Complaining Woman Quotes

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Why does a woman work ten years to change a man, then complain he's not the man she married?
Barbra Streisand
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
Gillian Flynn (Gone Girl)
I hate women who complain about being fat when they're like a size 5. Anything under size 5 isn't a woman. It's a boy with breasts.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
I know a man who drives 600 yards to work. I know a woman who gets in her car to go a quarter of a mile to a college gymnasium to walk on a treadmill, then complains passionately about the difficulty of finding a parking space. When I asked her once why she didn't walk to the gym and do five minutes less on the treadmill, she looked at me as if I were being willfully provocative. 'Because I have a program for the treadmill,' she explained. 'It records my distance and speed, and I can adjust it for degree of difficulty.' It hadn't occurred to me how thoughtlessly deficient nature is in this regard.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Though I obviously have no proof of this, the one aspect of life that seems clear to me is that good people do whatever they believe is the right thing to do. Being virtuous is hard, not easy. The idea of doing good things simply because you're good seems like a zero-sum game; I'm not even sure those actions would still qualify as 'good,' since they'd merely be a function of normal behavior. Regardless of what kind of god you believe in--a loving god, a vengeful god, a capricious god, a snooty beret-wearing French god, or whatever--one has to assume that you can't be penalized for doing the things you believe to be truly righteous and just. Certainly, this creates some pretty glaring problems: Hitler may have thought he was serving God. Stalin may have thought he was serving God (or something vaguely similar). I'm certain Osama bin Laden was positive he was serving God. It's not hard to fathom that all of those maniacs were certain that what they were doing was right. Meanwhile, I constantly do things that I know are wrong; they're not on the same scale as incinerating Jews or blowing up skyscrapers, but my motivations might be worse. I have looked directly into the eyes of a woman I loved and told her lies for no reason, except that those lies would allow me to continue having sex with another woman I cared about less. This act did not kill 20 million Russian peasants, but it might be more 'diabolical' in a literal sense. If I died and found out I was going to hell and Stalin was in heaven, I would note the irony, but I couldn't complain. I don't make the fucking rules.
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
she lets him see how afraid she is to be without him and he soon comes to feel as though he has a 100 percent hold on her. This is often the point when women begin to complain: “He doesn’t make enough time for me. He isn’t as romantic as he used to be.
Sherry Argov (Why Men Marry Bitches: A Woman's Guide to Winning Her Man's Heart)
Regardless, you ask why I did not greet you. Well, let us assume that I had acted as you suggest I should. Upon your approach, you would have had me gush over you?” “Naturally.” “You would have me point out how stunning you appear in that gown?” “I wouldn’t complain.” “Mention how your dazzling eyes glisten in the fireworks like burning embers?” “That would be nice.” “Expound on how your lips are so perfectly red that they could leave any man breathless with wonder, yet drive him compose the most brilliant of poetry each time he recalled the moment?” “I’d be flattered for certain.” “And you claim you want these reactions from me?” “I do.” “Well blast it, woman,” Lightsong said, picking up his cup. “If I’m stunned, dazzled, and breathless, then how the hell am I supposed to greet you? By definition, won’t I be struck dumb?” She laughed. “Well, then, you’ve obviously found your tongue now.” “Surprisingly, it was in my mouth,” he said. “I always forget to check there.
Brandon Sanderson (Warbreaker)
She decided to be honest. “You”—she pointed at Dee-Ann—“kill at the slightest provocation. I hit for no other reason than I feel like it. And MacDermot is rude and abrasive.” Cella put her arms around each woman’s shoulders and hugged them in tight. “Oh, my God! I just realized. I love you guys!” “You’re touchin’ me,” Dee-Ann complained. “Yeah, but at least this time it’s not ’cause I’m hitting you.
Shelly Laurenston (Big Bad Beast (Pride, #6))
Aside from the fact that they say it's unhealthy, my fat ain't never been no trouble. Mens always have loved me. My kids ain't never complained. Plus they's fat.
Alice Walker (You Can't Keep a Good Woman Down: Short Stories)
He watched Attolia out of the corner of his eye. She was still cool, like a breath of winter in the warm evening air, but in the last few days he had begun to sense a subtle humor in her chilly words. When Gen had complained earlier that evening that Petrus, the palace physician, should stop fussing over him like a worried old woman, Attolia had asked, archly,"And me as well?" "When you stop fussing," Gen had said, slipping to his knees beside her couch, "I will sleep with two knives under my pillow." Attolia had looked down at him and said sharply, "Don't be ridiculous." Only when Eugenides laughed had Sounis realized her implication: If she ever turned against Eugenides, a second knife wouldn't save him. He almost swallowed the olive in his mouth unchewed.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
Proust said that you could seduce any woman if you were willing to sit and listen to her complain until four in the morning.
Martin Cruz Smith (Gorky Park (Arkady Renko, #1))
Yet if women are so flighty, fickle, changeable, susceptible, and inconstant (as some clerks would have us believe), why is it that their suitors have to resort to such trickery to have their way with them? And why don't women quickly succumb to them, without the need for all this skill and ingenuity in conquering them? For there is no need to go to war for a castle that is already captured. (...) Therefore, since it is necessary to call on such skill, ingenuity, and effort in order to seduce a woman, whether of high or humble birth, the logical conclusion to draw is that women are by no means as fickle as some men claim, or as easily influenced in their behaviour. And if anyone tells me that books are full of women like these, it is this very reply, frequently given, which causes me to complain. My response is that women did not write these books nor include the material which attacks them and their morals. Those who plead their cause in the absence of an opponent can invent to their heart's content, can pontificate without taking into account the opposite point of view and keep the best arguments for themselves, for aggressors are always quick to attack those who have no means of defence. But if women had written these books, I know full well the subject would have been handled differently. They know that they stand wrongfully accused, and that the cake has not been divided up equally, for the strongest take the lion's share, and the one who does the sharing out keeps the biggest portion for himself.
Christine de Pizan (Der Sendbrief vom Liebesgott / The Letter of the God of Love (L'Epistre au Dieu d'Amours))
The object, the woman, goes out into the world formed as men have formed her to be used as men wish to use her. She is then a provocation. The object provokes its use. It provokes its use because of its form, determined by the one who is provoked. The carpenter makes a chair, sits on it, then blames the chair because he is not standing. When the object complains about the use to which she is put, she is told, simply and firmly, not to provoke.
Andrea Dworkin (Pornography: Men Possessing Women)
She replied that it was precisely men well versed in religion who beat their wives. The precepts of religion permitted such punishment. A virtuous woman was not supposed to complain about her husband. Her duty was perfect obedience.
Nawal El Saadawi (Woman at Point Zero)
I’ve heard men complain of doing woman’s work, and women complain of doing man’s work,” she added, fastening her bony thumb and forefinger on Gurgi’s ear and marching him to a stool beside Taran, “but I’ve never heard the work complain of who did it, so long as it got done!
Lloyd Alexander (The Chronicles of Prydain (The Chronicles of Prydain, #1-5))
How about Oversized Dickhead?” He shrugged. “Didn’t hear you complaining about my oversized—” She shot to her feet, jostling the table. “Can I speak with you in private?” “You need it right now?” He feigned exasperation. “We’re in the middle of dinner, woman. You’re insatiable.
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
There are yokels out there who think that if they touch a woman's behind and she doesn't complain, they've hooked her. Amateurs. The female heart is a labryinth of subtleties, too challenging for the uncouth mind of the male racketeer. If you really want to possess a woman, you must think like her, and the first thing to do is to win over her soul. The rest, that sweet, soft wrapping that steals away your senses and your virtue, is a bonus.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Your father, Jo. He never loses patience,--never doubts or complains,--but always hopes, and works and waits so cheerfully, that one is ashamed to do otherwise before him. He helped and comforted me, and showed me that I must try to practise all the virtues I would have my little girls possess, for I was their example. It was easier for your sakes than for my own; a startled or surprised look from one of you, when I spoke sharply, rebuked me more than any words could have done; and the love, respect, and confidence of my children was the sweetest reward I could receive for my efforts to be the woman I would have them copy.
Louisa May Alcott (Little Women or Meg, Jo, Beth and Amy)
You never know when you might come home and find Mam sitting by the fire chatting with a woman and a child, strangers. Always a woman and child. Mam finds them wandering the streets and if they ask, Could you spare a few pennies, miss? her heart breaks. She never has money so she invites them home for tea and a bit of fried bread and if it's a bad night she'll let them sleep by the fire on a pile of rags in the corner. The bread she gives them always means less for us and if we complain she says there are always people worse off and we can surely spare a little from what we have.
Frank McCourt (Angela’s Ashes (Frank McCourt, #1))
Yes, I am crying although I am a man. But has not a man eyes! Has not a man hands, limbs, senses, thoughts, passions? Is he not fed with the wine food, hurt by the same weapons, warmed and cooled by the same summer and winter as a woman? If you prick us do we not bleed? If you tickle us do we not laugh? And if you poison us, do we not die? Why shouldn't a man complain, a soldier weep? Because it is unmanly? Why is it unmanly?
