Con Man Quotes

We've searched our database for all the quotes and captions related to Con Man. Here they are! All 100 of them:

Religion was invented when the first con man met the first fool.
Mark Twain
Every decent con man knows that the simplest truth is more powerful than even the most elaborate lie.
Ally Carter (Uncommon Criminals (Heist Society, #2))
You cannot con an honest man.
Ally Carter (Uncommon Criminals (Heist Society, #2))
Give me an honest con man any day.
J.D. Salinger (Franny and Zooey)
The secret of being a top-notch con man is being able to know what the mark wants, and how to make him think he's getting it.
Ken Kesey (One Flew Over the Cuckoo's Nest)
So far I’m not seeing a lot of difference between me and a carnival con-man.
Richelle Mead (The Golden Lily (Bloodlines, #2))
What about a Princess Bride?" "Where are we gonna find a six-fingered man on such short notice?
Ally Carter (Heist Society (Heist Society, #1))
You’re a blackmailer—” “I broker information.” “A con artist—” “I create opportunity.” “A bawd and a murderer—” “I don’t run whores, and I kill for a cause.” “And what cause is that?” “Same as yours, merch. Profit.” “How do you get your information, Mister Brekker?” “You might say I’m a lockpick.” “You must be a very gifted one.” “I am indeed.” Kaz leaned back slightly. “You see, every man is a safe, a vault of secrets and longings. Now, there are those who take the brute’s way, but I prefer a gentler approach—the right pressure applied at the right moment, in the right place. It’s a delicate thing. “Do you always speak in metaphors, Mister Brekker?” Kaz smiled. “It’s not a metaphor.” He was out of his chair before his chains hit the ground.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
We’re flimflam artists. But remember, sonny, you can’t con people unless they’re greedy to begin with. W. C. Fields had it right. You can’t cheat an honest man.
Sidney Sheldon (If Tomorrow Comes (Tracy Whitney, #1))
Oh, Alan Ryves," she said. "You're such a fantastic liar. You are the smoothest con man of them all.
Sarah Rees Brennan (The Demon's Surrender)
So dark the con of man.
Dan Brown (The Da Vinci Code (Robert Langdon, #2))
Phooey, I say, on all white-shoe college boys who edit their campus literary magazines. Give me an honest con man any day.
J.D. Salinger (Franny and Zooey)
La luz cree que viaja más deprisa que nada, pero se equivoca. Por muy rápido que vaya la luz, siempre se encuentra con que la oscuridad ha llegado antes y la está esperando.
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
Il rombo del tuono nel cielo nuvoloso forse pioverà e, quando accadrà resterai con me? Il rombo del tuono nel cielo nuvoloso e anche se non piovesse resterò con te
Man'yōshū
Knowing the same tricks a con man knows is the best way to protect yourself from him. -Naru
Shiho Inada (Ghost Hunt, Vol. 3 (Ghost Hunt, #3))
Perché non rilassarsi un po'? Magari una passeggiata in macchina fino al Golden Gate Park, con lo zoo e i pesci? Fare una visita dove le cose che non possono pensare provano comunque gioia.
Philip K. Dick (The Man in the High Castle)
We were just a hair's breadth from electing America's first female president to succeed America's first black president. We weren't done, but we were doing it. And then, true to form-like the Balrog's whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, 'If I can't have you, no one can'-white American voters shoved an incompetent, racist con man into the White House.
Lindy West (The Witches Are Coming)
You know, I can trust a cynic, and a con man, but I can’t trust a hypocrite. Cause the hypocrite doesn’t know when she’s lying and that’s the most dangerous liar of them all.
The Good Wife
Let me explain why. "Perfection" is man's ultimate illusion. It simply doesn't exist in the universe. There is no perfection. It's really the world's greatest con game; it promises riches and delivers misery. The harder you strive for perfection, the worse your disappointment will become because it's only an abstraction, a concept that doesn't fit reality. Everything can be improved if you look at it closely and critically enough—every person, every idea, every work of art, every experience, everything. So if you are a perfectionist, you are guaranteed to be a loser in whatever you do.
David D. Burns (Feeling Good: The New Mood Therapy)
The first thing any charlatan needs is nomenclature. A special language. Trappings. That's the true genesis of psychobabble terms such as 'disclosure' and 'in denial.' Every good con man needs plausibility. . .
Andrew Vachss (Footsteps of the Hawk (Burke, #8))
Here's my philosophy. Adopt it, and you'll make it out alive. Every man for himself. You watch your own ass. Your con goes orange? You fall back to defensive position. No heroics. And no stupidity. Got it?
Eve Silver (Push (The Game, #2))
Inej knew the moment Kaz entered the Slat. His presence reverberated through the cramped rooms and crooked hallways as every thug, thief, dealer, con man, and steerer came a little more awake. Per Haskell’s favored lieutenant was home.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Nadie debería juzgar, nadie, a no ser que con absoluta sinceridad pudiera asegurar que, en una situación similar, actuaría de manera diferente.
Viktor E. Frankl (Man’s Search for Meaning)
Aaron looks like a con man who got hit with a shrink ray and you look like you're going to Catholic school.
Holly Black (The Bronze Key (Magisterium, #3))
So dark are the con of man
Partho Bose (NY Literary Magazine 2017 Best Story Award Nominee)
This man was a rogue, not because circumstances forced him to be a criminal but because he was born that way. He was probably conning his mother out of her milk the moment he could grin. He'd charm the clothes off a virgin in twenty minutes. And if the poor fool took him home, he'd drink her dad under the table, beguile her mother, charm her grandparents, and treat the girl to a night she'd never forget. In the morning, her dad would be sick with alcohol poisoning, the good silver would be missing together with the family car, and in a month, both the former virgin and her mother would be expecting.
Ilona Andrews (Fate's Edge (The Edge, #3))
A true poet is more than just a man who can write a poem with a pen. A true poet writes poetry with his very life. A true poet doesn't use poetic devices to con the heart of a woman but uses the beauty of all that is poetic to serve, cherish, and express love to the heart of a woman. Just as a true warrior is not a conqueror of femininity but a protector of femininity, a true poet is not just a wooer of a woman's heart but one who knows how to nurture and plant love in a woman's heart. Simply put, a true poet is a man who knows how to be intimate with a lover - first and foremost with Christ.
Eric Ludy
Her face was not young, but it was simple; it was not fresh, but it was mild. She had large eyes which were not bright, and a great deal of hair which was not 'dressed,' and long fine hands which were--possibly--not clean.
Henry James (The Aspern Papers)
Scientology always has been a game of power and control. L. Ron Hubbard was the ultimate con man, and it's hard to figure out how much of Scientology was an experiment in brainwashing and controlling people, and how much of it was truly intended to help people.
Jenna Miscavige Hill (Beyond Belief: My Secret Life Inside Scientology and My Harrowing Escape)
Eran unos amigos excelentes. Esa clase de amigos con que todo el mundo sueña pero que nadie merece. Y yo menos que nadie.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
The people come from everywhere, from five hundred miles, to find their fortunes. By fortune is an ugly, two-faced goddess. When you have lived with her handiwork for half a generation, you hardly notice anymore. You forget that this is not the way life has to be. You cease to marvel at just how much evil man con conjure by existing.
