Confession Of A Mask Quotes

We've searched our database for all the quotes and captions related to Confession Of A Mask. Here they are! All 100 of them:

What I wanted was to die among strangers, untroubled, beneath a cloudless sky. And yet my desire differed from the sentiments of that ancient Greek who wanted to die under the brilliant sun. What I wanted was some natural, spontaneous suicide. I wanted a death like that of a fox, not yet well versed in cunning, that walks carelessly along a mountain path and is shot by a hunter because of its own stupidity…
Yukio Mishima (Confessions of a Mask)
...of all the kinds of decay in this world, decadent purity is the most malignant.
Yukio Mishima (Confessions of a Mask)
Mine was the unbearable jealousy a cultured pearl must feel toward a genuine one. Or can there be such a thing in this world as a man who is jealous of the woman who loves him, precisely because of her love?
Yukio Mishima (Confessions of a Mask)
When a boy… discovers that he is more given into introspection and consciousness of self than other boys his age, he easily falls into the error of believing it is because he is more mature than they. This was certainly a mistake in my case. Rather, it was because the other boys had no such need of understanding themselves as I had: they could be their natural selves, whereas I was to play a part, a fact that would require considerable understanding and study. So it was not my maturity but my sense of uneasiness, my uncertainty that was forcing me to gain control over my consciousness. Because such consciousness was simply a steppingstone to aberration and my present thinking was nothing but uncertain and haphazard guesswork.
Yukio Mishima (Confessions of a Mask)
It is a common failing of childhood to think that if one makes a hero out of a demon the demon will be satisfied.
Yukio Mishima (Confessions of a Mask)
For a long time I had not approached the forbidden fruit called happiness, but it was now tempting me with a melancholy persistence. I felt as though Sonoko were an abyss above which I stood poised.
Yukio Mishima (Confessions of a Mask)
I cried sobbingly until at last those visions reeking with blood came to comfort me. And then I surrendered myself to them, to those deplorably brutal visions, my most intimate friends.
Yukio Mishima (Confessions of a Mask)
You're not human. You're a being who is incapable of social intercourse. You're nothing but a creature, non-human and somehow strangely pathetic.
Yukio Mishima (Confessions of a Mask)
مقياس قوة المرأة هو درجة العذاب التي يمكن أن تعافب بها عشيقها
يوكيو ميشيما (Confessions of a Mask)
Why are we all burdened with the duty to destroy everything, change everything, entrust everything to impermanency? Is it this unpleasant duty that the world calls life?
Yukio Mishima (Confessions of a Mask)
There is no virtue in curiosity. In fact, it might even be the most immoral desire a man can possess.
Yukio Mishima (Confessions of a Mask)
Abruptly he thrust his snow-drenched leather gloves against my cheeks. I dodged. A raw carnal feeling blazed up within me, branding my cheeks. I felt myself staring at him with crystal clear eyes... From that time on I was in love with Omi.
Yukio Mishima (Confessions of a Mask)
True pain can only come gradually. It is exactly like tuberculosis in that the disease has already progressed to a critical stage before the patient becomes aware of its symptoms.
Yukio Mishima (Confessions of a Mask)
أكتشفت ان الأقل إيلاما هو ان تقرر أن الشيء بكامله زائف عن أن تتعذب بالشكوك حول أي جزء منه زائف وأي جزء هو الصادق
يوكيو ميشيما (Confessions of a Mask)
The measure of a woman's power is the degree of suffering with which she can punish her lover.
Yukio Mishima (Confessions of a Mask)
Most people are always doubtful as to whether they are happy or not, cheerful or not. This is the normal state of happiness, as doubt is a most natural thing.
Yukio Mishima (Confessions of a Mask)
What more could I have done when I did not know that to love is both to seek and to be sought? For me love was nothing but a dialogue of little riddles, with no answers given.
Yukio Mishima (Confessions of a Mask)
People need to stand up for their wrongs, as they stand up for their rights.
Anthony Liccione
Give a man a mask, and he'll tell you deeper and darker truths. But he'll also be more abusive, unaccountable, and demonic.
Cory Duchesne
As a private person, I have a passion for landscape, and I have never seen one improved by a billboard. Where every prospect pleases, man is at his vilest when he erects a billboard. When I retire from Madison Avenue, I am going to start a secret society of masked vigilantes who will travel around the world on silent motor bicycles, chopping down posters at the dark of the moon. How many juries will convict us when we are caught in these acts of beneficent citizenship?
David Ogilvy (Confessions of an Advertising Man)
Ordinary life is even more horrible than war
Yukio Mishima (Confessions of a Mask)
When I arrived at the house in the suburbs that night I seriously contemplated suicide for the first time in my life. But as I thought about it, the idea became exceedingly tiresome, and I finally decided it would be a ludicrous business. I had an inherent dislike of admitting defeat. Moreover, I told myself, there's no need for me to take such decisive action myself, not when I'm surrounded by such a bountiful harvest of death—death in an air raid, death at one's post of duty, death in the military service, death on the battlefield, death from being run over, death from disease—surely my name has already been entered in the list for one of these: a criminal who has been sentenced to death does not commit suicide. No—no matter how I considered, the season was not auspicious for suicide. Instead I was waiting for something to do me the favor of killing me. And this, in the final analysis, is the same as to say that I was waiting for something to do me the favor of keeping me alive.