August Strindberg (The Father)
For many men, their car is equivalent to the perfect woman. We can build her to look exactly how we want, we can ride her hard and she won't complain, and we can easily trade her in when a newer, younger model comes along. It's pretty much the ideal relationship.
Emma Chase (Tangled (Tangled, #1))
So, she lets him see how afraid she is to be without him and he soon comes to feel as though he has a 100 percent hold on her. This is often the point when women begin to complain: “He doesn’t make enough time for me.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl-A Woman's Guide to Holding Her Own in a Relationship)
Some days have more roads than others, and some roads more distance, so that when a woman complains how long the day is, maybe she is counting its roads rather than its hours.
Kei Miller (Augustown)
She opened her curtains, and looked out towards the bit of road that lay in view, with fields beyond outside the entrance-gates. On the road there was a man with a bundle on his back and a woman carrying her baby; in the field she could see figures moving - perhaps the shepherd with his dog. Far off in the bending sky was the pearly light; and she felt the largeness of the world and the manifold wakings of men to labor and endurance. She was a part of that involuntary, palpitating life, and could neither look out on it from her luxurious shelter as a mere spectator, nor hide her eyes in selfish complaining.
George Eliot (Middlemarch)
I often think of life as a deposit of time. We are each allocated so many years, just like a fixed sum in a bank. When twenty-four hours have passed I have spent one more day. I read in the People's Daily that the average life expectancy for a Chinese woman is seventy-two. I am already seventy-four years old. I spent all my deposits two years ago and am on bonus time. Every day is already a gift. What is there to complain of?
Adeline Yen Mah (Falling Leaves)
I've heard men complain of doing woman's work, and women complain of doing man's work, but I've never heard the work complain of who did it, so long as it got done!
Lloyd Alexander (Taran Wanderer (The Chronicles of Prydain, #4))
The woman who is not pursued sets up the doctrine that pursuit is offensive to her sex, and wants to make it a felony. No genuinely attractive woman has any such desire. She likes masculine admiration, however violently expressed, and is quite able to take care of herself. More, she is well aware that very few men are bold enough to offer it without a plain invitation, and this awareness makes her extremely cynical of all women who complain of being harassed, beset, storied, and seduced. All the more intelligent women that I know, indeed, are unanimously of the opinion that no girl in her right senses has ever been actually seduced since the world began;
H.L. Mencken (In Defense of Women)
Being alone is the only possible condition for me, since I don't want to make a woman unhappy, and women have a tendency to become unhappy. Being alone isn't always fun, you can't always be in form. Moreover, I have learned from experience that once you are not in form women don't remain in form either; as soon as they are bored they start complaining you've no feeling.
Max Frisch (Homo Faber)
Our lack of originality is something we usefully forget as we hunch over our—to us—ever-fascinating lives. My friend M., leaving his wife for a younger woman, used to complain, “People tell me it’s a cliché. But it doesn’t feel like a cliché to me.” Yet it was, and is. As all our lives would prove, if we could see them from a greater distance—from the viewpoint, say, of that higher creature imagined by Einstein.
Julian Barnes (Nothing to Be Frightened Of)
It’s no secret to any woman that men turn into big babies when they are sick. Jake got the flu last year, and Rose almost strangled him before it was over. A woman can work twelve hours with PMS and a heavy flow and not complain; men can stub their toe and be bedbound for a month.
Sydney Landon (Pierced (Lucian & Lia, #1))
On May 26th, 2003, Aaron Ralston was hiking, a boulder fell on his right hand, he waited four days, he then amputated his own arm with a pocketknife. On New Year’s Eve, a woman was bungee jumping, the cord broke, she fell into a river and had to swim back to land in crocodile-infested waters with a broken collarbone. Claire Champlin was smashed in the face by a five-pound watermelon being propelled by a slingshot. Mathew Brobst was hit by a javelin. David Striegl was actually punched in the mouth by a kangaroo. The most amazing part of these stories is when asked about the experience they all smiled, shrugged and said “I guess things could’ve been worse.” So go ahead, tell me you’re having a bad day. Tell me about the traffic. Tell me about your boss. Tell me about the job you’ve been trying to quit for the past four years. Tell me the morning is just a townhouse burning to the ground and the snooze button is a fire extinguisher. Tell me the alarm clock stole the keys to your smile, drove it into 7 am and the crash totaled your happiness. Tell me. Tell me how blessed are we to have tragedy so small it can fit on the tips of our tongues. When Evan lost his legs he was speechless. When my cousin was assaulted she didn’t speak for 48 hours. When my uncle was murdered, we had to send out a search party to find my father’s voice. Most people have no idea that tragedy and silence often have the exact same address. When your day is a museum of disappointments, hanging from events that were outside of your control, when you feel like your guardian angel put in his two weeks notice two months ago and just decided not to tell you, when it seems like God is just a babysitter that’s always on the phone, when you get punched in the esophagus by a fistful of life. Remember, every year two million people die of dehydration. So it doesn’t matter if the glass is half full or half empty. There’s water in the cup. Drink it and stop complaining. Muscle is created by lifting things that are designed to weigh us down. When your shoulders are heavy stand up straight and call it exercise. Life is a gym membership with a really complicated cancellation policy. Remember, you will survive, things could be worse, and we are never given anything we can’t handle. When the whole world crumbles, you have to build a new one out of all the pieces that are still here. Remember, you are still here. The human heart beats approximately 4,000 times per hour and each pulse, each throb, each palpitation is a trophy, engraved with the words “You are still alive.” You are still alive. So act like it.
Rudy Francisco (Helium (Button Poetry))
The sick woman was usurping the place of the healthy one. He was being dragged back from the memory of the sunlit down and the quick, laughing girl, back to this unhealthy, overheated room and its complaining occupant.
Aldous Huxley (Crome Yellow)
A 'good man' is a male creature that survives the endless episodes that its woman spends complaining about women who she hates, and, women who hate her.
Mokokoma Mokhonoana
In one memorable episode, Warren received a trusting note from a woman in the bookkeeping department via the library’s pneumatic-tube system, which ran between the library and store. “It’s very slow here on this rainy day,” the bookkeeper complained. “Please send me one of those novels you have had to withdraw from circulation as unfit for a lady to read.” Warren fulfilled the request and was surprised the next day to receive the book back, discreetly wrapped, with the message: “Blessings upon you! You’re quite right. This is not fit for anybody to read. Please send another just like it.
Molly Guptill Manning (When Books Went to War: The Stories That Helped Us Win World War II)
She stared at me "You have a message," she said. "On you machine." I looked over at my answering machine. Sure enough, the light was blinking. The woman really was a detective. "It's some girl," La Guerta said. "She sounds kind of sleepy and happy. You got a girlfriend, Dexter?" there was a strange hint of a challenge in her voice. "You know how it is," I said. "Women today are so forward, and when you are as handsome as I am they absolutely fling themselves at your head." Perhaps an unfortunate choice of words; as I said it I couldn't help thinking of the woman's head flung at me not so long ago. "Watch out," La Guerta said. "Sooner or later one of them will stick." I had no idea what she thought that meant, but it was a very unsettling image. "I'm sure you're right," I said. "Until then, carpe diem." "What?" "It's Latin," I said. "It means, complain in the daylight.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
feeling angry signals a problem, venting anger does not solve it. Venting anger may serve to maintain, and even rigidify, the old rules and patterns in a relationship, thus ensuring that change does not occur. When emotional intensity is high, many of us engage in nonproductive efforts to change the other person, and in so doing, fail to exercise our power to clarify and change our own selves. The old anger-in/anger-out theory, which states that letting it all hang out offers protection from the psychological hazards of keeping it all pent up, is simply not true. Feelings of depression, low self-esteem, self-betrayal, and even self-hatred are inevitable when we fight but continue to submit to unfair circumstances, when we complain but live in a way that betrays our hopes, values and potentials, or when we find ourselves fulfilling society’s stereotype of the bitchy, nagging, bitter, or destructive woman. Those of us who are locked into ineffective expressions of anger suffer as deeply as those of us who dare not get angry at all.
Harriet Lerner (The Dance of Anger: A Woman's Guide to Changing the Patterns of Intimate Relationships)
Everyone ended up alone sooner or later. He was thirty at the time, beyond the age for complaining about loneliness. He felt as if he had put on several years all at once. But that was all. No further emotion welled up inside him.
Haruki Murakami (Blind Willow, Sleeping Woman)
I, for example, recently finished writing an article about the latest wave of “home-grown” Islamic suicide-murderers. It was impossible not to notice one thing that their profiles and Web sites had in common. All of them complained about the impossibility of finding a woman, or sometimes a woman of sufficient piety. Meanwhile their public propaganda was hot with disgust and indignation at the phenomenon of female inchastity. The connection between repression and orgasmically violent action appeared woefully evident.
Christopher Hitchens (Civilization and Its Discontents)
But no one wants to listen to our sad stories unless they are smoothed over with a joke or nice melody. And even then, not always. No one wants to hear a woman talking or writing about pain in a way that suggests that it doesn't end. Without a pat solution, silver lining, or happy ending we're just complainers -- downers who don't realize how good we actually have it. Men's pain and existential angst are the stuff of myth and legends and narratives that shape everything we do, but women's pain is a backdrop- a plot development to push the story along for the real protagonists. Disrupting that story means we're needy or shellfish, or worst of all, man-haters - as if after all men have done to women over the ages the mere act of not liking them for it is most offensive.