Glen Cook (Water Sleeps (The Chronicles of the Black Company, #8))
To be the mistress of a married man is to have the better role. Do you realize? His dirty shirt, his disgusting underwear, his daily ironing, his bad breath, his hemorrhoid attacks, his fuss, not to mention his bad moods, and his tantrums. Well all that is for his wife. When a married man comes to his mistress... he's always bleached and ironed, his teeth sparkle, his breath is like perfume, he's in a good mood, he's full of conversation, he is there to have a good time with you.
Marjane Satrapi (Embroideries)
He was a good con man, but not a great con man. He wasn't ruthless enough. He had all the tricks, all the techniques, the facility for it. That part if you'll excuse the expression, was in his blood. But he never really had the heart for it.
Jeffrey Ford (The Girl in the Glass)
Luck is a strange thing in the life of any thief and halfway decent con man. What is it that keeps the mark from counting the till or the guards from looking up at precisely the wrong moment? Kat had learned at a very young age that luck is for the amateur, the lazy---those who are unprepared and unskilled. And yet she also knew that luck, like most things, cannot be truly missed until it is also truly gone.
Ally Carter (Uncommon Criminals (Heist Society, #2))
Minorities or women have never held a majority in either chamber of Congress, or on the Supreme Court, and there has been only one nonwhite president of the United States in American history. White people got so pissed off at that they replaced Barack Obama with a bigoted con man who questioned whether the Black president was even born in this country, and when their guy lost the next election, his people tried to start a coup.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
I can't believe we just did that.” “What, killed a man?” “No. I can't believe we just fucked in your truck.” Con laughed.
Stylo Fantome (The Bad Ones)
No hace falta que os explique lo irritante que resulta intentar mantener una conversación con una persona que se niega a mirarte a los ojos." - Kvothe
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
The secret of being a top-notch con man is being able to know what the mark wants, and how to make him think he’s getting it. I
Ken Kesey (One Flew Over the Cuckoo's Nest)
I thank God today she found the courage in her heart to love me enough so that someday I could tell you that even a black ex-con from Angola that stabbed a man could maybe someday do some good in the world if he gets a chance.
Ron Hall
This is the man who thinks too much, who stands back from his life and never lives it. He is caught in a web of pros and cons about his decisions and lost in a labyrinth of reflective meanderings from which he cannot extricate himself. He is afraid to live, to ‘leap into battle.’ He can only sit on his rock and think. The years pass. He wonders where the time has gone. And he ends by regretting a life of sterility. He is a voyeur, an armchair adventurer. In the world of academia, he is a hairsplitter. In the fear of making the wrong decision, he makes none. In his fear of living, he also cannot participate in the joy and pleasure that other people experience in their lived lives. If he is withholding from others, and not sharing what he knows, he eventually feels isolated and lonely. To the extent that he has hurt others with his knowledge and technology—in whatever field and in whatever way—by cutting himself off from living relatedness with other human beings, he has cut off his own soul.” Refering the the dark magician energy.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
Sus rostros eran absolutamente similares en un detalle: parecían extremadamente incompletos, como cuadros con agujeros por ojos o como un rompecabezas al que le faltase una pieza nimia. Y eso que echaba en falta, pensó Richards, era el aire de desesperación. En sus estómagos no aullaban los lobos. Sus mentes no estaban llenas de sueños viciados, de esperanzas insensatas.
Richard Bachman (The Running Man)
To our benefit, death isn't affected by an economic failure, and it never takes a holiday. In addition, a bereaved rich man is easier to con than a poor one in the same condition. A poor man, straightaway, understands death to be inevitable, but it takes a rich man some time to see that the end can't be circumvented with the application of enough collateral.
Jeffrey Ford (The Girl in the Glass)
And a variety of more colorful names. Hypothetically.” The privateer cast him an assessing glance. “Just how did you know I wasn’t who I claimed to be, Mister Brekker?” Kaz shrugged. “You speak Kerch like a native—a rich native. You don’t talk like someone who came up with sailors and street thugs.” The privateer turned slightly, giving Kaz his full attention. His ease was gone, and now he looked like a man who might command armies. “Mister Brekker,” he said. “Kaz, if I may? I am in a vulnerable position. I am a king ruling a country with an empty treasury, facing enemies on all sides. There are also forces within my country that might seize any absence as an opportunity to make their own bid for power.” “So you’re saying you’d make an excellent hostage.” “I suspect that the ransom for me would be considerably less than the price Kuwei has on his head. Really, it’s a bit of a blow to my self-esteem.” “You don’t seem to be suffering,” said Kaz. “Sturmhond was a creation of my youth, and his reputation still serves me well. I cannot bid on Kuwei Yul-Bo as the king of Ravka. I hope your plan will play out the way you think it will. But if it doesn’t, the loss of such a prize would be seen as a humiliating blunder diplomatically and strategically. I enter that auction as Sturmhond or as no one at all. If that is a problem—” Kaz settled his hands on his cane. “As long as you don’t try to con me, you can enter as the Fairy Queen of Istamere.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Puesto que no hay remedio, tengamos valor con la muerte. Abracemos esta horrible idea con pecho firme; considerémosla cara a cara. Pidámosle cuenta de lo que es; sepamos qué quiere de nosotros; volvámosla en todos sentidos; descifremos el enigma y miremos de antemano en el sepulcro.
Victor Hugo (The Last Day of a Condemned Man)
En última instancia, vivir significa asumir la responsabilidad de encontrar la respuesta correcta a las cuestiones que la existencia nos plantea, cumplir con las obligaciones que la vida nos asigna a cada uno en cada instante particular.
Viktor E. Frankl (Man’s Search for Meaning)
En buena parte, la razón por la que vine a este rincón del mundo era con la esperanza de encontrarte.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Pero no basta con querer algo para que sea verdad.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Mis colegas, incluso yo mismo, susurrando con timidez desde nuestros divanes, estábamos de acuerdo en que mi problema era del todo normal: odiaba al mundo y a mí mismo porque había fallado al tratar de afrontar y aceptar mis propias limitaciones y las de la vida. En literatura, este rechazo se llama romanticismo; en psicología, neurosis. La consecuencia de todo esto es que el único e inevitable camino parece ser una vida limitada y aburrida. Empezaba a aceptarlo, después de varios meses de recrearme en la depresión (me había procurado furtivamente un revólver del calibre 38 y nueve balas), cuando llegué a las costas del zen.
Luke Rhinehart (The Dice Man)
Who would appreciate such candor? No one. None of us really likes honesty. We prefer deception –but only when it is unabashedly flattering or artfully camouflaged. Groups seem to need to believe that they are superior to others and that they have a purpose greater than just passing along their genes to the next generation. Individuals seem to need similar delusions – about who they are and why they do what they do. They need heroes, however fraudulent… Studies show that people are more likely to accept the opinion of a confident con man than the cautious view of someone who actually knows what he is talking about. And professionals who form overconfident opinions on the basis of incorrect readings of the facts are more likely to succeed than their more competent peers who display greater doubt. What’s more, deception works best, according to studies by psychologists, when the person doing the deceiving is fool enough to be deceived, too; that is, when he believes his own lies. That is why incompetent leaders – who are naïve enough to fall for their own guff – are such a danger to civilized life. If they are modern leaders, they must also delude themselves into thinking they know how to make the world a better place. Invariably, the answers they propose to problems are ones that bubble up from their own vanity, the essence of which is to make the rest of the world look just like them!
