Compensation Funny Quotes

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I was in shock. Funny how the world works. You don’t get the something you really covet, but then the universe provides unexpected compensation. Here I thought you had to make a wish for it to come true.
Sarah Dessen (Saint Anything)
Tom Cruise isn't that big of a guy," my mom always says. I love how she tries to avoid using the word "short." Yeah," I tell her in return, "but he compensates by being Tom Cruise." Not that anyone really wants to BE Tom Cruise anymore now that he's a crazy couch jumper. But whatever.
Ann Edwards Cannon (The Loser's Guide to Life and Love)
He says, "It's just a hat." But it's not just a hat. It makes Jess think of racism and hatred and systemic inequality, and the Ku Klux Klan, and plantation-wedding Pinterest boards, and lynchings, and George Zimmerman, and the Central Park Five, and redlining, and gerrymandering and the Southern strategy, and decades of propaganda and Fox News and conservative radio, and rabid evangelicals, and rape and pillage and plunder and plutocracy and money in politics and the dumbing down of civil discourse and domestic terrorism and white nationalists and school shootings and the growing fear of a nonwhite, non-English-speaking majority and the slow death of the social safety net and conspiracy theory culture and the white working class and social atomism and reality television and fake news and the prison-industrial complex and celebrity culture and the girl in fourth grade who told Jess that since she--Jess--was "naturally unclean" she couldn't come over for birthday cake, and executive compensation, and mediocre white men, and the guy in college who sent around an article about how people who listen to Radiohead are smarter than people who listen to Missy Elliott and when Jess said "That's racist" he said "No,it's not," and of bigotry and small pox blankets and gross guys grabbing your butt on the subway, and slave auctions and Confederate monuments and Jim Crow and fire hoses and separate but equal and racist jokes that aren't funny and internet trolls and incels and golf courses that ban women and voter suppression and police brutality and crony capitalism and corporate corruption and innocent children, so many innocent children, and the Tea Party and Sarah Palin and birthers and flat-earthers and states' rights and disgusting porn and the prosperity gospel and the drunk football fans who made monkey sounds at Jess outside Memorial Stadium, even though it was her thirteenth birthday, and Josh--now it makes her think of Josh.
Cecilia Rabess (Everything's Fine)
It’s funny how death sometimes spawns renewed friendships. Maybe that’s God’s way of compensating the next of kin for their loss.
Eric Rill (An Absent Mind)
You know, it’s funny. If someone attacked you with a knife and scarred you, the courts would assess the physical damage—how long a scar, how many stitches it took to close the wound, whatever—and they’d come up with a figure that you’d be entitled to in compensation. But hurting someone with words that they’ll always remember? With an act they’ll never forget? That’s physical damage, too—it changes you just as permanently as a scar. But instead of tallying up what the compensation should be, we just say, ‘Get over it,’ or ‘You should develop a thicker skin,’ or—and this is ironic, given that it’s the one thing that’s impossible—‘you should just forget about it.
Robert J. Sawyer (Triggers)
It’s a funny thing. When you’re tired, general cognitive ability drops. There’s scientific evidence to back that up, no question. Because you’re slacking off, some other part of your brain—the base, the lizard, the id, whatever you want to call it—tries to compensate. Eighty-five percent brain-dead, fifteen-percent instinctive genius.