Jessica Valenti (Sex Object: A Memoir)
I'm far from fat, but her using me as a sounding board on this topic is like me complaining to a blind woman that I have to wear contacts.
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
she’s never complained about her lot, or argued with him, a sure sign she’s oppressed
Bernardine Evaristo (Girl, Woman, Other)
So: now a new year, a new beginning. I've vowed not to complain. I'm too good at it, and need to practice other skills. I've also vowed to work very hard...
Claire Messud (The Woman Upstairs)
no man can consider himself entitled to complain of Fate while in his adversity he still retains the unwavering love of woman.
Edgar Allan Poe (The Poetic Principle)
When I was a little girl and my teachers sent notes home complaining that I was as loud as the boys, that it wasn't lady like for a girl to be this outspoken, this raucous, instead of forcing me to tone it down to the timber of a stage whisper, just a few notes above a whimper you took me by the hand to the hilltop by our house, told me to use my voice by shouting to my heart's content, told me never to forget that I was a girl not a mouse and if I believed I had to change myself to suit anyone else I shouldn't that no matter what they said my voice was so important. You then visited my school, called a meeting with my teachers sat them all down and said that you were raising a rebel girl to be a warrior woman, and if she could not speak, the same way boys are allowed to, if she had to turn her voice into sighs then how will she utter the battle cries that were needed when her warrior sisters called upon her to help them defend the daughters of this world.
Nikita Gill
I'd heard him tell a woman who complained he never helped her achieve orgasm, that she should treasure the memory of her last orgasm, since it probably predated the French Revolution.
André Aciman (Harvard Square)
Unfortunately, the term “identity politics” has been weaponized. It is most often used by speakers to describe politics as practiced by members of historically marginalized groups. If you’re black and you're worried about police brutality, that’s identity politics. If you’re a woman and you’re worried about the male-female pay gap, that’s identity politics. But if you’re a rural gun owner decrying universal background checks as tyranny, or a billionaire CEO complaining that high tax rates demonize success, or a Christian insisting on Nativity scenes in public squares — well, that just good, old fashioned politics. With a quick sleight of hand, identity becomes something that only marginalized groups have. The term “identity politics,” in this usage, obscures rather than illuminates; it’s used to diminish and discredit the concerns of the weaker groups by making them look self-interested, special pleading in order to clear the agenda for the concerns of stronger groups, which are framed as more rational, proper topics for political debate. But in wielding identity as a blade, we have lost it as a lens, blinding ourselves in a bid for political advantage. WE are left searching in vaid for what we refuse to allow ourselves to see.
Ezra Klein (Why We're Polarized)
We did the usual beauty, grace, anti-dirt spell, voice of a songbird, the works…it is never that kind of beauty that we gift. It is a spell. You are the most beautiful woman in the world to your true love. To everyone else, well… that’s up to nature. But, you are decently pretty. I don’t know why you are complaining.
T.T. Escurel (The House of Rose (Auronia #1))
...He danced with a young woman with no hair, but who wore a wig of shining beetles that swarmed and seethed on her head. His third partner complained bitterly whenever Stephen's hand happened to brush her gown; she said it put her gown of its singing; and, when Stephen looked down, he saw that her gown was indeed covered with tiny mouths which opened and sang a little tune in a series of high, errie notes.
Susanna Clarke
Interestingly, this was the only incident of blatant prejudice that I can remember. But I am aware that such opinions exist in human beings, and it's not a question of being Egyptian or being an Arab or being a Muslim. One could be a Christian against a Jew or a Jew against a Christian, or a white against a black, or a man against a woman. My philosophy is not to let such attitudes stop me from what I want to do. I don't take it very seriously, although as you can see, I remember the incident very well. The point was I had to get on with my work and had to behave properly, and in the process perhaps even change the opinion of these people. But on the other hand, if I did nothing but complain and feel sorry for myself, then I wouldn't get anywhere.
Ahmed H. Zewail (Voyage Through Time: Walks of Life to the Nobel Prize)
As a woman, you walk into all kinds of unknown situations that cause you to fall in love, put someone else’s needs before your own, and make unbelievable sacrifices. As time goes by, falling in love has its consequences. You fall in love with your mate, children, family, and job. However, you do not receive a fraction of what you have given in return. Sadly, nobody sees you are beyond exhausted. They want you to go, go and go without complaining. If they carefully pay attention and think about it; when was the last time they saw you smile, truly smile? When was the last time they saw you happy, truly happy? When was the last time they offered to help you, as opposed to asking could you do this or that? When was the last time they gave you a moment to breathe?
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
The wildly drunk man from the cabin next door to ours is in front of me in the crowd. He's so drunk that he's standing in the women-and-children section. He complains loudly that this is boring and that we are a bunch of assholes. When a clearly terrified woman blurts out, "Please, sir, be quiet," he sways for a second and then lets out a long "Shuuuuut uuuuuuuup" that is funny not just because of its Jackie Gleason-style delivery but also because of its inappropriateness in a situation where we're all probably going to die.
Tina Fey (Bossypants)
When she says margarita she means daiquiri. When she says quixotic she means mercurial. And when she says, "I'll never speak to you again," she means, "Put your arms around me from behind as I stand disconsolate at the window." He's supposed to know that. When a man loves a woman he is in New York and she is in Virginia or he is in Boston, writing, and she is in New York, reading, or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca or he is driving to East Hampton and she is standing disconsolate at the window overlooking the bay where a regatta of many-colored sails is going on while he is stuck in traffic on the Long Island Expressway. When a woman loves a man it is one ten in the morning she is asleep he is watching the ball scores and eating pretzels drinking lemonade and two hours later he wakes up and staggers into bed where she remains asleep and very warm. When she says tomorrow she means in three or four weeks. When she says, "We're talking about me now," he stops talking. Her best friend comes over and says, "Did somebody die?" When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? When he says, "Ours is a transitional era," "that's very original of you," she replies, dry as the martini he is sipping. They fight all the time It's fun What do I owe you? Let's start with an apology Ok, I'm sorry, you dickhead. A sign is held up saying "Laughter." It's a silent picture. "I've been fucked without a kiss," she says, "and you can quote me on that," which sounds great in an English accent. One year they broke up seven times and threatened to do it another nine times. When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.
David Lehman (When a Woman Loves a Man: Poems)
you can’t complain around a pregnant woman. I know that because I’ve lived with one for eight years. Every one of the man’s problems is insignificant on a relative basis.     HUSBAND: I’m tired.     PREGNANT WOMAN: Oh, really? I’m growing a human being.     HUSBAND: I have so much work to do.     PREGNANT WOMAN: Oh, really? I have to push a baby with your head size out of my body.     HUSBAND: I’m going to stand in the corner for the next nine months.
Jim Gaffigan (Dad Is Fat)
I come not, Ambrosia for any of the purposes thou hast named," replied Marcela, "but to defend myself and to prove how unreasonable are all those who blame me for their sorrow and for Chrysostom's death; and therefore I ask all of you that are here to give me your attention, for will not take much time or many words to bring the truth home to persons of sense. Heaven has made me, so you say, beautiful, and so much so that in spite of yourselves my beauty leads you to love me; and for the love you show me you say, and even urge, that I am bound to love you. By that natural understanding which God has given me I know that everything beautiful attracts love, but I cannot see how, by reason of being loved, that which is loved for its beauty is bound to love that which loves it; besides, it may happen that the lover of that which is beautiful may be ugly, and ugliness being detestable, it is very absurd to say, "I love thee because thou art beautiful, thou must love me though I be ugly." But supposing the beauty equal on both sides, it does not follow that the inclinations must be therefore alike, for it is not every beauty that excites love, some but pleasing the eye without winning the affection; and if every sort of beauty excited love and won the heart, the will would wander vaguely to and fro unable to make choice of any; for as there is an infinity of beautiful objects there must be an infinity of inclinations, and true love, I have heard it said, is indivisible, and must be voluntary and not compelled. If this be so, as I believe it to be, why do you desire me to bend my will by force, for no other reason but that you say you love me? Nay—tell me—had Heaven made me ugly, as it has made me beautiful, could I with justice complain of you for not loving me? Moreover, you must remember that the beauty I possess was no choice of mine, for, be it what it may, Heaven of its bounty gave it me without my asking or choosing it; and as the viper, though it kills with it, does not deserve to be blamed for the poison it carries, as it is a gift of nature, neither do I deserve reproach for being beautiful; for beauty in a modest woman is like fire at a distance or a sharp sword; the one does not burn, the other does not cut, those who do not come too near. Honour and virtue are the ornaments of the mind, without which the body, though it be so, has no right to pass for beautiful; but if modesty is one of the virtues that specially lend a grace and charm to mind and body, why should she who is loved for her beauty part with it to gratify one who for his pleasure alone strives with all his might and energy to rob her of it?
