Compressed Air Quotes

Someone, somewhere, had tied up the darkness, he thought as he went: the bag of darkness had been tied at the mouth, enclosing within it a host of smaller bags. The stars were tiny, almost imperceptible perforations; otherwise, there wasn't a single hole through which light could pass. The darkness in which he walked immersed was gradually pervading him. His own footfall was utterly remote, his presence barely rippled the air. His being had been compressed to the utmost - to the point where it had no need to forge a path for itself through the night, but could weave its way through the gaps between the particles of which the darkness was composed.

Poverty is not caused by men and women getting married; it's not caused by machinery; it's not caused by "over-production"; it's not caused by drink or laziness; and it's not caused by "over-population". It's caused by Private Monopoly. That is the present system. They have monopolized everything that it is possible to monopolize; they have got the whole earth, the minerals in the earth and the streams that water the earth. The only reason they have not monopolized the daylight and the air is that it is not possible to do it. If it were possible to construct huge gasometers and to draw together and compress within them the whole of the atmosphere, it would have been done long ago, and we should have been compelled to work for them in order to get money to buy air to breathe. And if that seemingly impossible thing were accomplished tomorrow, you would see thousands of people dying for want of air - or of the money to buy it - even as now thousands are dying for want of the other necessities of life. You would see people going about gasping for breath, and telling each other that the likes of them could not expect to have air to breathe unless the had the money to pay for it. Most of you here, for instance, would think and say so. Even as you think at present that it's right for so few people to own the Earth, the Minerals and the Water, which are all just as necessary as is the air. In exactly the same spirit as you now say: "It's Their Land," "It's Their Water," "It's Their Coal," "It's Their Iron," so you would say "It's Their Air," "These are their gasometers, and what right have the likes of us to expect them to allow us to breathe for nothing?" And even while he is doing this the air monopolist will be preaching sermons on the Brotherhood of Man; he will be dispensing advice on "Christian Duty" in the Sunday magazines; he will give utterance to numerous more or less moral maxims for the guidance of the young. And meantime, all around, people will be dying for want of some of the air that he will have bottled up in his gasometers. And when you are all dragging out a miserable existence, gasping for breath or dying for want of air, if one of your number suggests smashing a hole in the side of one of th gasometers, you will all fall upon him in the name of law and order, and after doing your best to tear him limb from limb, you'll drag him, covered with blood, in triumph to the nearest Police Station and deliver him up to "justice" in the hope of being given a few half-pounds of air for your trouble.

He had felt that a moment before his making the turn, someone had been there. The air seemed charged with a special calm as if someone had waited there, quietly, and only a moment before he came, simply turned to a shadow and let him through. Perhaps his nose detected a faint perfume, perhaps the skin on the backs of his hands, on his face, felt the temperature rise at this one spot where a person's standing might raise the immediate atmosphere ten degrees for an instant. There was no understanding it. Each time he made the turn, he saw only the white, unused, buckling sidewalk, with perhaps, on one night, something vanishing swiftly across a lawn before he could focus his eyes or speak. But now, tonight, he slowed almost to a stop. His inner mind, reaching out to turn the corner for him, had heard the faintest whisper. Breathing? Or was the atmosphere compressed merely by someone standing very quietly there, waiting? He turned the corner.

There was a small noise—a snake’s hiss, perhaps—and the cup clamped tightly as the heated air within compressed itself. An instant after the hideous contact was made, Woodward cried out around the sassafras root and his body shivered in a spasm of pure, animal pain.

The room contains a few dozen living human bodies, each one a big sack of guts and fluids so highly compressed that it will squirt for a few yards when pierced. Each one is built around an armature of 206 bones connected to each other by notoriously fault-prone joints that are given to obnoxious creaking, grinding, and popping noises when they are in other than pristine condition. This structure is draped with throbbing steak, inflated with clenching air sacks, and pierced by a Gordian sewer filled with burbling acid and compressed gas and asquirt with vile enzymes and solvents produced by the many dark, gamy nuggets of genetically programmed meat strung along its length. Slugs of dissolving food are forced down this sloppy labyrinth by serialized convulsions, decaying into gas, liquid, and solid matter which must all be regularly vented to the outside world lest the owner go toxic and drop dead. Spherical, gel-packed cameras swivel in mucus-greased ball joints. Infinite phalanxes of cilia beat back invading particles, encapsulate them in goo for later disposal. In each body a centrally located muscle flails away at an eternal, circulating torrent of pressurized gravy. And yet, despite all of this, not one of these bodies makes a single sound at any time during the sultan’s speech.

REENTERING SPACECRAFT HEAT UP because they’re compressing the air in front of them (not, as is commonly believed, because of air friction).

The pieces in this book, then, are quite literally “speculative writing,” neither stories nor essays but something more like fables: compressed narratives, grounded in real experience and as true as they need to be, with little “morals” at the end. They move directly from what I have seen and experienced to what I think about it, from the particular to the general, with none of the recursiveness of ordinary essays and short stories.

There is no pain - just travel. On her knees, she stays still as a supplicant ready for communion. It is very quiet. All of a sudden there is no hurry. There will be time for everything. For the breezes that blow and for the rainwater drying in the gutters, for Maury to find a place of safety in the world, for Malcolm to come back from the dead and ask her about birds and jets. For the big things too, things like beauty and vengeance and honor and righteousness and the grace of God and the slow spilling of the earth from day to night and back to day again. It is spread out before her, compressed into one single moment. She will be able to see it all -- if she can keep her sleepy eyes open. It's like a dream where she is. Like a dream where you find yourself underwater and you are panicked for a moment until you realize you no longer need to breathe, and you can stay under the surface forever. She feels her body falling sideways to the ground. It happens slow - and she expects a crash that never comes because her mind is jumping and it doesn't know which way is up anymore, like the moon above her and the fish below her and her in between floating, like on the surface of the river, floating between sea and sky, the world all skin, all meniscus, and she a part of it too. Moses Todd told her if you lean over the rail at Niagara Falls it takes your breath away, like turning yourself inside out -- and Lee the hunter told her that one time people used to stuff themselves in barrels and ride over the edge. And she is there too, floating out over the edge of the falls, the roar of the water so deafening it's like hearing nothing at all, like pillows in your ears, and the water exactly the temperature of your skin, like you are falling and the water is falling, and the water is just more of you, like everything is just more of you, just different configurations of the things that make you up. She is there, and she's sailing out and down over the falls, down and down, and it takes a long time because the falls are one of God's great mysteries and so high they are higher than any building, and so she is held there, spinning in the air, her eyes closed because she's spinning on the inside too, down and down. She wonders if she will ever hit the bottom, wonders will the splash ever come. Maybe not - because God is a slick god, and he knows things about infinities. Infinities are warm places that never end. And they aren't about good and evil, they're just peaceful-like and calm, and they're where all travelers go eventually, and they are round everywhere you look because you can't have any edges in infinities. And also they make forever seem like an okay thing.

Her hands warming on tea looked like chunks of knitting a child had felted in grubby palms. Enough decades, and a body slowly twists into one great cramp, but there was a time once, where she had been sexy, and if not sexy, at least odd-looking enough to compel. Through this clear window she could see how good it all had been. She had no regrets. That's not true, Mathilde. The whisper in the ear. Oh, Christ, yes, there was one. Solitary, gleaming, a regret. It was that all her life she had said no. From the beginning she had let so few people in. That first night, his young face glowing up a hers in the black light, bodies beating the air around them, and inside there was that unexpected sharp recognition, oh, this. A sudden peace arriving for her. She who hadn't been at peace since she was so little. Out of nowhere, out of this surprising night with its shatters of lightning and the stormy black campus outside, with the heat and song and sex and animal fear inside. He had seen her and made the leap and swung through the crowd and taken her hand, this bright boy who was giving her a place to rest. He offered not only his whole laughing self, the past that build him and the warm beating body that moved her with its beauty and the future she felt compressed and waiting, but also the torch he carried before him in the dark, his understanding, dazzling, instant, that there was goodness at her core. With the gift came the bitter seed of regret, the unbridgeable gap between the Mathilde she was and the Mathilde he had seen her to be. A question, in the end, of vision. She wished she'd been the kind Mathilde, the good one, his idea of her. She would have looked smiling down at him, she would've heard beyond marry me to the world that spun behind the words. There would have been no pause, no hesitation. She would've laughed, touched his face for the first time, felt his warmth in the palm of her hand. 'Yes,' she would've said. 'Sure.

