Comic Book Inspirational Quotes

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I think the reason I choose the comic approach so often is because it's harder, therefore affording me the opportunity to show off.
Rita Mae Brown (Alma Mater)
Something will have gone out of us as a people if we ever let the remaining wilderness be destroyed; if we permit the last virgin forests to be turned into comic books and plastic cigarette cases; if we drive the few remaining members of the wild species into zoos or to extinction; if we pollute the last clear air and dirty the last clean streams and push our paved roads through the last of the silence . . .
Wallace Stegner (The Sound of Mountain Water)
Writing's much more romantic when its pen and ink and paper. It's... More timeless. and worthwhile. Think about it. There are so many words gushing out into the universe these days. All digitally. All in Comic Sans or Times New Roman. Silly Websites. Stupid news stories digitally uploaded to a 24-hour channel. Where's all this writing going? Who's keeping a note of it all? Who's in charge of deciding what's worthwhile and what isn't? But back then... Back then, if someone wanted to write something they had to buy paper. Buy it! And ink. And a pen. And they couldn't waste too many sheets cos it was expensive. So when people wrote, they wrote because it was worthwhile... not just because they had some half-baked idea and they wanted to pointlessly prove their existence by sharing it on some bloody social networking site.
Holly Bourne (The Manifesto on How to Be Interesting)
Beautiful morning and the bright day started together, the light of dawn has spread everywhere; animals and birds are doing their own works, may the new morning brings new possibilities into your life." Good Morning
Rupali Mitra (Sam's New Year Resolution ( comic book) (Sam is an all-rounder Book 2))
I decided that I would do my best in future not to write books just for the money. If you didn't get the money, then you didn't have anything. If I did work I was proud of, and I didn't get the money, at least I'd have the work.
Neil Gaiman (Art Matters: Because Your Imagination Can Change the World)
I decided that I' would do my best in future not to write books just for the money. If you didn't get the money, then you didn't have anything. If I did work I was proud of, and I didn't get the money, at least I'd have the work.
Neil Gaiman (Art Matters: Because Your Imagination Can Change the World)
Sometimes the way to do what you hope to do will be clear cut, and sometimes it will be almost impossible to decide whether or not you are doing the correct thing, because you'll have to balance your goals and hopes with feeding yourself, paying debts, finding work, settling for what you can get. Something that worked for me was imagining that where I wanted to be – an author, primarily of fiction, making good books, making good comics and supporting myself through my words – was a mountain. A distant mountain. My goal. And I knew that as long as I kept walking towards the mountain I would be all right. And when I truly was not sure what to do, I could stop, and think about whether it was taking me towards or away from the mountain. I said no to editorial jobs on magazines, proper jobs that would have paid proper money because I knew that, attractive though they were, for me they would have been walking away from the mountain. And if those job offers had come along earlier I might have taken them, because they still would have been closer to the mountain than I was at the time.
Neil Gaiman (Make Good Art)
Real life isn’t like those comic books you love so much.
James L. Rubart (The Chair (Thorndike Press Large Print Christian Mystery))
I’ve learned, from working with translators over the years, that the original novel is, in a way, a translation itself. It is not, of course, translated into another language but it is a translation from the images in the author’s mind to that which he is able to put down on paper. Here’s a secret. Many novelists, if they are pressed and if they are being honest, will admit that the finished book is a rather rough translation of the book they’d intended to write. It’s one of the heartbreaks of writing fiction. You have, for months or years, been walking around with the idea of a novel in your mind, and in your mind it’s transcendent, it’s brilliantly comic and howlingly tragic, it contains everything you know, and everything you can imagine, about human life on the planet earth. It is vast and mysterious and awe-inspiring. It is a cathedral made of fire. But even if the book in question turns out fairly well, it’s never the book that you’d hoped to write. It’s smaller than the book you’d hoped to write. It is an object, a collection of sentences, and it does not remotely resemble a cathedral made of fire. It feels, in short, like a rather inept translation of a mythical great work. The translator, then, is simply moving the book another step along the translation continuum. The translator is translating a translation.
