Cone Head Quotes

We've searched our database for all the quotes and captions related to Cone Head. Here they are! All 43 of them:

If you have a statue in the city centre you could go past it every day on your way to school and never even notice it, right. But as soon as someone puts a traffic cone on its head, you've made your own sculpture.
Banksy
Giving the tortoise a little wave, I kind of felt stupid afterward for doing so. It just stuck its head back in its green and brown shell. "That's a very interesting pet." "And those are very interesting shorts." His gaze dropped. "What are they?" Leaning forward his eyes narrowed and I stiffened. "Pizza slices?" Heat swamped my cheeks. "They're ice cream cones." "Huh. I like them." Straightening, his gaze drifted up me slowly, leaving an unfamiliar wake of heat behind. "A lot.
J. Lynn (Wait for You (Wait for You, #1))
But it so happens that everything on this planet is, ultimately, irrational; there is not, and cannot be, any reason for the causal connexion of things, if only because our use of the word "reason" already implies the idea of causal connexion. But, even if we avoid this fundamental difficulty, Hume said that causal connexion was not merely unprovable, but unthinkable; and, in shallower waters still, one cannot assign a true reason why water should flow down hill, or sugar taste sweet in the mouth. Attempts to explain these simple matters always progress into a learned lucidity, and on further analysis retire to a remote stronghold where every thing is irrational and unthinkable. If you cut off a man's head, he dies. Why? Because it kills him. That is really the whole answer. Learned excursions into anatomy and physiology only beg the question; it does not explain why the heart is necessary to life to say that it is a vital organ. Yet that is exactly what is done, the trick that is played on every inquiring mind. Why cannot I see in the dark? Because light is necessary to sight. No confusion of that issue by talk of rods and cones, and optical centres, and foci, and lenses, and vibrations is very different to Edwin Arthwait's treatment of the long-suffering English language. Knowledge is really confined to experience. The laws of Nature are, as Kant said, the laws of our minds, and, as Huxley said, the generalization of observed facts. It is, therefore, no argument against ceremonial magic to say that it is "absurd" to try to raise a thunderstorm by beating a drum; it is not even fair to say that you have tried the experiment, found it would not work, and so perceived it to be "impossible." You might as well claim that, as you had taken paint and canvas, and not produced a Rembrandt, it was evident that the pictures attributed to his painting were really produced in quite a different way. You do not see why the skull of a parricide should help you to raise a dead man, as you do not see why the mercury in a thermometer should rise and fall, though you elaborately pretend that you do; and you could not raise a dead man by the aid of the skull of a parricide, just as you could not play the violin like Kreisler; though in the latter case you might modestly add that you thought you could learn. This is not the special pleading of a professed magician; it boils down to the advice not to judge subjects of which you are perfectly ignorant, and is to be found, stated in clearer and lovelier language, in the Essays of Thomas Henry Huxley.
Aleister Crowley
The trees bathed their great heads in the waves of the morning, while their roots were planted deep in gloom; save where on the borders of the sunshine broke against their stems, or swept in long streams through their avenues, washing with brighter hue all the leaves over which it flowed; revealing the rich brown of the dacayed leaves and fallen pine-cones, and the delicate greens of the long grasses and tiny forests of moss that covered the channel over which it passed in the motionless rivers of light.
George MacDonald (Phantastes)
He slipped his hands around my waist and pulled me against him, tossing the ice cream cone over his shoulder. It landed with a splat on the sidewalk. "So does that mean I have a varsity girlfriend?" I giggled like a total girl and linked my hands behind his neck. "Yeah I guess it does." "Sweet." Then he bent his head, and I stood up on my tiptoes and we met in the middle. And it was perfect.
Stephie Davis
The Daimons could, in theory, shoot you until you’re too weakened to fight them and then behead you. (Celena) Want to put a cone around my head like a dog to make sure they can’t decapitate me while we’re at it? (Rafael)
Sherrilyn Kenyon (My Big Fat Supernatural Wedding)
The rooster has a funny little paper hat over its head, like an ice-cream cone upside down, and my dad is pointing to it proudly and saying, ‘Stroke him. Go on, stroke him. Do anything you like to him. He won’t move an inch.’ The rooster starts scratching
Roald Dahl (Danny the Champion of the World)
There is a tray full of glass sundae dishes filled with brightly colored ice cream. Strawberry, pistachio, black raspberry. Pink, green, and purple. I like the colors next to each other and wonder what kind of impossible things I can draw about ice cream. Maybe melting rivers of it. And a man with a cone-shaped head sitting in a babana split dish rowing with a spoon.
