Constructive Conversation Quotes

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Lila was able to speak through writing; unlike me when I wrote, unlike Sarratore in his articles and poems, unlike even many writers I had read and was reading, she expressed herself in sentences that were well constructed, and without error, even though she had stopped going to school, but–further–she left no trace of effort, you weren't aware of the artifice of the written word. I read and I saw her, I heard her. The voice set in the writing overwhelmed me, enthralled me even more than when we talked face to face; it was completely cleansed of the dross of speech, of the confusion of the oral; it had the vivid orderliness that I imagined would belong to conversation if one were so fortunate as to be born from the head of Zeus and not from the Grecos, the Cerullos.
Elena Ferrante (My Brilliant Friend (My Brilliant Friend, #1))
In this way, feelings can be tricky. Feelings are the language of the soul, but you must make sure you are listening to your true feelings and not some counterfeit model constructed in your mind.
Neale Donald Walsch (The Complete Conversations with God)
Some feelings are true feelings—that is, feelings born in the soul—and some feelings are counterfeit feelings. These are constructed in your mind. In other words, they are not “feelings” at all—they are thoughts. Thoughts masquerading as feelings. These thoughts are based on your previous experience and on the observed experience of others.
Neale Donald Walsch (The Complete Conversations with God)
for the first time I am confronted with the fact that places and people are like things: both made of memories and meaningful to us in the same way: we construct ourselves in our conversations with them.
Bilal Tanweer (The Scatter Here Is Too Great)
Long ago, we had both realized that the only constructive conversation possible between us was sex. Neither of us could hear normal words. We each spoke our minds and listened only to ourselves. Only during sex did we share sensations and truly be present together. How long could that last? Probably forever. Would we have been happy for eternity? Why not? Sex wasn’t about interests or cultural differences; it was self-sufficient.
Dmitry Berkut (Clochard)
The conversion of poverty into a personal moral failure was intimately tied to the construction of black Americans as disposable and subject to mass incarceration.
Jackie Wang (Carceral Capitalism)
You are reminded of a conversation you had recently, comparing the merits of sentences constructed implicitly with “yes, and” rather than “yes, but.
Claudia Rankine (Citizen: An American Lyric)
Books are portals for the imagination, whether one is reading or writing, and unless one is keeping a private journal, writing something that no one is likely to read is like trying to have a conversation when you’re all alone. Readers extend and enhance the writer’s created work, and they deepen the colors of it with their own imagination and life experiences. In a sense, there’s a revision every time one's words are read by someone else, just as surely as there is whenever the writer edits. Nothing is finished or completely dead until both sides quit and it’s no longer a part of anyone’s thoughts. So it seems almost natural that a lifelong avid reader occasionally wants to construct a mindscape from scratch after wandering happily in those constructed by others. If writing is a collaborative communication between author and reader, then surely there’s a time and a place other than writing reviews for readers to 'speak' in the human literary conversation.
P.J. O'Brien
I am often amused and sometimes amazed by the free-reign constructs of my mind. That is why I converse regularly with myself - I am one of my better friends...
Gavin Mills
You should understand the value of time and use it accordingly in a constructive manner so that you can be blessed with time
Sunday Adelaja (No One Is Better Than You)
If I – as a beneficiary of that exact formula – will concede that my own life was indeed enriched by that precise familial structure, will the social conservatives please (for once!) concede that this arrangement has always put a disproportionately cumbersome burden on women? Such a system demands that mothers become selfless to the point of near invisibility in order to construct these exemplary encironments for their families. And might those same social conservatives – instead of just praising mothers as “sacred” and “noble” – be willing to someday join a larger conversation about how we might work together as a society to construct a world where healthy children can be raised and healthy families can prosper without women have to scrape bare the walls of their own souls to do so?
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
What happened? It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shan’t embark on that. But thinking about this almost incredible episode does tell one something about the nature of civilisation. It shows that however complex and solid it seems, it is actually quite fragile. It can be destroyed. 

What are its enemies?
 
Well, first of all fear — fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops. And fear of the supernatural, which means that you daren’t question anything or change anything. The late antique world was full of meaningless rituals, mystery religions, that destroyed self-confidence. And then exhaustion, the feeling of hopelessness which can overtake people even with a high degree of material prosperity. 

There is a poem by the modern Greek poet, Cavafy, in which he imagines the people of an antique town like Alexandria waiting every day for the barbarians to come and sack the city. Finally the barbarians move off somewhere else and the city is saved; but the people are disappointed — it would have been better than nothing. Of course, civilisation requires a modicum of material prosperity—

What civilization needs:

confidence in the society in which one lives, belief in its philosophy, belief in its laws, and confidence in one’s own mental powers. The way in which the stones of the Pont du Gard are laid is not only a triumph of technical skill, but shows a vigorous belief in law and discipline. Vigour, energy, vitality: all the civilisations—or civilising epochs—have had a weight of energy behind them. People sometimes think that civilisation consists in fine sensibilities and good conversations and all that. These can be among the agreeable results of civilisation, but they are not what make a civilisation, and a society can have these amenities and yet be dead and rigid.
Kenneth M. Clark (Civilisation)
He loved the interminable winter nights, when the dissatisfied wind mewed through the keyhole, and gusts of acrid smoke were driven down through the chimney; the imperfect silence when you awoke, as of a conversation hastily lulled, objects being hastily replaced. ‘Blow, blow thou winter wind, thou art not so unkind as man’s ingratitude.’ Why was it that he felt so perfectly attuned to winter, to its fatalistic expectation of the worst, then, when the worst came, its rustic heroisms and shouldering of burdens, improvised ingeniousness, constructive despair?
Violet Trefusis (Pirates at Play)
Loneliness is painful, emotionally and even physically, born from a “want of intimacy” when we need it most, in early childhood. Solitude—the capacity to be contentedly and constructively alone—is built from successful human connection at just that time.
Sherry Turkle (Reclaiming Conversation: The Power of Talk in a Digital Age)
What started as a normal conversation quickly spiraled out of hand, and Neil had no idea how they went from the construction work on the far side of campus grounds to a likely starting point for World War III. There had to be a correlation between the two, but as hard as he wracked his brain he couldn't find one. Eventually he gave up, because trying to make sense of the jump meant he couldn't actually listen to their argument. Renee expected it to start over resources, particularly water shortages, whereas Andrew was convinced the US government would get involved in the wrong conflict and draw vicious retaliation. There wasn't enough time left in break for either one of them to win the other over, and since Neil wouldn't play tiebreaker they set the debate aside for another day.
Nora Sakavic (The King's Men (All for the Game, #3))
Since the mirror of gentrification is representation in popular culture, increasingly only the gentrified get their stories told in mass ways. They look in the mirror and think it's a window, believing that corporate support for and inflation of their story is in fact a neutral and accurate picture of the world. If all art, politics, entertainment, relationships, and conversations must maintain that what is constructed and imposed by force is actually natural and neutral, then the gentrified mind is a very fragile parasite.
Sarah Schulman (The Gentrification of the Mind: Witness to a Lost Imagination)
I knew what it was to have a misconception corrected—a misconception of such magnitude that shifting it shifted the world. Now I needed to understand how the great gatekeepers of history had come to terms with their own ignorance and partiality. I thought if I could accept that what they had written was not absolute but was the result of a biased process of conversation and revision, maybe I could reconcile myself with the fact that the history most people agreed upon was not the history I had been taught. Dad could be wrong, and the great historians Carlyle and Macaulay and Trevelyan could be wrong, but from the ashes of their dispute I could construct a world to live in.
Tara Westover (Educated)
The previous governess had used various monsters and bogeymen as a form of discipline. There was always something waiting to eat or carry off bad boys and girls for crimes like stuttering or defiantly and aggravatingly persisting in writing with their left hand. There was always a Scissor Man waiting for a little girl who sucked her thumb, always a bogeyman in the cellar. Of such bricks is the innocence of childhood constructed. Susan’s attempts at getting them to disbelieve in the things only caused the problems to get worse. Twyla had started to wet the bed. This may have been a crude form of defense against the terrible clawed creature that she was certain lived under it. Susan had found out about this one the first night, when the child had woken up crying because of a bogeyman in the closet. She’d sighed and gone to have a look. She’d been so angry that she’d pulled it out, hit it over the head with the nursery poker, dislocated its shoulder as a means of emphasis and kicked it out of the back door. The children refused to disbelieve in the monsters because, frankly, they knew damn well the things were there. But she’d found that they could, very firmly, also believe in the poker. Now she sat down on a bench and read a book. She made a point of taking the children, every day, somewhere where they could meet others of the same age. If they got the hang of the playground, she thought, adult life would hold no fears. Besides, it was nice to hear the voices of little children at play, provided you took care to be far enough away not to hear what they were actually saying. There were lessons later on. These were going a lot better now she’d got rid of the reading books about bouncy balls and dogs called Spot. She’d got Gawain on to the military campaigns of General Tacticus, which were suitably bloodthirsty but, more importantly, considered too difficult for a child. As a result his vocabulary was doubling every week and he could already use words like “disemboweled” in everyday conversation. After all, what was the point of teaching children to be children? They were naturally good at it.
