“
I experienced that sinking feeling you get when you know you have conned yourself into doing something difficult and there's no going back.
”
”
Robyn Davidson (Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback)
“
Now, con said grimly, "I go to kill a werewolf and claim my woman."
~Con
”
”
Larissa Ione (Sin Undone (Demonica, #5))
“
At the end of the day I have many answers for it. It has to do with my mom, who was an extraordinary woman, and a great feminist. It has to do with the people in my life. It has to do with a lot of different things, but -- I don't know! Because I'm not just writing from the female characters for other people. I have a desire to see them in our culture -- that was not met for most of my childhood. Except occasionally by James Cameron.
[From the 2011 San Diego Comic Con, in response to being asked why he writes strong female characters.]
”
”
Joss Whedon
“
Così è il Mondo, così sono gli Uomini, così è l'Amore. Cos'altro siamo se non fantocci in un teatrino da fiera? Oh, Destino onnipotente tira con gentilezza i nostri fili! Abbi pietà di noi, e dalla nostra scena angusta concedici di uscire a passo di danza.
”
”
Wilkie Collins (The Woman in White)
“
-Es curioso que uno no pueda estar sin encariñarse con algo. Es como si la mente segregara sentimiento sin parar...
-¿Vos creés?
-... lo mismo que el estómago segrega jugo para digerir.
”
”
Manuel Puig (Kiss of the Spider Woman)
“
Likability is a con, and we're falling for it[...] Is there such a thing as a likable woman? Can you think of one? And if she exists, could she be anything but the ultimate manifestation of everything we hate about the water we swim in, everything we're forced to be? Likability in a sexist, racist culture is not objective - it's compulsory femininity, the gender binary, invisible labor, whiteness, smallness, sweetness. It's letting them do it. If someone is universally likable, I don't trust that person.
”
”
Lindy West (The Witches Are Coming)
“
I think I am an impostor. Twenty-seven years ago I was a baby. Before that I was a clump of cells. Before that I didn’t exist. How could I be a bookstore clerk, or a Catholic, or a woman, or a person at all? I’m a life force contained in the deformed body of a baby. Of course I’m a fraud. The fact that I’m able to carry myself through life without being crushed beneath the psychological weight of being alive proves that I’m a con artist. Aren’t we all con artists?
”
”
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
“
A true poet is more than just a man who can write a poem with a pen. A true poet writes poetry with his very life. A true poet doesn't use poetic devices to con the heart of a woman but uses the beauty of all that is poetic to serve, cherish, and express love to the heart of a woman. Just as a true warrior is not a conqueror of femininity but a protector of femininity, a true poet is not just a wooer of a woman's heart but one who knows how to nurture and plant love in a woman's heart. Simply put, a true poet is a man who knows how to be intimate with a lover - first and foremost with Christ.
”
”
Eric Ludy
“
Ustedes, las mujeres, escuchan más al corazón y menos a la tontería —concluyó el sombrerero con tristeza—. Por eso viven más.
”
”
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
“
Harrison had started out worried that Corrie would shoot Mary Rose because the woman was as crazy as everyone said she was, but by the time the one-sided conversation was finished, his concern had changed. Now he couldn't figure out why Corrie didn't shoot her just to shut her up.
”
”
Julie Garwood (For the Roses (Rose, #1))
“
You know what would really help? If men started looking at it like a bank. The more you deposit the more you can withdraw later. Make a woman come as a rule, she’s going to be more receptive to regular sex and much more open-minded about what’s on the table as far as experimenting. Common sense.
”
”
Chloe Cole (Undercover Lovers)
“
E anche se aveva problemi di lavoro e una storia infelice con una donna dalla lingua lunga, almeno aveva imparato a ridere meglio di chiunque altro al mondo.
”
”
Jack Kerouac (On the Road)
“
It was con; my mind was blank; I only wanted a halfpint of Grandad and six or seven tall cool beers . . .
”
”
Charles Bukowski (The Most Beautiful Woman in Town)
“
A woman’s sexuality is not at all like a man’s. A man can literally f**k a watermelon and come. If you put enough friction on his c**k, in some semblance of a rhythm, he will orgasm. It’s a no brainer.
”
”
Chloe Cole (Undercover Lovers)
“
Ya no volveré a oír su voz. Es ella, con sus palabras, sus manos, sus gestos, su manera de reír y de caminar, la que unía a la mujer que soy con la niña que fui. Perdí el nexo con el mundo del que salí.
”
”
Annie Ernaux (A Woman's Story)
“
I thought, My name is Matt and I'm an alcoholic. A woman I know got killed last night. She hired me to keep her from getting killed and I wound up assuring her that she was safe and she believed me. And her killer conned me and I believed him, and she's dead now, and there's nothing I can do about it. And it eats at me and I don't know what to do about that, and there's a bar on every corner and a liquor store on every block, and drinking won't bring her back to life but neither will staying sober, and why the hell do I have to go through this? Why?
”
”
Lawrence Block (Eight Million Ways to Die (Matthew Scudder, #5))
“
Not satisfied with what he's got? Is that it? That's husbands all over. Ungrateful pigs. You do everything for them, you bring up their kids, you cook their food, you wash their clothes, you warm their beds, you fuss over your face day after day so they'll fancy you, you wear yourself out to keep them happy and at the end of it all, what happens? They find someone else they fancy more. Someone young some man hasn't had the chance to wear out yet. Marriage is a con trick. A girl should marry a rich man, then at least she'd have a fur coat to keep her warm in her old age.
”
”
Fay Weldon (The Fat Woman's Joke)
“
this morning I go to pay for breakfast and there, right there at the Kroger check-out, staring me in the face is a national magazine with your picture on the cover. Counterfeit Countess, it said. In great big, bold type: Counterfeit! Countess! Counterfeit,” he reiterated, “a word interchangeable with forgery and often associated with arrest.” Ah, yes. Patrice had called from Austin and warned me she had sold the story to Woman’s World magazine. “Last sentence?” Mittwede asked. “You know what it is?’ “No, I’ve not seen it.” “Tanya says, ‘I’m going to grow up and be a con artist.’” It had struck me as pretty funny when I said it, but Mittwede had better delivery. I think it was the hysteria. He was saying, “I remember that story. That was like a year and a half ago. You didn’t tell me you were that girl, the Dallas Countess. I already knew the story but I read it again, and I know all the cops have read it again, too. And now your picture is with Passport Services and at the check-out counter. You think federal agents don’t buy groceries? You’re fucking crazy. We’re going to be arrested.” “You maybe need to take a Valium.” “I threw them all in the fire!” ~~~~~~
”
”
Tanya Thompson (Assuming Names: a con artist's masquerade (Criminal Mischief Book 1))
“
and I feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
”
”
Raven Leilani (Luster)
“
Convivamos con nuestros ovarios. Hagamos de cuenta que son dos cerebros más.
”
”
Josefina Barrón (Malabares en taco aguja)
“
Ser feliz tiene que ver con (des) encontrarse una misma. Suena cursi, lo sé. Pero pensándolo bien, todas las verdades suenan cursis.
”
”
Josefina Barrón (Malabares en taco aguja)
“
How was a man supposed to concentrate on the pros and cons of a pie-eating contest when the woman next to him insisted on being so adorable? It was inconvenient really.
”
”
Laurie Gilmore (The Pumpkin Spice Café (Dream Harbor, #1))
“
I don’t know if I ever liked you,” I say, and bathroom acoustics being what they are, the declaration is magnified and that much more unkind, which makes me feel bad until I see that he is missing a shoe, and I feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
”
”
Raven Leilani
“
She had fucking flowers in her hair. The woman was a romantic. Another strike against her in my book. Romantics were the hardest women to shake loose. The sticky ones. The ones who pretended they could handle the whole “no strings” deal. Meanwhile, they plotted to become “the one,” trying to con men into meeting their parents and secretly looking at wedding dresses.
”
”
Lucy Score (Things We Never Got Over (Knockemout, #1))
“
A good lawyer is part con man, part priest -- promising riches, threatening hell. My ethical rules are simple. I won't lie to the court or let a client do it. But I've never been in this position. How far would I go for a woman who mattered? Is there anything I wouldn't do to win?
”
”
Paul Levine (Flesh & Bones (Jake Lassiter, #7))
“
Người ta nói rằng khi phụ nữ khóc thì đừng ngăn cản. Vì như thế chỉ thêm dầu vào lửa. Khi phụ nữ khóc cũng đừng hỏi lí do vì sao. Vì nhiều khi ngay cả bản thân phụ nữ cũng không hiểu vì sao mình khóc. (p179)
”
”
Cho Chang-In (Bố con cá gai)
“
He saw her legs first. Ankle boots met her bare calves, and the tops of her knees were hidden under a maroon, long-sleeved body-con dress. His gaze momentarily flitted to her breasts, which were pushed up and toward him. He was only human, after all, and they were really amazing breasts. He was used to seeing her in conservative wardrobe choices for the show, or the casual-date look she'd had at the pumpkin patch and ice-cream shop. In this fitted, sleek dress that showed off every one of her curves, though, she looked...
”
”
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
“
James tenía muy claro que debía acostumbrarse a ciertas actividades
habituales de las que Kelsey disfrutaba, pero esperaba a cambio que ella
también intentara valorar su modo de vida. Así pues, el siguiente deseo de
James consistía en acudir al centro comercial y hacerle sombra a la película
Pretty Woman con Kelsey de protagonista principal.
—James, de verdad, no necesito comprarme ropa.
—Te aseguro que lo que acabas de decir es una mentira como una
catedral. —La miró de arriba abajo descaradamente—. ¡Algún día tendrás que venir a Londres y visitar mi hogar!
—¿Y…?
—Pues que no podrás ir vestida como una liberal cualquiera. —Suspiró—.
No te estoy pidiendo que cambies tu forma de vestir, te pido que amplíes tu
armario y no te cierres ante nuevos horizontes —matizó, haciendo un gran
esfuerzo por contenerse y no gritarle de golpe que sencillamente cuando fuese
a Londres debería seguir un protocolo y tirar todos los trapos que solía llevar.
”
”
Silvia Hervás
“
The unluckiest of the Caribbean’s sick came, in search of cures: a poor woman who, since childhood, had been counting the beats of her heart so long that she had run out of numbers to count; a Jamaican who, because of the tormenting sound the stars made, never slept; a sleepwalker who rose from bed at night, and in sleep undid all the things he had done in waking; and many other ailments too, less serious in nature.
”
”
Gabriel García Márquez (Un señor muy viejo con unas alas enormes)
“
Sé por experiencia que, en la vida, sólo en contadísimas ocasiones encontramos a alguien a quien podamos transmitir nuestro estado de ánimo con exactitud, alguien con quien podamos comunicarnos a la perfección. Es casi un milagro, o una suerte inesperada, hallar a esa persona. Seguro que muchos mueren sin haberla encontrado jamás. Y, probablemente, no tenga relación alguna con lo que se suele entender por amor. Yo diría que se trata, más bien, de un estado de entendimiento mutuo cercano a la empatía.
”
”
Haruki Murakami (Blind Willow, Sleeping Woman)
“
Ahora pienso con nostalgia en lo extrañas que son las reglas del amor. Varios hombres apuestos se enamoraron de mí. No obstante, ninguno de mis amigos logró conmover mis sentimientos. Y en cambio, un mocoso de baja condición, que pertenecía a la casa de cierto noble y que debería haberme disgustado, empleaba un estilo que, desde su primera carta, me habría empujado a sacrificar mi vida por él. Me escribía a menudo y quedé completamente seducida. Un buen día empecé a amarle y se acabó mi tranquilidad".
”
”
Saikaku Ihara (The Life of an Amorous Woman and Other Writings)
“
Dù sao thời gian cũng có một uy lực rất lớn và tuổi tác đã làm lắng dịu một cách kỳ lạ tất cả mọi tình cảm. Người ta cảm thấy gần với cái chết hơn, bóng của nó làm đường đi tối lại, mọi việc có vẻ không còn tươi sáng nữa, chúng không tác động bao nhiêu đến những nơi thầm kín của con người như trước kia và chúng cũng mất đi nhiều uy lực hiểm nghèo.
”
”
Stefan Zweig (Letter from an Unknown Woman and Other Stories)
“
He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
”
”
Raven Leilani (Luster)
“
Queste donne micidiali, non si può vivere nè con loro nè senza di loro.
”
”
Aristophanes (Lisistrata: Edizione Integrale (Italian Edition))
“
Good threat,” the woman chuckled. “Here’s mine: you’ve got about twenty minutes to hightail it over to Venetian before your brother becomes a memory wrote in pink mist. Toodles.
”
”
Daniel Younger (The Wrath of Con)
“
Y yo os digo que cualquiera que repudia a su mujer, salvo por causa de fornicación, y se casa con otra, adultera; y el que se casa con la repudiada, adultera.
”
”
Sociedades Bíblicas Unidas (Santa Biblia Reina-Valera 1960)
“
Stop playing with women you are not qualified for
”
”
Patrice Brown (The Finesser: A con man gets conned by the woman he’s ripped off… and that’s just the beginning.)
“
Ah the Eternal Stupid Woman! How we enjoy hearing about her:
as she listens to the con-artist yarns of the plausible snake,
and ends up eating the free sample of the apple from the Tree of Knowledge:
thus giving birth to Theology;
or as she opens the tricky gift box containing all human evils,
but is stupid enough to believe that Hope will be some kind of a solace.
”
”
Margaret Atwood (Good Bones and Simple Murders)
“
El
día en que a la mujer le sea posible amar con su fuerza, no con su debilidad, no para huirse,
sino para hallarse, no para destituirse, sino para afirmarse, entonces el amor será para ella,
como para el hombre, fuente de vida y no de mortal peligro. Mientras tanto, resume en su
figura más patética la maldición que pesa sobre la mujer encerrada en el universo femenino, la
mujer mutilada, incapaz de bastarse a sí misma. Las innumerables mártires del amor son un
testimonio contra la injusticia de un destino que les propone como última salvación un estéril
infierno
”
”
Simone de Beauvoir (The Second Sex)
“
As long as a woman is forced into believing she is powerless and/or is trained to not consciously register what she
knows to be true, the feminine impulses and gifts of her psyche con tinue to be killed off.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
Educated black women are too high maintenance, high strung, and independent—they don’t need men. There is a widening gap between the education of black women and men, which doesn’t leave very many “suitable” suitors. Unfortunately, the higher one’s degree, as a black woman, the lower your chances are of getting married. Add to the con pile the stereotypes of being loud, complicated, and difficult. Black women, your reputation sucks. Asian
”
”
Issa Rae (The Misadventures of Awkward Black Girl)
“
Pero ¿qué hay del amor?, preguntaréis. ¿Dónde está el amor en esta ecuación? Sé que él me amaba apasionadamente. Me amaba como el cuchillo ama a la herida que hace, como la tarántula hembra ama al macho cuya cabeza engulle, como el lactante ama el pezón que toma entre los dientes y mordisquea hasta que chorrea sangre con la leche.