Michael Cunningham
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
In logic class, I opened my textbook—the last place I was expecting to find comic inspiration—and was startled to find that Lewis Carroll, the supremely witty author of Alice’s Adventures in Wonderland, was also a logician. He wrote logic textbooks and included argument forms based on the syllogism, normally presented in logic books this way: All men are mortal. Socrates is a man. _________________________________ Therefore, Socrates is mortal. But Carroll’s were more convoluted, and they struck me as funny in a new way: 1) Babies are illogical. 2) Nobody is despised who can manage a crocodile. 3) Illogical persons are despised. __________________________________________ Therefore, babies cannot manage crocodiles. And: 1) No interesting poems are unpopular among people of real taste. 2) No modern poetry is free from affectation. 3) All your poems are on the subject of soap bubbles. 4) No affected poetry is popular among people of taste. 5) Only a modern poem would be on the subject of soap bubbles. __________________________________________ Therefore, all your poems are uninteresting.
Steve Martin (Born Standing Up: A Comic's Life)
The uneducated writer may successfully tell the stories of the people around him, may set down their longings and sufferings in comic or deeply moving or awe-inspiring ways; and if he is a self-educated writer, one who reads books, goes to good movies, and listens intently to the stories he hears among his friends and fellow workers, he may even become a subtle and original storyteller. But he will almost certainly remain a sort of primitive, that is, a kind of folk writer; he has difficulty becoming a virtuoso, one of those writers whose fictions impress us not only by their truth to life but also by their brilliance, their value as performance.
John Gardner (On Becoming a Novelist)
I hope you'll make mistakes. If you make mistakes, it means you're out there doing something. I escaped from school as soon as I could, when the prospect of four more years of enforced learning before I could become the writer I wanted to be, seemed stifling. I got out into the world, I wrote, and I became a better writer the more I wrote, and I wrote some more, and nobody ever seemed to mind that I was making it all up as I went along. They just read what I wrote and they paid me for it or they didn't. The nearest thing I had, was a list I made when I was about 15, of everything I wanted to do. I wanted to write an adult novel, a children's book, a comic, a movie, record an audio-book, write an episode of Doctor Who, and so on. I didn't have a career, I just did the next thing on the list. When you start out in the arts, you have no idea what you're doing. This is great. People who know what they're doing, know the rules, and they know what is possible and what is impossible. You do not, and you should not. The rules on what is possible and impossible in the arts, were made by people who had not tested the bounds of the possible, by going beyond them, and you can. If you don't know it's impossible, it's easier to do, and because nobody's done it before, they haven't made up rules to stop anyone doing that particular thing again. That's much harder than it sounds, and sometimes, in the end, so much easier than you might imagine, because normally, there are things you have to do before you can get to the place you want to be. When you start out, you have to deal with the problems of failure. You need to be thick-skinned. The things I did because I was excited and wanted to see them exist in reality have never let me down, and I've never regretted the time I spent on any of them. If you have an idea of what you want to make, what you were put here to do, then just go and do that, whether you're a musician or a photographer, a fine artist, or a cartoonist, a writer, a dancer, singer, a designer, whatever you do, you have one thing that's unique, you have the ability to make art. For me, for so many of the people I've known, that's been a lifesaver the ultimate lifesaver. It gets you through good times, and it gets you through the other ones. The one thing that you have, that nobody else has, is you! Your voice, your mind, your story, your vision. So write and draw, and build, and play, and dance and live, as only you can. Do what only you can do best, make good art.
Neil Gaiman
Right when Marston and Peter must have been meeting with Gaines and Mayer to talk about what Wonder Woman ought to look like, a new superhero made his debut. Captain America.19 He quickly became Timely Comics’ most popular character. Captain America Comics #1 (March 1941) (illustration credit 23.7) Marston wanted his comic book’s “under-meaning,” about “a great movement now under way—the growth in the power of women,” to be embodied in the way Wonder Woman carried herself, how she dressed, and what powers she wielded. She had to be strong, and she had to be independent. Everyone agreed about the bracelets (inspired by Olive Byrne’s): it helped Gaines with his public relations problem that she could stop bullets with them; that was good for the gun problem. Also, this new superhero had to be uncommonly beautiful; she’d wear a tiara, like the crown awarded at the Miss America pageant. Marston wanted her to be opposed to war, but she had to be willing to fight for democracy. In fact, she had to be superpatriotic. Captain America wore an American flag: blue tights, red gloves, red boots, and, on his torso, red and white stripes and a white star. Like Captain America—because of Captain America—Wonder Woman would have to wear red, white, and blue, too. But, ideally, she’d also wear very little. To sell magazines, Gaines wanted his superwoman to be as naked as he could get away with.
