them on the wall, inviting conversations about change.
Peter H. Johnston (Opening Minds: Using Language to Change Lives)
No Some Yes G. Overall Performance Objective Is the performance objective: ___ ___ ___ 1. Clear (you/others can construct an assessment to test learners)? ___ ___ ___ 2. Feasible in the learning and performance contexts (time, resources, etc)? ___ ___ ___ 3. Meaningful in relation to goal and purpose for instruction (not insignificant)? H. (Other) ___ ___ ___ 1. Your complete list of performance objectives becomes the foundation for the next phase of the design process, developing criterion-referenced test items for each objective. The required information and procedures are described in Chapter 7. Judge the completeness of given performance objectives. Read each of the following objectives and judge whether it includes conditions, behaviors, and a criterion. If any element is missing, choose the part(s) omitted. 1. Given a list of activities carried on by the early settlers of North America, understand what goods they produced, what product resources they used, and what trading they did. a. important conditions and criterion b. observable behavior and important conditions c. observable behavior and criterion d. nothing 2. Given a mimeographed list of states and capitals, match at least 35 of the 50 states with their capitals without the use of maps, charts, or lists. a. observable response b. important conditions c. criterion performance d. nothing 3. During daily business transactions with customers, know company policies for delivering friendly, courteous service. a. observable behavior b. important conditions c. criterion performance d. a and b e. a and c 4. Students will be able to play the piano. a. important conditions b. important conditions and criterion performance c. observable behavior and criterion performance d. nothing 5. Given daily access to music in the office, choose to listen to classical music at least half the time. a. important conditions b. observable behavior c. criterion performance d. nothing Convert instructional goals and subordinate skills into terminal and subordinate objectives. It is important to remember that objectives are derived from the instructional goal and subordinate skills analyses. The following instructional goal and subordinate skills were taken from the writing composition goal in Appendix E. Demonstrate conversion of the goal and subordinate skills in the goal analysis by doing the following: 6. Create a terminal objective from the instructional goal: In written composition, (1) use a variety of sentence types and accompanying punctuation based on the purpose and mood of the sentence, and (2) use a variety of sentence types and accompanying punctuation based on the complexity or structure of the sentence. 7. Write performance objectives for the following subordinate skills: 5.6 State the purpose of a declarative sentence: to convey information 5.7 Classify a complete sentence as a declarative sentence 5.11 Write declarative sentences with correct closing punctuation. Evaluate performance objectives. Use the rubric as an aid to developing and evaluating your own objectives. 8. Indicate your perceptions of the quality of your objectives by inserting the number of the objective in either the Yes or No column of the checklist to reflect your judgment. Examine those objectives receiving No ratings and plan ways the objectives should be revised. Based on your analysis, revise your objectives to correct ambiguities and omissions. P
Walter Dick (The Systematic Design of Instruction)
Boswell practised in the Parliament House of Edinburgh, and could pay only occasional visits to London. During those visits his chief business was to watch Johnson, to discover all Johnson’s habits, to turn the conversation to subjects about which Johnson was likely to say something remarkable, and to fill quarto note books with minutes of what Johnson had said. In this way were gathered the materials out of which was afterwards constructed the most interesting biographical work in the world.
Samuel Johnson (Complete Works of Samuel Johnson)
Most people kept to themselves, content with their computers, iPads, cellphones and the filtered, touch-free cybersphere that had replaced the simple arts of introduction and conversation. No one wanted to talk to you, and you were expected to not want to talk to them. At least not outside the social constructs set aside for such purposes.
James N. Cook (Fire in Winter (Surviving the Dead, #4))
If real-world, useful knowledge is a provisional, human construction, why on earth do we lead children to believe otherwise? Why do we keep acting as if studying knowledge for its own sake, in a lacklustre, reverential kind of way, is an important thing to do, without feeling the need to explain what such study is equipping them to do (other than pass exams)? Why do schools trundle on, teaching past participles and the Vikings, as if oblivious to the fact that their students are going to graduate into a knowledge-making world, not a knowledge-applying one? Why do we not revel in showing them all the skills, doubts, conversations and controversies that are the stuff of knowledge-making – and help them get better at doing these knowledge-making things for themselves?
