Consent A Memoir Quotes

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Wasn’t it strange that a poem, written in my vocabulary and as a result of my own thoughts or observations, could, when it was finished, manage to show me something I hadn’t already known? Sometimes, when I tried very hard to listen to what the poem I was writing was trying to tell me, I felt the way I imagined godly people felt when they were trying to discern God’s will. “Write this,” the poem would sometimes consent to say, and I’d revel in a joy to rival the saints’ that Poetry—this mysterious presence I talked about and professed belief in—might truly be real.
Tracy K. Smith (Ordinary Light: A memoir)
With my tattoos, I get to say, these are choices I make for my body, with full-throated consent. This is how I mark myself. This is how I take my body back.
Roxane Gay (Hunger: A Memoir of (My) Body)
For many years I paced around my cage, my dreams filled with murder and revenge. Until the day when the solution finally presented itself to me, like something that was completely obvious: Why not ensnare the hunter in his own trap, ambush him within the pages of a book?
Vanessa Springora (Consent: A Memoir)
Who do you think you are, with all your questions? A modern version of the Inquisition? Have you become a feminist all of a sudden? That’s the last thing I need!
Vanessa Springora (Consent: A Memoir)
By setting his sights on young, lonely, vulnerable girls, whose parents either couldn’t cope or were actively negligent, G. knew that they would never threaten his reputation. And silence means consent.
Vanessa Springora (Consent: A Memoir)
PROFESSOR EMERITUS WOTAN Ulm, of the University of Oxford East 5, author of the bestselling if controversial memoir Peer Reviewers and Other Idiots: A Life In Academia, had consented to give a recorded lecture on von Neumann replicators to be carried as briefing material on the US Navy twain USS Brian Cowley.
Terry Pratchett (The Long Utopia (The Long Earth #4))
But is there such a thing as trauma without shame? Isn’t shame an integral part of what causes an event or series of events to become a trauma?
Donna Freitas (Consent: A Memoir of Unwanted Attention)
What I did as an influencer was strap a jet pack on the idea that I—the person in the photograph—deserve to benefit from that image more than people who create and sell images of me without my consent.
Paris Hilton (Paris: A Memoir for Young Women in the Age of Influencers)
This self-righteous arrogance led me to suppose that the religious mind suffered from a deficiency, which is exactly the deficiency suffered by the philosophical mind: a limited intelligence thinks it can see everything because it keeps its eyes open; a superior intelligence consents to close it eyes, for it perceives that everything is within.
François-René de Chateaubriand (Memoirs from Beyond the Grave: 1768-1800)
No, I do not consent to being a rape victim.
Chanel Miller (Know My Name: A Memoir)
Children need to be taught about forced marriage and how an arranged wedding can be a forced marriage if either party doesn't freely consent to it.
Davinder Kaur (FORCED TO MARRY HIM: A Lifetime of Tradition and the Will to Break It)
To be naked is to be oneself. To be nude is to be seen naked by others.
Jill Ciment (Consent: A Memoir)
Fathers are meant to be their daughters’ protectors. Mine is no more than a current of air.
Vanessa Springora (Consent: A Memoir)
By definition rape is not the absence of promiscuity, rape is the absence of consent, and it perturbs me deeply that he can’t even see that distinction.
Chanel Miller (Know My Name: A Memoir)
It comes down to this: if men believed that sex was a mutual activity between two human beings based on equal respect and power, the sex trade would not exist.
Mia Döring (Any Girl: A Memoir of Sexual Exploitation and Recovery)
I am furious at the seeds planted without our consent, the voices and the actions that made our roads to the truth unnecessarily brutal.
Elliot Page (Pageboy: A Memoir)
How to make a good cry a GREAT CRY. Make sure you have an abundance of good tissues (so you don't have to end up using toilet paper, or worse, paper towels!). Put on the most comfortable clothes you own. Important - Drink lots of water afterward so you don't get a post-crying dehydrating headache! Find something to squeeze or cuddle, like a squishy pillow, animal friend, or consenting human. Now get ready for those sweet, sweet endorphins!