Terry Pratchett (Hogfather (Discworld, #20))
1. Where in your life or your work are you currently pursuing comfort, when what’s called for is a little discomfort? Pursuing the life projects that matter to you the most will almost always entail not feeling fully in control of your time, immune to the painful assaults of reality, or confident about the future. It means embarking on ventures that might fail, perhaps because you’ll find you lacked sufficient talent; it means risking embarrassment, holding difficult conversations, disappointing others, and getting so deep into relationships that additional suffering—when bad things happen to those you care about—is all but guaranteed. And so we naturally tend to make decisions about our daily use of time that prioritize anxiety-avoidance instead. Procrastination, distraction, commitment-phobia, clearing the decks, and taking on too many projects at once are all ways of trying to maintain the illusion that you’re in charge of things. In a subtler way, so too is compulsive worrying, which offers its own gloomy but comforting sense that you’re doing something constructive to try to stay in control. James Hollis recommends asking of every significant decision in life: “Does this choice diminish me, or enlarge me?” The question circumvents the urge to make decisions in the service of alleviating anxiety and instead helps you make contact with your deeper intentions for your time. If you’re trying to decide whether to leave a given job or relationship, say, or to redouble your commitment to it, asking what would make you happiest is likely to lure you toward the most comfortable option, or else leave you paralyzed by indecision. But you usually know, intuitively, whether remaining in a relationship or job would present the kind of challenges that will help you grow as a person (enlargement) or the kind that will cause your soul to shrivel with every passing week (diminishment). Choose uncomfortable enlargement over comfortable diminishment whenever you can.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
The next time you are part of a conversation that goes awry, ask for feedback. Let the other person know that the exchange didn’t go as you hoped and you wonder if you could have phrased things differently, or if you were focused on the wrong things, or if you didn’t understand their point. Then listen. Listen to what they have to say without taking offense. Maybe start with someone you know well, like a sibling or a friend. Listening to constructive criticism is never easy, but if your goal is to become better at conversations, it’s important to get an honest assessment of the areas most in need of improvement.
Celeste Headlee (We Need to Talk: How to Have Conversations That Matter)
I think it should be done over, Buddy. …Please make peace with your wit. It's not going to go away, Buddy. To dump it on your own advice would be as bad and unnatural as dumping your adjectives and your adverbs because Prof. B. wants you to. What does he know about it? What do you really know about your own wit? I've been sitting here tearing up notes to you. I keep starting to say things like 'This one is wonderfully constructed,' and 'The conversation between the two cops is terrific.' So I'm hedging. I'm not sure why. I started to get a little nervous right after you began to read. It sounded like the beginning of something your arch-enemy Bob B. calls a rattling good story. Don't you think he would call this a step in the right direction? Doesn't that worry you? Even what is funny about the woman on the back of the truck doesn't sound like something you think is funny. It sounds much more like something that you think is universally considered funny. I feel gypped. Does that make you mad? You can say our relatedness spoils my judgement. It worries me enough. But I'm also just a reader. Are you a writer or just a writer of rattling good stories. I mind getting a rattling good story from you.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
From productive conversations with professional writers and editors. I once learned that only three behaviors set literate people apart. The first two are obvious: reading and writing; but the third surprised me: talking about how reading and writing work. Many of the tools came from great talk about the construction of stories and the distillation of meaning.
Roy Peter Clark (Writing Tools: 50 Essential Strategies for Every Writer)
Monomaniacs of any kind, those people fixated by a single idea, have been a source of fascination for me my whole life, for the more a man limits his field of vision, the closer he is, conversely, to the infinite; those very people who seem so remote from the world construct with their own unique material, termite-like, a remarkable and completely unique shorthand for the world itself.
Stefan Zweig (Chess Story)
Unlike him, many were able not merely to construct whole conversations that revolved around their grandchildren but to find sufficient grounds for existence in the existence of their grandchildren.
Philip Roth (Everyman)
Your thoughts are just that—thoughts. Mental constructions. 'Made up' creations of your mind. But your feelings—now they are real. Feelings are the language of the soul. And your soul is your truth.
Neale Donald Walsch (Conversations With God)
We are eating warm bread slathered in cold butter and topped with salty anchovies, one of those three-ingredient Italian constructions- a shopping list more than a recipe- that can stop a conversation in its tracks.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Of course, I’ve only brought up two examples. Other universal laws of physics have been used as weapons as well, though we don’t know all of them. It’s very possible that every law of physics has been weaponized. It’s possible that in some parts of the universe, even … Forget it, I don’t even believe that.” “What were you going to say?” “The foundation of mathematics.” Cheng Xin tried to imagine it, but it was simply impossible. “That’s … madness.” Then she asked, “Will the universe turn into a war ruin? Or, maybe it’s more accurate to ask: Will the laws of physics turn into war ruins?” “Maybe they already are.… The physicists and cosmologists of the new world are focused on trying to recover the original appearance of the universe before the wars more than ten billion years ago. They’ve already constructed a fairly clear theoretical model describing the pre-war universe. That was a really lovely time, when the universe itself was a Garden of Eden. Of course, the beauty could only be described mathematically. We can’t picture it: Our brains don’t have enough dimensions.” Cheng Xin thought back to the conversation with the Ring again. Did you build this four-dimensional fragment? You told me that you came from the sea. Did you build the sea? “You are saying that the universe of the Edenic Age was four-dimensional, and that the speed of light was much higher?” “No, not at all. The universe of the Edenic Age was ten-dimensional. The speed of light back then wasn’t only much higher—rather, it was close to infinity. Light back then was capable of action at a distance, and could go from one end of the cosmos to the other within a Planck time.… If you had been to four-dimensional space, you would have some vague hint of how beautiful that ten-dimensional Garden must have been.” “You’re saying—” “I’m not saying anything.” Yifan seemed to have awakened from a dream. “We’ve only seen small hints; everything else is just guessing. You should treat it as a guess, just a dark myth we’ve made up.” But Cheng Xin continued to follow the course of the discussion taken so far. “—that during the wars after the Edenic Age, one dimension after another was imprisoned from the macroscopic into the microscopic, and the speed of light was reduced again and again.…” “As I said, I’m not saying anything, just guessing.” Yifan’s voice grew softer. “But no one knows if the truth is even darker than our guesses.… We are certain of only one thing: The universe is dying.” The
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
In retrospect, it is easy to see that Hitler's successful gamble in the Rhineland brought him a victory more staggering and more fatal in its immense consequences than could be comprehended at the time. At home it fortified his popularity and his power, raising them to heights which no German ruler of the past had ever enjoyed. It assured his ascendancy over his generals, who had hesitated and weakened at a moment of crisis when he had held firm. It taught them that in foreign politics and even in military affairs his judgment was superior to theirs. They had feared that the French would fight; he knew better. And finally, and above all, the Rhineland occupation, small as it was as a military operation, opened the way, as only Hitler (and Churchill, alone, in England) seemed to realize, to vast new opportunities in a Europe which was not only shaken but whose strategic situation was irrevocably changed by the parading of three German battalions across the Rhine bridges. Conversely, it is equally easy to see, in retrospect, that France's failure to repel the Wehrmacht battalions and Britain's failure to back her in what would have been nothing more than a police action was a disaster for the West from which sprang all the later ones of even greater magnitude. In March 1936 the two Western democracies were given their last chance to halt, without the risk of a serious war, the rise of a militarized, aggressive, totalitarian Germany and, in fact - as we have seen Hitler admitting - bring the Nazi dictator and his regime tumbling down. They let the chance slip by. For France, it was the beginning of the end. Her allies in the East, Russia, Poland, Czechoslovakia, Rumania and Yugoslavia, suddenly were faced with the fact that France would not fight against German aggression to preserve the security system which the French government itself had taken the lead in so laboriously building up. But more than that. These Eastern allies began to realize that even if France were not so supine, she would soon not be able to lend them much assistance because of Germany's feverish construction of a West Wall behind the Franco-German border. The erection of this fortress line, they saw, would quickly change the strategic map of Europe, to their detriment. They could scarcely expect a France which did not dare, with her one hundred divisions, to repel three German battalions, to bleed her young manhood against impregnable German fortifications which the Wehrmacht attacked in the East. But even if the unexpected took place, it would be futile. Henceforth the French could tie down in the West only a small part of the growing German Army. The rest would be free for operations against Germany's Eastern neighbors.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
If you're a woman with a gun, and you're getting into a conversation with a man you're attracted to, for example, at a party, it's always best to say, should he look quizzically at your weapon, 'My father taught me. I'm a rather good shot.' What you don't say is, 'My mother taught me' or -- even worse -- 'My ma taught me and I'm an expert crack shot.