Guy Claxton (What's the Point of School?: Rediscovering the Heart of Education)
Particularly galling was the way the Homestead Act was abused. Passed during the Civil War, it was supposed to make a reality out of Lincoln’s version of the free labor, free soil dream. But fewer than half a million people actually set up viable farms over nearly half a century. Most public lands were taken over by the railroads, thanks to the government’s beneficent land-grant policy (another form of primitive accumulation); by land speculators backed by eastern bankers, who sometimes hired pretend “homesteaders” in acts of outright fraud; or by giant cattle ranches and timber companies and the like who worked hand in glove with government land agents. As early as 1862 two-thirds of Iowa (or ten million acres) was owned by speculators. Railroads closed off one-third of Kansas to homesteading and that was the best land available. Mushrooming cities back east became, in a kind of historical inversion, the safety valve for overpopulated areas in the west. At least the city held out the prospect of remunerative wage labor if no longer a life of propertied independence. Few city workers had the capital to migrate west anyway; when one Pennsylvania legislator suggested that the state subsidize such moves, he was denounced as “the Pennsylvania Communist” for his trouble. During the last land boom of the nineteenth century (from about 1883 to 1887), 16 million acres underwent that conversion every year. Railroads doubled down by selling off or mortgaging portions of the public domain they had just been gifted to finance construction or to speculate with. But land-grant roads were built at costs 100 percent greater than warranted and badly built at that, needing to be rebuilt just fifteen years later.
Steve Fraser (The Age of Acquiescence: The Life and Death of American Resistance to Organized Wealth and Power)
Come on; wake up to the fact that constructing your own reality is another way of defining insanity!
Jan David Hettinga (Still Restless: Conversations That Open the Door to Peace)
Dear Rebecca— You may have picked up on my growing disappointment with you this afternoon as our first meeting progressed. I have to say that though you seem quite personable in your electronic communications, in person your behavior is a little lacking in some of the traits that would let you get from a first to a second date with regularity. If Lovability had a rating system, I would award you 2.5 out of 5 stars; however, if it used a scale that only allowed for integral values, I would unfortunately be forced to round down to two. Here are some suggestions for what you could do to improve the initial impression you make. I am speaking here as a veteran of the online dating scene in LA, which is MUCH more intense than New Jersey’s—there, you are competing with aspiring actors and actresses, and a professionally produced headshot and a warm demeanor are the bare minimum necessary to get in the game. By the end of my first year in LA my askback rate (the rate at which my first dates with women led to second dates) was a remarkable 68%. So I know what I’m talking about. I hope you take this constructive criticism in the manner in which it is intended. 1. Vary your responses to inquiries. When our conversation began, you seemed quite cheerful and animated, but as it progressed you became much less so. I asked you a series of questions that were intended to give you opportunities to reveal more about yourself, but you offered only binary answers, and then, troublingly, no answers at all. If you want your date to go well, you need to display more interest. 2. Direct the flow of conversation. Dialogue is collaborative! One consequence of your reticence was that I was forced to propose all of the topics of discussion, both before and after the transition to more personal subjects. If you contribute topics of your own then it will make you appear more engaged: you should aim to bring up one new subject for every one introduced by your date. 3. Take control of the path of the date. If you want the initial meeting to extend beyond the planned drinks, there are many ways you can go about doing this. You can directly say, for instance, “So I wasn’t thinking about this when you showed up, but…do you have any plans for dinner? I’m starving, and I could really go for some pad thai.” Or you can make a vaguer, more general statement such as “After this, I’m up for whatever,” or “Hey, I don’t really want to go home yet, Bradley: I’m having a lot of fun.” Again, this comes down to a general lack of engagement on your part. Without your feedback I was left to offer a game of Scrabble, which was not the best way to end the meeting. 4. Don’t lie about your ability in Scrabble. I won’t go into an analysis of your strategic and tactical errors here, in the interest of brevity, but your amateurish playing style was quite evident. Now, despite my reservations as expressed above, I really do feel that we had some chemistry. So I would like to give things another chance. Would you respond to this message within the next three days, with a suggestion of a place you’d like us to visit together, or an activity that you believe we would both enjoy? I would be forced to construe a delay of more than three days as an unfortunate sign of indifference. I hope to hear from you soon. Best, Bradley
Dexter Palmer (Version Control)
Over the twentieth century, as physics developed, Planck's construction took on ever greater significance. Physicists came to understand that each of the quantities c, G, and h plays the role of a conversion factor, one you need to express a profound physical concept: 1) Special relativity postulates symmetry operations (boosts, a.k.a. Lorentz transformations) that mix space and time. Space and time are measured in different units, however, so for this concept to make sense, there must be a conversion factor between them, and c does the job. Multiplying a time by c, one obtains a length. 2) Quantum theory postulates an inverse relation between wave-length and momentum, and a direct proportionality between frequency and energy, as aspects of wave-particle duality; but these pairs of quantities are measured in different units, and h must be brought in as a conversion factor. 3) General relativity postulates that energy-momentum density induces space-time curvature, but curvature and energy density are measured in different units, and G must be brought in as a conversion factor.