William Bonner (Mobs, Messiahs, and Markets: Surviving the Public Spectacle in Finance and Politics)
Was ist gut? – Alles, was das Gefühl der Macht, den Willen zur Macht, die Macht selbst im Menschen erhöht. Was ist schlecht? – Alles, was aus der Schwäche stammt. Was ist Glück? – Das Gefühl davon, daß die Macht wächst, – daß ein Widerstand überwunden wird. --- What is good? Everything that heightens the feeling of power in man, the will to power, power itself. What is bad? Everything that is born of weakness. What is happiness? The feeling that power is growing, that resistance is overcome. --- Thiện là gì? Mọi cái nâng cao cảm xúc quyền lực trong con người, ý chí quyền lực, quyền tự thân. Ác là gì? Mọi cái sinh ra từ sự nhu nhược. Hạnh phúc là gì? Cảm giác quyền lực đang tăng trưởng và cảm giác trở lực được khắc phục.
Friedrich Nietzsche (The Antichrist)
As I believe I have said, everyone in prison is an innocent man. Oh, they read the scripture the way those holy rollers on TV read the Book of Revelations. They were the victims of judges with hearts of stone and balls to match, or incompetent lawyers, or police frame-ups, or bad luck. They read the scripture, but you can see a different scripture in their faces. Most cons are a low sort, no good to themselves or anyone else, and their worst luck was that their mothers carried them to term.
Stephen King (Different Seasons)
Not satisfied with what he's got? Is that it? That's husbands all over. Ungrateful pigs. You do everything for them, you bring up their kids, you cook their food, you wash their clothes, you warm their beds, you fuss over your face day after day so they'll fancy you, you wear yourself out to keep them happy and at the end of it all, what happens? They find someone else they fancy more. Someone young some man hasn't had the chance to wear out yet. Marriage is a con trick. A girl should marry a rich man, then at least she'd have a fur coat to keep her warm in her old age.
Fay Weldon (The Fat Woman's Joke)
Luego toqué la canción que se esconde en el centro de mí. Esa música sin letra que recorre los rincones secretos de mi corazón. La toqué con cuidado, desgranando las notas lenta y suvamente en el oscuro silencio nocturno. Me gustaría poder decir que es una canción alegre, que es dulce y animada, pero no lo es.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
I don’t know if I ever liked you,” I say, and bathroom acoustics being what they are, the declaration is magnified and that much more unkind, which makes me feel bad until I see that he is missing a shoe, and I feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
Raven Leilani
Allora per la prima volta ci siamo accorti che la nostra lingua manca di parole per esprimere questa offesa, la demolizione di un uomo. In un attimo, con intuizione quasi profetica, la realtà ci si è rivelata: siamo arrivati al fondo. Più giù di così non si può andare: condizione umana più misera non c'è, e non è pensabile. Nulla più è nostro: ci hanno tolto gli abiti, le scarpe, anche i capelli; se parleremo, non ci ascolteranno, e se ci ascoltassero, non ci capirebbero. Ci toglieranno anche il nome: e se vorremo conservarlo, dovremo trovare in noi la forza di farlo, di fare sì che dietro al nome, qualcosa ancora di noi, di noi quali eravamo, rimanga.
Primo Levi (If This Is A Man/The Truce: Hachette Essentials)
It was hard to tell if he was lying, or really believed his own bullshit. “We’re good for each other. You give me what I need. I give you what you need. No one needs to know what that is because it’s a secret between us. So we put on our suit. That’s the investment: us.
Dan Skinner (The Price of Dick)
You have a good cry, lovey, you'll feel better afterwards. You did feel better afterwards, but as if you'd conned yourself, fobbed yourself off.
Glen Duncan (Death of an Ordinary Man)
Never choose the card a man wants you to. Mat should have realized that. It was one of the oldest cons in creation.
Robert Jordan (Towers of Midnight (The Wheel of Time, #13))
Pero creo que no me amaba, porque me atrapó con una sonrisa adorable y luego desapareció sin decir palabra. Como el rocío bajo la débil luz del amanecer. -Como un sueño al despertar -añadió Denna con una sonrisa. -Como una doncella feérica deslizándose entre los árboles.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
So, even for those of us who can't personally witness Salome's dance, the fifth veil surely will fall. It will fall at the moment of our death. As we lie there, helpless, beyond distraction, electricity stealing out of our brains like a con man stealing out of a sucker's neighborhood, it will occur to many of us that everything we ever did, we did for money. And at that instant, right before the stars blink off, we will, according to what else we may have learned in life, burn with an unendurable regret--or have us a good silent laugh at our own expense.
Tom Robbins (Skinny Legs and All)
Van Houten was still staring at the ceiling beams. He took a drink. The glass was almost empty again. 'Lidewij, I can't do it. I can't. I can't.' He leveled his gaze to me. 'Nothing happens to the Dutch Tulip Man. He isn't a con man or not a con man; he's God. He's an obvious and unambiguous metaphorical representation of God, and asking what becomes of him if the intellectual equivalent of asking what becomes of the disembodied eyes of Dr. T.J. Eckleburg in Gatsby. Do he and Anna's man get married? We are speaking of a novel, dear child, not some historical enterprise.
John Green
El otro se alejó para no estorbar, mas era tal la atención que el viejo dispensaba al libro, que no soportó quedar al margen. —¿De qué trata? —Del amor. Ante la respuesta del viejo, el otro se acercó con renovado interés. —No jodas. ¿Con hembras ricas, calentonas? El viejo cerró de sopetón el libro haciendo vacilar la llama de la lámpara. —No. Se trata del otro amor. Del que duele.
Luis Sepúlveda (The Old Man Who Read Love Stories)
and I feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
Raven Leilani (Luster)
Bor era bello da fare male. Il cuore della ragazza saltò un battito quando il suo profumo le raggiunse le narici e inondò la sua mente come una droga. Un accenno di barba disegnava il contorno appuntito del mento e le labbra si schiusero in un ghigno ferino da animale pronto alla caccia. «Ti voglio attenta e pronta. Ti insegnerò a difenderti. Non sono qui per giocare o rivangare il passato. E ora muoviti, non ho tempo da perdere, anzi, non abbiamo tempo da perdere.» Voltandosi e scendendo le scale tre gradini alla volta aggiunse: «Ti aspetto in strada, sono quello figo sulla moto». Le guance di Asia divennero paonazze, mentre stringeva i pugni con intensità fino a sentire il sudore delle mani appiccicarle la pelle. Con un'espressione degna di un drago sputa fuoco, Asia rimase a guardare Bor che usciva di casa. Vomitò un urlo a dir poco agghiacciante che miscelava rabbia e frustrazione.