Miguel de Cervantes Saavedra (Don Quixote)
A young lady is supposed to be classy, kind, generous, and respectful. She is told she should not display any anger and/or badmouth her peers. A young lady is told to think ‘inside the box’ and to limit her expectations because her husband will provide for her in the future. A young lady is taught to never fuss or complain and to always keep a smile on her face. When a young lady speaks her mind, she is told that she is not acting “ladylike”. When a young lady steps out of her comfort zone to challenge herself to fight for what she wants, she is told she is not acting “ladylike”. When a young lady plays a sport, and at times she may be aggressive, she is told that she is not acting “ladylike” When a young lady is bossy, she is told to humble herself, because that is not acting “ladylike”. Maybe she isn’t bossy, maybe she is confident within herself, has high self-esteem and knows she can dare to be different.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Not only is it true that many of the alleged cases of rape against the Negro, are like the foregoing, but the same crime committed by white men against Negro women and girls, is never punished by mob or the law. A leading journal in South Carolina openly said some months ago that “it is not the same thing for a white man to assault a colored woman as for a colored man to assault a white woman, because the colored woman had no finer feelings nor virtue to be outraged!” Yet colored women have always had far more reason to complain of white men in this respect than ever white women have had of Negroes.
Ida B. Wells-Barnett (The Red Record)
That woman is a volcano on the point of eruption, with a libido of igneous magma yet the heart of an angel,' he said licking his lips. 'If I had to establish a true parallel, she reminds me of my succulent mulatto girl in Havana, who was very devout and always worshiped her saints. But since, deep down, I'm an old-fashioned gent who doesn't like to take advantage of women, I contend myself with a chaste kiss on the cheek. I'm not in a hurry, you see? All good things must wait. There are yokels out there who think that if they touch a woman's behind and she doesn't complain, they've hooked her. Amateurs. The female heart is a labyrinth of subtleties, too challenging for the uncouth mind of the male racketeer. If you really want to possess a woman, you must think like her, and the first thing to do is win over her soul. The rest, that sweet, soft wrapping that steals away your senses and your virtue, is a bonus
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Intellectualization is very commonly encountered as well, since it is a defense mechanism of great power. It can have disastrous results, however, when the mind ignores the vital messages of the body (see my reflections on Nietzsche’s illness in The Untouched Key [1990] and Breaking Down the Wall of Silence [1991]). All these defense mechanisms are accompanied by repression of the original situation and the emotions belonging to it. Accommodation to parental needs often (but not always) leads to the “as-if personality.” This person develops in such a way that he reveals only what is expected of him and fuses so completely with what he reveals that one could scarcely guess how much more there is to him behind this false self. He cannot develop and differentiate his true self, because he is unable to live it. Understandably, this person will complain of a sense of emptiness, futility, or homelessness, for the emptiness is real. A process of emptying, impoverishment, and crippling of his potential actually took place. The integrity of the child was injured when all that was alive and spontaneous in him was cut off. In childhood, these patients have often had dreams in which they experienced themselves as at least partly dead. A young woman, Lisa, reported a recurrent dream:
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
She would tell me stories about the family or about the neighbors, but I'd never listen. I'd complain: Stop talking so much! I couldn't see that she spoke to ease the boredom, the precise duplication of hours and days that life with my father imposed upon her, and that for her, as it would be for me many years later, the telling of her life's story was the best remedy she could think of to help her bear the weight of her existence.
Édouard Louis (A Woman’s Battles and Transformations)
What do you have to forget or overlook in order to desire that this dysfunctional clan once more occupies the White House and is again in a position to rent the Lincoln Bedroom to campaign donors and to employ the Oval Office as a massage parlor? You have to be able to forget, first, what happened to those who complained, or who told the truth, last time. It's often said, by people trying to show how grown-up and unshocked they are, that all Clinton did to get himself impeached was lie about sex. That's not really true. What he actually lied about, in the perjury that also got him disbarred, was the women. And what this involved was a steady campaign of defamation, backed up by private dicks (you should excuse the expression) and salaried government employees, against women who I believe were telling the truth. In my opinion, Gennifer Flowers was telling the truth; so was Monica Lewinsky, and so was Kathleen Willey, and so, lest we forget, was Juanita Broaddrick, the woman who says she was raped by Bill Clinton. (For the full background on this, see the chapter 'Is There a Rapist in the Oval Office?' in the paperback version of my book No One Left To Lie To. This essay, I may modestly say, has never been challenged by anybody in the fabled Clinton 'rapid response' team.) Yet one constantly reads that both Clintons, including the female who helped intensify the slanders against her mistreated sisters, are excellent on women's 'issues.
Christopher Hitchens
Then she jerked back with a siren's smile that made his confidence falter. "Well." She tapped her chin. "That was a decent kiss, all things being equal." She pressed her hand to her chest. "My heart is, if not quite racing, then heading into a quick walk. But I need a thermometer to determine if and how high my body heated. I shall just go--" "Don't you dare." He caught her by the arm as she was on the verge of fleeing. "You know bloody well that you responded to that kiss." With a suspicious glee in her eyes, she tugged her arm from his grip. "I'm not saying I didn't respond-- just that I didn't respond to any overwhelming degree. But it was a good kiss, I suppose. Better than some, not as good as others." "What the hell do you mean? How many chaps have you kissed in the last nine years, anyway?" "No more than you've kissed women, I should imagine." "My God." "But don't worry-- I don't think the average woman would complain about your kissing. You're perfectly competent." Competent? Bloody insolent chit. Even knowing she was trying to provoke him didn't ease his wounded pride. "Perhaps we should try again." -Giles and Minerva
Sabrina Jeffries (How to Woo a Reluctant Lady (Hellions of Halstead Hall, #3))
Why did my mother, a grown woman, get to talk like all her hopes and dreams had been shat on, kicked, and set on fire, all the while pushing me, a mere girl, a child, to do better, to accomplish more, to face down all the odds and become a legend? When was I supposed to complain the way they did? To be validated the way they validated each other?
Jenny Zhang (Sour Heart)
Complaining, whether silently or aloud, is a major man repellant. When you complain, you are arguing with what is: you’re saying life is not how you think it should be. This victimizes you and creates stress and anxiety in your body. And that stress has a negative impact on your appearance: premature aging, a worsening of acne or psoriasis, and, my personal favorite, an increase in cortisol, the stress hormone that causes an increase in abdominal fat. That being said, men are attracted to more than looks in a woman. They are attracted to the way you make them feel. Women who are complaint-free make men feel good because they themselves feel good.
Marie Forleo (Make Every Man Want You: How to Be So Irresistible You'll Barely Keep from Dating Yourself!)
A person who is low-spirited or inharmonious will contract a cold; a happy, fearless person will be immune to germs. For example, a woman goes out in cold weather in evening clothes - lightly clad - but is quite comfortable, for she feels she is looking well and is filled with anticipation for a happy evening. If the same woman is dressed in an unbecoming gown or in a bad humor, she will come back complaining of a cold and discomfort and have a cough the next day. A harmonious person is never vibrating at the same rate as a germ.
Florence Scovel Shinn (The Magic Path of Intuition)
Estates are sometimes held by foolish forms, the breaking of a stick or the payment of a peppercorn. I was willing to hold the whole huge estate of earth and heaven by any such feudal fantasy. It could not well be wilder than the fact that I was allowed to hold it at all. At this stage I give only one ethical instance to show my meaning. I could never mix in the common murmur of the rising generation against monogamy, because no restriction on sex seemed so odd and unexpected as sex itself. To be allowed, like Endymion, to make love to the moon and then to complain that Jupiter kept his own moons in a harem seemed to me (bred on fairy tales like Endymion's) a vulgar anticlimax.Keeping to one woman is a small price for so much as seeing one woman. To complain that I could only be married once was like complaining that I could only be born once. It was incommensurate with the terrible excitement of which one was talking. It showed, not an exaggerated sensibility to sex, but a curious insensibility to it. A man is a fool who complains that he cannot enter Eden by five gates at once. Polygamy is a lack of the realization of sex; it is like a man plucking five pears in mere absence of mind.
G.K. Chesterton
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Sahara Sanders
Craftsman Ilmarinen wept Every evening for his woman, Weeping sleepless through the nights And fasting through the days; In the early hours complaining, Every morning sighing for her, Lamenting for his lovely lost one, For his dear one in the grave. For a month he swung no hammer, Did not touch the copper handle, and the clinking forge was silent. Said the craftsman Ilmarinen: "I poor fellow, do not know How to live or how survive; Sitting up or lying down Nights are long and time is tedious. I am troubled, low in spirit. 'Lonely are the nights now,lonely And the mornings dreary, dreary. In my sleeping I am troubled, But the waking is the saddest. It's not for evening that I'm lonely, Not for morning that I'm dreary, Not for olden times lamenting, But I'm lonely for my loved one, Dreary for the missing of her, Lamenting for my dark-browed lovely. 'Often in these days it happens, Happens in my midnight dreaming that I stretch my hand out touching, touching something that is nothing...