No tenía intención de ser cruel. Era sencillamente su naturaleza, como la del escorpión que pica al caballo sobre el que cruza el riachuelo.
”
”
Erica Jong (Any Woman's Blues)
“
[...] i fantasmi dell'immaginazione si trasformano in personaggi definiti, unici, con la loro voce, disposti a raccontarmi le loro vite se concedo loro tempo a sufficienza. Sono così sicura della loro presenza da stupirmi che nessun altro riesca a percepirli
”
”
Isabel Allende (The Soul of a Woman: Rebel Girls, Impatient Love, and Long Life)
“
Cuando los campesinos compran más tierra con el fruto de su trabajo, eso significa que tienen que trabajar más que antes.
A fin de cuentas, las preocupaciones y el trabajo no tienen fin, y lo único que obtienen es la posibilidad de tener más quehacer que antes…
”
”
Kōbō Abe (The Woman in the Dunes)
“
Por eso uno se roe las uñas en la imposibilidad de hallar la paz en el simple latido del corazón; consume cigarrillos porque no está satisfecho con el ritmo de su propio cerebro; uno tiene que hacer temblar su cuerpo al no encontrar la satisfacción tan sólo en el sexo.
”
”
Kōbō Abe (The Woman in the Dunes)
“
Escribo sobre lo que me importa, a mi propio ritmo. Y en esas horas ociosas, que mi abuelo llamaba horas malgastadas, los fantasmas de la imaginación se convierten en personajes definidos, únicos, con su propia voz y dispuestos a contarme sus vidas si les doy suficiente tiempo.
”
”
Isabel Allende (The Soul of a Woman)
“
Si las mujeres no son una manada de seres frívolos y efímeros, ¿por qué se las debería mantener en la ignorancia bajo el nombre engañoso de la inocencia? Los hombres se quejan, y con razón, de la insensatez y los caprichos de nuestro sexo, cuando no se burlan con agudeza de nuestras impulsivas pasiones y nuestros vicios serviles. He aquí lo que debería responder: ¡el efecto natural de la ignorancia! La mente que sólo descansa en prejuicios siempre será inestable y la corriente marchará con furia destructiva cuando no existan barreras que rompan su fuerza.
”
”
Mary Wollstonecraft (A Vindication of the Rights of Woman)
“
Y yo sabía que a pesar de todas las rosas y besos y cenas en restaurantes que un hombre hacía llover sobre una mujer antes de casarse con ella, lo que secretamente deseaba para cuando la ceremonia de boda terminase era aplastarla bajo sus pies como la alfombra de la señora Willard.
”
”
Sylvia Plath (The Bell Jar)
“
Jamás creerían que esto es solo una mujer natural, un estado de la naturaleza, eso se lo parece un cuerpo moreno en la playa, con pelo ondeando como pañuelos al viento; no esto, cara con barro seco y manchada, piel sucia y costrosa, pelo como una alfombrilla deshilachada llena de hojas y ramas.
”
”
Margaret Atwood (Surfacing)
“
Una vita tranquilla e sicura non è materiale adatto alla scrittura.[...] Ho vissuto in un mare in tempesta, con onde che mi portavano sulla cresta e poi mi facevano precipitare nel vuoto [...] Ora navigo alla deriva, giorno dopo giorno, contenta del semplice fatto di galleggiare finché è possibile.
”
”
Isabel Allende (The Soul of a Woman: Rebel Girls, Impatient Love, and Long Life)
“
Las mujeres tienen derecho a decidir qué les parece gracioso y qué no, sin que por ello las acusen de ser lesbianas recalcitrantes. O frígidas. O alemanas. Esto incluye el derecho a ir por la calle sola con gesto neutro sin temor a que algún desconocido te suelte un «¡alegra esa cara!» a voz en grito.
”
”
Bridget Christie (A Book for Her)
“
... ¡Dios mío! ¡Haz que existas! Haz que haya un cielo y un infierno me pasearé por los senderos del paraíso con mi hijo y con mi hija querida y ellos se retorcerán en las llamas de la envidia los miraré tostarse y gemir reiré y los niños reirán conmigo. Me debes esa revancha Dios mío. Exijo que me la des.
”
”
Simone de Beauvoir (The Woman Destroyed)
“
Dù sao thời gian cũng có một uy lực rất lớn và tuổi tác đã làm lắng dịu một cách kỳ lạ tất cả mọi tình cảm. Người ta cảm thấy gần với cái chết hơn, bóng của nó làm đườn đi tối lại, mọi việc có vẻ không còn tươi sáng nữa, chúng không tác động bao nhiêu đến những nơi thầm kín của con người như trước kia và chúng cũng mất đi nhiều uy lực hiểm nghèo.
”
”
Stefan Zweig (Twenty Four Hours in the Life of a Woman & The Royal Game)
“
This reminds me that from woman I received my life. I make my acknowledgements to her con amore. It is a sufficient explanation for my subsequent devotion. It leads me to reflect that for nine happy months I was inside and part of her; under her petticoats in a sense different from that in which I have many years been under them while outside her.
”
”
M. Le Compte Du Bouleau (The Petticoat Dominant or Woman’s Revenge The Autobiography of a Young Nobleman as a Pendant to Gynecocracy by M. Le Comte du Bouleau)
“
Busco la perfección. Por eso es tan difícil.
–¿Un amor perfecto?
–¡No! No pido tanto. Lo que quiero es simple egoísmo. Un egoísmo perfecto. Por ejemplo: te digo que quiero un pastel de fresa, y entonces tú lo dejas todo y vas a comprármelo.
Vuelves jadeando y me lo ofreces. «Toma, Midori. Tu pastel de fresa», me dices. Y te suelto:
«¡Ya se me han quitado las ganas de comérmelo!». Y lo arrojo por la ventana. Eso es lo que yo quiero.
–No creo que eso sea el amor -le dije con semblante atónito.
–Sí tiene que ver. Pero tú no lo sabes -replicó Midori-. Para las chicas, a veces esto tiene una gran importancia.
–¿Arrojar pasteles de fresa por la ventana?
–Sí. Y yo quiero que mi novio me diga lo siguiente: «Ha sido culpa mía. Tendría que haber supuesto que se te quitarían las ganas de comer pastel de fresa. Soy un estúpido, un insensible. Iré a comprarte otra cosa para que me perdones. ¿Qué te apetece? ¿Mousse de chocolate? ¿Tarta de queso?».
–¿Y qué sucedería a continuación?
–Pues que yo a una persona que hiciera esto por mí la querría mucho.
”
”
Haruki Murakami (Norwegian Wood)
“
[On Vivienne Westwood] Vivienne’s scary, for the reason any truthful, plain-talking person is scary – she exposes you. If you haven’t been honest with yourself, this makes you feel extremely uncomfortable, and if you are a con merchant the game is up. She's uncompromising in every way: what she says, what she stands for, what she expects from you and how she dresses. She's direct and judgmental with a strong northern accent that accentuates her sincerity. She has a confidence I haven't seen in any other woman. She’s strong, opinionated and smart. She can’t beat complacency. She’s the most inspiring person I’ve ever met. Sid told me, ‘Vivienne says you’re talented but last.’ I’ve worked at everything twice as hard since he said that.
”
”
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
“
Beauty is a woman’s curse. Men will hurt you just because you’re beautiful. Just because they’re self-conscious and need to validate themselves, they build their esteem by tearing yours down. They will try to con you out of your virginity, misuse your body, make you grieve so much you lose your beauty, and rob you of your sanity, but they can never take away your knowledge.
”
”
Chassidy Rae Johnson
“
Lo mismo que ella en él, en la más extrema soledad, también él piensa en ella en el mismo momento. Apartada por leguas y muros, invisibles e inalcanzables una para otra, respiran sus dos almas con idéntico deseo en el mismo segundo del tiempo: en espacios inalcanzables, por encima del tiempo, se unen sus pensamientos, al difundirse en vibraciones circulares, lo mismo que labio y labio en el beso.
”
”
Stefan Zweig (Marie Antoinette: The Portrait of an Average Woman)
“
Concerning the narcissist- after having been so seemingly incredibly loving and gentle, compassionate and caring- it would be like a light switch had suddenly been turned off and “all of a sudden” they simply did not care. They turned into a cold person, someone without love, compassion, empathy or regard for the subject’s feelings what so ever. It’s like they suddenly and literally stopped being human.
”
”
Jacqueline Servantess (The Other Woman: Based On A True Story • Helping To Protect Young Women From Narcissist Married Men)
“
Sólo un recelo chiquito y fastidioso, como el grano de tierra que en un ojo se nos mete y nos hace sufrir tanto, me estorba para la felicidad absoluta. Y es la sospecha de que todavía no me quieres bastante, que no has llegado al supremo límite del querer, ¿qué digo límite, si no lo hay?, al principio del último cielo, pues yo no puedo hartarme de pedir más, más, siempre más; y no quiero, no quiero sino cosas infinitas, entérate... todo infinito, infinitísimo, o nada... ¿Cuántos abrazos crees que te voy a dar cuando llegues? Ve contando. Pues tantos como segundos tarde una hormiga en dar la vuelta al globo terráqueo. No; más, muchos más. Tantos como segundos tarde la hormiga en partir en dos, con sus patas, la esferita terrestre, dándole vueltas siempre por una misma línea... Con que saca esa cuenta, tonto.
”
”
Benito Pérez Galdós (Tristana)
“
Bien, escúchame con calma. Los que sufren vértigo, los drogadictos, los histéricos, los asesinos maniáticos, los sifilíticos, los deficientes mentales…, suponiendo que haya el uno por ciento de cada uno de ellos, sobre el total representarían un veinte por ciento… De ser posible enumerar otras ochenta anormalidades, y por supuesto se puede, se constituiría una prueba estadística de que la humanidad es cien por cien anormal.
”
”
Kōbō Abe (The Woman in the Dunes)
“
Me dare con que soy simplemente una mujer, una de carne y hueso. Que soy, como (casi) todas las de mi genero, una diosa metida en el cuerpo de un mamífero hembra. Hembra, hembron, embrague, acelerador, freno. Animal, estrella fugaz, ama de casa profesional, geisha matriarca, lideresa de comedor popular, activista, consumista voraz. Una bestia de la profesión n. Toda una (neo)(anti)(post) feminista. Un solo de contradicciones.
”
”
Josefina Barrón (Malabares en taco aguja)
“
No puedo entender los argumentos antiabortistas que se centran en que la vida es sagrada. Como especie, hemos demostrado hasta la saciedad que no creemos que la vida sea sagrada. La indiferencia con que aceptamos la guerra, las hambrunas, las epidemias, el dolor y la pobreza extrema y crónica, nos muestra que, por mucho que nos engañemos, solo hemos hecho el menor esfuerzo posible para tratar realmente la vida como algo sagrado.
”
”
Caitlin Moran (How to Be a Woman)
“
The hit-woman opened the door. No dead body on the floor. Thank God.
I heard an unearthly roar and then Jordan charged Liz from where she’d been hiding beside the door. She tackled her to the floor and stabbed her through the wrist with a small switchblade. The hit-woman shrieked and let go of the gun, allowing Jordan precious seconds to bat it across the room. She landed a couple hard punches to the assassin’s nose, bloodying it, before the other woman got the upper hand.
She grabbed a handful of Jordan’s ponytail and slammed her head into the edge of the coffee table. Jordan cried out, but didn’t let go of the knife. She withdrew it and held it against the assassin’s throat, shouting, “Move again and I’ll kill you, puta!”
Liz panted madly, but stayed put. Jordan glanced up at me. “You okay?”
“Alive,” I said through a grimace. “Not okay.”
“Good enough.” She returned her gaze to the woman pinned beneath her and glared.
“The police are on their way. And not the nice, human police. Angels. Get any ideas about trying to kill me again and you won’t even get to deal with them.”
“I’ve been in jail before,” Liz said, attempting to recapture her former arrogance. “I’ll get over it.”
Jordan leaned down a few inches, lowering her voice. “Really? How’d you like to return without your tongue?”
Liz’s eyes went wide, as did mine. “You wouldn’t dare.”
“You shot my best friend. Multiple times. Lex talionis.”
“You can’t kill me. You’re not a policewoman. You’re just a girl.”
“No. I’m a Seer. You and the rest of your friends had better learn the difference between a sheep and a wolf in sheep’s clothing. Until then…”
She lifted her fist and punched Liz hard in the temple. The assassin went out like a light.
“Vaya con dios, bitch.
”
”
Kyoko M. (The Deadly Seven (The Black Parade, #1.5))
“
[...] era un viso indimenticabile, un viso tragico. Sgorgava dolore con la stessa purezza, naturalezza e inarrestabilità con cui sgorga l'acqua da una sorgente nei boschi. Non c'era artificio in esso, né ipocrisia, né isterismo, né maschera; soprattutto non c'era la minima traccia di pazzia. La pazzia era nel mare vuoto, nel vuoto orizzonte, [...]; come se la sorgente fosse stata naturale in sé ma innaturale in quanto sgorgava da un deserto.
”
”
John Fowles (The French Lieutenant’s Woman)
“
They fell into contemplative silence until Jack asked, “Do you think unmarried women fantasize?”
Luke looked up. “About what?”
“About bedding.”
“No. They wouldn’t know where to begin.”
“Why?”
“Why what?”
“Why wouldn’t they know where to begin?”
“Because they don’t know the first thing about what goes on between a man and a woman.”
“Once they’ve learned they could fantasize.”
“Possibly.”
“So Lady Catherine isn’t a virgin.
”
”
Lorraine Heath
“
feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat.
”
”
Raven Leilani (Luster)
“
Mark had never seen her as a real con artist, like him. She was a woman and if a woman made a target want them, even love them, that’s what women did, right? It didn’t make her slick the way it did when a beautiful, rogue-hearted man came to town and stole hearts.
Women were supposed to be chameleons, formless and shapeless until the world told them their shape, so it didn’t impress him when she slipped into a role. Maybe he thought all women were con artists.
”
”
Holly Black (Thief of Night (Book of Night, #2))
“
Why hadn't she just said yes? Then she could have driven alone back to the city [...] and picked up some guy and brought him back home and screwed him and kicked him out and then picked up her daughter at the train the next day like a spy or a con artist, as if the two sides of herself didn't even care to know each other. But it was too late for that. Not just in terms of her ever becoming the kind of woman who knew how to do that kind of thing, without exposing herself as deluded or pathetic or ridiculous.