Eilan Moon (R.I.P. Requiescat In Pace (The R.I.P. Trilogy, #1))
Si quieres lastimar a tus padres, y no tienes el valor de ser gay, lo menos que puedes hacer es convertirte en artista. No estoy bromeando. Las artes no son una manera de ganarse la vida. Son una forma muy humana de hacer la vida más soportable. Practicar un arte, no importa cuan bien o mal, es una forma de hacer crecer el alma. Cantar en la ducha. Bailar con la radio. Contar historias. Escribir un poema, aún un poema malo. Hazlo tan bien como puedas. Obtendrás una enorme recompensa. Habrás creado algo.
Kurt Vonnegut Jr. (A Man Without a Country)
You can find yourself a decent, honorable man, one to love you, respect you, cherish you. Someone with morals, with a decent job and a good future. That's what you think you want, isn't it? Not some white trash from Alabama. Not some ex-con who's running the scam of a lifetime. You're so good and decent, the very thought of me disgusts you, doesn't it?" His voice was low and seductive as he pushed the words at her. She met his gaze with what she hoped was a fearless one of her own. "Yes," she said. "Then tell me, Rachel," he said, letting his hand toy with the loose neckline of her tunic, "why aren't you out somewhere, fucking your little gentleman's brains out? Why are you here with me, quivering when I touch you?
Anne Stuart (Ritual Sins)
He started to talk about my writing and I stopped listening. I was embarrassed and it made me feel sick for people to talk about my writing to my face, and I looked at him and his marked-for-death look and I thought, you con man conning me with your con. I’ve seen a battalion in the dust on the road, a third of them for death or worse and no special marks on them, the dust was for all, and you and your marked for death look, you con man, making a living out of your death. Now you will con me. Con not, that thou be not conned. Death was not conning with him. It was coming all right.
Ernest Hemingway (A Moveable Feast)
Two keen minds that they are, they took to each other at the drop of a hat. Two piercing eyes glanced into two piercing eyes--the holy con-man with the shining mind, and the sorrowful poetic con-man with the dark mind that is Carlo Marx.
Jack Kerouac (On the Road)
...I looked at the place with my heart beating as I had known it to do in the dentist's parlor.
Henry James (The Aspern Papers)
Are you still making that man sing? It must be love, dude
Con Riley (After Ben (Seattle Stories, #1))
My letters seeking a job, though truthful, diminished the full truth. Face would blanch if the facts had been complete: "Dear Sir," I thought. "Do you have a position for a journeyman burglar, con man, forger and car thief; also with experience as armed robber, pimp, card cheat and several other things. I smoked marijuana at twelve (in the 40's) and shot heroin at sixteen. I have no experience with LSD and methedrine. They came to popularity since my imprisonment. I've buggered pretty young boys and feminine homosexuals (but only when locked up away from women). In the idiom of jails, prisons and gutters (some plush gutters) I'm a motherfucker! Not literally, for I don't remember my mother. In my world the term, used as I used it, is a boast of being hell on wheels, outrageously unpredictable, a virtuoso of crime. Of course by being a motherfucker in that world I'm a piece of garbage in yours. Do you have a job?
Edward Bunker (No Beast So Fierce)
Recently I interviewed a psychopath. This is always a humbling experience because it teaches over and over how much of human motivation and experience is outside my narrow range. Despite the psychopath's lack of conscience and lack of empathy for others, he is inevitably better at fooling people than any other type of offender. I suppose conscience just slows you down. A child convicted molester, this particular one made friends with a correctional officer who invited him to live in his home after he was released - despite the fact the officer had a nine-year-old daughter. The officer and his wife were so taken with the offender that, after the offender lived with them for a few months, they initiated adoption proceedings- adoption for a man almost their age. Of course, he was a child molester living in the same house as a child. Not surprisingly, he molested the daughter the entire time he lived there. [...] What these experiences taught have me is that even when people are warned of a previously founded case of even a conviction, they still routinely underestimate the pathology with which they are dealing.
Anna C. Salter (Predators: Pedophiles, Rapists, and Other Sex Offenders)
Insight: all evaluation is made from a definite perspective: that of the preservation of the individual, a community, a race, a state, a church, a faith, a culture.--- Because we forget that valuation is always from a perspective, a single individual contains within him a vast confusion of contradictory valuations and consequently of contradictory drives. This is the expression of the diseased condition in man, in contrast to the animals in which all existing instincts answer to quite definite tasks. This contradictory creature has in his nature, however, a great method of acquiring knowledge: he feels many pros and cons, he raises himself to justice---to comprehension beyond esteeming things good and evil. The wisest man would be the one richest in contradictions, who has, as it were, antennae for all types of men---as well as his great moments of grand harmony---a rare accident even in us! A sort of planetary motion---
Friedrich Nietzsche (The Will to Power)
Por lo general, sólo se mantenían vivos aquellos prisioneros que tras varios años de dar tumbos de campo en campo, habían perdido todos sus escrúpulos en la lucha por la existencia; los que estaban dispuestos a recurrir a cualquier medio, fuera honrado o de otro tipo, incluidos la fuerza bruta, el robo la traición o lo que fuera con tal de salvarse. Los que hemos vuelto de allí, gracias a multitud de casualidades fortuitas o milagros -como cada cual prefiera llamarlos- lo sabemos bien: los mejores de entre nosotros no regresaron.
Viktor E. Frankl (Man’s Search for Meaning)
A woman’s sexuality is not at all like a man’s. A man can literally f**k a watermelon and come. If you put enough friction on his c**k, in some semblance of a rhythm, he will orgasm. It’s a no brainer.
Chloe Cole (Undercover Lovers)
If you are inherently a good guy, which I think I am, you instinctively want to help people even before you know what their problem may be. Which, as I examine that notion, makes good guys sound gullible. Con artists look for good guys because of that built-in gullibility. If they're con artists that come in a sexually alluring package, a good guy can become a brainless idiot. Allow me to introduce myself.
Dan Skinner (The Price of Dick)
He was simply a youth tremendously excited with life, and though he was a con-man, he was only conning because he wanted so much to live and to get involved with people who would otherwise pay no attention to him. He
Jack Kerouac (On the Road)
He was an old Drag man with his bit getting short. He was the first to attempt to teach me to control my emotions. He would say, “Always remember whether you be sucker or hustler in the world out there, you’ve got that vital edge if you can iron-clad your feelings. I picture the human mind as a movie screen. If you’re a dopey sucker, you’ll just sit and watch all kinds of mindwrecking, damn fool movies on that screen.” He said. “Son, there is no reason except a stupid one for anybody to project on that screen anything that will worry him or dull that vital edge. After all, we are the absolute bosses of that whole theatre and show in our minds. We even write the script. So always write positive, dynamic scripts and show only the best movies for you on that screen whether you are pimp or priest.” His rundown of his screen theory saved my sanity many years later. He was a twisted wise man and one day when he wasn’t looking, a movie flashed on the screen. The title was “Death For an Old Con.
