Confess Feelings To Crush Quotes

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I want to tell you this story without having to confess anything, without having to say that I ran out into the street to prove something, that he didn't love me, that I wanted to be possessed, thrown over, that I wanted to have the wounds nailed shut. I want to tell you this story without having to be in it: Max in the wrong clothes. Max at the party, drunk again. Max in the kitchen, in refrigerator Ught, his hands around the neck of a beer. Tell me we're dead and I'll love you even more. I'm surprised that I say it with feeling. There's a thing in my stomach about this. A simple thing. The last rung.
Richard Siken (Crush)
how shall I get through the months or years of my future life, in company with that man -- my greatest enemy -- for none could injure me as he has done? Oh! when I think how fondly, how foolishly I have loved him, how madly I have trusted him, how constantly I have laboured, and studied, and prayed, and struggled for his advantage, and how cruelly he has trampled on my love, betrayed my trust, scorned my prayers and tears, and efforts for his preservation --crushed my hopes, destroyed my youth's best feelings, and doomed me to a life of hopeless misery -- as far as man can do it -- it is not enough to say that I no longer love my husband -- I HATE him! The word stares me in the face like a guilty confession, but it is true: I hate him -- I hate him!
Anne Brontë (The Tenant of Wildfell Hall)
I have a confession," he said softly. "Oh no," I sighed. "It's not about the gloves is it?" "No," he grinned, and gave me a quick peck on the lips. "I've seriously been crushing on you for about three years." "Really?" I was genuinely surprised. His asking me out a few times never equated to a crush to me. I knew he probably liked me a little, but I didn't think he had a crush on me. "Okay, maybe more than crushing. I'm pretty sure I've had some pretty strong feelings for you for a long time.
L.D. Davis (Accidentally on Purpose (Accidentally on Purpose, #1))
I got the feeling that if I moved the frames to the side, I'd see the artists watching me, as though through a two-way mirror, cracking their arthritic knuckles and rubbing their stubbled chins, wondering what I was wondering about them, if I saw their brilliance, or if their lives had been pointless, if only God could judge them after all. Did they want more? Was there more genius to be wrung out of the turpentine rags at their feet? Could they have painted better? Could they have painted more generously? More clearly? Could they have dropped more fruit from their windows? Did they know that glory was mundane? Did they wish they'd crushed those withered grapes between their fingers and spent their days walking through fields of grass or being in love or confessing their delusions to a priest or starving like the hungry souls they were, begging for alms in the city square with some honesty for once? Maybe they'd lived wrongly. (...) Or maybe not. Maybe, in the morning, they were aloof and happy to distract themselves with their brushes and oils, to mix their colors and smoke their pipes and go back to their fresh still lives without having to swat away any more flies.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Artoo, I'm switching back to regular handwriting. Calligraphy is hard, and I didn't bring my good pens. Or I need more practice. Right now you're sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I'm just going to do it. First of all, I need you to know I'm not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It's the last day of school, and therefore my last chance. "Crush" is too weak a word to describe how I feel. It doesn't do you justice, but maybe it works for me. I am the one who is crushed. I'm crushed that we have only ever regarded each other as enemies. I'm crushed when the day ends and I haven't said anything to you that isn't coated in five layers of sarcasm. I'm crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you're nervous, as though you're worried they look bad. (They never do.) You're ambitious, clever, interesting, and beautiful. I put "beautiful" last because for some reason, I have a feeling you'd roll your eyes if I wrote it first. But you are. You're beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes. You're looking at me like you can't believe I'm not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if this were an essay, here's the thesis statement: I'm in love with you, Rowan Roth. Please don't make too much fun of me at graduation? Yours, Neil P. McNair
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
I want to tell you this story without having to confess anything, without having to say that I ran out into the street to prove something, that he didn't love me, that I wanted to be thrown over, possessed. I want to tell you this story without having to be in it: Max in the wrong clothes. Max at the party, drunk again. Max in the kitchen, in refrigerator light, his hands around the neck of a beer. Tell me we're dead and I'll love you even more. I'm surprised that I say it with feeling. There's a thing in my stomach about this. A simple thing. The last rung.