Anna Burns (Little Constructions)
If man and woman do not exist as real sexual categories- if ‘gender’ is a mere ‘social construct’- then the logic behind ‘gay rights’ falls apart. Conversely, if men really are men, and women really are women, and men cannot become women by simply declaring that they are, then the logic behind ‘transgenderism’ collapses. Yet political correctness demands that we hold both contradictory views at the same time. p. 184
Michael J. Knowles (Speechless: Controlling Words, Controlling Minds)
Think about what you want to be, do, and have. Think about it often until you are very clear about this. Then, when you are very clear, think about nothing else. Imagine no other possibilities. Throw all negative thoughts out of your mental constructions. Lose all pessimism. Release all doubts. Reject all fears. Discipline your mind to hold fast to the original creative thought. When your thoughts are clear and steadfast, begin to speak them as truths. Say them out loud. Use the great command that calls forth creative power: I am. Make I-am statements to others. “I am” is the strongest creative statement in the universe. Whatever you think, whatever you say, after the words “I am” sets into motion those experiences, calls them forth, brings them to you. There is no other way the universe knows how to work. There is no other route it knows to take. The universe responds to “I am” as would a genie in a bottle.
Neale Donald Walsch (The Complete Conversations with God)
Yet when we commit to true love, we are committed to being changed, to being acted upon by the beloved in a way that enables us to be more fully self-actualized. This commitment to change is chosen. It happens by mutual agreement. Again and again in conversations the most common vision of true love I have heard shared was one that declared it to be “unconditional.” True love is unconditional, but to truly flourish it requires an ongoing commitment to constructive struggle and change.
bell hooks (All About Love: New Visions)
No. It’s because masters cannot truthfully make the statement that your present construction of marriage seeks to make: that one person is more special to them than another. This is not a statement that a master makes, and it is not a statement that God makes. The fact is that your marriage vows, as you presently construct them, have you making a very un-Godly statement. It is the height of irony that you feel this is the holiest of holy promises, for it is a promise that God would never make.
Neale Donald Walsch (The Complete Conversations with God)
A note about me: I do not think stress is a legitimate topic of conversation, in public anyway. No one ever wants to hear how stressed out anyone else is, because most of the time everyone is stressed out. Going on and on in detail about how stressed out I am isn’t conversation. It’ll never lead anywhere. No one is going to say, “Wow, Mindy, you really have it especially bad. I have heard some stories of stress, but this just takes the cake.” This is entirely because my parents are immigrant professionals, and talking about one’s stress level was just totally outlandish to them. When I was three years old my mom was in the middle of her medical residency in Boston. She had been a practicing obstetrician and gynecologist in Nigeria, but in the United States she was required to do her residency all over again. She’d get up at 4:00 a.m. and prepare breakfast, lunch, and dinner for my brother and me, because she knew she wouldn’t be home in time to have dinner with us. Then she’d leave by 5:30 a.m. to start rounds at the hospital. My dad, an architect, had a contract for a building in New Haven, Connecticut, which was two hours and forty-five minutes away. It would’ve been easier for him to move to New Haven for the time of the construction of the building, but then who would have taken care of us when my mom was at the hospital at night? In my parents’ vivid imaginations, lack of at least one parent’s supervision was a gateway to drugs, kidnapping, or at the very minimum, too much television watching. In order to spend time with us and save money for our family, my dad dropped us off at school, commuted the two hours and forty-five minutes every morning, and then returned in time to pick us up from our after-school program. Then he came home and boiled us hot dogs as an after-school snack, even though he was a vegetarian and had never eaten a hot dog before. In my entire life, I never once heard either of my parents say they were stressed. That was just not a phrase I grew up being allowed to say. That, and the concept of “Me time.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
And then there was a long conversation, mostly one-sided, definitely biased toward the LA guy doing all the talking, which Reacher couldn’t hear, and Chang’s facial expressions could have launched a thousand competing scenarios, so he got no real guidance from her. He had a sense the guy worked hard on one thing after another, episodically. And in great detail. Maybe he was an actor. Or a movie person. The context was unclear. In the end Reacher gave up trying to construct a plausible narrative, and just waited.
Lee Child (Make Me (Jack Reacher, #20))
Children born into a web of attuned relationships know how to join in conversations with new people and read social signals. They see the world as a welcoming place. Children born into a web of threatening relationships can be fearful, withdrawn, or overaggressive. They often perceive threats, even when none exist. They may not be able to read signals or have a sense of themselves as someone worth listening to. This act of unconscious reality construction powerfully determines what we see and what we pay attention to. It powerfully shapes what we will end up doing.
David Brooks (The Social Animal: The Hidden Sources Of Love, Character, And Achievement)
Our communications are full of road clocks that prevents real communication with others. Two are "judging" and "sending solutions". With people close to us, we fell we should be critical. Otherwise, we don't see how they will ever change. With others, we feel the need to give them a label. But by doing so, we cease to see the person before us, only a type. Our good advice is rarely constructive. We may be so used to having road blocks that we wonder what would be left if we remove them from the style of our conversation. What remains is the ability to understand and empathize with other people and make our concerns clearly known
Tom Butler-Bowdon (50 Psychology Classics: Who We Are, How We Think, What We Do (50 Classics))
Du Bois believed in the American dream. So did Martin. So did Malcolm. So do I. So do you. That’s why we’re sitting here. AL: I don’t, honey. I’m sorry, I just can’t let that go past. Deep, deep, deep down I know that dream was never mine. And I wept and I cried and I fought and I stormed, but I just knew it. I was Black. I was female. And I was out – out – by any construct wherever the power lay. So if I had to claw myself insane, if I lived I was going to have to do it alone. Nobody was dreaming about me. Nobody was even studying me except as something to wipe out. JB: You are saying you do not exist in the American dream except as a nightmare.
Audre Lorde
I propose that in our day this alternation of the market place and mountain requires the capacity for the constructive use of solitude. It requires that we be able to retire from a world that is “too much with us,” that we be able to be quiet, that we let the solitude work for us and in us. It is a characteristic of our time that many people are afraid of solitude: to be alone is a sign one is a social failure, for no one would be alone if he or she could help it. It often occurs to me that people living in our modern, hectic civilization, amid the constant din of radio and TV, subjecting themselves to every kind of stimulation whether of the passive sort of TV or the more active sort of conversation, work, and activity, that people with such constant preoccupations find it exceedingly difficult to let insights from unconscious depths break through. Of course, when an individual is afraid of the irrational—that is, of the unconscious dimensions of experience—he tries to keep busiest, tries to keep most “noise” going on about him. The avoidance of the anxiety of solitude by constant agitated diversion is what Kierkegaard, in a nice simile, likened to the settlers in the early days of America who used to beat on pots and pans at night to make enough din to keep the wolves away. Obviously if we are to experience insights from our unconscious, we need to be able to give ourselves to solitude.
Rollo May (The Courage to Create)
Thus pleasantly conversing on the favorable circumstances of our position as compared with those of past pilgrims and of narrow-minded ones at the present day, we soon found ourselves at the foot of the Hill Difficulty. Through the very heart of this rocky mountain a tunnel has been constructed of most admirable architecture, with a lofty arch and a spacious double track; so that, unless the earth and rocks should chance to crumble down, it will remain an eternal monument of the builder's skill and enterprise. It is a great though incidental advantage that the materials from the heart of the Hill Difficulty have been employed in filling up the Valley of Humiliation, thus obviating the necessity of descending into that disagreeable and unwholesome hollow.
Nathaniel Hawthorne (Mosses from an Old Manse and other stories)
Kids didn’t just disappear unless someone made them disappear.‘Relax, mate,’ the head of security said. ‘We’ve never lost one yet.’ Lots of kids wandered off at the Easter Show, he told them. They were always found, usually somewhere near the food.Doug had tried to relax, to stay calm, but he could feel the panic building inside him.The place was too big.There were too many people.Lockie could be anywhere. The police were called. It took hours for everyone to leave the showgrounds because every family was stopped. Every parent was questioned and every child identified. It was way past midnight when everyone had finally gone home, and still they had not found Lockie.The head of security changed his tone. The police held whispered conversations in groups. They began to look at him with sympathy in their eyes.Doug felt his heart slow down. There was a ringing in his ears. He was underwater and he couldn’t swim.Lockie was gone.They had lost one.Sammy had gone from impatience to hunger to exhaustion. She didn’t understand what was happening.Sarah sat next to the pram twisting her hands. She did not cry. She didn’t cry for days, but every time Doug went near her he could hear her muttering the word ‘please’. ‘Please, please, please, please.’ It drove Doug mad and he had to move away because he wanted to hit her, to snap her out of her trance. He had never lifted a hand to his wife or his children, but now he had to close his fist and dig his nails into his palm to keep himself from lashing out Sarah didn’t believe in hitting children; she believed in time out and consequences. It was different to the way Doug had been raised but he had come around to the idea. The thought of anyone—especially himself—hurting Sarah and the kids was almost too much to bear.Doug sometimes wondered, after, if whoever had taken his son had hit him. When he did think about someone hurting his boy he could feel his hands curl into fists. He would embrace the rush of heat that came with the anger because at least it was a different feeling to the sorrow and despair. Anger felt constructive. He wanted to kill everyone, even himself. But as fast as the anger came it would recede and he would be back at the place he hated to be. Mired in his own helplessness. There was fuck-all he could do.
Nicole Trope (The Boy Under the Table)
While an increasing number of male academic, political, and cultural figures have felt comfortable enough in recent years to proclaim themselves feminists, absorbing aspects of feminist politics and theory into their thinking, their gestures are most often built on an essentialized and static dichotomy between men and women. But men must do more than admit their complicity in patriarchy; they must begin to rethink the very boundaries that shape and define what it means to be a man. Conversely, women must play an important part in this reevaluation, an idea suggest by Eve Kosofsky Sedgwikc’s admonition that “when something is about masculinity, it isn’t always ‘about men’.” Far from being just about men, the idea of masculinity engages, inflects, and shapes everyone.
