Concrete Jungle Quotes

Clearly, then, the city is not a concrete jungle, it is a human zoo.

Smart cities do not mean creating jungles of concretes or sophisticated cities of glasses with HiFi technologies. But a smart city means a city, where humans, trees, birds and other animals can grow with all their glories, imperfections, freedom and creativity.

I am not a tree grown in the concrete jungle to bring rain, I am a tree grown in the wild forest to bring fire

History is people with ships and weapons wiping out those who forgot to invent them. Every civilisation begins with a genocide. It is the rule of the universe. The immutable law of the jungle, even this one made of concrete. You can see it in the movement of the stars, and in the dance of every atom. The rich will enslave the penniless. The strong will crush the weak.

There is no better cure for a poor city dweller who is spiritually devastated among the soulless concrete than to go to the countryside and dive into the lush grass!

It’s always best to get away from the concrete jungle and get intoxicated by nature as often as possible.

Argentina. The word itself had lost little of its power to startle and had, due to my ignorance of the physical place it occupied on the globe, assumed a peculiar life of its own. There was the harsh Ar at the beginning, which called up gold, idols, lost cities in the jungle, which in turn led to the hushed and sinister chamber of Gen, with the bright, interrogative Tina at the end—all nonsense, of course, but then it seemed in some muddled way that name itself, one of the few concrete facts available to me, might itself be a cryptogram or clue.

The city had grown, implacably, spreading its concrete and alloy fingers wider every day over the dark and feral country. Nothing could stop it. Mountains were stamped flat. Rivers were dammed off or drained or put elsewhere. The marshes were filled. The animals shot from the trees and then the trees cut down. And the big gray machines moved forward, gobbling up the jungle with their iron teeth, chewing it clean of its life and all its living things. Until it was no more. Leveled, smoothed as a highway is smoothed, its centuries choked beneath millions and millions of tons of hardened stone. The birth of a city... It had become the death of a world.

There is an endless chain of cities, a circle without beginning or end, over which there breaks unrelentingly a shifting wave of laws. There is the city-jungle and the city where people live in the pillars of tall viaducts that crisscross each other in countless overpasses and underpasses, the city of sounds and nothing else, the city in the swamp, the city of smooth white balls rolling on concrete, the city comprising apartments spread across several continents, the city where sculptures fall endlessly from dark clouds and smash on the paving stones, the city where the moon’s path passes through the insides of apartments. All cities are mutually the center and periphery, beginning and end, capital and colony of each other.

In the little patch of concrete by the front porch were the two pennies stuck in there when Leroy and I started first grade. “Long as we got those two cents,” Carrie would say, “we ain’t broke.

All writers are demonic dreamers. Writing is an act of sharing experiences and offering of an individualistic perspective of our private attitudes pertaining to whatever topics of thought intrigues the author. Writing is a twitchy art, which attempts to employ linguist building blocks handed-down from past generations. Writers’ word choices form a structure of conjoined sentences when overlaid with the lingua of modern culture. Writers attempt to emulate in concrete form the synesthesia of our personal pottage steeped in our most vivid feelings. Writing a personal essay calls for us to sort out a jungle of lucid observations and express in a tangible technique our unique interpretation of coherent observations interlaced with that effusive cascade of yearning, the universal spice of unfilled desire, which turmoil of existential angst swamps us.

But there was no sign of the bomb in the market. Like all other tragedies, it had been covered up; the market had gone into a huddle of concrete and commerce around the blast, paving over the scars like a jungle coming back over a burnt field

I am Itzapoca. Long ago the Mayans worshiped me as a god. Today I am forgotten, a stone head half-buried in the jungle. Yet I have endured for ages, far longer than any puny modern structure built from steel and concrete. Long before the era of hydraulic cranes, my followers lifted me to the top of this lush green slope where I sit looking down on the shining blue waters of the bay.

Of course, I had seen him around the neighborhood, dressed head to toe in his odd, androgynous fashion, his lithe figure clad in his customary white, his gentle face painted as fair as a flower in the afternoon sun. He seemed hopelessly out of place in the cement jungle of New York City; it was as if he had stepped through time itself and ended up here by accident--a white lily in the concrete, beauty and innocence among the ruins of decadance.

Mobutu’s kleptocracy had reversed the flow of time in the town, as buildings crumbled and the jungle reclaimed land. The novelist V. S. Naipaul portrayed the demoralizing aura of the city in his 1979 book, A Bend in the River: The big lawns and gardens had returned to bush; the streets had disappeared; vine and creepers had grown over broken, bleached walls of concrete or hollow clay brick. . . . But the civilization wasn’t dead. It was the civilization I existed in and worked towards. And that could make for an odd feeling: to be among the ruins was to have your time sense unsettled. You felt like a ghost, not from the past, but from the future. You felt that your life and ambition had already been lived out for you and you were looking at the relics of that life.

