Comic Friendship Quotes

The problem with having friends was that you might lose them. Or they might get hurt.

German is a much more precise language than English. Americans throw the word love around for everything: I love my wife! I love all my friends! I love rock music! I love the rain! I love comic books! I love peanut butter! The word you use to describe your feelings for your wife should not be the same word you use to describe your feelings for peanut butter. In German, there are a dozen different words that describe varying degrees of liking something a lot. Germans almost never use the word love, unless they mean a deep romantic love. I have never told my parents I love them, because it would sound melodramatic, inappropriate, and almost incestuous. In German, you tell your mother that you hold her very dear, not that you are in love with her.

Same first name as a president and an obscure comic book character. Half-Jewish. Excellent grammar. Easily nauseated. Likes Reese's and Oreos (i.e. not an idiot). Divorced parents. Big brother to a fetus. Dad lives in Savannah. Dad's an English teacher. Mom's an epidemiologist. The problem is, I'm beginning to realize I hardly know anything about anyone. I mean I generally know who's a virgin. But I don't have a clue whether most people's parents are divorced, or what their parents do for a living. I mean, Nick's parents are doctors. But I don't know what Leah's mom does, and I don't even know what the deal is with her dad, because Leah never talks about him. I have no idea why Abby's dad and brother still live in DC. And these are my best friends. I've always thought of myself as nosy, but I guess I'm just nosy about stupid stuff. It's actually really terrible, now that I think about it.

He was lonely; I wanted to help, of course, but not from so intimate a distance; and lately our meetings had become memorable as a series of comically protracted farewells on station platforms and embarrassed, hasty protestations of friendship made through the windows of departing taxicabs.

HEY NERD BOY! I KNOW YOU THINK YOU'RE SOMEHOW BEING MADE FUN OF, BUT THAT GIRL IS GENUINELY REACHING OUT TO YOU! YOU KNOW ABOUT FRIENDS, RIGHT? INSTEAD OF CONDESCENDING TO HER IN A PREEMPTIVE SHIELDING OF YOUR BRUISED AND BATTERED EGO, MAYBE JUST TALK TO HER ABOUT THE BOOK YOU BOTH LIKE? DO THIS NOW BEFORE IT'S TOO LATE AND YOU'RE WRITING A COMIC TO DEAL WITH ALL THESE FEELINGS YEARS LATER!

Any relationship founded on lies is destined to fail. It’s a good thing we don’t have that problem.

They lie on their stomachs and page through comics, feeling the pleasure of being outside of school, glancing at each other now and then as if curious to learn whether their friendship will continue to exist in another place.

At the sound of her approach, Ben Hanscom popped up. He had a box of Junior Mints in one hand and an Archie comic book in the other. He got a good look at Bev and his mouth fell open. Under other circumstances it would have been almost funny. "Bev, what the hell--

This was the end of some of those friendships. They were left behind, artifacts of youth, boxed up with my comic books, my sketchbooks ans journals, and the rest of my teenage mementos. Only a select few of my high school comrades, like Mike, would remain lifelong pals.

If desire were really one to one, self to self, there would never be a problem of infidelity, but desire will always, without confusion, demand a particular class, Caring for a unique object is an illusion, but the feeling must be unique, and though that feeling may not be natural, it is duty. You must love your neighbour like yourself, uniquely. From the personal point of view, sexual desire, because of its impersonal and unchanging character, is a comic contradiction. The relation between every pair of lovers is unique, but in bet they can only do what all mammals do. All the relation in friendship a relationship of spirit, can be unique. In sexual relationship love the only uniqueness can be fidelity.

...if love...is a function of man's sadness, friendship is a function of his cowardice; and if neither can be realised because of the impenetrability (isolation) of all that is not 'cosa mentale,' at least the failure to possess may have the nobility of that which is tragic, whereas the attempt to communicate where no communication is possible is merely a simian vulgarity, or horribly comic, like the madness that holds a conversation with the furniture. - For an artist therefore, the only possible spiritual development is in the sense of depth. The artistic tendency is not expansive, but a contraction. And art is the apotheosis of solitude. There is no communication because there are no vehicles of communication.

Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf. He had escaped, in his life, from ropes, chains, boxes, bags and crates, from countries and regimes, from the arms of a woman who loved him, from crashed airplanes and an opiate addiction and from an entire frozen continent intent on causing his death. The escape from reality was, he felt—especially right after the war—a worthy challenge. He would remember for the rest of his life a peaceful half hour spent reading a copy of 'Betty and Veronica' that he had found in a service-station rest room: lying down with it under a fir tree, in a sun-slanting forest outside of Medford, Oregon, wholly absorbed into that primary-colored world of bad gags, heavy ink lines, Shakespearean farce, and the deep, almost Oriental mistery of the two big-toothed wasp-waisted goddess-girls, light and dark, entangled forever in the enmity of their friendship. The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.

A lot of authors become discouraged with negative reviews. The important thing to remember is that there will always be that one person or a couple of people that will hate something just because it does not suit their interests. Friends have almost figuratively talked my ears off over why I should "be into" Star Trek and The Lord of the Rings. They put up good arguments; however, I'm still not convinced. Why? The Lord of the Rings and Star Trek are not my interests. I've had friends that were not into comic book movies (one of my interests) and friends often get upset with each other because some of their interests are not the same. It's not a friendship issue... everyone has different interests and that's fine... everyone is different and life is interesting because of that. Debates spark interests and they bring up excellent things about life and work and they bring up issues with life and work that you may not have noticed before. Therefore, if you get a bad review, I know that it is not easy, but do not take it to heart.

Simon and Kirby was kaput. It was just business --nothing personal. The years had worn away at the warmth of our friendship. By the end we were business partners, but not much more. Now we weren't even that.

It was as though the world was a paradise of comics with these people. And I liked being around people who made me feel at the paradise of comics.

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Most of the people I met in college take everything seriously and have experienced things like love and friendship as slightly worse versions of what's portrayed in comic books. I describe my past like they do when I talk about it. I never say anything like, "My best friend was killed by one of our classmates." Basically, I try not to ruin the mood.

Aristotle said that the best activities are the most useless. This is because such things are not simply means to a further end but are done entirely for their own sake. Thus watching a baseball game is more important than getting a haircut, and cultivating a friendship is more valuable than making money. The game and the friendship are goods that are excellent in themselves, while getting a haircut and making money are in service of something beyond themselves. This is also why the most important parts of the newspaper are the sports section and the comics, and not, as we would customarily think, the business and political reports. In this sense, the most useless activity of all is the celebration of the Liturgy, which is another way of saying that it is the most important thing we could possibly do. There is no higher good than to rest in God, to honor him for his kindness, to savor his sweetness—in a word, to praise him. As we have seen in chapter three, every good comes from God, reflects God, and leads back to God, and, therefore, all value is summed up in the celebration of the Liturgy, the supreme act by which we commune with God. This is why the great liturgical theologian Romano Guardini said that the liturgy is a consummate form of play. We play football and we play musical instruments because it is simply delightful to do so, and we play in the presence of the Lord for the same reason. In chapter one I spoke of Adam in the garden as being the first priest, which is another way of saying that his life, prior to the fall, was entirely liturgical. At play in the field of the Lord, Adam, with every move and thought, effortlessly gave praise to God. As Dietrich von Hildebrand indicated, this play of liturgy is what rightly orders the personality, since we find interior order in the measure that we surrender everything in us to God. We might say that the Liturgy bookends the entire Scripture, for the priesthood of Adam stands at the beginning of the sacred text and the heavenly Liturgy of the book of Revelation stands at the end. In the closing book of the Bible, John the visionary gives us a glimpse into the heavenly court, and he sees priests, candles, incense, the reading of a sacred text, the gathering of thousands in prayer, prostrations and other gestures of praise, and the appearance of the Lamb of God. He sees,

