Comfort Me With Apples Quotes

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I felt that I was really living in the moment. I did not know where my life was going, but right now the future did not trouble me.
Ruth Reichl (Comfort Me with Apples: More Adventures at the Table)
and he smiled when he saw me, as if just the sight of me had improved his day.
Ruth Reichl (Comfort Me with Apples: More Adventures at the Table)
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
Stephanie Klein (Straight Up and Dirty)
I had done this. I had pulled my life apart. I would never, ever be safe again.
Ruth Reichl (Comfort Me with Apples: More Adventures at the Table)
My beloved's arm is under me. And his hand behind my head. Comfort me with apples, and stay me with flagons, For I am sick of love.
Song of Solomon
Is she happy? She doesn’t understand. She has never considered it. It is possible to be so entirely happy you never ask the question. She is a full glass submerged in water. Neither nor both full and empty. The inquiry, though kind, has no meaning for her.
Catherynne M. Valente (Comfort Me With Apples)
Be a good neighbor and you will have good neighbors
Catherynne M. Valente (Comfort Me With Apples)
Why…” Sophia raises her eyes to the ceiling, searching for a divinity that is not there, not for her. Her eyes fill up with hopelessness. She asks a question older than day and night. “Why doesn’t He love me like He loves you?” Tears fall down her perfect face. “Why does He let you do this? Why won’t He tell you to stop?
Catherynne M. Valente (Comfort Me With Apples)
...Sophia fully and truly thinks she will die. The sound of it is a knife, if a knife could kiss, and the kiss could turn the color of morning... ... Yet it contains a perfection that is twin to pain.
Catherynne M. Valente (Comfort Me with Apples)
He felt something on his neck. Warmth. He hesitated, then turned weary eyes toward the sky. Sunlight bathed his face. He gaped; it seemed so long since he’d seen pure sunlight. It shone down through a large break in the clouds, comforting, like the warmth of an oven baking a loaf of Adrinne’s thick sourdough bread. Almen stood, raising a hand to shade his eyes. He took a deep, long breath, and smelled… apple blossoms? He spun with a start. The apple trees were flowering. That was plain ridiculous. He rubbed his eyes, but that didn’t dispel the image. They were blooming, all of them, white flowers breaking out between the leaves. [...] What was happening? Apple trees didn’t blossom twice. Was he going mad? Footsteps sounded softly on the path that ran past the orchard. Almen spun to find a tall young man walking down out of the foothills. He had deep red hair and he wore ragged clothing: a brown cloak with loose sleeves and a simple white linen shirt beneath. The trousers were finer, black with a delicate embroidery of gold at the cuff. “Ho, stranger,” Almen said, raising a hand, not knowing what else to say, not even sure if he’d seen what he thought he’d seen. “Did you… did you get lost up in the foothills?” The man stopped, turning sharply. He seemed surprised to find Almen there. With a start, Almen realized the man’s left arm ended in a stump. The stranger looked about, then breathed in deeply. “No. I’m not lost. Finally. It feels like a great long time since I’ve understood the path before me.
Robert Jordan (Towers of Midnight (The Wheel of Time, #13))
But it feels so good to be held, it feels so good to be spoken to like she is capable and wise, to hear her life gain weight, fed by Cascavel. Fed by being seen.
Catherynne M. Valente (Comfort Me With Apples)
But even if they could go home it would be difficult for me to tell you what the moral of the story is. In some stories, it’s easy. The moral of “The Three Bears,” for instance, is “Never break into someone else’s house.” The moral of “Snow White” is “Never eat apples.” The moral of World War One is “Never assassinate Archduke Ferdinand.” […] and as the Baudelaire orphans sat and watched the dock fill with people as the business of the day began, they figured out something that was very important to them. It dawned on them that unlike Aunt Josephine, who had lived up in that house, sad and alone, the three children had one another for comfort and support over the course of their miserable lives. And while this did not make them feel entirely safe, or entirely happy, it made them feel appreciative.