Frank Wilczek (The Lightness of Being: Mass, Ether, and the Unification of Forces)
Wire man, electric cell in which the family energy from the naming of a man is converted directly to electrical water flaps in a continuous person. The efficiency of conversion from name to water in a wire man is between Ocean (Gary%) and River (Lewis%), nearly twice that of the usual dry method of switching, in which wires are used to whip steam to turn a man connected to an electric family of waters. The earliest father, in which a Gary and Lewis were mixed to form Michael%, was constructed in the Age of Wire and String by the English. In the Ocean and River wire man, Garies and Lewises are bubbled into separate rooms connected by a porous cell, through which a wire can freely move. Inert, unnamed men, mixed with a collection of unrelated waters, are dipped into each room. When Gary and Lewis are connected by a wire, the combination of flap, wire, and name form a complete family, and an emotion takes place in the cell: The inert men are covered with the flap to form a home surrounded by water; relatives are liberated by this process and flow through the wire to other rooms; and the fathers themselves sail outward on the back of the wire, carrying a succession of cells and water, which they distribute as names to the new children who are floating in their homes.
Ben Marcus (The Age of Wire and String)
Language is unique in that there are no other animals with which we converse, no matter what language we are speaking. And yet the miracle of this research has been the realization that what is unique from one perspective may be constructed of mostly old parts from another.
Christine Kenneally (The First Word: The Search for the Origins of Language)
Sadly, in the volatile arena of the sexuality/Christianity debate, interaction is often reduced to name calling by angry gay activists and self-righteous Christian conservatives. Name calling never enhances conversation, rational discussion or creates a constructive dialogue. It only reinforces each other's perceptions/positions. It must be remembered however, that one of the reasons some LGBT people are quick to revert to name calling (bigot, homophobe, hater) is because they learnt about its impact early in life (faggot, queer, pervert).
Anthony Venn-Brown OAM (A Life of Unlearning - a preacher's struggle with his homosexuality, church and faith)
YOU ARE NOT A FINISHED WORK OF ART YOU ARE A COMMISSIONED WORK IN PROGRESS HANGING IN A GALLERY UNDER CONSTRUCTION! KEEP PUSHING!
Qwana Reynolds-Frasier (Friend In Your Pocket Conversations Session One)
The division between politics and religion, I dare say, is an ideological ploy. Imagine an airport security metal detector standing at the entrance of the public square, which doesn't screen for metal for but for religion. The machine beeps anytime someone walks through it with a supernatural big-G God hiding inside of one of their convictions, but it fails to pick up self-manufactured or socially-constructed little-g gods. Into this public square the secularist, the materialist, the Darwinist, the consumerist, the elitist, the chauvinist, and, frankly, the fascist can all enter carrying their gods with them, like whittled wooden figures in their pockets. Not so the Christians or Jews. Their conviction that murder is wrong because all people are made in God's image might as well be a semi-automatic. What this means, of course, is that the public square is inevitably slanted toward the secularist and materialist. Public conversation is ideologically rigged. The secularist can bring his or her god. I cannot bring mine because his name starts with a capital letter and I didn't make him up.
Jonathan Leeman (Political Church: The Local Assembly as Embassy of Christ's Rule (Studies in Christian Doctrine and Scripture))
Du Bois believed in the American dream. So did Martin. So did Malcolm. So do I. So do you. That’s why we’re sitting here. AL: I don’t, honey. I’m sorry, I just can’t let that go past. Deep, deep, deep down I know that dream was never mine. And I wept and I cried and I fought and I stormed, but I just knew it. I was Black. I was female. And I was out – out – by any construct wherever the power lay. So if I had to claw myself insane, if I lived I was going to have to do it alone. Nobody was dreaming about me. Nobody was even studying me except as something to wipe out. JB: You are saying you do not exist in the American dream except as a nightmare.
Audre Lorde
Poetry is a constructed conversation on the frontier of dreaming.
Matthew Zapruder (Why Poetry)
Survival of urban trees increases when saplings are embedded within the human social network. A tree planted by its human neighbors will live longer than one placed by an anonymous contractor. When a tree bears a tag naming it and listing its needs- water, mulch, loose soil, no litter- the probability of its survival jumps to nearly 100 percent. Psychological bonds to trees in cities are often fierce. In my experience of talking with people about trees, New Yorkers echo, in their own way, Amazonia Waorani. Relationships with trees are deep and personal. Outrage flares when the conversation turns to trees heedlessly damaged, whether a tree in a Manhattan street damaged by building construction or an Amazonian ceibo tree cut to make room for a road. These wounds are keenly felt by the people who live with the tree, people whose lives are wrapped into the tree’s own narrative. Trees, especially those who grow close to human homes, are portals to unselfed experience.