Iceberg Slim (Pimp: The Story of My Life)
There is no truer statement: men are simple. Get this into your head first, and everything you learn about us in this book will begin to fall into place. Once you get that down, you’ll have to understand a few essential truths: men are driven by who they are, what they do, and how much they make. No matter if a man is a CEO, a CON, or both, everything he does is filtered through his title (who he is), how he gets that title (what he does), and the reward he gets for the effort (how much he makes). These three things make up the basic DNA of manhood—the three accomplishments every man must achieve before he feels like he’s truly fulfilled his destiny as a man. And until he’s achieved his goal in those three areas, the man you’re dating, committed to, or married to will be too busy to focus on you.
Steve Harvey (Act Like a Lady, Think Like a Man, Expanded Edition: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
Twitter Terrorist, billionaire heir, ex-con, computer geek, bad boy—none of those terms came close to describing Kyle Rhodes. He was, simply, a good person, and a confident, intelligent man to boot, and she found that combination absolutely irresistible.
Julie James (About That Night (FBI/US Attorney, #3))
Si que­da­ba al­gu­na es­pe­ran­za, debía estar en los pro­les, por­que solo en esas masas des­pre­cia­das, que cons­ti­tuían el ochen­ta y cinco por cien­to de la po­bla­ción de Ocea­nía, podía ge­ne­rar­se la fuer­za ne­ce­sa­ria para des­truir al Par­ti­do. Este no podía de­rro­car­se desde den­tro. Sus enemi­gos, si es que los había, no te­nían forma de unir­se o si­quie­ra de re­co­no­cer­se mu­tua­men­te. In­clu­so en caso de que exis­tie­ra la le­gen­da­ria Her­man­dad —lo cual no era del todo im­po­si­ble— re­sul­ta­ba in­con­ce­bi­ble que sus miem­bros pu­die­ran re­unir­se en gru­pos de más de dos o tres. La re­be­lión se li­mi­ta­ba a un cruce de mi­ra­das, una in­fle­xión de la voz o, como mucho, una pa­la­bra su­su­rra­da oca­sio­nal­men­te. En cam­bio los pro­les, si pu­die­ran ser cons­cien­tes de su fuer­za, no ten­drían ne­ce­si­dad de cons­pi­rar. Bas­ta­ría con que se en­ca­bri­ta­ran como un ca­ba­llo que se sa­cu­de las mos­cas. Si qui­sie­ran, po­drían volar el Par­ti­do en pe­da­zos a la ma­ña­na si­guien­te. Tarde o tem­prano tenía que ocu­rrír­se­les. Y sin em­bar­go…
George Orwell (1984)
It’s just a two-man con,” said Shadow. “Like the bishop and the diamond necklace and the cop. Like the guy with the fiddle, and the guy who wants to buy the fiddle, and the poor sap in between them who pays for the fiddle. Two men, who appear to be on opposite sides, playing the same game.
Neil Gaiman (American Gods)
He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
Raven Leilani (Luster)
This is as good a place as any for you to locate the bastard,” Tam said. “Bastard? I thought you said you never met Rache.” “I haven’t. He hurt you, he’s hunting Chigaru, therefore he’s a bastard. The goblin language has much more accurate terms, but that one will do for now.” “Do you mean jak’aprit?” Vegard asked helpfully. Tam inhaled with intense satisfaction. “The very word. Well done, Vegard.” The big Guardian grinned. “I believe in knowing how to insult a man in every language.
Lisa Shearin (Con & Conjure (Raine Benares, #5))
En su Teofanía, Teccam habla de los secretos y los llama "tesoros dolorosos de la mente". Explica que lo que la mayoría de la gente considera secretos no lo son en realidad. Los misterios, por ejemplo, no son secretos. Tampoco lo son los hechos poco conocidos ni las verdades olvidadas. Un secreto, explica Teccam, es un conocimiento cierto activamente ocultado. Los filósofos llevan siglos cuestionando su definición. Señalan los problemas lógicos, las lagunas, las excepciones. Pero en todo este tiempo ninguno ha conseguido presentar una definición mejor. Quizá eso nos aporte más información que todas las objeciones juntas. En un capítulo posterior, menos conocido y menos discutido, Teccam expone que existen dos tipos de secretos. Hay secretos de la boca y secretos del corazón. La mayoría de los secretos son secretos de la boca. Chismes compartidos y pequeños escándalos susurrados. Esos secretos ansían liberarse por el mundo. Un secreto de la boca es como una china metida en la bota. Al principio apenas la notas. Luego se vuelve molesta, y al final, insoportable. Los secretos de la boca crecen cuanto más los guardas, y se hinchan para presionar contra tus labios. Luchan para que los liberes. Los secretos del corazón son diferentes. Son íntimos y dolorosos, y queremos, ante todo, escondérselos al mundo. No se hinchan ni presionan buscando una salida. Moran en el corazón, y cuanto más se los guarda, más pesados se vuelven. Teccam sostiene que es mejor tener la boca llena de veneno que un secreto del corazón. Cualquier idiota sabe escupir el veneno, dice, pero nosotros guardamos esos tesoros dolorosos. Tragamos para contenerlos todos los días, obligándolos a permanecer en lo más profundo de nosotros. Allí se quedan, volviéndose cada vez más pesados, enconándose. Con el tiempo, no pueden evitar aplastar el corazón que los contiene. Los filósofos modernos desprecian a Teccam, pero son buitres picoteando los huesos de un gigante. Cuestionad cuanto queráis: Teccam entendía la forma del mundo.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Our "increasing mental sickness" may find expres­sion in neurotic symptoms. These symptoms are con­spicuous and extremely distressing. But "let us beware," says Dr. Fromm, "of defining mental hygiene as the prevention of symptoms. Symptoms as such are not our enemy, but our friend; where there are symp­toms there is conflict, and conflict always indicates that the forces of life which strive for integration and happiness are still fighting." The really hopeless victims of mental illness are to be found among those who appear to be most normal. "Many of them are normal because they are so well adjusted to our mode of existence, because their human voice has been si­lenced so early in their lives, that they do not even struggle or suffer or develop symptoms as the neurotic does." They are normal not in what may be called the absolute sense of the word; they are normal only in relation to a profoundly abnormal society. Their per­fect adjustment to that abnormal society is a measure of their mental sickness. These millions of abnormally normal people, living without fuss in a society to which, if they were fully human beings, they ought not to be adjusted, still cherish "the illusion of indi­viduality," but in fact they have been to a great extent deindividualized. Their conformity is developing into something like uniformity. But "uniformity and free­dom are incompatible. Uniformity and mental health are incompatible too. . . . Man is not made to be an automaton, and if he becomes one, the basis for mental health is destroyed.