Jill Lepore (The Secret History of Wonder Woman)
My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
Our planning consisted of starting up our project by generating some income through t-shirts and small products. Then we worked our way up with art shows and art projects that I’m creating under our collective. Only then did we announce the comic book, because if we don’t do these things before, no one is going to care what you’re doing for the bigger project that you’ve got coming next. We worked it up in steps, and once we announced the comic project it all came together.
K. Guillory
German is a much more precise language than English. Americans throw the word love around for everything: I love my wife! I love all my friends! I love rock music! I love the rain! I love comic books! I love peanut butter! The word you use to describe your feelings for your wife should not be the same word you use to describe your feelings for peanut butter. In German, there are a dozen different words that describe varying degrees of liking something a lot. Germans almost never use the word love, unless they mean a deep romantic love. I have never told my parents I love them, because it would sound melodramatic, inappropriate, and almost incestuous. In German, you tell your mother that you hold her very dear, not that you are in love with her." -Oliver Markus  
Diana Mauer (German Wisdom: Funny, Inspirational and Thought-Provoking Quotes by Famous Germans)
Fantasy and Responsibility (The Sonnet) Fantasy is good so long as it doesn't make us, Oblivious to our responsibility of reality. Imagination expands the mind for sure, Only when it empowers our acts of accountability. Growing up in India, I did not have superman, But I did indulge religiously in some shaktimaan. I don't know whether it influenced my making, But it sure did fill my childhood with fascination. People draw inspiration from different places, That's a normal tenet of the mind, not a violation. But inspiration is inspiration only when it leads, To collective uplift, otherwise it's just delusion. Fantasy is healthy when practiced with moderation. Too much fiction paralyzes responsibility and reason.
Abhijit Naskar (Amantes Assemble: 100 Sonnets of Servant Sultans)
Myths & Comics (The Sonnet) Some modern superheroes are green in color, Some ancient superheroes are blue in color. Some worship hulk, ironman, captain marvel, Some are fanatics of Zeus, Poseidon, Krishna. Mythologies are but comics of the old days, Just like comics are nothing but modern myths. Fiction is okay in its place, but trouble begins, When life is belittled and fiction is worshiped. Inspiration can come from anywhere, real or not, But all is useless, if it produces mindless savages. Even I've written fiction to explore some situations, Though based on reality, some of it is highly exaggerated. If it brings you back to life, only then it's worth it. Fiction is supposed to enhance reality, not enslave it.
Abhijit Naskar (Esperanza Impossible: 100 Sonnets of Ethics, Engineering & Existence)
We find happiness in a kaleidoscope of stories: in books, in comics, in dance, in podcasts, in film and TV shows and video games. We find happiness in cosplaying as our favorite characters, and going to meet-and-greets with our favorite celebrities, and Dimension Door-ing onto the back of an Ancient Black Dragon, and finger-gunning Magic Missiles with our murder-hobo friends in a weekly session of Dungeons and Dragons. We all deserve to be happy, and love what we love, and be unironically enthusiastic about it. There is a magic in fandom that there rarely is anywhere else—where you can raise a TV show from the dead, and un-fridge a favorite character, and write fanfic that becomes canon. It is the kind of magic that brings our far corners of the world together.