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
The concept of the deep vernacular web can be understood as a heuristic intended to historicize these online antagonistic communities as antecedent to social media and even to the web itself. The deep vernacular web is characterized by anonymous or pseudonymous subcultures that largely see themselves as standing in opposition to the dominant culture of the surface web. Identified to an extent with the anonymous 4chan image board—which hosts one million posts per day, three quarters of which are made by visitors from English-speaking countries—these subcultures tend to imagine themselves as a faceless mass. In direct contrast to the individualized culture of the selfies associated with social media, we might thus characterize the deep vernacular web as a mask culture in which individual identity is effaced by the totemic deployment of memes. Insofar as this mask culture constructs an image of itself as an autochthonous culture whose integrity is under threat, we can perhaps begin to understand how grievances of the deep vernacular web have been capitalized upon by those espousing a far-right ideology. Conversely we can also see how the vernacular innovations of these often bizarre subcultures, such as Pepe the Frog, have themselves been absorbed in the service of far-right populism.
Marc Tuters (Post-Digital Cultures of the Far Right: Online Actions and Offline Consequences in Europe and the US)
One of the first serious spiritual practices I learned in my early twenties was to watch what I was talking about. It is unfortunate but not surprising that most people have no idea what they are saying, to whom, and the consequences of that on themselves and others. If we want to be happy; don’t gossip, don’t spread hate, don’t talk about other people, don’t spread fear, don’t complain, don’t relay stories which are detrimental to the well-being of those around us. That will cut out the vast majority of most people’s conversations. There is a time for honest, well-intentioned directness but it is not found in common conversation and it is a learned skill. Be a bringer of peace and healing. It’s a discipline, for sure, but one that will transform our lives.
Donna Goddard (The Love of Being Loving)
the 1940s, according to David Roediger, “given patterns of intermarriage across ethnicity and Cold War imperatives,” whites stopped dividing hierarchically within whiteness and begin identifying as socially constructed Caucasians.
Claudia Rankine (Just Us: An American Conversation)
What happened? It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shan’t embark on that. But thinking about this almost incredible episode does tell one something about the nature of civilisation. It shows that however complex and solid it seems, it is actually quite fragile. It can be destroyed. What are its enemies? Well, first of all fear – fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops. And fear of the supernatural, which means that you daren’t question anything or change anything. The late antique world was full of meaningless rituals, mystery religions, that destroyed self-confidence. And then exhaustion, the feeling of hopelessness which can overtake people even with a high degree of material prosperity. There is a poem by the modern Greek poet, Cavafy, in which he imagines the people of an antique town like Alexandria waiting every day for the barbarians to come and sack the city. Finally the barbarians move off somewhere else and the city is saved; but the people are disappointed – it would have been better than nothing. Of course, civilisation requires a modicum of material prosperity – enough to provide a little leisure. But, far more, it requires confidence – confidence in the society in which one lives, belief in its philosophy, belief in its laws, and confidence in one’s own mental powers. The way in which the stones of the Pont du Gard are laid is not only a triumph of technical skill, but shows a vigorous belief in law and discipline. Vigour, energy, vitality: all the great civilisations – or civilising epochs – have had a weight of energy behind them. People sometimes think that civilisation consists in fine sensibilities and good conversation and all that. These can be among the agreeable results of civilisation, but they are not what make a civilisation, and a society can have these amenities and yet be dead and rigid. So if one asks why the civilisation of Greece and Rome collapsed, the real answer is that it was exhausted.