Aldous Huxley (Brave New World Revisited)
…que hay dos maneras de hermosura: una del alma y otra del cuerpo; la del alma campea y se muestra en el entendimiento, en la honestidad, en el buen proceder, en la liberalidad y en la buena crianza, y todas estas partes caben y pueden estar en un hombre feo; y cuando se pone la mira en esta hermosura, y no en la del cuerpo, suele nacer el amor con ímpetu y con ventajas. Cervantes, Don Quioxte, Parte II, Capítulo LVIII ... y que tu posees a ambos, que quieren decir que mi amor por tu es doblado... Yo, Sancho, bien veo que no soy hermoso, pero también conozco que no soy disforme; y bástale a un hombre de bien no ser monstruo para ser bien querido, como tenga los dotes del alma que te he dicho." ..."that there are two kinds of beauty, the one of the soul, and the other of the body; that of the soul is revealed fully through understanding, in virtue and honesty, in good living, in generosity and good breeding, all such qualities can be found to be in a homely man; and when such beauty, not the physical one, becomes the object of desire, then love only bears more impetus, focus, and exactitude of purpose.
Miguel de Cervantes Saavedra (The Trials of Persiles and Sigismunda: A Northern Story)
The political merchandisers appeal only to the weak­nesses of voters, never to their potential strength. They make no attempt to educate the masses into becoming fit for self-government; they are content merely to manipulate and exploit them. For this pur­pose all the resources of psychology and the social sciences are mobilized and set to work. Carefully se­lected samples of the electorate are given "interviews in depth." These interviews in depth reveal the uncon­scious fears and wishes most prevalent in a given so­ciety at the time of an election. Phrases and images aimed at allaying or, if necessary, enhancing these fears, at satisfying these wishes, at least symbolically, are then chosen by the experts, tried out on readers and audiences, changed or improved in the light of the information thus obtained. After which the political campaign is ready for the mass communicators. All that is now needed is money and a candidate who can be coached to look "sincere." Under the new dispen­sation, political principles and plans for specific action have come to lose most of their importance. The person­ality of the candidate and the way he is projected by the advertising experts are the things that really mat­ter. In one way or another, as vigorous he-man or kindly father, the candidate must be glamorous. He must also be an entertainer who never bores his audience. Inured to television and radio, that audience is accustomed to being distracted and does not like to be asked to con­centrate or make a prolonged intellectual effort. All speeches by the entertainer-candidate must therefore be short and snappy. The great issues of the day must be dealt with in five minutes at the most -- and prefera­bly (since the audience will be eager to pass on to something a little livelier than inflation or the H-bomb) in sixty seconds flat. The nature of oratory is such that there has always been a tendency among politicians and clergymen to over-simplify complex is­sues. From a pulpit or a platform even the most con­scientious of speakers finds it very difficult to tell the whole truth. The methods now being used to merchan­dise the political candidate as though he were a deo­dorant positively guarantee the electorate against ever hearing the truth about anything.
Aldous Huxley
A general is a specialist insofar as he has master his craft. Beyond that and outside the arbitrary pro and con, he keeps a third possibility intact and in reserve: his own substance. He knows more than what he embodies and teaches, has other skills along with the ones for which he is paid. He keeps all that to himself; it is his property. It is set aside for his leisure, his soliloquies, his nights. At a propitious moment, he will put it into action, tear off his mask. So far, he has been racing well; within sight is the finish line, his final reserves start pouring in. Fate challenges him; he responds. The dream, even in an erotic encounter, comes true. But causally, even here; every goal is a transition for him. The bow should snap rather than aiming the arrow at a finite target.
Ernst Jünger (Eumeswil)
Who the hell is Warren Ellis again?” Hardison gaped at the man. “Only one of the greatest comics writers in the past twenty years. Might as well ask who Alan Moore is, or Frank Miller, or Mark Waid, or Brian Michael Bendis, or Marv Wolfman, or Geoff Johns.” Eliot gave Hardison a blank look as they wove their way through the hall. Parker took the lead, toting a printed sign with her. Eliot and Hardison trailed in her wake. They made a point of striding right past Patronus’s booth. They didn’t turn to see if he noticed them. “No one?” Hardison said. “Nothing? Not even Kurt Busiek? Neil Gaiman?” “I have a life. I do things, active things. I date women.” “Stan Lee?” Eliot gave Hardison that one with a wag of his head. “Who hasn’t heard of Stan Lee?” “All right,” Hardison said with satisfaction. “You had me worried there, man.
Matt Forbeck (The Con Job (Leverage, #1))
Jessica Stone. The Jessica Stone. My costar. As in, indie film poster child, beloved by the internet for being sexy and cute and funny, sure to snag an Oscar one day Jessica Stone. I think I saw her last movie in theaters fifteen times, and not just because it was based on a graphic novel. Don’t fanboy, I order myself. Don’t fanboy. Gail looks at me, surprised. “But Dare, we were—” I cough. Twice. Gail looks between Jessica Stone and me, widens her eyes, and finally gets it. Her ears go even redder. “Oh. Oh.” She grabs her backpack and makes a hasty retreat. “I…um. I’ll be around if you need me, Dare.” After the door closes, Jessica Stone turns her eyes—which are super, freakishly, ice-water blue—to me. “I didn’t mean to intrude.” My tongue ties into ten hundred knots. She can intrude as much as she wants. I mean, not intrude—like, let me politely be in her presence for the rest of my life—but intruding works too. Into my life. As much as she wants. Is that weird? It’s probably weird. But it’s Jessica Stone. Damn it, man, don’t fanboy.
Ashley Poston (Geekerella (Once Upon a Con, #1))
I was like Robinson Crusoe on the island of Tobago. For hours at a stretch I would lie in the sun doing nothing, thinking of nothing. To keep the mind empty is a feat, a very healthful feat too. To be silent the whole day long, see no newspaper, hear no radio, listen to no gossip, be thoroughly and completely lazy, thoroughly and completely indifferent to the fate of the world is the finest medicine a man can give himself. The book-learning gradually dribbles away; problems melt and dissolve; ties are gently severed; thinking, when you deign to indulge in it, becomes very primitive; the body becomes a new and wonderful instrument; you look at plants or stones or fish with different eyes; you wonder what people are struggling to accomplish with their frenzied activities; you know there is a war on but you haven't the faintest idea what it's about or why people should enjoy killing one another; you look at a place like Albania—it was constantly staring me in the eyes—and you say to yourself, yesterday it was Greek, to-day it's Italian, to-morrow it may be German or Japanese, and you let it be anything it chooses to be. When you're right with yourself it doesn't matter which flag is flying over your head or who owns what or whether you speak English or Monongahela. The absence of newspapers, the absence of news about what men are doing in different parts of the world to make life more livable or unlivable is the greatest single boon. If we could just eliminate newspapers a great advance would be made, I am sure of it. Newspapers engender lies, hatred, greed, envy, suspicion, fear, malice. We don't need the truth as it is dished up to us in the daily papers. We need peace and solitude and idleness. If we could all go on strike and honestly disavow all interest in what our neighbor is doing we might get a new lease on life. We might learn to do without telephones and radios and newspapers, without machines of any kind, without factories, without mills, without mines, without explosives, without battleships, without politicians, without lawyers, without canned goods, without gadgets, without razor blades even or cellophane or cigarettes or money. This is a pipe dream, I know.
