“
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish.
”
”
Alice Sebold (The Lovely Bones)
“
I want to say one last thing, and it’s important. Though I am a generally happy person who feels comfortable in my skin, I do beat myself up because I am influenced by a societal pressure to be thin. All the time. I feel it the same way anybody who picks up a magazine and sees Keira Knightley’s elegantly bony shoulder blades poking out of a backless dress does. I don’t know if I’ve ever seen my shoulder blades once. Honestly, I’m dubious that any part of my body could be so sharp and firm as to be described as a “blade.” I feel it when I wake up in the morning and try on every single pair of my jeans and everything looks bad and I just want to go back to sleep. But my secret is: even though I wish I could be thin, and that I could have the ease of lifestyle that I associate with being thin, I don’t wish for it with all of my heart. Because my heart is reserved for way more important things.
”
”
Mindy Kaling (Why Not Me?)
“
I wake sometimes in the dark terrified by my life's precariousness, its thready breath. Beside me, my husband's pulse beats at his throat; in their beds, my children's skin shows every faintest scratch. A breeze would blow them over, and the world is filled with more than breezes: diseases and disasters, monsters and pain in a thousand variations. I do not forget either my father and his kind hanging over us, bright and sharp as swords, aimed at our tearing flesh. If they do not fall on us in spite and malice, then they will fall by accident or whim. My breath fights in my throat. How can I live on beneath such a burden of doom? I rise then and go to my herbs. I create something, I transform something. My witchcraft is as strong as ever, stronger. This too is good fortune. How many have such power and leisure and defense as I do? Telemachus comes from our bed to find me. He sits with me in the greensmelling darkness, holding my hand. Our faces are both lined now, marked with our years. Circe, he says, it will be all right. It is not the saying of an oracle or a prophet. They are words you might speak to a child. I have heard him say them to our daughters, when he rocked them back to sleep from a nightmare, when he dressed their small cuts, soothed whatever stung. His skin is familiar as my own beneath my fingers. I listen to his breath, warm upon the night air, and somehow I am comforted. He does not mean it does not hurt. He does not mean we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
”
”
Madeline Miller (Circe)
“
I still feel the warm pressure of his fingers against my skin. Something is really wrong with me, to want what I hate, to want someone who despises me, even if he wants me, too. My only comfort is that he doesn’t know what I feel.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
It was hard to remember what I'd been so scared of. Being treated differently? Lack of acceptance? I was the one who hadn't accepted myself for who I was. I was the one who needed to be comfortable in my own skin. I hoped I could do that moving forward.
”
”
Kasie West (By Your Side)
“
So many attempts to stop me from existing comfortably in my own skin, yet here I am, doing what I want with a boy nobody appointed to me. And it's not dirtying me. It will not ruin me. It is not obscene, filthy, or shameful.
”
”
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
“
I remembered what it was like to walk a gauntlet of strangers who stare—their eyes angry, confused, intrigued. Woman or man: they are outraged that I confuse them. The punishment will follow. The only recognition I can find in their eyes is that I am “other.” I am different. I will always be different. I will never be able to nestle my skin against the comfort of sameness.
”
”
Leslie Feinberg (Stone Butch Blues)
“
I have to figure out why I worked at a job I hated for years. I have to find out why I can’t see what everyone else sees in me. I don’t feel beautiful. When I look in the mirror, I never saw beautiful. For this to happen to someone like me, it’s devastating, Jonas. I don’t want you to think it’s vanity, it isn’t. I can’t see me and I need to be able to do that. I need to find out what I’m like and what I want. I have to be comfortable in my own skin before I can be in a relationship the way you want.
”
”
Christine Feehan (Safe Harbor (Drake Sisters, #5))
“
With relationships, I always had a reason why some time in the future would be better for me than it was that day. When I was fat, I thought I'd feel pretty when I was thin, and when I was thin, I thought I'd be happier if I was more toned and muscular and had more money to look more coordinated. I wasn't comfortable in my own skin unless there was a man there to tell me just how radiant that skin looked. I was a victim of low self-esteem and had the Soon syndrome bad. I was running toward a brighter future, unaware of the mirages I'd created in the distance.
”
”
Stephanie Klein (Straight Up and Dirty)
“
Somewhere over the Atlantic, at thirty-five thousand feet, she wrapped herself around me, and my brain decided to equate her scent, the sound of her voice, the feel of her skin, with comfort.
I have no idea how I’m supposed to dissuade myself of this notion, and I am not yet ready to try.
”
”
Kristen Callihan (Managed (VIP, #2))
“
I want to get comfortable with my insecurities until I am no longer insecure. I want to be comfortable in my skin so that I do not need to dump any of my discomfort onto someone else in the form of judgment.
”
”
Damien Rice
“
Feeling comfortable in my body isn't entirely about beauty standards. It is not entirely about ideals. It's about how I feel in my skin and bones, from one day to the next.
”
”
Roxane Gay (Hunger: A Memoir of (My) Body)
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
My name...my name is Mary. I'm here with a friend.'
Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered.
'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.'
Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly.
He closed his eyes. 'Say something else.'
'What?' she asked, baffled.
'Talk. Talk to me. I want to hear your voice.'
She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?'
He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin.
'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better.
'Could you... could you please let go of me?'
'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.'
She started to struggle. 'You're crowding me.'
'I know. Talk.'
'Oh for God's sake, what do you want me to say?'
Even exasperated, her voice was beautiful. 'Anything.'
'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.'
He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft.
'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon.
When she pushed against him, he leaned his full weight into her. Her breath came out in a rush.
'Please,' he murmured.
Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.'
He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.'
'What?'
'Nothing. Say nothing. Over and over and over again. Do it.'
She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.'
"Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
”
”
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
“
Want some help with help with that stick in your ass, love?"
"No. It's quite comfortable, thank you."
"It should be. It's been in there for years." Nix winked at Will. "I hope you'll forgive my wife. She's a bit antisocial."
"And water's a bit wet.
”
”
S.W. Vaughn (Skin Deep (Fae, #1))
“
Sometimes I just want to be comfortable in this skin, this body. Want to cock my head back and laugh loud and free, all my teeth showing, and not be told I'm too rowdy, too ghetto. ... Sometimes I just want to let my tongue speak the way it pleases, let it be untamed and not bound by rules.
”
”
Renée Watson (Piecing Me Together)
“
He likes a day in the studio to end, he says, "when my knees are all skinned up and my pants are wet and my hair's off to one side and I feel like I've been in the foxhole all day. I don't think comfort is good for music. It's good to come out with skinned knuckles after wrestling with something you can't see. I like it when you come home at the end of the day from recording and someone says, "What happened to your hand?" And you don't even know. When you're in that place, you can dance on a broken ankle.
”
”
Tom Waits
“
His eyes searched hers. “I’d rather just be me. Feel comfortable in my own skin and be able to speak my mind without having to carry a damned thesaurus. Sure doesn’t seem worth giving up who you are to please others. Far as I’m concerned, they either like me or they don’t. Their choice.
”
”
Leah Braemel (Slow Ride Home (The Grady Legacy, #1))
“
How To Tell If Somebody Loves You:
Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage!
Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all.
Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you.
Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love.
Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to.
Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them.
Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
”
”
Ryan O'Connell
“
I was so angry with him, but part of me felt exhilarated by his sheer cockiness. Even under the influence of God knows how many rounds of drinks at Dave’s, Wild Bill still had enough charisma to charm away any negative thoughts.
He never taught me to ride a bike, bandaged a skinned knee, or comforted me over bullies teasing me for wearing Salvation Army clothes. But Wild Bill was my dad. And that was enough.
We both erupted into laughter as I wrapped my arms around him, breathing in the distinctive scent belonging only to Dad.
”
”
Samantha Hart (Blind Pony: As True A Story As I Can Tell)
“
You really do love him, don’t you?” she said quietly.
Vadim blinked, then looked to the side, without seeing colours and patterns, but it helped him find words. Speaking about love without cliché, without borrowing somebody else’s well-worn words that were too comfortable. "Dan changed me in ways that stripped away the man I wanted to be, and the man I was made to be, and the man I was expected to be. He skinned me alive, and left only…..somebody who….” He breathed but barely. “…can live and die now, like a human being, not an automation, not somebody else’s creation. Dan took my fear of death. I can’t die now. I know I’m immortal.”
“Immortal?” she said quietly, sitting still. “Your soul? Your being?”
“I don’t believe there’s anything like a soul. But I believe most people are asleep. They aren’t even aware what they are, or that they are alive. And we are all scared to die, so when it happens we scream for our mothers and clutch our guts because we’re scared. I’m not. I’m not afraid of death. The only thing I’m afraid of is losing Dan.” But if that happens, he thought, Dan might just keep the promise and kill him on the way out.
”
”
Aleksandr Voinov (Special Forces - Mercenaries Part I (Special Forces, #2 part 1))
“
Maria, lonely prostitute on a street of pain,
You, at least, hail me and speak to me
While a thousand others ignore my face.
You offer me an hour of love,
And your fees are not as costly as most.
You are the madonna of the lonely,
The first-born daughter in a world of pain.
You do not turn fat men aside,
Or trample on the stuttering, shy ones,
You are the meadow where desperate men
Can find a moment's comfort.
Men have paid more to their wives
To know a bit of peace
And could not walk away without the guilt
That masquerades as love.
You do not bind them, lovely Maria, you comfort them
And bid them return.
Your body is more Christian than the Bishop's
Whose gloved hand cannot feel the dropping of my blood.
Your passion is as genuine as most,
Your caring as real!
But you, Maria, sacred whore on the endless pavement of pain,
You, whose virginity each man may make his own
Without paying ought but your fee,
You who know nothing of virgin births and immaculate conceptions,
You who touch man's flesh and caress a stranger,
Who warm his bed to bring his aching skin alive,
You make more sense than stock markets and football games
Where sad men beg for virility.
You offer yourself for a fee--and who offers himself for less?
At times you are cruel and demanding--harsh and insensitive,
At times you are shrewd and deceptive--grasping and hollow.
The wonder is that at times you are gentle and concerned,
Warm and loving.
You deserve more respect than nuns who hide their sex for eternal love;
Your fees are not so high, nor your prejudice so virtuous.
You deserve more laurels than the self-pitying mother of many children,
And your fee is not as costly as most.
Man comes to you when his bed is filled with brass and emptiness,
When liquor has dulled his sense enough
To know his need of you.
He will come in fantasy and despair, Maria,
And leave without apologies.
He will come in loneliness--and perhaps
Leave in loneliness as well.
But you give him more than soldiers who win medals and pensions,
More than priests who offer absolution
And sweet-smelling ritual,
More than friends who anticipate his death
Or challenge his life,
And your fee is not as costly as most.
You admit that your love is for a fee,
Few women can be as honest.
There are monuments to statesmen who gave nothing to anyone
Except their hungry ego,
Monuments to mothers who turned their children
Into starving, anxious bodies,
Monuments to Lady Liberty who makes poor men prisoners.
I would erect a monument for you--
who give more than most--
And for a meager fee.
Among the lonely, you are perhaps the loneliest of all,
You come so close to love
But it eludes you
While proper women march to church and fantasize
In the silence of their rooms,
While lonely women take their husbands' arms
To hold them on life's surface,
While chattering women fill their closets with clothes and
Their lips with lies,
You offer love for a fee--which is not as costly as most--
And remain a lonely prostitute on a street of pain.
You are not immoral, little Maria, only tired and afraid,
But you are not as hollow as the police who pursue you,
The politicians who jail you, the pharisees who scorn you.
You give what you promise--take your paltry fee--and
Wander on the endless, aching pavements of pain.
You know more of universal love than the nations who thrive on war,
More than the churches whose dogmas are private vendettas made sacred,
More than the tall buildings and sprawling factories
Where men wear chains.
You are a lonely prostitute who speaks to me as I pass,
And I smile at you because I am a lonely man.
”
”
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
“
The temperature jumped another ninety degrees. Why couldn't anyone see in my life how awesome Noah was? I shoved up my sleeves, welcoming the cold air on my skin.
"Echo, stop!" Ashley propelled her self out of the gliter.
I froze and then remembered Ashley was damaged. I was going on a date, not to Vegas to elope.