Elias Lönnrot (The Kalevala)
Women don't always want the right things in a man. And men don't have even an idea of what they want," she said. "Why, one minute their bodies tell them they want a wild woman that makes their blood rush. The next minute their good sense reminds them that they need a hard worker who is sturdy enough to help plow the field and birth the babies. They want a woman who'll mind their word and not be giving no jawing. But they also want a gal they can complain to when they are scared and unsure and who's smart enough to talk clear about the things goin' on." "So the wife has to be all those things?" "No, the wife is none of them," the old woman answered. "The wife is a wife and no further definition is necessary." Granny leaned forward in her chair to look more closely at Meggie. "Roe Farley married you and you were his wife. Nothing further even need to be said." Her face flushing with embarrassment, she glanced away. "But he doesn't... he didn't love me." "And did you think he would?" Momentarily Meggie was taken aback. "Well, yes." "Lord Almighty, child," Granny said. "Love ain't something that heaven hands out like good teeth or keen eyesight. Love is something two people make together." Shaking her head, the old woman leaned back in her chair once more and tapped on her pipe. "Love, oh, my, it starts out simple and scary with all that heavy breathing and in the bed sharing," she said. "You a-trembling when he runs his hands acrost your skin, him screaming out your name when he gets in the short rows. That's the easy part, Meggie. Every day thereafter it gets harder. The more you know him, the more he knows you, the longer you are a part of each other, the stronger the love is and the tougher it is to have it.
Pamela Morsi (Marrying Stone (Tales from Marrying Stone, #1))
A man commonly feels attacked and blamed by a woman’s feelings, especially when she is upset and talks about problems. Because he doesn’t understand how we are different, he doesn’t readily relate to her need to talk about all of her feelings. He mistakenly assumes she is telling him about her feelings because she thinks he is somehow responsible or to be blamed. Because she is upset and she is talking to him, he assumes she is upset with him. When she complains he hears blame. Many men don’t understand the (Venusian) need to share upset feelings with the people they love.
John Gray (Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex)
Yes, I may be considered an enemy of woman; but if I can help her see the light, I shall not complain. The misfortune of woman is not that she is unable to do the work of man, but that she is wasting her life force to outdo him, with a tradition of centuries which has left her physically incapable of keeping pace with him. Oh, I know some have succeeded, but at what cost, at what terrific cost! The import is not the kind of work woman does, but rather the quality of the work she furnishes. She can give suffrage or the ballot no new quality, nor can she receive anything from it that will enhance her own quality. Her development, her freedom, her independence, must come from and through herself. First, by asserting herself as a personality, and not as a sex commodity. Second, by refusing the right to anyone over her body; by refusing to bear children, unless she wants them; by refusing to be a servant to God, the State, society, the husband, the family, etc.; by making her life simpler, but deeper and richer. That is, by trying to learn the meaning and substance of life in all its complexities, by freeing herself from the fear of public opinion and public condemnation. Only that, and not the ballot, will set woman free, will make her a force hitherto unknown in the world, a force for real love, for peace, for harmony; a force of divine fire, of life giving; a creator of free men and women.
Emma Goldman (Anarchism and Other Essays)
For every group, malevolence is always somewhere else. Maybe we understand at this point in history that it can occur at night in darkened rooms where small children sleep. However, surely not in academia. Surely lying and deception do not occur among people who go to conferences, who write books, who testify in court, and who have PhDs. At one point I complained to a Florida judge that I was astonished to an expert witness lying on the stand [about child sexual abuse research]. I thought one had to tell the truth in court. I thought if someone didn't, she didn't get her milk and cookies. I thought God came down and plucked someone right out of the witness stand if he lied in court. I thought a lying expert witness would step out of court and get hit by a bus. A wiser woman than I, the judge's answer was, “Silly you." Confessions of a Whistle-Blower: Lessons Learned Author: Anna C. Salter. Ethics & Behavior, Volume 8, Issue 2 June 1998
Anna C. Salter
If I can work enough, then one day I could rest.” Or, “One day my woman will understand something and then she will stop complaining.” Or, “I’m only doing this now so that one day I can do what I really want with my life.” The masculine error is to think that eventually things will be different in some fundamental way. They won’t. It never ends. As long as life continues, the creative challenge is to tussle, play, and make love with the present moment while giving your unique gift.
David Deida (The Way of the Superior Man: A Spiritual Guide to Mastering the Challenges of Women, Work, and Sexual Desire)
At the first ever Girl Scout training event Hesselbein attended, she heard another new troop leader complain that she was getting nothing from the session. Hesselbein mentioned it to a dress-factory worker who was also volunteering, and the woman told her, “You have to carry a big basket to bring something home.” She repeats that phrase today, to mean that a mind kept wide open will take something from every new experience. It is a natural philosophy for someone who was sixty when she attempted to turn down an interview for the job that became her calling. She had no long-term plan, only a plan to do what was interesting or needed at the moment. “I never envisioned” is her most popular preamble. Hesselbein’s professional career, which started in her midfifties, was extraordinary. The meandering path, however, was not.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
They all wore short hair, some few inches at most; some curly, some not; all light and clean and fresh-looking. “If only their hair was long,” Jeff would complain, “they would look so much more feminine.” I rather liked it myself, after I got used to it. Why should we admire a “woman’s crown of hair” and not admire a Chinaman’s queue is hard to explain, except that we are so convinced that long hair “belongs” to a woman. Whereas the “mane” in horses is on both, and on lions, buffaloes, and such creatures only on the male.
Charlotte Perkins Gilman (Herland and Selected Stories)
[Women] complain about many clerks who attribute all sorts of faults to them and who compose works about them in rhyme, prose, and verse, criticizing their conduct in a variety of different ways. They then give these works as elementary textbooks to their young pupils at the beginning of their schooling, to provide them with exempla and received wisdom, so that they will remember this teaching when they come of age ... They accuse [women] of many ... serious vice[s] and are very critical of them, finding no excuse for them whatsoever. This is the way clerks behave day and night, composing their verse now in French, now in Latin. And they base their opinions on goodness only knows which books, which are more mendacious than a drunk. Ovid, in a book he wrote called Cures for Love, says many evil things about women, and I think he was wrong to do this. He accuses them of gross immorality, of filthy, vile, and wicked behaviour. (I disagree with him that they have such vices and promise to champion them in the fight against anyone who would like to throw down the gauntlet ...) Thus, clerks have studied this book since their early childhood as their grammar primer and then teach it to others so that no man will undertake to love a woman.
Christine de Pizan (Der Sendbrief vom Liebesgott / The Letter of the God of Love (L'Epistre au Dieu d'Amours))
The fun-seekers, I noted, were spontaneous and flexible. They approached each day and each situation with a willingness to ride whatever wave came along, just for the experience of it. The complainers, on the other hand, would only catch a wave if it was exactly to their liking. Anything else drew loud protestations about how it was not what they expected.
Alice Steinbach (Without Reservations: The Travels of an Independent Woman)
As a woman, you walk into all kinds of unknown situations that cause you to fall in love, put someone else’s needs before your own, and make unbelievable sacrifices. As time goes by, falling in love has its consequences. You fall in love with your mate, children, family, and job. However, you do not receive a fraction of what you have given in return. Sadly, nobody sees you are beyond exhausted. They want you to go, go and go without complaining. If they carefully pay attention and think about it; when was the last time they saw you smile, truly smile? When was the last time they saw you happy, truly happy? When was the last time they offered to help you, as opposed to asking could you do this or that? When was the last time they gave you a moment to breathe? As you work so hard and give so much of yourself, you think things will finally line up. However, that is not the case. Once you set someone up to help them prosper, things in your life start to crumble, and slowly but surely you begin to feel violated. Your hard work is soon forgotten as they drop you where you stand. Life isn’t fair and it is hard. It’s even harder when you love so hard and lose so much. You are not perfect. You have your flaws, and most definitely you have your moments. However, you have a good heart and you try to treat others how you want to be treated. Time and time again you give people all of your heart by trying to be loving and understanding. You’ve learned that when it comes to some people, nothing would ever be good enough. You have to be willing to accept that you loved them to the best of your ability, and only lost someone who caused you to lose more of yourself. Those people aren’t worth saving because the question is, who will save you? However, the love you gave wasn’t in vain; it helped you to become a better person. The loss opened your eyes to see that you deserve so much better. It is alright to cry. You are finding your strength and you are beginning to find the voice within. You are special. You are unique. You are loved. There’s no need to be afraid. Life is a journey! You will make it. It’s okay to let go of the loss and count it all pure joy!
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
In the courtyard there was an angel of black stone, and its angel head rose above giant elephant leaves; the stark glass angel eyes, bright as the bleached blue of sailor eyes, stared upward. One observed the angel from an intricate green balcony — mine, this balcony, for I lived beyond in three old white rooms, rooms with elaborate wedding-cake ceilings, wide sliding doors, tall French windows. On warm evenings, with these windows open, conversation was pleasant there, tuneful, for wind rustled the interior like fan-breeze made by ancient ladies. And on such warm evenings this town is quiet. Only voices: family talk weaving on an ivy-curtained porch; a barefoot woman humming as she rocks a sidewalk chair, lulling to sleep a baby she nurses quite publicly; the complaining foreign tongue of an irritated lady who, sitting on her balcony, plucks a fryer, the loosened feathers floating from her hands, slipping into air, sliding lazily downward.
