Coma Sayings And Quotes

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I think there must be probably different types of suicides. I'm not one of the self-hating ones. The type of like "I'm shit and the world'd be better off without poor me" type that says that but also imagines what everybody'll say at their funeral. I've met types like that on wards. Poor-me-I-hate-me-punish-me-come-to-my-funeral. Then they show you a 20 X 25 glossy of their dead cat. It's all self-pity bullshit. It's bullshit. I didn't have any special grudges. I didn't fail an exam or get dumped by anybody. All these types. Hurt themselves. I didn't want to especially hurt myself. Or like punish. I don't hate myself. I just wanted out. I didn't want to play anymore is all. I wanted to just stop being conscious. I'm a whole different type. I wanted to stop feeling this way. If I could have just put myself in a really long coma I would have done that. Or given myself shock I would have done that. Instead.
David Foster Wallace (Infinite Jest)
What does this say about the life you've lived, then?' 'Part of it— just part of it —was a coma, but I prefer to call it a parallel life. It sounds better. Problem is that most of us have— live, that is—more than two parallel lives.
André Aciman (Call Me by Your Name)
CALL YOURSELF Look deep in the mirror And say: 'I LOVE YOU' And immediately An electric current will Ripple throughout your soul And burst through your eyes Like shooting stars Dancing across the skies In ecstasy. To tell your soul you love it - Is like remembering WHO YOU ARE After being in a coma For a hundred years. Your face will beam the light Of a hundred galaxies.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
You are the only person I’d like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist. Sometimes I have this awful picture of waking up in our house in B. and, looking out to the sea, hearing the news from the waves themselves, He died last night. We missed out on so much. It was a coma. Tomorrow I go back to my coma, and you to yours.
André Aciman (Call Me by Your Name)
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Sometimes I wish someone would invent a pill so David’d wake up one morning without autism, like someone waking from a long coma, and he’d say, “Jeez, Catherine, where have I been?
Cynthia Lord (Rules (Scholastic Gold))
Maybe it was the alcohol, maybe it was the truth, maybe I didn't want things to turn abstract, but I felt I should say it, because this was the moment to say it, because it suddenly dawned on me that this was why I had come, to tell him 'You are the only person I'd like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist. Sometimes I have this awful picture of waking up in our house in B. and, looking out to the sea, hearing the news from the waves themselves, He died last night. We missed out on so much. It was a coma. Tomorrow I go back to my coma, and you to yours. Pardon, I didn't mean to offend—I am sure yours is no coma.' 'No, a parallel life.
André Aciman (Call Me by Your Name)
Imagine you're a forty-year-old, Richard," Hamilton said to me around this time, while working as a salesman at a Radio Shack in Lynn Valley,"and suddenly somebody comes up to you saying, 'Hi, I'd like you to meet Kevin. Kevin is eighteen and will be making all of your career decisions for you.' I'd be flipped out. Wouldn't you? But that's what life is all about - some eighteen-year-old kid making your big decisions for you that stick for a lifetime." He shuddered.
Douglas Coupland (Girlfriend in a Coma)
Do you think it would be possible for anyone to love you if they could see every single thing you do?’ And I watch them cringe as though I’ve reached out and struck them. ‘I’m serious,’ I say. ‘Imagine that everyone could see everything. Every secret, every base physical ejection, every category of porn you’ve ever looked at in a kind of coma when you’re numb to the normal stuff. Think about it all. Every moment of shame, of desperation – do you really think anyone could love you still? Anyone at all?’ 3 I remember what it was like when I first loved Ciaran, before he left me that first time at Christmas, when I’d miss him so much when he went anywhere.
Megan Nolan (Acts of Desperation)
Most of the time Marilyn's mother remained unconscious, her breath labored and erratic. One morning before dawn, she suddenly opened her eyes and looked clearly and intently at her daughter. "You know," she whispered softly, "all my life I thought something was wrong with me." Shaking her head slightly, as if to say, "What a waste," she closed her eyes and drifted back into a coma.
Tara Brach (Radical Acceptance: Embracing Your Life With the Heart of a Buddha)
They’re only askin’ you to do one thing. From what Rogue says, you ain’t exactly reluctant.” “F**k myself into a coma. Sure, I can do that. Then what?” “Uh, wait an hour?
Michelle O'Leary (Light of Kaska)
n fact, there is no way to "return to the faith of your childhood," not really, unless you've just woken from a decades-long and absolutely literal coma. Faith is not some half-remembered country into which you come like a long-exiled king, dispensing the old wisdom, casting out the radical, insurrectionist aspects of yourself by which you'd been betrayed. No. Life is not an error, even when it is. That is to say, whatever faith you emerge with at the end of your life is going to be not simply affected by that life but intimately dependent upon it, for faith in God is, in the deepest sense, faith in life--which means that even the staunchest life of faith is a life of great change. It follows that if you believe at fifty what you believed at fifteen, then you have not lived--or have denied the reality of your life.
Christian Wiman (My Bright Abyss: Meditation of a Modern Believer)
Dante Russo, perfect?” Her brow arched higher. “His security team once hospitalized someone who tried to break into his house. The guy wound up in a months-long coma with broken ribs and a shattered kneecap. It’s impressive, but I wouldn’t say he’s perfect.” Only Sloane would think putting a guy in a coma was impressive.
Ana Huang (King of Wrath (Kings of Sin, #1))
I have to say, Heiress, I’m not a big fan of comas.