Noah's strong hand slipped over my wrist before he entwined his fingers with mine. The sensation of warm flesh against an area I allowed no one to see, much less touch, caused me to shiver. My eyes widened, realizing my mistake. This is what had freaked Ashley out. What had come over me? I never pulled up my sleeves. I spent all my time pulling them down. When had I become...comfortable?
He rubbed his thumb over my hand. "I planned on taking her to my house to meet some of my friends."
Noah could have told them he was getting me to the ghetto to buy us crack and they wouldn't have heard him. Ashley stood in place, staring at my exposed scars as my father stared at our combined hands. I reached over to pull down my sleeve, but Noah casually placed his hand over my forearm, preventing me fron doing it. My lungs squeezed out all the oxygen in my body. Noah Hutchins, in fact, a human being, was overtly, on purpose, touching my scars.
I'd stopped breathing moments ago, as had Ashley. Noah continued as nothing earth-shattering had happened. "What time does Echo need to be home?"
Blinking my self back to life, i answered for them, "My curfew is eleven."
"Twelve." My father stood and extended his hand. "I didn't have a chance to properly introduce myself earlier. I'm Owen Emerson.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it."
He grumbled, but I could see relif in his eyes, like he was glad to see me smile.
"SO i was right, wasn't I? It's still youm even in wolf form."
He grunted.
"No sudden uncontrollable urges to go kill something?"
He rolled his eyes.
"Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?"
I got a real look for that one.
"Just covering all the bases."
He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers.
Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it.
"The lack of opposanle thumbs is going to take some getting used to, huh?"
He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it.
"Okay, okay. I'm just trying not to croud you."
That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace.
He grunted.
"Yes, thats better.thanks. now get some rest."
i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that.
and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days?
Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing.
when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep.
i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me.
"S-sorry, I didn't mean-"
He cut me short with a growl, telling me off for apologizing.
”
”
Kelley Armstrong
“
I lay there wrapped in Carter’s arms and it was the most comfortable I had ever been. For about five minutes. This just proved that everything they did in the movies was a load of bullshit. His arm was under my neck on the pillow which tilted my head at an awkward angle. I could already feel the beginnings of a kink. I was starting to sweat like a whore in church with his other arm heavily draped over my waist and his legs tangled with mine. With my sweaty ass and his itchy leg hair, it felt like I had a hundred mosquito bites on my legs. It would be wrong to kick him now, right? I shifted my body just the tiniest bit. I didn't want him to think I didn't want to cuddle, but I was going insane trying to lie perfectly still. . . .
"Out with it, Claire," Carter mumbled close to my ear.
Shit. Now it was going to get awkward. We just now had sex for the first time in years and I was going to tell him to get away from me so I could sleep. I am the most unromantic person in the world. . . .
"My neck is killing me and I'm so hot right now my skin could start a blanket fire," I rambled. Carter was quiet. Too quiet. Shit, I hurt his feelings. "Oh, thank fucking God," he said as he pulled both of his arms out from around me. "My arm fell asleep and my legs were getting a cramp.
”
”
Tara Sivec
“
I curled into a ball underneath my thick comforter, and inhaled through my nose; Travis’ scent still lingered on my skin.
The bed felt cold and foreign, a sharp contrast to the warmth of Travis’ mattress. I had spent thirty days in a cramped apartment with Eastern’s most infamous tramp, and after all the bickering and late-night houseguests, it was the only place I wanted to be.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
I never expected falling in love with someone would just make me feel even more comfortable in my own skin. I sort of want to tell him, 'I think I love you' because I suspect he would make a soft sound of sympathy and agree that it's unfortunate timing.
”
”
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
“
The hand that rested on my shoulder rubbed it a bit, comfortingly. Then it gave my shoulder a little squeeze. I leaned into him.
Maybe it was that I was broken. Maybe it was just that I was out of my mind. But it occurred to me that I was going to kiss him. The thought just arrived, certain knowledge, delivered from some greater, more knowledgeable place. I was going to kiss him. Stephen would not want to kiss me. He would back up in horror. And yet, I was still going to do it. I reached over, and put my hand against his chest, then I moved closer. I could feel just the very tips of the gentle stubble on his cheek brushing against my skin.
"Rory," he said. But it was a quiet protest, and it went nowhere.
For the first few seconds, he didn't move-he accepted the kiss like you might accept a spoonful of medicine. Then I heard it, a sigh, like he had finally set down a heavy weight.
I was pretty sure we were both kind of terrified, but I was completely sure that we were both doing this. We kissed slowly, very deliberately, coming together and then pulling apart and looking at each other. Then each kiss got longer, and then it didn't stop. Stephen put his hand just under the edge of my shirt, holding it on the spot where the scar was. Sometimes the skin around the scar got cold-now it was warm. Now it was alive.
"So Thorpe says that-Seriously?"
Callum was in the doorway.
Stephen mumbled what I think was a very obscene word right against my mouth.
"You realize I now owe Boo five pounds?" Callum said. "Boo! I owe you five pounds!
”
”
Maureen Johnson (The Madness Underneath (Shades of London, #2))
“
He sits on the bed and pulls me into his arms. When his strong arms wrap around me and the comfort that always comes when he’s near sinks into my skin, I only cry more. “This isn’t goodbye,” he vows. “Never goodb-b-bye,” I stutter. “It’s ‘see you soon’,” he whispers. “Every time I close my eyes,” I promise.
”
”
Harper Sloan (Unexpected Fate (Hope Town, #1))
“
I cannot say what it was that made me take that one step forward. Maybe it was the hesitation in his voice. I knew what it cost him to let himself speak thus. Maybe it was the memory of how he had looked as he slept. I just knew, overwhelmingly, that if I did not touch him I would shatter in pieces. Jump, cried the wind. Jump over. I shut my eyes and moved toward him, and my arms went around his waist, and I rested my head against his chest and let my tears flow. There, said the voice deep inside me. See how easy it was? Bran went very still; and then his arms came around me, quite cautiously, as if he had never done this before and was not at all sure how one went about it. We stood there awhile, and the feeling was good, so good, like a homecoming after long troubles. Until I held him, I did not realize how much I had longed for it. Until I held him, I did not realize he was just the right height to put his arms comfortably around my shoulders, for me to rest my brow in the hollow of his neck, where the blood pulsed under the skin—a perfect fit.
”
”
Juliet Marillier (Son of the Shadows (Sevenwaters, #2))
“
Nakedness is nakedness. We all wanted comfort.
”
”
Kate Holden (In My Skin: A Memoir)
“
Ella.”
I jump when his warm hand covers mine, and then his head moves to rest on my
shoulder. His soft hair tickles my bare skin, and I force myself not to run a
comforting hand through it. He doesn’t deserve comfort right now.
“You can’t leave,” he whispers, his breath fanning over my neck. “I don’t want
you to go.”
He kisses my shoulder, but there’s nothing sexual about it. Nothing romantic in
the way his hand tightens over my knuckles.
“You belong with us. You’re the best thing that ever happened to this family.”
Surprise filters through me. Okay. Wow.
“You’re ours,” Easton mumbles. “I’m sorry about tonight. I really am, Ella.
Please…don’t be mad at me.”
My anger melts away. He sounds like a lost little boy, and I can’t stop myself
from stroking his hair now. “I’m not mad. But dammit, Easton, the gambling needs
to stop. I might not be there to bail you out next time.”
“I know.” He groans. “You shouldn’t have had to bail me out tonight. I promise
I’ll pay you back, every last cent. I…” He lifts his head and presses a kiss to my
cheek. “Thank you for doing that. I mean it.”
Sighing, I turn my eyes back to the road. “You’re welcome.
”
”
Erin Watt (Paper Princess (The Royals, #1))
“
When Jack came in he found him sitting before a tray of bird's skins and labels. Stephen looked up, and after a moment said, 'To a tormented mind there is nothing, I believe, more irritating than comfort. Apart from anything else it often implies superior wisdom in the comforter. But I am very sorry for your trouble, my dear.'
'Thank you, Stephen. Had you told me that there was always a tomorrow, I think I should have thrust your calendar down your throat.
”
”
Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
“
We stared at each other for a long moment. His hand smoldered against my skin. In my face, I knew there was nothing but wistful sadness―I didn't want to have to say goodbye now, no matter for how short a time. At first his face reflected mine, but then, as neither of us looked away, his expression changed.
He released me, lifting his other hand to brush his fingertips along my cheek, trailing them down to my jaw. I could feel his fingers tremble―not with anger this time. He pressed his palm against my cheek, so that my face was trapped between his burning hands.
"Bella," he whispered.
I was frozen.
No! I hadn't made this decision yet. I didn't know if I could do this, and now I was out of time to think. But I would have been a fool if I thought rejecting him now would have no consequences.
I stared back at him. He was not my Jacob, but he could be. His face was familiar and beloved. in so many real ways, I did love him. He was my comfort, my safe harbor. Right now, I could choose to have him belong to me.
Alice was back for the moment, but that changed nothing. True love was forever lost. The prince was never coming back to kiss me awake from my enchanted sleep. I was not a princess, after all. So what was the fairy-tale protocol for other kisses? The mundane kind that didn't break any spells?
Maybe it would be easy―like holding his hand or having his arms around me. Maybe it would feel nice. Maybe it wouldn't feel like betrayal. Besides, who was I betraying, anyway? Just myself.
Keeping his eyes on mine, Jacob began to bend his face toward me. And I was still absolutely undecided.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
I could have stopped them," he said. The skin of his face was very pale; his voice was hoarse. "I was close enough. I could have saved her."
I shook my head. "You could not have known."
He buried his face in his hands and did not speak. I held him and whispered all the bits of broken comfort I could find.
”
”
Madeline Miller (The Song of Achilles)
“
I want to be loved back as much as I love someone, but I don’t want that relationship to define me. I want to make a difference in the world, but I don’t know how, and that frustrates me to no end. I want to be comfortable in my own skin. I want to make love in the rain someday and…skydive! I want to die knowing that I didn’t live in fear but that I lived life to the fullest with no regrets. I don’t want to feel guilty about being true to myself. I want too much, to the point where sometimes I feel like I’m gonna burst. It’s overwhelming.
”
”
Penelope Ward (Sins of Sevin)
“
I always expected to fall in love and feel jittery or hyperaware or overwhelmed. I never expected falling in love with someone would just make me feel even more comfortable in my own skin.
”
”
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
“
When I was around four years old I asked my father, “Aba, what color are you?” He replied, “I don’t know, a bit white, a bit black.” “It’s like when one mixes milk with tea,” I said. He laughed a lot, but as a boy he had been so self-conscious about being dark-skinned that he went to the fields to get buffalo milk to spread on his face, thinking it would make him lighter. It was only when he met my mother that he became comfortable in his own skin. Being loved by such a beautiful girl gave him confidence.
”
”
Malala Yousafzai (I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban)
“
She fell asleep fairly quickly that night. As she slept just a few inches away, I watched her, trying to burn her image into my memory. The way her lashes fell against her skin; the way her wet hair felt against my arm; the fruity, clean smell that wafted from her lotioned body; the barely audible noise her nose made when she exhaled. She was so peaceful, and had become so comfortable sleeping in my bed.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
I’m an Exquisite Black Queen! I like, love, and celebrate myself. I don’t fit society’s beauty standards, but I’m beautiful to me. I know my worth and I respect who I am as a woman. I’ve got beauty on the inside and that makes me empowered and powerful. I’m fearless and comfortable in my own skin. I’ve got flaws, but I’m still confident! This Queen right here is flawed yet phenomenal, valuable and unique!
”
”
Stephanie Lahart
“
You don’t care what anyone thinks about you,’ he said.
‘That’s crazy,’ she said. ‘I care what everyone thinks about me.’
‘I can’t tell,’ he said. ‘You just seem like yourself, no matter what’s happening around you. My grandmother would say you’re comfortable in your own skin.
”
”
Rainbow Rowell (Eleanor & Park)
“
For the first time in my life, I realized that a man doesn’t need to yell to be heard. A man doesn’t have to throw a punch to make a point. And a man who is comfortable in his own skin doesn’t need to constantly prove his worth to the world.