Yukio Mishima (Confessions of a Mask)
I felt as though I owned the whole world. And little wonder, because at no time are we ever in such complete possession of a journey, down to its last nook and cranny , as when we are busy with preparations for it. After that, there remains only the journey itself, which is nothing but the process through which we lose our ownership of it. This is what makes travel so utterly fruitless.
Yukio Mishima (Confessions of a Mask)
But I had deliberately acquired the habit of closing my eyes even to such obvious assumptions, just as though I did not want to miss a single opportunity for tormenting myself. This is a trite device, often adopted by persons who, cut off from all other means of escape, retreat into the safe haven of regarding themselves as objects of tragedy.
Yukio Mishima (Confessions of a Mask)
We had stretched out our arms to each other and supported something in our joined hands, but this thing we were holding was like a sort of gas that exists when you believe in its existence and disappears when you doubt. The task of supporting it seems simple at first glance, but actually requires an ultimate refinement of calculation and a consummate skill.
Yukio Mishima (Confessions of a Mask)
A person who has been seriously wounded does not demand that the bandages that save his life be clean.
Yukio Mishima (Confessions of a Mask)
في علاقة أخذ وعاء كالحبّ يتعين على المرء أن يعطي الشيء ذاته الذي يطلبه من الآخر.
Yukio Mishima (Confessions of a Mask)
Prudery is a form of selfishness, a means of self-protection made necessary by the strength of one's own desires.
Yukio Mishima (Confessions of a Mask)
Besides, like a man who knows he is dying, he felt a need to be equally tender to all.
Yukio Mishima (The Sailor Who Fell from Grace with the Sea / Temple of the Golden Pavilion / Confessions of a Mask)
Daydreaming is not an intellectual process but rather an escape from intellectualism.
Yukio Mishima (Confessions of a Mask)
Why are we all burdened with the duty to destroy everything, change everything, entrust everything to impermanency? Is it this unpleasant duty that the world calls life? Or am I the only one for whom it is a duty?
Yukio Mishima (Confessions of a Mask)
And I saw in them a hope...A hope that it was possible to have secrets, to mask one's true nature...and yet still to walk among men.
Kurt Busiek (Astro City, Vol. 2: Confession)
Again, there were maidens who cherished the firm belief that he had come from the sea. Because within his breast could be heard the roaring of the sea. Because in the pupils of his eyes there lingered the mysterious and eternal horizon that the sea leaves as a keepsake deep in the eyes of all who are born at the seaside and forced to depart from it. Because his signs were sultry like the tidal breezes of full summer, fragrant with the smell of seaweed cast upon the shore.
Yukio Mishima (Confessions of a Mask)
I do not mean to say that I viewed those desires of mine that deviated from accepted standards as normal and orthodox; nor do I mean that I labored under the mistaken impression that my friends possessed the same desires. Surprisingly enough, I was so engrossed in tales of romance that I devoted all my elegant dreams to thoughts of love between man and maid, and to marriage, exactly as though I were a young girl who knew nothing of the world. I tossed my love for Omi onto the rubbish heap of neglected riddles, never once searching deeply for its meaning. Now when I write the word love, when I write affection, my meaning is totally different from my understanding of the words at that time. I never even dreamed that such desires as I had felt toward Omi might have a significant connection with the realities of my "life.
Yukio Mishima (Confessions of a Mask)
Life struck us as being a strangely volatile thing. It was exactly as though life were a salt lake from which most of the water had suddenly evaporated, leaving such a heavy concentration of salt that our bodies floated buoyantly upon its surface.
Yukio Mishima (Confessions of a Mask)
The blossoms seem unusually lovely this year. There were none of the scarlet-and-white-striped curtains that are set up among the blossoming trees so invariably that one has to come to think of them as the attire of cherry blossoms; there were no bustling tea-stalls, no holiday crowds of flower-viewers, no one hawking balloons and toy windmills; instead there were only the cherry trees blossoming undisturbed among the evergreens, making one feel as though he were seeing the naked bodies of the blossoms. Nature's free bounty and useless extravagance had never appeared so fantastically beautiful as it did this spring. I had an uncomfortable suspicion that Nature had come to reconquer the earth for herself.
Yukio Mishima (Confessions of a Mask)
His occupation gave me the feeling of “tragedy” in the most sensuous meaning of the word. A certain feeling as it were of “self-renunciation,” a certain feeling of indifference, a certain feeling of intimacy with danger, a feeling like a remarkable mixture of nothingness and vital power— all these feelings swarmed forth from his calling, bore down upon me, and took me captive, at the age of four.