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
Dear Logan, I'm very sorry to hear that you are in a coma. Or maybe you have amnesia. Or you lost the use of your writing hand and are learning to write with your other hand, which we both know would be saying something since even with your good hand your penmanship is atrocious. Or, wait, maybe the White House is out of paper. Oh my gosh! Is the White House out of paper?! You'd think that would be in the newspapers that my dad brings, but I could see where it might be a national security risk. No wonder the press is keeping it hush-hush. Don't worry. Your secret is safe with me. Who am I going to tell? Maddie
Ally Carter (Not If I Save You First)
In English, consciousness and unconsciousness are part of a vertical plane, so that we wake up ↑ and we fall ↓ asleep and we sink ↓ into a coma. Chinese uses the horizontal line, so that to wake is to cross a border towards consciousness → and to faint is to go back ← . Meanwhile, time itself is vertical so that last year is “the year above” ↑ and next year is “the year below” ↓. The day before yesterday is the day “in front” ↑ and the day after tomorrow is the day “behind” ↓. This means that future generations are not the generations ahead, but the ones behind. Therefore, to look into the future one must turn around...
Madeleine Thien (Do Not Say We Have Nothing)
I've never enjoyed being fully present, a muted reality has been the landscape I've preferred and mainly inhabited forever. Sure, feeling is good, but not too much, and if someone is able to get away with suffering devastating loss, massive regret, heartache, physical agony, mental instability, isolation, humiliation, abuse, incarceration, depression, tragedy etc. with a blanket of chemical protection, then who can say it's wrong?
Mark Lanegan (Devil in a Coma)
On hurricane days, when most women are filling their grocery carts with bread and milk, Miss Lana loads ours with candy, cakes, and tapered candles. If I die in the storm, I'll drift away in the arms of a sugar coma and candlelight, she always says.
Sheila Turnage (Three Times Lucky (Mo & Dale Mysteries, #1))
We could just chill if you want." Emma raises a brow at Rachel. Rachel shrugs her innocence. "Nuh-uh. Don't look at me. I didn't teach him that." "Picked it up all on my own," he says, retrieving his pencil from the floor. "Figures," Emma sneers. "Aww, don't hate on me, boo." "Okay, I'm drawing the line at 'boo.' And don't call me 'shorty' either," Emma says. He laughs. "That was next." "No doubt. So, did anyone explain how you chill?" Galen shrugs. "As far as I can tell, chillin' is the equivalent of being in a coma, only awake." "That's about right." "Yeah. Doesn't sound that appealing. Are all humans lazy?" "Don't push it, Highness." But she's smirking. "If I'm Highness, then you're 'boo.' Period." Emma growls, but it doesn't sound as fierce as she intends. In fact, it's adorable. "Jeez! I won't call you Majesty either. And you Will. Not. Ever Call me 'boo' again." His grin feels like it reaches all the way to his ears as he nods. "Did...did I just win an argument?" She rolls her eyes. "Don't be stupid. We tied." He laughs. "If you say I won, I'll let you open your present." She glances at the gift bag and bites her lip-also adorable. She looks back at him. "Maybe I don't care about the present." "Oh, you definitely care," he says, confident. "No. I definitely do NOT," she says, crossing her arms. He runs a hand through his hair. If she makes it any more difficult, he'll have to tell her where they're going. He gives his best nonchalant shrug. "That changes everything. I just figured since you like history...Anyway, just forget it. I won't bother you about it anymore." He stands and walks over to the bag, fingering the polka-dot tissue paper Rachel engorged it with. "Even if I say you win, it's still a lie, you know." Emma huffs. Galen won't take the bait. Not today. "Fine. It's a lie. I just want to hear you say it." With an expression mixing surprise and suspicion in equal parts, she says it. And it sounds so sweet coming from those lips. "You won.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Gate C22 At gate C22 in the Portland airport a man in a broad-band leather hat kissed a woman arriving from Orange County. They kissed and kissed and kissed. Long after the other passengers clicked the handles of their carry-ons and wheeled briskly toward short-term parking, the couple stood there, arms wrapped around each other like he’d just staggered off the boat at Ellis Island, like she’d been released at last from ICU, snapped out of a coma, survived bone cancer, made it down from Annapurna in only the clothes she was wearing. Neither of them was young. His beard was gray. She carried a few extra pounds you could imagine her saying she had to lose. But they kissed lavish kisses like the ocean in the early morning, the way it gathers and swells, sucking each rock under, swallowing it again and again. We were all watching– passengers waiting for the delayed flight to San Jose, the stewardesses, the pilots, the aproned woman icing Cinnabons, the man selling sunglasses. We couldn’t look away. We could taste the kisses crushed in our mouths. But the best part was his face. When he drew back and looked at her, his smile soft with wonder, almost as though he were a mother still open from giving birth, as your mother must have looked at you, no matter what happened after–if she beat you or left you or you’re lonely now–you once lay there, the vernix not yet wiped off, and someone gazed at you as if you were the first sunrise seen from the Earth. The whole wing of the airport hushed, all of us trying to slip into that woman’s middle-aged body, her plaid Bermuda shorts, sleeveless blouse, glasses, little gold hoop earrings, tilting our heads up.
Ellen Bass (The Human Line)
You became conscious of precisely what you unconsciously intended to say only when you said it. You modify your speech depending on wether you are talking to child, a colleague, a student, or a dean. Not consiously, most probably. Paradoxically, speech is usually considered the case of conscious behavior - behavior for which we hold people responsoble. Certainly, it require consciousness: you cannot have a conversation while in deep sleep or in coma. Nevertheless, the activities that organize your speech output are not conscious activities. Speaking is a highly skilled business, relyling on uncounscious knowledge of precisely what to say and how.
