Con Artist Quotes

In order to be wildly popular you had to make people believe that you were fun and interesting I just wasn't that much of a con artist.

You're a con artist. A liar. A thief. An unredeemable soul. You can't be reformed. You can't be saved. You'll die trying to make the world pay for what it did to you. And you'll die alone.

Of course I’m a fraud. The fact that I’m able to carry myself through life without being crushed beneath the psychological weight of being alive proves that I’m a con artist. Aren’t we all con artists?

But the downside of being con artist is that it very hard to con. Even if the lies you tell are to yourself.

I’ve always felt that a lot of modern art is a con, and that the most successful painters are often better salesmen and promoters than they are artists.

Like a stage magician, the con artist misdirects suspicion. While everyone’s watching for him to pull a rabbit out of a hat, he’s actually sawing a girl in half. You think he’s doing one trick when he’s actually doing another. You think that I’m dying, but I’m laughing at you.

You’re a blackmailer—” “I broker information.” “A con artist—” “I create opportunity.” “A bawd and a murderer—” “I don’t run whores, and I kill for a cause.” “And what cause is that?” “Same as yours, merch. Profit.” “How do you get your information, Mister Brekker?” “You might say I’m a lockpick.” “You must be a very gifted one.” “I am indeed.” Kaz leaned back slightly. “You see, every man is a safe, a vault of secrets and longings. Now, there are those who take the brute’s way, but I prefer a gentler approach—the right pressure applied at the right moment, in the right place. It’s a delicate thing. “Do you always speak in metaphors, Mister Brekker?” Kaz smiled. “It’s not a metaphor.” He was out of his chair before his chains hit the ground.

Prisons are full of sociopaths and psychopaths, but when questioned, the imprisoned sociopath will honestly admit that they will commit any number of crimes to help a friend. A friend will help you move; a true friend will help you move a body. A friend will bail you out of jail; a true friend will be sitting beside you. Who wouldn’t want to have a true friend? But they sound a lot like a sociopath.

From what I've witness, honesty didn't really make anyone happy. The truth was a punch to the gut, and while you were falling, a knee to the face, then you could lie on the floor and bleed for a spell.

I am who I am because of that human world. It wasn’t the Banu Nahida who’d driven the peris to their knees, it was the con artist of Cairo, and Nahri wouldn’t cast her away.

The most important thing for any con artist is never to think like a mark. Marks think they can get something for nothing. Marks think they can get what they don’t deserve and could never deserve. Marks are stupid and pathetic and sad. Marks think they’re going to go home one night and have the girl they’ve loved since they were a kid suddenly love them back. Marks forget that whenever something’s too good to be true, that’s because it’s a con.

The absolute truth is a wicked sort of rush. It's far more amusing than any lie. Both have the potential to empower and to hurt, but the truth is emotionally superior. Few people could fault you for it, not when you got ethics on your side. The truth is morally unassailable. But is has no pity. It is merciless.

Defaulting to truth is a problem. It lets spies and con artists roam free.

Do you know the difference between neurotics and psychotics?” He answered before I could speak, “Neurotics build castles in the sky; psychotics move into them.” And

The politician, small or lofty, who menaces the people with frequent reminders of the possibility of crime, violence, or terrorism, and who then uses their magnified fear to gain allegiance, is more likely to be a successful con artist than a legitimate leader.

From what I’d witnessed, honesty didn’t really make anyone happy. The truth was a punch to the gut, and while you were falling, a knee to the face, then you could lie on the floor and bleed for a spell.

We’re flimflam artists. But remember, sonny, you can’t con people unless they’re greedy to begin with. W. C. Fields had it right. You can’t cheat an honest man.

Do you know the difference between neurotics and psychotics?” “Neurotics build castles in the sky; psychotics move into them.

A friend will help you move; a true friend will help you move a body. A friend will bail you out of jail; a true friend will be sitting beside you. Who

A con artist’s only weapon is his brain.

I was an inexperienced fifteen-year-old sociopath who had never had any depth of emotion.

No artist knows everything (yea, even this artist - piss-artist, con-artist, body-artist) but since every artist knows more than he can tell, all art is lying by omission.

As long as I held the angel mask firmly over my demonic smile, no one doubted my honesty. I

In my case, intelligence was a disease that had led to a psychotic episode.

Even though this was going to be the biggest act I had ever put on, I intended to play it as I always had—pure improvisation, all on impulse, with little more known than I would be playing the part of a countess.

The truth was a punch to the gut, and while you were falling, a knee to the face, then you could lie on the floor and bleed for a spell. Ed

You're a blackmailer-" "I broker information." "A con artist-" "I create opportunity." "A bawd and a murderer-" "I don't run whores and I kill for a cause." "And what cause is that?" "Same as yours, merch. Profit.