Maurice Berger (Constructing Masculinity (Discussion in Contemporary Culture, 11))
The woman [Cadsuane] looked at the battered tea things as if she had all the time in the world. “Now you know,” she said at last, calm as ever, “that I know your future, and your present. The Light’s mercy fades to nothing for a man who can channel. Some see that and believe the Light denies those men. I do not. Have you begun to hear voices, yet?” “What do you mean?” he asked slowly. He could feel Lews Therin listening. [...] “Some men who can channel begin to hear voices.” She spoke almost absently, frowning at the flattened sphere of silver and gold. “It is a part of the madness. Voices conversing with them, telling them what to do.” The teapot drifted gently to the floor by her feet. “Have you heard any?” [...] “I will ask the questions,” Rand said firmly. “You seem to forget. I am the Dragon Reborn.” You are real, aren’t you? he wondered. There was no answer. Lews Therin? Sometimes the man did not answer, but Aes Sedai always drew him. Lews Therin? He was not mad; the voice was real, not imagination. Not madness. A sudden desire to laugh did not help. Cadsuane sighed. “You are a young man who has little idea where he is going or why, or what lies ahead. You seem overwrought. Perhaps we can speak when you are more settled. Have you any objection to my taking Merana and Annoura away for a little while? I’ve seen neither in quite some time.” Rand gaped at her. She swooped in, insulted him, threatened him, casually announced she knew about the voice in his head, and with that she wanted to leave and talk with Merana and Annoura? Is she mad? Still no answer from Lews Therin. The man was real. He was! “Go away,” he said. “Go away, and...” He was not mad. “All of you, get out! Get out!” [...] Finally they were all gone, and he was alone. Alone. Convulsively he hurled the Dragon Scepter. The spear-point stuck quivering in the back of one the chairs, the tassels swaying. “I am not mad,” he said to the empty room. Lews Therin had told him things; he would never have escaped Galina’s chest without the dead man’s voice. But he had used the Power before he ever heard the voice; he had figured out how to call lightning and hurl fire and form a construct that had killed hundreds of Trollocs. But then, maybe that had been Lews Therin, like those memories of climbing trees in a plum orchard, and entering the Hall of the Servants, and a dozen more that crept up on him unawares. And maybe those memories were all fancies, mad dreams of a mad mind, just like the voice.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
14 Ways to Become an Incredible Listener 1. Be present and provide your undivided attention. 2. Seek first to understand, then to be understood. 3. Listen attentively and respond appropriately. 4. Minimize or eliminate distractions. 5. Focus your attention and energy with singleness of purpose on what the other person is saying. 6. Quiet your mind and suspend your thoughts to make room in your head to hear what is said—in the moment! 7. Ask questions and demonstrate empathy. 8. Use your body language and nonverbal cues constructively and pay attention to theirs. 9. Follow the rhythm of their speech; hear their tone. 10. Repeat and summarize what you have heard them say to confirm understanding. 11. Be open-minded and non-defensive. 12. Respond rather than react. 13. Be respectful, calm, and positive. 14. Try to resolve conflicts, not win them.
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
In their offices in the top floor of the Rookery, Daniel Burnham, forty-three, and his partner, John Root, newly forty, felt the electricity more keenly than most. They had participated in secret conversations, received certain assurances, and gone so far as to make reconnaissance forays to outlying parts of the city. They were Chicago’s leading architects: They had pioneered the erection of tall structures and designed the first building in the country ever to be called a skyscraper; every year, it seemed, some new building of theirs became the tallest in the world. When they moved into the Rookery at La Salle and Adams, a gorgeous light-filled structure of Root’s design, they saw views of the lake and city that no one but construction workers had seen before. They knew, however, that today’s event had the potential to make their success so far seem meager
Erik Larson (The Devil in the White City)
In one of our early conversations, Bob said to me, "I like Einstein as a character, because everybody knows who he is." In a sense, we didn't need to tell an Einstein story because everybody who eventually saw our Einstein brought their own story with them. In the four months that we toured Einstein in Europe we had many occasions to meet with our audiences, and people occasionally would ask us what it "meant." But far more often people told us what it meant to them, sometimes even giving us plot elucidation and complete scenario. The point about Einstein was clearly not what it "meant" but that it was meaningful as generally experienced by the people who saw it. From the viewpoint of the creators, of course, that is exactly the way it was constructed to work. Though we made no attempt at all to tell a story, we did use dramaturgical devices to create a clearly paced overall dramatic shape. For instance, a "finale" is a dramaturgical device; an "epilogue" is another. Using contrasting sections, like a slow trial scene followed by a fast dance scene, is a dramaturgical device, and we used such devices freely. I am sure that the absence of direct connotative "meaning" made it all the easier for the spectator to personalize the experience by supplying his own special "meaning" out of his own experience, while the work itself remained resolutely abstract. As to the use of three visual schemes, or images, Bob often mentioned that he envisioned them in three distinct ways: (1) a landscape seen at a distance (the Field/Spaceship scenes); (2) still lifes seen at a middle distance (the Trial scenes); and (3) portraits seen as in a closeup (the Knee Plays). As these three perspectives rotated through the four acts of the work, they created the sequence of images in an ordered scale. Furthermore, the recurrence of the images implied a kind of quasi-development. For example, the sequence of Train scenes from the Act I, scene 1 Train, to the "night train" of Act II and finally the building which resembled in perspective the departing night train, presented that sequence of images in a reductive order (each one became less "train-like") and at the same time more focused and energized. The same process applies to the sequence of Trial scenes (ending with a bar of light representing the bed) as well as the Field/Spaceship, with the final scene in the interior of the spaceship serving as a kind of apocalyptic grand finale of the whole work. Each time an image reappeared, it was altered to become more abstract and, oddly enough, more powerful. The way these three sequences were intercut with each other, as well as with the portrait-scale Knee Plays, served to heighten the dramatic effect.
Philip Glass (Opera on the Beach: On His New World of Music)
The day we visited, mothers were chatting comfortably on one of the benches while their children ran around happily exploring and playing games. The beauty of natural playgrounds is that they tap directly into children’s passions. In traditional playspaces constructed of metal and plastic, decisions about what to play are made by the designers. First you swing. Then you go down the slide. Too often, the result is competition, with kids arguing over who gets to do what, followed by frustration and tears. Conversely, in natural play areas, the child is boss. Imaginations are fired up as kids invent games with the available loose parts. Studies show that interactions tend to be more cooperative as well. Bullying is greatly decreased, and both vandalism and aggressive behavior also go down if there is a tree canopy. And with greater engagement comes longer play intervals, about three times longer compared with old-style play equipment.
Scott D. Sampson (How to Raise a Wild Child: The Art and Science of Falling in Love with Nature)
We can’t allow ourselves to be used in this way, to be used against the future. We can’t permit our data to be used to sell us the very things that must not be sold, such as journalism. If we do, the journalism we get will be merely the journalism we want, or the journalism that the powerful want us to have, not the honest collective conversation that’s necessary. We can’t let the godlike surveillance we’re under be used to “calculate” our citizenship scores, or to “predict” our criminal activity; to tell us what kind of education we can have, or what kind of job we can have, or whether we can have an education or a job at all; to discriminate against us based on our financial, legal, and medical histories, not to mention our ethnicity or race, which are constructs that data often assumes or imposes. And as for our most intimate data, our genetic information: if we allow it to be used to identify us, then it will be used to victimize us, even to modify us—to remake the very essence of our humanity in the image of the technology that seeks its control. Of course, all of the above has already happened.