Truman Capote
In one memo a person would argue that she needed to project strength but couldn't be shrill, couldn't ever shout but needed to show passion, couldn't ever look weak but should show more vulnerability. The main advice in each memo was for her to be 'authentic.' I complained to Hillary one day about how frustrating all of it was. She came up with the best response to this kind of advice. 'Tell them,' she said, 'that you really appreciate the advice but what would really help Hillary is if they could tell you the name of a woman on the world stage who does it exactly right.
Jennifer Palmieri (Dear Madam President: An Open Letter to the Women Who Will Run the World)
I was interrupted in the heyday of this soliloquy, with a voice which I took to be of a child, which complained “it could not get out.”—I look’d up and down the passage, and seeing neither man, woman, or child, I went out without further attention. In my return back through the passage, I heard the same words repeated twice over; and looking up, I saw it was a starling hung in a little cage.—“I can’t get out—I can’t get out,” said the starling. I stood looking at the bird: and to every person who came through the passage it ran fluttering to the side towards which they approach’d it, with the same lamentation of its captivity.—“I can’t get out,” said the starling.—God help thee! said I, but I’ll let thee out, cost what it will; so I turn’d about the cage to get to the door; it was twisted and double twisted so fast with wire, there was no getting it open without pulling the cage to pieces.—I took both hands to it. The bird flew to the place where I was attempting his deliverance, and thrusting his head through the trellis, press’d his breast against it, as if impatient.—I fear, poor creature! said I, I cannot set thee at liberty.—“No,” said the starling—“I can’t get out—I can’t get out,” said the starling.
Laurence Sterne
So here is what I see when we reclaim the church ladies: a woman loved and free is beautiful. She is laughing with her sisters, and together they are telling their stories, revealing their scars and their wounds, the places where they don't have it figured out. They are nurturers, creating a haven where the young, the broken, the tenderhearted, and the at-risk can flourish. These women are dancing and worshiping, hands high, faces tipped toward heaven, tears streaming. They are celebrating all shapes and sizes, talking frankly and respectfully about sexuality and body image, promising to stop calling themselves fat. They are saving babies tossed in rubbish heaps, rescuing child soldiers, supporting mamas trying to make ends meet halfway around the world, thinking of justice when they buy their daily coffee. They are fighting sex trafficking. They are pastoring and counseling. They are choosing life consistently, building hope, doing the hard work of transformation in themselves. They are shaking off the silence of shame and throwing open the prison doors of physical and sexual abuse, addictions, eating disorders, and suicidal depression. Poverty and despair are being unlocked - these women know there are many hands helping turn that key. There isn't much complaining about husbands and chores, cattiness, or jealousy when a woman knows she is loved for her true self. She is lit up with something bigger than what the world offers, refusing to be intimidated into silence or despair.
Sarah Bessey (Jesus Feminist: An Invitation to Revisit the Bible's View of Women)
Being a woman is a pain in the ass. You have to look “good.” Your hair needs to be neat—not just combed through, but “done.” Blow-dried, ironed, curled, sprayed. Your face needs to be enhanced. Foundation, powder, eye shadow, mascara, lipstick, blush, contour. Your clothes have to look sharp, too. And you can never wear the same thing twice—at least not in the same week. A guy can throw on the same suit every single day for a year and no one would notice. I’m not exaggerating. An Australian broadcaster tested it out. His coanchor, a woman, kept getting letters, e-mails, and tweets from viewers criticizing what she was wearing. He was appalled. He never got notes. So he wore the same blue suit day in and day out. Three hundred sixty-five days. Surely someone would complain. No one did. “No one has noticed,” he said at the time. “No one gives a shit.
Katy Tur (Unbelievable: My Front-Row Seat to the Craziest Campaign in American History)
There are a great many times we are passive in the face of destiny, forgetting that we really are able to be the captains of our destiny. We are taught a kind of passivity; the culture has taught us that a certain passivity is a feminine quality. So the day that I was told by Otto Rank that I was responsible for the failures, the defeats that had happened to me, and that it was in my power to conquer them, that day was a very exhilarating day. Because if you’re told that you’re responsible that means that you an do something about it. Whereas the people who say society is responsible, or some of the feminist women who say man is responsible, can only complain. You see if you put the blame on another, there is nothing you can do. I preferred to take the blame, because that also means that one can act, and it’s such a relief from passivity, from being the victim.
Anaïs Nin (A Woman Speaks: The Lectures, Seminars and Interviews of Anaïs Nin)
She was one of those semi-invalids ¬— I believe she had really something wrong with her, but whatever it was she played it for all it was worth. She was capricious, exacting, unreasonable. She complained from morning to night. George was expected to wait on her hand and foot, and every thing he did was always wrong and he got cursed for it. Most men, I'm fully convinced, would have hit her over the head with a hatchet long ago. Eh, Dolly, isn't that so? ‘She was a dreadful woman,’ said Mrs Bantry with conviction. ‘If George Pritchard had brained her with a hatchet, and there had been any woman on the jury, he would have been triumphantly acquitted.
Agatha Christie (The Blue Geranium: A Miss Marple Short Story (Miss Marple))
The problem with feminists is that they're so motivated by competing against men that they end up becoming more masculine than men themselves, which makes them start complaining that men aren't masculine enough. Well, when you become more masculine than men, only a gorilla can satisfy you, and that's why such women end up with bad boys. When they marry them, they then complain that their husband is an idiot. This whole time, they can't see that they've destroyed everything along the way by simply refusing to just, and simply, be a woman. Because, you see, there's nothing wrong with that. There's nothing wrong with being a woman. But there are many things terribly wrong with being a feminist.
Daniel Marques
In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!
Jean Lorrain (Monsieur De Phocas)
Then what’s wrong?” He couldn’t be that obtuse. “You’re kidding, right?” “Ah, yeah, gotcha. Modesty issue, huh?” He drove in a deceptively relaxed way. “Look, yours isn’t the first tail I’ve ever seen, okay?” Fury stole Priss’s breath. She reacted without thinking, slugging his hard in the shoulder. “Ow!” He grabbed her wrist and tossed her hand back at her. “I was trying to comfort you, woman.” “Comfort!” He couldn’t be serious. No man could be that dense. “You’re a . . . a Neanderthal!” “Am not.” Flattened by his careless attitude, Priss stared at him in disbelief. He was a gorgeous guy, but still a jerk. Shaggy blond hair, darker and more unkempt than Trace’s, piercing green eyes, a strong jaw and . . . she peeked at his naked chest . . . Built. Her chin lifted. “Where in the world did they even find you?” It had to be under a rock. Or deep in a cave. He glared at her. “They who?” “Trace and Dare.” Giving her a cautious frown, Jackson rubbed at one bloodshot, swollen eye. “That’s top secret.” That’s top secret, she mouthed, making fun of him, lashing out in her embarrassment. He went rigid with affront. “Goddamn it, woman, you blinded me, nutted me, and damn near clubbed me to death. Now you have to ridicule me, too?” He dared to complain to her? “You snuck into my bathroom. You saw me naked!” “Yeah.” His mouth twitched. He nodded just a little. “Yeah, I did.” As he turned on his headlights and pulled onto the street, he said in an aside, “Sorry ’bout that.” He did not sound sorry, not in the least. “Didn’t mean to stare.” He’d been staring? She should kill him. She really shoulder. But . . . she might need him for protection. And Trace probably wouldn’t like it if she offed one of his operatives. “Naked woman and all.” Jackson gestured lamely. “It’s instinct, ya know? Guy’s gotta look.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
I feel like I haven’t been through enough to complain about, but still too much to let go of…if that makes sense? Honestly, I feel like every other black woman in the world, Mavi. Like somebody, somewhere is always saying, ‘Stay strong.’ Or, ‘people have been through worse.’ Like being a black woman is supposed to make me impenetrable and emotionless and if I complain or if I cry or if I ask for help, like God forbid if I ask for child support, or welfare, or I go on a rant, then I’m angry, and I’m lazy, and I’m a bum bitch, and I’m bitter. Like on one hand, I’m supposed to be so strong, but not too proud, and not have a voice because then I’m the angry black woman, so I should internalize my feelings, but also hold the world up on my shoulders. I mean, I just feel like black women have the most labels and many of them ain’t positive. And I just feel like… Like somebody along the way forgot that I was a woman, just a woman…And
Takerra Allen (An Affair in Munthill)
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.” “Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively. “We all did. Hop to it.” “What about Sam?” Tucker asked. “His woman is the one who got us into this.” “I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps. Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted. “He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.” “That hurt,” Sam said, turning back. “Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.” “Fat help you are,” Sam accused. “I could use a little confidence here.” Kyle snorted. “You don’t have a chance, buddy.” “Goin’ to meet your maker,” Gator added solemnly. Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.” “Have you ever actually used a sword before?” Kadan asked, all innocent. Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.” “You’re all a big help,” Sam said and stepped out into the hall. This was the biggest moment of his life. If they turned him down, he was lost.