Wesley's touch lingers on my skin. His music echoes through my head. I remind myself as I scrub my skin that we are both liars and con artists. That we will always have secrets, some that bind us and some that cut between us, slicing us into pieces.

merriment, making certain they understood it was a game where

You called me a natural con artist and asked me what other secrets I was hiding. I didn't answer because I already knew, in some deep, primal way, what furtive truth you were referring to: That I was destined to fall in love with you.

The perfect Librarian is calm, cool, collected, intelligent, multilingual, a crack shot, a martial artist, an Olympic-level runner (at both the sprint and marathon), a good swimmer, an expert thief, and a genius con artist. They can steal a dozen books from a top-security strongbox in the morning, discuss literature all afternoon, have dinner with the cream of society in the evening, and then stay up until midnight dancing, before stealing some more interesting tomes at three a.m. That's what a perfect Librarian would do. In practice, most Librarians would rather spend their time reading a good book.

You’re a blackmailer—” “I broker information.” “A con artist—” “I create opportunity.” “A bawd and a murderer—” “I don’t run whores, and I kill for a cause.” “And what cause is that?” “Same as yours, merch. Profit.

I operate under the assumption that people don't notice the good in me. That's just how things always seem to play out. I get blamed, while con-artist kids like Venus, and Camille, and Gemma get believed. But the rescue lady noticed. In the background, just observing, she noticed.

With the amount of diazepam in me, I should have been content to lie back and let events unfold as they may, and my curiosity did for a moment consider it, but then a punch of panic reminded me that people far saner than I were murdered for less in more conspicuous locations.

I think I am an impostor. Twenty-seven years ago I was a baby. Before that I was a clump of cells. Before that I didn’t exist. How could I be a bookstore clerk, or a Catholic, or a woman, or a person at all? I’m a life force contained in the deformed body of a baby. Of course I’m a fraud. The fact that I’m able to carry myself through life without being crushed beneath the psychological weight of being alive proves that I’m a con artist. Aren’t we all con artists?

Whoever said that breathing exercises help manage anger is a fucking con artist. I've tried a million of them since we've been out here, and I still want to choke her.

He was praying for my soul. And he had a great many concerns. I stared at the carpet wondering when it was going to end, telling myself I needed to figure out this religion thing before I went any further, promising I would never make light of it again in front of someone who could put me on my knees.   ~~~~~~

From now on, consider yourself a con artist.

There will always be con artists, I know that,” Warren admitted. “But that doesn’t mean clairvoyance isn’t real.

Because they see most people as weak, inferior, and easy to deceive, psychopathic con artists will often tell you that their victims deserved what they got.

What happened to your face?” “Dentist.” “They’re all con artists.

The absolute truth is a wicked sort of rush. It’s far more amusing than any lie. Both have the potential to empower and to hurt, but the truth is emotionally superior. Few people could fault you for it, not when you’ve got ethics on your side. The truth is morally unassailable. But

Sometimes, there are those people whose voices are so strong, you just do what they say. You hold their glasses or keep their purses or buy them dinner because they ask you to do it out of the blue. You don’t ponder if you want to do it or not. Because they don’t give you the time to think. Then, you end up doing it, for you’re too much in the present limbo. It’s a basic manipulation that works on indecisive people. Kusha recognizes it, as Meera has warned her about all sorts of traits to identify any High-Grade con-artist.

this morning I go to pay for breakfast and there, right there at the Kroger check-out, staring me in the face is a national magazine with your picture on the cover. Counterfeit Countess, it said. In great big, bold type: Counterfeit! Countess! Counterfeit,” he reiterated, “a word interchangeable with forgery and often associated with arrest.” Ah, yes. Patrice had called from Austin and warned me she had sold the story to Woman’s World magazine. “Last sentence?” Mittwede asked. “You know what it is?’ “No, I’ve not seen it.” “Tanya says, ‘I’m going to grow up and be a con artist.’” It had struck me as pretty funny when I said it, but Mittwede had better delivery. I think it was the hysteria. He was saying, “I remember that story. That was like a year and a half ago. You didn’t tell me you were that girl, the Dallas Countess. I already knew the story but I read it again, and I know all the cops have read it again, too. And now your picture is with Passport Services and at the check-out counter. You think federal agents don’t buy groceries? You’re fucking crazy. We’re going to be arrested.” “You maybe need to take a Valium.” “I threw them all in the fire!”   ~~~~~~

you cant con a con artist. isn't that what they always say? once I thought it was true. absorbed it a with all of her other teachings and my baby food. but I've proved the adage wrong, haven't I? I learned from the best. no- not her. him.