”
”
Robin Yocum (The Essay)
“
She sits and listens with crossed legs under the batik house-wrap she wears, with her heavy three-way-piled hair and cigarette at her mouth and refuses me - for the time being, anyway - the most important things I ask of her.
It's really kind of tremendous how it all takes place. You'd never guess how much labor goes into it. Only some time ago it occurred to me how great an amount. She came back from the studio and went to take a bath, and from the bath she called out to me, "Darling, please bring me a towel." I took one of those towel robes that I had bought at the Bon Marche' department store and came along with it. The little bathroom was in twilight. In the auffe-eua machine, the brass box with teeth of gas
burning, the green metal dropped crumbs inside from the thousand-candle blaze. Her body with its warm woman's smell was covered with water starting in a calm line over her breasts. The glass of the medicine chest shone (like a deep blue place in the wall, as if a window to the evening sea and not the ashy fog of Paris. I sat down with the robe over my; shoulder and felt very much at peace. For a change the apartment seemed clean and was warm; the abominations were gone into the background, the stoves drew well and they shone. Jacqueline was cooking dinner and it smelled of gravy. I felt settled and easy, my chest free and my fingers comfortable and open. And now here's the thing. It takes a time like this for you to find out how sore your heart has been, and, moreover, all the while you thought you were going around
idle terribly hard work was taking place. Hard, hard work, excavation and digging, mining, moiling through tunnels, heaving, pushing, moving rock, working, working, working, working, panting, hauling, hoisting. And none of this work is seen from the outside. It's internally done. It happens because you are powerless and unable to get anywhere, to obtain justice or have requital, and therefore in yourself you labor, you wage and combat, settle scores, remember insults, fight, reply, deny, blab, denounce, triumph, outwit, overcome, vindicate, cry, persist, absolve, die and rise again. All by yourself? Where is everybody? Inside your breast and skin, the entire cast.
”
”
Saul Bellow (All Marbles Accounted for)
“
She was like a fire, and despite the danger that I could see, I ran straight toward it and plunged into the flames without a second thought. My mind tricked me into thinking that the dangerous heat was comforting and secure.
I could feel the heat singe my skin. I was lost in its beauty and danger, completely consumed by the flames.
”
”
J.C. Böhme (His Savior (Butterflies and Death, #1))
“
There are moments in life- and I would have to admit that I don´t have them as often as I would like - when everything just comes together, and when, even being single, I feel happy, relaxed and confident. Some days, like today, I feel, as the French would say, so comfortable in my skin, that I could almost cry with the joy of being alive
”
”
Nick Alexander (The Case Of The Missing Boyfriend)
“
And when I'd lost him this time, to the sea, I'd remembered the sense of him beside me, warm and solid in my bed, and the rhythm of his breathing. The light across the bones of his face in moonlight and the flush of his skin in the rising sun. I could hear him breathe when I lay in bed alone in my room at Chestnut Street -- slow, regular, never stopping -- even though I knew it HAD stopped. The sound would comfort me, then drive me mad with the knowledge of loss, so I pulled the pillow hard over my head in a futile attempt to shut it out -- only to emerge into the night of the room, thick with woodsmoke and candle wax and vanished light, and be comforted to hear it once more.
”
”
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
“
Instead, I realized that people are allowed to say whatever they want to me about my weight, but it’s entirely up to me how much power I let those words have over me. I’m not obligated or required to accept negative commentary about my looks. I’m not less confident or honest for ignoring that it’s there. I’m just confident enough to know it’s not true.
”
”
Brittany Gibbons (Fat Girl Walking: Sex, Food, Love, and Being Comfortable in Your Skin...Every Inch of It)
“
Reality is based on your perception of the truth.
Think about that statement for a bit, it will blow your mind, and blow the lid of what you perceive to be real and what is an illusion.
You are here to live YOUR life, YOUR way and on YOUR terms, not for the people you work for, not the people in the media, and not to live in the little box that society may have placed you in.
You are a unique individual, with talents, with drive, with passion, with ambition, with love, with laughter, with a soul that could melt the hardest of hearts, and with a mind as creative as Da Vinci.
You chose this life for a reason, and it certainly wasn't to live a reality created by others. Is this the time to stand up, and say I can live my own reality, create what I want for my own life, have the things I want in life without guilt, knowing that you deserve anything you want and are prepared to put the time and effort into getting?
What if there was a way to bend your reality, a way to use your mind consciously to get what YOU want in life, become wealthy, feel comfortable in your own skin, meet the perfect man or woman, become more spontaneous, feel free, love, be open, be honest, be heartfelt, be grateful, be the one, love life, live, feel it, breathe it.... Welcome to Mind Alchemy Is this the time to Bend Your Reality?
”
”
Steven P. Aitchison
“
Circe, he says, it will be all right. It is not the saying of an oracle or a prophet. They are words you might speak to a child. I have heard him say them to our daughters, when he rocked them back to sleep from a nightmare, when he dressed their small cuts, soothed whatever stung. His skin is familiar as my own beneath my fingers. I listen to his breath, warm upon the night air, and somehow I am comforted. He does not mean that it does not hurt. He does not mean that we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
”
”
Madeline Miller (Circe)
“
Some days I feel more comfortable using sexuality in my work, and then some days I feel like being a little more reserved. I think that’s why I’m in the middle of this whole conversation of, what is she? Is she a good girl or is she a bad girl? I think that I’m both. I don’t need to be either. I don’t need to be a pop princess who is America’s sweetheart or the next rebellious, wild, young thing. I don’t need to pick or choose. I can show skin and swear like a sailor but also be a good role model. I think that I’m a good person. I don’t think cursing makes you a bad person. I don’t think showing skin or kissing boys makes you a bad person. I don’t think that expressing sexuality makes you a bad person at all. I don’t think that’s bad… I think it’s great!
”
”
Ariana Grande
“
In the darkness, everything is different. The air feels thick. My skin itches. I close my eyes, but that just plunges me deeper into nothingness. It's like being out in space, drifting, without even the comfort of stars. It's like being buried in the earth, buried in my past, buried and trying to dig my way out.
”
”
Holly Black (Doctor Who: Lights Out (Doctor Who 50th Anniversary E-Shorts, #12))
“
I'm in love with you—ridiculous, isn't it?"
It's impossible. Why had she played with fire? Ridiculous, isn't it? If he knew how she felt, how much more impossible for him!
"You'll get over it," she said at last.
The smile widened, as if a deep appreciation for his own frailty spread only the most wicked amusement. "Is that all you have to say when a man bares his bloody soul and admits his absurdity?"
"I think you're in pain," she said, fighting the odd strangling panic. "I don't believe love is meant to be painful."
"No, of course not. Love is meant to be comfortable and safe, like Jeb Hardacre and his wife snoring before the kitchen fire. That is not what I feel about you." He laughed with obvious bravado. "This is a madness. I want to enter your skin. I want to discover your very essence—why you're so enthralling and mysterious to me. I cannot allow any of it.
”
”
Julia Ross (My Dark Prince)
“
Eyelids are really just flesh curtains. Your eyes are always 'on,' always looking; when you close them, you're watching the thin, veined skin of your inner eyelid rather than staring out at the world. It's not a comforting thought. In fact, if I thought about it for long enough, I'd probably want to pluck out my own eyes, to stop looking, to stop seeing all the time. The things I've seen cannot be unseen. The things I've done cannot be undone.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
For me, the times that I dressed provocatively had been empowering. It felt good. It's those times that I felt comfortable in my own skin. Like really, really comfortable. And let's face it, body self-esteem issues are a hurdle many women struggle to overcome.
So when a person tears a woman down for how's she's dressed, they are tearing her down at a moment she feels at the top of her game. That's where the real shame is—not in how a woman is dressed, but in the desire to minimise her self-worth and empowerment. That's not kind, or well meaning. It's rude and cruel.
”
”
Annastacia Dickerson
“
Dare to be bold and brave, my BEAUTIFUL QUEENS. Dare to believe that you can. Dare to make your dreams a reality. Dare to get out of your comfort zone and soar! Dare to live your life limitlessly. Dare to be yourself and be comfortable in your own skin. DARE.
”
”
Stephanie Lahart
“
I relaxed back into the mattress as other elements in the room began to filter though my senses, namely the extraordinary warmth at my back. The air was filled with the smell of masculine skin and hints of cologne, soap, and dryer sheets.
Hank was back. And his scent wasn't the only thing surrounding me; his arm was thrown over my hip and my back was tucked nicely against his front. ...
It was nice. Good. Right, even. And then another feeling struck me in a novel way. Protected. I felt protected. A disbelieving laugh bubbled in my throat as I lay there, a small smile parked on my face.
I was always the one out there protecting people. And after Will and I had split, I'd had no one to go to for comfort, to let all my guards down, to take a rest from being the caregiver, provider, guard, and detective. To let someone else be tough for a while.
Had to admit, I liked it. And I never thought in a gazillion years I'd find this feeling with an off-worlder. I liked Hank's strength, his power, his quirky humor, even the badass attitude he caught sometimes.
I was in so much trouble.
”
”
Kelly Gay (The Hour of Dust and Ashes (Charlie Madigan, #3))
“
For fuck's sake, I'd killed my best friend, first with carelessness and then with ambition. I started texting back: - you have the wrong.... But then i felt his lips on my shoulder and his warm breath on my skin, and my sorrow dropped out of me. I couldn't finish. My chest hitched and heaved, and the tears came so hard I couldn't breathe. His arms held me tight from behind, and his voice twisted itself into little nothings of comfort. I went into a timeless blackness where I let everything spill out, because he'd catch it. I knew in every couch and sob, ever hitched breath and chest spasm, that he'd hold me together. Whatever fell apart, he'd put right. I couldn't curse him for not being everything I needed or failing to commit to me completely. I didn't have space to reject his idea that I was submissive or the will to deny him control over me. He was there, and he was exactly what I needed.
”
”
C.D. Reiss (Submit (Songs of Submission, #3))
“
I keeled over sideways.
The world turned fluffy, bleached of all color. Nothing hurt anymore.
I was dimly aware of Diana’s face hovering over me, Meg and Hazel peering over the goddess’s shoulders.
“He’s almost gone,” Diana said.
Then I was gone. My mind slipped into a pool of cold, slimy darkness.
“Oh, no, you don’t.” My sister’s voice woke me rudely.
I’d been so comfortable, so nonexistent.
Life surged back into me—cold, sharp, and unfairly painful. Diana’s face came into focus. She looked annoyed, which seemed on-brand for her.
As for me, I felt surprisingly good. The pain in my gut was gone. My muscles didn’t burn. I could breathe without difficulty. I must have slept for decades.
“H-how long was I out?” I croaked.
“Roughly three seconds,” she said. “Now, get up, drama queen.”
She helped me to my feet. I felt a bit unsteady, but I was delighted to find that my legs had any strength at all. My skin was no longer gray. The lines of infection were gone. The Arrow of Dodona was still in my hand, though he had gone silent, perhaps in awe of the goddess’s presence. Or perhaps he was still trying to get the taste of “Sweet Caroline” out of his imaginary mouth.
I beamed at my sister. It was so good to see her disapproving I-can’t-believe-you’re-my-brother frown again. “I love you,” I said, my voice hoarse with emotion.
She blinked, clearly unsure what to do with this information. “You really have changed.”
“I missed you!”
“Y-yes, well. I’m here now. Even Dad couldn’t argue with a Sibylline invocation from Temple Hill.”
“It worked, then!” I grinned at Hazel and Meg. “It worked!”
“Yeah,” Meg said wearily. “Hi, Artemis.”
“Diana,” my sister corrected. “But hello, Meg.” For her, my sister had a smile. “You’ve done well, young warrior.”
Meg blushed. She kicked at the scattered zombie dust on the floor and shrugged. “Eh.”
I checked my stomach, which was easy, since my shirt was in tatters. The bandages had vanished, along with the festering wound. Only a thin white scar remained. “So…I’m healed?” My flab told me she hadn’t restored me to my godly self. Nah, that would have been too much to expect.
Diana raised an eyebrow. “Well, I’m not the goddess of healing, but I’m still a goddess. I think I can take care of my little brother’s boo-boos.”