Yukio Mishima (Confessions of a Mask)
ألا تشعرين أحيانًا، أن الإنفصال هو الطبيعي وأن اللقاء هو المعجزة؟ وأنه عندما تفكرين في الأمر،قد يكون شيئًا معجزًا حقًا أن نتمكن حتى من اللقاء، والحديث معًا هكذا لبعض الوقت؟
يوكيو ميشيما (Confessions of a Mask)
I longed for the great sense of relief that death would surely bring if only, like a wrestler, I could wrench the heavy weight of life from my shoulders.
Yukio Mishima (Confessions of a Mask)
to love is both to seek and to be sought
Yukio Mishima (Confessions of a Mask)
Because in the pupils of his eyes there lingered the mysterious and eternal horizon that the sea leaves as a keepsake deep in the eyes of all who are born at the seaside and forced to depart from it.
Yukio Mishima (Confessions of a Mask)
J'éprouvais le besoin de commencer à vivre. Commencer à vivre ma vraie vie ? Même si ce devait être une simple mascarade et pas du tout ma vraie vie, le temps était venu où il me fallait prendre le départ et s'avancer en traînant lourdement mes pas.
Yukio Mishima (Confessions of a Mask)
We deny more than we confess. We hide more than we reveal. We assume because it makes us feel exposed if we have to ask. It's easier to say "I feel nothing" than to admit "I feel something." It takes no courage to say, "I hate you" but it takes a great deal of moxie to declare its opposite. Masks are elaborate and everyone has one. It takes a while to get to know people. This doesn't make them special, it makes them like everyone else. Sometimes our hearts scream yes while our heads say run; and only one can be obeyed.
Donna Lynn Hope
Ebbi allora il presagio che esiste al mondo una sorta di desiderio simile a un dolore lancinante.
Yukio Mishima (Confessions of a Mask)
I confess to the trees, priests of dreams.
Gwen Calvo (Cocaine Masks)
A person who has never known happiness has no right to scorn it.
Yukio Mishima (Confessions of a Mask)
We were not a foursome. For that, we’d need to be bonded by secrets, and I shared none of mine. Secrets cut you off from everyone else, so I would always suggest the vast majority of our exploits to mask that I never could quite connect with them in the first place. Insert a stifled sob here, would you?
Michelle Hodkin (The Becoming of Noah Shaw (The Shaw Confessions, #1))
As a private person, I have a passion for landscape, and I have never seen one improved by a billboard. Where every prospect pleases, man is at his vilest when he erects a billboard. When I retire from Madison Avenue, I am going to start a secret society of masked vigilantes who will travel around the world on silent motor bicycles, chopping down posters at the dark of the moon. How many juries will convict us when we are caught in these acts of beneficent citizenship? —David Ogilvy, founder of the Ogilvy & Mather advertising agency, in Confessions of an Advertising Man, 1963
Naomi Klein (No Logo: No Space, No Choice, No Jobs (Bestselling Backlist))
My blind adoration of Omi was devoid of any element of conscious criticism, and still less did I have anything like a moral viewpoint where he was concern. Whenever I tried to capture the amorphous mass of my adoration within the confines of analysis, it would already have disappeared. If there be such a thing as love that has neither duration nor progress, this was precisely my emotion. The eyes through which I saw Omi were always those of a 'first glance' or, if I may say so, of the 'primeval glance'. It was purely an unconscious attitude on my part, a ceaselesseffort to protect my fourteen-yesr-old purity from the process of erosion. Could this have been love? Grant it to be one form of love, for even though at first glance it seemed to retain its pristine form forever, simply repeating that form over and over again, it too had its own unique sort of debasement and decay. And it was a debasement more evil than that of any normal kind of love. Indeed, of all the kinds of decay in this world, decadent purity is the most malignant. Nevertheless, in my unrequited love for Omi, in this the first love I encountered in life, I seemed like a baby bird keeping its truly innocent animal lusts hidden under its wing. I was being tempted, not by the desire of possession, but simply by unadorned temptation itself. To say the least, while at school, particularly during a boring class, I could not take my eyes off Omi's profile. What more could I have done when I did not know that to love is both to seek and to be sought? For me love was nothing but a dialogue of little riddles, with no answers given. As for my spirit of adoration, I never even imagined it to be a thing that required some sort of answer.
Yukio Mishima (Confessions of a Mask)
But, when I was growing up, the one thing that did help me not to feel so isolated and crazy was reading - especially books by authors who fearlessly examined and exposed their highly imperfect inner lives. Books like "Confessions of a Mask" by Yukio Mishima; "Tropic of Cancer" by Henry Miller; "Try" by Dennis Cooper; and, of course, the works of authors like Bukowski, Salinger, Hesse, Bataille, Iceberg Slim, and Murakami. These writers revealed the things that existed beneath most humans' seemingly secure and confident exteriors. I suddenly realized, after reading their work, that I wasn't unique - that my doubts and fears and insecurities were more universal that I could've ever imagined. Their words gave me strength. They have me permission to start trying to accept my flaws, my darkness, my insanity. They let me know that it was okay not to fit in with everyone else - to be a sensitive person - and that others struggled just like I did. It was such a relief when I finally began to understand this. It was like I could breathe - maybe for the first time.