Lynda Mullaly Hunt (Fish in a Tree)
Boys, men, old toothless women had run along beside the car when the train was again in motion, calling, offering bananas, guavas, mangoes, paper cones of flavored ice, Jello shimmering on the palm of a hand, lifting something up to him and fumbling his money, running faster to give him his change, or slower, grinning, shrugging, as the train pulled away. Somewhere he had bought half a roasted cow's head and eaten it held by the horn with a newspaper on his lap. What had caused the diarrhea he did not know.
Leonard Gardner (Fat City (California Fiction))
Where are you?” she shouted. “Don’t you see us?” taunted the woman’s voice. “I thought Hecate chose you for your skill.” Another bout of queasiness churned through Hazel’s gut. On her shoulder, Gale barked and passed gas, which didn’t help. Dark spots floated in Hazel’s eyes. She tried to blink them away, but they only turned darker. The spots consolidated into a twenty-foot-tall shadowy figure looming next to the Doors. The giant Clytius was shrouded in the black smoke, just as she’d seen in her vision at the crossroads, but now Hazel could dimly make out his form—dragon-like legs with ash-colored scales; a massive humanoid upper body encased in Stygian armor; long, braided hair that seemed to be made from smoke. His complexion was as dark as Death’s (Hazel should know, since she had met Death personally). His eyes glinted cold as diamonds. He carried no weapon, but that didn’t make him any less terrifying. Leo whistled. “You know, Clytius…for such a big dude, you’ve got a beautiful voice.” “Idiot,” hissed the woman. Halfway between Hazel and the giant, the air shimmered. The sorceress appeared. She wore an elegant sleeveless dress of woven gold, her dark hair piled into a cone, encircled with diamonds and emeralds. Around her neck hung a pendant like a miniature maze, on a cord set with rubies that made Hazel think of crystallized blood drops. The woman was beautiful in a timeless, regal way—like a statue you might admire but could never love. Her eyes sparkled with malice. “Pasiphaë,” Hazel said. The woman inclined her head. “My dear Hazel Levesque.” Leo coughed. “You two know each other? Like Underworld chums, or—” “Silence, fool.” Pasiphaë’s voice was soft, but full of venom. “I have no use for demigod boys—always so full of themselves, so brash and destructive.” “Hey, lady,” Leo protested. “I don’t destroy things much. I’m a son of Hephaestus.” “A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—” “Leo.” Hazel put her arm across his chest. She had a feeling the sorceress was about to turn him into something unpleasant if he didn’t shut up. “Let me take this, okay?
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
And I couldn't take my eyes off Pete. He ate dinner like he always did, in three or four huge, whoofing bites, before heading back out front to his cone of warmth, his coffee, his cigarettes, and ghostly tunes piping from his little transistor radio. And most important, to whatever thoughts drowned out the voices of his own family saying "hello" and "happy holidays." I watched him because I couldn't believe that could be anyone's comfortable horizon. A tiny porch on a dark corner near a highway. We lucked out living on a planet made thrilling by billions of years of chance, catastrophe, miracles, and disaster, and he'd rejected it. You're offered the world every morning when you open your eyes. I was beginning to see Pete as a representative of all the people who shut that out, through cynicism, religion, fear, greed, or ritual.
Patton Oswalt (Zombie Spaceship Wasteland)
In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below. The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello. It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
Philip Pullman
Eli keeps showing me random things." he said, shaking his head. "Like what?" I whispered, not able to help myself. "His toes in the dirt, chicken noodle soup, Legos, pine cones, and Calico. Always Calico." He shrugged and stuffed his hands into his pockets. “What do you think he’s trying to tell me?” "Those are his favorite things. He’s telling you his greats.
Amy Harmon
Short, square, cleanshaven, his head seemed carved out of an elephant's tusk, the whole massive cone of ivory left more or less complete in its original shape, eyes hollowed out deep in the roots, the rest of the protuberance accommodating his other features, terminating in a perfectly colossal nose that stretched directly forward from the totally bald cranium. The nose was preposterous, grotesque, slapstick, a mask from a Goldoni comedy.