“Little brother?”
She smirked.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
I couldn’t resist the urge to reach over to the gearshift and put my hand over Wesley’s. His skin was warm and soft, and I could feel his pulse throbbing steadily beneath my palm. I forgot about my stupid car and my fight with Casey. I just wanted Wesley to smile again. Even that cocky grin would have worked. I hated that he was so hurt by the possibility of losing his sister’s respect. I wanted to comfort him. I cared about him.
Oh my God. I actually cared?
”
”
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
“
Under the mellowing influence of good food and good music, Adam relaxed, and I discovered that underneath that overbearing, hot-tempered Alpha disguise he usually wore was a charming, over-bearing, hot-tempered man. He seemed to enjoy finding out that I was as stubborn and disrespectful of authority as he’d always suspected.
He ordered dessert without consulting me. I’d have been angrier, but it was something I could never have ordered for myself: chocolate, caramel, nuts, ice cream, real whipped cream, and cake so rich it might as well have been a brownie.
“So,” he said, as I finished the last bit, “I’m forgiven?”
“You are arrogant and overstep your bounds,” I told him, pointing my clean fork at him.
“I try,” he said with false modesty. Then his eyes darkened and he reached across the table and ran his thumb over my bottom lip. He watched me as he licked the caramel from his skin.
I thumped my hands down on the table and leaned forward. “That is not fair. I’ll eat your dessert and like it—but you can’t use sex to keep me from getting mad.”
He laughed, one of those soft laughs that start in the belly and rise up through the chest: a relaxed, happy sort of laugh.
To change the subject, because matters were heating up faster than I was comfortable with, I said, “So Bran tells me that he ordered you to keep an eye out for me.”
He stopped laughing and raised both eyebrows. “Yes. Now ask me if I was watching you for Bran.”
It was a trick question. I could see the amusement in his eyes. I hesitated, but decided I wanted to know anyway. “Okay, I’ll bite. Were you watching me for Bran?”
“Honey,” he drawled, pulling on his Southern roots. “When a wolf watches a lamb, he’s not thinking of the lamb’s mommy.”
I grinned. I couldn’t help it. The idea of Bran as a lamb’s mommy was too funny. “I’m not much of a lamb,” I said.
He just smiled.
”
”
Patricia Briggs (Moon Called (Mercy Thompson, #1))
“
Evie stiffened nervously when she felt his hands moving along the line of fasteners on the back of her brown wool. “What are you doing?”
“Helping you to change your gown.”
“I don’t want to. Not now. I… oh, please don’t!”
But he persisted, sliding one hand around her front to keep her in place, while his other continued to release the row of buttons. Rather than resort to an undignified struggle, Evie flushed and held still, goose bumps rising on her exposed skin. “I w-wish you wouldn’t handle me in such a cavalier manner!”
“The word ‘cavalier’ implies indifference,” he replied, pushing the gown over her hips. It fell in a scratchy heap to the floor. “And there is nothing indifferent about my reaction to you, love.”
“One could wish for a bit of respect,” Evie exclaimed, shivering before him in her underclothes. “Especially after… after…”
“You don’t need respect. You need comfort, and holding, and possibly a good long tumble in bed with me.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
After he died, there was a deep calm to his face; he seemed a kind of unfathomable, still well which opened on and down beneath the suddenly smooth surface of his skin…The heat in him lasted a long time. I loved that heat. I don’t know how long I held his face and his shoulders and stroked him; as he began to cool I kept my hands on his belly, where the last of his warmth seemed to pool and concentrate. Here the fire of the body came to rest, smoldering longest, down to the last embers.
”
”
Mark Doty (Heaven's Coast: A Memoir)
“
I felt as though the skin had been peeled away from half of my body. Half my face had been peeled away, and everybody would stare in horror for the rest of my life. Or they would stare at the other half, at the half still intact; I could see them smiling, pretending that the flayed half wasn't there, and talking to the half that was. And I could hear my self screaming at them, I could see myself thrusting my hideous side right up into their unmarred faces to make them properly horrified. 'I was pretty! I was whole! I was sunny, lively little girl! Look, look at what they did to me!' But whatever side they looked at, I would always be screaming, 'Look at the other! Why don't you look at the other!' That's what I thought about in the hospital at night. However they look at me, however they talk to me, however they try to comfort me, I will always be this half-flayed thing. I will never be young, I will never be kind or at peace or in love, and I will hate them all my life.
”
”
Philip Roth (The Ghost Writer)
“
it wasn’t just in the comfort of my crochet corner that color blossomed. I began to notice color in other places again. I noticed the tone of a friend’s skin color because I wanted to make her a scarf and wanted to choose colors that would flatter her. I noticed the colors in the skirt of a passerby because I liked the pattern and wanted to create something similar. Before I knew it I was noticing the blue in the sky, the blue in my boyfriend’s eyes, in a way that I simply hadn’t noticed in a very, very long time.
”
”
Kathryn Vercillo (Crochet Saved My Life)
“
I feel him beside me, hear the even sound of his breathing, smell the delicious saltiness of his skin.
I have missed him.
I move to face him, and that’s when the pain reminds me that I’ve recently been stabbed. I bury my face in the pillow, but it doesn’t quite muffle my yelp.
“Emma?” Galen says groggily. I feel his hand in my hair, stroking the length of it. “Don’t move, angelfish. Stay on your stomach. I’ll go tell Rachel you’re ready for more pain medicine.”
Immediately I disobey and turn my face up to him. He shakes his head. “I’ve recently learned where your stubbornness comes from.”
I grimace/smile. “My mom?”
“Worse. King Antonis. The resemblance is uncanny.” He leans down and presses his lips to mine and all too quickly springs back up. “Now, be a good little deviant and stay put while I go get more pain meds.”
“Galen,” I say.
“Hmmm?”
“How bad am I hurt?”
He caresses the outline of my cheek. His touch could disintegrate me. “Hurt at all is bad enough for me.”
“Yeah, but you’ve always been a baby about this stuff.” I grin at his faux offense.
“Your mother says it’s only a flesh wound. She’s been treating it.”
“Mom is here?”
“She’s downstairs. Uh…You should know that Grom is here, too.”
Grom left the tribunal and headed for land? Did that mean it all ended badly? Well, even worse than my getting impaled? An urgent need to know everything about everything shimmies through me. “Whoa. Sit. Talk. Now.”
He laughs. “I will, I promise. But I want to make you comfortable first.”
“Well, then, you need to come over here and switch places with the bed.” A blush fills my cheeks, but I don’t care. I need him. All of him. It feels like forever since we’ve talked like this, just me and him. But talking usually doesn’t last long. Lips were made for other things, too. And Galen is especially good at the other things.
He walks back and squats by the bed. “You have no idea how tempting that is.” It seems like the violet of his eyes gets darker. It’s the color they get when he has to pull away from me, when we’re about to violate a bunch of Syrena laws if we don’t stop. “But you’re not well enough to…” He runs a hand through his hair. “I’ll go get Rachel. Then we can talk.”
I’m a little surprised that his argument didn’t begin with “But the law…” That is what has stopped us in the past. Now the only thing that appears to be stopping us is my stabby condition.
What’s changed?
And why am I not excited about it? I used to get so frustrated when he would pull away. But a small part of me loved that about him, his respect for the law and for the tradition of his people. His respect for me. Respect is a hard thing to come by when picking from among human boys. Is that respect gone?
And is it my fault?
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
You never told me your name," he says, his voice so hauntingly familiar it causes a rush of heat to blanket my skin.
I sigh,staring blankly down the hall when I say, "Psycho Girl-Psycho Horseback Singing Girl..." I shrug. "I've heard it both ways."
He squints.His hand reaching for my shoulder,then falling away the instant he catches the look of reproach on my face.
"Look," I say,knowing I need to stop him before he can go any further.His kindness will only distract me at a time when I need to stay focused. "I've had a really bad day.And if my calculations are right,I have three hundred and eight more,give or take, before I get to graduate and get the heck out of this place. So,why don't you just call me whatever you want. Everyone else does.It's not like it matters..." My cheeks go hot,my eyes start to sting, and I know I'm rambling like a lunatic,but I cant seem to stop,can't seem to care.The world's most socially inept Seeker-that's me in a nutshell.
"Don't let them reduce you to that," he says,his gaze instense, his voice surprising me with its sincerity, its urgency. "Don't let them define how you see yourself,or your place here. And if you ever need someone to talk to,I'm not hard to find.I'm either in class, reading in the library,or eating lunch in the North hallway."
The second he says it,my gaze flies down the length of him.Slipping past a gray V-neck tee and dark denim jeans,not the least bit surprised when I land on the same heavy,black, thick-soled shoes I spied earlier.
Then before he can say anything more, I'm gone. Trying to ignore the comforting stream of kindness and love that swarms all around me.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
Gently, I caressed along the puckered, angry scar slanting in a long, jagged line across my lower abdomen to where it crossed the smooth, silvered scar running in a horizontal line just above my pelvis, wishing she could somehow find comfort in my touch. Chills shook my body as I ran my fingers over the still sensitive skin, and just like every night, the bitterness and anger I found myself feeling faded away into sadness as I lost myself in this tangible reminder of my child. I loved her, so much. Steam filled the room, and I eased myself into the water, allowing myself to drift back to Daniel. I missed him, almost more than I could bear. This was never supposed to have happened to us. We were supposed to make it…we should have made it.
”
”
A.L. Jackson (Pulled)
“
It comes out of my mouth like water: the things he said at the beginning, what it's like to know a person's smell, the anxious catch that now has dulled to normal when I hold the pay phone and it rings and rings. How underneath I don't believe he's coming anymore, and I wish I could turn the air beside me into something solid to fill the hole he leaves. How sometimes when he'd touch me I'd go out onto the very edges of myself, far like on a tightrope or a plank, and balance knowing there was only air to catch me; how he'd hold me there till it got scary, sometimes longer, and it was realer and more raw than any thing I'd ever felt. How he would always close his eyes and seem so comfortable, casual even, and I was always amazed at that: how brave he must be for it not to scare him at all. How sometimes it broke me into two pieces, and I'd lie there under him naked and stretched out past my skin, and another me would watch from the ceiling. Even if it was too much I had to grow to hold it, because it belonged to me now, and I belonged to him, and if I let any of the pressure of it spill like water from my faucet mouth, it would all leak out and be gone from me forever. That's what he always said.
”
”
Jessica Blank (Almost Home)
“
I wiped my eyes on my sleeve and jumped when I turned and found Ren’s brother standing behind me as a man.
Ren got up, alert, and watched him carefully, suspicious of Kishan’s every move. Ren’s tail twitched back and forth, and a deep grumble issued from his chest.
Kishan look down at Ren, who had crept even closer to keep an eye on him, and then looked back at me. He reached out his hand, and when I placed mine in it, he lifted it to his lips and kissed it, then bowed deeply with great aplomb. “May I ask your name?”
“My name is Kelsey. Kelsey hayes.”
“Kelsey. Well, I, for one, appreciate all the efforts you have made on our behalf. I apologize if I frightened you earlier. I am,” he smiled, “out of practice in conversing with young ladies. These gifts you will be offering to Durga. Would you kindly tell me more about them?”
Ren growled unhappily.
I nodded. “Is Kishan your given name?”
“My full name is actually Sohan Kishan Rajaram, but you can call me Kishan if you like.” He smiled a dazzling white smile, which was even more brilliant due to the contrast with his dark skin. He offered an arm. “Would you please sit and talk with me, Kelsey?”
There was something very charming about Kishan. I surprised myself by finding I immediately trusted and liked him. He had a quality similar to his brother. Like Ren, he had the ability to set a person completely at ease. Maybe it was their diplomatic training. Maybe it was how their mother raised them. Whatever it was made me respond positively. I smiled at him.
“I’d love to.”
He tucked my arm under his and walked with me over to the fire. Ren growled again, and Kishan shot a smirk in his direction. I noticed him wince when he sat, so I offered him some aspirin.
“Shouldn’t we be getting you two to a doctor? I really think you might need stitches and Ren-“
“Thank you, but no. You don’t need to worry about our minor pains.”