Ashley Poston (The Princess and the Fangirl (Once Upon a Con, #2))
These are some mighty men about to hit the stage," an unseen announcer screamed through the PA system. "With an average height of six-foot-four, a massive weight of three hundred thirty pounds - all of it rock-solid muscle - they are nationally ranked power lifters, some of whom bench-press over six hundred pounds! And they're not here to brag on their muscles, but to brag on Jesus." The eight members of the Power Team ran up to the stage on thunderous feet, wearing red, black, and blue warm-up suits, weight belts, and boxing shoes. To a man, they were as big as a semitrailer truck. They pumped their fists in the air and stood before us bouncing lightly on the balls of their feet, ready to kick some religious butt. "Fasten your seat belts. If God is for you, who can be against you?" "Woo! Woo! Woo!" the audience screamed, instantly ready to rock and roll. We were less than an hour into the first night of a six-night revival, and already it seemed that Sin was going down in a terminal headlock, and Grand Junction would never be the same.... I had heard about the Power Team not from Christian friends, but from a succession of potheads - quintessential late-night cable TV channel surfers. To the stoned, there is nothing more entertaining than the sudden, near hallucinatory vision of this troupe of power-lifting missionaries led by former Oral Roberts University football star John Jacobs.... [My nephew] bought a comic book in which John Jacobs and the Power Team defeat a lisping South American drug lord. From that and an orientation video, we learned that the Team conducts seventy crusades each year, saves close to a million souls here and abroad - notably in Russia - and consists of "world-class athletes who inspire people to follow Christ - and to move away from drugs, alcohol, and suicide." (At the same time, we were pressured not to let our long-distance dollars go to support "nudity, profanity, or the Gay Games." We could avoid this by signing up with Lifeline, a Christian long-distance provider.)" People Who Sweat: Ordinary People, Extraordinary Pursuits, pp. 126-8.
Robin Chotzinoff (People Who Sweat: Ordinary People, Extraordinary Pursuits)
My books are inspirational,comical and uplifting, with a twist of mystical, a whiff of magical and a heavy dose of romance to boot!
Julie Poole
Here in the land of Faulkner, I walked to my clean little school, filled with only white faces until I turned nine, and learned the comic book tale of the founding of America: intrepid Columbus followed by the scrubbed-clean Pilgrims in their sturdy Mayflower, who landed at Plymouth Rock carrying God’s Word with the Purest Intentions, who shared Tom Turkey with Squanto and then Settled the West according to the Divinely Inspired law of Manifest Destiny, Christianizing the Wayward Heathen as they went. Hollywood helped me along this simpleminded path, with formulaic westerns that left no doubt about heroes and villains, or the symbolism of white versus red, white versus Black, or white versus any other color. But even in the fog of that controlled culture—in the coddling arms of Papa Walt Disney and the United Daughters of the Confederacy—I wasn’t physically blind. I lived in Mississippi, ground zero for what would soon become known as the Movement. And slowly I came to realize that the slavery I had always wondered about, the evidence of this great historic crime that people had begun to murmur about—and then speak openly, bitterly about—was all around me. All I had to do was look. Half the people in my town were Black. They lived among us, yet apart. They reared us, fed us, bathed us, taught us. And all the while, they performed their great trick of survival, which was to be simultaneously visible and invisible. Present but nonthreatening. And yet . . . One unguarded look by either party could reveal so much.
Greg Iles (Southern Man (Penn Cage #7))
Tim sat at his bedroom desk, reading his favorite superhero comic. It told the exciting adventures of Lightning Leo as he protected Earth from alien invasion. “I wish I was as brave as Lightning Leo,” said Tim. The next day at school, Tim’s teacher, Mrs. Lee, shocked the class. “Okay, class, quiet down. I have an important announcement. Next Tuesday, each of you will give a speech about your own personal hero. They should be from real life.” Tim’s heart beat fast and his palms began to sweat. He imagined himself feeling scared and freezing in front of his laughing classmates. His friends, Sam and Michelle, tapped him on the shoulder. “Who’s your hero going
Adrian Laurent (Inspiring Stories for Kids: Empowering Tales to Spark Self-Confidence, Catalyze Courage and Promote Perseverance for Brilliant Boys and Girls (Motivational ... Amazing Children and Young Readers Book 1))
Many writers tie their writing ability to some kind of occult influence. Robertson belongs to a much larger pattern in the world of letters that Jeffrey Kripal has charted in his book Mutants and Mystics—science-fiction and comic book writers inspired in their work by paranormal and “psychic” experiences.5 Robertson reported the distinct sensation when he was setting words to page that he was channeling, in the words of one friend, “some discarnate soul, some spirit entity with literary ability, denied physical expression, [which] had commandeered his body and brain.
Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
Many writers tie their writing ability to some kind of occult influence. Robertson belongs to a much larger pattern in the world of letters that Jeffrey Kripal has charted in his book Mutants and Mystics—science-fiction and comic book writers inspired in their work by paranormal and “psychic” experiences.5 Robertson reported the distinct sensation when he was setting words to page that he was channeling, in the words of one friend, “some discarnate soul, some spirit entity with literary ability, denied physical expression, [which] had commandeered his body and brain.”6 When poet Ella Wheeler Wilcox wrote to Robertson in the aftermath of the Titanic tragedy to ask him about it, Robertson replied: As to the motif of my story, I merely tried to write a good story with no idea of being a prophet. But, as in other stories of mine, and in the work of other and better writers, coming discoveries and events have been anticipated. I do not doubt that it is because all creative workers get into a hypnoid, telepathic and percipient condition, in which, while apparently awake, they are half asleep, and tap, not only the better informed minds of others but the subliminal realm of unknown facts. Some, as you know, believe that in this realm there is no such thing as Time, and the fact that a long dream can occur in an instant of time gives color to it, and partly explains prophecy.7
Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
If you had to pick a favorite place where you live, what would it be? It could be an inspiring place like a beautiful park or a lookout point. Or it could be a library, a café, or even your own front yard. Once you’ve settled on a special spot, bring sketching, writing, or painting supplies to this place. Make sure you have a comfortable spot to sit, then observe your surroundings. Notice the details, from the smells and sounds to the emotions you experience, as you sit. Now try to re-create this space in the creative medium of your choice — a story, poem, drawing, song, comic book, short movie — whatever you want. Express yourself via your chosen art medium. It doesn’t have to be perfect. When you’re done, challenge yourself to share your work with at least one person.
Aubre Andrus (Project You: More Than 50 Ways to Calm Down, De-Stress, and Feel Great (Switch Press:))
instrumental in starting (and later rejecting) “stunt” journalism. She showed that a woman reporter need not be confined to the “women’s pages” of a newspaper, but rather deserved headlines all her own. She was the inspiration for countless women to enter the field. She was also the basis for the comic book character Lois Lane. The real Lois Lane, however, never needed a Superman. Today she is best remembered for the stunts, beginning with her ten days undercover as a “bogus lunatic” to expose the inhumane conditions
Nellie Bly (Nellie Bly's World: Her Complete Reporting 1887-1888)
Those glasses—Christ, they’re hot. The Spiderman jammies, too. It should be illegal for a grown woman to look so sexy in comic book-inspired bed wear. That’s when I realize she left without waking me up. I almost double-check the suite, but it’s clear she’s gone, which sucks. Disappointment deflates my dick.
Helena Hunting (Pucked (Pucked, #1))
We live in a REAL life comic book - Good vs. Evil (The enemy). Who we focus on makes a difference in our daily actions and words.
Elizabeth Salamanca-Brosig
have a range of differently themed weeks wherein the children are asked to explore different ranges of emotions which give them an opportunity to explore their full artistic potential. Many kids get driven by the comic characters and so they want to attend drawing classes. Such children should be encouraged because they not only stimulate the pictorially original parts of the brain but it is also known to stimulate the creative parts which create stories and text. Encouraging the creativity of the children at a young age helps in inspiring them for the rest of their lives.
Marie Rose (Drawing for Beginners: The Complete Step By Step Beginner's Guide to Amazing Drawing in Less than an Hour (Draw Cool Stuff, Drawing Techniques, How to Draw, Pencil Drawing Book 1))
Why do you allow these men who are in power to rob you step by step, openly and in secret, of one domain of your rights after another, until one day nothing, nothing at all will be left but a mechanised state system presided over by criminals and drunks? Is your spirit already so crushed by abuse that you forget it is your right - or rather, your moral duty - to eliminate this system? - 3rd Leaflet of the White Rose
Gord Hill (The Antifa Comic Book: 100 Years of Fascism and Antifa Movements)
MUSLIM WOMEN are commanding audiences, cracking jokes, and forging careers as stand-up comics and entertainers. From viral videos to one-woman shows, we deploy humor to enlighten and illuminate, but more importantly, we use humor to experience joy. We laugh till we cry, till we pee, till we forget. We belly laugh to give ourselves the strength to smash the patriarchy, find a date, do the laundry, write a book, get out of bed. In a world that tries to laugh at us, Muslim women have turned the tables and weaponized an art form: Humor is our not-so-secret weapon, joy is our punchline.
Seema Yasmin (Muslim Women Are Everything: Stereotype-Shattering Stories of Courage, Inspiration, and Adventure)