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
هذي دمشق.. وهذي الكأس والراح إني أحب... وبعـض الحـب ذباح أنا الدمشقي.. لو شرحتم جسدي لسـال منه عناقيـدٌ.. وتفـاح و لو فتحـتم شراييني بمديتكـم سمعتم في دمي أصوات من راحوا زراعة القلب.. تشفي بعض من عشقو وما لقلـبي –إذا أحببـت جـراح This is Damascus... and this is a glass of spirit (comfort) I am in love... but I am aware of the fact that certain kinds of love can slaughter you in wrath I am a Damascene... if you dissect me into halves You will have but grapes... and apples falling in your path Open my veins with scalpels Hear ancestral chants If heart transplants... can cure some of the passionate Why does mine stay torn in half then?
Nizar Qabbani
I was drawn on. Conscious now that something needed doing, I moved ever higher on the land. Here entering an orchard of immense and archaic beauty. I say orchard: The trees were dense in one place, scattered in another, as though planted by random throw, but all were heavy trunked and capaciously limbed, and they were fruit trees, every one of them. Apples, gold-skinned apricots, immaculate pears. The leaves about them were thick and cool and stirred at my approach; touched with a finger, they imparted a palpable rhythm. It took a long while to traverse the orchard. I began to feel hungry but didn't pause; though all this fruit appeared perfectly available, I felt prodded to appear before the master. The place had a master! Realizing this, I know he was already aware of me - comforting and fearful knowledge. Still I wanted to see him. The farther I went the more I seemed to know or remember abut him - the way he'd planted this orchard, walking over the hills, casting seed from his hand. I kept moving.
Leif Enger (Peace Like a River)
I closed my eyes, flared my nostrils, and let the scents flood in. The strongest of them, caramel and brown sugar, smell as yellow-orange as the sun, came first. That one was easy. The one that anyone would notice coming into the shop. And then chocolate of course, the bitter dark and the sugary milk chocolate. I don’t think a normal girl would’ve smelled anything else, and part of me wanted to stop there. But I could feel Sam’s heart pounding behind me, and for once, I gave in. Peppermint swirled into my nostrils, sharp as glass, then raspberry, almost too sweet, like too-ripe fruit. Apple, crisp and pure. Nuts, buttery, warm, earthy, like Sam. The subtle, mild scent of white chocolate. Oh, God, some sort of mocha, rich and dark and sinful. I sighed with pleasure, but there was more. The butter cookies on the shelves added a floury, comforting scent, and the lollipops, a riot of fruit scents too concentrated to be real. The salty bite of pretzels, the bright smell of lemon, the brittle edge of anise. Smells I didn’t even know names for. I groaned.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
her that when he had first raised the idea, I hadn’t known he was sick. Almost nobody knew, she said. He had called me right before he was going to be operated on for cancer, and he was still keeping it a secret, she explained. I decided then to write this book. Jobs surprised me by readily acknowledging that he would have no control over it or even the right to see it in advance. “It’s your book,” he said. “I won’t even read it.” But later that fall he seemed to have second thoughts about cooperating and, though I didn’t know it, was hit by another round of cancer complications. He stopped returning my calls, and I put the project aside for a while. Then, unexpectedly, he phoned me late on the afternoon of New Year’s Eve 2009. He was at home in Palo Alto with only his sister, the writer Mona Simpson. His wife and their three children had taken a quick trip to go skiing, but he was not healthy enough to join them. He was in a reflective mood, and we talked for more than an hour. He began by recalling that he had wanted to build a frequency counter when he was twelve, and he was able to look up Bill Hewlett, the founder of HP, in the phone book and call him to get parts. Jobs said that the past twelve years of his life, since his return to Apple, had been his most productive in terms of creating new products. But his more important goal, he said, was to do what Hewlett and his friend David Packard had done, which was create a company that was so imbued with innovative creativity that it would outlive them. “I always thought of myself as a humanities person as a kid, but I liked electronics,” he said. “Then I read something that one of my heroes, Edwin Land of Polaroid, said about the importance of people who could stand at the intersection of humanities and sciences, and I decided that’s what I wanted to do.” It was