”
”
Jonathan Dee
“
Hace mucho tiempo que ha sufrido lo más duro: nada puede ser peor que su vida en estos últimos meses. Ahora viene lo más fácil: la muerte. Casi se precipita a su encuentro. Con tal rapidez sale de esta torre de espantosos recuerdos que -acaso empañados sus ojos por el llanto- se olvida de inclinarse en la baja puertecilla de salida y se golpea violentamente la frente contra la dura viga. Los acompañantes corren solícitos junto a ella y le preguntan si se ha hecho daño. «No -responde serenamente-, ya no hay ahora cosa alguna que pueda hacérmelo.»
”
”
Stefan Zweig (Marie Antoinette: The Portrait of an Average Woman)
“
If a guy has a thing for black women - jungle fever.
If a guy has a thing for asian women - yellow fever.
If a guy has a thing for indian women - curry craving.
Is there a term for having a thing for white women? What about latina woman?
For white women: Calcium deficiency? White delight? Snowburn? Mayo madness? Reverse-colonialism? Racism? The other white meat?
Empanada ecstacy? Guacamole grip? Tostones temptation? Arepa amor? Cafe con leche? A taste for churros? Sofrito satisfaction? Cortez' revenge? Catholocism? Arroz con pussy? Chile con culo?
”
”
stained hanes (94,000 Wasps in a Trench Coat)
“
So no one was surprised that they didn't make admissions; that would have been tantamount to surrendering in the lawsuit. But it was the tone that startled most people. If your wife catches you with another woman, every man knows, even if you're not sorry, you have to act sorry. You can't just stare back at her and say, "I don't get what you're so upset about."
And that's exactly how the Goldman executives behaved. It wasn't so much that they lied, it was that they seemed to think they were telling the truth. They seemed to really believe they were right.
”
”
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
“
In effetti a questo stadio della sua esistenza, Maria non era contraria per principio al bacio o allo strofinamento occasionale, o all'occasionale orgasmo. Ma più il tempo passava e più Maria cominciava a vedere le brame sessuali della razza umana, incluse le proprie, come il sintomo di una bramosia ben più grande, di una solitudine terribile, di un'urgenza di dimenticare se stessi che, così almeno si diceva in giro, poteva essere attenuata soltanto durante quell'atto tanto privato e particolare che tende ad aver luogo al piano di sopra, tra adulti consenzienti e con le tende tirate.
”
”
Jonathan Coe (The Accidental Woman)
“
Per secoli le donne hanno avuto la funzione di specchi dal potere magico e delizioso di riflettere raddoppiata la figura dell’uomo. (…)
Qualunque possa essere il loro uso nelle civiltà civilizzate, gli specchi sono indispensabili per ogni azione violenta ed eroica. Ecco perché Napoleone e Mussolini sostengono con tanta veemenza l’inferiorità delle donne, perché se queste non fossero inferiori, gli uomini cesserebbero di ingrandirsi. Questo serve a spiegare in parte, il bisogno che tanto spesso gli uomini sentono delle donne. E serve a spiegare la misura del loro disagio se colpiti dalla critica femminile; l’impossibilità per la donna di dire questo libro è brutto, questo dipinto manca di personalità, o qualunque altra cosa, senza suscitare molto più dolore e molta più rabbia di un uomo che esprimesse le stesse critiche. Perchè se lei comincia a dire la verità, la figura nello specchio si rimpicciolisce; viene eliminata la sua idoneità alla vita. Come potrà continuare a giudicare, civilizzare gli indigeni, emanare leggi, scrivere libri,vestirsi a festa e sproloquiare ai banchetti, se non riesce a vedersi a colazione e a cena almeno il doppio di quanto è realmente?
”
”
Virginia Woolf (A Room of One’s Own)
“
Necesitamos recuperar urgentemente la palabra "feminismo". Cuando las estadísticas señalan que sólo el 29% de las mujeres norteamericanas se describirían a si mismas como feministas, y sólo un 42% de las británicas, yo solía pensar: ¿Qué creéis que ES el feminismo, señoras? ¿Qué aspecto de la " liberación de la mujer" no va con vosotras? ¿Es el derecho al voto? ¿El derecho a no ser una propiedad del hombre con el que te casas? ¿La campaña por la igualdad de salarios? ¿El Vogue de Madonna? ¿Los vaqueros? ¿Todo esto tan cojonudo TE PONE DE LOS NERVIOS? ¿O sólo ESTABAS BORRACHA EL DÍA QUE HICIERON LA ENCUESTA?
”
”
Caitlin Moran (How to Be a Woman)
“
Me cuesta imaginar cómo esta mujer ha podido sobreponerse al trauma del pasado y entenderse con la institución que no solo instauró un régimen de terror durante diecisiete años en su país, sino que también asesinó a su padre, la torturó a ella y su madre y la envió al exilio. Uno de sus torturadores vivía en su mismo edificio y solían encontrarse en el ascensor. Cuando le preguntaban a Michelle Bachelet sobre la necesidad de reconciliación nacional, ella respondía que esa es una decisión personal; nadie puede exigirles perdón a quienes han sufrido la represión. El país debe avanzar hacia el futuro con la pesada carga del pasado.
”
”
Isabel Allende (The Soul of a Woman)
“
Ya me va bien —me dije,
haciéndole mimos a Hamid—, al final, lo que
cuenta son estas muchachas tan competentes que no
se han encontrado ni una de las dificultades con las
que yo he tenido que vérmelas. Tienen unos
modales, unas voces, unas exigencias, unas
pretensiones, una conciencia de sí mismas que yo
ni siquiera hoy me atrevo a permitirme. Otros,
otras no tienen esa suerte. En los países con cierto
bienestar ha predominado una medianía que oculta
los horrores del resto del mundo. Cuando de esos
horrores se desprende una violencia que llega
hasta el interior de nuestras ciudades y nuestras
costumbres nos sobresaltamos, nos alarmamos
”
”
Elena Ferrante
“
He never developed the walk that men get when the day is over and they are going back to their cells for another endless night—that flat-footed, hump-shouldered walk. Andy walked with his shoulders squared, and his step was always light, as if he were heading home to a good home-cooked meal and a good woman instead of to a tasteless mess of soggy vegetables, lumpy mashed potato, and a slice or two of that fatty, gristly stuff most of the cons called mystery meat . . . that, and a picture of Raquel Welch on the wall. But for those four years, although he never became exactly like the others, he did become silent, introspective, and brooding.
”
”
Stephen King (Different Seasons: Four Novellas)
“
It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues.
In what other language do people drive in a parkway and park in a driveway?
In what other language do people play at a recital and recite at a play?
Why does night fall but never break and day break but never fall?
Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo?
Why does a man get a hernia and a woman a hysterectomy?
Why do we pack suits in a garment bag and garments in a suitcase?
Why do privates eat in the general mess and generals eat in the private mess?
Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper?
Why are people who ride motorcycles called bikers and people who ride bikes called cyclists?
Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom?
Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women?
Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane:
In what other language do they call the third hand on the clock the second hand?
Why do they call them apartments when they’re all together?
Why do we call them buildings, when they’re already built?
Why it is called a TV set when you get only one?
Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus?
And why, pray tell, does lisp have an s in it?
If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...
”
”
Richard Lederer
“
La gente no acepta que se le diga sus verdades. Quieren que se crea sus lindas palabras o por lo menos que uno haga como si. Yo soy lúcida soy franca arranco las caretas. La tipeja que susurra: '¿Así que quiere mucho a su hermanito?' y yo con mi vocecita serena 'Lo detesto'. He seguido siendo esa adolescente que dice lo que piensa no hace trampas. Se me partía el corazón escucharlo pontificar y todos esos infelices de rodillas delante de él. Yo aparecía con mis grandes zuecos sus palabras solemnes quedaban desinfladas: el progreso la prosperidad el porvenir del hombre la felicidad de la humanidad la ayuda a los países subdesarrollados la paz del mundo. No soy racista pero me importan un pito los árabes los judíos los negros exactamente como me importan un pito los chinos los rusos los yanquis los franchutes. Me importa un pito la humanidad qué es lo que ella ha hecho por mí me gustaría saberlo. Si son lo bastante estúpidos como para degollarse bombardearse tirarse napalm exterminarse no gastaré mis ojos llorando. Un millón de niños degollados ¿y qué? Los niños nunca son otra cosa que semilla de canallas y así se descongestiona un poco el planeta reconocen que está superpoblado ¿y entonces qué? Si yo fuera la tierra me daría asco toda esa gusanada en mi espalda me la sacudiría. Si todos revientan yo quiero reventar. Los niños no son nada para mí no voy a enternecer por ellos. Mi hija está muerta y me han robado a mi hijo.
”
”
Simone de Beauvoir (The Woman Destroyed)
“
Los jóvenes suelen preguntarme cómo es amar a mi edad. Parecen atónitos de que yo todavía pueda hablar de corrido, más aún enamorarme. Bueno, es lo mismo que enamorarse a los diecisiete, como asegura Violeta Parra, pero con una sensación de urgencia. Roger y yo tenemos pocos años por delante. Los años pasan sigilosamente, de puntillas, burlándose, y de repente nos asustan en el espejo, nos golpean por la espalda. Cada minuto es precioso y no podemos perderlo en malentendidos, impaciencia, celos, mezquindades y tantas otras tonterías que ensucian las relaciones. En realidad, esta fórmula se puede aplicar en cualquier edad, porque siempre los días están contados. Si lo hubiera hecho antes, no tendría dos divorcios en mi haber.
”
”
Isabel Allende (The Soul of a Woman)
“
La luna, la mujer y las aguas poseen un fuerte simbolismo arquetípico que las relaciona y las enlaza con una naturaleza transformadora, creadora y destructora. (...) Tenían (las mujeres) la capacidad de formar y materializar la vida en su vientre, tomando un alma del otro mundo y dándole cuerpo y existencia en esta realidad, así como de decidir sobre el bienestar o la muerte de la familia al estar al cargo de la nutrición y el cuidado. Sin embargo, esta capacidad de transitar entre mundos, de surcar las aguas oscuras viajando entre la vida y la muerte, sueño y realidad, lo consciente y lo inconsciente, les daría un enorme poder en también otros aspectos, como el conocimiento de aquello oculto o no expreso del mundo tangible.
”
”
Solitude of Alanna (En mi bosque interior)
“
Ernestina aveva esattamente il viso che andava bene per quell'epoca, cioè ovale, col mento piccolo, delicato come una violetta. Potete ancora vederlo nei disegni dei grandi illustratori di allora, nell'opera di Phiz o di John Leech. Il grigio degli occhi e il pallore della pelle non facevano che accentuare la delicatezza del resto. A un primo incontro sapeva abbassare gli occhi con molta grazia, quasi avesse temuto di svenire se un uomo le avesse rivolto la parola. Ma c'era una minuscola inclinazione all'angolo delle palpebre, cui ne corrispondeva un'altra all'angolo delle labbra - per conservare la stessa similitudine. lieve come la fragranza delle violette di febbraio - che smentiva, sottilissimamente ma inconfondibilmente, la sua apparente obbedienza totale al grande dio Maschio.
”
”
John Fowles (The French Lieutenant’s Woman)
“
Non innamorarti di una donna che legge,
di una donna che sente troppo,
di una donna che scrive…
Non innamorarti di una donna colta, maga, delirante, pazza.
Non innamorarti di una donna che pensa,
che sa di sapere e che inoltre è capace di volare,
di una donna che ha fede in se stessa.
Non innamorarti di una donna che ride
o piange mentre fa l’amore,
che sa trasformare il suo spirito in carne e, ancor di più,
di una donna che ama la poesia (sono loro le più pericolose),
o di una donna capace di restare mezz'ora davanti a un quadro o che non sa vivere senza la musica.
Non innamorarti di una donna intensa, ludica,
lucida, ribelle, irriverente.
Che non ti capiti mai di innamorarti di una donna così.
Perché quando ti innamori di una donna del genere,
che rimanga con te oppure no, che ti ami o no,
da una donna così, non si torna indietro.
Mai.
”
”
Martha Rivera-Garrido
“
Se quedó pasmado. Parecía que la mujer se hubiera quitado una máscara. La cara de la aldea se le presentaba al descubierto a través de la mujer. Hasta ese momento se suponía que la aldea, unilateralmente, era el verdugo; o tal vez una planta carnívora sin voluntad propia, o una voraz anémona de mar, y se suponía que él era una pobre víctima que casualmente había caído en la trampa. Pero desde el punto de vista de los aldeanos, eran ellos los abandonados, y naturalmente no veían razón para sentir ninguna obligación hacia el mundo exterior. De manera que, si él era uno de los causantes del perjuicio, lógicamente los colmillos de los aldeanos estaban dirigidos a él. Nunca se le había ocurrido pensar de esta manera acerca de su relación con ellos. No era raro que se sintiera confundido y molesto. Pero aunque ése fuera el caso, y así lo admitía, batirse en retirada en ese punto sería como abandonar su propia justificación.
”
”
Kōbō Abe (The Woman in the Dunes)
“
... And I said: 'What kind of trouble with your drama teacher?' She said: 'Well I'm having difficulty with the feelings.' I said: 'The... the f-feelings?' She said: 'You know...' ...she said: 'You know the, the feelings.' Like I would know. I said 'You saw me in a play?' She said. 'Yeah' 'And you thought it was good?' And she said 'Yeah, thought it was absolutely marv- ... ' I said 'Well, I can absolutely guarantee you that I'm not feeling anything. I'm at work. D'you know what I mean? I'm a bit busy. I'm a bit pushed. I have to do - I have to achieve about... 1500 things over a period of two and half hours or whatever the play length might be. I have to make love to a woman, smoke cigarettes, reach the door handle, hit the door handle when that verbal cue comes coz otherwise the lights will go funny, I have to, you know, get semi-naked and eat chilli con carne. You know. I'm occupied. I can't be feeling stuff. You know, that I do on my own time.' And you can't phone up on a wet Wednesday and say: 'D'you know what? [shakes head sadly]... I'm not feeling it. So I don't think I'll come in today.'
People who teach acting they have to talk for a very long time. Sometimes two years of talk. Or sometimes three. And there isn't that much to say. And they start making it up, sometimes. Or they'll concentrate on things that are undeniable. Like you can't say: 'I am feeling it.' 'No you're not. No, I can't... you know, you're not feel-... I can't... you know, I'm sorry but I just - you're not feeling it, you gotta feel it.' 'Yeah I am. I think I'm feeling it...' You know, it's all completely unnecessary. The audience have no interest in what you might be feeling. You're supposed to give the appearance of feeling something. Like you did when you were a kid. It is an extension of what you did in the back yard when you played the bank robber and the other guy played... the policeman.