Patricia S. Churchland (Touching a Nerve: Our Brains, Our Selves)
Oliver: But there's the catch: you're still twenty years younger than those gathered around you, which is why I can be twenty-four in a second - I am twenty-four. And if you pushed the parable a few years further up, I could wake up and be younger than my elder son. Elio: What does this say about the life you've lived, then? Oliver: Part of it - just part of it - was a coma, but I prefer to call it a parallel life. It sounds better. Problem is that most of us have - live, that is - more than two parallel lives.
André Aciman (Call Me by Your Name)
I would say she’s in the place where the river of time runs into, where the holograms go when they disappear into the air, she is neither completely dreaming, nor fully awake,
Annie Fisher (The Greater Picture)
Gail, I can’t believe I’m about to say this, but please don’t punch the coma patient.” “He
Lexie Dunne (Supervillains Anonymous (Superheroes Anonymous, #2))
In genealogy you might say that interest lies in the eye of the gene holder. The actual descendants are far more intrigued with it all than the listeners, who quickly sink into a narcoleptic coma after the second or third great-great-somebody kills a bear or beheads Charles I, invents the safety pin or strip-mines Poland, catalogues slime molds, dances flamenco, or falls in love with a sheep. Genealogy is a forced march through stories. Yet everyone loves stories, and that is one reason we seek knowledge of our own blood kin. Through our ancestors we can witness their times. Or, we think, there might be something in their lives, an artist’s or a farmer’s skill, an affection for a certain landscape, that will match or explain something in our own. If we know who they were, perhaps we will know who we are. And few cultures have been as identity-obsessed as ours. So keen is this fascination with ancestry, genealogy has become an industry. Family reunions choke the social calendar. Europe crawls with ancestor-seeking Americans. Your mother or your spouse or your neighbors are too busy to talk to you because they are on the Internet running “heritage quests.” We have climbed so far back into our family trees, we stand inches away from the roots where the primates dominate.
Ellen Meloy (The Anthropology of Turquoise: Reflections on Desert, Sea, Stone, and Sky (Pulitzer Prize Finalist))
In support of this claim they point to the words 'comedy' and 'drama'. Their word for the outlying hamlets, they say, is comae, whereas Athenians call them demes — thus assuming that comedians got the name not from their comoe or revels, but from their strolling from hamlet to hamlet, lack of appreciation keeping them out of the city. Their word also for 'to act', they say, is dran, whereas Athenians use prattein.
Aristotle (Complete Works, Historical Background, and Modern Interpretation of Aristotle's Ideas)
But does it mean that everything-everything-that is in us can go on to the Mountains? Nothing, not even the best and noblest, can go on as it now is. Nothing, not even what is lowest and most bestial, will not be raised again if it submits to death. It is sown a natural body, it is raised a spiritual body. Flesh and blood cannot come to the Mountains. Not because they are too rank, but because they are too weak. What is a Lizard coma red with a stallion? Lust is poor, weak, whimpering, whispering thing compared with that richness and energy of desire which will arise when list has been killed….Excess of love, did ye say? There was no excess, there was defect. She loved her son too little, not too much. If she had loved him more there'd be no difficulty. I do not know how her affair will end. But it may well be that at this moment she's demanding to have him down with her in Hell. That kind is sometimes perfectly ready to plunge the soul they say they love in endless misery if only they can still in some fashion possess it. No, no. Ye must draw another lesson. Ye must ask, if the risen body even of appetite is as a grand a horse as ye saw, what would the risen body of maternal love or friendship be?
C.S. Lewis (The Great Divorce)
She was in a coma, and had been unresponsive for years. Every Tuesday I’d visit her and read to her, and as I’d leave I’d always say, “I love you,” as I’d kiss her on her forehead. One day as I was leaving, I said my normal I love you and kissed her, when her eyes popped open, she looked directly into my eyes, smiled, and then she said, “Spaghetti for brains albino idea weasel.” And that was when I stabbed her with a piece of garlic toast. It seemed like the most appropriate response. The police didn’t seem to agree, and I could tell by the way they bagged the evidence in a To Go box that they thought I was the lowest of the low, lower perhaps than even a politician. Well, not quite that low, but certainly with the cockroaches, vultures, and aids-infested vampires.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
she was fairly good at any kind of housework not demanding brains. Nobody could say why some of Ossian Popham's gifts of mind and conversation had not descended to his children, but though the son was not really stupid at practical work, Lallie Joy was in a perpetual state of coma.
Kate Douglas Wiggin (Mother Carey's Chickens)
We don’t treat each other very well, I suppose. Even from the start. It was as though we had the seven-year itch the day we met. The day she went into a coma, I heard her telling her friend Shelley that I was useless, that I leave my socks hanging on every doorknob in the house. At weddings we roll our eyes at the burgeoning love around us, the vows that we know will morph into new kinds of promises: I vow not to kiss you when you’re trying to read. I will tolerate you in sickness and ignore you in health. I promise to let you watch that stupid news show about celebrities, since you’re so disenchanted with your own life. Joanie and I were urged by her brother, Barry, to subject ourselves to counseling as a decent couple would. Barry is a man of the couch, a believer in weekly therapy, affirmations, and pulse points. Once he tried to show us exercises he’d been doing in session with his girlfriend. We were instructed to trade reasons, abstract or specific, why we stayed with each other. I started off by saying that Joanie would get drunk and pretend I was someone else and do this neat thing with her tongue. Joanie said tax breaks. Barry cried. Openly. His second wife had recently left him for someone who understood that a man didn’t do volunteer work.
Kaui Hart Hemmings (The Descendants)
Are you in there? If not here, then where'd you go? They say the living arena Earth and the dead are out, But where are those trapped in-between high and low? Where exactly are you wandering about? Why would this happen to a human being? I want to curse God and call him a fake, But I am too desperate to risk ruining The chance he may choose to help today.