“I wouldn’t exactly call your wounds minor, Kishan.”
“The curse helps us to heal quickly. You’ll see. We’ll both recover swiftly enough on our own. Still, it was nice to have such a lovely young woman tending to my injuries.”
Ren stood in front of us and looked like he was a tiger suffering from apoplexy.
I admonished, “Ren, be civil.”
Kishan smiled widely and waited for me to get comfortable. Then he scooted closer to me and rested his arm on the log behind my shoulders. Ren stepped right between us, nudged his brother roughly aside with his furry head, creating a wider space, and maneuvered his body into the middle. He dropped heavily to the ground and rested his head in my lap.
Kishan frowned, but I started talking, sharing the story of what Ren and I had been through. I told him about meeting Ren at the circus and about how he tricked me to get me to India. I talked about Phet, the Cave of Kanheri, and finding the prophecy, and I told him that we were on our way to Hampi.
As I lost myself in our story, I stroked Ren’s head. He shut his eyes and purred, and then he fell asleep. I talked for almost an hour, barely registering Kishan’s raised eyebrow and thoughtful expression as he watched the two of us together. I didn’t even notice when he’d changed back into a tiger.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
He was thoughtful, and dedicated, and precise, and Robin found it unspeakably comforting. His usual love of spontaneity was taking a serious battering, here and now, when it was his own well-being at stake. He managed a smile. “Who else am I going to entrust my good bowling arm to?”
“You don’t have to be so—” said Edwin, and stopped.
“Stubborn? Lost cause, I’m afraid.”
“Oh?”
Muscles worked under the skin of Edwin’s slender neck. “You say you don’t want to be protected. All right. I say you don’t have to be careful of my feelings.”
Robin bit back the words Someone should be, because he could tell they were going to come out the wrong way.
”
”
Freya Marske (A Marvellous Light (The Last Binding, #1))
“
I also wrote them about you.” His blue gaze bored into her with paralyzing force. She couldn’t move. Couldn’t flee. Could only stare at the social travesty of his ungroomed features—the scruffy half beard shadowing his jaw, the too-long hair falling over his forehead—and feel her heart beat with love for this unconventional man. Darius’s grip softened on her wrist until his fingers were tracing tiny circles over the sensitive skin. “I told them that I had met a woman who wasn’t afraid to stand toe-to-toe with me. A woman who had seen my flaws and learned my darkest secrets, yet didn’t immediately run for the hills.” His self-deprecating chuckle coaxed a reluctant smile from her, the sound soothing the sharp edges of her turmoil. “I told them how this woman seemed instinctively to know when to comfort and when to confront, and how I was better with her in my life than I’d ever been on my own.
”
”
Karen Witemeyer (Full Steam Ahead)
“
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it.
Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem.
It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face.
I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now.
I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
”
”
Dodie Smith (I Capture the Castle)
“
I was drawn on. Conscious now that something needed doing, I moved ever higher on the land. Here entering an orchard of immense and archaic beauty. I say orchard: The trees were dense in one place, scattered in another, as though planted by random throw, but all were heavy trunked and capaciously limbed, and they were fruit trees, every one of them. Apples, gold-skinned apricots, immaculate pears. The leaves about them were thick and cool and stirred at my approach; touched with a finger, they imparted a palpable rhythm.
It took a long while to traverse the orchard. I began to feel hungry but didn't pause; though all this fruit appeared perfectly available, I felt prodded to appear before the master. The place had a master! Realizing this, I know he was already aware of me - comforting and fearful knowledge. Still I wanted to see him. The farther I went the more I seemed to know or remember abut him - the way he'd planted this orchard, walking over the hills, casting seed from his hand. I kept moving.
”
”
Leif Enger (Peace Like a River)
“
No one tells you this, but when you enter your thirties, you will find vaguely in-shape bodies ridiculously attractive as opposed to your Chris Hemsworth predilections of the past. This is not to say that ripped dudes turn you off. It’s just that the DadBod signifies comfort—in one’s skin, in throwing a middle finger to vanity, and in eating what tastes good as opposed to what makes one look good—and for me, comfort equals home. DadBod is a home that smells like cinnamon and plush carpeting that you can massage your toes in.
”
”
Phoebe Robinson (You Can't Touch My Hair: And Other Things I Still Have to Explain)
“
The click of the seat belt securing into the buckle is the only sound to break the awkward silence. I feel his warm breath on my neck as he reaches and I take a deep nervous inhale. His scent fills my nose, it is clean and warm, just like in the coffee shop. The smell of his skin is delicious. I try to stop these thoughts, but they are invading my brain in a way that has never happened to me before. Not even with...Rick. I try push him back out of my mind at this moment because I feel a sense of guilt. Rick and I are frozen. That’s the only way I can describe us. He is faithful, he is steady, he is nice, but he is not like this man in front of me: new, mysterious, and unpredictable. Rick and I are in a state of comfort, but like much of my life, I am becoming more and more discontent with comfort.
”
”
Nina G. Jones (Strapped (Strapped, #1))
“
To no longer be able to abide the comfort of human contact. How did he stand it? No wonder he was so very remote. How could warmth touch your heart when it wasn't even allowed near your skin?
It could have been regret that softened his features, but it was impossible for her to tell. "You're thinking of Mackenzie," he murmured.
Ashamed that she'd been thinking of Blackwell and not her Dougan, Farah nodded, not trusting herself to make a sound.
For the second time since they'd met, he raised his hand to her face, only to pull it back again. "Is there no pity in your heart for me?"
Farah turned from him then, dashing madly at her cheeks. There was, of course, but she didn't dare show it to him. "Do you deserve my pity?" she asked, her voice thick with tears.
"Probably not," he answered honestly. "But the boy I once was might have.
”
”
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
“
She lifted the tails of his elegant silk evening shirt. “Some that don’t reach my knees?”
He cleared his throat. He liked her wrapped in his shirt, surrounded by him. “Well, actually, as Joshua knows, that is one of your annoying habits. You like to run around in my shirts. You think they are much more comfortable than your own clothes.”
Alexandria regarded him with wide blue eyes. “Oh, I do, do I? I take it you grumble about it.”
“Often, to Josh. We laugh together about the idiosyncrasies of women. He thinks you look cute in my shirts.”
“And what would give a little boy an idea like that?”
He looked unrepentant. “I might have mentioned it a time or two.”
His golden eyes slid over her body, making her aware of her bare skin beneath his shirt, of every curve of her body, of the fact that they were completely alone in some secret chamber of his home.
“It is true, after all. You do look cute in my shirt.
”
”
Christine Feehan (Dark Gold (Dark, #3))
“
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever."
"Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute.
"What about me?"
St. Clair examines his watch. "Sideburns. You'll be seeing him next month."
He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really.
But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny."
Shut up,Anna. Shut.Up.
St. Clair unbuckles and rebuckles and unbuckles his watchband.
"I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward.
He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it.
"Oof," he says.
"Hey,there's a bed there."
"Thanks for the warning."
"No problem."
"It's freezing in here.Do you have a fan on or something?"
"It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help."
He pats his way around the bed and slides back in. "Ow," he says.
"Yes?"
"My belt.Would it be weird..."
I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor.
"Um," he says. "Would it be weird-"
"Yes."
"Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover.
"All we need now are Sixteen Candles and a game of Truth or Dare."
He coughs. "Wh-what?"
"The movie,pervert.I was just thinking it's been a while since I've had a sleepover."
A pause. "Oh."
"..."
"..."
"St. Clair?"
"Yeah?"
"Your elbow is murdering my back."
"Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm.
NO!
I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life.
I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I don't give my secrets away for free." He slid one hand around her waist, pulling her close.
Zara melted against him, hands sliding up and over his shoulders. "Will you tell me for a kiss?"
"Possibly." He drew his finger down, following the edge of her top where it dipped low between her breasts. Her skin was soft, her perfume so lush and sensual it clouded his senses.
She leaned up, feathered kisses along his jaw. "Can it be now?"
He meant to give her a soft kiss, a gentle kiss, testing the waters to see if she truly wanted to come on this ride with him. But the moment their lips met, something snapped inside him. Four days of longing and fantasies. A lifetime of loneliness. A need so fierce, he twisted his hand in her hair and claimed her mouth in a fury of passion and desire.
Zara groaned and melted against him. He could feel the rapid beat of her heart, taste the sweetness of chocolate in her mouth. Never comfortable with public displays of affection, he didn't care if the entire world saw them so long as she kept kissing him and never stopped.
”
”
Sara Desai (The Singles Table (Marriage Game, #3))
“
Like a child, I close my eyes as if they can't see me either. The fire from the kiss broadcasts itself all over me in the form of a full-body blush.
Galen laughs. "There it is," he says, running his thumb over my bottom lip. "That is my favorite color. Wow."
I'm going to kill him. "Galen. Please. Come. With. Me," I coke out. Gliding past him, my bare feet slap against the tile until I'm stomping on carpet in the hallway, then up the stairs.
I can tell by the prickles on my skin that he's following like a good dead fish. As I reach the ladder to the uppermost level, I nod to him to keep following before I hoist myself up. Pacing the room until he gets through the trap door, I count more Mississipis than I've ever counted in my whole life.
He closes the door and locks it shut but makes no move to come closer. Still, for a person who's about to die, he seems more amused than he should. I point my finger at him, but can't decide what to accuse him of first, so I put it back down.
After several moments of this, he breaks the silence. "Emma, calm down."
"Don't tell me what to do, Highness." I dare him with my eyes to call me "boo."
Instead of the apology I'm looking for, his eyes tell me he's considering kissing me again, right now.
Which is meant to distract me. Tearing my gaze from his mouth, I stride to the window seat and move the mountains of pillows on it. Making myself comfortable, I lean my head against the window. He knows as well as I do that if we had a special spot, this would be it. For me to sit here without him is the worst kind of snub. In the reflection, I see him run his hand through his hair and cross his arms. After a few more minutes, he shifts his weight to the other leg.
He knows what I want. He knows what will earn him entrance to the window seat and my good graces. I don't know if it's Royal blood or manly pride that keeps him from apologizing, but his extended delay just makes me madder. Now I won't accept an apology. Now, he must grovel.
I toss a satisfied smirk into the reflection only to find he's not there anymore. His hand closes around my arm and he jerks me up against him. His eyes are stormy, intense. "You think I'm going to apologize for kissing you?" he murmurs.
"I. Yes. Uh-huh." Don't look at his mouth! Say something intelligent. "We don't have any clothes on." Fan-flipping-tastic. I meant to say he shouldn't kiss me in front of everyone, especially half naked.
"Mmm," he says, pulling me closer. Brushing his lips against my ear, he says, "I did happen to notice that. Which is why I shouldn't have followed you up here.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
The dealership had given him two keys for his new ride, and Andrew was giving the second one to Neil. When Neil took too long to take it from him, Andrew dropped it on the concrete between them. "A man can only have so many issues," Andrew said. "It is just a key." "You're a foster child. You know it isn't," Neil said. He didn't pick the key up but pressed two fingers to it, learning the shape and feel of this newest gift. "I've always had enough cash to live comfortably, but all the decent places ask too many questions. There are background checks and credit checks and references, things I can't provide on my own without leaving too much of a trail. I squatted in Millport. Before that I stayed in decrepit weekly hotels or broke into people's cars or found places that were happy being paid under the table. "It's always been 'go'," Neil said. He turned his hand palm-up and traced a key into his skin with his fingertip. He'd toyed with Andrew's house key so many times he knew every dip and ridge by heart. "It's always been 'lie' and 'hide' and 'disappear'. I've never belonged anywhere or had the right to call anything my own. But Coach gave me keys to the court, and you told me to stay. You gave me a key and called it home." Neil clenched his hand, imagining the bite of metal against his palm, and lifted his gaze to Andrew's face. "I haven't had a home since my parents died." Andrew dug a finger in Neil's cheek and forcibly turned his head away. "Don't look at me like that. I am not your answer, and you sure as fuck aren't mine.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
You returned,” the prince whispered.
“Does the offer still stand, Pr—Merrick? Do you still want me?” His voice quivered as he waited, hoped.