”
”
Bill Nighy
“
As a young man I started searching for my own identity by looking into family, friends and inside
Myself. My mother always taught us to live free even when confined, meaning “never let anyone break you down physically or mentally.” Since my living environment was so heavily impacted with violence and illegal activity I found myself adapting to social norms that later in my adult life would negatively affect me. For example, certain physical reactions that were acceptable, as a child would give you a reputation on the street as tough guy, don’t mess with him. The same mentality later in life, as a man would label you as a predator of some sort and a woman abuser. It was hard to understand the true value of a man and all his worth and everything he is capable of achieving, when you’re surrounded by pimps, hustlers and con men that all may make more money than the men with trade jobs and have more of an appealing lifestyle for the short- term progress.
”
”
Rubin Scott
“
What is a novel, anyway? Only a very foolish person would attempt to give a definitive answer to that, beyond stating the more or less obvious facts that it is a literary narrative of some length which purports, on the reverse of the title page, not to be true, but seeks nevertheless to convince its readers that it is. It's typical of the cynicism of our age that, if you write a novel, everyone assumes it's about real people, thinly disguised; but if you write an autobiography everyone assumes you're lying your head off. Part of this is right, because every artist is, among other things, a con-artist.
We con-artists do tell the truth, in a way; but, as Emily Dickenson said, we tell it slant. By indirection we find direction out -- so here, for easy reference, is an elimination-dance list of what novels are not.
-- Novels are not sociological textbooks, although they may contain social comment and criticism.
-- Novels are not political tracts, although "politics" -- in the sense of human power structures -- is inevitably one of their subjects. But if the author's main design on us is to convert us to something -- - whether that something be Christianity, capitalism, a belief in marriage as the only answer to a maiden's prayer, or feminism, we are likely to sniff it out, and to rebel. As Andre Gide once remarked, "It is with noble sentiments that bad literature gets written."
-- Novels are not how-to books; they will not show you how to conduct a successful life, although some of them may be read this way. Is Pride and Prejudice about how a sensible middle-class nineteenth-century woman can snare an appropriate man with a good income, which is the best she can hope for out of life, given the limitations of her situation? Partly. But not completely.
-- Novels are not, primarily, moral tracts. Their characters are not all models of good behaviour -- or, if they are, we probably won't read them. But they are linked with notions of morality, because they are about human beings and human beings divide behaviour into good and bad. The characters judge each other, and the reader judges the characters. However, the success of a novel does not depend on a Not Guilty verdict from the reader. As Keats said, Shakespeare took as much delight in creating Iago -- that arch-villain -- as he did in creating the virtuous Imogen. I would say probably more, and the proof of it is that I'd bet you're more likely to know which play Iago is in.
-- But although a novel is not a political tract, a how-to-book, a sociology textbook or a pattern of correct morality, it is also not merely a piece of Art for Art's Sake, divorced from real life. It cannot do without a conception of form and a structure, true, but its roots are in the mud; its flowers, if any, come out of the rawness of its raw materials.
-- In short, novels are ambiguous and multi-faceted, not because they're perverse, but because they attempt to grapple with what was once referred to as the human condition, and they do so using a medium which is notoriously slippery -- namely, language itself.
”
”
Margaret Atwood (Spotty-Handed Villainesses)
“
How long does it last?" Said the other customer, a man wearing a tan shirt with little straps that buttoned on top of the shoulders. He looked as if he were comparing all the pros and cons before shelling out $.99. You could see he thought he was pretty shrewd.
"It lasts for as long as you live," the manager said slowly. There was a second of silence while we all thought about that. The man in the tan shirt drew his head back, tucking his chin into his neck. His mind was working like a house on fire
"What about other people?" He asked. "The wife? The kids?"
"They can use your membership as long as you're alive," the manager said, making the distinction clear.
"Then what?" The man asked, louder. He was the type who said things like "you get what you pay for" and "there's one born every minute" and was considering every angle. He didn't want to get taken for a ride by his own death.
"That's all," the manager said, waving his hands, palms down, like a football referee ruling an extra point no good. "Then they'd have to join for themselves or forfeit the privileges."
"Well then, it makes sense," the man said, on top of the situation now, "for the youngest one to join. The one that's likely to live the longest."
"I can't argue with that," said the manager.
The man chewed his lip while he mentally reviewed his family. Who would go first. Who would survive the longest. He cast his eyes around to all the cassettes as if he'd see one that would answer his question. The woman had not gone away. She had brought along her signed agreement, the one that she paid $25 for.
"What is this accident waiver clause?" She asked the manager.
"Look," he said, now exhibiting his hands to show they were empty, nothing up his sleeve, "I live in the real world. I'm a small businessman, right? I have to protect my investment, don't I? What would happen if, and I'm not suggesting you'd do this, all right, but some people might, what would happen if you decided to watch one of my movies in the bathtub and a VCR you rented from me fell into the water?"
The woman retreated a step. This thought had clearly not occurred to her before.
”
”
Michael Dorris (A Yellow Raft in Blue Water)
“
Cuando un joven que se declaraba incel (un «célibe involuntario»), después de que una chica lo rechazara y de llevar «más de dos años» sin tener relaciones sexuales, mató a treinta y dos personas en Canadá (porque que no conseguía «hacer» que ninguna mujer se acostara con él, pobrecillo), les pregunté a las mujeres de Twitter qué hacían ellas cuando llevaban más de dos años sin tener relaciones sexuales.
«Hacía calceta», «Leía poesía», «Aprendí capoeira y me apunté a clases de baile», «Me compré todos los libros de Alfred Wainwright y me aficioné a hacer senderismo por el Distrito de los Lagos», «Adopté un gato», «Escribí un libro», «Aprendí cerámica», «Aprendí a cocinar», «Me masturbaba». Hay cientos de miles de mujeres faltas de afecto y rechazadas sexualmente, y ni una sola ha protagonizado una matanza en un colegio, una discoteca ni un centro comercial. Ninguna mujer ha matado a un montón de gente porque se sintiera rechazada por la sociedad, pese a que me atrevería a afirmar que las mujeres sufren desengaños amorosos como mínimo con la misma frecuencia que los hombres.
”
”
Caitlin Moran (More Than a Woman: A Brutally Honest and Hilarious Feminist Memoir on Parenting, Marriage, and Middle-Age)
“
Maybe I've put too much high hopes and expectations on you, or started holding you to an unreachable standard."
"That isn't fair," he says, his own breath coming quicker. He's starting to look less confused and more straight-up angry. Join the club, bud. "I probably should have told you before Geoffrey and Aiden, but I was excited, and you've been ignoring all my attempts to talk since UltiCon. And I really didn't think you would take the news this way. I thought it was a good thing and truthfully? I think you're overreacting."
The little porcupine quills that I imagine live just beneath my skin, primed to shoot up and protect me at a moment's notice, are at the ready now. Except they feel more like Wolverine claws in this case, and Norberto Beneventi's about to feel their wrath.
"Overreacting, huh? Love to hear that. Sorry I'm not over the moon, shooting rainbows out my eyeballs because I'm so delighted for you. Sorry I'm not a selfless little woman whose only goal in life is to see her man shine, that I have real feelings and ambitions for myself."
"Reese, for the love of---" he shouts, throwing his hands up in the air and walking in a tight circle before returning to stand in front of me. He adjusts his cap with a long-suffering sigh. "You know what? I think you've been waiting for this. I think you figured out that there was more to say after our last conversation, and you know this is not that big of a deal, but you've been scared for so long, and angry, and the world's been unfair to you. And I bet whether you realize it or not, you've been waiting for the first excuse to get rid of me for good. You're used to being alone and it's easier than letting another person in, so all you needed was the smallest hint that something may not be perfect and boom---no more Benny. Am I right?"
I scoff, moving to pass him for real this time and not stopping when his hand brushes my shoulder. "You just know me so well, don't you? Please, tell me more about how I'm feeling, why I do the things I do. But you'll have to send it in another message, because I don't have to stay here and listen to it."
I hoist my bag farther onto my shoulder and stomp away from him, my own fury nearly blocking out his parting words.
"Go on, then. Maybe you can move back across the country. See if running from your problems works the second time around.
”
”
Kaitlyn Hill (Love from Scratch)
“
The curate called everything Helen's. He
had a great contempt for the spirit of men who
marry rich wives and then lord it over their
money, as if they had done a fine thing in get-
ting hold of it, and the wife had been but
keeping it from its rightful owner. They do
not know what a confession their whole bear-
ing is, that but for their wives' money, they
would be the merest, poorest nobodies. So
small are they that even that suffices to make
them feel big ! But Helen did not like it,
especially when he would ask her if he might
have this or that, or do so and so. Any com-
mon man who heard him would have thought
him afraid of his wife; but a large-hearted
woman would at once have understood, as did
Helen, that it came all of his fine sense of truth,
and reality, and obligation. Still Helen would
have had him forget all such matters in con-
nection with her. They were one beyond
obligation. She had given him herself, and
what were bank-notes after that ? But he
thought of her always as an angel who had taken
him in, to comfort, and bless, and cherish him
with love, that he might the better do the work
of his God and hers ; therefore his obligation to
her was his glory.
”
”
George MacDonald (Paul Faber: Surgeon V1 (1879))
“
Sometimes Marlboro Man and I would venture out into the world--go to the city, see a movie, eat a good meal, be among other humans. But what we did best was stay in together, cooking dinner and washing dishes and retiring to the chairs on his front porch or the couch in his living room, watching action movies and finding new and inventive ways to wrap ourselves in each other’s arms so not a centimeter of space existed between us. It was our hobby. And we were good at it.
It was getting more serious. We were getting closer. Each passing day brought deeper feelings, more intense passion, love like I’d never known it before. To be with a man who, despite his obvious masculinity, wasn’t at all afraid to reveal his soft, affectionate side, who had no fears or hang-ups about declaring his feelings plainly and often, who, it seemed, had never played a head game in his life…this was the romance I was meant to have.
Occasionally, though, after returning to my house at night, I’d lie awake in my own bed, wrestling with the turn my life had taken. Though my feelings for Marlboro Man were never in question, I sometimes wondered where “all this” would lead. We weren’t engaged--it was way too soon for that--but how would that even work, anyway? It’s not like I could ever live out here. I tried to squint and see through all the blinding passion I felt and envision what such a life would mean. Gravel? Manure? Overalls? Isolation?
Then, almost without fail, just about the time my mind reached full capacity and my what-ifs threatened to disrupt my sleep, my phone would ring again. And it would be Marlboro Man, whose mind was anything but scattered. Who had a thought and acted on it without wasting even a moment calculating the pros and cons and risks and rewards. Who’d whisper words that might as well never have existed before he spoke them: “I miss you already…” “I’m thinking about you…” “I love you…” And then I’d smell his scent in the air and drift right off to Dreamland.
This was the pattern that defined my early days with Marlboro Man. I was so happy, so utterly content--as far as I was concerned, it could have gone on like that forever. But inevitably, the day would come when reality would appear and shake me violently by the shoulders.
And, as usual, I wasn’t the least bit ready for it.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Donne non si nasce, lo si diventa. Nessun destino biologico, psichico, economico definisce l’aspetto che riveste in seno alla società la femmina dell’uomo; è l’insieme della storia e della civiltà a elaborare quel prodotto intermedio tra il maschio e il castrato che chiamiamo donna.
Ma cos'e' la donna? E' semplicissimo – dice chi ama le formule semplici: è una matrice, un’ovaia; è una femmina: ciò basta a definirla. In bocca all’uomo, la parola “femmina” suona come un insulto; eppure l’uomo non si vergogna della propria animalità, anzi è orgoglioso se si dice di lui: “E’ un maschio!”
Ora la donna è sempre stata, se non la schiava, la suddita dell’uomo; i due sessi non si sono mai divisi il mondo in parti uguali e ancora oggi, nonostante che la condizione della donna si sia evoluta, la donna è gravemente handicappata.
Economicamente gli uomini e le donne costituiscono quasi due caste (due gabbie salariali si direbbe oggi); a parità di condizioni i primi hanno situazioni più favorevoli, salari più elevati, maggiori probabilità di riuscita. Nulla di nuovo si dice quando si afferma che gli uomini occupano nell’industria, nella politica, nell’economia, un numero assai più grande di posti e detengono le cariche più importanti.
L’uomo può pensarsi senza la donna: lei non può pensarsi senza l’uomo. Lei è soltanto ciò che l’uomo decide che sia; così viene qualificata “il sesso”, intendendo che la donna appare essenzialmente al maschio un essere sessuato: la donna per lui è sesso, dunque lo è in senso assoluto. La donna si determina e si differenzia in relazione all’uomo, non l’uomo in relazione a lei; è l’inessenziale di fronte all’essenziale.
L'uomo è definito come un essere umano e una donna come una femmina - ogni volta che si comporta come un essere umano si dice che imiti il maschio.
Le donne vivono disperse in mezzo agli uomini, legate ad alcuni uomini – padre o marito – più strettamente che alle altre donne; e ciò per i vincoli creati dalla casa, dal lavoro, dagli interessi economici, dalla condizione sociale.
C’è una strana malafede nel conciliare il disprezzo per le donne con il rispetto di cui si circondano le madri. È un paradosso criminale negare alla donna ogni attività pubblica, precluderle la carriera maschile, proclamare la sua incapacità in tutti i campi, e affidarle l’impresa più delicata e più grave: la formazione di un essere umano. Finché la famiglia e il mito della famiglia e il mito della maternità e l'istinto materno non saranno soppressi, le donne saranno oppresse.
”
”
Simone de Beauvoir (Le deuxième sexe, I)
“
Junto con la ropa interior el amor es una tarea de las mujeres. Las mujeres se tienen que enamorar. Cunado hablabamos de las grandes tragedias que pueden ocurrirle a una mujer, una vez descartadas la guerra y la enfermedad, la idea que más nos estremece es la de no ser amada, y por tanto que no nos necesiten
”
”
Caitlin Moran (How To Be a Woman Quick Reads 2021)
“
Cualquier acto en el que una mujer participe con alegría, en medio de un ambiente igual de festivo y seguro, estará dentro de las murallas del feminismo. Cuando suena su músic favorita, una chica tiene derecho a bailar como le de la gana
”
”
Caitlin Moran (How to Be a Woman)
“
I just don't give a damn, woman. White or black, I want you for what you are.
”
”
Con Sellers (Sweet Caroline)
“
La separación de los espacios en función del género significaba que la producción podía alinearse con el mundo de los hombres, y el consumo, con el de las mujeres.
”
”
Leslie Kern (Feminist City: A Field Guide)
“
En esta línea surgió también el concepto de miasma moral: la idea de que la depravación podía contagiarse por sola proximidad con alguien que la portara. La presencia usual de mujeres “haciendo la calle”, que ejercían abiertamente el oficio e inducían a hombres buenos a entrar en el mundo del vicio,
escandalizaba a los escritores de la época.