Kristian Ventura (Can I Tell You Something?)
Sweet little thing says she still wants to marry him. Breaks your heart: She sighed and sounded sincere, so Tracy nodded in a way she hoped denoted that she, too, was a little bit heartbroken — even though she thought that if her (hypothetical) boyfriend were in a coma for more than a few weeks, she’d probably just cut her losses and move on, not stick around to watch him shit in his pants for the next fifty years.
Belinda Bauer (Rubbernecker)
You are the only person I'd like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist. Sometimes I have this awful picture of waking up in our house in B. and, looking out to the sea, hearing the news from the waves themselves, He died last night. We missed out on so much. It was a coma. Tomorrow I go back to my coma, and you to yours.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
I have spent these last two days in concentrated introspection," said Cutie, "and the results have been most interesting. I began at the one sure assumption I felt permitted to make.I, myself, exist, because I think-" Powell groaned, "Oh, Jupiter, a robot Descartes!" "Who's Descartes?" demanded Donovan. "Listen, do we have to sit here and listen to this metal maniac-" "Keep quiet, Mike!" Cutie continued imperturbably, "And the question that immediately arose was: Just what is the cause of my existence?" Powell's jaw set lumpily. "You're being foolish. I told you already that we made you." "And if you don't believe us," added Donovan, "we'll gladly take you apart!" The robot spread his strong hands in a deprecatory gesture, "I accept nothing on authority. A hypothesis must be backed by reason, or else it is worthless - and it goes against all the dictates of logic to suppose that you made me." Powell dropped a restraining arm upon Donovan's suddenly unched fist. "Just why do you say that?" Cutie laughed. It was a very inhuman laugh - the most machine-like utterance he had yet given vent to. It was sharp and explosive, as regular as a metronome and as uninflected. "Look at you," he said finally. "I say this in no spirit of contempt, but look at you! The material you are made of is soft and flabby, lacking endurance and strength, depending for energy upon the inefficient oxidation of organic material - like that." He pointed a disapproving finger at what remained of Donovan's sandwich. "Periodically you pass into a coma and the least variation in temperature, air ressure, humidity, or radiation intensity impairs your efficiency. You are _makeshift_. "I, on the other hand, am a finished product. I absorb electrical energy directly and utilize it with an almost one hundred percent efficiency. I am composed of strong metal, am continuously conscious, and can stand extremes of environment easily. These are facts which, with the self-evident proposition that no being can create another being superior to itself, smashes your silly hypothesis to nothing.
Isaac Asimov
You are the only person I’d like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist. Sometimes I have this awful picture of waking up in our house in B. and, looking out to the sea, hearing the news from the waves themselves, He died last night. We missed out on so much. It was a coma. Tomorrow I go back to my coma, and you to yours. Pardon, I didn’t mean to offend—I am sure yours is no coma.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
Do you have boundaries? Bask in those boundaries. Fuck saying yes to things you don't want to do. Oh my Lord, you do not have the time for that. Can I tell you what makes me anxious on top of my existing anxiousness? Thinking, 'Shit, now I have to go to [THIS THING I WOULD RATHER SLIP INTO A COMA THAN ATTEND].' And you know what? No. Nope! No thanks. No one is ever cooler or more successful because they went to that one party at that girl they hate's house that one time. They are usually just annoyed they didn't make dinner plans with a friend they actually like.
Anne T. Donahue (Nobody Cares)
Elio: You are the only person I'd like to say goodbye to when I die, becaue only then will this thing I call my life make any sense. And if I should hear that you died, my life as i know it, the me who is speaking with you now, will cease to exist. Sometimes I have this awful picture of waking up in our house in B. and, looking out to the sea, hearing the news from the waves themselves, He died last night. We missed out on so much. It was a coma. Tomorrow I go back to my coma, and you to yours. Pardon, I didn't mean to offend - I am sure yours is no coma. Oliver: No, a parallel life.
André Aciman (Call Me by Your Name)
You are the only person I'd like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist. Sometimes I have this awful picture of waking up in our house and looking out to the sea, hearing the news from the waves themselves, 'He died last night.' We missed out on so much. It was a coma. Tomorrow I go back to my coma, and you to yours. Maybe every other sorrow I had known in life suddenly decided to converge on this very one. I had to fight it off...
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
We do not know what it's like to be a bat, we do not know what it's like to be in coma. we can't even say that we know what it's like to be sleeping. We can say what it's like to be restored to consciousness after sleeping. If there are no dreams during our sleep then the sleeping life is an empty life. We might say of such a life that it's not like being anything. We protect that life on the assumption that come the morning its normal functions will be restored. Suppose it was the case however that such functions were only restored every two days... every eight days... twice a year but only briefly. I assume the point is clear. Actions that end life are irretrievable. If we are mistaken at that point there is no going back.
Daniel N. Robinson (Consciousness and Its Implications)
TIA OR TARA has stopped applying makeup to my wife’s face and is looking at Scottie with disapproval. The light is hitting this woman’s face, giving me an opportunity to see that she should perhaps be working on her own makeup. Her coloring is similar to a manila envelope. There are specks of white in her eyebrows, and her concealer is not concealing. I can tell my daughter doesn’t know what to do with this woman’s critical look. “What?” Scottie asks. “I don’t want any makeup.” She looks at me for protection, and it’s heartbreaking. All the women who model with Joanie have this inane urge to make over my daughter with the notion that they’re helping her somehow. She’s not as pretty as her older sister or her mother, and these other models think that slapping on some rouge will somehow make her feel better about her facial fate. They’re like missionaries. Mascara thumpers. “I was just going to say that I think your mother was enjoying the view,” Tia or Tara says. “It’s so pretty outside. You should let the light in.” My daughter looks at the curtain. Her little mouth is open. Her hand reaches for a tumbleweed of hair. “Listen here, T. Her mother was not enjoying the view. Her mother is in a coma. And she’s not supposed to be in bright light.” “My name is not T,” she says. “My name is Allison.” “Okay, then, Ali. Don’t confuse my daughter, please.” “I’m turning into a remarkable young lady,” Scottie says. “Damn straight.” My heart feels like one of Scottie’s clogs clomping down the hall. I don’t know why I became so angry.