“So much, I do not feel comfortable in my own skin. It is as if you lit a fire within me that I cannot control…and I don’t want to, Cassius.”
Cassius yearned to fall to his knees in gratitude. He stepped farther inside as Merrick stood. Cassius closed the door, clicking the lock into place behind him. When the prince reached him, his arm rose and he fingered Cas’s hair, which was loose around his face. He never allowed himself to wear his hair down outside his chamber, and he couldn’t believe he had forgotten. “Forgive me… I…”
“There is nothing to forgive. You are…breathtaking, Cassius.”
“Cas. If I am to call you Merrick when we are alone, you can call me Cas if you’d like
”
”
Riley Hart (Ever After)
“
I got up and took the cake out from under its cake-shaped cover. I had made it at three o'clock in the morning in a desperate attempt to comfort myself. And it was an enormous comfort, standing alone in the kitchen in my nightgown, sifting fresh ground nutmeg with allspice and cloves by the little light over the sink. I peeled the apples with ridiculous care, taking the skins off in long, even ribbons that spiraled down to the floor without breaking. I didn't think of any of them while I peeled those apples. I didn't work anything out in my mind. I just relaxed into the creaming of butter and sugar, the sweet expansion of every egg. I had hoped the mixer wouldn't wake anyone up.The last thing I had wanted was company.
I cut off big, hulking slices and slid them onto dessert plates. The apples were soft and golden, the cake was a rust color.
”
”
Jeanne Ray (Eat Cake)
“
Almost everyone in Chinatown looks more like me than any of the kids at my high school ever did.
It feels like a dream. I’ve never been around so many Asian people before. I’ve always felt out of place, but I’ve never realized quite how much until this exact moment, when I feel completely in place. They have eyes like mine and hair like mine and legs like mine. When they smile their skin creases the way mine does, and their hair mostly falls flat and straight the way mine does.
They’re like me. It feels so comfortable and good I could almost cry.
And they’re so beautiful. Like, Rei beautiful. They know how to do their hair and makeup and dress themselves because they’ve probably been taught by parents who understand they shouldn’t just copy whatever the white celebrities and models are doing. Because they have different faces and body types and colors. It’s like painting—you don’t just use any color you feel like; you pick the color that fits the subject the best.
I can’t believe it’s taken me so long to learn the lesson I’ve needed since childhood.
I don’t have to be white to be beautiful, just like I don’t have to be Asian to be beautiful. Because beauty doesn’t come in one mold.
It doesn’t make it okay that people are jerks about race. But it does make me feel like I’m not alone. It makes me feel like less of a weirdo.
It makes me feel like Mom was wrong.
When I look around at the people in Chinatown, I don’t feel like I’m desperate for their acceptance. I feel at ease.
I think I know why Shoji accepted our Japanese side a long time ago. I think he realized there was another world out there—a world Mom wasn’t a part of. I think he knew that, somehow, finding our heritage was like finding a safe place from her.
”
”
Akemi Dawn Bowman (Starfish)
“
The English word Atonement comes from the ancient Hebrew word kaphar, which means to cover. When Adam and Eve partook of the fruit and discovered their nakedness in the Garden of Eden, God sent Jesus to make coats of skins to cover them. Coats of skins don’t grow on trees. They had to be made from an animal, which meant an animal had to be killed. Perhaps that was the very first animal sacrifice. Because of that sacrifice, Adam and Eve were covered physically. In the same way, through Jesus’ sacrifice we are also covered emotionally and spiritually. When Adam and Eve left the garden, the only things they could take to remind them of Eden were the coats of skins. The one physical thing we take with us out of the temple to remind us of that heavenly place is a similar covering. The garment reminds us of our covenants, protects us, and even promotes modesty. However, it is also a powerful and personal symbol of the Atonement—a continuous reminder both night and day that because of Jesus’ sacrifice, we are covered. (I am indebted to Guinevere Woolstenhulme, a religion teacher at BYU, for insights about kaphar.)
Jesus covers us (see Alma 7) when we feel worthless and inadequate. Christ referred to himself as “Alpha and Omega” (3 Nephi 9:18). Alpha and omega are the first and last letters of the Greek alphabet. Christ is surely the beginning and the end. Those who study statistics learn that the letter alpha is used to represent the level of significance in a research study. Jesus is also the one who gives value and significance to everything. Robert L. Millet writes, “In a world that offers flimsy and fleeting remedies for mortal despair, Jesus comes to us in our moments of need with a ‘more excellent hope’ (Ether 12:32)” (Grace Works, 62).
Jesus covers us when we feel lost and discouraged. Christ referred to Himself as the “light” (3 Nephi 18:16). He doesn’t always clear the path, but He does illuminate it. Along with being the light, He also lightens our loads. “For my yoke is easy,” He said, “and my burden is light” (Matthew 11:30). He doesn’t always take burdens away from us, but He strengthens us for the task of carrying them and promises they will be for our good.
Jesus covers us when we feel abused and hurt. Joseph Smith taught that because Christ met the demands of justice, all injustices will be made right for the faithful in the eternal scheme of things (see Teachings, 296). Marie K. Hafen has said, “The gospel of Jesus Christ was not given us to prevent our pain. The gospel was given us to heal our pain” (“Eve Heard All These Things,” 27).
Jesus covers us when we feel defenseless and abandoned. Christ referred to Himself as our “advocate” (D&C 29:5): one who believes in us and stands up to defend us. We read, “The Lord is my rock, and my fortress, and my deliverer; my God, my strength, in whom I will trust; my buckler” (Psalm 18:2). A buckler is a shield used to divert blows. Jesus doesn’t always protect us from unpleasant consequences of illness or the choices of others, since they are all part of what we are here on earth to experience. However, He does shield us from fear in those dark times and delivers us from having to face those difficulties alone. …
We’ve already learned that the Hebrew word that is translated into English as Atonement means “to cover.” In Arabic or Aramaic, the verb meaning to atone is kafat, which means “to embrace.” Not only can we be covered, helped, and comforted by the Savior, but we can be “encircled about eternally in the arms of his love” (2 Nephi 1:15). We can be “clasped in the arms of Jesus” (Mormon 5:11). In our day the Savior has said, “Be faithful and diligent in keeping the commandments of God, and I will encircle thee in the arms of my love” (D&C 6:20).
(Brad Wilcox, The Continuous Atonement, pp. 47-49, 60).
”
”
Brad Wilcox
“
It is very likely an anxiety dream, brought on by your move out of your childhood home and the comfort of the reach of your family’s love and protection.” Gideon reached to stroke her hair soothingly. “I am only surprised it has not happened sooner.”
“Are you sure?” Her nervousness was clear, but she was truly relaxing already.
“Yes. And so are you. You know everything there is to know about psychology, you tell me what you think.”
“But you thought it was this . . . new level of ability.”
“And for the first time in a millennium my diagnosis is wrong. I do despise it when such bothersome things occur. Now I shall have to start the ‘No Mistakes’ clock all over again.”
Legna giggled at him, which was of course his intention. She swung her arms around his neck, hugging him warmly.
“You smell so good,” he murmured against her ear a long minute later.
“I smell like sex,” she argued.
He nodded, making a loud noise of appreciation as he sniffed and nibbled her neck.
“You smell like very good sex,” he amended with a voracious growl and an eager mouth moving over her bare skin with bold appetite.
“Gideon!” She squealed as he went straight for her waist, knowing she was ticklish there. The playful flicker of his tongue and the scrape of his teeth drove her mad, and she twisted as she screamed for him to stop.
When he tickled her she absolutely could not use her classic escape method. She could barely catch her breath, never mind her concentration.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
I would trust you with my life. I'm betting that something evil would appear pleasing but feel foul."
Gregori's glittering silver eyes settled on his face, a glimmer of warmth in them, a hint of humor. "You are already trusting me with your life."
Savannah leaned into Gregori. "I'm so proud of you. You're getting this humor thing down." She looked across the table at Gary, laughter dancing in her enormous blue eyes. "He has a little trouble with the concept of humor."
Gary found himself laughing with her. "I can believe that."
"Watch it,kid. There is no need to be disrespectful. Do not make the mistake of believing you can get away with it the way this one does." Gregori tugged at Savannah's long ebony hair. It hung to her waist, a fall of blue-black silk that moved with a life of its own, that tempted, invited men to touch it.
"So,what are you going to do about me?" Gary ventured painfully.
Savannah resisted the urge to touch him sympathetically. She was naturally demonstrative, naturally affectionate. When someone was upset, she needed to make things better.Gregori inhibited her normal tendency to comfort.
I cannot change what I am, ma petite,he whispered softly in her mind, a slow,soothing black-velvet drawl. His voice wrapped her up and touched her with tenderness. I can only promise to keep you safe and to try to make you as happy as I can to make up for my deficiencies.
I didn't say you had deficiencies, she returned softly, her voice a caress, fingers trailing over the back of his neck, down the muscles of his back.
Need slammed into him, low and wicked. His skin crawled with fire. His silver eyes slid slowly, possessively over her, touching her body with tongues of flame. Touching. Caressing. His urgent need exploded in him like a volcano. In his head a dull roar began. Abruptly he wished Gary gone. The cafe gone. The world gone.He wasn't altogether certain he could wait until he was home with her. The riverbank as suddenly looking very inviting.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
I thought of Atargatis, the First, frightening and beautiful. The mermaid goddess who lived on in the soul of every woman who'd ever fallen in love with the ocean.
I thought of Sebastian, my little mermaid queen, how happy he was the day of the parade, just getting the chance to express himself, to be himself.
I thought of Vanessa, the story about how she and her girlfriends became feminist killjoys to get a women's literature core in their school, the way she'd accepted me this summer without question, gently pushed me out of my self-imposed shell. Of her mother, Mrs. James, how she'd grabbed that bullhorn at the parade and paved the way for Sebastian's joy.
I thought of Lemon, so wise, so comfortable in her own skin, full of enough love to raise a daughter as a single mom and still have room for me, for her friends, for everyone whose lives she touched with her art.
I thought of Kirby, her fierce loyalty, her patience and grace, her energy, what a good friend and sister she'd become, even when I'd tried to shut her out. I thought of all the new things I wanted to share with her now, all the things I hoped she'd share with me.
I thought of my mother, a woman I'd never known, but one whose ultimate sacrifice gave me life.
I thought of Granna, stepping in to raise her six granddaughters when my mom died, never once making us feel like a burden or a curse. She'd managed the cocoa estate with her son, personally saw to the comforts of every resort guest, and still had time to tell us bedtime stories, always reminding us how much she treasured us.
I thought of my sisters. Juliette, Martine, and Hazel, their adventures to faraway lands, new experiences. Gabrielle with her island-hopping, her ultimate choice to follow her heart home.
And Natalie, my twin. My mirror image, my dream sharer. I knew I hadn't been fair to her this summer—she'd saved my life, done the best she could. And I wanted to thank her for that, because as long as it had taken me to realize it, I was thankful. Thankful for her. Thankful to be alive. To breathe.
”
”
Sarah Ockler (The Summer of Chasing Mermaids)
“
...I want to exist from my own force, like the
sun which gives light and does not suck light. That belongs to the earth. I recall my solar nature and would like to rush to my rising. But ruins stand in my way They say: "With regard to men you should be this or that." My chameleonesque skin shudders. They obtrude upon me and want to color me. But that should no longer be. Neither good nor evil shall be my masters. I push them aside, the laughable survivors, and go on my way again, which leads me to the East. The quarreling powers that for so long stood between me and myself lie behind me.
Henceforth I'm completely alone. I can no longer say to you: "Listen!" or "you should," or "you could," but now I talk only with myself Now no one else can do anything more for me, nothing whatsoever. I no longer have a duty toward you, and you no longer have duties toward me, since I vanish and you vanish from me. I no longer hear requests and no longer make requests of you. I no longer fight and reconcile myself with you, but place silence between you and me.
Your call dies away in the distance, and you cannot find my footprints. Together with the west wind, which comes from the plains of the ocean, I journey across the green countryside, I roam through the forests, and bend the young grass. I talk with trees and the forest wildlife, and the stones show me the way. When I thirst and the source does not come to me, I go to the source. When I starve and the bread does not come to me, I seek my bread and take it where I find it. I provide no help and need no help. If at any time necessity confronts me, I do not look around to see whether there is a helper nearby, but I accept the necessity and bend and writhe and struggle. I laugh, I weep,I swear, but I do not look around me.