as if he were suggesting themes for his biography (and in this instance, at least, the theme turned out to be valid). The creativity that can occur when a feel for both the humanities and the sciences combine in one strong personality was the topic that most interested me in my biographies of Franklin and Einstein, and I believe that it will be a key to creating innovative economies in the twenty-first century. I asked Jobs why he wanted me to be the one to write his biography. “I think you’re good at getting people to talk,” he replied. That was an unexpected answer. I knew that I would have to interview scores of people he had fired, abused, abandoned, or otherwise infuriated, and I feared he would not be comfortable with my getting them to talk. And indeed he did turn out to be skittish when word trickled back to him of people that I was interviewing. But after a couple of months,
Walter Isaacson (Steve Jobs)
Chemistry From the middle Dutch boele, which means lover, bully was a term of endearment in the sixteenth century, which meant that a feudal lord could take the hand of his love under the apple trees in spring and exclaim: my bully, feeling adrenaline flood his body as his heart rate tripled and his palms began to release water mixed with urea, ammonia, salt. Essentially, he could feel what I felt over four centuries later when Ian Starkey called me a fag. I was fourteen, and the next day he kicked me twice, spat in my face, took my glasses and wouldn't give them back. And the whole time sweat glands were developing in our armpits and genitals, and our adrenals were releasing corticosteroids, and something about testosterone was why, though I hated him, I kept imagining him with his shirt off. True, Ian Starkey knew how to hurt me, but I doubt he knew why he was doing it or that we feel pain when neurons in the brain convert an electrical signal to a chemical signal and back again, which is also what allows us to feel a kiss or my brain to take strange comfort imagining all the boys of the world leaning into the strong arms of their tormentors in spring under the apple blossoms, saying I forgive you, saying: I can never forgive you, saying, my enemy, my bully, my love.
Bruce Snider (Fruit (Volume 1) (Wisconsin Poetry Series))
Why doesn’t He love me like He loves you?” Tears fall down her perfect face. “Why does He let you do this? Why won’t He tell you to stop?” Adam picks awkwardly at the piecrust. “I was made in His image,” the primordial man says softly. Then he giggles. “You were made from my eye!
Catherynne M. Valente (Comfort Me with Apples)
It felt like chicken soup when I had a snotty mess of a cold, like a glass of icy apple juice when my body was on fire with fever. I didn't disappear into his embrace like I had in Max's, but he was still strong and comforting and almost like relief. I buried my face in his shoulder, and he found the sweet spot on my back again, rubbing it until I wanted to purr. But then my skin prickled, and suddenly I genuinely felt feverish. It was only supposed to be a hug with a friend, not me climbing him like a tree.
Sarah Chamberlain (The Slowest Burn)
General, but heartily evaluated by me, Surgeon Particular. I rarely discriminate my alcohol, but today I decide to stick to generation-proved staples of comfort and problem solving: vodka and whiskey. Starting in reverse alphabetical order I take a shot of cinnamon whiskey, which sails down smoother than Titanic, traces of familiar warmth reminiscent in my stomach for a minute straight, tongue pleasantly on fire. Next comes a complimentary and mandatory apple martini (Friday night’s special for ladies), provided
Kendal Taylor (Once Upon An Apple Martini)
Come home with me a little space And browse about our ancient place, Lay by your wonted troubles here And have a turn of Christmas cheer. These sober walls of weathered stone Can tell a romance of their own, And these wide rooms of devious line Are kindly meant in their design. Sometimes the north wind searches through, But he shall not be rude to you. We’ll light a log of generous girth For winter comfort, and the mirth Of healthy children you shall see About a sparkling Christmas tree. . . . And you may chafe the wasting oak, Or freely pass the kindly joke To mix with nuts and home-made cake And apples set on coals to bake. Or some fine carol we will sing In honor of the Manger-King. . . . These dear delights we fain would share With friend and kinsman everywhere, And from our door see them depart Each with a little lighter heart. Leslie Pinckney Hill
Thomas Kinkade (I'll Be Home for Christmas (Lighted Path Collection®))