Anthony Powell (A Dance to the Music of Time: 3rd Movement (A Dance to the Music of Time, #7-9))
is easy to recall from everyday experience that neither electricity nor magnetism have visual properties. So, on its own, it’s not hard to grasp that there is nothing inherently visual, nothing bright or colored about that candle flame. Now let these same invisible electromagnetic waves strike a human retina, and if (and only if) the waves each happen to measure between 400 and 700 nanometers in length from crest to crest, then their energy is just right to deliver a stimulus to the 8 million cone-shaped cells in the retina. Each in turn sends an electrical pulse to a neighbor neuron, and on up the line this goes, at 250 mph, until it reaches the warm, wet occipital lobe of the brain, in the back of the head. There, a cascading complex of neurons fire from the incoming stimuli, and we subjectively perceive this experience as a yellow brightness occurring in a place we have been conditioned to call “the external world.” Other creatures receiving the identical stimulus will experience something altogether different, such as a perception of gray, or even have an entirely dissimilar sensation. The point is, there isn’t a “bright yellow” light “out there” at all. At most, there is an invisible stream of electrical and magnetic pulses. We are totally necessary for the experience of what we’d call a yellow flame. Again, it’s correlative.
Robert Lanza (Biocentrism: How Life and Consciousness are the Keys to Understanding the True Nature of the Universe)
‎"Then, winking at him, I passed my tongue over the top, and all around the ice cream at the rim of the cone, filling my whole mouth and, just to look sexy, also licking the tips of my fingers. Then I came around the counter, swaying my hips real pretty, and steadying myself over the wobbly high heels. I came right up to him, and before he could guess what kind of trouble I had cooked up in my head, I kissed him—so sweet and so long—on his lips, to the shouts and outcries of the offended customer...
Uvi Poznansky (Apart From Love (Still Life with Memories Bundle, #1))
He lifted a sort of black cone attached to the wooden box. Immediately a voice, sounding as though it were yelling from the far end of a tunnel, bellowed, "Identify yourself!" Will held the cone away from his head, looking pained. James and Lucie exchanged a look. The voice was immediately identifiable: Albert Pangborn, the head of the Cornwall Institute. Lucie gleefully mimed her hands sticking together, to Jesse's puzzlement and a disapproving look from Tessa. "This is Will Herondale." Will spoke into the mouthpiece slowly and clearly. "And you telephoned me.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
too is the pyramid-look, because you don’t have to think about a ceiling. You want to have a roof over your head, so why not let your walls also be your ceiling, so you have one less thing to think about—one less surface to look at, one less surface to clean, one less surface to paint. The tepee-dwelling Indians had the right idea. A cone might be nice if circles didn’t exclude the edges and if you could find the right round sink, but I prefer an equilateral-triangular pyramidal-shaped enclosure even more than a square-based pyramid shape, because with a triangular base you have one less wall to think about, and one less corner to dust.
Andy Warhol (The Philosophy of Andy Warhol: From A to B and Back Again)
He woke that night with the ground trembling beneath him and he sat up and looked for the horse. The horse stood with its head raised against the desert nightsky looking toward the west. A train was going downcountry, the pale yellow cone of the headlight boring slowly and sedately down the desert and the distant clatter of the wheeltrucks outlandish and mechanical in that dark waste of silence. Finally the small square windowlight of the caboose trailing after. It passed and left only the faint pale track of boilersmoke hanging over the desert and then came the long lonesome whistle echoing across the country where it called for the crossing at Las Varas.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
The gravel path ahead is covered in leathery beech leaves, and they squelch or crunch depending on whether the water is running of the Sitka bank. The leaf litter suddenly changes to sweet chestnut. I touch the furrowed bark of one tree, my fingers settling in the grooves. We pause by a pond, still as glass until gentle ripples are set off by fish below the surface. The water is earth-brown and surrounded by widely spaced conifers and some goat willows iwth low-lying, outstretched branches almost touching the water. Suddenly, there are cones raining down. We stop to look up, spotting an auburn shape tousling the branches of a Sitka tree. We crane our heads until the cold seeps in. The movement stops and the red squirrel just seems to vanish into thin air.
Dara McAnulty (Diary of a Young Naturalist)
It is easy to say that Baldwin’s main message was racial equality. Surely the topic flows through his work more than it ebbs. Yet one makes a grave mistake in pigeonholing James Baldwin’s worldview so narrowly, for throughout this miscellany, though racial topics and racial politics are often the touchstone, his true themes are more in line with the early church fathers, with Erasmus of Rotterdam, with the great Western philosophers, with theologians like Reinhold Niebuhr and Dietrich Bonhoeffer and James Cone. And though it is too broad—if not useless—to say his true topic is humanity, it is useful to see how, no matter his topic, how often his writing finds some ur-morality upon which to rest, how he always sees matters through a lens of decency, how he writes with his heart as well as with his head. Baldwin left the pulpit at sixteen, but he never stopped preaching.
