Compost Sayings And Quotes

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Let's just say that if these scientist had been using their brilliance for good instead of evil, cars would run off water vapor and leave fresh compost behind them; no one would be hungry; no one would be ill; all buildings would be earthquake-, bomb-, and flood-proof; and the world's entire economy would have collapsed and been replaced by one based on the value of chocolate.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Someday I will stop being young and wanting stupid tattoos. There are 7 people in my house. We each have different genders. I cut my hair over the bathroom sink and everything I own has a hole in it. There is a banner in our living room that says “Love Cats Hate Capitalism.” We sit around the kitchen table and argue about the compost pile and Karl Marx and the necessity of violence when The Rev comes. Whatever the fuck The Rev means. Every time my best friend laughs I want to grab him by the shoulders and shout “Grow old with me and never kiss me on the mouth!” I want us to spend the next 80 years together eating Doritos and riding bikes. I want to be Oscar the Grouch. I want him and his girlfriend to be Bert and Ernie. I want us to live on Sesame Street and I will park my trash can on their front stoop and we will be friends every day. If I ever seem grouchy it’s just because I am a little afraid of all that fun. There is a river running through this city I know as well as my own name. It’s the first place I’ve ever called home. I don’t think its poetry to say I’m in love with the water. I don’t think it’s poetry to say I’m in love with the train tracks. I don’t think it’s blasphemy to say I see God in the skyline. There is always cold beer asking to be slurped on back porches. There are always crushed packs of Marlboro’s in my back pockets. I have been wearing the same patched-up shorts for 10 days. Someday I will stop being young and wanting stupid tattoos.
Clementine von Radics
I find that a real gardener is not a man who cultivates flowers; he is a man who cultivates the soil. He is a creature who digs himself into the earth and leaves the sight of what is on it to us gaping good-for-nothings. He lives buried in the ground. He builds his monument in a heap of compost. If he came into the Garden of Eden, he would sniff excitedly and say: "Good Lord, what humus!
Karel Čapek (Gardener's Year)
The better part of the man is soon ploughed into the soil for compost. By a seeming fate, commonly called necessity, they are employed, as it says in an old book, laying up treasures which moth and rust will corrupt and thieves break through and steal. It is a fool's life, as they will find when they get to the end of it, if not before.
Henry David Thoreau (Walden : An Annotated Edition)
Just by breathing deeply on your anger, you will calm it. You are being mindful of your anger, not suppressing it...touching it with the energy of mindfulness. You are not denying it at all. When I speak about this to psychotherapists, I have some difficulty. When I say that anger makes us suffer, they take it to mean that anger is something negative to be removed. But I always say that anger is an organic thing, like love. Anger can become love. Our compost can become a rose. If we know how to take care of our compost...Anger is the same. It can be negative when we do not know how to handle it, but if we know how to handle our anger, it can be very positive. We do not need to throw anything away," (50).
Thich Nhat Hanh (For a Future to Be Possible)
Life: composted lessons for our hearts to blossom into our souls.
Soul Dancer (Pay Me What I'm Worth: Say it. Mean it. Get it.)
And snow—snow is not my enemy, I tell him. Snow is God’s way of telling people to slow down and rest and stay in bed for a day. And besides, snow always solves itself. Mixes with the leaves to form more earth, I tell him. Think compost, says I.
Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
Tell the world what scares you the most” says Brandy. She gives us each an Aubergine Dreams eyebrow pencil and says “Save the world with some advice from the future” Seth writes on the back of a card and hands the card to Brandy for her to read. On game shows, Brandy reads, some people will take the trip to France, but most people will take the washer dryer pair.” Brandy puts a big Plumbago kiss in the little square for the stamp and lets the wind lift and card and sail it off toward the towers of downtown Seattle. Seth hands her another, and Brandy reads: Game shows are designed to make us feel better about the random useless facts that are all we have left from our education” A kiss and the card’s on it’s way toward Lake Washington. From Seth: When did the future switch from being a promise to being a threat?” A kiss and it’s off on the wind toward Ballard. Only when we eat up this planet will God give us another. We’ll be remembered more for what we destroy than what we create.” Interstate 5 snakes by in the distance. From high atop the Space Needle, the southbound lanes are red chase lights, and the northbound lanes are white chase lights. I take a card and write: I love Seth Thomas so much I have to destroy him. I overcompensate by worshipping the queen supreme. Seth will never love me. No one will ever love me ever again. Beandy is waiting to rake the card and read it out loud. Brandy’s waiting to read my worst fears to the world, but I don’t give her the card. I kiss it myself with the lips I don’t have and let the wind take it out of my hand. The card flies up, up, up to the stars and then falls down to land in the suicide net. While I watch my future trapped in the suicide net Brandy reads another card from Seth. We are all self-composting” I write another card from the future and Brandy reads it: When we don’t know who to hate, we hate ourselves” An updraft lifts up my worst fears from the suicide net and lifts them away. Seth writes and Brandy reads. You have to keep recycling yourself”. I write and Brandy reads. Nothing of me is original. I am the combined effort of everybody I’ve ever known.” I write and Brandy reads. The one you love and the one who loves you are never ever the same person.
Chuck Palahniuk (Invisible Monsters)
Life is compost. You think that a strange thing to say, but it's true. All my life and all my experience, the events that have befallen me, the people I have known, all my memories, dreams, fantasies, everything I have ever read, all of that has been chucked onto the compost heap, where over time it had rotted down to a dark, rich, organic mulch. The process of cellular breakdown makes it unrecognizable. Other people call it the imagination. I think of it as a compost heap. Every so often I take an idea, plant it in the compost, and wait. It feeds on that black stuff that used to be a life, takes its energy for its own. It germinates. Takes root. Produces shoots. And so on and so forth, until one fine day I have a story, or a novel.
Diane Setterfield (The Thirteenth Tale)
Sitting at the table, watching the cards being dealt, I heard a man say that the difference between an amateur and a pro is that the pro doesn't have an emotional reaction to losing anymore. It's just the other side of winning. I guess I'm a farmer now, because I'm used to loss like this, to death of all kinds, and to rot. It's just the other side of life. It is your first big horse and all he meant to you, and it is also his bones and skin breaking down in the compost pile, almost ready to be spread on the fields.
Kristin Kimball (The Dirty Life: On Farming, Food, and Love)
There are those who say that in their heaven there is no suffering. But if there is no suffering, how can there be happiness? We need compost to grow flowers, and mud to grow lotuses.
Thich Nhat Hanh
But men labor under a mistake. The better part of the man is soon plowed into the soil for compost. By a seeming fate, commonly called necessity, they are employed, as it says in an old book, laying up treasures which moth and rust will corrupt and thieves break through and steal. It is a fool’s life, as they will find when they get to the end of it, if not before.
Henry David Thoreau (Walden or Life in the Woods)
Margaret Atwood started writing The Handmaid’s Tale in West Berlin in the spring of 1984. Like Orwell when he began Nineteen Eighty-Four, she was in her early forties and she knew exactly what she wanted to say. The novel originated with a file of newspaper cuttings she had begun collecting while living in England, covering such topics as the religious right, prisons in Iran, falling birth rates, Nazi sexual politics, polygamy and credit cards. She let these diverse observations ferment, like compost, until a story grew out of them. Her travels in East Germany and Czechoslovakia, where she experienced “the wariness, the feeling of being spied on, the silences, the changes of subject, the oblique ways in which people might convey information,” nourished the novel, too, as did her adolescent obsession with dystopias and World War Two.
Dorian Lynskey (The Ministry of Truth: A Biography of George Orwell's 1984)
In the first couple of weeks there were big piles of trash outside every house. All the stuff you couldn’t find another use for and couldn’t compost. Yogurt cups, torn trash bags, dirty diapers, hair-spray cans, paper towels. Sometimes you’d see a pile that was as high as your waist. Nathan said it was a purge, a cleanse. But you could just as well say that who we were went out with the empties. We will never get our selves back.