The primary math of the real world is one and one equals two. The layman (as, often, do I) swings that every day. He goes to the job, does his work, pays his bills and comes home. One plus one equals two. It keeps the world spinning. But artists, musicians, con men, poets, mystics and such are paid to turn that math on its head, to rub two sticks together and bring forth fire. Everybody performs this alchemy somewhere in their life, but it’s hard to hold on to and easy to forget. People don’t come to rock shows to learn something. They come to be reminded of something they already know and feel deep down in their gut. That's when the world is at its best, when we are at our best, when life feels fullest, one and one equals three. It’s the essential equation of love, art, rock ’n’ roll and rock ’n’ roll bands. It’s the reason the universe will never be fully comprehensible, love will continue to be ecstatic, confounding, and true rock ’n’ roll will never die.

Donald Trump's secrets are two. - He has mastered the art of persuasion. - He has absolutely no conscience.

On most guys, Hale's smile would have looked sheepish. On him, it was so roguishly charming that Kat's heart actually skipped a beat.

Con? My mother was a con artist married to a copper?" - Mori "Emily Ferris wasn't just a con artist. She was a master thief." - Alice

In 2001, the oil companies, the war contractors and the Neo-Con-Artists seized the economy and added $4 trillion of unproductive spending to the national debt. We now pay four times more for defence, three times more for gasoline and home-heating oil and twice what we payed for health-care. Millions of Americans have lost their jobs, their homes, their health-care, their pensions; trillions of dollars for an unnecessary war payed for with borrowed money. Tens of billions of dollars in cash and weapons disappeared into thin air at the cost of the lives of our troops and innocent Iraqis, while all the President's oil men are maneuvering on Iraq's oil. Borrowed money to bomb bridges in Iraq, Afghanistan and Pakistan. No money to rebuild bridges in America. Borrowed money to start a hot war with Iran, now we have another cold war with Russia and the American economy has become a game of Russian roulette.

The confidence game—the con—is an exercise in soft skills. Trust, sympathy, persuasion. The true con artist doesn’t force us to do anything; he makes us complicit in our own undoing. He doesn’t steal. We give. He doesn’t have to threaten us. We supply the story ourselves. We believe because we want to, not because anyone made us. And so we offer up whatever they want—money, reputation, trust, fame, legitimacy, support—and we don’t realize what is happening until it is too late.

The Donald is not a master of the deal; he is a reckless, foolhardy craps dealer playing with house money. He doesn't care at all about the lives and fortunes of the human beings peopling this planet.

It was an insane venture. And then, while I was working away at figuring out how to make it happen, I watched Inventing Anna, and at the end of the whole series of episodes, this accomplished con artist was asked what most surprised her about people... She said she was surprised that people couldn't live with a higher level of anxiety. She believed that that was what brought her down. And at that moment I knew that that was what I needed to get through this whole venture: to be able to live with that level of anxiety. And I could. And I did.

How I love Bangkok! It’s so teeming with everything that should be forbidden. I’m not just talking about the sex trade. I also mean the ways of driving, the ways of putting up buildings, environmental management arrangements, the continual attention of con artists and snatch-thieves, and the quaint local custom of peeing in side-streets.

Don't wait for the coffee or the eggs or the shmuck in the front row to tell you how it is. You'll wait your whole life and then end up in an embankment with a heart full of sorrow and I could have done it betters. The way I see it, time is a con artist. The con artist telling you that this isn't a good time, you should wait. The right time will never exist. Like so many of the things we think are perfect and in the end turn out to be just ordinary.

You could make any man forget his years. When I saw you arrive in your lovely dress, I was conquered. If you don’t wish to dance anymore perhaps we could chat?” - David Walton

faith must believe without discussion, and the stronger it is, the more it keeps silent.

In fact, I do not believe there is an honest man alive without some pretension,

The risks in antiques fraud are relative. Other criminals risk the absolute. You've never heard of a fraudster involved in a shoot-out, of the "Come and get me, copper!" sort. Or of some con artist needing helicopter gunships to bring him. No, we subtle-mongers do it with the smile, the promise, the hint. And we have one great ally: greed. And make no mistake. Greed is everywhere, like weather.

If you are inherently a good guy, which I think I am, you instinctively want to help people even before you know what their problem may be. Which, as I examine that notion, makes good guys sound gullible. Con artists look for good guys because of that built-in gullibility. If they're con artists that come in a sexually alluring package, a good guy can become a brainless idiot. Allow me to introduce myself.