Nic Sheff (Tweak: Growing Up On Methamphetamines)
Even though still young, I did not know what it was to experience the clear-cut feeling of platonic love. Was this a misfortune? But what meaning could ordinary misfortune have for me? The vague uneasiness surrounding my sexual feelings had practically made the carnal world an obsession with me. my curiosity was actually purely intellectual, but I became skillful at convincing myself that it was carnal desire incarnate. What is more, I mastered the art of delusion until I could regard myself as a truly lewd-minded person. As a result I assumed the stylish airs of an adult, of a man of the world. I affected the attitude of being completely tired of women. Thus it was that I first became obsessed with the idea of the kiss. Actually the action called a kiss represented nothing more for me than some place where my spirit could seek shelter. I can say so now. But at that time, in order to delude myself that this desire was animal passion. I had to undertake an elaborate disguise of mu true self. The unconscious feeling of guilt resulting from this false pretense atubbornly insisted that I play a conscious and false role.
Yukio Mishima (Confessions of a Mask)
Fin dall'inizio ogni mia fantasia fu tinteggiata di disperazione, stranamente compiuta e somigliante di per se stessa a desiderio struggente
Yukio Mishima (Confessions of a Mask)
I was mistaking the fierce, impossible desire of not wanting to be myself for the sexual desire of a man of the world, for the desire that arises from his being himself.
Yukio Mishima (Confessions of a Mask)
Insomma, esiste pure quel congegno che si chiama il cuore umano, e nessuno sa cos'è che lo fa battere.
Yukio Mishima (Confessions of a Mask)
إن معظم النّاس يتشككون فيما يتعلق بما إذا كانوا سعداء من عدمه، مرحين أو عكس ذلك، وتلك هي الوضعية العادية للسعادة، حيث إن الشك هو أكثر الأمور طبيعية.
Yukio Mishima (Confessions of a Mask)
Ever since then violent anticipation has always been an anguish rather than joy for me.
Yukio Mishima (Confessions of a Mask)
To be half-clever was the worst I could have done.
Yukio Mishima (Confessions of a Mask)
My conscience was pricked by the happiness of being loved. Or perhaps I was craving some still more decisive unhappiness.
Yukio Mishima (Confessions of a Mask)
Is it a common failing of childhood to think that if one makes a hero out of a demon the demon will be satisfied.
Yukio Mishima (Confessions of a Mask)
I had been handed what might be called a full menu of all the troubles in my life while still too young to read it. But all I had to do was spread my napkin and face the table.
Yukio Mishima (Confessions of a Mask)
...I was one of those savage marauders who, not knowing how to express their love, mistakenly kill the person they love.
Yukio Mishima (Confessions of a Mask)
Surely, I thought, we do not deserve even a little happiness. Or perhaps we had acquired the bad habit of regarding even a little happiness as a big favor, which we would have to repay.
Yukio Mishima (Confessions of a Mask)
I somehow looked forward to death impatiently, with a sweet expectation. As i have remarked several times, the future was a heavy burden for me. From the very beginning, life has oppressed me with a heavy sense of duty. Even though i was clearly incapable of performing this duty, life still nagged at me for my dereliction. Thus I longed for the great sense of relief that death would surely bring if only, like a wrestler, I could wrench the heavy weight of life from my shoulders.
Yukio Mishima (Confessions of a Mask)
I had formed the habit of treating those parts of my character that were in any way my responsibility to exhortations so wholesome and sensible as to be comical. As a part of my system of self-discipline, dating from childhood, I constantly told myself it would be better to die than become a lukewarm person, an unmanly person, a person who does not clearly know his likes and dislikes, a person who wants only to be loved without knowing how to love. This exhortation of course had a possible applicability to the parts of my character for which I was to blame, but so far as the other parts were concerned, the parts for which I was not to blame, it was an impossible requirement from the beginning.
Yukio Mishima (Confessions of a Mask)
الشخصية الرومانسية مشبعة بشكل خفي في العقلانية,وغالباً ما تؤدي هذه الحقيقة إلى الفعل الاأخلاقي المسمى أحلام اليقظة. وبعكس الاعتقاد الشائع في أحلام اليقظة ليست عملية عقلية بل الأحرى انها هرب من العقلانية
يوكيو ميشيما (Confessions of a Mask)
...The reluctant masquerade had begun. At about this time I was beginning to understand vaguely the mechanism of the fact that what people regarded as a pose on my part was actually an expression of my need to assert my true nature, and that it was precisely what people regarded as my true self which was a masquerade.
Yukio Mishima (Confessions of a Mask)
I had a presentiment then that there is in this world a kind of desire like stinging pain. Looking up at that dirty youth, I was choked by desire, thinking, 'I want to change into him', thinking, 'I want to be him'.