Tyler Feder (Dancing at the Pity Party: A Dead Mom Graphic Memoir)
Verbal consent is often mocked for killing the mood. But think of how much organic communication we do in life. A sampling table at the grocery store; you pick up a cracker, make eye contact with the vendor, May I? and they nod, Enjoy. Subtle and swift.
Chanel Miller (Know My Name: A Memoir)
The pivotal question throughout the trial was whether or not consent was issued. Yes or no. We act as if there is a single traffic light, red or green. But sex is a road lined with intersections, which way to go, when to slow down, to yield, to stop, to speed up.
Chanel Miller (Know My Name: A Memoir)
I am a survivor, but I also am, and always will be, a victim. I can't speak for others who share this dual identity, but I can say for myself that, while I wish to be the proud person who exclusively occupies the title of survivor, I still claim the territory of the shivering, cowering victim.
Donna Freitas (Consent: A Memoir of Unwanted Attention)
Come un artista il quale, pur consapevole del fatto che la sua carriera non è finita, che bisogna andare avanti, che niente è mai acquisito, sa di avere al suo attivo un'opera, almeno una, che nonostante tutto gli consente di dormire tranquillo, perché il futuro sarà quel che sarà ma per lui i giochi sono fatti e vinti.
Emmanuel Carrère (Lives Other than My Own: A Memoir)
I put my name at the bottom, a big loopy C and two lumps for the M. I stopped when I saw the words Rape Victim in bold at the top of one sheet. A fish leapt out of the water. I paused. No, I do not consent to being a rape victim. If I signed on the line, would I become one? If I refused to sign, could I remain my regular self?
Chanel Miller (Know My Name: A Memoir)
He is certainly of an age to die.’ The sadness of the old; their banishment: most of them do not think that this age has yet come for them. I too made use of this cliché, and that when I was referring to my mother. I did not understand that one might sincerely weep for a relative, a grandfather aged seventy and more. If I met a woman of fifty overcome with sadness because she had just lost her mother, I thought her neurotic: we are all mortal; at eighty you are quite old enough to be one of the dead… But it is not true. You do not die from being born, nor from having lived, nor from old age. You die from something. The knowledge that because of her age my mother’s life must soon come to an end did not lessen the horrible surprise: she had sarcoma. Cancer, thrombosis, pneumonia: it is as violent and unforeseen as an engine stopping in the middle of the sky. My mother encouraged one to be optimistic when, crippled with arthritis and dying, she asserted the infinite value of each instant; but her vain tenaciousness also ripped and tore the reassuring curtain of everyday triviality. There is no such thing as a natural death: nothing that happens to a man is ever natural, since his presence calls the world into question. All men must die: but for every man his death is an accident and, even if he knows it and consents to it, an unjustifiable violation.
Simone de Beauvoir (A Very Easy Death)
There is a liminal space created between the powerful person and the person who is the target of unwanted attention, a liminal space between outright yes and outright no. That space is not a compromise—not a maybe-yes or maybe-no—but more of a hovering, a being caught and not knowing where else to go or how to move without making things much worse. So you stay put. You hold the person off as best you can without causing them to retaliate too terribly, and because you know they can retaliate if they want to, that they have the power to do this, that they could decide to ruin you for displeasing them or rejecting them too forcefully. On the outside you continue to exist as though nothing is wrong, you perpetuate everything as though it is normal. You maintain the status quo with the abuser and with everyone around the abuser. Yet inside you are at war, you are shrinking, you are wishing you could die rather than continue much longer as though everything were fine. You become exhausted with the responsibility of making a situation okay that is not at all okay.