You see, Squirt, there's heaven, and then there's hell. Hell is where they send all the bad people, like criminals and con artists and parking inspectors. And heaven is where they send all the good people, like you and me and that nice blonde from MasterChef. What happens when you get there? In heaven, you hang out with God and Jimi Hendrix, and you get to eat doughnuts whenever you want. In hell, you have to, uh . . . do the Macarena. Forever. To that "Grease Megamix." Where do you go if you're good and bad? What? I don't know. IKEA?

The practice of an offbeat and sometimes bizarre lifestyle, often in the camaraderie of compatible people was incredibly romantic in the 19th century when authors, artists and entertainers lived in the low-class, substandard Gypsy ghettos of Western Europe and were often regarded as nothing more than vagabonds, globetrotters, opportunists, con artists and charlatans. They also practiced an open sexual liberation regarded at the time as quite a new morality.

As Schell had taught me, "a con starts when there is something you want and you are blocked from attaining it by certain obstacles. The good con artist elicits the assistance of those who mean to stand in the way of one's attainment by appealing to their vanity, pride, jealousy, ignorance, or fear. One must first throw into a pile the expected rules of engagement, morality, society, and thought, set them on fire, and then proceed. Think big, have confidence.

The primary math of the real world is one and one equals two. The layman (as, often, do I) swings that every day. He goes to the job, does his work, pays his bills and comes home. One plus one equals two. It keeps the world spinning. But artists, musicians, con men, poets, mystics and such are paid to turn that math on its head, to rub two sticks together and bring forth fire. Everybody performs this alchemy somewhere in their life, but it’s hard to hold on to and easy to forget. People don’t come to rock shows to learn something. They come to be reminded of something they already know and feel deep down in their gut. That when the world is at its best, when we are at our best, when life feels fullest, one and one equals three. It’s the essential equation of love, art, rock ’n’ roll and rock ’n’ roll bands. It’s the reason the universe will never be fully comprehensible, love will continue to be ecstatic, confounding, and true rock ’n’ roll will never die.

When you con for revenge, you might not know when you’ve won.

An artist does things naturally, without effort. Some power guides his hand. A forger struggles, and if he succeeds, it is a genuine achievement.

Great art isn’t made of stitched together rainbows and kittens. It’s born of anger and despair and frustration.

Fandom has a nasty tendency to absorb the surface appearances of a thing without ever bothering to internalize its underlying message. Huh. I guess it is just like a religion

WHEN YOU INVEST, your mind has a mind of its own. At the very moment when you are most convinced of your own rationality, you may be feeling rather than thinking your way toward a decision.

I think you’re confusing real-life Meg with a character you’ve invented. In the real world, con artists don’t have friends. Every word they say is a lie, and their only goal is to scam as many people as possible.

So much the better if no one can ever say with absolute certainty: There is Arsene Lupin! The essential point is that the public may be able to refer to my work and say, without fear of mistake: Arsene Lupin did that!

Con artists don’t like to be conned. The loss of her childhood home is Meg’s core wound. Every criminal has one, a beacon calling them home. Of course, it’s possible Meg grew up, got therapy, and moved on. But I don’t think so.

Jubal shrugged. "Abstract design is all right-for wall paper or linoleum. But art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturbation. . . whereas creative art is more like intercourse, in which the artist must seduce- render emotional-his audience, each time. These ladies who won't deign to do that- and perhaps can't- of course lost the public. If they hadn't lobbied for endless subsidies, they would have starved or been forced to go to work long ago. Because the ordinary bloke will not voluntarily pay for 'art' that leaves him unmoved- if he does pay for it, the money has to be conned out of him, by taxes or such." "You know, Jubal, I've always wondered why i didn't give a hoot for paintings or statues- but I thought it was something missing in me, like color blindness." "Mmm, one does have to learn to look at art, just as you must know French to read a story printed in French. But in general terms it's up to the artist to use language that can be understood, not hide it in some private code like Pepys and his diary. Most of these jokers don't even want to use language you and I know or can learn. . . they would rather sneer at us and be smug, because we 'fail' to see what they are driving at. If indeed they are driving at anything- obscurity is usually the refuge of incompetence. Ben, would you call me an artists?” “Huh? Well, I’ve never thought about it. You write a pretty good stick.” “Thank you. ‘Artist’ is a word I avoid for the same reasons I hate to be called ‘Doctor.’ But I am an artist, albeit a minor one. Admittedly most of my stuff is fit to read only once… and not even once for a busy person who already knows the little I have to say. But I am an honest artist, because what I write is consciously intended to reach the customer… reach him and affect him, if possible with pity and terror… or, if not, at least to divert the tedium of his hours with a chuckle or an odd idea. But I am never trying to hide it from him in a private language, nor am I seeking the praise of other writers for ‘technique’ or other balderdash. I want the praise of the cash customer, given in cash because I’ve reached him- or I don’t want anything. Support for the arts- merde! A government-supported artist is an incompetent whore! Damn it, you punched one of my buttons. Let me fill your glass and you tell me what is on your mind.