Yukio Mishima (Confessions of a Mask)
... it did gradually and tenaciously arouse within me a sensuous craving for such things as the destiny of soldiers, the tragic nature of their calling, the distant countries they would seem the ways they would die.
Yukio Mishima (Confessions of a Mask)
Ever since those days this has been the attitude with which I have always confronted life: from things too much waited for, too much embellished with anticipatory daydreams, there is in the end nothing I can do but run away.
Yukio Mishima (Confessions of a Mask)
Every soul is wretched that becomes bound in friendship to perishable things. The soul is torn apart when the thing loved is lost. The wretchedness was perhaps always there, masked by the beloved thing that has been stripped away.
Augustine of Hippo (The Confessions of St. Augustine: Modern English Version)
Existences and events occurring without any relationship to myself, occurring at places that not only appealed to my senses but were moreover denied to me— these, together with the people involved in them, constituted my definition of “tragic things.” It seemed that my grief at being eternally excluded was always transformed in my dreaming into grief for those persons and their ways of life, and that solely through my own grief I was trying to share in their existences.
Yukio Mishima (Confessions of a Mask)
I discovered how our hearts, as though infected with some malignant virus, were being eaten away by the uneasy awakening that was brazenly intruding upon our dream, by the futile pleasure of our dream seen at the threshold of consciousness.
Yukio Mishima (Confessions of a Mask)
What more could I have done when I did not know that to love is both to seek and to be sought? For me love was nothing but a dialogue of little riddles, with no answers given. As for my spirit of adoration, I never even imagined it to be a thing that required some sort of answer.
Yukio Mishima (Confessions of a Mask)
Yet another memory: It is the odor of sweat, an odor that drove me onward, awakened my longings, overpowered me… Needless to say, the odor could not, at that time, have had any direct relationship with sexual sensations, but it did gradually and tenaciously arouse within me a sensuous craving for such things as the destiny of soldiers, the tragic nature of their calling, the distant countries they would see, the ways they would die…
Yukio Mishima (Confessions of a Mask)
Il sole del pomeriggio batteva senza sosta la superficie del mare, e tutta la baia er a un'unica, stupenda distesa di fulgore. All'orizzonte campeggiavano alcune nuvole estive, ferme nel silenzio, immergendo parzialmente in acqua le forme sontuose, funeree, profetiche. I muscoli delle nuvole erano pallidi come alabastro.
Yukio Mishima (Confessions of a Mask)
لقد ادى نقص الدم الموروث عندي إلى ان يغرس فّي دافعاً لأن أحلم بسفك الدماء.وتسبب هذا الدافع بدوره في أن افقد المزيد من مادة الدم في جسمي,مُزيداً بذلك شهوتي للدم
يوكيو ميشيما (Confessions of a Mask)
Tobožnja stidljivost i kreposnost oblici su sebičnosti, tek obični postupci samozaštite koji su potrebni upravo zbog žestine naših vlastitih želja.
Yukio Mishima (Confessions of a Mask)
Non mi curavo di nulla, e d'altronde nulla si curava di me.
Yukio Mishima (Confessions of a Mask)
Ammesso che la passione umana abbia la virtù d'innalzarsi al disopra di ogni assurdo, come si può sostenere che non abbia anche quella d'innalzarsi al disopra dei propri assurdi?
Yukio Mishima (Confessions of a Mask)
Soggiacevo a quello struggimento, ormai ben attecchito in me, di voler nutrire realmente i sentimenti che mi venivano attribuiti.
Yukio Mishima (Confessions of a Mask)
Y comprendí que la fuerza que alentaba tal esperanza no era más que esa convicción primitiva y mágica que todos tenemos, la convicción de que yo era el único que jamás moriría.
Yukio Mishima (Confessions of a Mask)
It is a dreadful thing to wait and watch for the approach of death; to know that hope is gone, and recovery impossible; and to sit and count the dreary hours through long, long, nights - such nights as only watchers by the bed of sickness know. It chills the blood to hear the dearest secrets of the heart, the pent-up, hidden secrets of many years, poured forth by the unconscious helpless being before you; and to think how little the reserve, and cunning of a whole life will avail, when fever and delirium tear off the mask at last. Strange tales have been told in the wanderings of dying men; tales so full of guilt and crime, that those who stood by the sick person's couch have fled in horror and affright, lest they should be scared to madness by what they heard and saw; and many a wretch has died alone, raving of deeds, the very name of which, has driven the boldest man away. ("The Drunkard's Death")
Charles Dickens
Zašto mi je oprostila? Je li mogla postojati veća uvreda od takve velikodušnosti? Ah, možda bi, govorio sam si, moja bol mogla zacijeliti kad bi me ona barem još jednom jasno uvrijedila.