Henry Miller (The Colossus of Maroussi)
Coming back for Comic-Con. Now that the seal has been broken and we all know each other as in know each other, expect you and Chace to meet me there,” Benji told me and my mind filled with thoughts of Chace at a Comic-Con. Because it did, I burst out laughing. Chace’s eyes came right to me and seeing the look on his face, openly happy, I sighed again but this time on the inside. I grinned at him but murmured, “I’m not sure that’ll ever happen.” “I am,” Ally replied and I tore my eyes away from my husband… My husband. I looked to her. “No way.” Ally looked to me. “That man would do anything for you. Even commune with a bunch of geeks.” Well, I figured she would know. Since she had one like mine. I grinned at her.
Kristen Ashley
We reach the trailer and Shane digs through the pockets of the cargo pants slung over his arm until he finds the key. He pushes open the door and waits for me to pass through. Maybe later I’ll tell myself I should have thought long and hard about what I was going to do, that I should have counted to ten and waited until I regained my sanity before stepping over the threshold, evaluated the pros and cons like a thoughtful, rational adult. But I do no such thing. Shane’s eyes are on mine as I step out of my wet sneakers, drop my damp clothes in a ball on the porch, and walk inside. He follows right behind me, and even through my wet shirt I can feel the heat radiating off his bare chest. The man is a furnace. Every warning about playing with fire zings through my mind, but I dismiss them. I want this. I’m not playing games, and neither is Shane as he grips my shoulders and turns us so my back is to the door and he’s pressed up against me. He lowers his head so our eyes are inches apart and looks at me more closely and thoughtfully than anyone ever has. He’s checking to make sure I’m okay, that my expectations are in line with what today is about. And they are. Just once, we agreed. And that will be enough.
Julianna Keyes (Just Once)
Some people are straightforward. What you see is indeed what you get. Their words have no subtext and their hearts are open. Such individuals possess a naïveté which is both striking and humbling, and which inspires trust in others because these people are themselves trusting. They see life essentially through childlike eyes and, because of that, the more cynical members of the human race often consider them foolish and unsophisticated. Those more experienced in the ways of the world view them as easy marks, such stuff as the con-man’s wet dreams are made on. Straightforward people are very much in the minority, and in today’s world where idealism has become unfashionable and the concept of self-sacrifice unfathomable, they are in all likelihood an endangered species. For the rest of us, lying and deception is a necessary social skill. One we practice every day. Those – like myself – suckled at the breast of Perfidious Albion especially see the public expression of vulnerability as anathema. We harbour an abhorrence for emotional weakness; and we Brits are by no means the only ones. On a dog-eat-dog planet if you are to thrive, you have to be in control of yourself. Or at least appear to be.
John Dolan (Everyone Burns (Time, Blood and Karma, #1))
Una mano pequeña y fría me acarició la mejilla. —No pasa nada —dijo Auri en voz baja—. Ven aquí. Empecé a llorar en silencio, y ella deshizo con cuidado el apretado nudo de mi cuerpo hasta que mi cabeza reposó en su regazo. Empezó a murmurar, apartándome el cabello de la frente; yo notaba el frío de sus manos contra la ardiente piel de mi cara. —Ya lo sé —dijo con tristeza—. A veces es muy duro, ¿verdad? Me acarició el cabello con ternura, y mi llanto se intensificó. No recordaba la última vez que alguien me había tocado con cariño. —Ya lo sé —repitió—. Tienes una piedra en el corazón, y hay días en que pesa tanto que no se puede hacer nada. Pero no deberías pasarlo solo. Deberías haberme avisado. Yo lo entiendo. Contraje todo el cuerpo y de pronto volví a notar aquel sabor a ciruela. —La echo de menos —dije sin darme cuenta. Antes de que pudiera agregar algo más, apreté los dientes y sacudí la cabeza con furia, como un caballo que intenta liberarse de las riendas. —Puedes decirlo —dijo Auri con ternura. Volví a sacudir la cabeza, noté sabor a ciruela, y de pronto las palabras empezaron a brotar de mis labios. —Decía que aprendí a cantar antes que a hablar. Decía que cuando yo era un crío ella tarareaba mientras me tenía en brazos. No me cantaba una canción; solo era una tercera descendente. Un sonido tranquilizador. Y un día me estaba paseando alrededor del campamento y oyó que yo le devolvía el eco. Dos octavas más arriba. Una tercera aguda y diminuta. Decía que aquella fue mi primera canción. —Nos la cantábamos el uno al otro. Durante años. —Se me hizo un nudo en la garganta y apreté los dientes. —Puedes decirlo —dijo Auri en voz baja—. No pasa nada si lo dices. —Nunca volveré a verla —conseguí decir. Y me puse a llorar a lágrima viva. —No pasa nada —dijo Auri—. Estoy aquí. Estás a salvo.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
One also, in our milieu, simply didn't meet enough Americans to form an opinion. And when one did—this was in the days of crew-cuts and short-legged pants—they, too, often really did sport crew-cuts and trousers that mysteriously ended several inches short of the instep. Why was that? It obviously wasn't poverty. A colleague of my father's had a daughter who got herself married and found that an American friend she had met on holiday had offered to pay the whole cost of the nuptial feast. I forget the name of this paladin, but he had a crew-cut and amputated trouser-bottoms and a cigar stub and he came from a place called Yonkers, which seemed to me a ridiculous name to give to a suburb. (I, who had survived Crapstone… ) Anyway, once again one received a Henry Jamesian impression of brash generosity without overmuch refinement. There was a boy at my boarding school called Warren Powers Laird Myers, the son of an officer stationed at one of the many U.S. Air Force bases in Cambridgeshire. Trousers at The Leys School were uniform and regulation, but he still managed to show a bit of shin and to buzz-cut his hair. 'I am not a Yankee,' he informed me (he was from Norfolk, Virginia). 'I am a CON-federate.' From what I was then gleaning of the news from Dixie, this was unpromising. In our ranks we also had Jamie Auchincloss, a sprig of the Kennedy-Bouvier family that was then occupying the White House. His trousers managed to avoid covering his ankles also, though the fact that he shared a parent with Jackie Kennedy meant that anything he did was accepted as fashionable by definition. The pants of a man I'll call Mr. 'Miller,' a visiting American master who skillfully introduced me to J.D. Salinger, were also falling short of their mark. Mr. Miller's great teacher-feature was that he saw sexual imagery absolutely everywhere and was slightly too fond of pointing it out [...]. Meanwhile, and as I mentioned much earlier, the dominant images projected from the United States were of the attack-dog-and-firehose kind, with swag-bellied cops lying about themselves and the political succession changed as much by bullets as by ballots.
Christopher Hitchens (Hitch 22: A Memoir)
I also think of those daily slaughters along the highways, of that death that is as horrible as it is banal and that bears no resemblance to cancer or AIDS because, as the work not of nature but of man, it is an almost voluntary death. How can it be that such a death fails to dumbfound us, to turn our lives upside down, to incite us to vast reforms? No, it does not dumbfound us, because like Pasenow, we have a poor sense of the real, and in the sur-real sphere of symbols, this death in the guise of a handsome car actually represents life; this smiling death is con-fused with modernity, freedom, adventure, just as Elisabeth was con-fused with the Virgin. This death of a man condemned to capital punishment, though infinitely rarer, much more readily draws our attention, rouses passions: confounded with the image of the executioner, it has a symbolic voltage that is far stronger, far darker and more repellent. Et cetera. Man is a child wandering lost—to cite Baudelaire`s poem again—in the "forests of symbols." (The criterion of maturity: the ability to resist symbols. But mankind grows younger all the time.)