This is not a con game in the criminal sense, in which con artists deliberately dupe the suckers. Instead it's a form of good salesmanship, where the first principle is to sell yourself first. We sell ourselves on the value of education in solving social problems, and then we buy what we're selling. The whole thing rests on the uncertain foundation of our collective willingness to continue to believe the con. Whatever the problem, we continue to keep the faith in schools as the answer.

I always feel the greatest bliss when I recollect those I have caught in my snares, for they generally are insolent, and so self-conceited that they challenge wit. We avenge intellect when we dupe a fool, and it is a victory not to be despised for a fool is covered with steel and it is often very hard to find his vulnerable part. In fact, to gull a fool seems to me an exploit worthy of a witty man.

Y el artista no es, como el vulgo piensa, una persona jovial que esparce por aquí y por allá obras de arte por mera exuberancia, sino que infortunadamente es por lo general una pobre alma que se sofoca con riquezas excedentes y que por lo tanto tiene que obsequiar algunas de ellas.

Happy are those who know how to obtain pleasures without injury to anyone; insane are those who fancy that the Almighty can enjoy the sufferings, the pains, the fasts and abstinences which they offer to Him as a sacrifice, and that His love is granted only to those who tax themselves so foolishly.

Ron Rivest, one of the inventors of RSA, thinks that restricting cryptography would be foolhardy: It is poor policy to clamp down indiscriminately on a technology just because some criminals might be able to use it to their advantage. For example, any U.S. citizen can freely buy a pair of gloves, even though a burglar might use them to ransack a house without leaving fingerprints. Cryptography is a data-protection technology, just as gloves are a hand-protection technology. Cryptography protects data from hackers, corporate spies, and con artists, whereas gloves protect hands from cuts, scrapes, heat, cold, and infection. The former can frustrate FBI wiretapping, and the latter can thwart FBI fingerprint analysis. Cryptography and gloves are both dirt-cheap and widely available. In fact, you can download good cryptographic software from the Internet for less than the price of a good pair of gloves.

There's no such thing as a genuine psychic - there are psychics who con others and those who con themselves.

you have to stop painting what you think the world wants to see and start painting what you actually have to say.

Ah the Eternal Stupid Woman! How we enjoy hearing about her: as she listens to the con-artist yarns of the plausible snake, and ends up eating the free sample of the apple from the Tree of Knowledge: thus giving birth to Theology; or as she opens the tricky gift box containing all human evils, but is stupid enough to believe that Hope will be some kind of a solace.

When a population becomes distracted by trivia,” wrote the cultural critic Neil Postman, “when cultural life is redefined as a perpetual round of entertainments, when serious public conversation becomes a form of baby-talk, when, in short, a people becomes an audience and their public business a vaudeville, then a nation finds itself at risk: cultural-death is a clear possibility.”72 Con artists and swindlers exploit the frustrations and anger of a betrayed people. They make fantastic promises they never keep. They prey on the vulnerable. They demand godlike worship. They conjure up a world of illusions and fantasy. And then it implodes. The workers and patrons at the Trump Taj Mahal were victimized first. Now it is our turn.

The errors caused by temperament are not to be corrected, because our temperament is perfectly independent of our strength: it is not the case with our character. Heart and head are the constituent parts of character; temperament has almost nothing to do with it, and, therefore, character is dependent upon education, and is susceptible of being corrected and improved. I

During most of my Bureau career I worked major economic fraud investigations and was amazed at the schemes con-artist and corrupt corporate and public officials would devise to steal other people’s money. I’ve also had the opportunity to work bank robberies and drug investigations. The one thing I know for sure is… With a gun you can steal hundreds. With a pen you can steal millions.

Anyone who has spent time giving talks in the community about how to avoid fraud encounters a common reaction: “This is all well and good for other people, but I’m too smart to ever fall for one of these scams.