Edward Snowden (Permanent Record)
PART II THE RETURN OF ODYSSEUS TO HIS OWN COUNTRY CHAPTER V. Odysseus on the Island of Calypso VI. Odysseus Constructs a Raft and Leaves the Island VII. Odysseus is Saved on the Island of Scheria VIII. Nausicaä is Sent to the River by Athena IX. Odysseus Arrives at the Palace of Alkinoös X. Odysseus in the Halls of Alkinoös XI. The Banquet in Honor of Odysseus XII. Odysseus Relates His Adventures XIII. The Lotus-Eaters and the Cyclops XIV. The Cave of the Cyclops XV. The Blinding of the Cyclops XVI. Odysseus and His Companions Leave the Land of the Cyclops XVII. The Adventures of Odysseus on the Island of Æolus XVIII. Odysseus at the Home of Circè XIX. Circè Instructs Odysseus Concerning His Descent to Hades XX. The Adventures of Odysseus in Hades XXI. Odysseus Converses with His Mother and Agamemnon XXII. Conversation with Achilles and Other Heroes XXIII. The Return of Odysseus to the Island of Circè XXIV. Odysseus Meets the Sirens, Skylla, and Charybdis XXV. Odysseus on the Island of Hēlios XXVI. The Departure of Odysseus from the Island of Scheria XXVII. Odysseus Arrives at Ithaca XXVIII. Odysseus Seeks the Swineherd
Homer (Odysseus, the Hero of Ithaca Adapted from the Third Book of the Primary Schools of Athens, Greece)
Build houses and make yourselves at home. You are not camping. This is your home; make yourself at home. This may not be your favorite place, but it is a place. Dig foundations; construct a habitation; develop the best environment for living that you can. If all you do is sit around and pine for the time you get back to Jerusalem, your present lives will be squalid and empty. Your life right now is every bit as valuable as it was when you were in Jerusalem, and every bit as valuable as it will be when you get back to Jerusalem. Babylonian exile is not your choice, but it is what you are given. Build a Babylonian house and live in it as well as you are able. Put in gardens and eat what grows in the country. Enter into the rhythm of the seasons. Become a productive part of the economy of the place. You are not parasites. Don’t expect others to do it for you. Get your hands into the Babylonian soil. Become knowledgeable about the Babylonian irrigation system. Acquire skill in cultivating fruits and vegetables in this soil and climate. Get some Babylonian recipes and cook them. Marry and have children. These people among whom you are living are not beneath you, nor are they above you; they are your equals with whom you can engage in the most intimate and responsible of relationships. You cannot be the person God wants you to be if you keep yourself aloof from others. That which you have in common is far more significant than what separates you. They are God’s persons: your task as a person of faith is to develop trust and conversation, love and understanding. Make yourselves at home there and work for the country’s welfare. Pray for Babylon’s well-being. If things go well for Babylon, things will go well for you. Welfare: shalom. Shalom means wholeness, the dynamic, vibrating health of a society that pulses with divinely directed purpose and surges with life-transforming love. Seek the shalom and pray for it. Throw yourselves into the place in which you find yourselves, but not on its terms, on God’s terms. Pray. Search for that center in which God’s will is being worked out (which is what we do when we pray) and work from that center. Jeremiah’s letter is a rebuke and a challenge: “Quit sitting around feeling sorry for yourselves. The aim of the person of faith is not to be as comfortable as possible but to live as deeply and thoroughly as possible—to deal with the reality of life, discover truth, create beauty, act out love. You didn’t do it when you were in Jerusalem. Why don’t you try doing it here, in Babylon? Don’t listen to the lying prophets who make an irresponsible living by selling you false hopes. You are in Babylon for a long time. You better make the best of it. Don’t just get along, waiting for some miraculous intervention. Build houses, plant gardens, marry husbands, marry wives, have children, pray for the wholeness of Babylon, and do everything you can to develop that wholeness. The only place you have to be human is where you are right now. The only opportunity you will ever have to live by faith is in the circumstances you are provided this very day: this house you live in, this family you find yourself in, this job you have been given, the weather conditions that prevail at this moment.
Eugene H. Peterson (Run with the Horses: The Quest for Life at Its Best)
In practice, every man who is not a Dr Pangloss and every social movement undergoes the pull of both reformism and revolutionism, and with varying strength at different times. Except at rare moments just preceeding or during profound crises and revolutions, the most extreme revolutionaries must also have a policy about the existing world in which they are obliged to live. If they want to make it more tolerable while preparing for revolution, or even if they want to prepare effectively, they must also be reformists, unless they abandon the world altogether by constructing some Communist Zion in the desert or on the prairie, or – like many religious bodies – transfer their hope entirely to the hereafter, merely seeking to traverse this vale of tears uncomplainingly until liberated by death. (In the latter case they cease to be either revolutionaries or reformists and become conservatives.) Conversely, the hope of a really good and perfect society is so powerful, that its ideal haunts even those who have resigned themselves to the impossibility of changing either the ‘world’ or ‘human nature’, and merely hope for lesser reforms and the correction of abuses. Inside the most militant reformist there is often a modest and overawed revolutionist hankering to be let out, though advancing age normally imprisons him more firmly. Given the total absence of the prospect of successful revolution, revolutionaries may turn into de facto reformists. In the intoxicating and ecstatic moments of revolution the great surge of human hope may sweep even reformists into the camp of the revolutionaries, though perhaps with some mental reservations. Between these two extremes a wide variety of positions may be occupied.
Eric J. Hobsbawm (Primitive Rebels)
But if the same man is in a quiet corner of a bar, drinking alone, he will get more depressed. Now there’s nothing to distract him. Drinking puts you at the mercy of your environment. It crowds out everything except the most immediate experiences.2 Here’s another example. One of the central observations of myopia theory is that drunkenness has its greatest effect in situations of “high conflict”—where there are two sets of considerations, one near and one far, that are in opposition. So, suppose that you are a successful professional comedian. The world thinks you are very funny. You think you are very funny. If you get drunk, you don’t think of yourself as even funnier. There’s no conflict over your hilariousness that alcohol can resolve. But suppose you think you are very funny and the world generally doesn’t. In fact, whenever you try to entertain a group with a funny story, a friend pulls you aside the next morning and gently discourages you from ever doing it again. Under normal circumstances, the thought of that awkward conversation with your friend keeps you in check. But when you’re drunk? The alcohol makes the conflict go away. You no longer think about the future corrective feedback regarding your bad jokes. Now it is possible for you to believe that you are actually funny. When you are drunk, your understanding of your true self changes. This is the crucial implication of drunkenness as myopia. The old disinhibition idea implied that what was revealed when someone got drunk was a kind of stripped-down, distilled version of their sober self—without any of the muddying effects of social nicety and propriety. You got the real you. As the ancient saying goes, In vino veritas: “In wine there is truth.” But that’s backward. The kinds of conflicts that normally keep our impulses in check are a crucial part of how we form our character. All of us construct our personality by managing the conflict between immediate, near considerations and more complicated, longer-term considerations. That is what it means to be ethical or productive or responsible. The good parent is someone who is willing to temper their own immediate selfish needs (to be left alone, to be allowed to sleep) with longer-term goals (to raise a good child). When alcohol peels away those longer-term constraints on our behavior, it obliterates our true self. So who were the Camba, in reality? Heath says their society was marked by a singular lack of “communal expression.” They were itinerant farmworkers. Kinship ties were weak. Their daily labor tended to be solitary, the hours long.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
Indeed, quite sweeping disparagements of the claims of ‘‘conceptual authority’’ have invaded the academic humanities in recent years, to generally deleterious effect (we shall examine a case in point in 2,v). Within this strain of self-styled post-modernist critique, most appeals to ‘‘conceptual content’’ are dismissed as rigorist shams, representing scarcely more than polite variants upon schoolyard bullying. Run-of-the-mill appeals to ‘‘conceptual authority’’ tacitly masquerade prejudiced predilection in the form of falsely constructed universals which, in turn, covertly shelter the most oppressive codes of Western society. But such sweeping doubts, if rigorously implemented, would render daily life patently unworkable, for we steer our way through the humblest affairs by making conceptual evaluations as we go. In what alternative vocabulary, for example, might we appraise our teenager’s failings with respect to his calculus homeworks? Forced to chose between exaggerated mistrust and blind acceptance of every passing claim of conceptual authority (even those issuing from transparent charlatans), we should plainly select gullibility as the wiser course, for the naïve explorer who trusts her somewhat inadequate map generally fares better than the doubter who accepts nothing. We will have told the story of concepts wrongly if it doesn’t turn out to be one where our usual forms of conceptual evaluation emerge as appropriate and well founded most of the time. Of a milder, but allied, nature are the presumptions of the school of Thomas Kuhn, which contends that scientists under the unavoidable spell of different paradigms often ‘‘talk past one another’’ through their failure to share common conceptual resources, in a manner that renders scientific argumentation more a matter of brute conversion than discourse. We shall discuss these views later as well. Although their various generating origins can prove quite complex, most popular academic movements that promote radical conceptual debunking of these types draw deeply upon inadequate philosophies of ‘‘concepts and attributes.’’ Such doctrines often sin against the cardinal rule of philosophy: first, do no harm, for such self-appointed critics of ‘‘ideological tyranny’’ rarely prove paragons of intellectual toleration themselves.
Mark Wilson (Wandering Significance: An Essay on Conceptual Behaviour)
The concept of the deep vernacular web can be understood as a heuristic intended to historicize these online antagonistic communities as antecedent to social media and even to the web itself. The deep vernacular web is characterized by anonymous or pseudonymous subcultures that largely see themselves as standing in opposition to the dominant culture of the surface web. Identified to an extent with the anonymous 4chan image board—which hosts one million posts per day, three quarters of which are made by visitors from English-speaking countries—these subcultures tend to imagine themselves as a faceless mass. In direct contrast to the individualized culture of the selfies associated with social media, we might thus characterize the deep vernacular web as a mask culture in which individual identity is effaced by the totemic deployment of memes. Insofar as this mask culture constructs an image of itself as an autochthonous culture whose integrity is under threat, we can perhaps begin to understand how grievances of the deep vernacular web have been capitalized upon by those espousing a far-right ideology. Conversely we can also see how the vernacular innovations of these often bizarre subcultures, such as Pepe the Frog, have themselves been absorbed in the service of far-right populism.