Jess Row (The Empties)
Konstance is old enough to understand that Father’s farm is unlike the other three: those spaces are tidy and systematic, while Farm 4 is a tangle of wires and sensors, grow-racks skewed at every angle, individual trays crowded with different species, creeping thyme beside radishes beside carrots. Long white hairs sprout from Father’s ears; he’s at least two decades older than the other children’s fathers; he’s always growing inedible flowers just to see what they look like and muttering in his funny accent about compost tea. He claims he can taste whether a lettuce has lived a happy life; he says one sniff of a properly grown chickpea can whisk him three zillion kilometers back to the fields who grew up in Scheria.
Anthony Doerr (Cloud Cuckoo Land)
Once I thought that to be human was the highest aim a man could have, but I see now that it was meant to destroy me. Today I am proud to say I am inhuman, that I belong not to men and governments, that I have nothing to do with creeds and principles. . . . I belong to the earth! . . . And I join my slime, my excrement, my madness,my ecstasy to the great circuit which flows through the subterranean vaults of the flesh. . . . Side by side with the human race there runs another race of beings, the inhuman ones, the race of artists. . . . Out of the dead compost and the inert slag they breed a song that contaminates. . . . “I love everything that flows,” said the great blind Milton of our times [Joyce]. I was thinking of him this morning . . . of his rivers and trees and all that world of night that he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. . . . I love the urine that pours out scalding and the clap that runs endlessly.
Henry Miller (Tropic of Cancer (Tropic, #1))
It’s a lonely business, and then sometimes strangely claustrophobic, but this is it. This is what I wanted and what Liz was pulled away from, against her every fiber. This abstract performance art called Family Life is our one run at the ultimate improv. Our chance to be great for someone, to give another person enough of what they need to be happy. Ours to overlook or lose track of or bemoan, ours to recommit to, to apologize for, to try again for. Ours to watch disappear into their next self—toddler to tyke, tween to teen—ours to drop off somewhere and miss forever. It’s happening right now, whether we attend to it or not. Like after preparing a nutritious meal that no one really liked and a lot of blame-gaming over who forgot to take out the compost, your peevish, greasy “young adult” tramps off to take the shower she should have taken two days ago and the evening is shot to shit and not one minute of it looked like the thing you prayed for so long ago, but then you hear something. You head up the stairs, hover outside the bathroom door. “All the single ladies, all the single ladies…” — The kid is singing in the shower. Your profoundly ordinary kid is singing in the shower and you get to be here to hear it.
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
It isn't easy to become a fossil. The fate of nearly all living organisms- over 99.9 percent of them- is to compost down to nothingness. When your spark is gone, every molecule you own will be nibbled off you or sluiced away to be put to use in some other system. That's just the way it is. Even if you make it into the small pool of organisms, the less than 0.1 percent, that don't get devoured, the chances of being fossilized are very small... Only one born in a billion, it is thought, ever becomes fossilized. If that is so, it means that the complete fossil legacy of all the Americans alive today- that's 270 million people with 206 bones each- will only be about fifty bones, one quarter of a complete skeleton. That's not to say of course that any of these bones will actually be found. p322
Bill Bryson (A Short History of Nearly Everything)
Everything in Nature ran according to its own nature; the running of grass was in its growing, the running of rivers their flowing, granite bubbled up, cooled, compressed and crumbled, birds lived, flew, sang and died, everything did what it needed to do, each simultaneously running its own race, each by living according to its own nature together, never leaving any other part of the universe behind. The world’s Holy things raced constantly together, not to win anything over the next, but to keep the entire surging diverse motion of the living world from grinding to a halt, which is why there is no end to that race; no finish line. That would be oblivion to all. For the Indigenous Souls of all people who can still remember how to be real cultures, life is a race to be elegantly run, not a race to be competitively won. It cannot be won; it is the gift of the world’s diverse beautiful motion that must be maintained. Because human life has been give the gift of our elegant motion, whether