Kaui Hart Hemmings (The Descendants)
Maybe it was the alcohol, maybe it was the truth, maybe I didn’t want things to turn abstract, but I felt I should say it, because this was the moment to say it, because it suddenly dawned on me that this was why I had come, to tell him “You are the only person I’d like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist. Sometimes I have this awful picture of waking up in our house in B. and, looking out to the sea, hearing the news from the waves themselves, He died last night. We missed out on so much. It was a coma. Tomorrow I go back to my coma, and you to yours. Pardon, I didn’t mean to offend—I am sure yours is no coma.” “No, a parallel life.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
461In fact, there is no way to "return to the faith of your childhood," not really, unless you've just woken from a decades-long and absolutely literal coma. Faith is not some half-remembered country into which you come like a long-exiled king, dispensing the old wisdom, casting out the radical, insurrectionist aspects of yourself by which you'd been betrayed. No. Life is not an error, even when it is. That is to say, whatever faith you emerge with at the end of your life is going to be not simply affected by that life but intimately dependent upon it, for faith in God is, in the deepest sense, faith in life--which means that even the staunchest life of faith is a life of great change. It follows that if you believe at fifty what you believed at fifteen, then you have not lived--or have denied the reality of your life.
Christian Wiman
Besides, they say, when we eat something, what really happens is this. Our failing health starts fighting off the attacks of hunger, using the food as an ally. Gradually it begins to prevail, and, in this very process of winning back its normal strength, experiences the sense of enjoyment which we find so refreshing. Now, if health enjoys the actual battle, why wouldn't it also enjoy the victory? Or are we to suppose that when it has finally managed to regain its former vigour - the one thing that it has been fighting for all this time - it promptly falls into a coma, and fails to notice or take advantage of its success? As for the idea that one isn't conscious of health except through its opposite, they say that's quite untrue. Everyone's perfectly aware of feeling well, unless he's asleep or actually feeling ill. Even the most insensitive and apathetic sort of person will admit that it's delightful to be healthy - and what is delight, but a synonym for pleasure?
Thomas More
  “Some people develop a love of something and that love is a lifelong love. Like, say, a scientist. He is on a quest for knowledge. He loves theories. He loves testing his theories. He loves this quest for knowledge. And maybe he is only a teacher or a professor but he still loves this knowledge, he loves what he does and he wants to share it with people. Sure, there are some days when he doesn’t want to get out of bed in the morning and go to the job but when he stands back and, and... puts it all into perspective... he realizes it’s not that bad at all. He likes what he does. On the other hand, you take a man who works in a factory. It’s unrealistic to think this man likes putting the same bolt in the same part or whatever for eight to twelve hours a day. He does it for a paycheck so he can support his family or his booze habit or whatever. But every day, when he goes to work, he has to put himself into something like a coma because he hates what he does so much. Do you follow me?
Andersen Prunty (The Beard)
This is waste of time. Also waste of my food.' 'I need to know if I can eat your food.' 'Eat your own food.' 'I've only got a few months of real food left. You have enough aboard your ship to feed a crew of twenty-three Eridians for years. Erid life and Earth life use the same proteins. Maybe I can eat your food.' 'Why you say "real food", question? What is non-real food, question?' I checked the readout again. Why does Eridian food have so many heavy metals in it? 'Real food is food that tastes good. Food that's fun to eat.' 'You have not-fun food, question?' 'Yeah. Coma slurry. The ship fed it to me during the trip here. I have enough to last me almost four years.' 'Eat that.' 'It tastes bad.' 'Food experience not that important.' 'Hey,' I point at him. 'To humans, food experience is very important.' 'Humans strange.' I point at the spectrometer readout screen. 'Why does Eridian food have thallium in it?' 'Healthy.' 'Thallium kills humans!' 'Then eat human food.' 'Ugh.
Andy Weir (Project Hail Mary)
—?’ He waited for seven breaths. ‘I want shock,’ she said finally. ‘Isn’t part of this whole concerned kindness deal that you’re supposed to ask me how I think you can be of help? Cause I’ve been through this before. You haven’t asked what I want. Isn’t it? Well how about either give me ECT 29 again, or give me my belt back. Because I can’t stand feeling like this another second, and the seconds keep coming on and on.’ ‘Well,’ the doctor said slowly, nodding to indicate he had heard the feelings the young woman was expressing, ‘Well, I’m happy to discuss treatment options with you, Katherine. But I have to say right now I’m curious about what you started it sounded like to me to maybe start to indicate what might have occurred, something, two weeks ago to make you feel these feelings now. Would you be comfortable talking to me about it?’ ‘Either ECT or you could just sedate me for a month. You could do that. All I’d need is I think a month at the outside. Like a controlled coma. You could do that, if you guys want to help.’ The doctor gazed at her with a patience she was meant to see. And she gave him back a frightening smile, a smile empty of all affect, as if someone had contracted
David Foster Wallace (Infinite Jest)
It is easy to be virtuous in our world because we have adopted easy virtues. We applaud ourselves for our goodness, but it costs nothing to be “good” in modern times. A man can be good just by sitting in his living room. The couch potato is the new paragon of virtue, exceeded in goodness only by the man in a coma. Virtue has been pulled down from its lofty perch and made accessible to the inert. By this standard, the most virtuous thing on the planet is a turnip or a blade of grass. It just sits there and says nothing and does nothing and does not get in the way. The church, once the stalwart defender of real virtues, now promotes cheap and shallow ones. Christians are not often exhorted to courage, chastity, fidelity, temperance, and modesty anymore. Those virtues require action and sacrifice and intention and thought and sometimes pain. They ask you to do something for their sake, become something, be something. These are the formidable, inconvenient virtues. You must rise to them because they will not come down to you. Luckily for us, we are no longer asked to strive for those high virtues. Instead we are encouraged to be welcoming, accepting, and tolerant. The turnip virtues. Compassionate, too. Always compassionate. And I agree, of course, that a Christian ought to be welcoming, accepting, and tolerant. Certainly he must be compassionate. But these virtues have superseded and ultimately consumed all the others.