”
”
Leslie Kern (Feminist City: A Field Guide)
“
He thinks you’re a con. He thinks you’re ripping us off. He looked up people in your line of work. He wants to know why you charge so much.
”
”
Mary Kubica (Local Woman Missing)
“
Witch” is something we call a woman who demands the benefit of the doubt, who speaks the truth, who punctures the con, who kills your joy if your joy is killing. A witch has power and power in women isn’t likable, it’s ugly, cartoonish. But to not assert our power—even if we fail—is to let them do it. This new truth telling, this witchcraft of ours, by definition cannot be likable. We cannot pander or wait for consensus; the world is too big and complicated and rigged. We are saying the things that people don’t like, the only truly “edgy” things; that is the point.
”
”
Lindy West (The Witches are Coming)
“
Perché nella maternità adoriamo il sacrificio? Donde è scesa a noi questa inumana idea dell’immolazione materna? Di madre in figlia, da secoli, si tramanda il servaggio.
È una mostruosa catena. Tutte abbiamo, a un certo punto della vita, la coscienza di quel che fece pel nostro bene chi ci generò; e con la coscienza il rimorso di non aver compensato adeguatamente l’olocausto della persona diletta. Allora riversiamo sui nostri figli quanto non demmo alle madri, rinnegando noi stesse e offrendo un nuovo esempio di mortificazione, di annientamento. Se una buona volta la fatale catena si spezzasse, e una madre non sopprimesse in sé la donna, e un figlio apprendesse dalla vita di lei un esempio di dignità? Allora si incomincerebbe a comprendere che il dovere dei genitori s’inizia ben prima della nascita dei figli, e che la loro responsabilità va sentita innanzi, appunto allora che più la vita egoistica urge imperiosa, seduttrice.
Quando nella coppia umana fosse la umile certezza di possedere tutti gli elementi necessari alla creazione d’un nuovo essere integro, forte, degno di vivere, da quel momento, se un debitore v’ha da essere, non sarebbe questi il figlio?
Per quello che siamo, per la volontà di tramandare più nobile e più bella in essi la vita, devono esserci grati i figli, non perché, dopo averli ciecamente suscitati dal nulla, rinunziamo all’essere noi stessi…
”
”
Sibilla Aleramo (A Woman)
“
And this is the ultimate dating advice lesson — man, woman, gay, straight, trans, furry, whatever — the only real dating advice is self-improvement. Everything else is a distraction, a futile battle in the grey area, a prolonged ego trip. Because, yes, with the right tools and performance, you may be able to con somebody into sleeping with you, dating you, even marrying you. But you will have won the battle by sacrificing the war, the war of long-term happiness.
”
”
Mark Manson
“
Las condiciones culturales más destructivas en las que puede nacer y vivir una mujer son aquellas que insisten en la necesidad de obedecer sin consultar con la propia alma, las que carecen de compresivos rituales de perdón, las que obligan a la mujer a elegir entre su alma y la sociedad, aquellas en las que las conveniencias económicas o los sistemas de castas impiden la compasión por los demás, en las que el cuerpo es considerado algo que hay que "purificar" o un santuario que se rige por decretos, en las que lo nuevo, lo insólito o lo distinto no suscita el menor placer, en las que la curiosidad y la creatividad son castigadas y denostadas en lugar de ser premiadas o en las que solo se premian si el sujeto no es una mujer, aquellas en las que se cometen actos dolorosos contra el cuerpo, unos actos que, encima, se llaman sagrados, o aquellas en la mujer es castigada injustamente "por su bien", tal como lacónicamente dice Alice Miller, y en las que el alma no se considera un ente de pleno derecho.
”
”
Clarissa Pinkola Estés (Woman Who Glows in the Dark: A Curandera Reveals Traditional Aztec Secrets of Physical and Spiritual Health)
“
Can’t a girl get some peace?” I ask. “You’re a woman. Of course, you can’t,” Bri says, and it makes me laugh. She’s years younger than me and she’s already figured it out. We all figured it out years and years before this that we weren’t going to be treated the same. “I just don’t understand why it has to be harder for women. In sports. In life.
”
”
Emma Miller (The Pros and Cons of Us)
“
Can’t a girl get some peace?” I ask. “You’re a woman. Of course, you can’t,” Bri says, and it makes me laugh. She’s years younger than me and she’s already figured it out. We all figured it out years and years before this that we weren’t going to be treated the same. “I just don’t understand why it has to be harder for women. In sports. In life.”
“Because we were set up for that our whole lives. Live in the shadows or die trying to step into the sun, and get burned even when you do. If you sleep around, you’re a slut. If you don’t, you’re a prude. If you don’t play sports you’re lazy, and if you study too much you’re a bore. If you don’t dress up for class you’re sloppy, but if you do, you’re doing too much. We can never win.
”
”
Emma Miller (The Pros and Cons of Us)
“
Pagani e giudei potevano avere idee diverse su Dio, ma sulla donna avevano di sicuro la stessa. Il problema non era il fatto che Dio fosse «solo uno», ma chi dovesse essere il suo corrispettivo sociale, cioè l'uno che nella società aveva il potere di occupare la casella di Dio con la sua faccia. Se qualche categoria doveva essere esclusa, era più logico fosse una sottomessa, impossibilitata a opporsi al suo annichilimento. Sia nel mondo giudaico di partenza sia in quello greco-romano di arrivo c'erano persone - donne e bambini, schiavi, poveri e stranieri - che erano meno persone di altre, o non lo erano affatto, e a stabilirne la dignità erano gli uomini, cittadini, i patriarchi e i ricchi padroni. Per chi era già alI'apice della scala sociale, la svolta storica del cristianesimo di Stato fu una manna dal cielo: disegnare Dio a propria immagine fu il modo in cui le classi privilegiate riuscirono a rendere letteralmente sacrosanto il dislivello dei diritti che c'era da prima.
”
”
Michela Murgia (God Save the Queer: Catechismo femminista)
“
Edna never took decisions lightly. She was a woman of few words, a listener, a reader of silences, of the pauses that came between thoughts and ideas. Living in the South, she had learned to decipher absence, fill in the gaps, read smiles and smirks and hand gestures, and then wait for clarity. She would do that now. Take her time, weigh the pros and cons of staying in Savannah and enduring its codes or following the thousands of other migrants and becoming a nurse in a TB hospital. (pg. 26)
”
”
Maria Smilios (The Black Angels: The Untold Story of the Nurses Who Helped Cure Tuberculosis)
“
The Bush administration caught a break when the Supreme Court handed down a compromise on June 29. Ruling 5–4, the justices preserved key portions of the Pennsylvania law but also upheld Roe, striking down the portion of the Abortion Control Act that placed an “undue burden” on the mother’s efforts to seek an abortion, which was just the spousal notification requirement. The court also overturned the trimester standard governing abortion restrictions in favor of the looser concept of “viability.” Sandra Day O’Connor, writing the majority opinion, expressed a degree of exasperation with the Republican administration’s continued efforts to attack Roe: “Liberty finds no refuge in a jurisprudence of doubt. Yet 19 years after our holding that the Constitution protects a woman’s right to terminate her pregnancy in its early stages, Roe v. Wade, 410 U. S. 113 (1973), that definition of liberty is still questioned. Joining the respondents as amicus curiae, the United States, as it has done in five other cases in the last decade, again asks us to overrule Roe.” Justice O’Connor’s opinion also included a good deal of concern for the institutional damage that would happen if the court were politically whipsawed to overturn the settled precedent of Roe: “A decision to overrule Roe’s essential holding under the existing circumstances would address error, if error there was, at the cost of both profound and unnecessary damage to the Court’s legitimacy, and to the nation’s commitment to the rule of law. It is therefore imperative to adhere to the essence of Roe’s original decision, and we do so today.” In his dissent, Chief Justice William Rehnquist complained that the court had rendered Roe a “facade” and replaced it with something “created largely out of whole cloth” and “not built to last.” “Roe v. Wade stands as a sort of Potemkin village,” Rehnquist wrote, “which may be pointed out to passers-by as a monument to the importance of adhering to precedent.
”
”
John Ganz (When the Clock Broke: Con Men, Conspiracists, and How America Cracked Up in the Early 1990s)
“
Edwards, who certainly did not lack for worldliness and even cynicism, was unsettled by the degree of rancor Duke could inspire. At a debate in front of the state convention of the American Association of Retired Persons, Edwards discovered how deep the Duke appeal went. Edwards promised improvements in services for seniors; the crowd wasn’t interested, but they gnashed at Duke’s red meat about the illegitimate birth rate and the welfare underclass. Edwards tried to appeal to facts: “A welfare mother only receives an extra $11 a week with each extra child she bears. Can you see a woman sitting around the kitchen table scheming to get pregnant to get another $11 a week?” The crowd shouted back, “Yes!” Edwards protested: “He’s appealing to your base emotions. Who is going to be next? The disabled? The old? You better think about it.” He was drowned out by boos. The Louisiana AARP endorsed Duke.
”
”
John Ganz (When the Clock Broke: Con Men, Conspiracists, and How America Cracked Up in the Early 1990s)
“
Cuando resbalas con una piel de plátano, la gente se rie de ti; pero cuando cuentas que te has resbalado con una piel de plátano quien se rie eres tú. Así pasas a ser la heroína del chiste en lugar de la víctima.
”
”
Nora Ephron (I Feel Bad About My Neck and Other Thoughts on Being a Woman)
“
And it’s no accident, I’d add, that the transsexual is the only thing that trans can describe that queer can’t. The transsexual is not queer; this is the best thing about her. Take Agnes, the pseudonymous transsexual woman who famously posed as intersex at UCLA’s Gender Identity Clinic in the late fifties in order to obtain access to vaginoplasty. Agnes’s case was chronicled by Harold Garfinkel in an article that’s now taught in trans studies courses. Agnes is regularly celebrated as some kind of gender ninja: savvy, tactical, carefully conning the medical-industrial complex into giving her what she wants. What no one wants to talk about is what she actually wanted: a cunt, a man, a house, and normal fucking life. Whatever intuition she may not have had about gender as a “managed achievement” was put toward a down payment on a new dishwasher. If there’s anything Agnes “reveals” about gender, it’s that actually existing normativity is, strictly speaking, impossible. Norms, as such, do not exist. (If Gender Trouble knew this, it did a poor job explaining it.) That doesn’t mean that norms don’t structure people’s desires; what it means is that the desire for the norm consists, in terms of its lived content, in nonnormative attempts at normativity. Agnes was a nonnormative subject, but that wasn’t because she was “against” the norm; on the contrary, her nonnormativity was what wanting to be normal actually looked like. Like most of us, Agnes was making do in the gap between what she wanted and what wanting it got her. We can argue, and people have, about whether queer theory is possible without antinormativity. But whatever comes after trans studies—can I suggest transsexual theory?—will be impossible with antinormativity. The most powerful intervention scholars working in trans studies can make, at this juncture within the academy, is to defend the claim that transness requires that we understand, as we never have before, what it means to be attached to a norm—by desire, by habit, by survival.
”
”
Andrea Long Chu
“
Solía decir que algunas personas no eran capaces de distinguir y encontrar las perlas entre la arena, o únicamente tenían la fuerza de carácter para quitar la arena de unas cuantas perlas y terminaban sólo con una gargantilla.
”
”
Barbara Delinsky (A Woman's Place)
“
Di recente - aveva detto - ho dato al mio capo un ultimatum. O mi paga di più o me ne vado. - E com'è finita - aveva chiesto Musja. - Con un compromesso. Lui in definitiva lo stipendio non me l'ha aumentato e io, dal canto mio, ho deciso di non licenziarmi.
”
”
Sergei Dovlatov (A Foreign Woman)
“
Comer compulsivamente es la adicción que eligen las personas que tienen que cuidar de otros, y ése es el motivo de que se considere la adicción de menor rango. Es una manera de joderte a ti misma mientras te mantienes completamente operativa, porque no te queda más remedio. La gente gorda no se permite el «lujo» de que su adicción les convierta en alguien inútil, caótico, o en una carga. En vez de eso, se autodestruyen poco a poco sin molestar a nadie. Y esto explica que sea con tanta frecuencia una adicción elegida por las mujeres. Todas las mamás que comen sin hacer ruido. Todos los KitKats en el cajón de la oficina. Todos los momentos de infelicidad, a altas horas de la noche, captados sólo por la luz de la nevera.
”
”
Caitlin Moran (How to Be a Woman)
“
Los abortos inducidos nunca se ven como algo positivo, al contrario de lo que ocurre con cualquier otra operación que remedie un estado que pueda resultar nocivo para tu vida. Las mujeres nunca hablan públicamente de sus abortos mostrando gratitud y alivio. No hay tarjetas con «¡Suerte con tu píldora del día siguiente!». La gente no bromea sobre ello, a pesar de que los mejores chistes son sobre temas polémicos y se ríen de todo, incluyendo el cáncer, Dios o la muerte.
”
”
Caitlin Moran (How to Be a Woman)
“
Pero lo que no había esperado eran las caras: las caras de las mujeres. Los rostros de los hombres eran lo que cabía imaginar; famosos o no famosos, los hombres parecen…, bueno, eso, hombres. Hombres de cuarenta, cincuenta y sesenta años. Hombres con dinero, bien cuidados, sin grandes preocupaciones. Hombres que pasan las vacaciones en un lugar donde el sol está asegurado, y a quienes les gusta la ginebra.
Pero las mujeres: oh, las mujeres parecen todas iguales.
Las pocas veinteañeras o de treinta y pocos no contaban. A esa edad parecen normales. Pero, cuando se acercan a los treinta y cinco, treinta y seis, treinta y siete, empiezan a aparecer los primeros rasgos de homogeneidad. Labios que no se deterioran como sería de esperar, labios que parecen inflarse hacia arriba y hacia fuera, de forma ilógica, con el mohín de Elvis. Frentes brillantes, estiradas. Algo indefinible, pero definitivamente extraño en las mejillas y en la mandíbula. Ojos estáticos muy abiertos, como si estuvieran en Harley Street[168] y acabaran de ver su última factura.
Es como si sus criadas de Europa del Este les hubieran lavado y planchado el vestido, el abrigo y la cara, todo al mismo tiempo. Como si en el lavadero, a las once de la noche, las caras de estas mujeres durmieran colgadas de perchas de palisandro, rociadas con aroma de verbena.
”
”
Caitlin Moran (How to Be a Woman)
“
Nadie puede decir cuál habría sido nuestra historia si tanta tribu no hubiese sido aniquilada. Los españoles decían que debían civilizarnos, hacernos abandonar la barbarie. Pero ellos, con barbarie, nos dominaron, nos despoblaron. En pocos años hicieron más sacrificios humanos que nosotros en el tiempo largo que transcurrió desde las primeras festividades.
