Comedy Motivational Quotes

Rejection is an opportunity for your selection.

Take care of your costume and your confidence will take care of itself.

Bad improvisers block action, often with a high degree of skill. Good improvisers develop action."(p.115)

With right fashion, every female would be a flame.

I dream of a world where chickens can cross the road without having their motives questioned.

It's time to shop high heels if your fiance kisses you on the forehead.

Fashion doesn't make you perfect, but it makes you pretty.

Any girl with a grin never looks grim.

People in blind love throw away common sense, conscience and comedy from the life.

Dresses don't look beautiful on hangers.

Hands can cook, hands can create, hands can kill. There is no better tool than our hands.

Love is as we will it to be." ~ Amunhotep El Bey

Only love will attract love.”~ Amunhotep El Bey

Though I cannot tell why it was exactly that those stage managers, the Fates, put me down for this shabby part of a whaling voyage, when others were set down for magnificent parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in faces—though I cannot tell why this was exactly; yet, now that I recall all the circumstances, I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment.

Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.

The soul is born old but grows young. That is the comedy of life. And the body is born young and grows old. That is life's tragedy. -Oscar Wilde (1854-1900)

Bethink thee then how love must be the seed In you, not only of each virtuous action, But also of each punishable deed.

Zay shrugged one shoulder. “I wouldn’t say it was entirely innocent. All that warm, wet water touching us everywhere. And the soap definitely had ulterior motives.” I wrapped the towel around me, tucking it tight at the top. “That career in comedy? Walk away now, Jones.

The thing I don't understand about the suicide person is the people who try to commit suicide, for some reason they don't die, and that's it. They stop trying. Why don't they just keep trying? What's changed? Is their life any better now? No. In fact. it's worse, because now they've found out here's one more thing you stink at. And that's why these people don't succeed in life to begin with. They give up too easy. I say, pills don't work? Try a rope. Car won't start in the garage? Get a tune-up. There's nothing more rewarding than reaching a goal you've set for yourself.

We have an opportunity to love in love with our Savior. Not an erratic, emotionalism, romatic comedy kind of love, but a love so deep that it drives our motivations in life to honor and serve God. We have an opportunity for His love to become our identity. That's why holiness begins with an identity formed in God's love for us.

An old fashioned outfit is not a costume, it's a comedy.

Tragedy is actually untimely comedy

Laugh often.

Though I cannot tell why it was exactly that those stage managers, the Fates, put me down for this shabby part of a whaling voyage, when others were set down for magnificent parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in farces—though I cannot tell why this was exactly; yet, now that I recall all the circumstances, I think I can see a little into the springs and motives which being cunningly presented to me under various disguises, induced me to set about performing the part I did, besides cajoling me into the delusion that it was a choice resulting from my own unbiased freewill and discriminating judgment.

Essentially, he can be described by the Greek word sophron (though the word is not Homeric). This is untranslatable. It means, not necessarily that you have superior brains, but that you make maximum use of whatever brains you have got. Odysseus is the antithesis of Achilleus. Achilleus has a fine intelligence, but passion clouds it; Odysseus has strong passions, but his intelligence keeps them under control. Achilleus, Hektor, and Agamemnon, magnificent as they are, are flawed with uncertainty and can act on confused motives; Odysseus never. So those three are tragic heroes, but Odysseus, less magnificent but a complete man, is the hero of his own romantic comedy, the Return of Odysseus, or Odyssey.

It truly is a team sport, and we have the best team in town. But it’s my relationship with Ilana that I cherish most. We have such a strong partnership and have learned how we work most efficiently: I need coffee, she needs tea. When we’re stressed, I pace around and use a weird neck massager I bought online that everyone makes fun of me for, and she knits. When we’re writing together she types, because she’s faster and better at grammar. We actually FaceTime when we’re not in the same city and are constantly texting each other ideas for jokes or observations to potentially use (I recently texted her from Asheville: girl with flip-flops tucked into one strap of tank top). Looking back now at over ten years of doing comedy and running a business with her I can see how our collaboration has expanded and contracted. But it’s the problem-solving aspect of this industry, the producing, the strategy, the realizing that we could put our heads together and figure out the best solution, that has made our relationship and friendship what it is. Because that spills into everything. We both have individual careers now, but those other projects have only been motivating and inspiring to each other and the show. We bring back what we’ve learned on the other sets, in the other negotiations, in the other writers’ rooms or press situations. I’m very lucky to have jumped into this with Ilana Rose Glazer, the ballsy, curly-haired, openhearted, nineteen-year-old girl that cracked me up that night at the corner of the bar at McManus. So many wonderful things have happened since we began working together, but there are a lot of confusing, life-altering things in there too, and it’s such a relief to have someone who completely understands the good and the bad.

A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.

He’s so crooked, he can’t even lie in bed straight. That man’s never done anything without an ulterior motive.

What if you do the banana peel slip and tumble like a comedy superstar? But hold your hats, my intrepid spirit; what if you unleash the power of those magical wings and soar like a dazzling phoenix? Embrace the slapstick mishaps, for they're just part of the comedy show leading to your grand finale! So, let's unleash your wit and fly into the unknown, where laughter and greatness await your sensational performance!