Richard Siken (Crush)
Want me to say it? Want me to confess what makes me an actual felon and reserves me a choice spot in hell?” “Please, Alexandria Patra,” Preton said, “tell me all your regrets.” Her eyes narrowed. “I taught children to surrender their developing minds to concepts like the greater good or the good of society which can’t exist in any form in this world without actual kids being trampled underneath their untouchable banners.” Pointing at her own chest, she added, “I taught children that in order to live up to those ‘higher’ ideals they must be obedient—to others, must sacrifice their dreams—to the needs of others. I taught them it was more important to be a part of a group than to stand on their own judgment. I told the non-conforming kids they should feel guilty for wanting to live on their own terms.” Alexa swept a hand forward, pointing it at Preton. “I then delivered every ego-stripped, dream-crushed child to the power mongers of the world like you, who will use this universally accepted mirage of morality to control them.
S.W. Southwick (The Untethered)
mainly come here every week to listen to you all, not only for the occasional juicy confessions, but for the sad ones. It’s the sad ones that keep me coming. Those make me feel less alone. Listening to some of you has taught me that it’s okay to not be okay, that human suffering is a collective experience. We all have something. No one gets out of this world unscathed. Maybe we’re not put here to have it easy. Maybe life is about
Penelope Ward (The Crush)
want to tell you this story without having to confess anything, without having to say that I ran out into the street to prove something, that he didn't love me, that I wanted to be possessed, thrown over, that I wanted to have the wounds nailed shut. I want to tell you this story without having to be in it: Max in the wrong clothes. Max at the party, drunk again. Max in the kitchen, in refrigerator Ught, his hands around the neck of a beer. Tell me we're dead and I'll love you even more. I'm surprised that I say it with feeling. There's a thing in my stomach about this. A simple thing. The last rung.
Richard Siken (Crush)
Ah! Gentle, gracious Dove, And art thou grieved in me, That sinners should restrain thy love, And say, “It is not free: It is not free for all: The most, thou passest by, And mockest with a fruitless call Whom thou hast doomed to die.” They think thee not sincere In giving each his day, “ Thou only draw’st the sinner near To cast him quite away, To aggravate his sin, His sure damnation seal: Thou show’st him heaven, and say’st, go in And thrusts him into hell.” O HORRIBLE DECREE Worthy of whence it came! Forgive their hellish blasphemy Who charge it on the Lamb: Whose pity him inclined To leave his throne above, The friend, and Saviour of mankind, The God of grace, and love. O gracious, loving Lord, I feel thy bowels yearn; For those who slight the gospel word I share in thy concern: How art thou grieved to be By ransomed worms withstood! How dost thou bleed afresh to see Them trample on thy blood! To limit thee they dare, Blaspheme thee to thy face, Deny their fellow-worms a share In thy redeeming grace: All for their own they take, Thy righteousness engross, Of none effect to most they make The merits of thy cross. Sinners, abhor the fiend: His other gospel hear— “The God of truth did not intend The thing his words declare, He offers grace to all, Which most cannot embrace, Mocked with an ineffectual call And insufficient grace. “The righteous God consigned Them over to their doom, And sent the Saviour of mankind To damn them from the womb; To damn for falling short, “Of what they could not do, For not believing the report Of that which was not true. “The God of love passed by The most of those that fell, Ordained poor reprobates to die, And forced them into hell.” “He did not do the deed” (Some have more mildly raved) “He did not damn them—but decreed They never should be saved. “He did not them bereave Of life, or stop their breath, His grace he only would not give, And starved their souls to death.” Satanic sophistry! But still, all-gracious God, They charge the sinner’s death on thee, Who bought’st him with thy blood. They think with shrieks and cries To please the Lord of hosts, And offer thee, in sacrifice Millions of slaughtered ghosts: With newborn babes they fill The dire infernal shade, “For such,” they say, “was thy great will, Before the world was made.” How long, O God, how long Shall Satan’s rage proceed! Wilt thou not soon avenge the wrong, And crush the serpent’s head? Surely thou shalt at last Bruise him beneath our feet: The devil and his doctrine cast Into the burning pit. Arise, O God, arise, Thy glorious truth maintain, Hold forth the bloody sacrifice, For every sinner slain! Defend thy mercy’s cause, Thy grace divinely free, Lift up the standard of thy cross, Draw all men unto thee. O vindicate thy grace, Which every soul may prove, Us in thy arms of love embrace, Of everlasting love. Give the pure gospel word, Thy preachers multiply, Let all confess their common Lord, And dare for him to die. My life I here present, My heart’s last drop of blood, O let it all be freely spent In proof that thou art good, Art good to all that breathe, Who all may pardon have: Thou willest not the sinner’s death, But all the world wouldst save. O take me at my word, But arm me with thy power, Then call me forth to suffer, Lord, To meet the fiery hour: In death will I proclaim That all may hear thy call, And clap my hands amidst the flame, And shout,—HE DIED FOR ALL