James Baldwin (The Cross of Redemption: Uncollected Writings)
I hope you don’t mind that we’re crashing,” Wes says. “I’m trying to escape a hunting expedition. No joke. Dad thinks I’ll be more of a man if I can blow a rabbit’s head off. And my response? ‘Sorry, Dad, but as tempting as it is to obliterate Peter Cottontail first thing on a Sunday morning, I promised Camelia I’d swing by her house, because she’s been begging to abuse my body for weeks.’” “And speaking of being delusional,” Kimmie segues, “did I mention that my plan to reunite my parents was totally dumb?” She leads us into my bedroom and then closes the door behind her. “They could smell the setup before their water glasses were even filled.” “How’s that?” I ask, taking a seat on my bed. “The violinist I arranged to serenade them at the table might have been a tip-off,” she begins. “Either that, or the wrist corsage I ordered for my mom. I handpicked the begonias and had the florist deliver it right to the table.” “Don’t forget about the oyster appetizer you preordered for the occasion,” Wes adds. “Because, you know what they say about oysters, right?” An evil grin breaks out across her face. ‘I know, I know.” She sighs, before I can even say anything. “I may have gone a little overboard, but what can I say? I’m a dorkus extremus. Hence my outit du jour.” She’s wearing a Catholic schoolgirl’s uniform, a pair of clunky black glasses (with the requisite amount of tape on the bridge), and a cone-shaped dunce cap. “Yes, but you’re a dorkus extremus with a nice set of begonias,” Wes teases.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
Tatiana really wanted an ice cream. Biting her lip, she let the bus pass. It’s all right, she thought. The next one will come soon, and in the meantime I’ll sit at the bus stop and have an ice cream. Walking up to the kiosk man, she said eagerly, “Ice cream, yes?” “It says ice cream, doesn’t it? I’m sitting here, aren’t I? What do you want?” He lifted his eyes from the newspaper to her, and his hard expression softened. “What can I get you, dearie?” “Have you got…” She trembled a little. “Have you got crème brûlée?” “Yes.” He opened the freezer door. “A cone or a cup?” “A cone, please,” Tatiana replied, jumping up and down once. She paid him gladly; she would have paid him double. In anticipation of the pleasure she was about to receive, Tatiana ran across the road in her heels, hurrying to the bench under the trees so she could eat her ice cream in peace, while she waited for the bus to take her to buy caviar because war had started. There was no one else waiting for the bus, and she was glad for the fine moment to feast on her delight in seclusion. She took off the white paper wrapping, threw it in the trash can next to the bench, smelled the ice cream, and took a lick of the sweet, creamy, cold caramel. Closing her eyes in happiness, Tatiana smiled and rolled the ice cream in her mouth, waiting for it to melt on her tongue. Too good, Tatiana thought. Just too good. The wind blew her hair, and she held it back with one hand as she licked the ice cream in circles around the smooth ball. She crossed and uncrossed her legs, swung her head back, lolled the ice cream in her throat, and hummed the song everyone was singing these days: “Someday we’ll meet in Lvov, my love and I.” It was a perfect day. For five minutes there was no war, and it was just a glorious Sunday in a Leningrad June. When Tatiana looked up from her ice cream, she saw a soldier staring at her from across the street. It was unremarkable in a garrison city like Leningrad to see a soldier. Leningrad was full of soldiers. Seeing soldiers on the street was like seeing old ladies with shopping bags, or lines, or beer bars. Tatiana normally would have glanced past him down the street and moved on, except that this soldier was standing across the street and staring at her with an expression Tatiana had never seen before. She stopped eating her ice cream. Her side of the street was already in the shade, but the side where he stood swam in the northern afternoon light. Tatiana stared back at him for just a moment, and in the moment of looking into his face, something moved inside her; moved she would have liked to say imperceptibly, but that wasn’t quite the case. It was as if her heart started pumping blood through all four chambers at once, pouring it into her lungs and flooding it through her body. She blinked and felt her breath become shorter. The soldier was melting into the pavement under the pale yellow sun.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
The tiny body was slippery, and he held her tightly, afraid she’d slither out of his grip. He rotated the infant face-up, holding her about ten inches away from his face. The top of her head had a slight cone shape. Her blue-tinged hands pinked. The baby’s eyes were open, alert and seemingly amazed. They connected with his. A jolt of intense feeling, of recognition, flowed between them. As he gazed on the scrunched features of the infant, love surged through him. He’d never felt such a feeling before, and his chest ached with the joyful pressure. Caleb wanted to curl her to his chest and keep her safe. He pressed a kiss to her forehead, inhaling a scent that surprised him with its sweetness. “My baby?” Maggie asked. The infant broke eye contact with Caleb and turned her face toward the sound of her mother’s voice. He blinked back moisture from his eyes and grinned. “You have a beautiful daughter.