Christine Feehan (Samurai Game (GhostWalkers, #10))
Jane Russell! My physical therapist had never heard of her. “Gentlemen Prefer Blondes,” I said. “Not in my experience,” she replied. Bina’s younger; perhaps that’s it. All this was earlier today; before I could argue with her, she laced one of my legs over the other, capsized me onto my right side. The pain left me breathless. “Your hamstrings need this,” she assured me. “You bitch,” I gasped. She pressed my knee to the floor. “You’re not paying me to go easy on you.” I winced. “Can I pay you to leave?” Bina visits once a week to help me hate life, as I like to say, and to provide updates on her sexual adventures, which are about as exciting as my own. Only in Bina’s case it’s because she’s picky. “Half the guys on these apps are using five-year-old photos,” she’ll complain, her waterfall of hair poured over one shoulder, “and the other half are married. And the other half are single for a reason.” That’s three halves, but you don’t debate math with someone who’s rotating your spine.
A.J. Finn (The Woman in the Window)
Women are like goats. It's like . . . Well, reasoning with a woman is like sitting down to a friendly game of dice. Only the woman refuses to acknowledge the basic bloody rules of the game. A man, he'll cheat you - but he'll do it honestly. He'll use loaded dice, so that you think you're losing by chance. And if you aren't clever enough to spot what he's doing, then maybe he deserves to take your coin. And that's that. A woman, though, she'll sit down to that same game and she'll smile, and act like she's going to play. Only when it's her turn to throw, she'll toss a pair of her own dice that are blank on all six sides. Not a single pip showing. She'll inspect the throw, then she'll look up at you and say, 'clearly I just won.' Now, you'll scratch your head and look at the dice. Then you'll look up at her, then down at the dice again 'But there aren't any pips on these dice' you'll say." 'Yes there are,' she'll say. 'And both dice rolled a one.' 'That's exactly the number you need to win,' you'll say. 'What a coincidence,' she'll reply, then begin to scoop up your coins. And you'll sit there, trying to wrap your head 'bout what just happened. And you'll realise something. A pair of ones isn't the winning throw! Not when you threw a six on your turn. That means she needed a pair of twos instead! Excitedly you'll explain what you've discovered. Only then do you know what she'll do?" "No idea, Mat." "Then she'll reach over and rub the blank faces of her dice. And then, with a perfectly straight face, she'll say, 'I'm sorry. There was a spot of dirt on the dice. Clearly you'll see they actually came up as twos!' And she'll believe it. She'll bloody believe it!" "Incredible." "Only that's not the end of it!" "I had presumed it wouldn't be Mat." "She scoops up all of your coins. And then every other wonam in the room will come over and congratulate her on throwing that pair of twos! The more you complain, the more those bloody women will join in the argument. You'll be outnumbered in a moment, and each of those women will explain to you how those dice clearly read twos, and how you really need to stop behaving like a child. Every single flaming one of them will see the twos! even the prudish woman who has hated your woman from birth - since your woman's granny stole the other woman's granny's honeycake recipe when they were both maids - that woman will side against you." "They're nefarious creatures indeed." "By the time they're done, you'll be left with no coin, several lists worth of errands to run and what clothing to wear and a splitting headache. You'll sit there and stare at the table and begin to wonder, just maybe, if those dice didn't read twos after all. If only to preserve what's left of your sanity. That's what it's like to reason with a woman, I tell you.
Robert Jordan
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
Gillian Flynn (Gone Girl)
I don't deny that impulse drew us together, but while physical gratification began and ended it for you, in making love, dumbo here——' she jerked a thumb at her chest '—was also demonstrating that she cared.' His tongue moistened his lips. 'You're very up-front, aren't you?' 'You mean none of your other rejects have ever looked you in the eye and complained?' Sian queried. She might have made things easy last night, but she refused to make anything easy for him now. 'I suppose you'd prefer it if I shrugged my shoulders, muttered something about it being nice while it lasted, and filed the experience away under lessons learned? Well, sorry, but for me, and for most women if they're honest, going to bed with someone is a darn sight more complicated than that!
Elizabeth Oldfield (An Accidental Affair)
That brings us to the third bond,” Elizabeth said, pointing at another set of molecules, “the hydrogen bond—the most fragile, delicate bond of all. I call this the ‘love at first sight’ bond because both parties are drawn to each other based solely on visual information: you like his smile, he likes your hair. But then you talk and discover he’s a closet Nazi and thinks women complain too much. Poof. Just like that the delicate bond is broken. That’s the hydrogen bond for you, ladies—a chemical reminder that if things seem too good to be true, they probably are.” She walked back behind the counter and, exchanging the marker for a knife, took a Paul Bunyan swing at a large yellow onion, cleaving it in two. “It’s chicken pot pie night,” she announced. “Let’s get started.” “See?” a woman in Santa Monica demanded as she turned to her sullen seventeen-year-old daughter, the girl’s eyeliner so thick, it looked as if planes could land there. “What did I tell you? Your bond with that boy is hydrogen only. When are you going to wake up and smell the ions?” “Not this again.” “You could go to college. You could be something!” “He loves me!” “He’s holding you back!” “More after this,” Elizabeth said as the cameraman indicated a commercial break.
Bonnie Garmus (Lessons in Chemistry)
soon as they reached the first archway, the polecat Gale found them. She scurried up Hazel’s side and curled around her neck, chittering crossly as if to say: Where have you been? You’re late. “Not the farting weasel again,” Leo complained. “If that thing lets loose in close quarters like this, with my fire and all, we’re gonna explode.” Gale barked a polecat insult at Leo. Hazel hushed them both. She could sense the tunnel ahead, sloping gently down for about three hundred feet, then opening into a large chamber. In that chamber was a presence…cold, heavy, and powerful. Hazel hadn’t felt anything like it since the cave in Alaska where Gaea had forced her to resurrect Porphyrion the giant king. Hazel had thwarted Gaea’s plans that time, but she’d had to pull down the cavern, sacrificing her life and her mother’s. She wasn’t anxious to have a similar experience. “Leo, be ready,” she whispered. “We’re getting close.” “Close to what?” A woman’s voice echoed down the corridor: “Close to me.” A wave of nausea hit Hazel so hard her knees buckled. The whole world shifted. Her sense of direction, usually flawless underground, became completely unmoored. She and Leo didn’t seem to move, but suddenly they were three hundred feet down the corridor, at the entrance of the chamber. “Welcome,” said the woman’s voice. “I’ve looked forward to this.” Hazel’s
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
My Fellow Non-American Blacks: In America, You Are Black, Baby Dear Non-American Black, when you make the choice to come to America, you become black. Stop arguing. Stop saying I’m Jamaican or I’m Ghanaian. America doesn’t care. So what if you weren’t “black” in your country? You’re in America now. We all have our moments of initiation into the Society of Former Negroes. Mine was in a class in undergrad when I was asked to give the black perspective, only I had no idea what that was. So I just made something up. And admit it—you say “I’m not black” only because you know black is at the bottom of America’s race ladder. And you want none of that. Don’t deny now. What if being black had all the privileges of being white? Would you still say “Don’t call me black, I’m from Trinidad”? I didn’t think so. So you’re black, baby. And here’s the deal with becoming black: You must show that you are offended when such words as “watermelon” or “tar baby” are used in jokes, even if you don’t know what the hell is being talked about—and since you are a Non-American Black, the chances are that you won’t know. (In undergrad a white classmate asks if I like watermelon, I say yes, and another classmate says, Oh my God that is so racist, and I’m confused. “Wait, how?”) You must nod back when a black person nods at you in a heavily white area. It is called the black nod. It is a way for black people to say “You are not alone, I am here too.” In describing black women you admire, always use the word “STRONG” because that is what black women are supposed to be in America. If you are a woman, please do not speak your mind as you are used to doing in your country. Because in America, strong-minded black women are SCARY. And if you are a man, be hyper-mellow, never get too excited, or somebody will worry that you’re about to pull a gun. When you watch television and hear that a “racist slur” was used, you must immediately become offended. Even though you are thinking “But why won’t they tell me exactly what was said?” Even though you would like to be able to decide for yourself how offended to be, or whether to be offended at all, you must nevertheless be very offended. When a crime is reported, pray that it was not committed by a black person, and if it turns out to have been committed by a black person, stay well away from the crime area for weeks, or you might be stopped for fitting the profile. If a black cashier gives poor service to the non-black person in front of you, compliment that person’s shoes or something, to make up for the bad service, because you’re just as guilty for the cashier’s crimes. If you are in an Ivy League college and a Young Republican tells you that you got in only because of Affirmative Action, do not whip out your perfect grades from high school. Instead, gently point out that the biggest beneficiaries of Affirmative Action are white women. If you go to eat in a restaurant, please tip generously. Otherwise the next black person who comes in will get awful service, because waiters groan when they get a black table. You see, black people have a gene that makes them not tip, so please overpower that gene. If you’re telling a non-black person about something racist that happened to you, make sure you are not bitter. Don’t complain. Be forgiving. If possible, make it funny. Most of all, do not be angry. Black people are not supposed to be angry about racism. Otherwise you get no sympathy. This applies only for white liberals, by the way. Don’t even bother telling a white conservative about anything racist that happened to you. Because the conservative will tell you that YOU are the real racist and your mouth will hang open in confusion.