Charles Wesley
This, to me, is the point of the confession and absolution in the liturgy. When I first experienced it—the part where everyone in church stands up and says what bad people they are, and the pastor, from the distance of the chancel and the purity of her white robe says, “God forgives you”—I thought it was hogwash. Why should I care if someone says to me that some God I may or may not really believe in has erased the check marks against me for things I may or may not even think are so-called sins? This obviously is the problem with religion for so many: It makes you feel bad enough that you will need the religion to help you feel good again. But eventually the confession and absolution liturgy came to mean everything to me. It gradually began to feel like a moment when truth was spoken, perhaps for the only time all week, and it would crush me and then put me back together. One Sunday in 2006, after the last night I spent at Candace’s house, I stood in the blue-carpeted sanctuary at my husband’s church and for the first time I really paid attention to the confession. We have sinned by what we have done and by what we have left
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
But how am I to get over the ten or twelve days that must yet elapse before they go? Yet why so long for their departure? When they are gone how shall I get through the months or years of my future life, in company with that man—my greatest enemy—for none could injure me as he has done? Oh! when I think how fondly, how foolishly I have loved him, how madly I have trusted him, how constantly I have laboured, and studied, and prayed, and struggled for his advantage; and how cruelly he has trampled on my love, betrayed my trust, scorned my prayers and tears, and efforts for his preservation—crushed my hopes, destroyed my youth's best feelings, and doomed me to a life of hopeless misery—as far as man can do it—it is not enough to say that I no longer love my husband—I hate him! The word stares me in the face like a guilty confession, but it is true: I hate him—I hate him!—But God have mercy on his miserable soul!—and make him see and feel his guilt—I ask no other vengeance! if he could but fully know and truly feel my wrongs, I should be well avenged; and I could freely pardon all; but he is so lost, so hardened in his heartless depravity that, in this life, I believe he never will.
Anne Brontë (The Tenant of Wildfell Hall)
I think I’m drowning. But not into her blue eyes like I happily would. No, I’m sinking into the floor, letting it swallow me whole. I can hardly breathe under the crushing weight of Kitt’s words. My ears ring. My heart pounds. The command echoes in my skull, though I have no idea why he would want this. Why he would want her. Not now. Not after everything. I’m surrounded by the entire court and the only thing I can focus on is not falling to my knees beside her. Marriage. Marriage to someone who isn’t me. Marriage to someone I will spend the rest of my life serving. I’ll lose her forever while being forced to watch. I can’t even look at her. I’m a coward, morphing back into the monster I was when she found me. My vision is blurry, eyes fixed on the dais above. This is how I lose her. Not by death but by something just as binding. The command rings in my head. And to think I wasted so much time trying to hate her. To think I won’t have enough time to love her. My heart aches because every beat belongs to her. And I may never get to tell her that. Is this how she will remember me? Escorting her to this fate? Bound by duty alone? I could laugh. I could cry. I could burn this palace to the ground like I did her house, just for a chance to confess my love before the flames consumed me. Because I am bound to her very being. Hers until the day she realizes I don’t deserve to be. The king’s eyes are on me while mine are somewhere far away. Somewhere with her. A place where I am nothing and no one and happy being powerless, so long as she is beside me. My gaze falls from the fantasy, finding its way to her. This is not how I will remember us. Not as enemies or traitors or monsters, but as two people dancing in the dark, swaying beneath the stars. Her feet atop mine, her head on the heart that beats only for her. Just Pae and Kai. I step away from her kneeling form, masking every emotion with a blank stare. I’m leaving her to face him. Her future husband. I melt into the crowd, standing at a safe enough distance to prevent myself from stealing her away. This will be the rest of my life. Forced to love her from a distance. Mourn the loss of her each day. But I will. I will smother every emotion but the one that belongs to her. I will love her until I am incapable of the feeling. She is the torture I may not survive. Eagerly, she is my undoing. Her gaze lifts, meeting eyes that are not my own. Eyes of the man who gets to have her—if she allows it. She was supposed to be my forever. Now I’ll watch her become someone else’s. Because the beast doesn’t get the beauty.