An asteroid or comet traveling at cosmic velocities would enter the Earth’s atmosphere at such a speed that the air beneath it couldn’t get out of the way and would be compressed, as in a bicycle pump. As anyone who has used such a pump knows, compressed air grows swiftly hot, and the temperature below it would rise to some 60,000 Kelvin, or ten times the surface temperature of the Sun. In this instant of its arrival in our atmosphere, everything in the meteor’s path—people, houses, factories, cars—would crinkle and vanish like cellophane in a flame. One second after entering the atmosphere, the meteorite would slam into the Earth’s surface, where the people of Manson had a moment before been going about their business. The meteorite itself would vaporize instantly, but the blast would blow out a thousand cubic kilometers of rock, earth, and superheated gases. Every living thing within 150 miles that hadn’t been killed by the heat of entry would now be killed by the blast. Radiating outward at almost the speed of light would be the initial shock wave, sweeping everything before it. For those outside the zone of immediate devastation, the first inkling of catastrophe would be a flash of blinding light—the brightest ever seen by human eyes—followed an instant to a minute or two later by an apocalyptic sight of unimaginable grandeur: a roiling wall of darkness reaching high into the heavens, filling an entire field of view and traveling at thousands of miles an hour. Its approach would be eerily silent since it would be moving far beyond the speed of sound. Anyone in a tall building in Omaha or Des Moines, say, who chanced to look in the right direction would see a bewildering veil of turmoil followed by instantaneous oblivion. Within minutes, over an area stretching from Denver to Detroit and encompassing what had once been Chicago, St. Louis, Kansas City, the Twin Cities—the whole of the Midwest, in short—nearly every standing thing would be flattened or on fire, and nearly every living thing would be dead. People up to a thousand miles away would be knocked off their feet and sliced or clobbered by a blizzard of flying projectiles. Beyond a thousand miles the devastation from the blast would gradually diminish. But that’s just the initial shockwave. No one can do more than guess what the associated damage would be, other than that it would be brisk and global. The impact would almost certainly set off a chain of devastating earthquakes. Volcanoes across the globe would begin to rumble and spew. Tsunamis would rise up and head devastatingly for distant shores. Within an hour, a cloud of blackness would cover the planet, and burning rock and other debris would be pelting down everywhere, setting much of the planet ablaze. It has been estimated that at least a billion and a half people would be dead by the end of the first day. The massive disturbances to the ionosphere would knock out communications systems everywhere, so survivors would have no idea what was happening elsewhere or where to turn. It would hardly matter. As one commentator has put it, fleeing would mean “selecting a slow death over a quick one. The death toll would be very little affected by any plausible relocation effort, since Earth’s ability to support life would be universally diminished.

Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—

Rearden. He didn’t invent smelting and chemistry and air compression. He couldn’t have invented his Metal but for thousands and thousands of other people. His Metal! Why does he think it’s his? Why does he think it’s his invention? Everybody uses the work of everybody else. Nobody ever invents anything.

That’s the experience I’ve gained from working in the garden: there’s no reason to be cautious or anxious about anything, life is so robust, it seems to come cascading, blind and green, and at times it is frightening, because we too are alive, but we live in what amounts to a controlled environment, which makes us fear whatever is blind, wild, chaotic, stretching towards the sun, but most often also beautiful, in a deeper way than the purely visual, for the soil smells of rot and darkness, teems with scuttling beetles and convulsing worms, the flower stalks are juicy, their petals brim with scents, and the air, cold and sharp, warm and humid, filled with sunrays or rain, lies against skin, accustomed to the indoors, like a soothing compress of hereness.

But first the past. Lily and Keith broke up because Lily wanted to act like a boy. That was the heart of the matter, really: girls acting like boys was in the air, and Lily wanted to try it out. So they had their first big row (its theme, ridiculously, was religion), and Lily announced *a trial separation*. The words came at him like a jolt of compressed air: such trials, he knew, were almost always a complete success. After two days of earnest misery, in his terrible room in the terrible flat in Earls Court, after two days of *desolation*, he phoned her and they met up, and tears were shed--on both side of the café table. She told him to be evolved about it.

Let's press ahead a little further by sketching out a few variations among short shorts: ONE THRUST OF INCIDENT. (Examples: Paz, Mishima, Shalamov, Babel, W. C. Williams.) In these short shorts the time span is extremely brief, a few hours, maybe even a few minutes: Life is grasped in symbolic compression. One might say that these short shorts constitute epiphanies (climactic moments of high grace or realization) that have been tom out of their contexts. You have to supply the contexts yourself, since if the contexts were there, they'd no longer be short shorts. LIFE ROLLED UP. (Examples: Tolstoy's 'Alyosha the Pot,' Verga's 'The Wolf,' D. H. Lawrence's 'A Sick Collier.') In these you get the illusion of sustained narrative, since they deal with lives over an extended period of time; but actually these lives are so compressed into typicality and paradigm, the result seems very much like a single incident. Verga's 'Wolf' cannot but repeat her passions, Tolstoy's Alyosha his passivity. Themes of obsession work especially well in this kind of short short. SNAP-SHOT OR SINGLE FRAME. (Examples: Garda Marquez, Boll, Katherine Anne Porter.) In these we have no depicted event or incident, only an interior monologue or flow of memory. A voice speaks, as it were, into the air. A mind is revealed in cross-section - and the cut is rapid. One would guess that this is the hardest kind of short short to write: There are many pitfalls such as tiresome repetition, being locked into a single voice, etc. LIKE A FABLE. (Examples: Kafka, Keller, von Kleist, Tolstoy's 'Three Hermits.') Through its very concision, this kind of short short moves past realism. We are prodded into the fabulous, the strange, the spooky. To write this kind of fable-like short short, the writer needs a supreme self-confidence: The net of illusion can be cast only once. When we read such fable-like miniatures, we are prompted to speculate about significance, teased into shadowy parallels or semi allegories. There are also, however, some fables so beautifully complete (for instance Kafka's 'First Sorrow') that we find ourselves entirely content with the portrayed surface and may even take a certain pleasure in refusing interpretation. ("Introduction")

My chest was aching, splitting open. For the second time that day, I felt like I was suffocating. Except this time there was plenty of air, just no room for it in my lungs as emotion squeezed against them, compressing them and rendering them useless.

Scuba divers can make it to three hundred feet breathing mixed gases, but it takes years of training and is a logistical nightmare. The danger isn’t going down—although that certainly is dangerous—it’s coming back up. For a scuba diver, a one-hour plunge at two hundred feet breathing regular compressed air would require a ten-hour ascent to purge the deadly levels of nitrogen gas in the blood that accumulate on the way down. A three-hundred-foot ascent on compressed air would most likely kill you.

The two angels found her alone, reading. As they drew near she lifted her great eyes whose deeps of molten gold little sparks of light were forever a-dance. Her brows were contracted into that austere fold which we see on the Pythian Apollo; her nose was perfect and descended without a curve; her lips were compressed and imparted a disdainful and supercilious air to her whole countenance. Her tawny hair, with its gleaming lights, was carelessly adorned with the tattered remnants of a huge bird of prey, her garments lay about her in dark and shapeless folds. She was leaning her chin on an ill-tended hand.

The air seemed heavy, like the atmosphere between the first flash of lightning and the first peal of thunder, when the rain has formed miles above but has not yet reached the earth, when fat drops are descending by the millions, compressing the air below them as one last warning of their drenching approach. I stood in light-headed anticipation.

Now, exhale fully through pursed lips for maximum compression and air resistance, to strengthen the diaphragm. Blow all that air out, fully emptying yourself before your shoulders round or your face or jaw gets tense. Very soon, you will see how a full exhale prepares you for a good inhale, and vice versa. Repeat the process for five breaths and do two to three sets. Be sure to pause after each exhale for at least two counts to hold the isometric contraction—this is key, in DNS.