Kenneth Clark (Civilisation)
Indeed, quite sweeping disparagements of the claims of ‘‘conceptual authority’’ have invaded the academic humanities in recent years, to generally deleterious effect (we shall examine a case in point in 2,v). Within this strain of self-styled post-modernist critique, most appeals to ‘‘conceptual content’’ are dismissed as rigorist shams, representing scarcely more than polite variants upon schoolyard bullying. Run-of-the-mill appeals to ‘‘conceptual authority’’ tacitly masquerade prejudiced predilection in the form of falsely constructed universals which, in turn, covertly shelter the most oppressive codes of Western society. But such sweeping doubts, if rigorously implemented, would render daily life patently unworkable, for we steer our way through the humblest affairs by making conceptual evaluations as we go. In what alternative vocabulary, for example, might we appraise our teenager’s failings with respect to his calculus homeworks? Forced to chose between exaggerated mistrust and blind acceptance of every passing claim of conceptual authority (even those issuing from transparent charlatans), we should plainly select gullibility as the wiser course, for the naïve explorer who trusts her somewhat inadequate map generally fares better than the doubter who accepts nothing. We will have told the story of concepts wrongly if it doesn’t turn out to be one where our usual forms of conceptual evaluation emerge as appropriate and well founded most of the time. Of a milder, but allied, nature are the presumptions of the school of Thomas Kuhn, which contends that scientists under the unavoidable spell of different paradigms often ‘‘talk past one another’’ through their failure to share common conceptual resources, in a manner that renders scientific argumentation more a matter of brute conversion than discourse. We shall discuss these views later as well. Although their various generating origins can prove quite complex, most popular academic movements that promote radical conceptual debunking of these types draw deeply upon inadequate philosophies of ‘‘concepts and attributes.’’ Such doctrines often sin against the cardinal rule of philosophy: first, do no harm, for such self-appointed critics of ‘‘ideological tyranny’’ rarely prove paragons of intellectual toleration themselves.
Mark Wilson (Wandering Significance: An Essay on Conceptual Behaviour)
I am Professor Steinberg,” he said. “What would you like to read?” I mumbled something about historiography. I had decided to study not history, but historians. I suppose my interest came from the sense of groundlessness I’d felt since learning about the Holocaust and the civil rights movement—since realizing that what a person knows about the past is limited, and will always be limited, to what they are told by others. I knew what it was to have a misconception corrected—a misconception of such magnitude that shifting it shifted the world. Now I needed to understand how the great gatekeepers of history had come to terms with their own ignorance and partiality. I thought if I could accept that what they had written was not absolute but was the result of a biased process of conversation and revision, maybe I could reconcile myself with the fact that the history most people agreed upon was not the history I had been taught. Dad could be wrong, and the great historians Carlyle and Macaulay and Trevelyan could be wrong, but from the ashes of their dispute I could construct a world to live in. In knowing the ground was not ground at all, I hoped I could stand on it.
Tara Westover (Educated)
Here’s a short list of things that strong strategic thinkers do habitually. → Systems thinking: Construct—and constantly tinker with—mental models about how their business works to solve problems and spot new opportunities. → Scanning and pattern recognition: Perpetually scan for new data points and insights from a wide range of sources—including those beyond their industry. → Challenge own assumptions: Invite other people to challenge their thinking as well as their underlying thought processes. → Balance future and present orientation: Consider the future and the present needs of their business at the same time, without conflict.
Chris Ertel (Moments of Impact: How to Design Strategic Conversations That Accelerate Change)
What happened? It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shan’t embark on that. But thinking about this almost incredible episode does tell one something about the nature of civilisation. It shows that however complex and solid it seems, it is actually quite fragile. It can be destroyed. What are its enemies? Well, first of all fear – fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops. And fear of the supernatural, which means that you daren’t question anything or change anything. The late antique world was full of meaningless rituals, mystery religions, that destroyed self-confidence. And then exhaustion, the feeling of hopelessness which can overtake people even with a high degree of material prosperity. There is a poem by the modern Greek poet, Cavafy, in which he imagines the people of an antique town like Alexandria waiting every day for the barbarians to come and sack the city. Finally the barbarians move off somewhere else and the city is saved; but the people are disappointed – it would have been better than nothing. Of course, civilisation requires a modicum of material prosperity – enough to provide a little leisure. But, far more, it requires confidence – confidence in the society in which one lives, belief in its philosophy, belief in its laws, and confidence in one’s own mental powers. The way in which the stones of the Pont du Gard are laid is not only a triumph of technical skill, but shows a vigorous belief in law and discipline. Vigour, energy, vitality: all the great civilisations – or civilising epochs – have had a weight of energy behind them. People sometimes think that civilisation consists in fine sensibilities and good conversation and all that. These can be among the agreeable results of civilisation, but they are not what make a civilisation, and a society can have these amenities and yet be dead and rigid. So
Kenneth Clark (Civilisation)
It was not the artists' or the politicians' fault, this desolate state of affairs. To a large extent, it was the Soviet Union's fault. In all societies, public rhetoric involves some measure of lying, and history—political history and art history—is made when someone effectively confronts the lie. But in really scary societies all public conversation is an exercise in using words to mean their opposites—in describing the brave as traitorous, the weak as frightening, and the good as bad—and confronting these lies is the most scary and lonely thing a person can do. These are the societies of Aldous Huxley's "Brave New World," or Yevgeny Zamyatin's "We," which preceded it. In Zamyatin's utopia, the guillotine was known as the Machine of the Benefactor, people were known as Numbers, and the power of words was well understood: "Whoever feels capable must consider it his duty to write treatises, poems, manifestos, odes, and other compositions on the greatness and beauty of the United State," Zamyatin had based his dystopia on the Soviet state he witnessed being constructed. Half a century after this death, real words that corresponded to actual facts and feelings broke through in a sudden, catastrophic flood and brought down the Soviet Union. But that heady period of Russian history was winding down by the time Petya and Nadya were learning to talk. Voina faced a challenge that perhaps exceeded challenges faced by any other artist in history: they wanted to confront a language of lies that had once been effectively confronted but had since been reconstructed and reinforced, discrediting the language of confrontation itself. There were no words left.