”
”
Gioconda Belli (The Inhabited Woman)
“
Home, home-a few small rooms, stiflingly over-inhabited by a man, by a periodically teeming woman, by a rabble of boys and girls of all ages. No air, no space; an understerilized prison; darkness, disease, and smells. And home was as squalid psychically as physically. Psychically, it was a rabbit hole, a midden, hot with the frictions of tightly packed life, reeking with emotion. What suffocating intimacies, what dangerous, insane, obscene relationships between the members of the family group! Maniacally, the mother brooded over her children (her children)… brooded over them like a cat over its kittens; but a cat that could talk, a cat that could say, "My baby, my baby," over and over again. "My baby, and oh, oh, at my breast, the little hands, the hunger, and that unspeakable agonizing pleasure! Till at last my baby sleeps, my baby sleeps with a bubble of white milk at the corner of his mouth. My little baby sleeps…"
/
Hogar, hogar... Unos pocos cuartitos, superpoblados por un hombre, una mujer
periódicamente embarazada, y una turbamulta de niños y niñas de todas las edades. Sin
aire, sin espacio; una prisión no esterilizada; oscuridad, enfermedades y malos olores. Y el hogar era tan mezquino psíquicamente como físicamente. Psíquicamente, era una
conejera, un estercolero, lleno de fricciones a causa de la vida en común, hediondo a
fuerza de emociones. ¡Cuántas intimidades asfixiantes, cuán peligrosas, insanas y
obscenas relaciones entre los miembros del grupo familiar! Como una maniática, la
madre se preocupaba constantemente por los hijos (sus hijos)..., se preocupaba por
ellos como una gata por sus pequeños; pero como una gata que supiera hablar, una
gata que supiera decir: Nene mío, nene mío una y otra vez. Nene mío, y, ¡oh, en mi
pecho, sus manitas, su hambre, y ese placer mortal e indecible! Hasta que al fin mi niño
se duerme, mi niño se ha dormido con una gota de blanca leche en la comisura de su
boca. Mi hijito duerme ...
”
”
Aldous Huxley (Brave New World)
“
Es irracional creer —e incluso querer, sin duda— que se puedan tener todas las experiencias de la vida con la misma persona. Somos mucho más complicados y muy capaces de ser leales de por vida a muchas personas distintas de cualquier edad y sexo. ¿Por qué se empeña la sociedad en restringir al hombre y a la mujer a una sola relación de esa clase para siempre? Espero no romper jamás una promesa que haya hecho, pero si en este momento estuviera libre y sin compromiso, nunca volvería a prometer dedicación exclusiva a nadie.
”
”
Elizabeth Forsythe Hailey (A Woman of Independent Means)
“
Algunas veces, ser buena madre está reñido con ser buena persona.
”
”
Elizabeth Forsythe Hailey (A Woman of Independent Means)
“
Hay una generación entera que confunde con .
”
”
Caitlin Moran (How to Be a Woman)
“
Hay una generación entera que confunde ''feminismo'' con ''cualquier cosa relacionada con la mujer''.
”
”
Caitlin Moran (How to Be a Woman)
“
Porque esta exigencia de que todas las mujeres tengan hijos no tiene la menor lógica. Si te detienes a pensar un momento cómo está el mundo, te das cuenta de que están naciendo un montón de niños: el planeta no necesita realmente que todas traigamos más niños.
Especialmente bebés del Primer Mundo, con su feroz consumo de petróleo, bosques y agua, y eructando sin parar emisiones de carbono y basuras. Los niños del Primer Mundo se están comiendo el planeta como termitas.
”
”
Caitlin Moran (How to Be a Woman)
“
...las personas que han estado psicológicamente machacadas no empiezan a hacer cosas gloriosas, seguras, ostentosas nada más ser liberadas. En vez de eso, se quedan pensando: «¿Qué coño ha pasado?», intentando entender por qué ocurrió, intentando —a menudo— dilucidar si fueron ellas las culpables.
Tienen que averiguar cuál es su relación con el antiguo agresor, e idear nuevas estructuras de mando, si es que deciden tenerlas. Hay una necesidad de compartir experiencias y comprender a) qué es lo «normal» y b) si lo quieren ser. Y, sobre todo, tardan tiempo en encontrar lo que creen en realidad y qué piensan por sí mismas. Si cuanto te han enseñado es la historia, los valores y los razonamientos de los vencedores, se tarda mucho, muchísimo tiempo en comprender qué partes quieres quedarte y qué partes quieres desechar; cuáles son venenosas para ti y cuáles pueden salvarte.
”
”
Caitlin Moran (How to Be a Woman)
“
A lo largo de los siglos, se pueden leer historias de mujeres que, contra todo pronóstico, llegaron a ser mujeres de verdad, pero que acabaron transgrediendo. siendo infelices, viendo coartada su libertad o simplemente destruidas porque a su alrededor la sociedad seguía equivocada. Si muestras a cualquier joven una de nuestras heroicas pioneras -Sylvia Plath, Dorothy Parker, Frida Kahlo, Cleopatra, Boudicca, Juana de Arco-, le estarás mostrando casi siempre a una mujer que acabó aplastada. Los triunfos ganados con mucho esfuerzo pueden verse invalidados si vives en un ambiente donde tus victorias se consideran una amenaza, un error, algo de mal gusto o -lo más crucial para una adolescente- que sencillamente no está en onda. Pocas chicas elegirán hacer lo que está bien -lo que está bien en el fondo de su ser inteligente y hermoso- a costa de quedarse solas.
”
”
Caitlin Moran (How to Be a Woman)
“
El feminismo tradicional dirá que estos temas no son los importantes, que debemos centrarnos en lo fundamental: la desigualdad salarial, la ablación femenina en el Tercer Mundo y la violencia de género. Y es obvio que éstos son asuntos urgentes, vergonzosos
e injustos, y que el mundo no podrá ir con la frente alta hasta que se solucionen.
Pero todos esos otros problemas más pequeños, estúpidos y cotidianos son, en muchos sentidos, igual de nocivos para la tranquilidad espiritual de las mujeres. Es la filosofía de la «Ventana Rota» aplicada a la desigualdad femenina. En la teoría de la «Ventana Rota», basta dejar una ventana rota sin reparar en un edificio vacío para que los más vándalos empiecen a romper las demás. Al final se colarán en el edificio, y encenderán fogatas o se convertirán en okupas.
De la misma manera, si vivimos en un ambiente donde se considera desagradable el vello púbico femenino, o se ridiculiza constantemente a las mujeres famosas o poderosas por estar demasiado gordas o demasiado flacas, o por ir mal vestidas, la gente empezará a colarse en el interior de las mujeres y encenderá fogatas allí. Las mujeres
tendrán okupas. Francamente, no es una situación nada agradable. No me gustaría despertarme una mañana y encontrar a un montón de oportunistas en mi vestíbulo.
”
”
Caitlin Moran (How to Be a Woman)
“
La forma más rápida y fácil de acabar con los buenos momentos es poner en ellos demasiadas expectativas (p. 221).
”
”
Caitlin Moran (How to Be a Woman)
“
La vita è lunga, la gente cambia, non sarò mai così stupida da pensare altrimenti. Ma qualunque cosa accadrà, niente potrà più essere come prima. Tutto è cambiato in un modo che potrebbe suonate malenso e al limite dell'offensivo se lo si racconta davanti a una tazza di caffè. Non posso più tornare a essere quella che ero. Posso solo guardare la vecchia me con solidarietà, benevolenza, e una certa soggezione. Se n'è andata, zaino in spalla, diretta alla fermata della metropolitana che la porterà in aereo porto. Ha fatto del suo meglio con l'eyeliner. Ha imparato una nuova parola che vuole provare con te. Si aggira tranquilla.
Sta cercando qualcosa.
”
”
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
“
Aveva l'abitudine di dire che una buona volontà priva di una dose di buon senso poteva causare catastrofi ancora più grandi delle conseguenze di azioni compiute con malanimo e stupidità.
”
”
Henning Mankell (The Fifth Woman (Kurt Wallander, #6))
“
Aunque el rito católico me resulta tan ajeno como la lengua en la que se celebra, no pude por menos de conmoverme ante el respeto y la devoción que la gente siente por Il Papa. Envidio la fe que permite a esa multitud someterse tan por completo a la autoridad de un hombre, de un ser humano, al fin y al cabo, a pesar del puesto tan elevado que ocupa. La fe católica tiene un fondo infantil que me parece enternecedor. A todos nos gustaría contar con una figura paterna infalible, pero al final nos damos cuenta de que nuestros padres tienen tantos defectos como nosotros mismos.
”
”
Elizabeth Forsythe Hailey (A Woman of Independent Means)
“
In his story Sarrasine, Balzac, speaking of a castrato disguised as a woman, writes this
sentence: “It was Woman, with her sudden fears, her irrational whims, her instinctive
fears, her unprovoked bravado, her daring and her delicious delicacy of feeling” Who
is speaking in this way? Is it the story’s hero, concerned to ignore the castrato con
-
cealed beneath the woman? Is it the man Balzac, endowed by his personal experience
with a philosophy of Woman? Is it the author Balzac, professing certain “literary”
ideas of femininity? Is it universal wisdom? or romantic psychology? It will always
be impossible to know, for the good reason that all writing is itself this special voice,
consisting of several indiscernible voices, and that literature is precisely the invention
of this voice, to which we cannot assign a specific origin: literature is that neuter, that
composite, that oblique into which every subject escapes, the trap where all identity is
lost, beginning with the very identity of the body that writes.
”
”
Roland Barthes
“
Rhi stood in the doorway and watched Henry. He was a fighter. Maybe that’s why she saved him. There was also a slim chance it was because he helped the Kings.
“It’s a good thing you called me,” Usaeil, Queen of the Light, said as she came to stand beside Rhi.
Rhi could’ve brought Henry to Usaeil’s manor on the west coast of Ireland, but then it would reveal to one and all power she’s managed to keep hidden from them. That was something she wanted to keep to herself.
So she got Henry out of the prison and to the outskirts of Dublin. From there, it was simply a matter of asking Usaeil for help. Now all Rhi had to worry about was finding out how much Henry remembered.
If he recalled seeing her teleport him out, then she would need to convince him to lie for her. Although Usaeil would want to know how Henry got out of his prison and how Rhi found him. Usaeil hadn’t begun those questions yet. But they were coming.
“I’m glad you agreed to help,” Rhi said.
Usaeil shoved her black hair over her shoulders and adjusted the coral sheath dress she wore. “He’s aiding the Kings. Why wouldn’t I help him?”
Rhi wanted to roll her eyes, but she didn’t. “We might be Light, but we also use humans as the Dark do.”
“We don’t kill them.”
“No, we sleep with them once and ruin them for any other mortal.
We don’t hurt them at all,” she said sarcastically, giving Usaeil a cutting look.
Usaeil slid her silver eyes to Rhi. “I can easily toss Henry North out on his ass.”
“Do it. What do I care?”
“I think you care more than you’re ready to admit. Why else would you want to help him?” Usaeil sighed. “Rhi, we all know you went through hell at Balladyn’s hands. We know it’s going to take time for you to heal, but you will heal.”
Rhi wasn’t so sure. She could feel the darkness within her, coiling and shifting. She had to fight to remember what she should do, instead of what the darkness wanted her to do.
“Henry is healing nicely,” Rhi said, changing the subject.
Usaeil nodded slowly. “His injuries were extensive. Had you not found him when you did, the internal bleeding would’ve killed him in a few hours. By the way, how did you find him again?”
This was what Rhi had been waiting for. Everyone knew she couldn’t lie without feeling tremendous pain. She sank her nails into her palms, held Usaeil’s gaze and lied. “I found him in Dublin. As I said, I don’t know how he got there.”
“So very odd.”
The pain was gut wrenching. It twisted her insides and squeezed her lungs so that she couldn’t breath. Pain exploded inside her head. She began to shake. It was time for Rhi to change the subject again. “You should tell Con we have him.”
The queen twisted her lips. “If I do, Con will want to come here and finish healing Henry himself, or want us to bring Henry to him. I’m not in the mood for either.”
“Henry will be finished healing soon. What then? You want him to remain? In a place full of Light Fae?” Thankfully, the pain began to dull enough that Rhi could breath easier.
“No,” Usaeil said with a frown. “Already his appearance has sparked interest. They’re trying to get in to see him. He’s a mortal, so he’ll succumb to any Fae he encounters.”
Rhi took exception to that. “He’s stronger than that.”
“He’s human, Rhi. Not a single one can resist us. It’s a fact. Henry is no different.”
Rhi didn’t argue, but she knew she was right. Henry was different. She’d seen it the first time she met him in Con’s office months ago. He took in the fact his friends at Dreagan were actually dragon shifters with a nod, his solemn hazel eyes seeing things anew.
She bit back a grin as she recalled how he’d become a little flustered when he saw her and learned who she was. Henry’s smile was charming, sweet . . . honest. He looked at her as if she were the only woman on the realm.
Even though Rhi understood that it was the fact she was Fae that intrigued him, enthralled him, she took an instant liking to the human who never backed down.
”
”
Donna Grant (Night's Blaze (Dark Kings, #5))
“
It is time to consider the seriousness of our situation. America has been governed by a highly skilled con artist for the past seven years. Another con artist, perhaps even more adept, is waiting to take his place. This is truly historic. We think we made history by electing the first African American president, and we’re going to hear a lot about making history by electing the first woman. Despite all the hoopla, those are relative trivialities. What really matters is that never before in history has America had a con artist as its chief executive and commander in chief. And we may be getting ready to anoint another in immediate succession. One is bad enough; two con artists in a row may be our undoing.