Everything in Nature ran according to its own nature; the running of grass was in its growing, the running of rivers their flowing, granite bubbled up, cooled, compressed and crumbled, birds lived, flew, sang and died, everything did what it needed to do, each simultaneously running its own race, each by living according to its own nature together, never leaving any other part of the universe behind. The world’s Holy things raced constantly together, not to win anything over the next, but to keep the entire surging diverse motion of the living world from grinding to a halt, which is why there is no end to that race; no finish line. That would be oblivion to all. For the Indigenous Souls of all people who can still remember how to be real cultures, life is a race to be elegantly run, not a race to be competitively won. It cannot be won; it is the gift of the world’s diverse beautiful motion that must be maintained. Because human life has been give the gift of our elegant motion, whether we limp, roll, crawl, stroll, or fly, it is an obligation to engender that elegance of motion in our daily lives in service of maintaining life by moving and living as beautifully as we can. All else has, to me, the familiar taste of that domineering warlike harshness that daily tries to cover its tracks in order to camouflage the deep ruts of some old, sick, grinding, ungainly need to flee away from the elegance of our original Indigenous human souls. Our attempt to avariciously conquer or win a place where there are no problems, whether it be Heaven or a “New Democracy,” never mind if it is spiritually ugly and immorally “won” and taken from someone who is already there, has made a citifying world of people who, unconscious of it, have become our own ogreish problem to ourselves, our future, and the world. This is a problem that we cannot continue to attempt to competitively outrun by more and more effectively designed technological approaches to speed away from the past, for the specter of our own earth-wasting reality runs grinning competitively right alongside us. By developing even more effective and entertaining methods of escape that only burn up the earth, the air, animals, plants, and the deeper substance of what it should mean to be human, by competing to get ahead, we have created a brakeless competition that has outrun our innate beauty and marked out a very definite and imminent “finish” line. Living in and on a sphere, we cannot really outrun ourselves anyway. Therefore, I say, the entire devastating and hideous state of the world and its constant wounding and wrecking of the wild, beautiful, natural, viable and small, only to keep alive an untenable cultural proceedance is truly a spiritual sickness, one that will not be cured by the efficient use of the same thinking that maintains the sickness. Nor can this overly expensive, highly funded illness be symptomatically kept at bay any longer by yet more political, environmental, or social programs. We must as individuals and communities take the time necessary to learn how to indigenously remember what a sane, original existence for a viable people might look like. Though there are marvellous things and amazing people doing them, both seen and unseen, these do not resemble in any way the general trend of what is going on now. To begin remembering our Indigenous belonging on the Earth back to life we must metabolize as individuals the grief of recognition of our lost directions, digest it into a valuable spiritual compost that allows us to learn to stay put without outrunning our strange past, and get small, unarmed, brave, and beautiful. By trying to feed the Holy in Nature the fruit of beauty from the tree of memory of our Indigenous Souls, grown in the composted failures of our past need to conquer, watered by the tears of cultural grief, we might become ancestors worth descending from and possibly grow a place of hope for a time beyond our own.

My despair liked a sunny day, windless, a day warmer than it should be, a day that would bring delight to most other people. It would hang in this air and then creep inside me so I felt a bit off, as if infected by a virus, but was not quite sure what was wrong until it had settled in for good and it was too late to fight it back. Soon, my vision would be warped, my head and thighs heavy, my gait lumbering. It kept both fatigue and rest at bay, so I’d wander through day and night as if sleepwalking through water. And I would wander. Around and around the house I’d go, trying to find something to hold my attention, something that felt important and necessary to do. I’d pick up the broom, the rake, the checkbook, the telephone, the pen, but the vapor had penetrated everything, rendering each object weightless and irrelevant. The lamp, the tea kettle, the books on the shelf, the notes I’d written to myself and stuck on the wall: all had been compressed from 3-D to 2-D, like flimsy cartoon versions of themselves.

She also saw an interesting sight. On a curve not far from Little Rock a busload of Elks had turned over. The bus was on its right side in the ditch, the front wheels still slowly turning, and the Elks were surfacing one at a time through the escape hatch on the left side, now topside. One Elk was lying on the grass, maybe dead, no ball game for him, and others were limping and hopping about and holding their heads. Another one, in torn shirt-sleeves, was sitting on a suitcase on top of the bus. He was not lifting a finger to help but as each surviving brother Elk stuck his head up through the hatchway, he gave a long salute from his compressed-air horn. The big Trailways cruiser began to slow down. When the man saw this he turned with his noise device and hooted it -- there could be no mistake -- at the driver. Norwood was talking to a man with bulging eyes across the aisle who had gone broke in Mississippi selling premium beer for $3.95 a case on credit, and they both missed it, that hooting part. They did help load the injured into ambulances. The former tavern keeper found a silver dollar in the grass and kept it.

An Atheopagan Prayer by Mark Green Praise to the wide spinning world Unfolding each of all the destined tales compressed In the moment of your catastrophic birth Wide to the fluid expanse, blowing outward Kindling in stars and galaxies, in bright pools Of Christmas-colored gas; cohering in marbles hot And cold, ringed, round, gray and red and gold and dun And blue Pure blue, the eye of a child, spinning in a veil of air, Warm island, home to us, kind beyond measure: the stones And trees, the round river flowing sky to deepest chasm, salt And sweet. Praise to Time, enormous and precious, And we with so little, seeing our world go as it will Ruing, cheering, the treasured fading, precious arriving, Fear and wonder, Fear and wonder always. Praise O black expanse of mostly nothing Though you do not hear, you have no ear nor mind to hear Praise O inevitable, O mysterious, praise Praise and thanks be a wave Expanding from this tiny temporary mouth this tiny dot Of world a bubble Going out forever meeting everything as it goes All the great and infinitesimal Gracious and terrible All the works of blessed Being. May it be so. May it be so. May our hearts sing to say it is so.

For here is the philosophy which sharpeneth the senses, satisfieth the soul, enlargeth the intellect and leadeth man to that true bliss to which he may attain, which consisteth in a certain balance, for it liberateth him alike from the eager quest of pleasure and from the blind feeling of grief; it causeth him to rejoice in the present and neither to fear nor to hope for the future. For that Providence or Fate or Lot which determineth the vicissitudes of our individual life doth neither desire nor permit our knowledge of the one to exceed our ignorance of the other, so that at first sight we are dubious and perplexed. But when we consider more profoundly the being and substance of that universe in which we are immutably set, we shall discover that neither we ourselves nor any substance doth suffer death; for nothing is in fact diminished in its substance, but all things wandering through infinite space undergo change of aspect. And since we are all subject to a perfect Power, we should not believe, suppose or hope otherwise, than that even as all issueth from good, so too all is good, through good, toward good; from good, by good means, toward a good end. For a contrary view can be held only by one who considereth merely the present moment, even as the beauty of a building is not manifest to one who seeth but one small detail, as a stone, a cement affixed to it or half a partition wall, but is revealed to him who can view the whole and hath understanding to appraise the proportions. We do not fear that by the violence of some erring spirit or by the wrath of a thundering Jove, that which is accumulated in our world could become dispersed beyond this hollow sepulchre or cupola of the heavens, be shaken or scattered as dust beyond this starry mantle. In no other way could the nature of things be brought to naught as to its substance save in appearance, as when the air which was compressed within the concavity of a bubble seemeth to one's own eyes to go forth into the void. For in the world as known to us, object succeedeth ever to object, nor is there an ultimate depth from which as from the artificer's hand things flow to an inevitable nullity. There are no ends, boundaries, limits or walls which can defraud or deprive us of the infinite multitude of things. Therefore the earth and the ocean thereof are fecund; therefore the sun's blaze is everlasting, so that eternally fuel is provided for the voracious fires, and moisture replenisheth the attenuated seas. For from infinity is born an ever fresh abundance of matter.

I have sometimes thought that all philosophical disputes could be reduced to an argument between the partisans of “prickles” and the partisans of “goo.” The prickly people are tough-minded, rigorous, and precise, and like to stress differences and divisions between things. They prefer particles to waves, and discontinuity to continuity. The gooey people are tender-minded romanticists who love wide generalizations and grand syntheses. They stress the underlying unities, and are inclined to pantheism and mysticism. Waves suit them much better than particles as the ultimate constituents of matter, and discontinuities jar their teeth like a compressed-air drill.

It bounded from the line of trees directly ahead. This was his first real sight of the spirit and the breath stuck in his throat. Its black fur rippled as muscles bunched, flexed and powered the sleek animal towards him. Front legs reached forward, claws extended to dig into the soft ground as its body compressed. Back arching upwards as the rear legs caught up with the front and gathered their strength, propelling the cat forward again. The panther ate up the ground between the forest and Zhou. As it closed, he could see the yellow iris surrounding the deep, black, circular pupil. Either side of its snout, whiskers sprouted, sensing the movement of air, and its mouth parted to reveal two, long, sharp canine teeth rising from its bottom jaw.

There were the sounds of the pack in movement—the basic noises, the grunting and whining of the floes, along with an occasional thud as a heavy block collapsed. But in addition, the pack under compression seemed to have an almost limitless repertoire of sounds, many of which seemed strangely unrelated to the noise of ice undergoing pressure. Sometimes there was a sound like a gigantic train with squeaky axles being shunted roughly about with a great deal of bumping and clattering. At the same time a huge ship’s whistle blew, mingling with the crowing of roosters, the roar of a distant surf, the soft throb of an engine far away, and the moaning cries of an old woman. In the rare periods of calm, when the movement of the pack subsided for a moment, the muffled rolling of drums drifted across the air.