Alafair Burke (The Ex)
Hal—come sit!” Rachel is looking back. She motions toward a sliver of space between Jonah and Madison. “There’s room.” “No. There’s not.” Luke says it without even turning around. “How do you and Hallie know each other, anyway?” “We met in the bathroom. Earlier tonight. She seems cool.” Rachel smiles at Hallelujah. Hallelujah can’t bring herself to smile back. “Sure, if you like the strong, silent type. I don’t. No offense.” Luke laughs, and Brad laughs, and the girls from Knoxville take that as their cue to laugh too. Like it was actually funny. Rachel doesn’t laugh. She’s still smiling, but now it’s like she’s not sure whether she should be. “Come on, Hal,” she says. “We’ll make room.” But Luke’s shaking his head. “Sorry. Guess I’m not being clear. There might be room for someone. But there’s not room for Hallie. Hal. Whatever you wanna call her. Besides. She has to get back. Curfew.” Rachel looks from Luke to Hallelujah, confused. “We’re all breaking curfew.” “Yeah, but it’s Hallie’s fault we have early curfew in the first place. And it’s her fault we have so many chaperones to deal with.” Luke’s counting on his fingers, holding them in the air. “Plus, they’ll probably be checking up on her. So she can’t stay.” “How is all of that her fault?” Rachel asks. “What’d she do?” “Yeah, Luke. What’d she do?” It’s Jonah. Hallelujah is kind of shocked to hear his voice. It’s low, with a dark undercurrent that’s unfamiliar to her. Then again, it’s been months since they talked. And a lot has changed. “If I remember it right,” Jonah goes on, still staring into the fire, “she wasn’t the only one.” Luke looks over at him. “What’s that supposed to mean?” “Nothing,” Jonah says. “Just making an observation.” “An observation,” Luke repeats. “Yeah.” There’s a moment of silence. It’s uncomfortable. Hallelujah feels like the night sounds get louder to compensate. The wind rustling tree branches. The hum of cicadas. Birdcalls. They’re suffocating her. Then Luke shakes his head and laughs. “Whatever. Hallie still has to go.” He swings around to look at her directly. “What are you waiting for?” Hallelujah blinks, wishing that small movement could make her vanish. Everyone in the circle is staring. Waiting for her to leave. Their eyes cut into her. She takes two steps backward, tears clouding her vision. Don’t cry. Don’t cry. She turns and starts walking away. Walking, not running. She doesn’t want to give Luke that satisfaction.
Kathryn Holmes
Sala conducted his own research. He chose 20 executives from a food-and-beverage company, half of whom had been rated as average performers by their colleagues while the other half were characterized as outstanding performers. All the executives took part in a two-hour interview on the topic of leadership performance. Two observers categorized the content of the interviews and noted humorous references. Humor that included put-downs of others was coded as negative, while humor used to point out funny things or absurdities was coded as positive. According to Sala, “The executives who had been ranked as outstanding used humor more than twice as often as average executives, a mean of 17.8 times per hour compared with 7.5 times per hour … When I looked at the executives’ compensation for the year, I found that the size of their bonuses correlated positively with their use of humor during the interviews. In other words, the funnier the executives were, the bigger the bonuses.
Carmine Gallo (Talk Like TED: The 9 Public-Speaking Secrets of the World's Top Minds)
He laughed, but in the way people do who want to prove they get the joke. The Dutch do this a lot. They appear to live in terror of being mistaken for Germans, and to compensate by finding a funny side to life where none exists. Tell a Dutchman that your dog just died, and he will pretend that you have just made some impossibly witty remark.
Michael Lewis (The New New Thing: A Silicon Valley Story)
great leader . . . understands the mission better than anyone in the room and can communicate it. is the hardest working person in the room. is the most generous person in the room, not just with compensation, but also with praise and credit. allows dissent and even invites it. listens and learns.
Nell Scovell (Just the Funny Parts: My 30 Years on the Hollywood Jungle Gym)
Even the most basic CEO building blocks will feel unnatural at first. If your buddy tells you a funny story, it would feel quite weird to evaluate her performance. It would be totally unnatural to say, “Gee, I thought that story really sucked. It had potential, but you were underwhelming on the buildup and then you totally flubbed the punch line. I suggest that you go back, rework it, and present it to me again tomorrow.” Doing so would be quite bizarre, but evaluating people’s performances and constantly giving feedback is precisely what a CEO must do. If she doesn’t, the more complex motions such as writing reviews, taking away territory, handling politics, setting compensation, and firing people will be either impossible or handled rather poorly.
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)