MILTON’S PÂTÉ ½ small onion, minced ½ clove garlic, minced 2 tablespoons olive oil 3 anchovies, cut up ½ pound chicken livers, cleaned ¼ cup white wine (or any leftover wine) 2 sprigs flat-leaf parsley, chopped Small piece lemon peel, chopped 1 tablespoon chopped capers
Ruth Reichl (Comfort Me with Apples and Tender at the Bone: Two Culinary Treasures)
The final obstacle to sleep is my rage. Goddammit, I’m not sixteen anymore. Sleeping on a treadmill? Are you fucking kidding me? The person being interrogated is none other than myself. I’m not furious at my brother. Nor am I asserting some entitlement to the physical comforts that might reasonably be due a man who has achieved a certain maturity and has shouldered certain responsibilities. It is a question of autonomy—of being in the world on one’s own terms. It is a question of my failure, yet again, to ensure that I am where I want to be, in the company of the people I want to be with, in circumstances of my choosing. If there’s one thing I have learned over the years, if experience could be reduced to a single bitter apple of knowledge, it’s this: self-rule must be exercised with a tyrant’s purpose. And yet here I am in a strange home, at the mercy of the toothbrushes and toilet seats of strangers. I brought it on myself. I knew that no good would come of leaving home. I knew, dammit, that it was— “Markie?” “Mm?” “You all right?” “Mm.” “Listen up. When you meet Julie and Tony, just tell them that you’re just passing by, OK? You’re in England on business, and you’re just dropping in on your bruv.” “Why?” “It’s a delicate situation, bruv.” “Got it,” I say, although I don’t get anything.
Joseph O'Neill (Godwin: A Novel)
I see,” Cascavel says with real comfort in the margins of his voice. “I see.
Catherynne M. Valente (Comfort Me with Apples)
She’s so soft it’s shocking; her skin, her breasts, her hair all press against me, and I may as well be drowning in an apple-cinnamon scented comforter.
Lily Gold (Nanny for the Neighbors)
You’re so perfectly lovely and perfectly good and perfectly sweet as a perfect orange.
Catherynne M. Valente (Comfort Me with Apples)
You are happy, aren’t you? Aren’t you?” “Yes, my darling,” Sophia sighs, and she is not lying. Not yet.
Catherynne M. Valente (Comfort Me with Apples)
Thank you for coming with me.” She knew it was no small thing. Dom was Monarch of Iona now, the leader of an enclave shattered by war and betrayal. He should have been at home with his people, helping them restore what was nearly lost forever. Instead, he looked grimly down a sand dune, his clothes poorly suited to the climate, his appearance sticking sticking out of the desert like the sorest of thumbs. While so many things had changed, Dom’s ability to look out of place never did. He even wore his usual cloak, a twin to the one he lost months ago. The gray green had become a comfort like nothing else, just like the silhouette of his familiar form. He loomed always, never far from her side. It was enough to make Sorasa’s eyes sting, and turn her face to hide in her hood for a long moment. Dom paid it no notice, letting her recover. Instead, he fished an apple from his saddlebags and took a noisy bite. “I saved the realm,” he said, shrugging. The least I can do is try to see some of it.” Sorasa was used to Elder manners by now. Their distant ways, their inability to understand subtle hints. The side of her mouth raised against her hood, and she turned back to face him, smirking. “Thank you for coming with me,” she said again. “Oh,” he answered, shifting to look at her. The green of his eyes danced, bright against the desert. “Where else would I go?” Then he passed the rest of the apple over to her. She finished the rest without a thought. His hand lingered, though, scarred knuckles on a tattooed arm. She did not push him away. Instead, Sorasa leaned, so that her shoulder brushed his own, putting some of her weight on him. “Am I still a waste of arsenic?” he said, his eyes never moving from her face. Sorasa stopped short, blinking in confusion. “What?” “When we first met.” His own smirk unfurled. “You called me a waste of arsenic.” In a tavern in Byllskos, after I dumped poison in his cup, and watched him drink it all. Sorasa laughed at the memory, her voice echoing over the empty dunes. In that moment, she thought Domacridhan was her death, another assassin sent to kill her. Now she knew he was the opposite entirely. Slowly, she raised her arm and he did not flinch. It felt strange still, terrifying and thrilling in equal measure. His cheek was cool under under her hand, his scars familiar against her palm. Elders were less affected by the desert heat, a fact that Sorasa used to her full advantage. “No,” she answered, pulling his face down to her own. “I would waste all the arsenic in the world on you.” “Is that a compliment, Amhara?” Dom muttered against her lips. No, she tried to reply. On the golden sand, their shadows met, grain by grain, until there was no space left at all.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