Yukio Mishima (Confessions of a Mask)
كنت اشعر بدافع يحثني على ان ابدأ العيش.أعيش حياتي الحقة؟ حتى لو كان عليها أن تكون تنكرا خالصا, وليست حياتي على الأطلاق, فقد حان الوقت رغم ذلك, لأن أبدا, ويجب أن أجرّ قدمي الثقيلتين إلى الأمام
يوكيو ميشيما (Confessions of a Mask)
Avevo imparato ad atteggiare le labbra al sorriso di chi la sa lunga sulle vicende del mondo, un sorriso simile a quello di un giovane sacerdote. Avevo il senso di non essere né vivo né morto.
Yukio Mishima (Confessions of a Mask)
Yo era el único que no tenía tuberculosis. Fingía padecer una afección cardíaca. Vivíamos en unos años en los que era preciso estar en posesión de una de estas dos cosas: medallas o enfermedades.
Yukio Mishima (Confessions of a Mask)
Beauty is a terrible and awful thing! It is terrible because it never has and never can be fathomed, for God sets us nothing but riddles. Within beauty both shores meet and all contradictions exist side by side. I’m not a cultivated man, brother, but I’ve thought a lot about this. Truly there are mysteries without end! Too many riddles weigh man down on earth. We guess them as we can, and come out of the water dry. Beauty! I cannot bear the thought that a man of noble heart and lofty mind sets out with the ideal of the Madonna and ends with the ideal of Sodom. What’ still more awful is that the man with the ideal of Sodom in his soul does not renounce the ideal of the Madonna, and in the bottom of his heart he may still be on fire, sincerely on fire, with longing for the beautiful ideal, just as in the days of his youthful innocence. Yes, man’s heart is wide indeed. I’d have it narrower. The devil only knows what to make of it! but what the intellect regards as shameful often appears splendidly beautiful to the heart. Is there beauty in Sodom? Believe me, most men find their beauty in Sodom. Did you know this secret? The dreadful thing is that beauty is not only terrifying but also mysterious. God and the Devil are fighting there, and their battlefield is the heart of man. But a man’s heart wants to speak only of its own ache. Listen, now I’ll tell you what it says…
Yukio Mishima (Confessions of a Mask)
He no longer saw the face of his friend Siddhartha, instead he saw other faces, many, a long sequence, a flowing river of faces, of hundreds, of thousands, which all came and disappeared, and yet all seemed to be there simultaneously, which all constantly changed and renewed themselves, and which were still all Siddhartha. He saw the face of a fish, a carp, with an infinitely painfully opened mouth, the face of a dying fish, with fading eyes—he saw the face of a new-born child, red and full of wrinkles, distorted from crying—he saw the face of a murderer, he saw him plunging a knife into the body of another person—he saw, in the same second, this criminal in bondage, kneeling and his head being chopped off by the executioner with one blow of his sword—he saw the bodies of men and women, naked in positions and cramps of frenzied love—he saw corpses stretched out, motionless, cold, void— he saw the heads of animals, of boars, of crocodiles, of elephants, of bulls, of birds—he saw gods, saw Krishna, saw Agni—he saw all of these figures and faces in a thousand relationships with one another, each one helping the other, loving it, hating it, destroying it, giving re-birth to it, each one was a will to die, a passionately painful confession of transitoriness, and yet none of them died, each one only transformed, was always re-born, received evermore a new face, without any time having passed between the one and the other face—and all of these figures and faces rested, flowed, generated themselves, floated along and merged with each other, and they were all constantly covered by something thin, without individuality of its own, but yet existing, like a thin glass or ice, like a transparent skin, a shell or mold or mask of water, and this mask was smiling, and this mask was Siddhartha's smiling face, which he, Govinda, in this very same moment touched with his lips. And, Govinda saw it like this, this smile of the mask, this smile of oneness above the flowing forms, this smile of simultaneousness above the thousand births and deaths, this smile of Siddhartha was precisely the same, was precisely of the same kind as the quiet, delicate, impenetrable, perhaps benevolent, perhaps mocking, wise, thousand-fold smile of Gotama, the Buddha, as he had seen it himself with great respect a hundred times. Like this, Govinda knew, the perfected ones are smiling.
Hermann Hesse
Due to my sickliness and the doting care which I had received ever since I was a baby, I had always been too timid even to look people directly in the eye. But now I became obsessed with a single motto —"Be Strong!
Yukio Mishima (Confessions of a Mask)
Il dolore genuino può maturare soltanto a grado a grado. Somiglia strettamente alla tubercolosi, in quanto il male è già progredito e ha raggiunto lo stadio critico prima che il paziente si sia reso conto dei suoi sintomi.