I couldn't help staring at him, slurping up every atom and utterance and whistle in his voice. He'd become more relaxed in the kitchen, relaxed yet assertive. He bit his thumb in thought and the contrast between his big, strong hands and this adorable, boyish habit made me woozy. "Well... what are we doing with this dish?" "Let me think," I said, letting my exhalations calm me down yet again. "I think the dish needs something more to ground it. Something earthy." "That's the lovage," he said, now looking in the fridge, his jean-clad butt poking out. "No, the lovage is the wild card," I said, as steadily as I could, even though I was intensely distracted and slightly astonished that a man's butt excited me so much. "That flavor remains suspended in your mouth," I continued. "You need something that goes deeper." As I said it, he slowly approached me. I lifted my hand to make way for him but he caught it in midair. "I need something?" he asked, tightening his grip with a little smile and a little threat. He walked one inch closer and that inch set my heart fluttering again, the air between us compressed and tickling. "Yes. Um, I mean..." Still holding my hand, he grabbed a bowl of toasted almonds. "Like this?" He dropped one in my mouth with his free hand, his fingers barely touching my lips. I didn't feel like eating it. I felt like either running back to my apartment and hiding under the covers, or maybe just pretending I was someone else and kissing him right then and there. But I ate the almond and resigned myself to imagining his lips on mine. His hand was still around my wrist... his finger on my lips... "Or, maybe this." He gripped me tighter and, with his other hand, picked up a frond of dehydrated kale, as big and light as a feather. He touched the end of my lips, but when I opened my mouth, he pulled it away. "Careful," he said. "It crumbles." He placed it on my lips once more and I took a bite, little flakes of kale falling like green fairy dust.

The horoscope loomed in my thoughts. Perhaps it had been right all this time. A marriage that partnered me with death. My wedding, sham though it was, would bring more than just my end. I breathed deeply and a calm spiraled through me. This was my final taste: a helix of air, smacking of burnt things and bright leaves. I pulled the vial from my bangles, fingers shaking. This was my last sight: purling fire and windows that soared out of reach. I raised the vial to my lips. My chest was tight, silk clinging damply to my back, my legs. This was my last sound: the cadence of a heart still beating. “May Gauri live a long life,” I mouthed. The poison trickled thickly from the rim and I tilted my head back, eyes on the verge of shutting-- And then: a shatter. My eyes opened to empty hands clutching nothing. Spilled poison seeped into the rug and shards of glass glinted on the floor, but all of that was obscured by the shadow of a stranger. “There’s no need for that,” said the stranger. He wiped his hands on the front of his charcoal kurta, his face partially obscured by a sable hood studded with small diamonds. All I could see was his tapered jaw, the serpentine curve of his smile and the straight bridge of his nose. Like the suitors, he wore a garland of red flowers. And yet, all of that I could have forgotten. Except his voice… It drilled through the gloaming of my thoughts, pulled at me in the same way the mysterious intruder’s voice had tugged. But where the woman’s voice brought fury, this was different. The hollow inside me shifted, humming a reply in melted song. I could have been verse made flesh or compressed moonlight. Anything other than who I was now. A second passed before I spoke. By then, the stranger’s lips had bent into a grin. “Who are you?” “One of your suitors,” he said, not missing a beat. He adjusted his garland. I backed away, body tensing. I had never seen him before. I knew that with utmost certainty. Did he mean to harm me? “That’s not an answer.” “And that wasn’t a thank you,” he said.

Lan leaned against his saddle with apparent casualness, but one hand rested ostentatiously on the long hilt of his sword. There was an air about him of a metal spring, compressed, waiting. Rand hurriedly copied the Warder’s pose—at least insofar as putting his hand on his sword. He did not think he could achieve that deadly-seeming slouch. They’d probably laugh if I tried. Perrin eased his axe in its leather loop and planted his feet deliberately. Mat put a hand to his quiver, though Rand was not sure what condition his bowstring was in after being out in all this damp. Thom Merrilin stepped forward grandly and held up one empty hand, turning it slowly. Suddenly he gestured with a flourish, and a dagger twirled between his fingers. The hilt slapped into his palm, and, abruptly nonchalant, he began trimming his fingernails. A low, delighted laugh floated from Moiraine. Egwene clapped as if watching a performance at Festival, then stopped and looked abashed, though her mouth twitched with a smile just the same.

Poverty is not caused by men and women getting married; it's not caused by machinery; it's not caused by "over-production"; it's not caused by drink or laziness; and it's not caused by "over-population". It's caused by Private Monopoly. That is the present system. They have monopolized everything that it is possible to monopolize; they have got the whole earth, the minerals in the earth and the streams that water the earth. The only reason they have not monopolized the daylight and the air is that it is not possible to do it. If it were possible to construct huge gasometers and to draw together and compress within them the whole of the atmosphere, it would have been done long ago, and we should have been compelled to work for them in order to get money to buy air to breathe. And if that seemingly impossible thing were accomplished tomorrow, you would see thousands of people dying for want of air - or of the money to buy it - even as now thousands are dying for want of the other necessities of life. You would see people going about gasping for breath, and telling each other that the likes of them could not expect to have air to breathe unless the had the money to pay for it. Most of you here, for instance, would think and say so. Even as you think at present that it's right for so few people to own the Earth, the Minerals and the Water, which are all just as necessary as is the air. In exactly the same spirit as you now say: "It's Their Land," "It's Their Water," "It's Their Coal," "It's Their Iron," so you would say "It's Their Air," "These are their gasometers, and what right have the likes of us to expect them to allow us to breathe for nothing?" And even while he is doing this the air monopolist will be preaching sermons on the Brotherhood of Man; he will be dispensing advice on "Christian Duty" in the Sunday magazines; he will give utterance to numerous more or less moral maxims for the guidance of the young. And meantime, all around, people will be dying for want of some of the air that he will have bottled up in his gasometers. And when you are all dragging out a miserable existence, gasping for breath or dying for want of air, if one of your number suggests smashing a hole in the side of one of th gasometers, you will all fall upon him in the name of law and order, and after doing your best to tear him limb from limb, you'll drag him, covered with blood, in triumph to the nearest Police Station and deliver him up to "justice" in the hope of being given a few half-pounds of air for your trouble

When the victor, in a fight of the cities, according to the law of warfare, executes the whole male population and sells all the women and children into slavery, we see, in the sanction of such a law, that the Greek deemed it a positive necessity to allow his hatred to break forth unimpeded; in such moments the compressed and swollen feeling relieved itself; the tiger bounded forth, a voluptuous cruelty shone out of his fearful eye. Why had the Greek sculptor to represent again and again war and fights in innumerable repetitions, extended human bodies whose sinews are tightened through hatred or through the recklessness of triumph, fighters wounded and writhing with pain, or the dying with the last rattle in their throat? Why did the whole Greek world exult in the fighting scenes of the "Iliad"? I am afraid, we do not understand them enough in "Greek fashion," and that we should even shudder, if for once we did understand them thus. But what lies, as the mother-womb of the Hellenic, behind the Homeric world? In the latter, by the extremely artistic definiteness, and the calm and purity of the lines we are already lifted far above the purely material amalgamation: its colours, by an artistic deception, appear lighter, milder, warmer; its men, in this coloured, warm illumination, appear better and more sympathetic — but where do we look, if, no longer guided and protected by Homer's hand, we step backwards into the pre-Homeric world? Only into night and horror, into the products of a fancy accustomed to the horrible. What earthly existence is reflected in the loathsome-awful theogonian lore: a life swayed only by the children of the night, strife, amorous desires, deception, age and death. Let us imagine the suffocating atmosphere of Hesiod's poem, still thickened and darkened and without all the mitigations and purifications, which poured over Hellas from Delphi and the numerous seats of the gods! If we mix this thickened Boeotian air with the grim voluptuousness of the Etruscans, then such a reality would extort from us a world of myths within which Uranos, Kronos and Zeus and the struggles of the Titans would appear as a relief. Combat in this brooding atmosphere is salvation and safety; the cruelty of victory is the summit of life's glories. And just as in truth the idea of Greek law has developed from murder and expiation of murder, so also nobler Civilisation takes her first wreath of victory from the altar of the expiation of murder. Behind that bloody age stretches a wave-furrow deep into Hellenic history. The names of Orpheus, of Musaeus, and their cults indicate to what consequences the uninterrupted sight of a world of warfare and cruelty led — to the loathing of existence, to the conception of this existence as a punishment to be borne to the end, to the belief in the identity of existence and indebtedness. But these particular conclusions are not specifically Hellenic; through them Greece comes into contact with India and the Orient generally. The Hellenic genius had ready yet another answer to the question: what does a life of fighting and of victory mean? and gives this answer in the whole breadth of Greek history.