Debra Holland (Mystic Montana Sky (Montana Sky, #6))
Lucas thought, Some women shouldn’t be allowed to lick ice cream cones, because it threw men into a whole different mental state. . . . Schiffer came out of the ice cream parlor, also licking an ice cream cone, with markedly less effect; she was followed by a tall, bullet-headed man with fast eyes who Lucas suspected was one of the bodyguards; his eyes locked on Lucas. Then another man came out, smaller than the first, but with the same fast eyes, and the same quick fix on Lucas. Lucas wanted to put a hand on his .45, but instead, called, “Ms. Grant—glad you had the time.
John Sandford (Silken Prey (Lucas Davenport #23))
Is that important to you when it comes to your security detail? That you have visual proof of me licking an ice cream cone?” I linger on that image for a few seconds, though I shouldn’t. I know I shouldn’t. But in my defense, he planted it in my head.
Lauren Blakely (One Time Only)
Curran’s hair fell to his shoulders. Long, blond, luxuriously wavy, it framed his face like a mane. He sat in a room in the Pack Keep, reading a battered paperback under a cone of electric light from a small lamp. He didn’t raise his head as Jim ushered me into the room and closed the door. Just me and the Beast Lord. And the night, spilling into the room through the wide-open window. Jim hadn’t said a word to me on the way over here. I was on thin ice. "What's the deal with the hair?" Curran tore his gaze from the book and grimaced. "Grows every flare. Can't help it." We stared at each other. "Waiting for the Fabio joke," he said.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
I can’t be the only one. There have to be other people out there who see the Mr. Twister mascot for what he is: Hitler. A grinning, cartoon, twisty-cone version of the Führer himself, advertising to the world that this place is secretly Nazi central. There is no other logical reason to put one of those little black smudge mustaches on a custard mascot. Of course, I’ve got Annie in my head—Chill out, Mo. It’s obviously supposed to be Charlie Chaplin—so fine, where’s the cane? And the hat? Exactly. Hitler. This truck is an oven. I am pot roast. I’d go in, but I’m already throwing up a little in my mouth just thinking about the assault of peachy-ness behind those doors. Peach walls, peach aprons, peach countertops, peach chalk on the blackboard menu. And of course, Annie is in there smiling and faking brain-dead. I’m better off as pot roast, and besides, the Spanish Inquisition isn’t going to learn itself. I turn back to the previous page, the one that I’ve already read and forgotten three times this hour, and start over. The picture of Ferdinand II of Aragon is freakishly distracting. It’s the way he’s glaring. I close my right eye and glare back at him and his unapologetic scowl. I bet nobody told him to quit being cranky.
Jessica Martinez (The Vow)
Zomboss summoned 20 Zombies, 15 Cone-heads, 10 Bucket-heads 7 Pole Vaulters, 5 Football Zombies, 10 Gargantuars, and 5 Zombonis. "This
Myron Mitchell (Plants vs. Zombies Story: The Adventure)
No, what little inspiration I have in life comes not from any sense of racial pride. It stems from the same age-old yearning that has produced great presidents and great pretenders, birthed captains of industry and captains of football; that Oedipal yen that makes men do all sorts of shit we’d rather not do, like try out for basketball and fistfight the kid next door because in this family we don’t start shit but we damn sure finish it. I speak only of that most basic of needs, the child’s need to please the father. Many fathers foster that need in their children through a wanton manipulation that starts in infancy. They dote on the kids with airplane spins, ice cream cones on cold days, and weekend custody trips to the Salton Sea and the science museum. The incessant magic tricks that produced dollar pieces out of thin air and the open-house mind games that made you think that the view from the second-floor Tudor-style miracle in the hills, if not the world, would soon be yours are designed to fool us into believing that without daddies and the fatherly guidance they provide, the rest of our lives will be futile Mickey Mouseless I-told-ya-so existences. But later in adolescence, after one too many accidental driveway basketball elbows, drunken midnight slaps to the upside of our heads, puffs of crystal meth exhaled in our faces, jalapeño peppers snapped in half and ground into our lips for saying “fuck” when you were only trying to be like Daddy, you come to realize that the frozen niceties and trips to the drive-thru car wash were bait-and-switch parenting. Ploys and cover-ups for their reduced sex drives, stagnant take-home pay, and their own inabilities to live up to their father’s expectations. The Oedipal yen to please Father is so powerful that it holds sway even in a neighborhood like mine, where fatherhood for the most part happens in absentia, yet nevertheless the kids sit dutifully by the window at night waiting for Daddy to come home. Of course, my problem was that Daddy was always home.