On this way, no one walks behind me, and I cross no one's path. I am alone, but I fill my solitariness with my life. I am man enough, I am noise, conversation, comfort, and help enough unto myself And so I wander to the far East. Not that I know any-thing about what my distant goal might be. I see blue horizons before me: they suffice as a goal. I hurry toward the East and my rising- I will my rising.
”
”
C.G. Jung (The Red Book: Liber Novus)
“
Once there was and once there was not a devout, God-fearing man who lived his entire life according to stoic principles. He died on his fortieth birthday and woke up floating in nothing. Now, mind you, floating in nothing was comforting, light-less, airless, like a mother’s womb. This man was grateful.
But then he decided he would love to have sturdy ground beneath his feet, so he would feel more solid himself. Lo and behold, he was standing on earth. He knew it to be earth, for he knew the feel of it.
Yet he wanted to see. I desire light, he thought, and light appeared. I want sunlight, not any light, and at night it shall be moonlight. His desires were granted. Let there be grass. I love the feel of grass beneath my feet. And so it was. I no longer wish to be naked. Only robes of the finest silk must touch my skin. And shelter, I need a grand palace whose entrance has double-sided stairs, and the floors must be marble and the carpets Persian. And food, the finest of food. His breakfast was English; his midmorning snack French. His lunch was Chinese. His afternoon tea was Indian. His supper was Italian, and his late-night snack was Lebanese. Libation? He had the best of wines, of course, and champagne. And company, the finest of company. He demanded poets and writers, thinkers and philosophers, hakawatis and musicians, fools and clowns.
And then he desired sex.
He asked for light-skinned women and dark-skinned, blondes and brunettes, Chinese, South Asian, African, Scandinavian. He asked for them singly and two at a time, and in the evenings he had orgies. He asked for younger girls, after which he asked for older women, just to try. The he tried men, muscular men, skinny men. Then boys. Then boys and girls together.
Then he got bored. He tried sex with food. Boys with Chinese, girls with Indian. Redheads with ice cream. Then he tried sex with company. He fucked the poet. Everybody fucked the poet.
But again he got bored. The days were endless. Coming up with new ideas became tiring and tiresome. Every desire he could ever think of was satisfied.
He had had enough. He walked out of his house, looked up at the glorious sky, and said, “Dear God. I thank You for Your abundance, but I cannot stand it here anymore. I would rather be anywhere else. I would rather be in hell.”
And the booming voice from above replied, “And where do you think you are?
”
”
Rabih Alameddine
“
He smiled, and some of the knots in my stomach loosened. He would keep my secret.
Devon hesitated, then reached over and put his hand on top of mine. His skin was warm, as though the sun had soaked into his body. I breathed in, and the crisp, clean scent of him filled my nose, the one that made me want to bury my face in his neck and inhale the essence of him over and over again. But I forced myself to exhale and step back, putting some distance between us, even though our hands were still touching.
“Look,” I said, my voice carefully neutral. “You’re a nice guy, a great guy. But I’m going to . . . be here for a while. You’re an important member of the Family, and I’m your bodyguard, so it’s my job to protect you, and we’re going to have to work together. But I don’t think there should be anything . . . else.”
“Because of your mom, right?” he asked in a low voice. “Because you blame me for her death?”
I sucked in a breath, so rattled that I couldn’t even pretend I didn’t know what he was talking about. First, my magic, and now this. Somehow, Devon knew all my secrets.
“How do you know about my mom?” I croaked out.
“I remember everything about that day in the park,” he said. “Including the girl with the blue eyes who helped save me.”
I didn’t say anything. I could barely even hear him over the roar of my own heartbeat in my ears.
“It took me a while to figure out why you seemed so familiar. When I realized you reminded me of the girl in the park, I knew it had to be you. Mom would never have brought you here otherwise. Plus, there are several photos of your mother in the library. You look just like her. I know what happened to her. I’m sorry that she died because of me—so sorry.”
His green gaze locked with mine, that old, familiar guilt flaring to life in his eyes and punching me in the gut. And once again, I found myself wanting to comfort him.
“I don’t blame you for her death,” I said. “It wasn’t your fault. None of it was your fault. It was all the Draconis.”
“Do you really mean that?” he whispered.
“I do.”
Devon closed the distance between us and stared down at me. I let myself look into his eyes for another heartbeat.
Then I pulled my hand out from under his and stepped away.
Hurt flashed in his gaze before he could hide it. I wanted to stop. I wanted to tell him that I felt this thing, this attraction, this heat between us just as much as he did. I wanted to wrap my arms around his neck, pull his lips down to mine, and lose myself in him.
But I couldn’t.
Not when I was planning on leaving the mansion, the Family, and him, the second I thought it was safe. I already cared about Devon way too much. And Felix and Oscar and even Claudia. I didn’t need to fall any farther down that rabbit hole, especially where Devon was concerned, because I knew exactly where I would end up—with my heart broken.
”
”
Jennifer Estep (Cold Burn of Magic (Black Blade, #1))
“
How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest.
“Forever. Nearly as long as I did about you.”
“God, Jesse. Why didn’t you say anything?”
“He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.”
“Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.”
“Do you mean…I did it?” I asked. “I made him figure it out? What he is?”
Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.”
“I don’t want to separate from you,” I said.
“No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.”
Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…”
But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin.
Skin that was marble-pale, I realized. Just like mine.
“Yes?” I said, more gently than I’d intended.
“Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.”
“Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.”
He dropped his arm. “You got that from the diary.”
“No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.”
“Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?”
“Jesse is a star.”
The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.”
I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.”
“Aye.”
A single blue eye blinked open between Armand’s fingers. “Show me what?
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
When he slides in, I press my eyes shut and groan. This is going to be so, so good.
His smooth, slow thrusts turn animalistic in a matter of minutes. All I can do is cry out as the pleasure consumes me from head to toe, gripping for dear life onto the glass.
My head is shrouded in a fog of arousal. I can't get out a single coherent thought other than more, harder, faster, please.
I tell Max exactly that. And he does it all.
When his sounds turn quick and desperate, when his fingers turn viselike against my hips, I slide one of my hands between my thighs and circle frantically in the spot I need it most. This is the wildest, most lustful thing I've ever done in my life. Never in a million years did I think I'd ever be the type of girl who wants to have sex against a window overlooking downtown Portland, but I've never been so turned on. I've never been so consumed with pleasure.
This is the effect Max Boyson has on me. Not only does he make me ooey-gooey on the inside with his thoughtful gestures, his sweet words, and the way he looks at me like I'm the only person in the room. But with a single teasing kiss and the touch of his hand on my skin, I turn sex-crazed. He makes me feel so sexy and comfortable all at once. I love love love all the sides this man brings out in me.
With a firm hand, he grips my jaw and turns my face to the side so he can plant a desperate kiss on my mouth. Soon I'm trembling as climax threatens to wreck me.
When it hits, that's exactly what happens. I groan-scream and come apart in Max's grip. My head goes foggy as pleasure annihilates me. It's a glorious end, though. I'm left quivering, barely able to stand, but Max holds me securely in his arms. It's the sweetest and hottest hug from behind: his entire body covers me while his open mouth rests against my shoulder, gasping and growling at once.
”
”
Sarah Echavarre Smith (The Boy With the Bookstore)
“
Oh I'll die I'll die I'll die
My skin is in blazing furore
I do not know what I'll do where I'll go oh I am sick
I'll kick all Arts in the butt and go away Shubha
Shubha let me go and live in your cloaked melon
In the unfastened shadow of dark destroyed saffron curtain
The last anchor is leaving me after I got the other anchors lifted
I can't resist anymore, a million glass panes are breaking in my cortex
I know, Shubha, spread out your matrix, give me peace
Each vein is carrying a stream of tears up to the heart
Brain's contagious flints are decomposing out of eternal sickness
other why didn't you give me birth in the form of a skeleton
I'd have gone two billion light years and kissed God's ass
But nothing pleases me nothing sounds well
I feel nauseated with more than a single kiss
I've forgotten women during copulation and returned to the Muse
In to the sun-coloured bladder
I do not know what these happenings are but they are occurring within me
I'll destroy and shatter everything
draw and elevate Shubha in to my hunger
Shubha will have to be given
Oh Malay
Kolkata seems to be a procession of wet and slippery organs today
But i do not know what I'll do now with my own self
My power of recollection is withering away
Let me ascend alone toward death
I haven't had to learn copulation and dying
I haven't had to learn the responsibility of shedding the last drops
after urination
Haven't had to learn to go and lie beside Shubha in the darkness
Have not had to learn the usage of French leather
while lying on Nandita's bosom
Though I wanted the healthy spirit of Aleya's
fresh China-rose matrix
Yet I submitted to the refuge of my brain's cataclysm
I am failing to understand why I still want to live
I am thinking of my debauched Sabarna-Choudhury ancestors
I'll have to do something different and new
Let me sleep for the last time on a bed soft as the skin of
Shubha's bosom
I remember now the sharp-edged radiance of the moment I was born
I want to see my own death before passing away
The world had nothing to do with Malay Roychoudhury
Shubha let me sleep for a few moments in your
violent silvery uterus
Give me peace, Shubha, let me have peace
Let my sin-driven skeleton be washed anew in your seasonal bloodstream
Let me create myself in your womb with my own sperm
Would I have been like this if I had different parents?
Was Malay alias me possible from an absolutely different sperm?
Would I have been Malay in the womb of other women of my father?
Would I have made a professional gentleman of me
like my dead brother without Shubha?
Oh, answer, let somebody answer these
Shubha, ah Shubha
Let me see the earth through your cellophane hymen
Come back on the green mattress again
As cathode rays are sucked up with the warmth of a magnet's brilliance
I remember the letter of the final decision of 1956
The surroundings of your clitoris were being embellished
with coon at that time
Fine rib-smashing roots were descending in to your bosom
Stupid relationship inflated in the bypass of senseless neglect
Aaaaaaaaaaaaaaaaaaaaaaaah
I do not know whether I am going to die
Squandering was roaring within heart's exhaustive impatience
I'll disrupt and destroy
I'll split all in to pieces for the sake of Art
There isn't any other way out for Poetry except suicide
Shubha
Let me enter in to the immemorial incontinence of your labia majora
In to the absurdity of woeless effort
In the golden chlorophyll of the drunken heart
Why wasn't I lost in my mother's urethra?
Why wasn't I driven away in my father's urine after his self-coition?
Why wasn't I mixed in the ovum -flux or in the phlegm?
With her eyes shut supine beneath me
I felt terribly distressed when I saw comfort seize S
”
”
Malay Roy Choudhury (Selected Poems)
“
She took my wings,' he whispered. Tamlin's green eyes flickered and I knew right then, that the faerie was going to die. Death wasn't just hovering in this hall; it was counting down the faerie's remaining heartbeats.
I took one of the faerie's hands in mine. The skin there was almost leathery, and, perhaps more of a reflex than anything, his long fingers wrapped around mine, covering them completely. 'She took my wings,' he said again, his shaking subsiding a bit.
I brushed the long, damp hair from the faerie's half-turned face, revealing a pointed nose and a mouth full of sharp teeth. His dark eyes shifted to mine, beseeching, pleading.
'It will be all right,' I said, and hoped he couldn't smell the lies the way the Suriel was able to. I stroked his limp hair, its texture like liquid night- another I would never be able to paint but would try to, perhaps forever. 'It will be all right.' The faerie closed his eyes, and I tightened my grip on his hand.
Something wet touched my feet, and I didn't need to look down to see that his blood had pooled around me. 'My wings,' the faerie whispered.
'You'll get them back.'
The faerie struggled to open his eyes. 'You swear?'
'Yes,' I breathed. The faerie managed a slight smile and closed his eyes again. My mouth trembled. I wished for something else to say, something more to offer him than my empty promises. The first false vow I'd ever sworn. But Tamlin began speaking, and I glanced up to see him take the faerie's other hand.