One and two and three and four and five and six…” Oh, God don’t let me hurt him. “…and seven and eight and nine and ten and eleven…” Am I really doing this? Here? Is this real? “…and twelve and thirteen and fourteen and fifteen…” We’re in the middle of nowhere. No one is going to find us. Even the fire has gone out. “…and sixteen and seventeen and eighteen and nineteen…” He’s dead. I’m just beating on his body. “…and twenty and twenty-one and twenty-two and twenty-three and twenty-four…” My arms hurt. How can my arms hurt now? Blake. I can’t. I can’t be here without you. “…and twenty-five and twenty-six and twenty-seven and twenty-eight and twenty-nine and thirty.” The next step was simple: cover his mouth and fill his lungs with air. Breathe into him with life’s breath. Livia did so, licked her lips, and started compressions again. “And one and two and three and four and five and six and seven…” I’ve got to be positive. I have to know he’ll make it. “…and eight and nine and ten and eleven and twelve and thirteen and fourteen…” We’re going to grow old together, Blake. We’re going to hold hands and kiss. “…and fifteen and sixteen and seventeen and eighteen and nineteen…” I’m giving you all my energy. All this love and hope. It’s going from my heart to yours, through my hands. “…and twenty and twenty-one and twenty-two and twenty-three…” Feel it, Blake. Feel it. “…and twenty-four and twenty-five and twenty-six and twenty-seven…” I love you so much. I’m going to love you forever. Can you feel that, Blake? “…and twenty-eight and twenty-nine and thirty.” Livia leaned down, repositioned Blake’s head, and filled his lungs twice more. As she put her hands on his chest to keep her rhythm, she looked down at his face, at his skin. “And one and two and three and four and five and six…” Am I imagining that? Your skin? “…and seven and eight and nine and ten and eleven…” Blake! Blake, your skin! It’s just like glass, Blake. You’re really sparkling. I can see it. I can really see it. Your skin is amazing! Livia’s tears landed on her hard-pumping hands. Nothing would stop her from beating Blake’s heart for him now. Nothing. Not even the sound of people crashing through the woods. “…and twelve and thirteen and fourteen and fifteen and sixteen and seventeen…” You’re glistening, Blake. I’ll never stop. I’ll never stop.

Activities to Develop the Proprioceptive System Lifting and Carrying Heavy Loads—Have the child pick up and carry soft-drink bottles to the picnic; laundry baskets upstairs; or grocery bags, filled with nonbreakables, into the house. He can also lug a box of books, a bucket of blocks, or a pail of water from one spot to another. Pushing and Pulling—Have the child push or drag grocery bags from door to kitchen. Let him push the stroller, vacuum, rake, shove heavy boxes, tow a friend on a sled, or pull a loaded wagon. Hard muscular work jazzes up the muscles. Hanging by the Arms—Mount a chinning bar in a doorway, or take your child to the park to hang from the monkey bars. When she suspends her weight from her hands, her stretching muscles send sensory messages to her brain. When she shifts from hand to hand as she travels underneath the monkey bars, she is developing upper-body strength. Hermit Crab—Place a large bag of rice or beans on the child’s back and let her move around with a heavy “shell” on her back. Joint Squeeze—Put one hand on the child’s forearm and the other on his upper arm; slowly press toward and away from his elbow. Repeat at his knee and shoulder. Press down on his head. Straighten and bend his fingers, wrists, elbows, knees, ankles, and toes. These extension and flexion techniques provide traction and compression to his joints and are effective when he’s stuck in tight spaces, such as church pews, movie theaters, cars, trains, and especially airplanes where the air pressure changes. Body Squeeze—Sit on the floor behind your child, straddling him with your legs. Put your arms around his knees, draw them toward his chest, and squeeze hard. Holding tight, rock him forward and back.

Vischer had the same kind of experiences, likewise anticipating Rorschach’s. “When I observe a stationary object,” Vischer wrote, “I can without difficulty place myself within its inner structure, at its center of gravity. I can think my way into it,” feel “compressed and modest” when I see a star or flower, and “experience a feeling of mental grandeur and breadth” from a building, water, or air. “We can often observe in ourselves the curious fact that a visual stimulus is experienced not so much with our eyes as with a different sense in another part of our body.

My eyes throbbed. Red blotches filled my line of vision. The pressure started. It compressed my chest, making it harder to breathe. I tried to move away, but it was useless. The blanket bound me like I was tied with rope. My head pounded with panic, threatening to explode and shatter pieces of me against the sheet. “The labor pains are beginning. Come, help her as she moves into this transition.” The pressure was everywhere. No part of my body was free. They pushed down. Harder and harder. A primal scream violently exploded from me. It did nothing. They kept pushing. They wouldn’t stop. “Renounce your old life! Renounce your old life!” Their chants filled my ears. “Prove your worthiness to the Lord!” I kicked and flailed wildly, desperately trying to break free. My body writhed back and forth. There wasn’t enough air. Every cell in my body screamed for oxygen. “Find the light. Move toward the light.” Abner’s voice cut into my fear. I wasn’t strong enough. I felt myself departing, my brain detaching from my body, floating. Black seeped into the edge of my vision. All their sounds melded into a big blur in my head, ran together. They were right next to me, so close, but I couldn’t hear them. I couldn’t feel them anymore either. My body was light. I was floating above the black, watching myself as I struggled. Abner was there, too, standing next to me as he watched himself pushing on my body.

A face in the window, she thought suddenly. Perhaps not just from somewhere in this world, but from another plane of existence altogether. She probed harder with her magic, trying to break through to whatever was out there, to generate a response that would reveal something more. Her efforts were rewarded almost at once. Something small and dark appeared at the edges of the light, like a wraith come out of the netherworld, not altogether shapeless, but lacking any clear definition. It slid in and out of the light like a child playing hide and seek, first here, then there, never quite revealing itself altogether, never quite showing what it was. Kermadec was whispering hurriedly, anxiously, telling her to back away, to give herself more space. It wasn’t safe to be so close, he was saying. She ignored him; she was caught up in the link she had established between the foreign magic and her own. Something was there, quick and insubstantial, just out of reach. And then all at once it wasn’t hiding anymore. It was there, right in front of her, it’s face turned full into hers, edges and angles caught in the light. She caught her breath in spite of herself. The face was vaguely human, but in no other way recognizable. Malevolence marked it’s features in a way she had not thought possible, so darkly threatening, so hate-filled and remorseless, that even in her time as the Ilse Witch, she had not experienced its like. Dark shadows draped it like strands of thick hair, shifting with the light, changing the look of it from instant to instant. Eyes glimmered like blue ice, cool and appraising. There was recognition in those eyes; whoever was there, hiding in the light, knew who she was. Grianne lashed out at the face with ferocious intent, surprising even herself with her vehemence. She felt such loathing, such rage, that she could not stop herself from reacting, and the deed was done before she could think the better of it. Her magic exploded into the face, which disappeared instantly, taking with it the flashes and the burning air, leaving only darkness and the lingering smell of expended magic. She compressed her lips tightly, fighting back the snarl forming on them, consumed by the feelings this thing had generated. It was all she could do to pull herself together and turn back to an obviously unnerved Kermadec. ‘Are you all right?’ he asked at once. She nodded. ‘But I wasn’t for a moment, old bear. That thing radiated such evil that I think letting it come even that near was a serious mistake. If I didn’t know better, I would say it lured me here.

What she revealed was not sexy lingerie, but a supportive piece of athletic equipment. After the consolation match that preceded the championship game, both Brazilian and Norwegian players removed their jerseys and exchanged them on the floor of the Rose Bowl. Chastain had previously removed her jersey after regulation to air it out. While training in Florida, the players frequently doffed their shirts after practice in the smothering heat, and they sometimes gave interviews in their sports bras, which were items of utility, not titillation. Chastain 'has brought instant attention to a piece of clothing that is humble and practical, not a traditional bra of shine and lace and cleavage, but a sturdy compression garment,' wrote Ann Gerhart of the Washington Post. 'The sports bra is the cloth symbol of Title IX's success.

The room contains a few dozen living human bodies, each one a big sack of guts and fluids so highly compressed that it will squirt for a few yards when pierced. Each one is built around an armature of 206 bones connected to each other by notoriously fault-prone joints that are given to obnoxious creaking, grinding, and popping noises when they are in other than pristine condition. This structure is draped with throbbing steak, inflated with clenching air sacks, and pierced by a Gordian sewer filled with burbling acid and compressed gas and asquirt with vile enzymes and solvents produced by the many dark, gamy nuggets of genetically programmed meat strung along its length. Slugs of dissolving food are forced down this sloppy labyrinth by serialized convulsions, decaying into gas, liquid, and solid matter which must all be regularly vented to the outside world lest the owner go toxic and drop dead. Spherical, gel-packed cameras swivel in mucus-greased ball joints. Infinite phalanxes of cilia beat back invading particles, encapsulate them in goo for later disposal. In each body a centrally located muscle flails away at an eternal, circulating torrent of pressurized gravy.