Chimamanda Ngozi Adichie (Americanah)
and confused if someone does not appreciate their niceness. Others often sense this and avoid giving them feedback not only, effectively blocking the nice person’s emotional growth, but preventing risks from being taken. You never know with a nice person if the relationship would survive a conflict or angry confrontation. This greatly limits the depths of intimacy. And would you really trust a nice person to back you up if confrontation were needed? 3. With nice people you never know where you really stand. The nice person allows others to accidentally oppress him. The “nice” person might be resenting you just for talking to him, because really he is needing to pee. But instead of saying so he stands there nodding and smiling, with legs tightly crossed, pretending to listen. 4. Often people in relationship with nice people turn their irritation toward themselves, because they are puzzled as to how they could be so upset with someone so nice. In intimate relationships this leads to guilt, self-hate and depression. 5. Nice people frequently keep all their anger inside until they find a safe place to dump it. This might be by screaming at a child, blowing up a federal building, or hitting a helpless, dependent mate. (Timothy McVeigh, executed for the Oklahoma City bombing, was described by acquaintances as a very, very nice guy, one who would give you the shirt off his back.) Success in keeping the anger in will often manifest as psychosomatic illnesses, including arthritis, ulcers, back problems, and heart disease. Proper Peachy Parents In my work as a psychotherapist, I have found that those who had peachy keen “Nice Parents” or proper “Rigidly Religious Parents” (as opposed to spiritual parents), are often the most stuck in chronic, lowgrade depression. They have a difficult time accessing or expressing any negative feelings towards their parents. They sometimes say to me “After all my parents did for me, seldom saying a harsh word to me, I would feel terribly guilty complaining. Besides, it would break their hearts.” Psychologist Rollo May suggested that it is less crazy-making to a child to cope with overt withdrawal or harshness than to try to understand the facade of the always-nice parent. When everyone agrees that your parents are so nice and giving, and you still feel dissatisfied, then a child may conclude that there must be something wrong with his or her ability to receive love. -§ Emotionally starving children are easier to control, well fed children don’t need to be. -§ I remember a family of fundamentalists who came to my office to help little Matthew with his anger problem. The parents wanted me to teach little Matthew how to “express his anger nicely.” Now if that is not a formula making someone crazy I do not know what would be. Another woman told me that after her stinking drunk husband tore the house up after a Christmas party, breaking most of the dishes in the kitchen, she meekly told him, “Dear, I think you need a breath mint.” Many families I work with go through great anxiety around the holidays because they are going to be forced to be with each other and are scared of resuming their covert war. They are scared that they might not keep the nice garbage can lid on, and all the rotting resentments and hopeless hurts will be exposed. In the words to the following song, artist David Wilcox explains to his parents why he will not be coming home this Thanksgiving: Covert War by David Wilcox
Kelly Bryson (Don't Be Nice, Be Real)
Because you deserve a duke, damn it!” A troubled expression furrowed his brow. “You deserve a man who can give you the moon. I can’t. I can give you a decent home in a decent part of town with decent people, but you…” His voice grew choked. “You’re the most amazing woman I’ve ever known. It destroys me to think of what you’ll have to give up to be with me.” “I told you before-I don’t care!” she said hotly. “Why can’t you believe me?” He hesitated a long moment. “The truth?” “Always.” “Because I can’t imagine why you’d want me when you have men of rank and riches at your fingertips.” She gave a rueful laugh. “You grossly exaggerate my charms, but I can’t complain. It’s one of many things I adore about you-that you see a better version of me than I ever could.” Remembering the wonderful words he’d said last night when she’d been so self-conscious, she left the bed to walk up to him. “Do you know what I see when I look at you?” His wary gaze locked with hers. “Proper Pinter. Proud Pinter.” “Yes, but that’s just who you show to the world to protect yourself.” She reached up to stroke his cheek, reveling in the ragged breath that escaped him. “When you let down your guard, however, I see Jackson-who ferrets out the truth, no matter how hard. Who risks his own life to protect the weak. Who’d sacrifice anything to prevent me from having to sacrifice everything.” Catching her hand, he halted its path. “You see a saint,” he said hoarsely. “I’m not a saint; I’m a man with needs and desires and a great many rough edges.” “I like your rough edges,” she said with a soft smile. “If I’d really wanted a man of rank and riches, I probably would have married long ago. I always told myself I couldn’t marry because no one wanted me, but the truth was, I didn’t want any of them.” She fingered a lock of hair. “Apparently I was waiting for you, rough edges and all.” His eyes turned hot with wanting. Drawing her hand to his lips, he kissed the palm so tenderly that her heart leapt into her throat. When he lifted his head, he said, “Then marry me, rough edges and all.” She swallowed. “That’s what you say now, when we’re alone and you’re caught up in-“ He covered her mouth with his, kissing her so fervently that she turned into a puddle of mush. Blast him-he always did that, too, when they were alone; it was when they were with others that he reconsidered their being together forever. And he still had said nothing of live. “That’s enough of that,” she warned, drawing back from him. “Until you make a proper proposal, before my family, you’re not sharing my bed.” “Sweeting-“ “Don’t you ‘sweeting’ me, Jackson Pinter.” She edged away from him. “I want Proper Pinter back now.” A mocking smile crossed his lips. “Sorry, love. I threw him out when I saw how he was mucking up my private life.” Love? No, she wouldn’t let that soften her. Not until she was sure he wouldn’t turn cold later. “You told Oliver you’d behave like a gentleman.” “To hell with your brother.” He stalked her with clear intent. Even as she darted behind a chair to avoid him, excitement tore through her. “Aren’t you still worried Gran will cut me off, and you’ll be saddled with a spoiled wife and not enough money to please her?” “To hell with your grandmother, too. For that matter, to hell with the money.” He tossed the chair aside as if it were so much kindling; it clattered across the floor. “It’s you I want.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.” Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.” Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady. “My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly. The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.” Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally. “Anything, my dear,” he said huskily. “I would like to-to rest before supper.” He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.” Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.” “Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.” “We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.” “The butler stared at my bosom,” Berta complained. “I saw him!” Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
Judith McNaught (Almost Heaven (Sequels, #3))
Nowadays, enormous importance is given to individual deaths, people make such a drama out of each person who dies, especially if they die a violent death or are murdered; although the subsequent grief or curse doesn't last very long: no one wears mourning any more and there's a reason for that, we're quick to weep but quicker still to forget. I'm talking about our countries, of course, it's not like that in other parts of the world, but what else can they do in a place where death is an everyday occurrence. Here, though, it's a big deal, at least at the moment it happens. So-and-so has died, how dreadful; such-and-such a number of people have been killed in a crash or blown to pieces, how terrible, how vile. The politicians have to rush around attending funerals and burials, taking care not to miss any-intense grief, or is it pride, requires them as ornaments, because they give no consolation nor can they, it's all to do with show, fuss, vanity and rank. The rank of the self-important, super-sensitive living. And yet, when you think about it, what right do we have, what is the point of complaining and making a tragedy out of something that happens to every living creature in order for it to become a dead creature? What is so terrible about something so supremely natural and ordinary? It happens in the best families, as you know, and has for centuries, and in the worst too, of course, at far more frequent intervals. What's more, it happens all the time and we know that perfectly well, even though we pretend to be surprised and frightened: count the dead who are mentioned on any TV news report, read the birth and death announcements in any newspaper, in a single city, Madrid, London, each list is a long one every day of the year; look at the obituaries, and although you'll find far fewer of them, because an infinitesimal minority are deemed to merit one, they're nevertheless there every morning. How many people die every weekend on the roads and how many have died in the innumerable battles that have been waged? The losses haven't always been published throughout history, in fact, almost never. People were more familiar with and more accepting of death, they accepted chance and luck, be it good or bad, they knew they were vulnerable to it at every moment; people came into the world and sometimes disappeared at once, that was normal, the infant mortality rate was extraordinarily high until eighty or even seventy years ago, as was death in childbirth, a woman might bid farewell to her child as soon as she saw its face, always assuming she had the will or the time to do so. Plagues were common and almost any illness could kill, illnesses we know nothing about now and whose names are unfamiliar; there were famines, endless wars, real wars that involved daily fighting, not sporadic engagements like now, and the generals didn't care about the losses, soldiers fell and that was that, they were only individuals to themselves, not even to their families, no family was spared the premature death of at least some of its members, that was the norm; those in power would look grim-faced, then carry out another levy, recruit more troops and send them to the front to continue dying in battle, and almost no one complained. People expected death, Jack, there wasn't so much panic about it, it was neither an insuperable calamity nor a terrible injustice; it was something that could happen and often did. We've become very soft, very thin-skinned, we think we should last forever. We ought to be accustomed to the temporary nature of things, but we're not. We insist on not being temporary, which is why it's so easy to frighten us, as you've seen, all one has to do is unsheathe a sword. And we're bound to be cowed when confronted by those who still see death, their own or other people's, as part and parcel of their job, as all in a day's work. When confronted by terrorists, for example, or by drug barons or multinational mafia men.
Javier Marías (Your Face Tomorrow: Fever and Spear / Dance and Dream / Poison, Shadow, and Farewell (Your face tomorrow, #1-3))