Masha Gessen (Words Will Break Cement: The Passion of Pussy Riot)
Outstanding Exponential Results, require extraordinary Leadership-team conversations, that raise consciousness and unleash fullest potentials
Tony Dovale
I am painfully aware that people of color have been talking about racism for a long time. Many people of color are tired of talking, frustrated that talk has not led to enough constructive action or meaningful social change. But in my own work, I have seen the effectiveness of talking about racism and teaching others to do the same. I have seen the impact on individual students who years later have written to me about the changes they are making in their workplaces. I have seen the impact on educators I have worked with who are now transforming their curricula and interacting with students of color in ways that facilitate rather than hinder those children’s academic success. I have witnessed the parents who begin to use their own spheres of influence within the community to address racism and other forms of oppression in their own environments. I remain hopeful. It is with this spirit of optimism that I invite my readers to join me in these conversations about race.
Beverly Daniel Tatum (Why Are All The Black Kids Sitting Together in the Cafeteria?)
I think that Europe and the West must rediscover the meaning of the family by looking at the traditions that Africa never abandoned. On my continent, the family is the melting pot of the values that irrigate the whole culture, the place where customs, wisdom, and moral principles are handed down, the cradle of unconditional love. Without the family, neither society nor the Church exists any more. In a family, the parents transmit the faith. The family lays the foundations on which we construct the building of our life. The family is the little Church where we begin to encounter God, to love him, and to form personal ties with him. My
Robert Sarah (God or Nothing: A Conversation on Faith)
The past, if there is such a thing, is mostly empty space, great expanses of nothing, in which significant persons and events float. Nigeria was like that for me: mostly forgotten, except for those few things that I remembered with an outsize intensity. These were the things that had been solidified in my mind by reiteration, that recurred in dreams and daily thoughts: certain faces, certain conversations, which, taken as a group, represented a secure version of the past that I had been constructing since 1992. But there was another, irruptive, sense of things past. The sudden reencounter in the present, of something or someone long forgotten, some part of myself I had relegated to childhood and to Africa.
Teju Cole (Open City)
User-centered design exemplifies the cybernetic strategy of “building quality in” by transforming construction into conversation. Integrating QA within an iterative feedback loop is key to this strategy. At its heart, it improves quality by increasing opportunities for meaningful empathy. It
Jeff Sussna (Designing Delivery: Rethinking IT in the Digital Service Economy)
Some of the most challenging and stressful situations people face are at work. Conflicts at work tend to fester when people passively avoid problems, because people lack the skills needed to initiate a direct, yet constructive conversation. Conflicts at work tend to explode when people don’t manage their anger or frustration, and choose to take it out on other people. Relationship management gives you the skills you need to avoid both scenarios, and make the most out of every interaction you have with another person.
Travis Bradberry (Emotional Intelligence 2.0)
CIOs need to leverage different conversations tyles to construct the collaborative vision and deliver high performance IT result.
Pearl Zhu (12 CIO Personas: The Digital CIO's Situational Leadership Practices)
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Conversation with his wife was easy, Danish having turned into a private jargon for themselves. But with other people he was always conscious of choosing his words, constructing a sentence, watching his accent. It seemed to him that when Danes talked they were running nimbly, while he was trudging along behind, lugging a twenty-kilo load.
Milan Kundera (Ignorance)
Acknowledge that your discussion is a very, very small step in your efforts to tackle issues on race. Even if you are reading this book to help you process a specific issue affecting your community, workplace, school, or organization, chances are that it will not be solved in a few gatherings. This book is meant to help you have better conversations in the hope that you will have many of them. Centuries-old constructs of race and generations of systems of oppression are not torn down in a few hours. Appreciate the small moments of progress as you make them—because every bit of progress matters—and also know that you will still have more to do. Do not allow yourself to become overly discouraged by the task ahead of you.
