Commander Colt Quotes

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I used to doubt the Fool when he told me that all of time was a great circuit, and that we are ever doomed to repeat what has been done before. But the older I get, the more I see it is so. I thought then that he meant one great circle entrapped all of us. Instead, I think we are born into our circuits. Like a colt on the end of a training line, we trot in the circular path ordained for us. We go faster, we slow down, we halt on command and we begin again. And each time we think the circle is something new. Each circle spins off a circle of its own. Each one seems a new thing but in truth it is not. It is just our most recent attempts to correct old errors, to undo old wrongs done to us and to make up for things we have neglected. In each cycle, we may correct old errors, but I think we make as many new ones. Yet what is our alternative? To commit the same old errors again? Perhaps having the courage to find a better path is having the courage to risk making new mistakes.
Robin Hobb (Golden Fool (Tawny Man, #2))
But perhaps the best and most memorable way to explain the conflict that arose between honoring traditional honor, and honoring one’s individual psyche, can be conveyed in a story from World War II. In 1943, coming off his dazzling victories in the Sicily campaign, George S. Patton stopped by a medical tent to visit with the wounded. He enjoyed these visits, and so did the soldiers and staff. He would hand out Purple Hearts, pump the men full of encouragement, and offer rousing speeches to the nurses, interns, and their patients that were so touching in nature they sometimes brought tears to many of the eyes in the room. On this particular occasion, as Patton entered the tent all the men jumped to attention except for one, Private Charles H. Kuhl, who sat slouched on a stool. Kuhl, who showed no outward injuries, was asked by Patton how he was wounded, to which the private replied, “I guess I just can’t take it.” Patton did not believe “battle fatigue” or “shell-shock” was a real condition nor an excuse to be given medical treatment, and had recently been told by one of the commanders of Kuhl’s division that, “The front lines seem to be thinning out. There seems to be a very large number of ‘malingerers’ at the hospitals, feigning illness in order to avoid combat duty.” He became livid. Patton slapped Kuhl across the face with his gloves, grabbed him by his collar, and led him outside the tent. Kicking him in the backside, Patton demanded that this “gutless bastard” not be admitted and instead be sent back to the front to fight. A week later, Patton slapped another soldier at a hospital, who, in tears, told the general he was there because of “his nerves,” and that he simply couldn’t “stand the shelling anymore.” Enraged, Patton brandished his white-handled, single-action Colt revolver and bellowed: Your nerves, Hell, you are just a goddamned coward, you yellow son of a bitch. Shut up that goddamned crying. I won’t have these brave men here who have been shot seeing a yellow bastard sitting here crying…You’re a disgrace to the Army and you’re going back to the front lines and you may get shot and killed, but you’re going to fight. If you don’t I’ll stand you up against a wall and have a firing squad kill you on purpose. In fact I ought to shoot you myself, you God-damned whimpering coward.
Brett McKay (What Is Honor? And How to Revive It)
The colt closed its eyes. I was still kneeling next to it and something felt wrong. “I think it stopped breathing.” Maurus knelt beside me. The colt’s chest was definitely not moving. I bent and pressed my ear to its chest. The wet hide was slick and warm. “His heart is beating,” I said, “but weak and fast.” Maurice rubbed the colt’s chest briskly, but it did not start breathing. He strongly massaged the spine along its neck and smacked its flank, but it did not respond. He grimaced with sadness. “So close, little son. So close! Why won’t you breathe?” Owiti seemed on the verge of tears. “Let me try,” I said. I had once seen my cousin breathe into a lamb’s nostrils after a rough birth to prompt its respiration. The lamb had not resuscitated. But I needed to try whatever I could to help the newborn colt. I lifted the colt’s heavy head into my lap and opened my mouth wide, wrapping my lips around its soft nostrils. Holding its mouth closed with a hand pressed above and below its jaws, I breathed into it. Its lungs inflated, and I paused. The air spilled out. I filled its lungs and let them deflate again. I kept up a rhythm breathing into the nostrils, its lungs swelling and spilling like bellows, but it would not breathe on its own. Tears sprang to my eyes. The colt was so beautiful—new life still damp with the dew from the dawn of creation. A loud cry erupted from my heart and I slugged its chest with the heel of my palm, commanding it with all my love and hope, “Ata khayav likhiot—You must live!” The colt snorted and bucked in a spasm, kicked its long legs and jerked up its head, eyes wide open. He began inhaling and exhaling. I looked at Maurus, delighted. He regarded me with open wonder, then pulled me up off my knees into a crushing hug. He lifted me over his head like a straw doll and twirled around once, then set me down and repeated his ecstatic dance with Owiti. When he had set Owiti back on the dirt floor, Maurus beamed at me. “Did I just witness a miracle? Tell me the truth. Can you command the spirit of life?” “Of course not,” I said, laughing. “I’m Martis, not Mithras! No man tells the spirit what to do.” Yet in that moment in the lamp-lit stable, I knew what the Tanakh calls Ruach ha’Kodesh, the Whole Breath. The one breath the newborn colt and I shared, the very same breath the Giver of Life shared with man, blowing into Adam’s nostrils. The mutual breath of all existence.