Lauren Roberts, Reckless
ABSOLUTELY NOTHING I am convinced that nothing can ever separate us from God’s love. Neither death nor life, neither angels nor demons, neither our fears for today nor our worries about tomorrow—not even the powers of hell can separate us from God’s love. ROMANS 8:38 NLT There may be something on your mind—a sin, a bad decision, someone’s rejection, or a particular trial—that makes you feel as if the Father does not or could not love you. However, once you believe in Jesus as your Lord and Savior, nothing can separate you from His love. Not people. Not circumstances. Not angels, nor demons, nor the enemy’s entire army. Absolutely nothing. Psalm 34:18 is clear, “The LORD is near to the brokenhearted and saves those who are crushed in spirit.” So when you feel at your most unworthy or defeated is when the Father is closest, tenderly bidding you to return to Him. The most dangerous move you can make is to resist His love. So seek His face. Confess your failings. Ask Him to teach you. Thank Him for inviting you back. Then praise His holy name and love Him in return. Lord, thank You for accepting me. I am so grateful for Your wonderful, unconditional, unchanging love. Help me hear Your voice, amen.
Charles F. Stanley (Every Day in His Presence: 365 Devotions (Devotionals from Charles F. Stanley))
July 18 Velcro Relationships All minds are joined. — A Course In Miracles While Carla was teaching a seminar, a woman told her, “I feel that my marriage is over. My husband and I have been together for a long time, and we have grown in different directions. I want to leave, but I cannot because I know it would crush him.” A month later at another workshop, a man confessed, “My marriage is empty, but I’m staying with my wife because I know she would never survive a divorce.” Then Carla discovered that he was the husband of the woman who spoke at the first seminar. Relationships are based on matching energy. Like strips of Velcro fasteners, partners contain hooking energies that conform by agreement. Often couples have similar or polarized underlying feelings that go unspoken. When you speak your truth, you invite your partner to do the same, and together you bring the
Alan Cohen (A Deep Breath of Life: Daily Inspiration for Heart-Centered Living)
Cut the bullshit. Your little ingénue act---it's pathetic." Her words sock me like a punch in the gut. As much as I hate lying to her face, as much as I've been dying to tell her the truth, to have it out once and for all in a big, messy fight, I'm not sure I'm ready for this. The steely look in her eyes, the tightness of her jaw---she'll crush me. "Okay. Fine," I say, the courage building inside me. I can do this. I have to. "Let's cut the bullshit, then." My eyes drift toward her cabinets. "Maybe we should talk over a glass of wine. Unless that would be bad for the baby." I wait for her to take the bait, but she just stares at me. "There is a baby, right? You wouldn't make something like that up. Only a crazy person would do that. Only someone who was truly horrible, all the way to her core." She clenches her jaw. "You have no idea what you're talking about." "Yes, I do. And you know it." "Watch yourself." "Why? So you can steamroll me like you steamroll everyone? You don't even love him." "You have no idea how I feel. About anything." "I know your marriage is one of convenience. That you sleep in separate bedrooms. That you're having an affair with a guy named Jacques." "And I suppose that makes you an expert on my love life." "No, but it means I know you don't have Hugh's interests at heart." "What do you know about his interests? You think you can parachute in, five years into our marriage, and decide you understand how or why any of this works? You think a month or two of screwing means you know more about him than I do?" "I know he doesn't love you. I know he never did." "Well, la-di-da. Here's a newsflash: It takes more than love to make a relationship work." "But you can't really make a relationship work without it, can you?" "You can if you want to." "Only if both people do. And Hugh doesn't. Not anymore." "Is that so? Then tell me, why did he just spend more than a week with me, discussing our future?" "Because you created a phantom pregnancy without consulting him? Because he's trying to do damage control?" "Ah, I see. Is that what you keep telling yourself?" My face grows hot. "It kills you that he'd choose me over you." She throws her head back and cackles. "Is that what you think? That he'd choose you? Christ, you're even more naive than I thought." "He loves me," I say. "He said so." "You know what else he loves? His career. And how do you think you fit in with that? Let me answer for you: You don't." My hands are shaking. "What about you? You're having an affair with some French guy named Jacques. How do you think that will play with Hugh's constituency? Let me answer for you: Not well.