we limp, roll, crawl, stroll, or fly, it is an obligation to engender that elegance of motion in our daily lives in service of maintaining life by moving and living as beautifully as we can. All else has, to me, the familiar taste of that domineering warlike harshness that daily tries to cover its tracks in order to camouflage the deep ruts of some old, sick, grinding, ungainly need to flee away from the elegance of our original Indigenous human souls. Our attempt to avariciously conquer or win a place where there are no problems, whether it be Heaven or a “New Democracy,” never mind if it is spiritually ugly and immorally “won” and taken from someone who is already there, has made a citifying world of people who, unconscious of it, have become our own ogreish problem to ourselves, our future, and the world. This is a problem that we cannot continue to attempt to competitively outrun by more and more effectively designed technological approaches to speed away from the past, for the specter of our own earth-wasting reality runs grinning competitively right alongside us. By developing even more effective and entertaining methods of escape that only burn up the earth, the air, animals, plants, and the deeper substance of what it should mean to be human, by competing to get ahead, we have created a brakeless competition that has outrun our innate beauty and marked out a very definite and imminent “finish” line. Living in and on a sphere, we cannot really outrun ourselves anyway. Therefore, I say, the entire devastating and hideous state of the world and its constant wounding and wrecking of the wild, beautiful, natural, viable and small, only to keep alive an untenable cultural proceedance is truly a spiritual sickness, one that will not be cured by the efficient use of the same thinking that maintains the sickness. Nor can this overly expensive, highly funded illness be symptomatically kept at bay any longer by yet more political, environmental, or social programs. We must as individuals and communities take the time necessary to learn how to indigenously remember what a sane, original existence for a viable people might look like. Though there are marvellous things and amazing people doing them, both seen and unseen, these do not resemble in any way the general trend of what is going on now. To begin remembering our Indigenous belonging on the Earth back to life we must metabolize as individuals the grief of recognition of our lost directions, digest it into a valuable spiritual compost that allows us to learn to stay put without outrunning our strange past, and get small, unarmed, brave, and beautiful. By trying to feed the Holy in Nature the fruit of beauty from the tree of memory of our Indigenous Souls, grown in the composted failures of our past need to conquer, watered by the tears of cultural grief, we might become ancestors worth descending from and possibly grow a place of hope for a time beyond our own.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
There now,” she said to the flowers in an encouraging tone, “you have food and air. You’ll be very happy and pretty in no time.” “Are you talking to the flowers?” Ian asked from behind her. Elizabeth started and turned around on an embarrassed laugh. “They like it when I talk to them.” Knowing how peculiar that sounded, she reinforced it by adding, “Our gardener used to say all living things need affection, and that includes flowers.” Turning back to the garden, she shoveled the last of the compost around the flowers, then she stood up and brushed off her hands. Her earlier ruminations about him had abolished so much of her antagonism that as she looked at him now she was able to regard him with perfect equanimity. It occurred to her, though, that it must seem odd to him that a guest was rooting about in his garden like a menial. “I hope you don’t mind,” she said, nodding toward the garden, “but the flowers couldn’t breathe with so many weeds choking them. They were crying out for a little room and sustenance.” An indescribable expression flashed across his face. “You heard them?” “Of course not,” Elizabeth said with a chuckle. “But I did take the liberty of fixing a special meal-well, compost, actually-for them. It won’t help them very much this year, but next year I think they’ll be much happier…” She trailed off, belatedly noticing the worried look he gave the flowers when she mentioned fixing them “a meal.” “You needn’t look as if you expect them to collapse at my feet,” she admonished, laughing. “They’ll fare far better with their meal than we did with ours. I am a much better gardener than I am a cook.” Ian jerked his gaze from the flowers, then looked at her with an odd, contemplative expression. “I think I’ll go inside and clean up.” She walked away without looking back, and so she did not see Ian Thornton turn halfway around to watch her.