For males, power is the ultimate aphrodisiac, and an addictive one at that. The violent reaction of Nikkie and Yeroen to their loss of power fits the frustration-aggression hypothesis to the letter: the deeper the bitterness, the greater the anger. Males jealously guard their power, and lose all inhibition if anyone challenges it. And this hadn’t been the first time for Yeroen. The ferocity of the attack on Luit may have been due to the fact that it was the second time he had come out on top. The first time Luit gained the upper hand - marking the end of Yeroen’s ancient regime - I was perplexed by the way the established leader reacted. Normally a dignified character, Yeroen became unrecognizable. In the midst of a confrontation, he would drop out of a tree like a rotten apple, writhing on the ground, screaming pitifully, and waiting to be comforted by the rest of the group. He acted much like a juvenile ape being pushed away from his mother’s teats. And like a juvenile who during tantrums keeps an eye on mom for signs of softening, Yeroen always noted who approached him. If the group around him was big and powerful enough, and especially if it included the alpha female, he would gain instant courage. With his supporters in tow, he would rekindle the confrontation with his rival. Clearly, Yeroen’s tantrums were yet another example of deft manipulation. What fascinated me most, however, were the parallels with infantile attachment, nicely captured in expressions like “clinging to power” and “being weaned from power.” Knocking a male off his pedestal gets the same reaction as yanking the security blanket away from a baby. When Yeroen finally lost his top spot, he would often sit staring into the distance after a fight, an empty expression on his face. He was oblivious to the social activity around him and refused food for weeks. We thought he was sick, but the veterinarian found nothing wrong. Yeroen seemed a mere ghost of the impressive big shot he had been. I’ve never forgotten this image of a beaten and dejected Yeroen. When power was lost, the lights in him went out.
Frans de Waal (Our Inner Ape: A Leading Primatologist Explains Why We Are Who We Are)
12. Suffering of any kind is and shall be considered - contraband.
Catherynne M. Valente (Comfort Me with Apples)
alive and warm and real and in gross violation of her HOA contract.
Catherynne M. Valente (Comfort Me With Apples)
Can you describe for me the tastes that you experienced as you said those words?" "Certainly. Mashed peas, dried apples, wine gum, weak tea, butter unsalted, Walkers crisps..."Mr. Roland replied. What I was experiencing at that moment wasn't an out-of-body experience. It was an in-another-body experience. Everything but this man and me had faded into darkness. He and I were at the two ends of a brightly lit tunnel. We were point A and point B. The tunnel was the most direct, straight-line route between the two points. I had never experienced recognition in this pure, undiluted form. It was a mirroring. It was a fact. It was a cord pulled taut between us. Most of all, it was no longer a secret. I don't remember getting up, but I must have. I do remember kneeling in front of the TV. I touched the image of Mr. Roland's face as his words jumped, swerved, coalesced, attacked, and revealed. As the interview continued, he became more comfortable with the interviewer, and his facial tics and rapid blinking lessened. He masked what he couldn't control by taking long sips from a glass of water (or perhaps the clear liquid was gin). He also turned his head slightly and coughed into his left hand, which provided him with a second or two of privacy. It soon became clear to Mr. Roland and to me that the interviewer wanted him to perform for the camera. After each question-and-answer exchange, the interviewer would ask him for the tastes of her words and then his. Mr. Roland was oddly obliging, much more so than I would have been in his position. I soon realized that his pool of experiential flavors, in other words his actual food intake, was very British and that he didn't venture far from home for his gastronomical needs. "Curry fries" was the most unusual taste that this piano tuner from Manchester listed. The word "employment" triggered it, he told the interviewer. I said "employment" aloud and tasted olives from a can, which meant I tasted more can than olives. I felt more than a tinge of envy.