Marc Tuters (Post-Digital Cultures of the Far Right: Online Actions and Offline Consequences in Europe and the US)
Can you imagine what it must be like to have to suppress almost every aspect of who you are? Consciously having to prepare yourself each day, just so you can socially engage? Rigorously running social scripts through your mind daily, carefully constructing all your responses and behaviours just so you can converse and interact without obvious social mishaps and judgement of your differences?
Emma Kendall (Helping You to Identify and Understand Autism Masking: The Truth Behind the Mask)
I’ve learned over these years that hard conversations are hard because people in different life circumstances construct very different realities. It’s not only that they have different opinions about the same world; they literally see different worlds.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
Becoming a good communicator is a question of training, but also of theoretical knowledge. This book gives them to you in a synthetic way. If they seem, for many, obvious, you should not trust appearances: each piece of knowledge contains a vast possible field of experimentation. I particularly liked the assertiveness techniques given by the author, because they teach us to react to criticism in a constructive and peaceful way, whoever our interlocutor is. Conversationally Speaking will be useful to all those who communicate a lot, in order to improve their practice, and to shy people who will find other ways to react to certain situations.
Alan Garner, M.A. (Conversationally Speaking: Tested New Ways to Increase Your Personal and Social Effectiveness)
Since realising that what a person knows about the past is limited, and will always be limited to what they are told by others. I knew what it was to have a misconception corrected - a misconception of such magnitude that shifting it shifted the world. Now I needed to understand how the great gatekeepers of history had come to terms with their own ignorance and partiality. I though I could accept that what they had written was not absolute but was the result of a biased process of conversation and revision, maybe I could reconcile myself sight he fact that the history most people agreed upon was not the history I had been taught. Dad could be wrong, and the great historians Carlyle and Macaulay and Trevelyan could be wrong, but from the ashes of their dispute I could construct a world to live in. In knowing the ground was not ground at all, I hoped I could stand on it.
Tara Westover (Educated)
In your society, you often do not see the contradictions of your own moral constructions. The contradiction between doing things that you know full well are going to shorten your life, but doing them slowly, and doing things that will shorten your life quickly is one of the most glaring in the human experience.
Neale Donald Walsch (The Complete Conversations with God)
In the seven years I lived in New York, the perpetual youth machine kept me preoccupied. I hardly noticed that my Baltimore friends were buying houses, getting married, having children, and growing into lined faces. It happened gradually, but when I return to Maryland it stuns me. I arrive at a dinner party and my clothes feel the wrong size. I get brunch with couples and their kids and my mouth feels the wrong size. I can’t say the right thing. Or speak like a normal person. My volume knob is broken. I seem only to holler when saying something inappropriate or mumble incomprehensibly when trying to explain myself. I feel the coil centered in my belly winding tighter. The easier the conversation, the tighter that coil seems to wind. I find myself looking at my friends for weaknesses, getting angry at the smallest perceived slights. I challenge lifelong confidants in tight-lipped arguments over truly trivial matters. I can’t find a job. I apply for bartending jobs and construction work, mostly.
Michael Patrick F. Smith (The Good Hand: A Memoir of Work, Brotherhood, and Transformation in an American Boomtown)
its requisitioning. Plans for the conversion were apparently overseen by no less a personage than architect Albert Speer, Hitler’s minister of armaments and war production,25 with the actual construction supervised by SS-Second Lieutenant Ludwig Petz.26 A member of Dachau’s facilities branch, he arrived at Itter on February 8 with twenty-seven prisoners—twelve from Dachau and fifteen from Flossenbürg27—all of whom had before their arrests been carpenters, plumbers, and the like.28 Petz also took along some ten members of Dachau’s SS-Totenkopfverbände (SS-TV) unit29 to act as a security detail during the conversion work; they would be replaced by
Stephen Harding (The Last Battle: When U.S. and German Soldiers Joined Forces in the Waning Hours of World War II in Europe)
Permit me then to continue our conversation, and to tell you what the freedom is that I love, and that to which I think all men entitled. This is the more necessary, because, of all the loose terms in the world, liberty is the most indefinite. It is not solitary, unconnected, individual, selfish liberty, as if every man was to regulate the whole of his conduct by his own will. The liberty I mean is social freedom. It is that state of things in which liberty is secured by the equality of restraint. A constitution of things in which the liberty of no one man, and no body of men, and no number of men, can find means to trespass on the liberty of any person, or any description of persons, in the society. This kind of liberty is, indeed, but another name for justice; ascertained by wise laws, and secured by well-constructed institutions.
Edmund Burke (Further Reflections on the Revolution in France)
Constructionism suggests a way forward, a method to engage with others. In this approach, the last thing I want to do is pin you down and inspect you, as if you were some lab sample. I will not reduce you to a type or restrict you to a label, like many of those human-typology systems do—Myers-Briggs, the Enneagram, the zodiac, and so on. Instead, I want to receive you as an active creator. I want to understand how you construct your point of view. I want to ask you how you see things. I want you to teach me about the enduring energies of old events that shape how you see the world today. I’m going to engage with you. Looking at a person is different from looking at a thing because a person is looking back at you. I’m going to get to know you at the same time you’re going to get to know me. Quality conversation is the essence of this approach.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
Remember, great minds discuss ideas, average minds talk about events, and small minds talk about people. Talking about people involves criticizing, gossiping, or spreading rumours about individuals, often without any constructive purpose or benefit. In contrast, talking about events involves simply recounting what has happened, not necessarily in a way that contributes positively to our lives. On the other hand, focusing on discussing ideas rather than events or people can lead to greater personal and professional success and more meaningful and productive conversations and relationships.
Asuni LadyZeal
Empathy and understanding are the biggest tools for constructive and positive communication.
Keith Coleman (Effective Communication Skills: How to Enjoy Conversations, Build Assertiveness, & Have Great Interactions for Meaningful Relationships (Speak Fearlessly Book 2))
And yet religion in our modern era seems mostly concerned with systematizing theology, charting time lines, answering questions, and making God small and knowable. We have created a God we can regulate, a faith that fits not the little box we've constructed and mislabeled "Abundant Life." So much of our study of theology has become just a way to stop conversation rather than open it up.
Sarah Bessey (Field Notes for the Wilderness: Practices for an Evolving Faith)
Once you’re on equal footing, it’s important to listen to and consider the other person’s point of view. Research shows that we often exaggerate how extreme our opponents are. “Somebody says something and we all of a sudden create this whole construct about who they are as a person and what type of intention they have, and then we proceed as if that’s true,” said Julia Minson, an associate professor at Harvard Kennedy School. “That automatically sets up the adversarial environment in which someone has to lose.” She explains that it’s important to learn more about the other person’s actual intent, rather than filing it in with your own assumptions.
Evelyn Nam
High up on the hill there is construction noise, down in the village, people go about their business. Dogs chase dogs, delivery vans unload. Letters are posted. The cold sun simply can't compete though. Coopers Chase is wearing death like chain mail. It is Thursday at eleven a.m., but nobody is in the Jigsaw Room. The Art History class have stacked their chairs away, as always, and that is where the chairs will remain until Conversational French comes in at noon. Motes of dust float in the air and settle. The Thursday Murder Club is nowhere to be seen today. Their absence echoes. Ron is texting Pauline, hoping beyond hope that she finally replies. Joyce has done some shopping for Elizabeth and dropped it outside her door. She rang, but no reply. Ibrahim sits in his flat, staring at a picture of a boat on his wall. Elizabeth? Well, she is no longer present in a time and a space for now. She isn't anywhere or anything. Bogdan has his eye on her. Joyce switches off the television - it has nothing for her. Alan lies at her feet and watches her cry. Ibrahim thinks that perhaps he should take a walk, but, instead, he keeps looking at the picture on the wall. Ron receives a text, but it is from his electricity provider. There is a murder still to be solved, but it won't be solved today. The timelines and the photographs and the theories and the plans will have to wait. Perhaps it will never be solved? Perhaps death has defeated them all with this latest trick? Who now has the heart for the battle? They still have each other, but not today. There will be laughing and teasing and arguing and loving again, but not today. Not this Thursday. As the waves of the world crash around them, this Thursday is for Stephen.
Richard Osman (Collins Quiz Night, Collins Quiz Master, Collins Pub Quiz, Ultimate PopMaster, Richard Osman's House of Games 5 Books Collection Set)
I’ve learned over these years that hard conversations are hard because people in different life circumstances construct very different realities. It’s not only that they have different opinions about the same world; they literally see different worlds.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
Facial expression: try to adopt a firm, friendly expression. Avoid a tense, aggressive look, or one that suggests that you are nervous. • Posture: keep your head up (but not so high that you look haughty!) – lowering it will make you look submissive. • Distance: not too close, but close enough to be heard and to make good eye contact. • Gestures: make these relaxed and not intimidating – no finger wagging, for example. But also make sure that you are not making nervous gestures like wringing your hands. • Eye contact: don’t stare at the other person, but don’t be afraid of looking them in the eye. A comfortable pattern is to shift your focus between the other person’s eyes and mouth during a conversation. • Voice: keep the tone, volume and pace of your voice such that it communicates thoughtfulness and calm. Try not to let the pitch or the volume of your voice go up, which it can easily do if we feel stressed. • Vocabulary: use constructive and non-critical words and phrases – your aim is to get the other person on board, not into conflict. Acknowledge the other side of the argument, empathize and never attack.