Abstract design is all right—for wall paper or linoleum. But art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturbation . . . whereas creative art is more like intercourse, in which the artist must seduce—render emotional-his audience, each time. These laddies who won’t deign to do that—and perhaps can’t—of course lost the public. If they hadn’t lobbied for endless subsidies, they would have starved or been forced to go to work long ago. Because the ordinary bloke will not voluntarily pay for ‘art’ that leaves him unmoved—if he does pay for it, the money has to be conned out of him, by taxes or such.” “You

Why hadn't she just said yes? Then she could have driven alone back to the city [...] and picked up some guy and brought him back home and screwed him and kicked him out and then picked up her daughter at the train the next day like a spy or a con artist, as if the two sides of herself didn't even care to know each other. But it was too late for that. Not just in terms of her ever becoming the kind of woman who knew how to do that kind of thing, without exposing herself as deluded or pathetic or ridiculous.

Cannes was to blame, he told himself defensively. It was a city made for the indulgence of the senses, all ease and sunshine and provocative flesh. “What had he seen, what had he learned? He had seen all kinds of movies, good and bad, mostly bad. He had been plunged into a carnival, a delirium of film. In the halls, on the terraces, on the beach, at the parties, the art or industry or whatever it deserved to be called in these few days was exposed at its essence. The whole thing was there—the artists and pseudo-artists, the businessmen, the con men, the buyers and sellers, the peddlers, the whores, the pornographers, critics, hangers-on, the year’s heroes, the year’s failures. And then the distillation of what it was all about, a film of Bergman's and one of Bunuel's, pure and devastating.

I can think of one reason why I can’t escape comparisons to Kurt Vonnegut. And it ain’t because my work is so indebted to his own. It’s because Vonnegut was the same as me: another con artist ripping off the French writer Louis-Ferdinand Céline. A bunch of people have talked shit about Céline. I don’t blame them! Besides being one of the best writers of the Twentieth Century AD, he was also a rabid anti-Semite who collaborated with the Nazis. But I can’t judge! I too have collaborated with Nazis! I was published by Penguin Random House!

Para conocer la cosecha y calidad de un vino no es necesario beberse toda la botella. Media hora debe ser suficiente para decidir si un libro vale la pena o no. Diez minutos deberían bastar si uno posee el instinto para la forma. ¿Quién quiere vadear todo un libro insulso? Con probarlo basta.

Allí donde alguien se orienta deliberadamente por el público, estamos ante un producto de la industria del entretenimiento, ante shows y espectáculos de masas, nunca ante el arte, que indefectiblemente tiene que seguir sus leyes internas, inmanentes, con independencia de que sean aceptadas o no encuentren acogida

The irony of it, is how Freemasons have been trying to create and fulfill prophecy, and in their endeavor to hide behind secrecy they have been the catalyst for prophetic fulfillments. Moreover, I have taken the worst excrement ever defecated by mankind and have turned it into knowledge. Therefore, I have made the Thought a Thing and have aided the march of a TRUTH which I have bequeathed to mankind as a personal estate to hold in trust and I have dropped it into the world’s wide treasury as an example of a human excellence of growth that shall make the spiritual glory of the human race greater because this endowment has been cultivated from Truth as raw as a diamond in the rough. For what man develops and creates will always be artificial and glorified fabrication that when dismantled, is nothing more than just a lie regardless of how sophisticated the deception. A con artist will never be more than just a thief, and a cubic zirconia will never be more perfect than a diamond. Thus I have written in the same line as Moses and he who died upon the cross, and I have achieved an intellectual sympathy with the Deity himself and since[according to Albert Pike] the best gift we can bestow on humanity, is manhood, then I shall call it: ANTI - CHRIST ENDOWMENTS Because I’m the Little Horn with the biggest horn on the field. They were not kidding when they said I would be more stout than my fellows.

Questa impotenza a esprimermi non è una fatalità irriducibile ma il segno della mia giovane età, devo trovare me stessa. l'ideale sarebbe stato entrare alla scuola di Belle Arti e poter accostare maestri di qualità, ma questo è impossibile, per farlo dovrei travestirmi da uomo, le persone del mio sesso non possono accedervi, Dio sa solo perché. Forse gli uomini temono di perdere il predominio, qualora fossimo messi a confronto. Noi siamo buone soltanto a contemplare le loro opere, senza avere il diritto di imparare e diventare delle artiste riconosciute. E, se mai una donna riuscisse a mettere un piede nella porta socchiusa, sono sicura che loro la richiuderebbero con tutta la violenza possibile, anche a costo di spezzare qualche osso.

Being the most insecure species on earth, humans have a tendency to seek for instruction manuals for even the fundamental experiences and realizations of life. And that's why so many con-artists, that is, the mystical fraudsters are able to keep cashing on their insecurity, by selling them diagrams and techniques to liberation. The number of gurus, yogis, swamis and psychics in a country increases exponentially with the fall of reason, and the fall of reason leads to the fall of civilization.