We may live in concrete jungles, but we still need to feel the earth beneath our feet, the rain on our faces and the wind in our hair. We continue to love the wild places and still yearn to get back to nature.

Block City had nothing to give back.

On that day, in jungle hamlets and mountain villages, in cacophonous slums and sprawling refugee camps, on worn concrete floors and under roofs thatched of rice straw and banana leaves, in clay brick homes, on rutted, red dirt roads, and on scorching swaths of sand, children cried and screamed and sang and giggled and toddled and ran and fell and got back up and climbed on their mothers' laps and pulled their siblings' hair and gazed out in wonder at the big, bright world that swirled around them. Millions of boys and girls whose lives were reclaimed whose stories were allowed to continue, who were not mourned or grieved or buried, but instead were loved and held and fretted over and scolded and prepared for the challenges of living, of surviving, all because of a man they had never met and whose name they would likely never know.

It's not enough to leave the jungle, we have to throw the jungle off our heart. It's not enough to leave the caves, we have to smash the caves within. Only then shall we instill the greenery of gentleness in this cold world of concrete.

The city could be nothing but a woman, and that’s good because your business is women. You know her tossed head in the auburn crowns of molting autumn foliage, Riverhead, and the park. You know the ripe curve of her breast where the River Dix molds it with a flashing bolt of blue silk. Her navel winks at you from the harbor in Bethtown, and you have been intimate with the twin loins of Calm’s Point and Majesta. She is a woman, and she is your woman, and in the fall she wears a perfume of mingled wood smoke and carbon dioxide, a musky, musty smell bred of her streets and of her machines and of her people. You have known her fresh from sleep, clean and uncluttered. You have seen her naked streets, have heard the sullen murmur of the wind in the concrete canyons of Isola, have watched her come awake, alive, alive. You have seen her dressed for work, and you have seen her dressed for play, and you have seen her sleek and smooth as a jungle panther at night, her coat glistening with the pinpoint jewels of reflected harbor light. You have known her sultry, and petulant, and loving and hating, and defiant, and meek, and cruel and unjust, and sweet, and poignant. You know all of her moods and all of her ways. She is big and sprawling and dirty sometimes, and sometimes she shrieks in pain, and sometimes she moans in ecstasy. But she could be nothing but a woman, and that’s good because your business is women. You are a mugger.

History is people with ships and weapons wiping out those who forgot to invent them. Every civilisation begins with a genocide. It is the rule of the universe. The immutable law of the jungle, even this one made of concrete. You can see it in the movement of the stars, and in the dance of every atom. The rich will enslave the penniless. The strong will crush the weak.

DYSTOPIA Dark, early streets and high walls of empty houses a lonesome bird singing a hollow duet with its own echo - autumn feels like spring once you have lost everything and stand with nothing to hold onto at winter's edge - walkways glooming in buzzing orange neon light imitating fallen leaves, making the city's concrete jungle a forest - soon November is here, crawling along the pavement and dulling the grey of the ruins they call buildings - sudden flickering accompanied by loud buzzing: the lights went out while winter's edge cuts violently through the streets & building cracks - the bird stopped singing.

The day of Mia’s first surgery was not only a big day for her; it was a big day for me, too. Handing my three-month-old daughter to the anesthesiologist and watching her walk away with my baby was one of the most heart-wrenching things I have ever done. I knew that Mia was in someone else’s care and that I had absolutely no control over what happened to her until after the procedure. I tried my hardest not to cry, but after the anesthesiologist walked through the secure doors, I broke down in Jase’s arms. He was very emotional about the situation, too, but the two of us handled our intense feelings in different ways. I went to join our family in a large foyer area, where about fifteen of them had gathered to support us, and Jase headed outside to a small grove of trees near the parking lot. As I mentioned earlier, being outdoors makes Jase feel closure to the Creator, who he knows can do mighty things. That grove of trees, which was surrounded by such a large concrete jungle, became a special place for Jase, a place where he said many heartfelt prayers.

And here’s how I rationalize my rationalizing. God gave us the ability to rationalize so we can stomach all the horrible things we’re required to do every day just to survive the concrete jungle.

A series of disconcerting questions nibbles at hearts of troubled youths. These same unanswered questions, along with their acerbic toxins, reveal their pungent fumes more frequently and with greater intensity as a person rushes headfirst into life’s concrete jungle.