Monique Truong (Bitter in the Mouth)
I am the default woman who was never noted as special. I'm the tolerant one that he's blessed to have. Im not the Apple of anyone's eye. I'm not the one longed for or the one that is dreamed about. I am the woman that sticks around and gives her all. Im not the woman that he's always wanted. I remember writing a song for him and he blew it off. I remember trying to spoil him and he barely reacted.. I remember feeling foolish for him and he quickly became comfortable and then I was just "the wife". I remember being told that "I cheated him" as if I deliberately decieved him and little did I know I was the one who was being deceived. I was being looked down on. I would never compare. I was not good enough in the eyes of him, her or the family. I remember trying to motivate only to be blamed for being part of the reason for poor family ties. I remember having to stand up for myself. I remember giving birth multiple times only to feel afterwards that maybe he wished it had been someone else baring his children. Ive read oh God what you think of me. I'm losing the battle in my mind. How many times will I take up arms in this battle only to find myself dying to sleep and waking up to fight it all over again. This woman will not die and the fight is not changing. It's like a self defeat life loop of my reincarnated self. Just thinking.
VaeEshia Ratcliff-Davis
For men, as Kissinger once said, power is the ultimate aphrodisiac. They jealously guard it, and if anyone challenges them, they lose all inhibitions. The same occurs in chimps. The first time I saw an established leader lose face, the noise and passion of his reaction astonished me. Normally a dignified character, this alpha male became unrecognizable when confronted by a challenger who slapped his back during a passing charge and slung huge rocks in his direction. The challenger barely stepped out of the way when the alpha countercharged. What to do now? In the midst of such a confrontation, the alpha would drop out of a tree like a rotten apple, writhe on the ground, scream pitifully, and wait to be comforted by the rest of the group. He acted much like a juvenile ape being pushed away from his mother’s breast. And like a juvenile, who during a noisy tantrum keeps an eye on Mom for signs of softening, the alpha took note of who approached him. When the group around him was big enough, he instantly regained courage. With his supporters in tow, he rekindled the confrontation with his rival. Once he lost his top spot, this alpha male sat staring into the distance after every brawl, unaccustomed to losing them. He’d have an empty expression on his face, oblivious to the social activity around him. He refused food for weeks. He became a mere ghost of the impressive big shot he had been. For this beaten and dejected alpha male, it was as if the lights had gone out.
Frans de Waal (Mama's Last Hug: Animal Emotions and What They Tell Us about Ourselves)
As I got to know many of the engineers at Apple, I was somewhat amused to discover that almost all of them played an instrument. Of course coders and players would be fascinated and comfortable with the mathematical nature of music. I guess it was more unusual for a successful musician to suddenly commit to learning the alien skill of composing in code, but as the technology penetrated the public consciousness at large it couldn’t help but hook in a few players who would succumb to that, which lured me to music- creating something from nothing.
Todd Rundgren (The Individualist: Digressions, Dreams & Dissertations)
When she headed for the front door, Jacques shook his head and crooked his finger at her. “He wants you to drink some juice.” “Oh, give it a rest. I didn’t say I would.” “We can stay here all night.” He shrugged broad shoulders and flashed a quick, lopsided grin. “I would not mind. Mikhail’s house is comfortable.” She scowled at him, tried to look fierce when something in her was beginning to find the entire lot of them comical. Males thought they were so logical. “You’re just like him. And don’t take it as a compliment either,” she added, when he looked pleased. He grinned again, that lopsided, heart-stopping grin that must break hearts everywhere he went. “You’re related to him, aren’t you?” Raven guessed, certain she was right. How could he not be? He had that same charm, the same eyes, the same good looks. “When he claims me.” He poured a glass of fresh apple juice and handed it to her. “He wouldn’t know.” It was going to kill her to drink it. “He would know. He knows everything. And where you are concerned, he can get a mite testy. So drink.