Donna Freitas (Consent: A Memoir of Unwanted Attention)
When men perceive that nothing is restraining them but their consent to be restrained, then at last there is nothing to obstruct the free play of selfishness which is the dominant characteristic and fundamental motive of human nature and human action respectively. Politics, which may have had something of the character of a contest of principles, becomes a struggle of interests, and its methods are frankly serviceable to personal and class advantage. Patriotism and respect for the law pass like a tale that is told. Anarchy, no longer disguised as ‘government by consent,’ reveals his hidden hand…
Ambrose Bierce (Ambrose Bierce Collection: The Devil'S Dictionary, Tales, & Memoirs, Tales Of Soldiers And Civilians, Can Such Things Be, Present At A Hanging And ... Stories, An Occurrence At Owl Creek Bridge,)
This was very troubling. It made me think of Mina’s father, a supposed Muslim, selling his own daughter to another man to become a wife and slave. But Islam teaches that a man must not touch a woman without her consent. Mina didn’t consent to be a wife. None of this made any sense to me, the more I thought about it. I talked to Shakila, and she told me that rape and murder are sins in Islam. I understood that well, but still everything I’d seen with my own eyes, the way Mina was treated, filled me with doubts. The way Islam was practiced in the countryside was very different than my father’s religion.
Enjeela Ahmadi-Miller (The Broken Circle: A Memoir of Escaping Afghanistan)
All around the country, at universities far and wide, at workplaces of all sizes and types, at companies that boast of doing good and making the world a better place, there are file cabinets full of the bloody tongues of women. Some are young and tender, others more weathered and battered, but all of them taken from us by people in business-casual attire, in suits and sensible skirts, walking up to us as though what they are about to do is perfectly legitimate, perfectly reasonable, even as they take the long, curving knives from behind their backs, raising them up to strike our faces and our necks. Acting as though this is just business as usual while they disfigure us, and we stand there, letting them, because this seems like our only option.
Donna Freitas (Consent: A Memoir of Unwanted Attention)
INTRODUCTION TO GENDER AND SOCIETY The Second Sex by Simone de Beauvoir A classic analysis of the Western conception of the woman. Feminism Is for Everybody by bell hooks A primer about the power and potential of feminist action. We Should All Be Feminists by Chimamanda Ngozi Adichie Feminism redefined for the twenty-first century. QUEER THEORY AND INTERSECTIONAL FEMINISM Gender Trouble by Judith Butler A classic, and groundbreaking, text about gender and the boundaries of identity. Gender Outlaw by Kate Bornstein A 1990s-era memoir of transition and nonbinary identity. This Bridge Called My Back ed. Cherríe Moraga and Gloria Anzaldúa A collection of essays about the intersections between gender, class, sexuality, and race. Sister Outsider by Audre Lorde A landmark collection of essays and speeches by a lauded black lesbian feminist. The Woman Warrior by Maxine Hong Kingston A memoir of growing up as a Chinese American woman. MODERN HISTORY How We Get Free: Black Feminism and the Combahee River Collective ed. Keeanga-Yamahtta Taylor A history of the Combahee River Collective, a group of radical black feminists operating in the 1960s and 1970s. And the Band Played On by Randy Shilts Investigative reportage about the beginning of the AIDS crisis. A Queer History of the United States by Michael Bronski An LGBT history of the United States, from 1492 to the present. CONTEMPORARY QUESTIONS Blurred Lines: Rethinking Sex, Power, and Consent on Campus by Vanessa Grigoriadis An exploration of the effects of the sexual revolution in American colleges. The End of Men: And the Rise of Women by Hanna Rosin A book about the shifting power dynamics between men and women. Bad Feminist by Roxane Gay Essays about the author’s experiences as a woman and our cultural understanding of womanhood. All the Single Ladies by Rebecca Traister An investigation into the lives of twenty-first-century unmarried women. GENDER AND SEXUALITY IN FICTION Rubyfruit Jungle by Rita Mae Brown A groundbreaking lesbian coming-of-age novel, originally published in 1973. Giovanni’s Room by James Baldwin A classic of morality and desire, set in 1950s Paris, about an American man and his relationship with an Italian bartender. Angels in America by Tony Kushner A Pulitzer Prize–winning play about the Reagan-era AIDS epidemic. Oranges Are Not the Only Fruit by Jeanette Winterson A coming-of-age and coming-out novel about a woman growing up in an evangelical household.