Milan Kundera (The Art of the Novel)
It is now time to face the fact that English is a crazy language — the most loopy and wiggy of all tongues. In what other language do people drive in a parkway and park in a driveway? In what other language do people play at a recital and recite at a play? Why does night fall but never break and day break but never fall? Why is it that when we transport something by car, it’s called a shipment, but when we transport something by ship, it’s called cargo? Why does a man get a hernia and a woman a hysterectomy? Why do we pack suits in a garment bag and garments in a suitcase? Why do privates eat in the general mess and generals eat in the private mess? Why do we call it newsprint when it contains no printing but when we put print on it, we call it a newspaper? Why are people who ride motorcycles called bikers and people who ride bikes called cyclists? Why — in our crazy language — can your nose run and your feet smell?Language is like the air we breathe. It’s invisible, inescapable, indispensable, and we take it for granted. But, when we take the time to step back and listen to the sounds that escape from the holes in people’s faces and to explore the paradoxes and vagaries of English, we find that hot dogs can be cold, darkrooms can be lit, homework can be done in school, nightmares can take place in broad daylight while morning sickness and daydreaming can take place at night, tomboys are girls and midwives can be men, hours — especially happy hours and rush hours — often last longer than sixty minutes, quicksand works very slowly, boxing rings are square, silverware and glasses can be made of plastic and tablecloths of paper, most telephones are dialed by being punched (or pushed?), and most bathrooms don’t have any baths in them. In fact, a dog can go to the bathroom under a tree —no bath, no room; it’s still going to the bathroom. And doesn’t it seem a little bizarre that we go to the bathroom in order to go to the bathroom? Why is it that a woman can man a station but a man can’t woman one, that a man can father a movement but a woman can’t mother one, and that a king rules a kingdom but a queen doesn’t rule a queendom? How did all those Renaissance men reproduce when there don’t seem to have been any Renaissance women? Sometimes you have to believe that all English speakers should be committed to an asylum for the verbally insane: In what other language do they call the third hand on the clock the second hand? Why do they call them apartments when they’re all together? Why do we call them buildings, when they’re already built? Why it is called a TV set when you get only one? Why is phonetic not spelled phonetically? Why is it so hard to remember how to spell mnemonic? Why doesn’t onomatopoeia sound like what it is? Why is the word abbreviation so long? Why is diminutive so undiminutive? Why does the word monosyllabic consist of five syllables? Why is there no synonym for synonym or thesaurus? And why, pray tell, does lisp have an s in it? If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? If a vegetarian eats vegetables, what does a humanitarian consume? If pro and con are opposites, is congress the opposite of progress? ...
Richard Lederer
Se levanta y hace la cama, luego recoge del suelo unos libros de bolsillo (novelas policíacas) y los pone en la librería. Tiene ropa que lavar antes de irse, ropa que guardar, medias que emparejar y meter en los cajones. Envuelve la basura en papel de periódico y baja tres pisos para dejarla en el cubo de la basura. Saca los calcetines de Cal de detrás de la cama y los sacude, dejándolos sobre la mesa de la cocina. Hay trapos que lavar, hollín en el alféizar de las ventanas, cacerolas en remojo por fregar, hay que poner un plato bajo el radiador por si funciona durante la semana (se sale). Oh. Aj. Que se queden las ventanas como están, aunque a Cal no le gusta verlas sucias. Esa espantosa tarea de restregar el retrete, pasarle el plumero a los muebles. Ropa para planchar. Siempre se caen cosas cuando recoges otras. Se agacha una y otra vez. La harina y el azúcar se derraman sobre los estantes que hay encima de la pila y tiene que pasar un paño; hay manchas y salpicaduras, hojas de rábano podridas, incrustaciones de hielo dentro de la vieja nevera (hay que mantener la puerta abierta con una silla, para que se descongele). Pedazos de papel, caramelos, cigarrillos y ceniza por toda la habitación. Tiene que quitarle el polvo a todo. Decide limpiar las ventanas a pesar de todo, porque quedan más bonitas. Estarán asquerosas después de una semana. Por supuesto, nadie la ayuda. Nada tiene la altura adecuada. Añade los calcetines de Cal a la ropa de ambos que tiene que llevar a la lavandería de autoservicio, hace un montón separado con la ropa de él que tiene que coser, y pone la mesa para sí misma. Raspa los restos de comida del plato del gato, y le pone agua limpia y leche. «Mr. Frosty» no parece andar por allí. Debajo de la pila encuentra un paño de cocina, lo recoge y lo cuelga sobre la pila, se recuerda a sí misma que tiene que limpiar allí abajo más tarde, y se sirve cereales, té, tostadas y zumo de naranja. (El zumo de naranja es un paquete del gobierno de naranja y pomelo en polvo y sabe a demonios.) Se levanta de un salto para buscar la fregona debajo de la pila, y el cubo, que también debe estar por allí. Es hora de fregar el suelo del cuarto de baño y el cuadrado de linóleo que hay delante de la pila y la cocina. Primero termina el té, deja la mitad del zumo de naranja y pomelo (haciendo una mueca) y algo del cereal. La leche vuelve a la nevera —no, espera un momento, tírala—, se sienta un minuto a escribir una lista de comestibles para comprarlos en el camino del autobús a casa, cuando vuelva dentro de una semana. Llena el cubo, encuentra el jabón, lo deja, friega sólo con agua. Lo guarda todo. Lava los platos del desayuno. Coge una novela policíaca y la hojea, sentada en el sofá. Se levanta, limpia la mesa, recoge la sal que ha caído en la alfombra y la barre. ¿Eso es todo? No, hay que arreglar la ropa de Cal y la suya. Oh, déjalo. Tiene que hacer la maleta y preparar la comida de Cal y la suya (aunque él no se marcha con ella). Eso significa volver a sacar las cosas de la nevera y volver a limpiar la mesa, dejar pisadas en el linóleo otra vez. Bueno, no importa. Lava el plato y el cuchillo. Ya está. Decide ir por la caja de costura para arreglar la ropa de él, cambia de opinión. Coge la novela policíaca. Cal dirá: «No has cosido mi ropa.» Va a coger la caja de costura del fondo del armario, pisando maletas, cajas, la tabla de plancha, su abrigo y ropa de invierno. Pequeñas manos salen de la espalda de Jeannine y recogen lo que ella tira. Se sienta en el sofá y arregla el desgarrón de la chaqueta de verano de él, cortando el hilo con los dientes. Vas a estropearte el esmalte. Botones. Zurce tres calcetines. (Los otros están bien.) Se frota los riñones. Cose el forro de una falda que está descosido. Limpia zapatos. Hace una pausa y mira sin ver. Luego reacciona y con aire de extraordinaria energía saca la maleta mediana del armario y empieza a meter su ropa para
Joanna Russ (The Female Man)