Matt Walsh (Church of Cowards: A Wake-Up Call to Complacent Christians)
Help,’ Jo moaned. ‘I think I’m in a coma.’ It was seven o’clock. The library walls were scrubbed clean and Allie’s neck and shoulders ached whenever she even thought about raising her arms as she sat on the dust sheet next to Jo. ‘Do your arms hurt?’ Allie asked, rubbing her shoulders. ‘God yes.’ ‘Then you’re not in a coma.’ Gingerly Allie stretched out her legs. ‘Jesus. What have I got myself into? Rachel has a swimming pool and horses. Horses, Jo. I could be floating in a pool and petting soft pony noses if I were still at her house.’ ‘Here.’ Jo turned to face her. ‘My nose is soft. You can pet it.’ Allie stroked her nose tiredly. ‘Wow. This is just like being at Rachel’s. Where’s the pool?’ ‘No pool,’ Jo said. ‘Showers.’ ‘Sucks.’ ‘Totally.’ ‘Are you two just going to lie there complaining? Or are you coming to dinner?’ Allie looked up to see Carter standing above them, studying them doubtfully. ‘Jo’s in a coma,’ Allie informed him. ‘She no longer needs food.’ ‘Wait. Did you say food? I think I’m actually awake.’ Jo scrambled to her feet. ‘My God,’ Allie said mildly. ‘It’s a miracle.’ ‘You’ve only been doing this one day, Sheridan.’ Carter reached down to pull her up. ‘You can’t be tired already.’ ‘Everything hurts,’ she said. ‘Shoulders, arms, back …’ ‘Legs, feet, head …’ Jo offered helpfully. ‘Ankles. Shins. Name a body part,’ Allie said. ‘It hurts.’ Carter didn’t look impressed. ‘Food will ease your pain.’ He steered them towards the dining hall. ‘He’s very wise,’ Allie told Jo. ‘Clearly,’ Jo replied.
C.J. Daugherty (Legacy (Night School, #2))
It was his fault.She could put the blame for this entirely on Brian Donnelly's shoudlers.If he hadn't been so insufferable,if he hadn't been there being insufferable when Chad had called, she wouldn't have agreed to go out to dinner.And she wouldn't have spent nearly four hours being bored brainless when she could've been doing something more useful. Like watching paint dry. There was nothing wrong with Chad, really.If you only had,say,half a brain, no real interest outside of the cut of this year's designer jacket and were thrilled by a rip-roaring debate over the proper way to serve a triple latte,he was the perfect companion. Unfortunately,she didn't gualify on any of those levels. Right now he was droning on about the painting he'd bought at a recent art show. No,not the painting,Keeley thought wearily. A discussion of the painting,of art,might have been the medical miracle that prevented her from slipping into a coma.But Chad was discoursing-no other word for it-on The Investment. He had the windows up and the air conditioning clasting as they drove. It was a perfectly beautiful night, she mused, but putting the windows down meant Chad's hair would be mussed. Couldn't have that. At least she didn't have to attempt conversation. Chad preferred monologues. What he wanted was an attractive companion of the right family and tax bracket who dressed well and would sit quietly while he pontificated on the narrow areas of his interest. Keeley was fully aware he'd decided she fit the bill,and now she'd only encouraged him by agreeing to this endlessly tedious date.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
He is thinking if there is any way by which he can explain just how and what it is he suffers. He is wondering if there is anyone in the whole wide world with a heart big enough to comprehend what it is he wants to tell. There are so many little things to say first, and will anyone have the patience to listen to the end? Suffering is no one thing: it is composed of invisible atoms infinite in number, each one a universe in the great macrocosm of pain. He could begin anywhere, with anything, with a silly word even, a word such as flapdoodle, and he could erect a cathedral of staggering dimensions which would not occupy so much as a pocket in the crevice of the tiniest atom. To say nothing of the surrounding terrain, of the circumambient aura, of things like coast lines, volcanic craters, fathomless lagoons, pearl studs and tons of chicken feathers. The musician has an instrument to work with, the surgeon has his implements, the architect his plans, the general his pawns, the idiot his idiocy, but the one who is suffering has everything in the universe except relief. He can run out to the periphery a trillion times but the circle never straightens out. He knows every diameter but no egress. Every exit is closed, whether it be an inch away or a billion light years distant. You crash a gate made of arms and legs only to get a butt blow behind the ear. You pick up and run on bloody, sawed-off stumps, only to fall into an endless ravine. You sit in the very center of emptiness, whimpering inaudibly, and the stars blink at you. You fall into a coma, and just when you think you've found your way back to the womb they come after you with pick and shovel, with acetylene torches. Even if you found the place of death they would find a way to blow you out of it. You know time in all its curves and infidelities. You have lived longer than it takes to grow all the countless separate parts of a thousand new universes. You have watched them grow and fall apart again. And you are still intact, like a piece of music which goes on being played forever. The instruments wear out, and the players too, but the notes are eternal, and you are made of nothing but invisible notes which even the faintest zephyr can shake a tune out of.