Ijeoma Oluo (So You Want to Talk About Race)
It was not a large office, but it was quite spy-proof and quite undetectably so. Spy-beams trained upon it received neither a suspicious silence nor an even more suspicious static. They received, rather, a conversation constructed at random out of a vast stock of innocuous phrases in various tones and voices.
Isaac Asimov (Foundation (Foundation, #1))
Buildings dream at night, and their dreams have a particular character. Or perhaps at night they awaken. There is nothing cordial or accommodating about buildings, whatever they might let people believe. The stresses of simply standing there, preposterous constructions, Euclidian like nothing in nature, the ground heaving under them, rain seeping in while their joints go slack with rot. They speak disgruntlement, creaks and groans, and less nameable sounds that suggest presence of the kind that is conjured only by emptiness. Grudges, plaints, and threats, an interior conversation, not meant to be heard, that would startle anyone. Jack had never realized before that the city, the parts he knew of it, might despise its human infestation.
Marilynne Robinson (Jack (Gilead, #4))
In a computer-to-human conversation, there is less surrounding context than in a natural language. So… our cognition fails us in this quiz, and the best we can do is guess. This is why careful conceptual grammar construction is the foundation of quality IxD.
Daniel Rosenberg (UX Magic)
Facial expression: try to adopt a firm, friendly expression. Avoid a tense, aggressive look, or one that suggests that you are nervous. • Posture: keep your head up (but not so high that you look haughty!) – lowering it will make you look submissive. • Distance: not too close, but close enough to be heard and to make good eye contact. • Gestures: make these relaxed and not intimidating – no finger wagging, for example. But also make sure that you are not making nervous gestures like wringing your hands. • Eye contact: don’t stare at the other person, but don’t be afraid of looking them in the eye. A comfortable pattern is to shift your focus between the other person’s eyes and mouth during a conversation. • Voice: keep the tone, volume and pace of your voice such that it communicates thoughtfulness and calm. Try not to let the pitch or the volume of your voice go up, which it can easily do if we feel stressed. • Vocabulary: use constructive and non-critical words and phrases – your aim is to get the other person on board, not into conflict. Acknowledge the other side of the argument, empathize and never attack.
Helen Kennerley (Overcoming Anxiety: A Self-Help Guide Using Cognitive Behavioral Techniques)
In the seven years I lived in New York, the perpetual youth machine kept me preoccupied. I hardly noticed that my Baltimore friends were buying houses, getting married, having children, and growing into lined faces. It happened gradually, but when I return to Maryland it stuns me. I arrive at a dinner party and my clothes feel the wrong size. I get brunch with couples and their kids and my mouth feels the wrong size. I can’t say the right thing. Or speak like a normal person. My volume knob is broken. I seem only to holler when saying something inappropriate or mumble incomprehensibly when trying to explain myself. I feel the coil centered in my belly winding tighter. The easier the conversation, the tighter that coil seems to wind. I find myself looking at my friends for weaknesses, getting angry at the smallest perceived slights. I challenge lifelong confidants in tight-lipped arguments over truly trivial matters. I can’t find a job. I apply for bartending jobs and construction work, mostly.
Michael Patrick F. Smith (The Good Hand: A Memoir of Work, Brotherhood, and Transformation in an American Boomtown)
If man and woman do not exist as real sexual categories- if ‘gender’ is a mere ‘social construct’- then the logic behind ‘gay rights’ falls apart. Conversely, if men really are men, and women really are women, and men cannot become women by simply declaring that they are, then the logic behind ‘transgenderism’ collapses. Yet political correctness demands that we hold both contradictory views at the same time. p. 184
Michael J. Knowles (Speechless: Controlling Words, Controlling Minds)
I am tempted to propose a radical reading of this syndrome: what if what the unfortunate intellectuals cannot bear is the fact that they lead a life which is basically happy, safe and comfortable, so that, in order to justify their higher calling, they have to construct a scenario of radical catastrophe?
Slavoj Žižek (Conversations with Žižek)
the tail end of a conversation. “I’m between a cock and a hard place here,” Stone says.
K.M. Neuhold (Nailed (Four Bears Construction, #2))
I mumbled something about historiography. I had decided to study not history, but historians. I suppose my interest came from the sense of groundlessness I’d felt since learning about the Holocaust and the civil rights movement—since realizing that what a person knows about the past is limited, and will always be limited, to what they are told by others. I knew what it was to have a misconception corrected—a misconception of such magnitude that shifting it shifted the world. Now I needed to understand how the great gatekeepers of history had come to terms with their own ignorance and partiality. I thought if I could accept that what they had written was not absolute but was the result of a biased process of conversation and revision, maybe I could reconcile myself with the fact that the history most people agreed upon was not the history I had been taught. Dad could be wrong, and the great historians Carlyle and Macaulay and Trevelyan could be wrong, but from the ashes of their dispute I could construct a world to live in. In knowing the ground was not ground at all, I hoped I could stand on it.