Tom Perrotta (Mrs. Fletcher)
There are three key things that matter in having a voice: audibility, credibility, and consequence. Audibility means that you can be heard, that you have not been pressed into silence or kept out of the areas of where you can speak or write or denied the education to do so or in the age of social media, been harassed and threatened and driven off the platform as so many have. Credibility means that when you get into those arenas, people are willing to believe you, by which I don't mean that women never lie, but that stories should be measured on their own terms and context, rather than patriarchy's insistence that women are categorically unqualified to speak. Emotional, rather than rational. Vindictive, incoherent, delusional, manipulative. Unfit to be heeded. Those things often shouted over a women in the process of saying something challenging. Though now death threat are used as a short-cut, and some of those threats are carried out. Notably with women who leave their abusers, because silencing can be conversational or can be premeditated murder. To be a person of consequence is to matter. If you matter, you have rights, and your words serve those rights. And give you the power to bear witness, make agreements, set boundaries. If you have consequence, your words possess the authority to determine what does and does not happen to you. The power that underlies the concept of consent as part of equality in self-determination. Even legally, women's words have lacked consequence. And only in a few scattered places on earth, could women vote before the 20th century, and not so many decades ago, women rarely became lawyers and judges.
Rebecca Solnit (Recollections of My Nonexistence: A Memoir)
Never give another person the power to make you think less of yourself. As Eleanor Roosevelt said, “No one can make you feel inferior without your consent
Kelley Gunter (You Have Such a Pretty Face: A Memoir of Trauma, Hope, and the Joy that Follows Survival)
PROFESSOR EMERITUS WOTAN Ulm, of the University of Oxford East 5, author of the bestselling if controversial memoir Peer Reviewers and Other Idiots: A Life In Academia, had consented to give a recorded lecture
Terry Pratchett (The Long Utopia (The Long Earth #4))
A man’s mistakes (if I may lecture you), his worst acts, aren’t out of character, as he’d like to think, are not put on him by power or stress or too much to drink, but simply a worse self he consents to be.
Stephen Dunn (Walking Light: Memoirs and Essays on Poetry (American Readers Series Book 4))
Agreeing to something does not make that thing any less harmful for our bodies or minds. It is psychologically exhausting, damaging and toxic to fake a connection to someone, especially a sexual connection. Not being free to be yourself in such a vulnerable and intimate situation is physically and psychologically exhausting. Being paid to have sex on someone else’s terms is the farthest thing from sexual autonomy that exists.
Mia Döring (Any Girl: A Memoir of Sexual Exploitation and Recovery)
If the men who paid me weren’t rapists, if this was all consensual sex, why am I traumatised by it? Why do I experience flashbacks with the same tone and texture as flashbacks I have had from being raped? I have had a lot of sex I regret having which I am not traumatised by. There is sometimes sadness, but not trauma. I experience trauma and flashbacks only in relation to sexual exploitation. Sex that didn’t involve money, in which I’ve felt dissociated, or didn’t feel like it, or when I didn’t stop something I wasn’t comfortable with has not traumatised me in the way sex-trade sex has – sex to which I ‘consented’.
Mia Döring (Any Girl: A Memoir of Sexual Exploitation and Recovery)
I pointed my fingers in his face and listed every instance he did something with or to my body without my consent. For years, I woke up to him inside me, opened my eyes and stared blankly at the wall until he finished, rocking back and forth like an empty canoe. He would roll over after while I stayed awake, sticky against the sheets until the discomfort became too much and I had to climb out of bed to clean myself in the bathroom. Two hours later, I was there, again, in the same bathroom, shadows tucked neatly beneath my eyes. Voice like an alarm reminding my kids to get up, get ready for school.
Rebecca Woolf (All of This: A Memoir of Death and Desire)
I will proclaim all of my mistakes and contradictions, for all the women who cannot do so, for all the women we've called muses without learning their names, whose silence we mistook for consent. (Men Like You)
Emily Ratajkowski (My Body)
Mick sent me a note: “In return for my consent to allow you to register the name ‘Rolling Stone,’ what do you offer so far as cover stories, special small ad rates, and summer clothes coverage?
Jann S. Wenner (Like a Rolling Stone: A Memoir)
Later, with a little more maturity and courage, I opted for a different strategy: to tell the entire truth, admit that I felt like a doll lacking all desire who had no idea how her own body worked, who had learned only one thing: how to be an instrument for other people’s games. Every time, this revelation brought the relationship to an end. No one wants a broken toy.