Paul Beatty (The Sellout)
As always, a dozen or so people were gathered about the base of the Duke of Wellington statue. As always, the mounted Duke wore a traffic cone on his head, placed there by—well, someone—despite its daily removal by the police.
Avery Cockburn (Glasgow Lads: Books 1-3)
The market smelled of hay and roasted nuts; she bought a newspaper cone of almonds from a woman stirring them over an open fire. She bought thick sandy leeks, a rope of garlic and a pound of tomatoes; she bought a long batard of sourdough bread, a dozen bluish speckled eggs, a jar of cream, because now she had a refrigerator and could keep such things for more than an hour or two. She lifted the paper lid of the cream and tasted it, wiping her mouth with the back of her hand; she remembered the pillowy clouds of Gruyère grated onto her piece of waxed paper at Les Halles, the cheese maker young and handsome and milk-fed himself; he tried to teach her the French for being in love with him: mon cocotte, mon chouchou, ma petit lapin, Madame, s'il vous plaît. She walked the stalls, and on the edge of the market, a fishmonger laid out his catch on two blocks of ice: strange curled squids and spider crabs, silvery piles of sardines, their eyes still sparkling, thick slabs of some white-meated fish, its head as big as a dinner plate.
Ashley Warlick (The Arrangement)
The real guide to reality It’s not that pigeons are stupid. Well, they are, but that’s not the point. This gulf between how we see the world and how a pigeon sees the same world reveals something fundamental about our relationship with reality, and how we understand our place in the cosmos. Our eyes powerfully illustrate the fact that our experience is a heavily edited version of reality. Evolution has found a way for us to harvest, process and interpret elementary packets of light in the dark cavities of our skulls. Our minds navigate the many constraints of anatomy to make it work—frame rates, blind spots, faulty cones, colorless peripheral vision. We don’t even notice the limits of our eyes as we construct our subjective world view in our heads. Like all creatures on Earth, our bodies are carefully tuned to ensure our continued survival. But it would be a pointless waste of ego to think that they make us capable of experiencing reality as it really is. We are each locked into our own umwelt, profoundly limited by our senses, constrained by our biology, shackled by the inescapable bounds of our evolutionary history. We’re hopelessly tethered to what we can uncover while stuck on (or perhaps near) this planet, a speck of dust in the vastness of the cosmos. We see only the merest sliver of reality. We’re peering at the universe through a keyhole.
Adam Rutherford (The Complete Guide to Absolutely Everything (Abridged): Adventures in Math and Science)
Mending Wall Something there is that doesn't love a wall, That sends the frozen-ground-swell under it, And spills the upper boulders in the sun; And makes gaps even two can pass abreast. The work of hunters is another thing: I have come after them and made repair Where they have left not one stone on a stone, But they would have the rabbit out of hiding, To please the yelping dogs. The gaps I mean, No one has seen them made or heard them made, But at spring mending-time we find them there. I let my neighbor know beyond the hill; And on a day we meet to walk the line And set the wall between us once again. We keep the wall between us as we go. To each the boulders that have fallen to each. And some are loaves and some so nearly balls We have to use a spell to make them balance: 'Stay where you are until our backs are turned!' We wear our fingers rough with handling them. Oh, just another kind of out-door game, One on a side. It comes to little more: There where it is we do not need the wall: He is all pine and I am apple orchard. My apple trees will never get across And eat the cones under his pines, I tell him. He only says, 'Good fences make good neighbors.' Spring is the mischief in me, and I wonder If I could put a notion in his head: 'Why do they make good neighbors? Isn't it Where there are cows? But here there are no cows. Before I built a wall I'd ask to know What I was walling in or walling out, And to whom I was like to give offense. Something there is that doesn't love a wall, That wants it down.' I could say 'Elves' to him, But it's not elves exactly, and I'd rather He said it for himself. I see him there Bringing a stone grasped firmly by the top In each hand, like an old-stone savage armed. He moves in darkness as it seems to me, Not of woods only and the shade of trees. He will not go behind his father's saying, And he likes having thought of it so well He says again, 'Good fences make good neighbors.