Christine Feehan (Dark Prince (Dark, #1))
You’re a leader here. Obviously your skills are far superior to mine. I don’t think I could ever fit into your life. I’m a loner, not the first lady.” “I have great responsibilities, yes. My people count on me to keep our businesses running smoothly, to hunt down the assassins murdering our people. They even believe I will singlehandedly find out why we lose so many of our children in their first year of life. There is nothing special about me, Raven, except that I have a will of iron and I am willing to shoulder these burdens. But I have nothing for myself. I never have had. You give me a reason to go on. You are my heart, my soul, the very air I breathe. Without you, I have nothing but darkness, emptiness. Just because I have power, because I am strong, that does not mean I cannot feel utterly alone. It is cold and ugly to exist alone.” Raven pressed a hand to her stomach. The apple juice seemed a hard knot sitting in her stomach, but so far, it was staying down. Mikhail looked so remote, so alone. She hated the way he stood silent, straight and proud, waiting for her to rip his heart out. She had to comfort him, and he knew it. He read her mind; he knew she couldn’t bear that loneliness in his eyes. She crossed the distance separating them. Raven didn’t say anything. What could she say? She simply laid her head over his heart and slipped her arms around his waist. Mikhail closed his arms around her. He had taken her life away from her, without her knowledge. She was comforting him, yet she didn’t know of his crime. She was bound to him, could not be away from him for long. He had no words to explain it to her without giving away more about their species than he could safely do. She thought she couldn’t live up to his position. She made him feel humble and ashamed of himself. His hand cupped her face, his thumb caressing the delicate line of her jaw. “Listen to me, Raven.” He brushed a kiss on the top of her silky head. “I know I do not deserve you. You think you are somehow less than what I am, but in truth, you are so far above me, I have no right even to reach for you.
Christine Feehan (Dark Prince (Dark, #1))
And the crumble today is rhubarb-apple." She then turned to me. "I'll give you a minute to decide," she smiled, walking off to the kitchen. I lingered at the table, eyeing the golden brown topping of the crumble, clattering tea cups and intimate conversations dancing in the background. It was similar to Make My Cake's cobbler in that it was a giant dish of oozing fruit concealed by bits of topping- exactly what I had come for. Yet it was unmistakably French. While it was indeed messier than the gâteaux I had fallen for elsewhere around Paris, Les Deux Abeilles's crumble, presented in a round white porcelain dish, was still more refined. It looked thick and sweet and crunchy. I could practically taste the buttery bits and jammy fruit converging in a chaotic mix of flavors and textures in my mouth. But now that pear-praline clafoutis was waving to me from heaven. And the tall, airy wisps on the lemon meringue were tempting me, as well as the towering cheesecake, fluffier than the versions back home, with more finesse. Molten chocolate cake is never the wrong choice, I was rationalizing to myself, when Valeria returned. "Alors, what will it be?" I gazed up at her comforting presence. "I'll take the crumble, please." After my laborious decision, I was relieved to discover I had been right to stick with my original intentions. Five minutes later, a generous slice of rhubarb-apple crumble arrived, warmed in the small kitchen and served with a side of fresh cream, whipped staunchly into a thick, puffy cloud. I sat for a minute, contemplating the crumble's imperfect bumps and dull brown color. The pale pink and sometimes green slices of rhubarb poked out of the sides and lumps of rouge topping decorated my plate. Where the crumble had baked against the dish, a sticky crust of caramelized fruit juice and sugar had formed. It looked like a tarte that had done a somersault in its pastry box and arrived bruised and battered. There was nothing perfect about it. Except its bright flavors. Except its comforting warmth. Except that it was exactly what I wanted and needed. I savored each juicy-crunchy bite. It was wonderful.
Amy Thomas (Paris, My Sweet: A Year in the City of Light (and Dark Chocolate))