Most of the crime-ridden minority neighborhoods in New York City, especially areas like East New York, where many of the characters in Eric Garner’s story grew up, had been artificially created by a series of criminal real estate scams. One of the most infamous had involved a company called the Eastern Service Corporation, which in the sixties ran a huge predatory lending operation all over the city, but particularly in Brooklyn. Scam artists like ESC would first clear white residents out of certain neighborhoods with scare campaigns. They’d slip leaflets through mail slots warning of an incoming black plague, with messages like, “Don’t wait until it’s too late!” Investors would then come in and buy their houses at depressed rates. Once this “blockbusting” technique cleared the properties, a company like ESC would bring in a new set of homeowners, often minorities, and often with bad credit and shaky job profiles. They bribed officials in the FHA to approve mortgages for anyone and everyone. Appraisals would be inflated. Loans would be approved for repairs, but repairs would never be done. The typical target homeowner in the con was a black family moving to New York to escape racism in the South. The family would be shown a house in a place like East New York that in reality was only worth about $15,000. But the appraisal would be faked and a loan would be approved for $17,000. The family would move in and instantly find themselves in a house worth $2,000 less than its purchase price, and maybe with faulty toilets, lighting, heat, and (ironically) broken windows besides. Meanwhile, the government-backed loan created by a lender like Eastern Service by then had been sold off to some sucker on the secondary market: a savings bank, a pension fund, or perhaps to Fannie Mae, the government-sponsored mortgage corporation. Before long, the family would default and be foreclosed upon. Investors would swoop in and buy the property at a distressed price one more time. Next, the one-family home would be converted into a three- or four-family rental property, which would of course quickly fall into even greater disrepair. This process created ghettos almost instantly. Racial blockbusting is how East New York went from 90 percent white in 1960 to 80 percent black and Hispanic in 1966.

Farragut's first visitor was his wife. He was raking leaves in yard Y when the PA said that 734-508-32 had a visitor. He jogged up the road past the firehouse and into the tunnel. It was four flights up to cellblock F. "Visitor," he said to Walton, who let him into his cell. He kept his white shirt prepared for visits. It was dusty. He washed his face and combed his hair with water. "Don't take nuttin but a handkerchief," said the guard. "I know, I know, I know...." Down he went to the door of the visitor's room, where he was frisked. Through the glass he saw that his visitor was Marcia. There were no bars in the visitor's room, but the glass windows were chicken-wired and open only at the top. A skinny cat couldn't get in or out, but the sounds of the prison moved in freely on the breeze. She would, he knew, have passed three sets of bars - clang, clang, clang - and waited in an anteroom where there were pews or benches, soft-drink engines and a display of the convict's art with prices stuck in the frames. None of the cons could paint, but you could always count on some wet-brain to buy a vase of roses or a marine sunset if he had been told that the artist was a lifer. There were no pictures on the walls of the visitor's room but there were four signs that said: NO SMOKING, NO WRITING, NO EXCHANGE OF OBJECTS, VISITORS ARE ALLOWED ONE KISS.

Once, we were artists. Pure! But we, all of us, we became a distraction, compromised for the sake of fame, comfort, the approval of strangers. We spend our lives pursuing something as empty as `relevance' and they use our fear of losing it to corral us. Dirty Malaysian money. Saudi money. We'll take it all. What went wrong? We sing and dance not to entertain but to distract people from the crushing gears of a capitalist machine that has no ideals save for greed and violence. And let's not kid ourselves, Hollywood is the best PR firm the gunmakers ever had. What a sick culture." "But what about artistic beauty?" asked Cameron Diaz. "When you can perceive beauty there's no excuse for serving ugliness. For aiding cons, inflaming desires, promising everything and delivering nothing. It doesn't matter what you put on TV because people are so frightened and lonely they'll watch it just to hear human voices and feel like they're not alone. They're so beaten down all they need is a soccer tournament every four years and they stay in their place. This is not a society. This is a system of soul-murder. And history will not be kind to us for our complicity, because we know better. The executives"—he nodded Maoishly to the Disney team —"they can say they were serving their god Mammon, but we artists can't. We're all East German playwrights now, complicit with the regime! And there will come a time of judgment. We're destroying the planet. This cannot last.