Robert Frost
Dipped cones taste like the first time with her, every time. Like trembling, fumbling limbs and foggy windows and being verbally whipped and then sweetly kissed. Every jam-packed beach with out-of-towners ranging from the jean-clad to the perpetually barefoot all take me back to that summer. To being sad, angry, lost. To being completely in over my head with a girl who was way above my pay grade and never missed a chance to remind me.
Tarah Dewitt (The Co-op)
A cloud in the sky suddenly lighted as if turned on by a switch; its reflection just as suddenly materialized on the water upstream, flat and floating, so that I couldn’t see the creek bottom, or life in the water under the cloud. Downstream, away from the cloud on the water, water turtles smooth as beans were gliding down with the current. I didn’t know whether to trace the progress of one turtle…or scan the mud bank in hope of seeing a muskrat, or follow the last of the swallows who caught at my heart and trailed it after them…But shadows spread, and deepened, and stayed. Things were going on. I couldn’t see whether that sere rustle I heard was a distant rattlesnake, slit-eyed, or a nearby sparrow kicking at debris….Tremendous action roiled the water everywhere I looked, big action, inexplicable… At last I stared upstream where only the deepest violet remained of the cloud, a cloud so high its underbelly still glowed feeble color from a hidden sky lighted in turn by sun halfway to China. And out of that violet, a sudden enormous black body arced over the water. I saw only a cylindrical sleekness. Head and tail, if there was a head and tail, were both submerged in a cloud. I saw only one ebony fling, a headlong dive to darkness; then the waters closed and the lights went out. I walked home in a shivering daze, uphill and down. Later I lay open-mouthed in bed, my arms flung wide at my sides to steady the whirling darkness. At this latitude I’m spinning 836 miles an hour round the earth’s axis; I often fancy I feel my sweeping fall as a breakneck arc like the dive of dolphins, and the hollow rushing of wind raises hair on my neck and the side of my face. In orbit around the sun I’m moving 64,800 miles an hour. The solar system as a whole, like a merry-go-round unhinged, spins, bobs, and blinks at the speed of 43,200 miles an hour along a course set east of Hercules. Someone has piped, and we are dancing a tarantella until the sweat pours. I open my eyes and I see dark, muscled forms curl out of water, with flapping gills and flattened eyes. I close my eyes and I see stars, deep stars giving way to deeper stars, deeper stars bowing to deepest stars at the crown on an infinite cone.
Annie Dillard (Pilgrim at Tinker Creek)
I looked and felt my head gradually grow cold. It was the sort of coldness you feel when you take too big a bite from an ice-cream cone or sip too greedily from an ice-cold drink. The kind of coldness that hurt—from the inside out.
Herman Koch (The Dinner)
​Seeing Dottie and me in that picture, smiling with melty ice cream cones in our hands and the drips running down into our fingers, I started to feel pretty bad. And so I sat down on my new white bed in my new white room and just started rocking. Back and forth and back and forth, until the light faded in the room, and the orange sunlight stripes was brown and the brown boxes disappeared and the white things turned gray and my head was tired and heavy.
Amy Sargent Swank (Seven Birds)
the Agency kept McCone in the dark about the CIA’s most sensitive operations. Later, for instance, Richard Helms, who was McCone’s Deputy Director of Plans and head of the dirty tricks department, admitted he never told McCone about any of the Agency’s plans to kill Castro, or about the CIA’s working relationship with the Mafia.
Gaeton Fonzi (The Last Investigation: What Insiders Know about the Assassination of JFK)
I used to be a roller coaster girl" (for Ntozake Shange) I used to be a roller coaster girl 7 times in a row No vertigo in these skinny legs My lipstick bubblegum pink As my panther 10 speed. never kissed Nappy pigtails, no-brand gym shoes White lined yellow short-shorts Scratched up legs pedaling past borders of humus and baba ganoush Masjids and liquor stores City chicken, pepperoni bread and superman ice cream Cones. Yellow black blending with bits of Arabic Islam and Catholicism. My daddy was Jesus My mother was quiet Jayne Kennedy was worshipped by my brother Mark I don’t remember having my own bed before 12. Me and my sister Lisa shared. Sometimes all three Moore girls slept in the Queen. You grow up so close never close enough. I used to be a roller coaster girl Wild child full of flowers and ideas Useless crushes on polish boys in a school full of white girls. Future black swan singing Zeppelin, U2 and Rick Springfield Hoping to be Jessie’s Girl I could outrun my brothers and Everybody else to that reoccurring line I used to be a roller coaster girl Till you told me I was moving too fast Said my rush made your head spin My laughter hurt your ears A scream of happiness A whisper of freedom Pouring out my armpits Sweating up my neck You were always the scared one I kept my eyes open for the entire trip Right before the drop I would brace myself And let that force push my head back into That hard iron seat My arms nearly fell off a few times Still, I kept running back to the line When I was done Same way I kept running back to you I used to be a roller coaster girl I wasn’t scared of mountains or falling Hell, I looked forward to flying and dropping Off this earth and coming back to life every once in a while I found some peace in being out of control allowing my blood to race through my veins for 180 seconds I earned my sometime nicotine pull I buy my own damn drinks & the ocean Still calls my name when it feels my toes Near its shore. I still love roller coasters & you grew up to be Afraid of all girls who cld ride Fearlessly like me.