'Cauldron save you,' he said, reciting the words of a prayer that was probably older than the mortal realm. 'Mother hold you. Pass through the gates, and smell that immortal land of milk and honey. Fear no evil. Feel no pain.' Tamlin's voice wavered, but he finished. 'Go, and enter eternity.'
The faerie heaved one final sigh, and his hand went limp in mine. I didn't let go, though, and kept stroking his hair, even when Tamlin released him and took a few steps from the table.
I could feel Tamlin's eyes on me, but I wouldn't let go. I didn't know how long it took for a soul to fade from the body. I stood in the puddle of blood until it grew cold, holding the faerie's spindly hand and stroking his hair, wondering if he knew I'd lied when I'd sworn he would get his wings back, wondering if, wherever he had now gone, he had gotten them back.
A clock chimed somewhere in the house, and Tamlin gripped my shoulder. I hadn't realised how cold I'd become until the heat of his hand warmed me through my nightgown. 'He's gone. Let him go.'
I studied the faerie's face- so unearthly, so inhuman. Who could be so cruel to hurt him like that?
'Feyre,' Tamlin said, squeezing my shoulder. I brushed the faerie's hair behind his long, pointed ear, wishing I'd known his name, and let go.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Do those things, god damnit, because nothing sucks worse than a girl who reads. Do it, I say, because a life in purgatory is better than a life in hell. Do it, because a girl who reads possesses a vocabulary that can describe that amorphous discontent as a life unfulfilled—a vocabulary that parses the innate beauty of the world and makes it an accessible necessity instead of an alien wonder. A girl who reads lays claim to a vocabulary that distinguishes between the specious and soulless rhetoric of someone who cannot love her, and the inarticulate desperation of someone who loves her too much. A vocabulary, god damnit, that makes my vacuous sophistry a cheap trick.
Do it, because a girl who reads understands syntax. Literature has taught her that moments of tenderness come in sporadic but knowable intervals. A girl who reads knows that life is not planar; she knows, and rightly demands, that the ebb comes along with the flow of disappointment. A girl who has read up on her syntax senses the irregular pauses—the hesitation of breath—endemic to a lie. A girl who reads perceives the difference between a parenthetical moment of anger and the entrenched habits of someone whose bitter cynicism will run on, run on well past any point of reason, or purpose, run on far after she has packed a suitcase and said a reluctant goodbye and she has decided that I am an ellipsis and not a period and run on and run on. Syntax that knows the rhythm and cadence of a life well lived.
Date a girl who doesn’t read because the girl who reads knows the importance of plot. She can trace out the demarcations of a prologue and the sharp ridges of a climax. She feels them in her skin. The girl who reads will be patient with an intermission and expedite a denouement. But of all things, the girl who reads knows most the ineluctable significance of an end. She is comfortable with them. She has bid farewell to a thousand heroes with only a twinge of sadness.
Don’t date a girl who reads because girls who read are the storytellers. You with the Joyce, you with the Nabokov, you with the Woolf. You there in the library, on the platform of the metro, you in the corner of the café, you in the window of your room. You, who make my life so god damned difficult. The girl who reads has spun out the account of her life and it is bursting with meaning. She insists that her narratives are rich, her supporting cast colorful, and her typeface bold. You, the girl who reads, make me want to be everything that I am not. But I am weak and I will fail you, because you have dreamed, properly, of someone who is better than I am. You will not accept the life that I told of at the beginning of this piece. You will accept nothing less than passion, and perfection, and a life worthy of being storied. So out with you, girl who reads. Take the next southbound train and take your Hemingway with you. I hate you. I really, really, really hate you.
”
”
Charles Warnke
“
Samwell Tarly looked at him for a long moment, and his round face seemed to cave in on itself. He sat down on the frost-covered ground and began to cry, huge choking sobs that made his whole body shake. Jon Snow could only stand and watch. Like the snowfall on the barrowlands, it seemed the tears would never end.
It was Ghost who knew what to do. Silent as shadow, the pale direwolf moved closer and began to lick the warm tears off Samwell Tarly's face. The fat boy cried out, startled... and somehow, in a heartbeat, his sobs turned to laughter. Jon Snow laughed with him. Afterward they sat on the frozen ground, huddled in their cloaks with Ghost between them. Jon told the story of how he and Robb had found the pups newborn in the late summer snows. It seemed a thousand years ago now. Before long he found himself talking of Winterfell.
"Sometimes I dream about it," he said. "I'm walking down this long empty hall. My voice echoes all around, but no one answers, so I walk faster, opening doors, shouting names. I don't even know who I'm looking for. Most nights it's my father, but sometimes it's Robb instead, or my little sister Arya, or my uncle." The thought of Benjen Stark saddened him; his uncle was still missing. The Old Bear had sent out rangers in search of him. Ser Jaremy Rykker had led two sweeps, and Quorin Halfhand had gone forth from the Shadow Tower, but they'd found nothing aside from a few blazes in the trees that his uncle had left to mark his way. In the stony highlands to the northwest, the marks stopped abruptly and all trace of Ben Stark vanished. "Do you ever find anyone in your dream?" Sam asked. Jon shook his head. "No one. The castle is always empty." He had never told anyone of the dream, and he did not understand why he was telling Sam now, yet somehow it felt good to talk of it. "Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It's black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don't want to. I'm afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it's not them I'm afraid of. I scream that I'm not a Stark, that this isn't my place, but it's no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream." He stopped, frowning, embarrassed. "That's when I always wake." His skin cold and clammy, shivering in the darkness of his cell. Ghost would leap up beside him, his warmth as comforting as daybreak. He would go back to sleep with his face pressed into the direwolf s shaggy white fur.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
She broke off abruptly as she heard her name being called, and glanced over her shoulder, fearing that St. Vincent had discovered her escape. Her entire body stiffened in battle readiness. But there was no sign of St. Vincent, no betraying gleam of golden-amber hair.
She heard the voice again, a deep sound that penetrated to her soul. “Lillian.”
Her legs quivered beneath her as she saw a lean, dark-haired man coming from the front entryway. It can’t be, she thought, blinking hard to clear her vision, which must surely have been playing tricks on her. She stumbled a little as she turned to face him. “Westcliff,” she whispered, and took a few hesitant steps forward.
The rest of the room seemed to vanish. Marcus’s face was pale beneath its tan, and he stared at her with searing intensity, as if he feared she might disappear. His stride quickened, and as he reached her, she was seized and caught in a biting grip. He wrapped his arms around her, pulling her hard against him. “My God,” he muttered, and buried his face in her hair.
“You came,” Lillian gasped, trembling all over. “You found me.” She couldn’t conceive how it was possible. He smelled of horses and sweat, and his clothes were chilled from the outside air. Feeling her shiver, Marcus drew her tightly inside his coat, murmuring endearments against her hair.
“Marcus,” Lillian said thickly. “Have I gone mad? Oh, please be real. Please don’t go away—”
“I’m here.” His voice was low and shaken. “I’m here, and I’m not going anywhere.” He drew back slightly, his midnight gaze scouring her from head to toe, his hands searching urgently over her body. “My love, my own… have you been hurt?” As his fingers slid along her arm, he encountered the locked manacle. Lifting her wrist, he stared at the handcuffs blankly. He inhaled sharply, and his body began to shake with primitive fury. “G**damn it, I’ll send him to hell—”
“I’m fine,” Lillian said hastily. “I haven’t been hurt.”
Bringing her hand to his mouth, Marcus kissed it roughly, and kept her fingers against his cheek while his breath struck her wrist in swift repetitions. “Lillian, did he…”
Reading the question in his haunted gaze, the words he couldn’t yet bring himself to voice, Lillian whispered scratchily, “No, nothing happened. There wasn’t time.”
“I’m still going to kill him.” There was a deadly note in his voice that made the back of her neck crawl. Seeing the open bodice of her gown, Marcus released her long enough to pull off his coat and place it over her shoulders. He suddenly went still. “That smell… what is it?”
Realizing that her skin and clothes still retained the noxious scent, Lillian hesitated before replying. “Ether,” she finally said, trying to form her trembling lips into a reassuring smile as she saw his eyes dilate into pools of black. “It wasn’t bad, actually. I’ve slept through most of the day. Other than a touch of queasiness, I’m—”
An animal growl came from his throat, and he pulled her against him once more. “I’m sorry. I’m so sorry. Lillian, my sweet love… you’re safe now. I’ll never let anything happen to you again. I swear it on my life. You’re safe.” He took her head in his hands, and his mouth slid over hers in a kiss that was brief, soft, and yet so shockingly intense that she swayed dizzily. Closing her eyes, she let herself rest against him, still fearing that none of this was real, that she would awaken to find herself with St. Vincent once more. Marcus whispered comforting words against her parted lips and cheeks, and held her with a grip that seemed gentle but could not have been broken by the combined efforts of ten men.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
He opened his eyes then, white fire flaring hotly within them.
“Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion.
She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it.
Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations.
But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability.
“You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement.
Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep.
Nelissuna . . . go to bed. I will help you sleep.
Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds.
She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own.
His masculine laughter vibrated through her, setting her skin to tingle.
So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew.
As if living for over a millennium is not long enough? she asked him.
On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna.
And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to.
Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
Guilt. Torment. Sorrow. Shock. Which?” she asked against his chest.
“I’m trying,” he murmured on a weary chuckle. “But all I can manage is pride,” he added softly. “I satisfied you completely, didn’t I?”
“More than completely,” she murmured against his damp shoulder. Her hand traced his chest, feeling the coolness of his skin, the ripple of muscle. “Hold me close.”
He wrapped both arms around her and drew her on top of him, holding her hungrily to him, their legs lazily entwined. “I seduced you.”
She pressed a soft kiss to his collarbone. “Mmm-hmm.”
He caught his breath as the tiny, insignificant movement produced a sudden, raging arousal.
She lifted her head. “Did I do something wrong?”
He lifted an eyebrow and nodded toward his flat stomach. She followed his amused glance and caught her breath.
He drew her mouth down over his and kissed her ferociously before he sat up and moved off the bed.
“Where are you going?” she asked, startled.
He drew on his briefs and his slacks, glancing down at her with amused delight. “One of us has to be sensible,” he told her. “Colby’s probably on his way back right now.”
“But he just left…”
“Almost an hour ago,” he finished for her, nodding toward the clock on the bedside table.
She sat up, her eyes wide with surprise.
“I took a long time with you,” he said gently. “Didn’t you notice?”
She laughed self-consciously. “Well, yes, but I didn’t realize it was that long.”
He drew her off the bed and bent to kiss her tenderly, nuzzling her face with his. “Was I worth waiting for?” he asked.
She smiled. “What a silly question.”
He kissed her again, but when he lifted his head he wasn’t smiling. “I loved what we did together,” he said quietly. “But I should have been more responsible.”
She knew what he was thinking. He hadn’t used anything, and he surely knew that she wasn’t. She flattened her hand against his bare chest. “There’s a morning-after pill. I’ll drive into the city tomorrow and get one,” she said, lying like a sailor. She had no intention of doing that, but it would comfort him.
He found that he didn’t like that idea. It hurt something deeply primitive in him. He scowled. “That could be dangerous.”
“No, it’s not.
He traced her fingernails while he tried to think. It seemed like a fantasy, a dream. He’d never had such an experience with a woman in his life.
She closed her eyes and moved closer to him. “I could never have done that with anyone else,” she whispered. “It was more beautiful than my dreams.”
His heart jumped. That was how it felt to him, too. He tilted her face so that he could search her soft eyes. She was radiant; she almost glowed. “Kiss me,” he murmured softly.
She did. But he wasn’t smiling. She could almost see the thoughts in his face. “You didn’t force me, Tate,” she said gently. “I made a conscious decision. I made a choice. I needed to know if what had happened to me had destroyed me as a woman. I found out in the most wonderful way that it hadn’t. I’m not ashamed of what we did together.”
“Neither am I.” He turned, his face still tormented. “But it wasn’t my right.”
“To be the first?” She smiled gently. “It would have been you eight years ago or eight years from now. I don’t want anyone else-not that way. I never did.”
He actually winced. “Cecily…”
“I’m not asking for declarations of undying love. I won’t cling. I’m not the type.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))