Full Disclosure: when Dan DiDio approached me about doing one, I was wary to say the least. Nowadays events often mean character deaths or reboots or company-wide publishing initiatives and so on. But the run Greg Capullo and I had on BATMAN was, for better or for worse, idiosyncratic - about our own hopes, our fears, our interests. It was just... very much ours. Even so, I told Dan that I *did* have a story, one I'd been working on for a few years, a big one, in the back of my brain. It was about a detective case that stretched back to the beginnings of humanity, a mystery about the nature of the DC Universe that Batman would try to uncover, and which would lead him and the Justice League to discover that their own cosmology was much larger, scarier and more wondrous than they'd known. But I wasn't sure it would make a good "event". Dan, to his credit, said, "Work it up and let's see." So I did. But in the course of working it up, I reread all the events I could think of. Just for reference. Not only recent ones, but events from years ago, from when I was a kid. And what I discovered, or rediscovered, was that at their core, events are joyous things. They're these great big stories, ridiculous tales about alien invasions or cosmic gems or zombie-space-cop attacks that have the highest stakes possible - stories where the whole universe hangs in the balance and nothing will ever be the same again! They were *about* things, and - what I also realized while doing my homework - when I was a kid, they were THE stories that brought me and my friends together. We'd split our money and buy different parts of an event, just to be able to argue about it. We'd meet after school and go on for hours about who should win, who should lose... Because even the grimmest events are celebratory. They're about pushing the limits of an already ludicrous form to a breaking point. So that's what I came back with. I remember standing in my kitchen and getting ready to pitch DARK NIGHTS: METAL to Greg, having prepared a whole presentation, a whole argument as to why, crazy as it was, it was us, it was *our* event. I said "It's called METAL," and Greg said, "I'm in," before I could even tell him the story. And even though Dan thought it was crazy, he went with it, and for that I'm very grateful. In the end, METAL is a lot of things - it's about those moments when you find yourself face to face with the worst versions of yourself, moments when all looks like doom - but at it's heart it's a love letter to comic storytelling at its most lunatic, and a tribute to the kinds of stories, events that got me thought hard times as a kid and as an adult. It's about using friendship as a foundation to go further than you thought you could go, and that means it's about me and Greg, and you as well. Because we tried something different with it, something ours, hoping you'd show up, and you did. So thank you, sincerely, from all of us on the team. Because when they work, events are about coming together and rocking out over our love of this crazy art form. And you're all in the band, now and always.

This is Master Obi-Wan Kenobi… I regret to report that both our Jedi Order and the Republic have fallen – with the dark shadow of the Empire rising to take their place. This message is a warning and a reminder for any surviving Jedi: trust in the Force. Do not return to the Temple. That time has passed and our future is uncertain. Avoid Coruscant. Avoid detection. Be secret… but be strong. We will each be challenged: our trust, our faith, our friendships. But we must persevere, and in time I believe a new hope will emerge. May the Force be with you always.

I've asked you so many Golub words over the years." She looked up at him. Her eyes glistened. "But what's the Golub word for 'love'?" "Love," he repeated. "Th-there's more than one word for love. There's friendship love---silan. Gratitude love---baya. Nostalgic love---ruman. There's... there are forty words for love." "What if, hypothetically, you feel all those ways about someone?" "Hypothetically?" "No." She held his gaze. "Actually not hypothetically at all." Looking into her eyes, Raf found himself unable to speak. "I... I started working on that mural randomly. I didn't even plan it out properly. What did it matter? Not like anyone's given a crap about that mural since the storm came through. And what did I end up creating? The dolphins we swam with," she said. "The sandcastles we made together. Everything on there... Do you see it, Raf?" There was Main Street---the movie theater. Tilted Tales, where they sat for hours on end reading comics. The entire street was there, but it was both of these locations that shone with a sheen of glitter. He took it all in. "It's us," he said slowly. "You painted our places. Our favorite memories." "I love you, Raf." Her voice quivered. "Silan---the friendship one. Baya, the gratitude one. Ruman. Nostalgia for what we were. All of it. I love you in all the ways I know.

When I was a child, ladies and gentlemen, I was a dreamer. I read comic books and I was the hero of the comic book. I saw movies and I was the hero in the movie. So every dream I ever dreamed has come true a hundred times.” He

They had no need of one of those pacts of the kind that are in common among boys of their age, who swear friendship with comical solemn rituals and the sort of portentous intensity invoked by people when for the first time they experience, in unconscious and distorted form, the need to remove another human being from the world, body and soul, and make him uniquely theirs. For that is the hidden force within both friendship and love. Their friendship was deep and wordless, as are all the emotions that will last a lifetime. And like all great emotions, this one contained within itself both shame and a sense of guilt, for no one may isolate one of his fellows from the rest of humanity with impunity.

Spencer asked why he warranted an embrace from Winston rather than the standard soul shake. "Rabbi, that n_____ got stories to tell, but the fucked-up thing is, he so deep in the life, he can't tell them.