But why wait? If what you really love doing is skiing, why wait until your hips are too old to take a hard fall and then move to Colorado? If you love surfing, why are you still trapped in a concrete jungle and not living near the beach? If all the family members you’re close to live in a small town in Oregon, why are you still stuck on the other coast? The new luxury is to shed the shackles of deferred living—to pursue your passions now, while you’re still working. What’s the point in wasting time daydreaming about how great it’ll be when you finally quit? Your

In the concrete jungle it's sink or swim: you can't be timid or tentative; you have to forge through, make your mark, enter the fray.

I am sad that I did not see any of this myself. By the time I had received the communication on television and in my morning paper, felt the tugging pull toward Manhattan, and made my preparations to migrate, I learned that the army ants had all died. The Art Form simply disintegrated, all at once, like one of those exploding, vanishing faces in paintings by the British artist Francis Bacon There was no explanation, beyond the rumored, unproved possibility of cold drafts in the gallery over the weekend. Monday morning they were sluggish, moving with less precision, dully. Then, the death began, affecting first one part and then another, and within a day all 2 million were dead, swept away into large plastic bags and put outside for the engulfment and digestion by the sanitation truck. It is a melancholy parable. I am unsure of the meaning, but I do think it has something to do with all that plastic- that, and the distance from earth. It is a long, long way from the earth of a Central American jungle to the ground floor of a gallery, especially when you consider that Manhattan itself is suspended on a kind of concrete platform, propped up by a meshwork of wires, pipes, and water mains. But I think it was chiefly the plastic, which seems to me the most unearthly of all man's creations so far. I do not believe you can suspend army ants away from the earth, on plastic, for any length of time. They will lose touch, run out of energy, and die for lack of current.

Innovation that outlives its usefulness, is no longer innovation but carnivoration. Innovators not in touch with soil-n-roots, are predators of the concrete jungle.

Humanovator (The Sonnet) Chatgpt pampers plagiarism, Facebook pampers conspiracy. More and more innovations are becoming catalyst of catastrophe. Note, I didn't mention the birdie, Very mindful, very demure. Facebook can still be repaired, but once a MAGA, always a sewer. Innovation that outlives its usefulness, is no longer innovation but carnivoration. Innovators not in touch with soil-n-roots, are predators of the concrete jungle. The golden age of startups is behind us, today it's mostly filth, fraud and smut. Amidst the crowd of trust fund termites, be the humanovator to humanize the world.

The Last Hundred Yards: The NCO’s Contribution to Warfare” by H.J. Poole.

In my life I've done more suffering than thinking— though I believe one understands better that way. You see, dogs aren't enough any more. People feel so damned lonely, they need company, they need something bigger, stronger, to lean on, something that can really stand up to it all. Dogs aren't enough; what we need is elephants. . . It seems that the elephants Morel was trying to save were purely imaginary and symbolic, a parable, as they say, and that the poor bastard was really defending the old human rights, the rights of man, those noble, clumsy, gigantic, anachronistic survivals of another age - another geological epoch. . . you announce this salvation as coming *soon’— though I suppose that in the language of paleontology, which is not exactly that of human suffering, the word soon’ means a few trifling hun- dred thousands of years. Earth was his kingdom, his place, his field— he belonged. . The lorry was literally stuffed with ‘trophies’: tusks, tails, heads, skins— an orgy of butch- ery. De Vries, was certainly not collecting for museums, because most of them had been so riddled with shot as to be unrecognizable and in any case unsuitable for the pleasure of the eye. I suppose there are things that nothing can kill and that remain forever intact. It’s as if nothing could ever j^ppen to human beings. They’re a species over which it’s not easy to triumph. They’ve a way of rising from the ashes, smiling and holding hands. "Well, I finally got an idea. When he fails, do like me: think about free elephant ride through Africa for hundreds and hundreds of wonderful animals that nothing could be built—either a wall or a fence of barbed wire—passing large open spaces and crush everything in its path, and destroying everything—while they live, nothing is able to stop them—what freedom! And even when they are no longer alive, who knows, perhaps continue to race elsewhere still free. So you begin to torment your claustrophobia, barbed wire, reinforced concrete, complete materialism imagine herds of elephants of freedom, follow them with his eyes never left them on their run and will see you soon feel better ... " years of isolation in the depths of the jungle have no power against a tenacious hope, and that a hundred acres of land at the height of the rainy season are easier to clear than are certain little intimate nooks of our soul. she understood perfectly well how unconvincing this sounded, but she couldn’t help it: it was the truth. He felt that, at his age, patience was ceasing to be a virtue and was becoming a luxury he could less and less afford. He strove for one last time to look at the affair with all the detachment and all the serenity suitable to a man of science. the immense sky, filled with absence. with the impassive face of a man who feels perfectly sure of having the last word. Of course to the pure all things are pure.