Henry Miller (The Air-Conditioned Nightmare (New Directions Paperbook))
I want to move my hands, but they’re fused to his rib cage. I feel his lung span, his heartbeat, his very life force wrapped in these flimsy bars of bone. So fragile yet so solid. Like a brick wall with wet mortar. A juxtaposition of hard and soft. He inhales again. “Jayme,” he says my name with a mix of sigh and inquiry. I open my eyes and peer into his flushed face. Roses have bloomed on his ruddy cheeks and he looks as though he’s raced the wind. “Mm?” I reply. My mind is full of babble, I’m so high. “Jayme,” he’s insistent, almost pleading. “What are you?” Instantaneous is the cold alarm that douses the flames still dancing in my heart. I feel the nervousness that whispers through me like a cool breeze in the leaves. “What do you mean?” I ask, the disquiet wringing the strength from my voice. “It doesn’t hurt anymore,” he explains, inhaling deeply. I feel the line of a frown between my brows. Gingerly, I lift the hem of his shirt. And as sure as I am that the world is round and that the sky is, indeed, blue the bruises and welts on his torso have faded to nothingness, the golden tan of his skin is sun-kissed perfection. Panic has me frozen as I stare. “I don’t understand,” I whisper. He looks down at his exposed abdomen. “I think you healed me.” He says it so simply, but my mind takes his words and scatters them like ashes. I feel like I’m waking from a coma and I have amnesia and everyone speaks Chinese. I can’t speak. If I had the strength to, I wouldn’t have the words. I feel the panic flood into me and fear spiked adrenaline courses through me, I shove him. Hard. Eyes wide with shock, he stumbles back a few steps. A few steps is all I need. Fight or flight instinct taking root, I fight to flee. The space between us gives me enough room to slide out from between him and the car. He shouts my name. It’s too late. I’m running a fast as my lithe legs will carry me. My Converse pound the sidewalk and I hear the roar of his engine. It’s still too late. I grew up here and I’m ten blocks from home. No newbie could track me in my own neighborhood. In my town. Not with my determination to put as much distance as I can between me and the boy who scares the shit out of me. Not when I’ve scared the shit out of myself. I run. I run and I don’t stop.
Elden Dare (Born Wicked (The Wicked Sorcer Series #1))
After that, we don’t talk, instead we get hammered. Shot after shot we down, chasing each one with a Little Debbie snack. Before we know it, we’re hanging on to the bar counter floating around in a sugar and alcohol coma, just the way I like it. “There’s my girl,” Racer shouts as he topples off his stool and onto the floor, laughing hysterically. Georgie stops in her tracks and looks over at Emma, who’s standing next to her, both holding two boxes of Little Debbie snacks each. “Emmmmmmmma,” Tucker drags out, waving his glass in the air. “You brought the snacks.” “Oh, Jesus,” Emma mutters as she approaches us. I point to my mouth and say, “Feed me. Daddy needs sugar.” Racer is beside me, tangled in the pegs of his bar stool, still laughing. “Did you bring Oatmeal Pies, George? Please tell me you have the pies.” “Uh, I think you’ve had enough for tonight,” she says, looking down at her boyfriend. “Never!” Racer struggles to get up and finally knocks the chair over to free himself. “Fucking bitch chair, digging into me with its claws.” Talking to the stool directly he says, “I’m taken, warm someone else’s ass.” “He’s going to propose, chair, leave him alone,” Tucker announces, causing me to cringe. “Dude, don’t say it out loud.” I punch Tucker in the shoulder. “Georgie is right there.” All three of us turn to Georgie, who’s shaking her head in humor. Hopefully. “I’ll take Aaron,” Emma tells Georgie. “Seems like Racer is more of a handful.” “Hell yeah, I am.” Racer stumbles while cupping his crotch. “A giant handful.” Georgie rolls her eyes. “And that’s our cue to leave.” “But we didn’t eat our snacks.” “Seems like you had enough.” Georgie grabs Racer by the hand. “Come on.” As they walk away, Racer asks, “Want to have sex in the car?” “Not even a little.” “Here, you two, you can have your boxes of snacks.” Emma hands Tucker and me both a box of Oatmeal Pies that we clutch to our chests. “You’re the best,” I admit. “She is, isn’t she?” Tucker says. “I love her so fucking hard. Best wife ever.” She pulls on both of our hands to get us moving. “She wins wife of the year award,” I announce. “Best wife goes to Emma. Can we get a round of applause?” Tucker breaks open his Oatmeal Pies and starts spraying them like confetti. “Emma. Emma. Emma.” He chants, getting the three other patrons in the bar to join in. I pump my fist as well, forgetting everything from earlier. I knew I could count on my guys. “Emma. Emma. Emma . . .” And then, everything fades to black. Emotions and feelings are non-existent as I pass out, just the way I like it. Just the way I need it.