Mark Canter (The Bastard)
hair with one hand and pulled his head back. Looking straight into his eyes, the tatted biker sank his fist into his opponent’s face with all his might, ending the altercation. A shaft of moonlight peeked out from the clouds to reveal the bloodied face of the man who’d kissed me just a few hours ago. Colt’s eyes blazed with intensity as he stared at me. “Go back inside,” he commanded. His voice was angry, rough. A shiver of fear danced down my spine. Fear, and something else. I turned to leave. “Wait,” he called. I glanced over my shoulder
Emma Slate (Wreck & Ruin (Tarnished Angels Motorcycle Club, #1))
He stalked to the bathroom and deposited me onto the closed toilet so I could use it as a seat. Colt then went to the tub and turned on the water. Without looking at me, he commanded, “Take off your pants.” “In your dreams, dude.
Emma Slate (Wreck & Ruin (Tarnished Angels Motorcycle Club, #1))
After nightfall, when most of the American planes had been taken aboard, a new formation of planes arrived over the task force. First, the drone of their engines could be heard above the cloud cover; then they slipped into view, at about the height of the Lexington’s masts. “These planes were in very good formation,” recalled Lieutenant Commander Stroop. They had their navigation lights on, indicating that they intended to land. But many observers on both carriers and several of the screening vessels noted that something was awry. Captain Sherman of the Lexington counted nine planes, more than could be accounted for among the American planes that were still aloft. They were flying down the Yorktown’s port side, a counterclockwise approach, the reverse of the American landing routine. They were flashing their blinker lights, but none of the Americans could decipher the signal. Electrician’s mate Peter Newberg, stationed on the Yorktown’s flight deck, noticed that the aircraft exhausts were a strange shape and color, and Stroop noted that the running lights were a peculiar shade of red and blue. The TBS (short-range radio circuit) came alive with chatter. One of the nearby destroyers asked, “Have any of our planes got rounded wingtips?” Another voice said, “Damned if those are our planes.” When the first of the strangers made his final turn, he was too low, and the Yorktown’s landing signal officer frantically signaled him to throttle up. “In the last few seconds,” Newberg recalled, “when the pilot was about to plow into the stern under the flight deck, he poured the coal to his engine and pulled up and off to port. The signal light flicked briefly on red circles painted on his wings.” One of the screening destroyers opened fire, and red tracers reached up toward the leading plane. A voice on the Lexington radioed to all ships in the task force, ordering them to hold fire, but the captain of the destroyer replied, “I know Japanese planes when I see them.” Antiaircraft gunners on ships throughout the task force opened fire, and suddenly the night sky lit up as if it was the Fourth of July. But there were friendly planes in the air as well; one of the Yorktown fighter pilots complained: “What are you shooting at me for? What have I done now?” On the Yorktown, SBD pilot Harold Buell scrambled out to the port-side catwalk to see what was happening. “In the frenzy of the moment, with gunners firing at both friend and foe, some of us got caught up in the excitement and drew our .45 Colt automatics to join in, blasting away at the red meatballs as they flew past the ship—an offensive gesture about as effective as throwing rocks.” The intruders and the Americans all doused their lights and zoomed back into the cloud cover; none was shot down. It was not the last time in the war that confused Japanese pilots would attempt to land on an American carrier.
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)