Conditions At Gallipoli Quotes

We've searched our database for all the quotes and captions related to Conditions At Gallipoli. Here they are! All 2 of them:

He cannot will his entry into and exit from the activity on a daily basis. There is not, as there is for most workers, a brief interval of exemption at the end of the day when he is permitted to enact a wholly different set of gestures; the timing of his eventual exit will by determined not by his own will but by the end of the war, whether that comes in days, months, or years, and there is of course a very high probability that even when the war ends he will never exit from it. Although in all forms of work the worker mixes himself with and eventually becomes inseparable from the materials of his labor (an inseparability that has only its most immediate sign the residues which coat his body, the coal beneath the skin of his arm, the spray of grain in his hair, the ink on his fingers), the boy in war is, to an extent, found in almost no other form of work, inextricably bound up with the men and materials of his labor: he will learn to perceive himself as he will be perceived by others, as indistinguishable from the men of his unit, regiment, division, and above all national group (all of whom will share the same name: he is German) as he is also inextricably bound up with the qualities and conditions – berry laden or snow laden - of the ground over which he walks or runs or crawls and with which he craves and courts identification, as in the camouflage postures he adopts, now running bent over parallel with the ground it is his work to mime, now arching forward conforming the curve of his back to the curve of a companion boulder, now standing as upright and still and narrow as the slender tree behind which he hides; he is the elms and the mud, he is the one hundred and sixth, he is a small piece of German terrain broken off and floating dangerously through the woods of France. He is a fragment of American earth wedged into an open hillside in Korea and reworked by its unbearable sun and rain. He is dark blue like the sea. He is light grey like the air through which he flies. He is sodden in the green shadows of earth. He is a light brown vessel of red Australian blood that will soon be opened and emptied across the rocks and ridges of Gallipoli from which he can never again become distinguishable.
Elaine Scarry (The Body in Pain: The Making and Unmaking of the World)
Yet it seems possible that one can make too much of the hardships of the soldiers at Gallipoli, or rather there is a danger of seeing these hardships out of their right context. With the mere cataloguing of the Army’s miseries a sense of dreariness is transmitted, and this is a false impression; at this stage life on the peninsula was anything but dreary. It was ghastly but it was not yet petty or monotonous. There can be no fair comparison with the relatively comfortable lives of the soldiers in the second world war, or even with the lives of these men themselves before they enlisted. Gallipoli swallowed them up and made conditions of its own. With marvellous rapidity the men removed themselves to another plane of existence, the past receded, the future barely existed, and they lived as never before upon the moment, released from the normal weight of human ambitions and regrets. ‘It was in some ways,’ Herbert says, ‘a curiously happy time.’ It is a strange remark, but one feels one understands it very well. The men had no cinemas, no music, no radios, no ‘entertainment’ of any kind, and they never met women or children as the soldiers did behind the lines in France. Yet the very absence of these pleasures created another scale of values. They had a sharp and enormous appetite for the smallest things. Bathing in the sea became an inexpressible joy. To get away from the flies, to wash the dust from one’s eyes and mouth, to feel cool again: this was a heightening of sensation which, for the moment, went beyond their dreams of home. The brewing of tea in the evening, the sharing out of a parcel, a cake or a bar of chocolate, the long talks in the starlight talking of what they would do ‘when it was all over’—all these things took on an almost mystical emphasis of a kind that became familiar enough in the western desert of Egypt in the second world war, or indeed on any distant front in any war. There were no pin-up girls; no erotic magazines reached them—they were lucky if they even saw a newspaper from home that was under a month old—and there were no nurses or Ensa troupes. Perhaps because of this the sexual instinct seems to have been held in abeyance for the time, or rather it was absorbed in the minutiae of their intensely friendly life, the generous feelings created by the danger all around them. There was very little vice; ordinary crimes became lost in the innocence of the crime of war itself. Certainly there was no possibility of drunkenness,22 and gambling was not much more than an anaemic pastime in a world where money was the least of things. They craved not soft beds and hot baths but mosquito nets and salt water soap.
Alan Moorehead (Gallipoli)