Judith McNaught (Almost Heaven (Sequels, #3))
Modern economics, by which I mean the style of economics taught and practised in today's leading universities, likes to start the enquiries from the ground up: from individuals, through the household, village, district, state, country, to the whole world. In various degrees, the millions of individual decisions shape the eventualities people face; as both theory, common sense, and evidence tell us that there are enormous numbers of consequences of what we all do. Some of these consequences have been intended, but many are unintended. There is, however, a feedback, in that those consequences in turn go to shape what people subsequently can do and choose to do. When Becky's family drive their cars or use electricity, or when Desta's family create compost or burn wood for cooking, they add to global carbon emissions. Their contributions are no doubt negligible, but the millions of such tiny contributions sum to a sizeable amount, having consequences that people everywhere are likely to experience in different ways. It can be that the feedbacks are positive, so that the whole contribution is greater than the sum of the parts. Strikingly, unintended consequences can include emergent features, such as market prices, at which the demand for goods more or less equals their supply. Earlier, I gave a description of Becky's and Desta's lives. Understanding their lives involves a lot more; it requires analysis, which usually calls for further description. To conduct an analysis, we need first of all to identify the material prospects the girls' households face - now and in the future, under uncertain contingencies. Second, we need to uncover the character of their choices and the pathways by which the choices made by millions of households like Becky's and Desta's go to produce the prospects they all face. Third, and relatedly, we need to uncover the pathways by which the families came to inherit their current circumstances. These amount to a tall, even forbidding, order. Moreover, there is a thought that can haunt us: since everything probably affects everything else, how can we ever make sense of the social world? If we are weighed down by that worry, though, we won't ever make progress. Every discipline that I am familiar with draws caricatures of the world in order to make sense of it. The modern economist does this by building models, which are deliberately stripped down representations of the phenomena out there. When I say 'stripped down', I really mean stripped down. It isn't uncommon among us economists to focus on one or two causal factors, exclude everything else, hoping that this will enable us to understand how just those aspects of reality work and interact. The economist John Maynard Keynes described our subject thus: 'Economics is a science of thinking in terms of models joined to the art of choosing models which are relevant to the contemporary world.
Partha Dasgupta (Economics: A Very Short Introduction)
It's all my fault,' she mumbled. 'That scar blights me, I know. I know what you see when you look at me. There's not much elf left in me. A gold nugget in a pile of compost—' He turned around suddenly. 'You're extremely modest,' he drawled. 'I would say rather: a pearl in pig shit. A diamond on the finger of a rotting corpse. As part of your language training you can create even more comparisons. I'll test you on them tomorrow, little Dh'oine. O human creature in whom nothing, but nothing, remains of an elven woman.
Andrzej Sapkowski (Pani Jeziora (Saga o Wiedźminie, #5))
He was stunned that almost every room in the house had a basket for trash tucked discreetly somewhere, lined with a white plastic bag, which was changed at intervals. In Bhutan, the few plastic bags we have are washed and hung out to dry and reused. Some of them have been around for years. He’d take the trash out to the big bins in my parents’ garage every day. But then reality hit and his face went dark. “Where does all this trash go?” he asked me. “To the dump,” I said. I could see he was doing the math: “Half the country must be the dump.” In Bhutan, we compost our vegetable waste and put plastic and paper waste into an ordinary-sized plastic garbage bin in our storeroom. Once every two or three months, when the bin is full, we drive it up to the dump about 20 minutes from our house. In the winter we use it to start fires in our woodstove. That is not to say that more waste isn’t coming to Bhutan. But Bhutan, and the rest of the world for that matter, has a long way to go to catch up with the United States. While
Linda Leaming (Married to Bhutan)
Whilst people keep repeating "its paradise"... Everything causes an equal and opposite reaction. So instead, why not try saying "here is a big compost heap (Gehenna)"; then the world might become a better place, rather then worse.
wizanda
You might be wondering, “What if people are right if they say I am TOO something? How do I know I’m not ignoring valid critique?” Good questions. I ask myself a few questions when it comes to determining what we should consider credible and what we should consider compost. Is this thing hindering my personal growth? Is this thing harming someone else? Is this critique coming from someone who loves and respects me? If the answer to all three is no, then wipe your shoulders off, pick your head up, and keep it moving. Otherwise, let’s dig deeper on those questions.
Luvvie Ajayi Jones (Professional Troublemaker: The Fear-Fighter Manual)
Composting Engineer”?” I said, leaning forward in my seat. “That’s what it says,” Lo said. “It’s a polite way of saying you’ll be shoveling shit.