Even so, Watt was nothing if not fair-minded. He may have resented the time Murdock spent inventing rather than on the company’s real business, which was installing, and collecting royalties based on the continued performance of, the Watt engines.* He was, however, just as often delighted by the inventions he made on behalf of Boulton & Watt, including a compressed air pump and a cement that would bond two pieces of iron, calling Murdock “the most active man and best engine erector I ever saw.”41 His value was never, however, to be higher than when Watt enlisted his talents on what came to be known as the sun-and-planet gear.

I'm standing by the cereal, reaching for a box of Honey Nut Cheerios, when I feel my chest clenching but not unclenching. It clenches tighter and tighter, like someone has wrapped a corset around it. My palms are wet. My head is compressing, growing and shrinking at the same time. I can hear my breathing, and it's so amplified that, to my own ears, I sound like Darth Vader. A woman at the end of the aisle is frozen as she watches me. She looks scared...My breathing is getting louder, and I cover my ears to block it out. And that's when the ceiling starts to spin and the air disappears and my lungs won't stop working and I can't breathe at all. I drop everything and run away from the cart and all that food until I'm out the door. I stand in the parking lot, bent over at the waist, breathing in the fresh night air, and then I lie flat on the ground, as if this will open my lungs wider and make them work again, only the breath won't come.

just-concluded Paris Motor Show stood out for its dazzling concept and production cars, many of which are pointing to the future, low emission, electric or hybrid cars that are environmentally-friendly as well as fuel-savers that give more mileage than ever before. It also showcased exciting levels of French design and innovation. There was the Peugeot 208 Hybrid Air concept which Peugeot-Citroen has based on a standard 208 with an engine that uses compressed air instead of conventional battery power in a hybrid set-up. It works in the opposite way to electric hybrids by being best utilised with frequent use and regeneration. As regenerating the system takes just 10 seconds, it's also ideal for city

Indeed, the manufacture of iron had come into common use in Britain as early as the eighth century BC. It was discovered that heating iron-bearing ore to a high temperature with the use of charcoal, fanned by a draught of air, creates a solid lump of metal (a 'bloom'). When re-heated, the metal can be hammered into a shape. This is 'wrought iron'. If additional carbon is added to the ore, the melting temperature is reduced, which allows liquid iron ore to be poured into a mould. This is 'cast iron'. In the course of the fifteenth century, a furnace was developed which used blasts of heated and compressed air to drive up the temperature. This is a 'blast furnace'. The molten iron is run off into moulds consisting of a main channel connected to a number of shorter channels at right angles. As this resembles a sow suckling her pigs, the cast iron which results is known as 'pig iron'.

Somewhere Else Discouraging, or training a cat away from a certain area is impossible to achieve as a human. This is because it has to happen within two seconds with consistent intensity every single time they come within the forbidden perimeter If you’re at work, you can’t spray the cat with water when she jumps on the counter. Do yourself a favor and get a remote training device! You won’t need it for more than a few weeks. For instance, one such device is a compressed air canister with an electric eye. The cat jumps up on the counter, the can sprays a spurt of air. The cat jumps down. She won’t have to do this too many days in a row before she just decides that the counter is unfriendly. That being said, don’t forget my rule of thumb when discouraging a cat from doing something: Behind every “No” there needs to be a “Yes!” If your cats are insistent about the counter, use your cat mojo and figure out why it’s so important. Then, give them a perch right nearby that’s acceptable to you and achieves the important objective for them.

The propellers of Damon's Whizzer will be of the pusher type, and will revolve in dense, compressed air, almost like water, and that will do away with high speed motors, with all their complications, and make traveling in the clouds as simple as taking out a little one-cylinder motor boat. How's that, Tom Swift? How's that for an idea?

Plants send out compressed packets filled with the energy and nutrients needed to sow new life—a beginning, a becoming. They aren’t following our instructions, of course: those seeds floating off into the air or falling to the ground don’t fit our commitments to orderly rows and efficient production. Poppies sowing themselves among dahlias, and carnations among cabbages: these are not under our control. A casting off of the goals and aims of humans, maybe, but certainly not done with the business of being and doing as they pour their energy into the future.

larynx (pp. 352–354), and (2) smaller intrinsic muscles that control tension in the glottal vocal folds or that open and close the glottis. These smaller muscles insert on the thyroid, arytenoid, and corniculate cartilages. The opening or closing of the glottis involves rotational movements of the arytenoid cartilages. When you swallow, both sets of muscles work together to prevent food or drink from entering the glottis. Food is crushed and chewed into a pasty mass, known as a bolus, before being swallowed. Muscles of the neck and pharynx then elevate the larynx, bending the epiglottis over the glottis, so that the bolus can glide across the epiglottis rather than falling into the larynx. While this movement is under way, the glottis is closed. Foods or liquids that touch the vestibular folds or glottis trigger the coughing reflex. In a cough, the glottis is kept closed while the chest and abdominal muscles contract, compressing the lungs. When the glottis is opened suddenly, a blast of air from the trachea ejects material that blocks the entrance to the glottis. Sound Production How do you produce sounds? Air passing through your open glottis vibrates its vocal folds and produces sound waves. The pitch of the sound depends on the diameter, length, and tension in your vocal folds. The diameter and length are directly related to the size of your larynx. You control the tension by contracting voluntary muscles that reposition the arytenoid cartilages relative to the thyroid cartilage. When the distance increases, your vocal folds tense and the pitch rises. When the distance decreases, your vocal folds relax and the pitch falls. Children have slender, short vocal folds, so their voices tend to be high pitched. At puberty, the larynx of males enlarges much more than that of females. The vocal cords of an adult male are thicker and longer, so they produce lower tones than those of an adult female. Sound production at the larynx is called phonation (fo.-NA .-shun; phone, voice). Phonation is one part of speech production. Clear speech also requires articulation, the modification of those sounds by voluntary movements of other structures, such as the tongue, teeth, and lips to form words. In a stringed instrument, such as a guitar, the quality of the sound produced does not depend solely on the nature of the vibrating string. Rather, the entire instrument becomes involved as the walls vibrate and the composite sound echoes within the hollow body. Similar amplification and resonance take place within your pharynx, oral cavity, nasal cavity, and paranasal sinuses. The combination gives you the particular and distinctive sound of your voice. That sound changes when you have a sinus infection and your nasal cavity and paranasal sinuses are filled with mucus rather than air.

last words to parents, friends, wives or fiancées and wanted these greetings to be taken home surrounded them. With a mixture of relief and disgrace for leaving all the other men to their fate, the airmen put the papers in their pockets and entered the aircraft. But the aircraft could not be launched. After a while, it was discovered that a splinter originating from a shell fired by the Prince of Wales had punctured the container with the compressed air that propelled the catapult. It could not be repaired

MURRAY HILL’S FIRST BUILDING—Building 1, as it was eventually known—officially opened in 1942.4 Inside it was a model of sleek and flexible utility. Every office and every lab was divided into six-foot increments so that spaces could be expanded or shrunk depending on needs, thanks to a system of soundproofed steel partition walls that could be moved on short notice. Thus a research team with an eighteen-foot lab might, if space allowed, quickly expand their work into a twenty-four-foot lab. Each six-foot space, in addition, was outfitted with pipes providing all the basic needs of an experimentalist: compressed air, distilled water, steam, gas, vacuum, hydrogen, oxygen, and nitrogen. And there was both DC and AC power. From the outside, the Murray Hill complex appeared vaguely H-shaped. Most of the actual laboratories were located in two long wings, each four stories high, which were built in parallel and were connected by another wing.

sector weren’t knocked over with compressed-air pistols. Jael, they’re getting ships from the Empire itself. Don’t open your mouth like a fool. I said the Empire! It’s still there, you know. It may be gone here in the Periphery but in the Galactic centre it’s still very much alive. And one false move means that it, itself, may be on our neck. That’s why I must be mayor and high priest. I’m the only man who knows how to fight the crisis.