Helen Kennerley (Overcoming Anxiety: A Self-Help Guide Using Cognitive Behavioral Techniques)
Acknowledge that your discussion is a very, very small step in your efforts to tackle issues on race. Even if you are reading this book to help you process a specific issue affecting your community, workplace, school, or organization, chances are that it will not be solved in a few gatherings. This book is meant to help you have better conversations in the hope that you will have many of them. Centuries-old constructs of race and generations of systems of oppression are not torn down in a few hours. Appreciate the small moments of progress as you make them—because every bit of progress matters—and also know that you will still have more to do. Do not allow yourself to become overly discouraged by the task ahead of you.
Ijeoma Oluo (So You Want to Talk About Race)
It was not a large office, but it was quite spy-proof and quite undetectably so. Spy-beams trained upon it received neither a suspicious silence nor an even more suspicious static. They received, rather, a conversation constructed at random out of a vast stock of innocuous phrases in various tones and voices.
Isaac Asimov (Foundation (Foundation, #1))
Buildings dream at night, and their dreams have a particular character. Or perhaps at night they awaken. There is nothing cordial or accommodating about buildings, whatever they might let people believe. The stresses of simply standing there, preposterous constructions, Euclidian like nothing in nature, the ground heaving under them, rain seeping in while their joints go slack with rot. They speak disgruntlement, creaks and groans, and less nameable sounds that suggest presence of the kind that is conjured only by emptiness. Grudges, plaints, and threats, an interior conversation, not meant to be heard, that would startle anyone. Jack had never realized before that the city, the parts he knew of it, might despise its human infestation.
Marilynne Robinson (Jack (Gilead, #4))
In a computer-to-human conversation, there is less surrounding context than in a natural language. So… our cognition fails us in this quiz, and the best we can do is guess. This is why careful conceptual grammar construction is the foundation of quality IxD.
Daniel Rosenberg (UX Magic)
Conversation with his wife was easy, Danish having turned into a private jargon for themselves. But with other people he was always conscious of choosing his words, constructing a sentence, watching his accent. It seemed to him that when Danes talked they were running nimbly, while he was trudging along behind, lugging a twenty-kilo load.
Milan Kundera (Ignorance)
I mumbled something about historiography. I had decided to study not history, but historians. I suppose my interest came from the sense of groundlessness I’d felt since learning about the Holocaust and the civil rights movement—since realizing that what a person knows about the past is limited, and will always be limited, to what they are told by others. I knew what it was to have a misconception corrected—a misconception of such magnitude that shifting it shifted the world. Now I needed to understand how the great gatekeepers of history had come to terms with their own ignorance and partiality. I thought if I could accept that what they had written was not absolute but was the result of a biased process of conversation and revision, maybe I could reconcile myself with the fact that the history most people agreed upon was not the history I had been taught. Dad could be wrong, and the great historians Carlyle and Macaulay and Trevelyan could be wrong, but from the ashes of their dispute I could construct a world to live in. In knowing the ground was not ground at all, I hoped I could stand on it.
Tara Westover (Educated)
The mother discusses the past experience in rich detail. She asks lots of open-ended questions, which the researchers call “wh” questions: why, what, where, or who questions. For example, after a trip to the zoo, a highly elaborative parent might ask: “Who did you go to the zoo with? What animals did you see there?” This kind of question differs from yes/no “just the facts” questions, such as “Did you like the zoo?” By being asked questions, the child is invited to participate in the conversation, or co-construct it. The mother often repeats what the child says (“You saw a lion!”), thus encouraging the child to say more. As they go back and forth, the mother provides feedback to the child as well as more information: “The lion was growling. Was that a scary noise?” The mother shows a genuine interest in what the child is saying.
Ellen Galinsky (Mind in the Making: The Seven Essential Life Skills Every Child Needs)
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The exploration and construction of a personal history with another person is a powerful, transformative intrapersonal experience. Without memory, there is no self. Meaning is personal experience composed into narratives. However, the narratives brought forth by the patient are generally stereotypes and closed. A central part of what the analyst adds is imagination, a facility with reorganizing and reframing, a capacity to envision different endings, and different futures. If the storylines suggested by the analyst himself are rigid and stereotypes, the analytic process degenerates into sterility and conversion.
Stephen A. Mitchell (Hope and Dread in Psychoanalysis)
As you can see, you can actually change the way you feel merely by changing your body posture or facial expression. It is what some people call “fake it until you make it.” For instance, you can put a smile on your face to make you feel happier. Conversely, you can negatively affect your mood and even create a depression by changing your body posture. David K. Reynolds, in his book Constructive Living, explained how he changed his identity for his alter ego, David Kent, and created a depressed, suicidal patient. The goal was to be accepted as an anonymous patient into various psychiatric facilities to assess them from the inside. Note that he wasn’t simulating depression, he was actually depressed. Psychological tests proved it. Here is how he created depression: Depression can be created by sitting slouched in a chair, shoulders hunched, head hanging down. Repeat these words over and over: ‘There’s nothing anybody can do. No one can help. It’s hopeless. I’m helpless. I give up.’ Shake your head, sigh, cry. In general, act depressed and the genuine feeling will follow in time. ​— ​DAVID K. REYNOLDS, CONSTRUCTIVE LIVING.
Thibaut Meurisse (Master Your Emotions: A Practical Guide to Overcome Negativity and Better Manage Your Feelings (Mastery Series Book 1))
Our representatives are acting unserious because the exhausted middle have checked out and an extreme and loud minority is dominating the conversation. We need responsible citizens modeling constructive disagreement (without contempt!) and allowing the competition of ideas to return to our country.
Elizabeth Neumann (Kingdom of Rage: The Rise of Christian Extremism and the Path Back to Peace)
Diana Adams is more interested in seeing increased social protections for alternative families. While same-sex marriage was an important victory for gay rights and opened up a cultural conversation about the definition of marriage and love, she says, we shouldn't forget that the movement was also "a queer critique of the nuclear family and traditional monogamous sexuality." The same is true of monogamy's insurgents. Rather than "cram people into the institution of marriage," she says, "we ultimately want to get the government out of the business of deciding whether you get tax benefits, health insurance, and immigration status based on whom you're having sex with." Her thoughts remind me of the late psychologist and gay activist Michael Shernoff, who reflected critically on the shift "from gay men radically transforming American society" to gay men "assimilating into it in conservative and hetero-normative ways." He lauded consensual nonmonogamy as a "vibrant, normative, healthy part" of the gay community, and expressed concern that the advent of gay marriage might consign this "venerable, multigenerational tradition" to the category of adultery. "Couples who succesfully negotiate sexual nonexclusivity," he wrote, "are, whether or not they are conscious of it, being genuinely subversive, in one of the most constructive ways possible...by challenging the patriarchial notion that there is only one "proper" and "legitimate" (hetero-normative) way that loving relationships should and need to be conducted" Monogamy was once a subject that was never even discussed in the therapist's office, but today as a matter of course I ask every couple, What is your monogamy agreement? Marriage without virginity was once inconceivable. So, too, sex without marriage.
The State of Affairs, Esther Perel
The Challenger rep wins by maintaining a certain amount of constructive tension across the sale. The Relationship Builder, on the other hand, strives to resolve or defuse tension, not create it. It’s
Matthew Dixon (The Challenger Sale: Taking Control of the Customer Conversation)
So, you want us to stop saying gay. Want to remove the right to acknowledge the truth of our bodies and hearts and eradicate the language that names us As if this will somehow keep you safe from our existence As if you can see no evil, hear no evil, speak no evil us into oblivion. It was you who birthed us into a legacy of code makers and breakers. Humans who took their language underground. Cast spells and had wordless conversations with our ancestors Who gifted us new ways to speak in the open air. We painted pink triangles on the walls of The underground bomb shelters you built to bury us alive Left a trail of glitter pointing to the inborn light in our chests So the ones who came looking for us would know how we lived. We stole back the vernacular you created to hide us back from the tips of your forked tongues Alchemized the sounds that twisted your mouth into symbols of reclamation Used your vilification to dig ourselves out of the closets you constructed around us Made our way blazing and victorious into the sun. When AIDS devastated an entire glittering generation We crafted a whispered language of the isolated hospital room and empty funeral That can only be heard by bodies That have been asked to hold a loss too deep to name. When Matthew Shephard's bloody and broken body Was found tied to that barbed wire fence, the only clean part of his skin the trails of his desperate tears We twisted from the ethers an entirely new way to name collective grief and fear, one far too infinite to hold alone It has always been our tenacious together than holds us. Drive us underground We will always surface Singing words you can never own Because don’t have the range to hear them. Go ahead, take away our words, We will birth a whole new language You’ve been sending your armies for us since the beginning of time But we were born for battle. You wonder why we are still here? You made us this strong. You think getting rid of a word will silence us? You’d have to ban them all.
Jeanette LeBlanc
Contentious debates aside, thought-terminating clichés also pervade our everyday conversations: Expressions like “It is what it is,” “Boys will be boys,” “Everything happens for a reason,” “It’s all God’s plan,” and certainly “Don’t think about it too hard” are all common examples. Among New Age types, I’ve also heard semantic stop signs come in the form of wily maxims like “Truth is a construct,” “None of this matters on a cosmic level,” “I hold space for multiple realities,” “Don’t let yourself be ruled by fear,” and dismissing any anxieties or doubts as “limiting beliefs.