The city is all about him, a defiant surge of stone and steel and glass that forces back the surrounding wilderness, jealously establishing its rigid grey territory.

The opening notes of the Guns N’ Roses hit “Welcome to the Jungle” began to echo from the buildings behind us, Slash’s guitar sending those tones bouncing around the concrete and towers, somehow resonating with the steel and stone of the streets and buildings of the city. Chicago herself became the speaker, music ringing off every surface, setting the ground to quivering in resonance.

Indoor plants are nature's gift to urban dwellers, bringing a breath of fresh air into our concrete jungles.

Real physical perfection isn't something a guy like me gets to see up close and personal very often, and it's something to marvel at - then run away from, before it hypnotizes you like a snake staring into the eyes of something small, furry, and edible.

We remain convinced that this is the best defence posture to adopt in order to minimize casualties when the Great Old Ones return from beyond the stars to eat our brains.

People who spent their whole lives in the city, in concrete jungles where they pounded pavements, lived in sterile interiors, hardly ever spent time in their garden or visited the parks, they were so out of touch with the reality of existence it was no wonder the population was so crazed.

When you learn to live in harmony with the earth, every space becomes a sacred space. Whether you live in a concrete jungle with a small balcony or on a sprawling nature preserve, the earth is there for you.

Now, I lived that city life for a lot of years. It’s hard livin’ on account of people focusin’ more on workin’ themselves to death than enjoyin’ the privilege of breathin’. I moved into the concrete jungle on account of there bein’ money to be made. Unfortunately, a lot of money has to be spent for the privilege of livin’ the city life. After all, somebody must pay for them skyscrapers, asphalt, and concrete.

The Fringe is a massive concrete jungle; canyons of broken glass and rusting steel, skeletal giants choked by vines, rot and corrosion.

The feeling is extremely refreshing as compared to being trapped in a concrete jungle all the time. You may be in the middle of a chaotic workplace and yet feel like you’re visiting somewhere pleasant.

For my tomorrow is a concrete jungle in a number-driven world, and hers remains a ministry to a lush little village. Thus time will pass and letters will be sent, and letters will arrive and letters will be sent, and one day I'll be seated at a noisy Manhatten trading desk, oblivious to markets in motion and will wonder once again how God got me into a Presbyterian church, to a particular beach with a particular girl on a certain weekend in May, and gave me wacky new friends and a new fresh perspective, the living words and the eternal words and the words of a black man who give rhythm to the gospel, and once again it will occur to me that all this just cannot be happenstance...no, surely not happenstance, nothing Presbyterian is ever happenstance. But what you didn't tell me, Asbury, is how much of life derives simply from choice.

Stepping outside, all finished, gold porchlight kissed my forehead. The animated nighttime island was a concrete jungle wild with promise, and around any cobblestone corner my big break might exist, disguised as a simple café, waiting for me to open the door.

i am the wildflower growing in the cracks of concrete jungles a reminder that beauty can flourish anywhere

Allison slept through it all. She never felt the truck stopping for the roadblock set in the middle of nowhere, never heard the police who didn't care about the rain and dutifully climbed through the rear of the truck, never heard the rustle of papers as they examined the driver's permits and cargo manifest. She never heard the horns outside or the rain or the roar of the Xu Jiang River as they followed its course. She never heard Driver Ming stopping for fuel, never felt the bumps and twists and turns as the road deteriorated and flat farmland became hill country that became mountains. It was still dark as they began their climb into the Wuyi Shan, the range of mountains that rose abruptly on both sides of the road and disappeared into the high mists, mountains where jungles and steep slopes kept the farmers at bay, mountains thick with bamboo forests in which wild tigers were still believed to roam. They drove all night and all the next day, through Ruijin and Xunwu, their progress slowed at times by traffic, at other times by the rain. Finally it was the horrific condition of the road that stopped them altogether. The highway was an unfinished ribbon of concrete, sometimes one lane, sometimes two. There was no shoulder at all, just an abrupt and treacherous drop-off to the adjacent ground. The roadbed sat so high up that if a wheel were to inadvertently slip off the edge, the whole truck might tip over. Allison had seen more than one vehicle that had done just that as she and Tyler watched the receding countryside through the slats of their crate. In places where only one lane existed, oncoming traffic had to stop and back up to let other traffic through. If there was an obstruction in the road, a goat or a sheep or a cart, all traffic squeezed by single file, although somehow it never seemed to slow. Driver Ming seemed good at it, and when Allison felt him swerve sharply she closed her eyes and cringed, waiting for the inevitable collision. By some miracle he always squeaked through. Then his luck ran out.

She was a wildflower in my concrete jungle. I couldn’t get enough of her.