The room contains a few dozen living human bodies, each one a big sack of guts and fluids so highly compressed that it will squirt for a few yards when pierced. Each one is built around an armature of 206 bones connected to each other by notoriously fault-prone joints that are given to obnoxious creaking, grinding, and popping noises when they are in other than pristine condition. This structure is draped with throbbing steak, inflated with clenching air sacks, and pierced by a Gordian sewer filled with burbling acid and compressed gas and asquirt with vile enzymes and solvents produced by the many dark, gamy nuggets of genetically programmed meat strung along its length. Slugs of dissolving food are forced down this sloppy labyrinth by serialized convulsions, decaying into gas, liquid, and solid matter which must all be regularly vented to the outside world lest the owner go toxic and drop dead. Spherical, gel-packed cameras swivel in mucus-greased ball joints. Infinite phalanxes of cilia beat back invading particles, encapsulate them in goo for later disposal. In each body a centrally located muscle flails away at an eternal, circulating torrent of pressurized gravy. And yet, despite all of this, not one of these bodies makes a single sound at any time during the sultan’s speech. It is a marvel that can only be explained by the power of brain over body, and, in turn, by the power of cultural conditioning over the brain.

If a mouse rustles, a dog barks, or a tree falls in a forest, it produces waves of pressure that radiate outward. As these waves travel, the air molecules in their path repeatedly bunch up and spread out. These movements, which occur in the same direction as the wave’s line of travel, are what we call sound. The number of times the molecules compress and disperse in a second determines the sound’s frequency—its pitch, which is measured in hertz (Hz). The extent to which they move determines the sound’s amplitude—its loudness, which is measured in decibels (dB). Hearing is the sense that detects those movements. Your ear consists of three parts—the outer, middle, and inner ears. Your outer ear greets incoming sound waves, collecting them with a fleshy flap and sending them down the ear canal. At the end of the canal, they vibrate a thin, taut membrane called the eardrum. Those vibrations are amplified by the three small bones of the middle ear, which we met in the last chapter, and transmitted to the inner ear—specifically, into a long fluid-filled tube called the cochlea. There, the vibrations are finally detected by a strip of movement-sensitive hair cells, which send signals to the brain. A sound is heard.[*1]

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is intriguing to note that the same power-law regularities apply to the scaling of man-made objects: to the mechanical equivalents of organisms that “metabolize” (convert) fossil fuels or electricity into kinetic energy. Perhaps the best choice for examining these inanimate scalings is to look at internal combustion engines—the machines that, together with electric motors, are the dominant energy converters and mechanical sustainers of modern civilization.28 Their two main categories are reciprocating engines with fuel combustion taking place inside pistons, and gas turbines (jet engines) with fuel combustion taking place in a chamber supplied with compressed air.

drew in air, compressed it in a chamber with a piston (becoming hot), and forced it into a labyrinth of pipe. As it escaped into the pipe and expanded (becoming cool), it was routed through a tank of brine, which itself became chilled below freezing and helped to lower the temperature of the air even more. This was already a familiar theory; a number of inventors and physicists around the world, Benjamin Franklin among them, had written on the possible ways in which artificial cold could be produced.

Chapter One Outside Buchanan School. 7:50 AM. Stupid ideas don’t seem so stupid when you’re about to go through with the stupid idea. Really stupid ideas shine brighter the second they enter your brain. Like, “Hey, man, you prob’ly shouldn’t do what you’re about to do!” I like to think of a field of kittens when that happens… makes it easier to ignore my common sense. Ahhhhh… field kittens. My name is Max… and I was about to do something really stupid. The air smelled of freshly cut grass as birds chirped from trees full of leaves. I took a deep breath as I stalled, hoping a meteor would crash into the planet so I wouldn’t have to go through with the thing. Kids just getting to school lined the sidewalk, curious about what was happening. I squeezed the handlebars of my bike, listening to the sound of tightening rubber under my fingers. “Max, you okay?” Beck, my best friend, said from somewhere. I didn’t know where exactly since fear was making everything blurry. I shook my head to clear the fog. “Never been better,” I said. “Are… are the thrusters working?” It took him a second to answer. “I’unno. I never tested ‘em.” I nodded bravely like a hero who was about to meet his maker. “Nice.” It became blazingly obvious that the world wasn’t going to end anytime over the next few seconds, which meant I was gonna have to perform the stunt that everyone was waiting to see. The stunt wasn’t anything crazy – just a kid jumping his bike over the bike rack filled with other bikes. In front of the bike rack was a cement lip that curved at the bottom, making a nice little ramp that everyone joked about jumping their bike off of. I was about to be the kid that did it. Easy enough, right? Well, my buddy, Beck, thought it’d be epic if I attached some thrusters to the back of my bike. No rocket fuel or flames – just a couple of cans of ultra-compressed air that would fire when I flipped the switch. It was a rig he built himself – that was kind of Beck’s specialty. Jumping the rack was a stunt that I’d been working on for weeks. I knew I wanted to do it because of all the kids who hadn’t done it before. And I was gonna nail it, and the whole school – no, the whole school district – no… the whole city was gonna talk about it when it was done.

When you speak to someone, your vocal cords start a compression wave in the air that spreads out from your mouth until those compressions and rarefactions reach the listener’s ear. There, they vibrate the hair-like structures in the ear, producing the sensation of hearing. But the link between you and the listener is the longitudinal waves that pass through the air.

Antarctic clear ice was the oldest ice on the continent, its presence on the tabular berg tracing back to the glacier that calved it into Prydz Bay. Over eons, tons of snowfall had accumulated and had been compressed on the glacier. Air bubbles trapped in the ice were squeezed out, rendering the ice as clear as crystal and as old as half a million years. The blue ice was a phenomenon associated with melting and re-freezing, a process that forced out trapped air, allowing the blue color in the visible light spectrum to pass through while blocking the red color. Circling the tabular berg, we came upon a third color: green. As glaciers cross the Antarctic continent, their roots crush and absorb minerals from the underlying bedrock. When the ice melts, phytoplankton feeds off the minerals and grows. In turn, krill feed on the phytoplankton, and penguins, seals, and whales feed on the krill. The Antarctic food chain would not exist without its glaciers. Hours later, we came

The wind that seemed to blow endlessly from the north at this time of year had a malevolence, a concentrated hostility, that made it different from any other wind in the world. It came buffeting and blistering south out of the hills, its force twisted and compressed by their contours, and slapped hard against the fifteen-foot-high surface of the Wall, to be sucked down like cataract water into the ten-foot ditch below and then spewed back up and over and between the battlements with an erratic violence that could panic a man by snatching the air out of his mouth as he tried to breathe.

I wish I could sit here for eons and watch as these sandstone walls crumble, grain by grain and fall to floor this dry wash, become rearranged by water and wind, compressed to other cliffs, excavated into other canyons, and feel the wind all the same. The rock changes, the channel changes, the wind just carries air from one place to another, more constant than the rock. The rock is ephemeral, the wind, eternal.

He read what he could find—the distilled knowledge of hundreds of experts. He couldn’t follow all the physiology. The body had evolved to feel fear, hope, thrill, and peace in the presence of certain semi-ordered vibrations; no one knew why. It made no sense that a few staggered chords could make the brain love an unmet stranger or grieve for friends who hadn’t died. Nobody could say why Barber moved listeners and Babbitt didn’t, or whether an infant might be raised to weep at Carter. But all the experts agreed that waves of compressed air falling on the eardrum touched off chain reactions that flooded the body in signals and even changed the expression of genes.

That's the experience I've gained from working in the garden: there's no reason to be cautious or anxious about anything, life is so robust, it seems to come cascading, blind and green, and at times it is frightening, because we too are alive, but we live in what amounts to a controlled environment, which makes us fear whatever is blind, wild, chaotic, stretching towards the sun, but most often also beautiful, in a deeper way than the purely visual, for the soil smells of rot and darkness, teems with scuttling beetles and convulsing worms, the flower stalks are juicy, their petals brim with scents, and the air, cold and sharp, warm and humid, filled with sunrays or rain, lies against the kin, accustomed to the indoors, like a soothing compress of hereness.

The World War II bombs, the only nuclear devices ever used as weapons so far, were airbursts, detonated at about 1,900 feet above the ground.31 The air surrounding the bomb instantly heated to incandescence. This feature is called “the fireball.” This rapidly expanding sphere translated a percentage of the thermal energy into blast energy, or a destructive wave of compressed air moving outward at high speed, capable of knocking over concrete buildings.