”
”
Dinesh D'Souza (Stealing America: What My Experience with Criminal Gangs Taught Me about Obama, Hillary, and the Democratic Party)
“
Duncan swallowed. Yup. Another mark on the con side. She wanted kids. He’d always wanted kids, but that had been before he’d gone to war and seen so many young men being killed over there. When Melanie had shown up at Walter Reed after he’d been injured and he realized she was pregnant, for just the tiniest fraction of a second he had felt pure joy. Then he’d realized there had been no earthly way he could have put her in that condition and the disappointment had gutted him. Melanie had cheated on him with another man, but he felt strangely detached about the cheating itself. By that time he’d seen and learned a lot about being in a relationship while in the military. Anyway, that had been many years ago. He was older and wiser now, and he wouldn’t be letting himself fall for a woman practically young enough to be his daughter and who wanted kids. God. He’d be an idiot to get involved with her. Melanie had taught him well to guard his heart. He
”
”
J.M. Madden (Embattled Ever After (Lost and Found #5))
“
Wow. They really look to be in love,” Alex sighed, propping her chin on her hand and watching them cuddle, that damn dog wiggling between them. “They are,” Duncan admitted. “They’ve gone through a lot together and I’m happy for them. I think they’ll be a strong couple and excellent parents.” “Oh, she’s pregnant? That’s so wonderful,” she sighed. Duncan swallowed. Yup. Another mark on the con side. She wanted kids. He’d always wanted kids, but that had been before he’d gone to war and seen so many young men being killed over there. When Melanie had shown up at Walter Reed after he’d been injured and he realized she was pregnant, for just the tiniest fraction of a second he had felt pure joy. Then he’d realized there had been no earthly way he could have put her in that condition and the disappointment had gutted him. Melanie had cheated on him with another man, but he felt strangely detached about the cheating itself. By that time he’d seen and learned a lot about being in a relationship while in the military. Anyway, that had been many years ago. He was older and wiser now, and he wouldn’t be letting himself fall for a woman practically young enough to be his daughter and who wanted kids. God. He’d be an idiot to get involved with her. Melanie had taught him well to guard his heart. He
”
”
J.M. Madden (Embattled Ever After (Lost and Found #5))
“
Can it be true?'--she cried--'shall I be fain
To follow one, that strives to hide and fly?
Esteem a man that has me in disdain?
Pray him that never hears my supplant cry?
Suffer who hates me o'er my heart to reign?
One that his lofty virtues holds so high,
T'were need some heaven-born goddess should descend
From realms above, his stubborn heart to bend?
...
Yea: rather of myself I should complain,
Than the desire, to which I bared my breast
Whereby was Reason hunted from her reign,
And all my powers by stronger force opprest.
Thus borne from bad to worse, without a rein
I cannot the unbridled beast arrest;
Who makes me see I to destruction haste,
That I bitterness in death may taste.
Yet, ah! why blame myself? Wherein have I
Ever offended, save in loving thee?
What wonder was it then that suddenly
A woman's feeble sense opprest should be?
Why fence and guard myself, lest bearing high
Wise words, and beauty rare should pleasure me?
Most wretched is the mortal that would shun
To look upon the visage of the sun
”
”
Ludovico Ariosto (L'Orlando Furioso di Lodovico Ariosto, Vol. 4: Con Annotazioni (Classic Reprint) (Italian Edition))
“
On the sixty-fifth page the rabbis are arguing about King David and his ill-gotten wife Bathsheba, a mysterious biblical tale about which I’ve always been curious. From the fragments mentioned, it appears that Bathsheba was already married when David laid his eyes upon her, but he was so attracted to her that he deliberately sent her husband, Uriah, to the front lines so that he would be killed in war, leaving Bathsheba free to remarry. Afterward, when David had finally taken poor Bathsheba as his lawful wife, he looked into her eyes and saw in the mirror of her pupils the face of his own sin and was repulsed. After that, David refused to see Bathsheba again, and she lived the rest of her life in the king’s harem, ignored and forgotten. I now see why I’m not allowed to read the Talmud. My teachers have always told me, “David had no sins. David was a saint. It is forbidden to cast aspersions on God’s beloved son and anointed leader.” Is this the same illustrious ancestor the Talmud is referring to? Not only did David cavort with his many wives, but he had unmarried female companions as well, I discover. They are called concubines. I whisper aloud this new word, con-cu-bine, and it doesn’t sound illicit, the way it should, it only makes me think of a tall, stately tree. The concubine tree. I picture beautiful women dangling from its branches. Con-cu-bine. Bathsheba wasn’t a concubine because David honored her by taking her as his wife, but the Talmud says she was the only woman David chose who wasn’t a virgin. I think of the beautiful woman on the olive oil bottle, the extra-virgin. The rabbis say that God only intended virgins for David and that his holiness would have been defiled had he stayed with Bathsheba, who had already been married. King David is the yardstick, they say, against whom we are all measured in heaven. Really, how bad can my small stash of English books be, next to concubines? I am not aware at this moment that I have lost my innocence. I will realize it many years later. One day I will look back and understand that just as there was a moment in my life when I realized where my power lay, there was also a specific moment when I stopped believing in authority just for its own sake and started coming to my own conclusions about the world I lived in.
”
”
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
“
Ho cominciato a disprezzare le convenzioni sociali, le pratiche religiose, il denaro. Trascrivevo poesie di Rimbaud e di Prévert, incollavo fotografie di James Dean sulla copertina dei quaderni, ascoltavo "Le mauvaise réputation" di Brassens, mi annoiavo. Vivevo la mia ribellione adolescenziale in maniera romantica, come se i miei genitori fossero stati borghesi. Mi identificavo con gli artisti incompresi.
”
”
Annie Ernaux (A Woman's Story)
“
Clasificamos los siglos del XIV al XVII como «el Renacimiento», aunque, como señala la psicóloga social Carol Tavris en su libro The Mismeasure of Woman (1991), no fue un renacimiento para las mujeres, que aún estaban excluidas en gran medida de la vida intelectual y artística. Identificamos el siglo XVIII con «la Ilustración» a pesar de que, por más que extendiera «los derechos del hombre», «restringió los de las mujeres, a quienes se les negó el control de sus bienes e ingresos, y se les impidió acceder a la educación superior y a la capacitación profesional». Pensamos en la Antigua Grecia como la cuna de la democracia, aunque la mitad femenina de la población estaba explícitamente excluida de votar.
”
”
Caroline Criado Pérez (La mujer invisible: Descubre cómo los datos configuran un mundo hecho por y para los hombres)
“
the re-creator; all of these in cycle. Sometimes the one who is running from the Life/Death/Life nature insists on thinking of love as a boon only. Yet love in its fullest form is a series of deaths and rebirths. We let go of one phase, one aspect of love, and enter another. Passion dies and is brought back. Pain is chased away and surfaces another time. To love means to embrace and at the same time to withstand many many endings, and many many beginnings—all in the same relationship. The process is complicated by the fact that much of our overcivilized culture has a difficult time tolerating the transformative. But there are better attitudes with which to embrace the Life/Death/Life nature. Throughout the world, though it is called by different names, many see this nature as un baile con La Muerte, a dance with death; Death as a dancer, with Life as its dance partner.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
“
The woman was a romantic. Another strike against her in my book. Romantics were the hardest women to shake loose. The sticky ones. The ones who pretended they could handle the whole “no strings” deal. Meanwhile, they plotted to become “the one,” trying to con men into meeting their parents and secretly looking at wedding dresses.
”
”
Lucy Score (Things We Never Got Over (Knockemout #1))
“
Ser escritora en un país árabe significa estar obligada a ser astuta y ambigua, enseñar un poco aquí y ocultar un poco allá.
Ser escritora en un país árabe significa escribir en clave, de manera que un “amante” se convierte en un “buen amigo”.
Ser escritora en un país árabe significa tener que enfrentarte con la ofensiva sospecha de que un hombre en la sombra está escribiendo lo que tú publicas con tu propio nombre.
”
”
Joumana Haddad (I Killed Scheherazade: Confessions of an Angry Arab Woman)
“
Con amore, difendete la terra con amore, perchè è una cosa preziosa, come la pioggia e il cuore delle donne".
”
”
Wu Ming-Yi (Montagne e nuvole negli occhi)
“
I think I am an imposter. Twenty-seven years ago I was a baby. Before that I was a clump of cells. Before that I didn't exist. How could I be a bookstore clerk, or a Catholic, or a woman, or a person at all? I'm a life force contained in the deformed body of a baby. Of course I'm a fraud. The fact that I'm able to carry myself through life without being crushed beneath the psychological weight of being alive proves that I'm a con artist.
”
”
Emily Austin (Everyone in This Room Will Someday Be Dead)
“
Es cierto que la situación no es tan grave como en la época victoriana, cuando las mujeres no eran más que «un vestido» con una cabeza en lo alto; pero es fácil darse cuenta del camino que nos queda por recorrer: basta con constatar que las mujeres todavía tenemos que esforzarnos para encontrar una palabra aceptable con que denominar la parte de nuestro cuerpo más fundamental y definitoria: los genitales. En 2012, a la congresista de Michigan Lisa Brown se le prohibió seguir interviniendo en el Congreso por haber pronunciado la palabra «vagina» en un debate sobre la anticoncepción. El congresista republicano Mike Callton argumentó que la palabra era tan «repugnante y asquerosa que él jamás se atrevería a pronunciarla ni delante de una mujer ni de un grupo de hombres y mujeres».
”
”
Caitlin Moran (More Than a Woman: A Brutally Honest and Hilarious Feminist Memoir on Parenting, Marriage, and Middle-Age)
“
Muchas veces las mujeres se casan con su techo de cristal.
”
”
Caitlin Moran (More Than a Woman: A Brutally Honest and Hilarious Feminist Memoir on Parenting, Marriage, and Middle-Age)
“
Cuando eres una mujer madura, las otras mujeres maduras te parecen más maravillosas que cualquier otro tipo de persona. Te pueden encantar todo lo que quieras los hombres, o la gente joven, pero solo cuando estás rodeada de otras mujeres como tú sientes que puedes ser tú misma: contar historias y desternillarte de risa de una forma que otros…, bueno, sí, al pasar con miedo a vuestro lado podrían describir como «cacarear».
”
”
Caitlin Moran (More Than a Woman: A Brutally Honest and Hilarious Feminist Memoir on Parenting, Marriage, and Middle-Age)
“
o forbid a woman to use the key to con scious self knowledge strips away her intuitive nature, her natural in stinct for curiosity that leads her to discover “what lies underneath” and beyond the obvious. Without this knowing, the woman is with out proper protection.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
It is important to feed this instinctive nature, to shelter it, to give it increase, for even in the most restrictive conditions of culture, family, or psyche, there is far less paralysis in women who have remained connected to the deep and wild instinctual nature. Though there be injury if a woman is captured and/or tricked into remaining naive and compliant, there is still left adequate energy to overcome the captor, to evade it, to outrun it, and eventually to sunder and render it for their own constructive use.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
Since you're so quick with the texts, you could have provided me with a little help when I was negotiating the price of my sherwani. I can't believe how badly Deepa tried to rip me off."
"Are you sulking?" She stared at him, incredulous. "The big venture capitalist who just closed the company's fourth fund at $350 million is sulking because he was bested at negotiating the purchase of a traditional Indian wedding outfit for a fake wedding that will last ten minutes by a frail sixty-year-old woman for whom English is a second language."
"She wasn't frail.
”
”
Sara Desai (The Dating Plan (Marriage Game, #2))
“
Los feminismos negros han aportado invaluablemente al entendimiento de las opresiones y a la estructuración del poder. Un claro ejemplo de esa genealogía es el histórico discurso de la exesclava y abolicionista Sojourner Truth con “Ain’t I am Woman”, en 1851. Trazando esa línea de pensamiento negro, tenemos a Patricia Hill Collins, quien introduce la idea de matriz de dominación; colectivos como Combahee River Collective hablan de una simultaneidad de opresiones; feministas decoloniales, Ochy Curiel y Yuderkys Espinosa, sostienen la existencia de una imbricación de opresiones; académicas y juristas como Kimberlé Crenshaw trabajan con el término interseccionalidad. Todos estos aportes parten de la experiencia propia de las mujeres negras y denotan la realidad compleja que atraviesan. Pero, además, nos instan a entender las opresiones desde su no fragmentación. Esto es, sobre nuestres cuerpes y subjetividades operan múltiples categorías —como la “raza”, el “género”, la nacionalidad, la clase social, la orientación sexual— que nos ubican en diferentes lugares de opresión y privilegio; estas opresiones trabajan en conjunto, están entretramadas, no se pueden separar.
”
”
Rose Barboza y Sofía Zaragocín (Racismos en Ecuador: Reflexiones y experiencias interseccionales)
“
If you meet her, you will like her. The con woman's likability is the single most tool she has, sharp as a chef's knife and fake as a theatre mask. Without her likability, she would be nothing. If you like her—and you will like her—then her work will be so much easier. It'll all be over quickly. You'll hardly feel a thing.
”
”
Tori Telfer (Confident Women: Swindlers, Grifters, and Shapeshifters of the Feminine Persuasion)
“
On the docket for October 21 was the usual laundry list: a domestic dispute that devolved into a severe beating; Chuck Manley and his alleged stolen car; a Negro who fired a pistol at another, and though he missed, the bullet shattered the window of a rural white church, which added gravity to the incident and elevated it to a felony; a con man from Tupelo who had blanketed the county with bad checks; a white man and a black woman who were caught in the act of enthusiastically violating the state’s antimiscegenation laws; and so on.
”
”
John Grisham (The Reckoning)
“
La resolución del conflicto entre mujeres blancas y negras no dará comienzo hasta que todas las mujeres acepten que un movimiento feminista racista y clasista es una farsa, una tapadera para el sometimiento continuado de las mujeres a los principios patriarcales y la aceptación pasiva del statu quo. La sororidad necesaria para librar la revolución feminista solo se conseguirá cuando todas las mujeres se zafen de la hostilidad, los celos y la competencia mutua que nos ha llevado a ser vulnerables, débiles e incapaces de imaginar nuevas realidades. Esa sororidad no puede forjarse solo con palabras. Es el resultado de un crecimiento y un cambio continuados. Es un objetivo que alcanzar, un proceso de transformación. Y ese proceso empieza por la acción, por el rechazo personal de cada mujer a aceptar ningún conjunto de mitos, estereotipos y falsas suposiciones que niegan los elementos comunes y compartidos de su experiencia humana, que la privan de la capacidad para experimentar la unidad de toda la vida, que le niegan la capacidad para cerrar las brechas creadas por el racismo, el sexismo o el clasismo y que le niegan la capacidad de cambiar. El proceso empieza por la aceptación personal de cada mujer de que a las mujeres estadounidenses, a todas sin excepción, se las socializa para que sean racistas, clasistas y sexistas, en diversos grados, y por entender que calificarnos de feministas no cambia el hecho de que debemos esforzarnos de manera consciente por desembarazarnos del legado de socialización negativa.
”
”
bell hooks (Ain't I a Woman: Black Women and Feminism)
“
You left me,” he said tersely, his gaze unwavering on her.
She exhaled. “I am sorry. I am sorry for borrowing your ship, and I—”
“You left me after the night we shared.”
She tried not to think about being in his arms, when he had seemed to love her as much as she loved him. “I told you that morning what I intended. The time we shared didn’t change anything.” She saw him flinch. “It was wonderful, but I meant it when I said I had to go home. I know you are angry. I know I took the coward’s way, and I shouldn’t have conned Mac—”
“I don’t care about the ship!” he cried, stunning her. “I am glad you took my frigate—at least you would be safe from rovers. Damn it! I made love to you and you left me!”
She hugged herself harder, trying to ignore that painful figure of speech. “I knew you would want to marry me, Cliff, for all the wrong reasons. How could I accept that? The night we spent together only fueled my desire to leave.”