Jessica Care Moore
This is the one thing I managed to keep. I’d rather give it to you privately, since I have nothing for the others.” Hesitantly she took the object from his open palm. It was a small, exquisite black cameo rimmed with pearls. A woman on a horse. “The woman is Athena,” Devon said. “According to myth, she invented the bridle and was the first ever to tame a horse.” Kathleen looked down at the gift in wonder. First the shawl…now this. Personal, beautiful, thoughtful things. No one had ever understood her taste so acutely. Damn him. “It’s lovely,” she said unsteadily. “Thank you.” Through a glaze of incipient tears, she saw him grin. Unclasping the little pin, she tried to fasten it to the center of her collar. “Is it straight?” “Not quite.” The backs of his fingers brushed her throat as he adjusted the cameo and pinned it. “I have yet to actually see you ride,” he said. “West claims that you’re more accomplished than anyone he’s ever seen.” “An exaggeration.” “I doubt that.” His fingers left her collar. “Happy Christmas,” he murmured, and leaned down to kiss her forehead. As the pressure of his lips lifted, Kathleen stepped back, trying to create a necessary distance between them. Her heel brushed against some solid, living thing, and a sharply indignant squeal startled her. “Oh!” Kathleen leaped forward instinctively, colliding with Devon’s front. His arms closed around her automatically, even as a pained grunt escaped him. “Oh--I’m sorry…What in heaven’s name--” She twisted to see behind her and broke off at the sight of Hamlet, who had come to root beneath the Christmas tree for stray sweets that had fallen from paper cones as they’d been removed from the branches. The pig snuffled among the folds of the tree skirt and the scattered presents wrapped in colored paper. Finding a tidbit to consume, he oinked in satisfaction. Kathleen shook her head and clung to Devon as laughter trembled through both of them. “Did I hurt you?” she asked, her hand resting lightly at the side of his waistcoat. His smiling lips grazed her temple. “Of course not, you little makeweight.” They stayed together in that delicious moment of scattered light and fragrant spruce and irresistible attraction.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Happy Christmas,” he murmured, and leaned down to kiss her forehead. As the pressure of his lips lifted, Kathleen stepped back, trying to create a necessary distance between them. Her heel brushed against some solid, living thing, and a sharply indignant squeal startled her. “Oh!” Kathleen leaped forward instinctively, colliding with Devon’s front. His arms closed around her automatically, even as a pained grunt escaped him. “Oh--I’m sorry…What in heaven’s name--” She twisted to see behind her and broke off at the sight of Hamlet, who had come to root beneath the Christmas tree for stray sweets that had fallen from paper cones as they’d been removed from the branches. The pig snuffled among the folds of the tree skirt and the scattered presents wrapped in colored paper. Finding a tidbit to consume, he oinked in satisfaction. Kathleen shook her head and clung to Devon as laughter trembled through both of them. “Did I hurt you?” she asked, her hand resting lightly at the side of his waistcoat. His smiling lips grazed her temple. “Of course not, you little makeweight.” They stayed together in that delicious moment of scattered light and fragrant spruce and irresistible attraction. The entrance hall was quiet now; the guests had proceeded en masse to the drawing room. Devon’s head lowered, and he kissed the side of her throat. “I want you in my bed again,” he whispered. Working his way along her neck, he found a sensitive place that made her shiver and arch, the tip of his tongue stroking a soft pulse. It seemed as if her body had become attuned to his, excitement leaping instantly at his nearness, delight pooling hotly in her stomach. How easy it would be to let him have whatever he wanted of her. To yield to the pleasure he could give her, and think only of the present moment.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))