What is a novel, anyway? Only a very foolish person would attempt to give a definitive answer to that, beyond stating the more or less obvious facts that it is a literary narrative of some length which purports, on the reverse of the title page, not to be true, but seeks nevertheless to convince its readers that it is. It's typical of the cynicism of our age that, if you write a novel, everyone assumes it's about real people, thinly disguised; but if you write an autobiography everyone assumes you're lying your head off. Part of this is right, because every artist is, among other things, a con-artist. We con-artists do tell the truth, in a way; but, as Emily Dickenson said, we tell it slant. By indirection we find direction out -- so here, for easy reference, is an elimination-dance list of what novels are not. -- Novels are not sociological textbooks, although they may contain social comment and criticism. -- Novels are not political tracts, although "politics" -- in the sense of human power structures -- is inevitably one of their subjects. But if the author's main design on us is to convert us to something -- - whether that something be Christianity, capitalism, a belief in marriage as the only answer to a maiden's prayer, or feminism, we are likely to sniff it out, and to rebel. As Andre Gide once remarked, "It is with noble sentiments that bad literature gets written." -- Novels are not how-to books; they will not show you how to conduct a successful life, although some of them may be read this way. Is Pride and Prejudice about how a sensible middle-class nineteenth-century woman can snare an appropriate man with a good income, which is the best she can hope for out of life, given the limitations of her situation? Partly. But not completely. -- Novels are not, primarily, moral tracts. Their characters are not all models of good behaviour -- or, if they are, we probably won't read them. But they are linked with notions of morality, because they are about human beings and human beings divide behaviour into good and bad. The characters judge each other, and the reader judges the characters. However, the success of a novel does not depend on a Not Guilty verdict from the reader. As Keats said, Shakespeare took as much delight in creating Iago -- that arch-villain -- as he did in creating the virtuous Imogen. I would say probably more, and the proof of it is that I'd bet you're more likely to know which play Iago is in. -- But although a novel is not a political tract, a how-to-book, a sociology textbook or a pattern of correct morality, it is also not merely a piece of Art for Art's Sake, divorced from real life. It cannot do without a conception of form and a structure, true, but its roots are in the mud; its flowers, if any, come out of the rawness of its raw materials. -- In short, novels are ambiguous and multi-faceted, not because they're perverse, but because they attempt to grapple with what was once referred to as the human condition, and they do so using a medium which is notoriously slippery -- namely, language itself.

you'll wonder again, later, why so many psychologists remain so vocal about having more and better training than anyone else in the field when every psychologist you've ever met but one will also have lacked these identification skills entirely when it seems nearly every psychologist you meet has no real ability to detect deception. You will wonder, later, why the assessment training appears to have been reserved for the CIA and the FBI is it because we as a society don't want to imagine that any other professionals will need the skills? And what about attorneys? What about training programs for guardian ad litems or anyone involved in approving care for all the already traumatized and marginalized children? You'll have met enough of those children after they grow up to know that when a small girl experiences repeated rapes in a series of households throughout her childhood, then that little girl is pretty likely to have some sort of "dysfunction" when she grows up. And you won't have any tolerance for the people who point their fingers at her and demand that she be as capable as they are it is, after all, a free country. We all get the same opportunities. You'll want to scream at all those equality people that you can't ignore the rights of this nation's children you can't ignore them and then get pissed when any raped and beaten little girls and boys grow up to be traumatized and perhaps hurtful or addicted adults. No more pointing fingers only a few random traumatized people stand up later as some miraculous example of perfectly acceptable societal success and if every judgmental person imagines that I would be like that I would be the one to break through the barriers then all those judgmental people need to go back in time and prove it, prove to everyone that life is a choice and we all get equal chances. You'll want anyone who talks about equal chances to go back and be born addicted to drugs in complete poverty and then to be dropped into a foster system that's designed for good but exploited by people who lack a conscience by people who rape and molest and whip and beat tiny little six year olds and then you will want all those people to come out of all that still talking about equal chances and their personal tremendous success. Thank you, dear God, for writing my name on the palm of your hand. You will be angry and yet you still won't understand the concept of evil. You'll learn enough to know that it's not politically correct to call anyone evil, especially when many terrible acts might actually stem from a physiological deficit I would never use the word evil, it's not professional but you will certainly come to understand that many of the very worst crimes are committed by people who lack the capacity to feel remorse for what they've done on any level. But when you gain that understanding, you still will not have learned that these individuals are more likable than most people that they aren't cool and distant that they aren't just a select few creepy murderers or high-profile con artists you won't know how to look for a lack of conscience in noncriminal and quite normal looking populations no clinical professors will have warned you about people who exude charm and talk excessively about protecting the family or protecting the community or protecting our way of life and you won't know that these types would ever stick around to raise kids you will have falsely believed that if they can't form real attachments, they won't bother with raising children and besides most of them will end up in prison you will not know that your assumptions are completely erroneous you won't understand that many who lack a conscience keep their kids close and tight for their own purposes.

Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.