Yukio Mishima (Confessions of a Mask)
كلما جاء قطار ركاب كان يفصلنا عن ضوء الشمس الذي يغرقنا بالدفء المبهج، وكلما ابتعد قطار كنت ارتعد من جديد مع رقة شعاع الشمس الذي يسقط مرة أخرى على خدي. واعتبرتها علامة مشؤمة أن يسقط شعاع الشمس الكبارك عليّ عكذا وأن يمتلئ قلبي هكذا بلحظات لا تتركني راغبًا في شيء آخر. لا شك أنه بعد دقائق قليلة سوف تأتي غارة جوية مفاجئة أو حدث آخر لا يقل فضاعة، لتقتلنا حيث نقف، وفكرت في أنه من المؤكد أننا لا نستحق حتى قليلًا من السعادة، أو ربما نكون اكتسبنا عادة سيئة تجعلنا نعتبر القليل من السعادة معروفًا كبيرًا يجب علينا ردّه
يوكيو ميشيما (Confessions of a Mask)
In the woodblock prints of the Genroku period one often finds the features of a pair of lovers to be surprisingly similar, with little to distinguish the man from the woman. The universal ideal of beauty in Greek sculpture likewise approaches a close resemblance between the male and female. Might this not be one of the secrets of love? Might it not be that through the innermost recesses of love there courses an unattainable longing in which both the man and the woman desire to become the exact image of the other? Might not this longing drive them on, leading at last to a tragic reaction in which they seek to attain the impossible by going to the opposite extreme? In short, since their mutual love cannot achieve a perfection of mutual identity, is there not a mental process whereby each of them tries instead to emphasize their points of dissimilarity—the man his manliness and the woman her womanliness—and uses this very revolt as a form of coquetry toward the other? Or if they do achieve a similarity, it unfortunately lasts for only a fleeting moment of illusion. Because, as the girl becomes more bold and the boy more shy, there comes an instant at which they pass each other going in opposite directions, overshooting their mark and passing on beyond to some point where the mark no longer exists.
Yukio Mishima (Confessions of a Mask)
Thus pride wears the mask of loftiness of spirit, although You alone, O God, are high over all. Ambition seeks honour and glory, although You alone are to be honoured before all and glorious forever. By cruelty the great seek to be feared, yet who is to be feared but God alone: from His power what can be wrested away, or when or where or how or by whom? The caresses by which the lustful seduce are a seeking for love: but nothing is more caressing than Your charity, nor is anything more healthfully loved than Your supremely lovely, supremely luminous Truth. Curiosity may be regarded as a desire for knowledge, whereas You supremely know all things. Ignorance and sheer stupidity hide under the names of simplicity and innocence: yet no being has simplicity like to Yours: and none is more innocent than You, for it is their own deeds that harm the wicked. Sloth pretends that it wants quietude: but what sure rest is there save the Lord? Luxuriousness would be called abundance and completeness; but You are the fullness and inexhaustible abundance of incorruptible delight. Wastefulness is a parody of generosity: but You are the infinitely generous giver of all good. Avarice wants to possess overmuch: but You possess all. Enviousness claims that it strives to excel: but what can excel before You? Anger clamours for just vengeance: but whose vengeance is so just as Yours? Fear is the recoil from a new and sudden threat to something one holds dear, and a cautious regard for one’s own safety: but nothing new or sudden can happen to You, nothing can threaten Your hold upon things loved, and where is safety secure save in You? Grief pines at the loss of things in which desire delighted: for it wills to be like to You from whom nothing can be taken away.
Augustine of Hippo (Confessions)
En fin, había adquirido la costumbre de hacer intencionadamente la vista gorda a hipótesis tan evidentes como ésa, como si tratara de no despreciar cualquier ocasión para torturarme. Es éste un recurso habitual en las personas sin salida empeñadas en huir hacia un refugio en donde saben que son desgraciadas.
Yukio Mishima (Confessions of a Mask)
I could hear the water running off the roof of the forwarding company next door. I could not shake the illusion that it was the radiance which was splashing down. Bright and shining slivers of it were suicidally hurling themselves at the sham quagmire of the pavement, all smeared with the slush of passing shoes.
Yukio Mishima (Confessions of a Mask)
On the switchboard of my memory two pair of gloves have crossed wires - those leather gloves of Omi's and a pair of white ceremonial gloves. I never seem to be able to decide which memory might be real, which false. Perhaps the leather gloves were more in harmony with his coarse features. And yet again, precisely because of his coarse features, perhaps it was the white pair which became him more. Coarse features - even though I use the words, actually such a description is nothing more than that of the impression created by the ordinary face of one lone young man mixed in among boys. Unrivaled though his build was, in height he was by no means the tallest among us. The pretentious uniform our school required, resembling a naval officer's, could scarely hang well on our still-immature bodies, and Omi alone filled his with a sensation of solid weight and a sort of sexuality. Surely I was not the only one who looked with envious and loving eyes at the muscles of his shoulder and chest, that sort of muscle which can be spied out even beneath a blue-serge uniform. Something like a secret feeling of superiority was always hovering about his face. Perhaps it was that sort of feeling which blazes higher and higher the more one's pride is hurt. It seemed that, for Omi, such misfortunes as failures in examinations and expulsions were the symbols of a frustrated will. The will to what? I imagined vaguely that it must be some purpose toward which his 'evil genius' was driving him. And i was certain that even he did not yet know the full purport of this vast conspiracy against him.