Speak softly and carry a big stick . . . This way, for them to hear you, they will need to come close. That's when you hit them with the stick." ~ LJL and Teddy Roosevelt

To the dads who think they’re the funniest person in the room—and sometimes, they actually are! Whether you're telling those classic dad jokes, giving life advice that sounds suspiciously like a punchline, or fixing things in ways only you understand, you bring humor to every situation. Today’s your day to kick back, relax, and maybe even laugh at your own jokes. You’re the kings of comedy in our hearts. Enjoy your day, you hilarious legends!

To create your comedic MAPP, you start with the purpose. Why are you writing humor? Is it to motivate or to entertain? Is the humor for a speech, a presentation, a comedy gig, or the classroom? The purpose gives direction and meaning to the material.

the TTAPS study and the wider debate it ignited helped drive home the absurdity of nuclear strategies dependent on massive deterrence. The United States and the USSR had created a situation where even a limited nuclear conflict would cause a climate disaster that could quite possibly, among other things, collapse global agriculture, dooming civilization as we know it. With these weapons, there was no destroying your enemy without also destroying yourself. It brought to mind Stanley Kubrick’s brilliant Cold War dark comedy, Dr. Strangelove, in which the Soviets create a “doomsday machine” that will detonate if a nuclear war starts, rendering the entire world uninhabitable. The TTAPS nuclear winter study revealed that we had, unwittingly, built such a machine. These results were widely discussed in the security communities of both superpowers, and are often cited as helping to motivate the partial disarmament that both sides undertook as the Cold War wound down. Anti-Greenhouse In all these studies, Pollack and his collaborators were discovering variations that can be induced, by changes in quantities of gases or suspended particles, in a planetary greenhouse.

Watch, Listen, & Learn . . . Broaden your sense of humor by watching funny movies and shows, reading funny books, visiting live comedy shows, or enjoying YouTube clips.

The National Party's Barnaby Joyce has mocked Pastor Daniel for calling bottle shops 'Satan's stronghold'. It occurs to me that if Pastor Daniel's motivation is to suck up to white Australia, he wouldn't be denouncing beer. The pastor knows that the concept of Satan would be a laugh for the average Aussie, but he says he won't budge. 'I can't lie to be somebody. I have to be who I am. If they accept me, they accept me as a Christian. If not, tough luck.' (Later it strikes me the pastor has basically said, 'I will not assimilate.')

Even light comedy should be well motivated. It’s foolish to assume that a shorter book needs any less attention in the GMC department. In fact, a shorter book needs stronger GMC. By that I mean clear, understandable GMC. Short books can’t waste time rambling. You’ve got to set up your characters and get out of the way. A

If you are going to write a book, Make sure it is going to be worth reading .

If there's anything worse in this world than a bad batch of babi guling, it's hindsight.

You can laugh at small things, small mistakes, and/or small gestures.

Share your jokes with people who will understand, not with people who you're trying to impress.

When people say they laugh often together, it could indicate an easy feeling between the connection of their energies. Or it could simply indicate that there are no serious issues to discuss.

Recognise the type of laughter that you receive. Some people laugh when they're intensely irritated, and not necessarily because they find you amusing.

Who could depend on the fundamental decency of a society where, beneath the elegant surface, irrational motives made nonsense of constancy and a comedy of morals?

Similarly, ancient history is more psychologically remote than recent history. In an episode of South Park, the characters joke about whether enough time has passed for AIDS to be considered funny.46 Or as Carol Burnett said, “Comedy is tragedy plus time.

Nowadays everyone is involved in ideas—or, to be more accurate, in ideology. The impulse of novelists, which has been much decried, to make their heroes intellectuals of some sort was, however dull it became, perfectly sound: they wanted people of whom it was clear that ideas were an important condition of their lives. But this limitation to avowed intellectuals is no longer needed; in our society the simplest person is involved with ideas. Every person we meet in the course of our daily life, no matter how unlettered he may be, is groping with sentences toward a sense of his life and his position in it; and he has what almost always goes with an impulse to ideology, a good deal of animus and anger. What would so much have pleased the social philosophers of an earlier time has come to pass—ideological organization has cut across class organization, generating loyalties and animosities which are perhaps even more intense than those of class. The increase of conscious formulation, the increase of a certain kind of consciousness by formulation, makes a fact of modern life which is never sufficiently estimated. This is a condition which has been long in developing, for it began with the movements of religious separatism; now politics, and not only politics but the requirements of a whole culture, make verbal and articulate the motive of every human act: we eat by reason, copulate by statistics, rear children by rule, and the one impulse we do not regard with critical caution is that toward ideation, which increasingly becomes a basis of prestige. This presents the novel with both an opportunity and a duty. The opportunity is a subject matter. Social class and the conflicts it produces may not be any longer a compelling subject to the novelist, but the organization of society into ideological groups presents a subject scarcely less absorbing. Ideological society has, it seems to me, nearly as full a range of passion and nearly as complex a system of manners as a society based on social class. Its promise of comedy and tragedy is enormous; its assurance of relevance is perfect. Dostoevski adequately demonstrated this for us, but we never had in this country a sufficiently complex ideological situation to support it in our own practice of the novel. We have it now.

In all things, find the spark of laughter, for humor is the light that softens the shadows, warms the heart, and reminds us that even in life's roughest moments, joy is never far away.

Ask questions about people’s motivations, thoughts, stances, and internal train of thought. Try to ascertain people’s emotions and attitudes toward the topic at hand and what those imply. 

The only thing you humans are bloody good for—Comedy.

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