Gregori’s body bent first, feathers shimmering iridescent in the moonlight. A six-foot wingspan spread, and he glided to the high branch of a nearby tree, razor-sharp talons digging into a branch. The owl’s body went motionless, blended into the night, simply waited. Aidan was next, a peculiar golden color, powerful and lethal, just as silent. Byron’s form was shorter, more compact, his feathers a mantle of white. Mikhail’s solid form wavered in the shadows, and he launched himself into the night sky, the other three following. As if in perfect understanding, they soared higher, shimmering feathers beating strongly as they raced silently toward the clouds high above the forest floor. The wind rushed against their bodies, under their wings, riffling feathers, brushing away every vestige of sadness and violence left behind by the vampire. In the air they wheeled and banked sharply, four great birds in perfect synchronization. Joy erased dread and the heavy weight of responsibility in Mikhail’s heart, lifted guilt and replaced it with rapture. The powerful wings beat strongly as they raced across the sky together, and Mikhail shared his joy with Raven because he couldn’t contain it, not even in the owl’s powerful body. It spilled out, an invitation, a need to share one more pleasure of Carpathian life. Think, my love. Visualize what I put in your head. Trust me as you have never trusted me before. Allow me to give you this gift. There was no hesitation on her part. With complete faith in him, Raven gave herself into his keeping, reaching eagerly for the vision. The slight discomfort, the strange disorientation as her physical body dissolved, did not faze her. Feathers shimmered, sprouted. Beside her, Jacques stepped back, allowing the smaller female owl to hop onto a tall stone angel before his own large frame compressed, reshaped. Together they launched themselves into the night and soared high to join the other four powerful birds circling above them.

You know, you just kind of do the best you can and hold on to moments that feel a little better than others. You fall asleep and try not to think about the pressing time of past and future, compressing you from both ways, but you can’t let yourself get worried about it. You just have to try to fall asleep. And you put both feet on the ground when you wake up, seeing the sun that rose once again, despite it all, knowing that this is one of very few limited mornings that you will get to experience and you just have to stop carrying life like a burden. Life is not a burden. It’s not heavy to be alive. It’s weightless. It’s light as air. You’re just floating, a leaf through space, for a little while. You just have to learn to close your eyes more, or open them, when you can. You just have to learn to float with the current more, not fight against things. Change, movement, transitions ... you have to become one with the current. So what if you find yourself homeless and aimless, broke to the bones with no one to hold or call or care for? Go climb a mountain and sit above the world for an hour or two. Breathe in cleaner air and drink water falling through the cracks of the stones. Don’t take the photo and don’t share it with anyone. It’s still beautiful even if only you know about it. You hold this moment in your heart and you go forward for here, one step at a time, and you try to get moments like this, even with other people, down on the ground, and maybe sometimes you will find yourself crying at 4am by yourself but that’s all good. It’s all okay. Just soak up whatever life offers and don’t think too much about it. It’s all beautiful. Stop seeing life as a burden. Something heavy to carry. Life is not heavy. Life is weightless and you can dance through it like a thin fog a summer’s morning. It’s all beautiful.

When Maxime went to the Bois de Boulogne, with his waist tightly compressed like a woman's, lightly dancing in the saddle on which he was swayed by the canter of his horse, he was the god of the age, with his strongly developed hips, his long slender hands, his sickly lascivious air, his correct elegance, and his slang learnt at petty theatres. At twenty years of age he placed himself above all surprises and all disgusts. He had certainly dreamt of the most unusual beastliness. But with him vice was not an abyss, as it is with certain old men, but a natural external bloom. It curled upon his fair hair, smiled upon his lips, and dressed him like his clothes. However his great characteristic was especially his eyes, two clear and smiling blue apertures, true mirrors for a coquette, but behind which one perceived all the emptiness of his brain. Those harlot eyes were never lowered; they courted pleasure, a pleasure without fatigue which one summons and receives.

A jet engine is basically a large metal tube, mounted with one open end pointing toward the front of the aircraft and the other end at the back. With the plane moving forward, air blows into the front of the tube. An axial compressor spinning at high speed at the front acts as a one-way door, encouraging air to come into the tube while preventing anything from escaping out. In the center of the tube is a continuous explosion of jet fuel mixed with the compressed incoming air. The mixture, burned and heated to the point of violence in the explosion, instead of blowing the airplane to pieces finds a clear path out through the back of the tube. The escaping explosion products create a reactive force, just as would be made by a rocket engine, pushing the engine and the vehicle to which it is attached forward. On its way out, the expanding gases spin a turbine, like a windmill, and it is connected forward to the spinning compressor wheel.

ALL IN TIME With something to do, No wonder I sit at the typewriter. Behind me, the clock has the Monotonous voice of a parent. Always it is something else I prefer. The dictionary is a moving fanfare. The compressed words of my life. … I walk down Longest Avenue holding my umbrella. Information, merely information; Everywhere bone sparkle, Radials sifting deeper into ooze. How I am coming apart. How I scatter. The air sparkles with my dust. … Sir William Herschel saw pinpoints Of another kind of space From which the milk of galaxies were poured, As from a pitcher. What is this universe that occupies my face? I travel in an orderly erratic place. I am a particle, I am going toward something. I am complicated, And yet, how simple is my verse.

ChiroCynergy - Dr. Matthew Bradshaw | Active Release Technique (A.R.T.) in Leland, NC What exactly is Active Release Technique (A.R.T.)? ART is a patented, state-of-the-art, soft tissue management system developed by Dr. Michael Leahy (an Air Force engineer/chiropractor) that treats problems occurring with: - Muscles - Tendons - Ligaments - Fascia - Nerves Injuries to these tissues can occur in 3 different ways: Acute trauma injury – a sprained ankle playing racquetball is a great example of this type of injury. Compression injury – an example of a compression injury would be back stiffness and pain and/or numbness down the leg (sciatica) caused by sitting behind a computer frequently and for long periods of time. Sitting causes reduced oxygen flow to the tissues, which in turn causes the numbness and/or pain. Overuse injuries – frequently seen in people whose jobs involve typing all day. The repetitive motion can produce wrist and hand pain (i.e. carpal tall syndrome) due to the accumulation of small tears in the tissues. Each of these changes causes your body to produce tough, dense scar tissue in the affected area. This scar tissue binds up and ties down tissues that need to move freely. As scar tissue builds up: Muscles become shorter and weaker. Tension on tendons causes tendonitis. Nerves can become trapped. This can result in reduced ranges of motion, loss of strength, and pain. With trapped nerves, you may also feel tingling, numbness, shooting pains, burning sensations, weakness, muscle atrophy and circulatory changes. Even when most doctors say medications or surgery is the only answer, ART may still be able to resolve the symptoms and put you back on the field or back to work and into your best game. ChiroCynergy can help! We offer Active Release Technique (A.R.T.) in Leland, NC. Call us: (910) 368-1528 #chiropractor_Leland_nc #best_chiropractor_Leland_nc #chiropractor_near_Leland_nc #chiropractic_in_Leland_nc #best_chiropractor_in_Leland_nc #chiropractic_near_me #chiropractor_near_me #family_chiropractor_in_Leland_nc #female_chiropractors_in_Leland_nc #physical_therapy_in_Leland_nc #sports_chiropractor_in_Leland_nc #pregnancy_chiropractor_in_Leland_nc #sciatica_chiropractor_in_Leland_nc #car_accident_chiropractor_in_Leland_nc #Active_Release_Technique_in_Leland_nc #Cold_Laser_Therapy_in_Leland_nc #Spinal_Decompression_in_Leland_nc

Previous airplane designers based propellers on those used for ships. But water has a million times the density of air. Boat propellers bite into the water to produce momentum. Air, on the other hand, is compressible, and the Wrights realized they needed to rethink how an airplane propeller would work. The aerodynamic frame led them to the answer. As Orville later described their insight: “It was apparent that a propeller was simply an aeroplane [wing] travelling in a spiral course.” The blades would need a camber to produce uplift, like the wings.

Döhler was in such a hurry to dive that U-606’s conning tower was not properly sealed, and as she went down water poured into the boat. She sank like a stone, until Döhler managed to hold her at 230 metres, very near to maximum depth. In desperation, for the boat’s crew thought their last moment had come, every cubic metre of compressed air remaining on board was pumped into the main ballast tanks. The reaction was predicable, U-606 shooting to the surface like a rocket. Campbell was closest when the U-boat broke the surface with a rush. Captain Lewis immediately opened fire with all guns able to bear and charged in at full speed to ram. The collision rolled the U-boat over on her side, but she came upright again, her crew spilling out of the conning tower onto the casing.

On the count of zero, the forty-two-foot-long missile with a one-megaton nuclear warhead should have stirred awake. The men in the control center had braced for the huge jolt of compressed air they expected would hurl the missile out of its tube before its liquid fuel ignited for a short, powerful run to the target. The target was easily within range of the Serb-type missile ready in tube number one.

Water, much denser than air, conducts sound four and a half times faster. (In compressible solids like steel molecules are packed tighter. Sound races at about 5 kilometers per second through stainless.)