John Scalzi (Everything but the Squeal)
It’s Hugh Grant’s first day on the job, and he’s saying hello to his new staff. One staffer is named Natalie, and as far as I can tell, her job is “woman.” She’s also incredibly, disgustingly fat, like a beanbag chair with feet, according to literally everyone else in the movie who apparently all have Natalie Dysmorphic Disorder (a silent killer). Natalie accidentally says some swears in front of the prime minister, and then she makes lemon-face for forty-five minutes. Actually, she’s probably just thinking about delicious lemons because NATALIE HUNGRY!!!!!!! Hugh Grant falls instantly in love with Natalie, which is understandable, because she hasn’t yet exceeded her Love Actually attractiveness word quota. (The quota is twenty-seven words before you become Emma Thompson and must be composted.) Keira Knightley is marrying Chiwetel Ejiofor while wearing some
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
It’s Hugh Grant’s first day on the job, and he’s saying hello to his new staff. One staffer is named Natalie, and as far as I can tell, her job is “woman.” She’s also incredibly, disgustingly fat, like a beanbag chair with feet, according to literally everyone else in the movie who apparently all have Natalie Dysmorphic Disorder (a silent killer). Natalie accidentally says some swears in front of the prime minister, and then she makes lemon-face for forty-five minutes. Actually, she’s probably just thinking about delicious lemons because NATALIE HUNGRY!!!!!!! Hugh Grant falls instantly in love with Natalie, which is understandable, because she hasn’t yet exceeded her Love Actually attractiveness word quota. (The quota is twenty-seven words before you become Emma Thompson and must be composted.)
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
Why don’t I say a few words?” He must have got a lot of good quality venom from Aragog, Harry thought, for Slughorn wore a satisfied smirk as he stepped up to the rim of the pit and said, in a slow, impressive voice, “Farewell, Aragog, king of arachnids, whose long and faithful friendship those who knew you won’t forget! Though your body will decay, your spirit lingers on in the quiet, web-spun places of your forest home. May your many-eyed descendants ever flourish and your human friends find solace for the loss they have sustained.” “Tha’ was . . . tha’ was . . . beau’iful!” howled Hagrid, and he collapsed onto the compost heap, crying harder than ever. “There, there,” said Slughorn, waving his wand so
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
This is Ugly,” said Geung. “He’s a different animal. He’s an animal called a dog. People call him a dumb animal because he can’t speak and because he licks his arse.” More laughter. “But he can rec . . . recognize hundreds of different scents and he can run fast. So in many ways, he’s better than us. People call me and Tukta dumb animals too. We speak and we don’t lick our arses, but most people think they’re better than us. They can be unkind. Our bodies are clumsy and we won’t live very long and our brains work more slowly than yours. We can’t be doctors and we can’t be prime ministers, but we work hard and we’re kind and funny and we say what we believe. So, my wish on this day, this happiest day of my life, is that we stop thinking we’re better than other animals and start to believe that we all con . . . contribute something different and wonderful to our planet. The tiger teaches us d-d-dignity and how to control our power. The pig gives us compost that grows our vegetables. The lizard eats mosquitoes that give us dengue fever. The fish cleans our rivers and gives up its life to feed our children. If I can have one one one . . . wish this day, it is that we all stop comparing the size of our brains and learn to see the size of each other’s hearts.” Even the evening cicadas had fallen silent.
Colin Cotterill (Don't Eat Me (Dr. Siri Paiboun #13))
My Teachers," says he, "were hide-bound Pedants, without knowledge of man's nature, or of boy's; or of aught save their lexicons and quarterly account-books. Innumerable dead Vocables (no dead Language, for they themselves knew no Language) they crammed into us, and called it fostering the growth of mind. How can an inanimate, mechanical Gerund-grinder, the like of whom will, in a subsequent century, be manufactured at Nurnberg out of wood and leather, foster the growth of anything; much more of Mind, which grows, not like a vegetable (by having its roots littered with etymological compost), but like a spirit, by mysterious contact of Spirit; Thought kindling itself at the fire of living Thought? How shall he give kindling, in whose own inward man there is no live coal, but all is burnt out to a dead grammatical cinder? The Hinterschlag Professors knew syntax enough; and of the human soul thus much: that it had a faculty called Memory, and could be acted on through the muscular integument by appliance of birch-rods.
Thomas Carlyle (Sartor Resartus)