Vanessa Springora (Consent: A Memoir)
We had come up on deck some time in the night, wakened by the swing of the yacht at her anchor. A cool north breeze. A million brilliant stars above the dark slender masts. And every little wave crested with cold sea-fire. Without a word, Davy snuggled close and my arm about her, we had remained, the beauty pouring into us, remained for—what? An hour? Three hours? We never knew or cared. Finally, with wordless consent, we had gone below to sleep to the lift and stir of the yacht. A foretaste of eternity.
Sheldon Vanauken (A Severe Mercy: A Heartrending Memoir of Love, Faith, Grief, and the Healing Power of God, Featuring Unseen Letters from C. S. Lewis)
Finishing large projects can result in a mild or severe thud of depression. The scariest part about completing any demanding project is that irrespective of how exhausting the labor might be the work also arrests a person’s attention. Working passionately is akin to a person consenting to a kidnaping. A person engaged in performing a princely task feels whisked away on a captivating voyage of undetermined final destination. At times, I wondered if the only thing that actually kept me going is the work of crafting sentences. Writing sentences is contagious. Finishing a sentence infects a person with a desire to write another sentence. The feverish rash of writing spread until it consumed all my resources. Once I stop writing, I will need to find a new reason to awaken each day.
Kilroy J. Oldster (Dead Toad Scrolls)
To have entered a strange house, and to have consumed the best part of a cake without the knowledge or consent of the lawful owners, was a solecism worthy of severe retribution.
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
For me to give someone a firm and enthusiastic yes or no is to presume the person I am saying yes or no to is my equal, or at least someone I feel equal to saying yes or no to, as though they are a partner, a friend, someone with whom I am on the same footing. It presumes I am in possession of some power in the situation. It presumes the other person sees me as an equal, or something like a peer, and is waiting to see if they are going to get a yes or no before proceeding with whatever they'd like to happen next. It presumes the other person can see me at all, or cares to; that they have respect for me as though we are both the same.
Donna Freitas (Consent: A Memoir of Unwanted Attention)
There is a liminal space created between the powerful person and the person who is the target of unwanted attention, a liminal space between outright yes and outright no -- not a maybe-yes or maybe-no -- but more of a hovering, a being caught and not knowing where else to go or how to move without making things much worse. So you stay put. You hold the person off as best you can without causing them to retaliate too terribly, and because you know they can retaliate if they want to, that they have the power to do this, that they could decide to ruin you for displeasing them or rejecting them too forcefully.
Donna Freitas (Consent: A Memoir of Unwanted Attention)
We cannot sanitize every comment, every come-on, every gesture in our efforts to stamp out harassment and assault. We cannot sanitize all of our spaces, we cannot make them irrefutably safe from words and acts and behaviors. We are humans, and our emotions and desires make us into complicated creatures. Sometimes we are nervous and awkward. We misjudge and we make mistakes and we dream of things that will not happen, of people we want to be with who will not want to be with us. We muster our courage and go for someone who seems unattainable to see if, by some miracle, it turns out they like us back, and this is not a crime. But we can certainly do a better job of teaching people how to understand romantic feelings, how to read signals, how to back off when someone says no, how not to keep pursuing someone when they have rejected us, about what is appropriate and what is inappropriate in certain contexts, in professional and educational circumstances. We must become better thinkers—critical thinkers—about this aspect of our lives, better communicators on every level with respect to consent and non-consent. We may not want consent to be present-at-hand forever, but we should not want consent to go back to being invisible, so invisible that we don’t notice its function, that we don’t care or refuse to care or even see when it has been ignored, disregarded, when this disregard has caused someone else to suffer, to become traumatized, when it has changed her life forever.
Donna Freitas (Consent: A Memoir of Unwanted Attention)
When someone asks you about your future, it is make-believe, science fiction. But when someone asks you about your past, your story becomes a mystery. Having a secret that someone else wants is powerful.
Jill Ciment (Consent: A Memoir)
for a medical abortion? Put her in jail. Men who grab women by the pussy without their consent? Put him in the White House. It was all a sham.
Jen Hatmaker (Awake: A Memoir)