Tara Westover (Educated)
The mother discusses the past experience in rich detail. She asks lots of open-ended questions, which the researchers call “wh” questions: why, what, where, or who questions. For example, after a trip to the zoo, a highly elaborative parent might ask: “Who did you go to the zoo with? What animals did you see there?” This kind of question differs from yes/no “just the facts” questions, such as “Did you like the zoo?” By being asked questions, the child is invited to participate in the conversation, or co-construct it. The mother often repeats what the child says (“You saw a lion!”), thus encouraging the child to say more. As they go back and forth, the mother provides feedback to the child as well as more information: “The lion was growling. Was that a scary noise?” The mother shows a genuine interest in what the child is saying.
Ellen Galinsky (Mind in the Making: The Seven Essential Life Skills Every Child Needs)
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The thing about living in a town of roughly 16,000 residents is that you tend to know everybody. I don't mean that you know their name, exactly, or have had a conversation with them. I mean that you see the same people at Target a lot. You “know” the woman who slices up a pound of smoked turkey for your mother at the deli counter every week. You “know” who Barry Jennings is because your dad used to work at the glove compartment lightbulb factory with him. His son, Wyatt, is in your class at school and has the lead in the spring musical. Now your dad runs a construction crew for a developer and Mr. Jennings is a deputy for the county sheriff's department.
Aaron Hartzler (What We Saw)
Since realising that what a person knows about the past is limited, and will always be limited to what they are told by others. I knew what it was to have a misconception corrected - a misconception of such magnitude that shifting it shifted the world. Now I needed to understand how the great gatekeepers of history had come to terms with their own ignorance and partiality. I though I could accept that what they had written was not absolute but was the result of a biased process of conversation and revision, maybe I could reconcile myself sight he fact that the history most people agreed upon was not the history I had been taught. Dad could be wrong, and the great historians Carlyle and Macaulay and Trevelyan could be wrong, but from the ashes of their dispute I could construct a world to live in. In knowing the ground was not ground at all, I hoped I could stand on it.
Tara Westover (Educated)
Perry Fitzgerald’s sermons were like dharma talks: he spoke as if casually following a train of thought, telling stories, recalling poems, and explicating spiritual and theological concepts as they occurred to him. On the page, however, the skillful construction of this conversational style was obvious.
Michelle Huneven (Search)
Ask Questions "Ask questions, show interest in the response you receive, and then attempt to link those responses to your own knowledge and experience" - Conversationally Speaking, page 58 Ask questions. Lots of them! Actually, don’t ask too many questions. Questions are simply a means to enter conversation. You should ask questions that promote conversation. Don’t ask just any type of question if your goal is to encourage conversation. Yes/No questions are typically starter questions that should quickly dissolve. Open-ended questions are normally the way to go! Instead of starting sentences with “Who” or “When”, try “How” or “Why”. If conversation stops, either leave or ask an open-ended question. Try to stay away from cliché questions because they generally elicit cliché answers. There is such a thing as an open-ended question that is too open and cliché. For example, Americans like to respond “Pretty good” or “Not bad” to the question “How’d it go today?” Also, stay away from initially asking difficult questions. In an effort to make your conversation partner comfortable, ask a simple question that they should obviously know. Questions are a crucial instrument to equip a person for a good conversation. The right question will help you maneuver through any conversational cross-point and is a genuine way to connect with others. Once you ask a question, listen actively! When it’s your turn to respond, try to express their reality using your own words. Asking questions ought to benefit your conversation partner as you intend to give them an opportunity to speak. Use questions liberally and wisely. Take the dual perspective, be specific and direct, and ask good questions. Seek every opportunity to benefit your conversation partner as you express genuine interest in them. Conversational speaking is a skill. You must practice every day. Try focusing on one element of communication at a time. Perhaps this week, do all possible to handle criticism constructively by asking for details and agreeing with the truth. Next week, intentionally practice another aspect of communication. Opportunity awaits us every day. We just need to engage and enjoy every occasion.
Alan Garner (Conversationally Speaking: Tested New Ways to Increase Your Personal and Social Effectiveness)
As the manager of the Desoto Solar Farm, I started to slowly become aware it was dangerous from private conversations with the field workers that were involved with its construction.
Steven Magee