Dana Bate (Too Many Cooks)
You told your brother and some guy I don’t even know the things I told you in confidence.” “Yes.” She dropped her gaze to the floor. “I’m not sure this helps, but Charlie knows Logan.” “You talked to Charlie?” “Yes, he helped us with the details I didn’t know.” “So you went behind my back, talked to my friends, and told your brothers and some guy everything.” She pressed her lips together. “Yes.” “And you told them things about the blackmail that’s not public knowledge.” Maddie swallowed hard as her throat constricted. “I did.” “I trusted you with information about my family that nobody knows.” “Mitch, I’d never jeopardize you or your family. I’d never tell them if I didn’t trust them implicitly. You know that.” She had to make him understand. He leaned forward, putting elbows on his knees. “I want you to leave.” “What? No. Let me explain.” The blood rushed in her ears as a wave of hot dizziness engulfed her. Fear and desperation warred inside her. “I’m sorry, but you wouldn’t listen.” “You didn’t ask.” Flat. She wrung her hands. “You would have said no.” “I see,” he said, so coldly that it was like being doused with a bucket of ice water. “So that makes it right? You didn’t think I’d agree, so you went behind my back, talked to my friends, your family, and some black-ops guy, revealing the things I’ve told you in private, because you know best?” She bit the inside of her cheek. “Yes, the same way you went behind my back and stalled the repairs on my car so I wouldn’t leave.” His head snapped back. “That’s not the same thing, Maddie.” “You lied, just like me. You went behind my back. Just like me.” She hoped he could see reason, but his expression said otherwise. “I told you those things,” he said through gritted teeth, “because I thought I could trust you.” “You can.” Her stomach clenched. “The evidence says otherwise, now doesn’t it?” Cold, cold words. Tears sprang to her eyes. “Please understand, I did it for you.” “No, you didn’t. You did it for you,” he scoffed, shaking his head. “Tell me something. Why are you so interested in meddling in my life when you have your own to worry about?” She reared back, stepping toward the door, unable to figure out how to handle this dead, cold Mitch who treated her like a stranger. “I wanted to help you.” “You know how you could have helped me?” There was a cruel twist to his lips. “By being the one fucking person who didn’t betray me.” “I didn’t. That’s not what . . .” She trailed off, feeling helpless. She hung her head and said softly, “I’d never betray you.” “Bullshit. If you thought what you were doing was right, you would have talked to me. ” This ice. She’d prepared for fire, for burning anger, not this. She had no defense. No plan. She walked over to him and fell to her knees, taking his hands in hers. He didn’t even flinch. It was like he was made of stone, and she met his eyes. Hard chips of gold. “Mitch, I’m sorry, I wanted to help.” He studied her as though she was a stranger. “You need to leave now.” The words were a crushing blow, threatening to break her. She did the only thing she could think of and confessed the truth. “I love you.” His mouth firmed. Eyes flashing, he pulled away and stood, moving around her and going over to the window that overlooked the nearly deserted parking lot. “I need you to leave.” Her heart shattered into a million pieces and desolation swept over her. She hadn’t felt anything like this since her father had died and she’d woken in a hospital bed. That same heavy weight crushed her chest, numbing her limbs. Tears spilled onto her cheeks and she wiped them away. Her voice trembled as she spoke, already knowing the answer but unable to keep from asking the question. “Is there anything I can do?” “Yes.” His tone was distant and unreachable. “Leave.” There
Jennifer Dawson (Take a Chance on Me (Something New, #1))