Commander Dante Quotes

Reading the very best writers—let us say Homer, Dante, Shakespeare, Tolstoy—is not going to make us better citizens. Art is perfectly useless, according to the sublime Oscar Wilde, who was right about everything. He also told us that all bad poetry is sincere. Had I the power to do so, I would command that these words be engraved above every gate at every university, so that each student might ponder the splendor of the insight.

Small men command the letter of the law. Great men serve its spirit. For the spirit of the law is justice... and justice is the spirit of God.

Dante was standing near the Ponte Vecchio, a bridge that crosses the Arno River in Florence. It was just before 1300… Dante saw Beatrice standing on the bridge. He was a young man, she even younger, and that vision contained the whole of eternity for him. Dante did not speak to her and saw her very little. And then Beatrice died, carried off by plague. Dante was stricken with the loss of his vision. She was the connection between his soul and Heaven itself, and from it the Divine Comedy was born. Six hundred fifty years later, during World War II, the Americans were chasing the German army up the Italian peninsula. The Germans were blowing up everything of aid to the progression of the American army, including the bridges across the Arno River. But no one wanted to blow up the Ponte Vecchio, because Beatrice had stood on it and Dante had written about her. So the German commandant made radio contact with the Americans and, in plain language, said they would leave the Ponte Vecchio intact if the Americans would promise not to use it. The promise was held. The bridge was not blown up, and not one American soldier or piece of equipment went across it. We’re such hard bitten people that we need hard bitten proof of things, and this is the most hard bitten fact I know to present to you. The bridge was spared, in a modern, ruthless war, because Beatrice had stood upon it.

So far, then," said Danglars, mentally, "all has gone as I would have it. I am, temporarily, commander of the Pharaon, with the certainty of being permanently so, if that fool of a Caderousse can be persuaded to hold his tongue. My only fear is the chance of Dantes being released. But, there, he is in the hands of Justice; and," added he with a smile, "she will take her own." So saying, he leaped into a boat, desiring to be rowed on board the Pharaon, where M. Morrel had agreed to meet him.

She started shaping the face, using a wire loop to gently carve the slope of the strong forehead and brow, then the nose and the lean angle of the cheekbones. In little time, her fingers were moving on automatic pilot, her mind disengaged and gone into its own flow, her subconscious directly commanding her hands into action. She didn’t know how long she’d been working, but when the hard rap sounded on her apartment door some time later, Tess nearly jumped out of her skin. Sleeping next to her feet on the rug, Harvard woke up with a grunt. “You expecting someone?” she asked quietly as she got up from her stool. God, she must have been really zoned out while she was sculpting, because she’d seriously messed up around the mouth area of the piece. The lips were curled back in some kind of snarl, and the teeth . . . The knock sounded again, followed by a deep voice that went through her like a bolt of electricity. “Tess? Are you there?” Dante. Tess’s eyes flew wide, then squeezed into a wince as she did a quick mental inventory of her appearance. Hair flung up into a careless knot on top of her head, braless in her white thermal Henley and faded red sweats that had more than one dried clay smudge on them. Not exactly fit for company. “Dante?” she asked, stalling for time and just wanting to be sure her ears weren’t playing tricks on her. “Is that you?” “Yeah. Can I come in?” “Um, sure. Just a sec,” she called out, trying to sound casual as she threw a dry work cloth over her sculpture and quickly checked her face in the reflection off one of her putty spatulas. Oh, lovely. She had a slightly crazed, starving-artist look going on. Very glamorous. That’ll teach him to do the pop-in visit, she thought, as she padded over to the door and twisted the dead bolt.

We live liturgically, telling our sacred Story in worship and song. We fast and we feast. We marry and give our children in marriage, and though in exile, we work for the peace of the city. We welcome our newborns and bury our dead. We read the Bible and we tell our children about the saints. And we also tell them in the orchard and by the fireside about Odysseus, Achilles, and Aeneas, of Dante and Don Quixote, and Frodo and Gandalf and all the tales that bear what it means to be men and women of the West. We work, we pray, we confess our sins, we show mercy, we welcome the stranger, and we keep the commandments. When we suffer, especially for Christ's sake, we give thanks, because that is what Christians do. Who knows what God, in turn, will do with our faithfulness? It is not for us to say. Our command is, in the words of the Christian poet W.H. Auden, to "stagger onward rejoicing

From pg. 172 “You know how in Bible stories whenever an angel shows up, first thing he always says is, “Fear not!” “Yeah.” “Well, it took me most of my life, but I finally figured out that he’s not trying to comfort us when he says that. He’s giving us an order. It’s a command given more than 300 times in the Bible. The Lord’s telling us not to let ourselves be afraid. We can’t afford to be scared. It just gets in the way of us doing whatever it is that we’re supposed to be doing.” I was stunned. Such an interpretation had never occurred to me and it sure wasn’t what they taught in church. Fearlessness didn’t come from being comforted, being patted on the back by God, and having our fear reduced. It meant making a conscious decision not to indulge ourselves. We had to intentionally turn things around, like when Virgil convinced Dante that the best way out of hell was to climb up the hairy-legged devil himself. I said, “I don’t know if I’ve got that kind of courage.” “But that’s just it,” Fletcher said. “Everybody gets scared. It’s okay to feel scared. But you can’t let it run your life. If you’ll just mind the Lord on this one thing, you don’t hardly need any courage – or even faith. “Just mind Him in the one thing, ” Fletcher said.

as Dante wrote, “In his will is our peace.”11 The command “Be ye perfect...” does not enjoin us to strive for a flawless performance in the various tasks of life, but to do them as God wills us.