Amanda Montell (Cultish: The Language of Fanaticism)
Most people kept to themselves, content with their computers, iPads, cellphones and the filtered, touch-free cybersphere that had replaced the simple arts of introduction and conversation. No one wanted to talk to you, and you were expected to not want to talk to them. At least not outside the social constructs set aside for such purposes.
James N. Cook (Fire in Winter (Surviving the Dead, #4))
Boswell practised in the Parliament House of Edinburgh, and could pay only occasional visits to London. During those visits his chief business was to watch Johnson, to discover all Johnson’s habits, to turn the conversation to subjects about which Johnson was likely to say something remarkable, and to fill quarto note books with minutes of what Johnson had said. In this way were gathered the materials out of which was afterwards constructed the most interesting biographical work in the world.
Samuel Johnson (Complete Works of Samuel Johnson)
User-centered design exemplifies the cybernetic strategy of “building quality in” by transforming construction into conversation. Integrating QA within an iterative feedback loop is key to this strategy. At its heart, it improves quality by increasing opportunities for meaningful empathy. It
Jeff Sussna (Designing Delivery: Rethinking IT in the Digital Service Economy)
Some of the most challenging and stressful situations people face are at work. Conflicts at work tend to fester when people passively avoid problems, because people lack the skills needed to initiate a direct, yet constructive conversation. Conflicts at work tend to explode when people don’t manage their anger or frustration, and choose to take it out on other people. Relationship management gives you the skills you need to avoid both scenarios, and make the most out of every interaction you have with another person.
Travis Bradberry (Emotional Intelligence 2.0)
Are you engineering my bondage setup?” Maddy asked, incredulous, before she burst into delighted giggles. “Oh, dove. I’ve had men say a lot of things in this room, but never that and never quite like that. You’re Bill Nye–ing my sex rig.” Darren jerked up his head, his eyes wide. “I work in construction! Wood’s my thing!” “Well, it’s my thing, too, but I’m not sure we’re having the same conversation anymore.
Thea de Salle (The Queen of Dauphine Street (NOLA Nights #2))
CIOs need to leverage different conversations tyles to construct the collaborative vision and deliver high performance IT result.
Pearl Zhu (12 CIO Personas: The Digital CIO's Situational Leadership Practices)
Conflicts at work tend to fester when people passively avoid problems, because people lack the skills needed to initiate a direct, yet constructive conversation
Travis Bradberry (Emotional Intelligence 2.0)
Mullinax: This of course gets to the notion of fiction as a separate world, and not as an appendage of some sort to the "real" world. The idea that we should let fiction be fiction, and not philosophy or sociology or psychology. Gass: Right. We've allowed music to be music. Oh we try, of course, to make it out to be something else. We use music in a roundabout way. Music to make love by, all that stuff. But we don't normally go around regarding music as anything more than music, and not as a message to the world or this or that. And we're doing that more and more with poetry. Fiction is slower to get there because it's been attached to doing all these other things. Art shouldn't try to make you do something, or even to produce in the reader a feeling or emotion. Its aim is construction. The artist wants to create an object that has intrinsic value, something worth living with as an end in itself. The artist makes an object he can have a non-utilitarian relation to—a companion.
William H. Gass (Conversations with William H. Gass (Literary Conversations Series))
I think that Europe and the West must rediscover the meaning of the family by looking at the traditions that Africa never abandoned. On my continent, the family is the melting pot of the values that irrigate the whole culture, the place where customs, wisdom, and moral principles are handed down, the cradle of unconditional love. Without the family, neither society nor the Church exists any more. In a family, the parents transmit the faith. The family lays the foundations on which we construct the building of our life. The family is the little Church where we begin to encounter God, to love him, and to form personal ties with him. My
Robert Sarah (God or Nothing: A Conversation on Faith)
The past, if there is such a thing, is mostly empty space, great expanses of nothing, in which significant persons and events float. Nigeria was like that for me: mostly forgotten, except for those few things that I remembered with an outsize intensity. These were the things that had been solidified in my mind by reiteration, that recurred in dreams and daily thoughts: certain faces, certain conversations, which, taken as a group, represented a secure version of the past that I had been constructing since 1992. But there was another, irruptive, sense of things past. The sudden reencounter in the present, of something or someone long forgotten, some part of myself I had relegated to childhood and to Africa.
Teju Cole (Open City)
Neighborhood In the broadest sense, the neighborhood is a friendly atmosphere of security that lies between two or more human virtues and nobility. Therefore, the neighborhood is also spread out prevalently from human kindness and sympathy. Neighborhood is not something “scientific”, resembling a “scientific fact” that has the date of its discovery. The neighborhood, therefore, can not be defined as same way we define chemical formula. Neighborhood is not an object or concept that is somewhere in the institute's cabins made and then is applied to us. The neighborhood is above all the giving of to other people and creatures with spiritual tranquility and physical security, to live with them. The neighborhood firstly encompass us, not we him. The neighborhood, therefore, is the spiritual, psychological and physical space emerged from the whole set of moral relations among people. There is a moral neighborhood between us and our neighbor. The neighborhood is here, like the air here or the ground under the feet. The neighborhood reside in pious freedom of personal decision to live inpeace in with other people. Also: neighborhood is not a dictation law, similar to the dictation of the laws of modern parliaments. In the neighborhood establishment there is no “stronger” and “weaker” sides. Neighbors donate the neighborhood institution with their own goodness and that so they are enobling. Therefore, the neighborhood is not a prevalent rational project such as, for example, the construction of a hydroelectric power plant a project! Neighborhood is a spiritual institution that grounds itself, under condition that moral people provide a chance for that institution. Neighborhood is not led or moderated by any of the participants in it. In addition, the neighborhood is a consequence of moral courtesy, moral education. Our upbringing and our morale dams protect others from us. Furthermore, it is like a free and dignified conversation. A dignified conversation leads itself. If any interlocutor begins to dominate the conversation, then the conversation turns into something like a police interrogation. The neighborhood, of course, can be intimidated, but it is not a family alliance. Namely, our neighbor is not necessarily our cousin. Neighborhood is neither a material benefit nor a business, because the true neighborhood does not thickens anyone bank accounts. But the true neighborhood contributes to many prosperity, and among others to the material, of course. Although the neighborhood has nothing against the rules of “house rules”, the neighborhood is far more than that. The neighborhood is a moral characteristic of the neighbor, and the neighbor is here as someone who is “sown on Earth”, where are “sown” we too, his neighbors. The neighbor is in the midst of our vicinity, in the middle of the same street, in the middle of a common city, homeland and country. Further, the neighborhood is a moral responsibility. The neighbor is there to meet, to exchange greetings, to shake hands, to talk, to eat sometimes together, to exchange views, opinions about world and life. By our conversation with us, our neighbor moves in our time with non-violent footsteps, enters our language, steps into our spiritual mood, enters “our space”. We do the same with his time, language, spiritual mood, “his space”. But this participation in the space and the spirit of the neighborhood does not mean occupation. On the contrary, the neighborhood is participation without seizure without deprivation, as billions of fish participate in one ocean, but it is impossible to say that each other occupies their space ...
Enes Karić (Eseji od Bosne)
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When I go to the bar, I never drink much. And to do that I avoid conversations, as silence reduces saliva and swallowing, which is drinking.
Jarod Kintz (How to construct a coffin with six karate chops)
For example, Pegeen’s students have constructed time lines of their lives, replete with photos and annotations, and posted them on the wall, inviting conversations about change.
Peter H. Johnston (Opening Minds: Using Language to Change Lives)
Particularly galling was the way the Homestead Act was abused. Passed during the Civil War, it was supposed to make a reality out of Lincoln’s version of the free labor, free soil dream. But fewer than half a million people actually set up viable farms over nearly half a century. Most public lands were taken over by the railroads, thanks to the government’s beneficent land-grant policy (another form of primitive accumulation); by land speculators backed by eastern bankers, who sometimes hired pretend “homesteaders” in acts of outright fraud; or by giant cattle ranches and timber companies and the like who worked hand in glove with government land agents. As early as 1862 two-thirds of Iowa (or ten million acres) was owned by speculators. Railroads closed off one-third of Kansas to homesteading and that was the best land available. Mushrooming cities back east became, in a kind of historical inversion, the safety valve for overpopulated areas in the west. At least the city held out the prospect of remunerative wage labor if no longer a life of propertied independence. Few city workers had the capital to migrate west anyway; when one Pennsylvania legislator suggested that the state subsidize such moves, he was denounced as “the Pennsylvania Communist” for his trouble. During the last land boom of the nineteenth century (from about 1883 to 1887), 16 million acres underwent that conversion every year. Railroads doubled down by selling off or mortgaging portions of the public domain they had just been gifted to finance construction or to speculate with. But land-grant roads were built at costs 100 percent greater than warranted and badly built at that, needing to be rebuilt just fifteen years later.
Steve Fraser (The Age of Acquiescence: The Life and Death of American Resistance to Organized Wealth and Power)