Yukio Mishima (Confessions of a Mask)
I was like a person who has been suffering an unknown disease in an agony of fear: just learning the name of his disease, even though it is an incurable one, gives him a surprising feeling of temporary relief. He knows well, though, that the relief is only temporary. Moreover in his heart he foresees a still more inescapable hopelessness, which, by its very nature, will give a more permanent feeling of relief.
Yukio Mishima (Confessions of a Mask)
Confess your sins to one another” (James 5:16). Those who remain alone with their evil are left utterly alone. It is possible that Christians may remain lonely in spite of daily worship together, prayer together, and all their community through service—that the final breakthrough to community does not occur precisely because they enjoy community with one another as pious believers, but not with one another as those lacking piety, as sinners. For the pious community permits no one to be a sinner. Hence all have to conceal their sins from themselves and from the community. We are not allowed to be sinners. Many Christians would be unimaginably horrified if a real sinner were suddenly to turn up among the pious. So we remain alone with our sin, trapped in lies and hypocrisy, for we are in fact sinners. However, the grace of the gospel, which is so hard for the pious to comprehend, confronts us with the truth. It says to us, you are a sinner, a great, unholy sinner. Now come, as the sinner that you are, to your God who loves you. For God wants you as you are, not desiring anything from you—a sacrifice, a good deed—but rather desiring you alone. “My child, give me your heart” (Prov. 23:26). God has come to you to make the sinner blessed. Rejoice! This message is liberation through truth. You cannot hide from God. The mask you wear in the presence of other people won’t get you anywhere in the presence of God. God wants to see you as you are, wants to be gracious to you. You do not have to go on lying to yourself and to other Christians as if you were without sin. You are allowed to be a sinner. Thank God for that; God loves the sinner but hates the sin.
Dietrich Bonhoeffer (Life Together and Prayerbook of the Bible (Dietrich Bonhoeffer Works, Vol 5))
There, in my murder theater, young Roman gladiators offered up their lives for my amusement; and all the deaths that took place there not only had to overflow with blood but also had to be performed with all due ceremony. I delighted in all forms of capital punishment and all implements of execution. But I would allow no torture devices nor gallows, as they would not have provided a spectacle of outpouring blood. Nor did I like explosive weapons, such as pistols or guns. So far as possible I chose primitive and savage weapons—arrows, daggers, spears. And in order to prolong the agony, it was the belly that must be aimed at. The sacrificial victim must send up longdrawn- out, mournful, pathetic cries, making the hearer feel the unutterable loneliness of existence. Thereupon my joy of life, blazing up from some secret place deep within me, would finally give its own shout of exultation, answering the victim cry for cry. Was this not exactly similar to the joy ancient man found in the hunt?
Yukio Mishima (Confessions of a Mask)
I think I’m drowning. But not into her blue eyes like I happily would. No, I’m sinking into the floor, letting it swallow me whole. I can hardly breathe under the crushing weight of Kitt’s words. My ears ring. My heart pounds. The command echoes in my skull, though I have no idea why he would want this. Why he would want her. Not now. Not after everything. I’m surrounded by the entire court and the only thing I can focus on is not falling to my knees beside her. Marriage. Marriage to someone who isn’t me. Marriage to someone I will spend the rest of my life serving. I’ll lose her forever while being forced to watch. I can’t even look at her. I’m a coward, morphing back into the monster I was when she found me. My vision is blurry, eyes fixed on the dais above. This is how I lose her. Not by death but by something just as binding. The command rings in my head. And to think I wasted so much time trying to hate her. To think I won’t have enough time to love her. My heart aches because every beat belongs to her. And I may never get to tell her that. Is this how she will remember me? Escorting her to this fate? Bound by duty alone? I could laugh. I could cry. I could burn this palace to the ground like I did her house, just for a chance to confess my love before the flames consumed me. Because I am bound to her very being. Hers until the day she realizes I don’t deserve to be. The king’s eyes are on me while mine are somewhere far away. Somewhere with her. A place where I am nothing and no one and happy being powerless, so long as she is beside me. My gaze falls from the fantasy, finding its way to her. This is not how I will remember us. Not as enemies or traitors or monsters, but as two people dancing in the dark, swaying beneath the stars. Her feet atop mine, her head on the heart that beats only for her. Just Pae and Kai. I step away from her kneeling form, masking every emotion with a blank stare. I’m leaving her to face him. Her future husband. I melt into the crowd, standing at a safe enough distance to prevent myself from stealing her away. This will be the rest of my life. Forced to love her from a distance. Mourn the loss of her each day. But I will. I will smother every emotion but the one that belongs to her. I will love her until I am incapable of the feeling. She is the torture I may not survive. Eagerly, she is my undoing. Her gaze lifts, meeting eyes that are not my own. Eyes of the man who gets to have her—if she allows it. She was supposed to be my forever. Now I’ll watch her become someone else’s. Because the beast doesn’t get the beauty.
Lauren Roberts, Reckless