“For all the wrong reasons? Our passion fueled your desire to leave me?”
“You misunderstand me,” she cried. “I do not want to hurt you. But you ruined me, you would decide to marry me. Honor is not the right reason, not for me.”
He stepped closer, his gaze piercing. “Do you even know my reasons, Amanda?”
“Yes, I do.” Somehow she tilted up her chin, yet she felt tears falling. “You are the most honorable man I have ever met. I know my letter hardly stated the depth of my feelings, but after all you have done, and all your family has done, you must surely know that leaving you was very difficult.”
“The depth of your feelings,” he said. His nostrils flared, his gaze brilliant. “Do you refer to the friendship you wish to maintain—your affection for me?” He was cold and sarcastic, taking a final step toward her.
He towered over her now. She wanted to step backward, away from him, but she held her ground. “I didn’t think you would wish to continue our friendship. But it is so important to me. I will beg you to forgive me so we can remain dear friends.”
“I don’t want to be a dear friend,” he said harshly. “And goddamn it, do not tell me you felt as a friend does when you were in my bed!”
She stiffened. “That’s not fair.”
“You left me. That’s not fair,” he shot back, giving no quarter.
“After all you have done, it wasn’t fair, I agree completely. But I was desperate.”
He shook his head. “I will never believe you are desperate to be a shopkeeper. And what woman is truly independent? Only a spinster or a widow. You are neither.”
Slowly, hating her words, she said, “I had planned on the former.”
“Like hell,” he spat.
She accepted the dread filling her then. “You despise me now.”
“Are you truly so ignorant, so oblivious? How on earth could I ever despise you?” he exclaimed, leaning closer. “Would I be standing here demanding marriage if I despised you?”
She started. Her heart skipped wildly; she tried to ignore it. She whispered, “Why did you really pursue me?”
“I am a de Warenne,” he said, straightening. “As my father said so recently, there is no stopping us, not if it is a question of love.
”
”
Brenda Joyce (A Lady At Last (deWarenne Dynasty, #7))
“
San Jose. Heart of Silicon Valley. Ryan could picture Camilla there, working at some high- tech company. He wondered again about Dennis Hutchins, about how he'd fooled this obviously intelligent woman into letting him have access to her computer—and to her. He felt his own jaw clench in imitation of Camilla's, and wondered if he could control it as well as she did. He hated the thought of her with that con man. Her ex- fiancé she had called him, sounding disgusted. He had given her a ring—probably bought with her own money. They had been engaged. Ryan wasn't naive enough to think they had waited for marriage to get together. How could she have allowed a con man to touch her? Whoa. There he went again. It was totally irrelevant to the case how much physical contact she'd had with the jerk. Dennis was out of her life.
”
”
Barbara Cool Lee (The Honeymoon Cottage (Pajaro Bay, #1))
“
Habíamos crecido con Pretty woman, una película que nos encantaba y en la que nos vendían que hasta un putero podía ser un príncipe, que hasta una puta podía ser salvada.
”
”
Towanda Rebels (Hola guerrera: Alegatos feministas para una revolución)
“
How did you get the badges?” Parker asked. “You didn’t steal a badge from a pro, did you?”
“Of course not,” Hardison said. “Geek solidarity to the end.”
“Then whose name is this on my badge? Who’s Diana Prince?”
Hardison laughed. “That’s Wonder Woman’s secret identity.”
Parker giggled at that. “And who are you? Carl Lucas?”
“That’s Luke Cage’s original name.”
“Who?” Eliot didn’t bother to conceal his irritation.
“Luke Cage? You know, Power Man? Of Power Man and Iron Fist?” Hardison waited for a response that never came. “Sweet Christmas, what’s wrong with you people?”
“We have lives. And just who am I supposed to be, huh? Batman’s secret sidekick?”
“You’d like that, wouldn’t you?” Sophie said. Nate gave her a nudge with his elbow, and she fixed him with a mischievous smile.
“Naw, man,” said Hardison. “I wouldn’t do that to you. I know how you feel about ‘fictional’ people.”
“So who the hell is Warren Ellis?”
“He’s a comic-book writer. Good one.”
Eliot groaned. “For God’s sake, do I look like a comic-book writer?”
“Hey, don’t knock Warren Ellis. He wrote all sorts of great stuff. Global Frequency, The Authority, Transmetropolitan. Good stuff.
”
”
Matt Forbeck (The Con Job (Leverage, #1))
“
Jess Drew?” Nate said. “Seriously? You couldn’t come up with a better name than that?”
“What’s wrong with Jessica Drew?” Hardison said. “It’s Spider-Woman’s real name.”
“Other than that stunning little detail—which I didn’t know about, but our mark might—there’s the fact that it sounds an awful lot like ‘Just Drew,’ which is a hell of an odd name for an artists’ agent, don’t you think?”
“The man’s a serial abuser of pseudonyms himself,” Hardison said. “Even if he does think of that, he’d probably just chalk it off as a professional name. Hell, the man took his last name from a Harry Potter spell. He’s not one to talk.
”
”
Matt Forbeck (The Con Job (Leverage, #1))
“
After Zeidy’s heavy footfalls fade down the stairs, and I watch from my second-floor bedroom window as my grandparents get into the taxi, I slide the book out from under the mattress and place it reverently on my desk. The pages are made of waxy, translucent paper, and they are each packed with text: the original words of the Talmud as well as the English translation, and the rabbinical discourse that fills up the bottom half of each page. I like the discussions best, records of the conversations the ancient rabbis held about each holy phrase in the Talmud. On the sixty-fifth page the rabbis are arguing about King David and his ill-gotten wife Bathsheba, a mysterious biblical tale about which I’ve always been curious. From the fragments mentioned, it appears that Bathsheba was already married when David laid his eyes upon her, but he was so attracted to her that he deliberately sent her husband, Uriah, to the front lines so that he would be killed in war, leaving Bathsheba free to remarry. Afterward, when David had finally taken poor Bathsheba as his lawful wife, he looked into her eyes and saw in the mirror of her pupils the face of his own sin and was repulsed. After that, David refused to see Bathsheba again, and she lived the rest of her life in the king’s harem, ignored and forgotten. I now see why I’m not allowed to read the Talmud. My teachers have always told me, “David had no sins. David was a saint. It is forbidden to cast aspersions on God’s beloved son and anointed leader.” Is this the same illustrious ancestor the Talmud is referring to? Not only did David cavort with his many wives, but he had unmarried female companions as well, I discover. They are called concubines. I whisper aloud this new word, con-cu-bine, and it doesn’t sound illicit, the way it should, it only makes me think of a tall, stately tree. The concubine tree. I picture beautiful women dangling from its branches. Con-cu-bine. Bathsheba wasn’t a concubine because David honored her by taking her as his wife, but the Talmud says she was the only woman David chose who wasn’t a virgin. I think of the beautiful woman on the olive oil bottle, the extra-virgin. The rabbis say that God only intended virgins for David and that his holiness would have been defiled had he stayed with Bathsheba, who had already been married. King David is the yardstick, they say, against whom we are all measured in heaven. Really, how bad can my small stash of English books be, next to concubines? I am not aware at this moment that I have lost my innocence. I will realize it many years later. One day I will look back and understand that just as there was a moment in my life when I realized where my power lay, there was also a specific moment when I stopped believing in authority just for its own sake and started coming to my own conclusions about the world I lived in.
”
”
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
“
while some people have intolerances to certain products, as a society we are becoming needlessly fearful of many foods. This, he believes, is in a large part because you can build a case for just about anything being bad, by selectively quoting scientific research and blowing it out of context.
”
”
Beau Donelly (The Woman Who Fooled the World: Belle Gibson's Cancer Con, and the Darkness at the Heart of the Wellness Industry)
“
Diet hypotheses are essentially about what will improve or impair our prospects of good health and longevity, so, in randomised controlled trials, this can mean having to convince thousands of people to change what they eat for 20 or even 30 years. ‘It’s almost impossible,’ Tim says. ‘Humans change their diets all the time … So what we end up with is needing to look at lower-quality evidence to get an idea of how food can affect our health.
”
”
Beau Donelly (The Woman Who Fooled the World: Belle Gibson's Cancer Con, and the Darkness at the Heart of the Wellness Industry)
“
Observational studies, at best, can only help demonstrate association, not causation. They cannot prove a clear, causal link.
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Beau Donelly (The Woman Who Fooled the World: Belle Gibson's Cancer Con, and the Darkness at the Heart of the Wellness Industry)
“
For the most part, this new breed of wellness gurus is white and female, young and attractive, engaging, and media-savvy. Some are yoga teachers, or personal trainers, or martial-arts instructors, but scant few have any qualifications that equip them to give health advice. What they do have is an Instagram account.
”
”
Beau Donelly (The Woman Who Fooled the World: Belle Gibson's Cancer Con, and the Darkness at the Heart of the Wellness Industry)
“
with most of these bloggers the inference is very clear: a byproduct of all of this wellness is weight loss. But striving for wellness is far more attractive than dieting.
”
”
Beau Donelly (The Woman Who Fooled the World: Belle Gibson's Cancer Con, and the Darkness at the Heart of the Wellness Industry)
“
And the entire concept of a detox diet or a cleanse to help achieve long-term health is plain nonsense. (The liver and kidneys already perform this function, and the best way to help filter toxins is to not overload the body with processed foods and excess kilojoules in the first place.)
”
”
Beau Donelly (The Woman Who Fooled the World: Belle Gibson's Cancer Con, and the Darkness at the Heart of the Wellness Industry)
“
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”
sddebizyosyuturyoku (beautiful womans abs (Japanese Edition))
“
Oh, here we go,” said her dad, shaking his head. “Well, I’m not sold on this new ‘no time for regrets’ woman. I thought you had a list of regrets tattooed to the inside of your eyeballs, Con? Marrying me being top of the list.
”
”
Sophie Cousens (This Time Next Year)
“
Para ser una sociedad con una estructura descaradamente patriarcal y una cultura que a menudo era furiosamente misógina, a los antiguos romanos les encantaba educar a las mujeres. Parece que en los siglos I antes y después de Cristo (la época mejor documentada) un número significativo de ciudadanas, incluidas algunas que no pertenecían a la élite, estaban en parte alfabetizadas. Varios escritores mencionan, sin mostrar sorpresa, que tanto niñas como niños asistían a las escuelas elementales de precio medio que enseñaban a leer, escribir, aritmética y, en ocasiones, las bases de la literatura a los hijos de las clases medias-altas en las esquinas sombreadas de los foros de las ciudades italianas. Fragmentos de los grafitis de Pompeya, garabateados en los muros de los espacios públicos de las ciudades ("Rómula se tiró aquí a Estafilo", "Serena odia a Isidoro" "Atimeto me dejó preñada") sugieren que algunas mujeres de estratos sociales más bajos podían al menos escribir nombres y unas pocas frases.
”
”
Honor Cargill-Martin (Messalina: Empress, Adulteress, Libertine: The Story of the Most Notorious Woman of the Roman World)
“
I mean, I've been with women, and I enjoy them, but I have never been with a woman who makes me think, damn, I have to get me some more of that."
"Maybe because you're thinking of them as 'that,'" Jose said sourly.
"This coming from you, Jose?" Fezza said with a laugh of disbelief. "Mr. Tinder, King of the Horndogs?"
"I shut down my Tinder account," Jose said carefully.
”
”
Cathy Yardley (What Happens at Con (Fandom Hearts, #4))
“
Often regulations we think are designed to protect us, are really designed to bring money to those in power, political campaigns and the like. While the conned public, particularly those who think that more government is always the answer, sits back and thinks, oh, boy, they’re protecting us.
”
”
David Bishop (The Woman (Linda Darby, #1))
“
Only in the detachment of an incurable complaint, in the sanity of near death, could one cope with this for a moment. In order to exist rationally, Pnin had taught himself, during the last ten years, never to remember Mira Belochkin not because, in itself, the evocation of a youthful love affair, banal and brief, threatened his peace of mind (alas, recollections of his marriage to Liza were imperious enough to crowd out any former romance), but because, if one were quite sincere with oneself, no conscience, and hence no con-sciousness, could be expected to subsist in a world where such things as Mira's death were possible. One had to forget--because one could not live with the thought that this graceful, fragile, tender young woman with those eyes, that smile, those gardens and snows in the background, had been brought in a cattle car to an extermination camp and killed by an injection of phenol into the heart, into the gentle heart one had heard beating under one's lips in the dusk of the past. And since the exact form of her death had not been recorded, Mira kept dying a great number of deaths in one's mind, and undergoing a great number of resurrections, only to die again and again, led away by a trained nurse, inoculated with filth, tetanus bacilli, broken glass, gassed in a sham shower bath with prussic acid, burned alive in a pit on a gasoline-soaked pile of beechwood.
”
”
Vladimir Nabokov (Pnin)
“
If you’re trying to make me feel bad about conning him out of two hundred bucks, you’ve got the wrong woman, babe. I don’t feel bad for a man who is clearly married and hitting on women at a bar. And I definitely don’t let random assholes like you make me feel bad about any decisions I make in my life.
”
”
Morgan Elizabeth (Maneater (The Mavens, #1))
“
La contempló con respeto, con algo semejante al amor, y memorizó los diminutos detalles de su cuerpo —las gruesas franjas amarillas de las patas, la base clara del abdomen, los pelos enhiestos que cubrían su cuerpo— como si contemplara el rostro de una amante.
”
”
Shobha Rao (An Unrestored Woman)
“
Pensaba que esa vida encajaba con él; que la desolación del desierto era una desolación que conocía desde siempre.
”
”
Shobha Rao (An Unrestored Woman)
“
Y aunque una quemadura de cigarrillo no puede hablar, sí puede decir que es más fácil mirar a la muerte que al dolor. En una, el dolor perdura y con el tiempo pasa. El otro no da tregua. Es infalible. Y late, dijo la quemadura, como yo.
”
”
Shobha Rao (An Unrestored Woman)
“
¿Acaso la compasión combinada con la lujuria podían sostener un matrimonio?
”
”
Shobha Rao (An Unrestored Woman)
“
Se rieron por algo y Vikram le habló a Meena al oído, y entonces, con la confianza íntima de los amantes, la agarró por la muñeca. La acercó hacia él. Fue un gesto sutil, tierno, y sin embargo su familiaridad, su vehemencia, tenía una fuerte carga erótica. Entonces lo supe.
”
”
Shobha Rao (An Unrestored Woman)
“
No temas nunca estar con una mujer fuerte, quizás llegue el día, en que ella sea tu único ejército...
Gabriel Ganiarov
Never be afraid to stand beside a strong woman.
Perhaps the day will come when she is your only army.
Gabriel Ganiarov
”
”
Gabriel Ganiarov