Meghan Quinn (The Other Brother (Binghamton, #4))
What is it that makes a person the very person that she is, herself alone and not another, an integrity of identity that persists over time, undergoing changes and yet still continuing to be—until she does not continue any longer, at least not unproblematically? I stare at the picture of a small child at a summer’s picnic, clutching her big sister’s hand with one tiny hand while in the other she has a precarious hold on a big slice of watermelon that she appears to be struggling to have intersect with the small o of her mouth. That child is me. But why is she me? I have no memory at all of that summer’s day, no privileged knowledge of whether that child succeeded in getting the watermelon into her mouth. It’s true that a smooth series of contiguous physical events can be traced from her body to mine, so that we would want to say that her body is mine; and perhaps bodily identity is all that our personal identity consists in. But bodily persistence over time, too, presents philosophical dilemmas. The series of contiguous physical events has rendered the child’s body so different from the one I glance down on at this moment; the very atoms that composed her body no longer compose mine. And if our bodies are dissimilar, our points of view are even more so. Mine would be as inaccessible to her—just let her try to figure out [Spinoza’s] Ethics—as hers is now to me. Her thought processes, prelinguistic, would largely elude me. Yet she is me, that tiny determined thing in the frilly white pinafore. She has continued to exist, survived her childhood illnesses, the near-drowning in a rip current on Rockaway Beach at the age of twelve, other dramas. There are presumably adventures that she—that is that I—can’t undergo and still continue to be herself. Would I then be someone else or would I just no longer be? Were I to lose all sense of myself—were schizophrenia or demonic possession, a coma or progressive dementia to remove me from myself—would it be I who would be undergoing those trials, or would I have quit the premises? Would there then be someone else, or would there be no one? Is death one of those adventures from which I can’t emerge as myself? The sister whose hand I am clutching in the picture is dead. I wonder every day whether she still exists. A person whom one has loved seems altogether too significant a thing to simply vanish altogether from the world. A person whom one loves is a world, just as one knows oneself to be a world. How can worlds like these simply cease altogether? But if my sister does exist, then what is she, and what makes that thing that she now is identical with the beautiful girl laughing at her little sister on that forgotten day? In this passage from Betraying Spinoza, the philosopher and novelist Rebecca Newberger Goldstein (to whom I am married) explains the philosophical puzzle of personal identity, one of the problems that engaged the Dutch-Jewish thinker who is the subject of her book.5 Like her fellow humanist Dawkins, Goldstein analyzes the vertiginous enigma of existence and death, but their styles could not be more different—a reminder of the diverse ways that the resources of language can be deployed to illuminate a topic.
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
I’m not one of those people that say Hip Hop is dead, but I will say it is knocked the fuck out or in a coma or something.
Jeff Carroll (It Happened on Negro Mountain)
Few Can Stick with 100% Stocks Long-Term Let's say you invested $100,000 into the S&P 500 in January 2007 then slipped into a coma for ten years. When you woke up, you would have been delighted to see your money at $195,000. If you had remained conscious, you would have watched your account value cut in half by May of 2009 . Would you have been able to watch your account fall by 50% and still held on? Or would you have panicked and sold at the bottom?
Nathan Winklepleck (Dividend Growth Machine: The Intelligent Investor's Guide to Creating Passive Income in Retirement)
If you, the reader, were by some magic instantly transported to the top of Mount Everest, you would have to deal with the medical fact that in the first few minutes you’d be unconscious, and in the next few minutes you’d be dead. Your body simply cannot withstand the enormous physiologic shock of being suddenly placed in such an oxygen-deprived environment. What a climber must do, as we did over several weeks, is to start at Base Camp, climb up, and then climb back down again. Rest and repeat. You keep doing this over and over on Everest, always pushing a little higher each time until (you hope) your body begins to acclimatize. You basically say to your body, “I am going to climb this thing, and I’m taking you with me. So get ready.” But you must be patient. Climb too fast and you elevate your risk of high-altitude pulmonary edema (HAPE), in which your lungs fill with water and you can die unless you get down the mountain very fast. Even deadlier is high-altitude cerebral edema (HACE), which causes the brain to swell. HACE can induce a fatal coma unless you are quickly evacuated. There’s no way to know beforehand if you are susceptible to these medical conditions. Some people develop symptoms at altitudes as low as ten thousand feet. Moreover, veteran climbers who’ve never encountered either problem can develop HAPE or HACE without warning. Similarly unpredictable is a much more common menace, hypoxia, caused by reduced supply of oxygen to the brain. In its milder forms, hypoxia induces euphoria and renders the sufferer a little goofy. Severe hypoxia robs you of your judgment and common sense, not a welcome complication at high altitude. Climbers call the condition HAS, High-Altitude Stupid.
Beck Weathers (Left for Dead: My Journey Home from Everest)
The storm relented on the morning of the eleventh. The winds dropped to about thirty knots. Stuart Hutchison and three Sherpas went in search of Yasuko and me. They found us lying next to each other, largely buried in snow and ice. First to Yasuko. Hutchison reached down and pulled her up by her coat. She had a three-inch-thick layer of ice across her face, a mask that he peeled back. Her skin was porcelain. Her eyes were dilated. But she was still breathing. He moved to me, pulled me up, and cleaned the ice out of my eyes and off my beard so he could look into my face. I, like Yasuko, was barely clinging to life. Hutchison would later say he had never seen a human being so close to death and still breathing. Coming from a cardiologist, I’ll accept that at face value. What do you do? The superstitious Sherpas, uneasy around the dead and dying, were hesitant to approach us. But Hutchison didn’t really need a second opinion here. The answer was, you leave them. Every mountaineer knows that once you go into hypothermic coma in the high mountains, you never, ever wake up. Yasuko and I were going to die anyway. It would only endanger more lives to bring us back. I don’t begrudge that decision for my own sake. But how much strain would be entailed in carrying Yasuko back? She was so tiny. At least she could have died in the tent, surrounded by people, and not alone on that ice. Hutchison and the Sherpas got back to camp and told everyone that we were dead. They called down to Base Camp, which notified Rob’s office in Christchurch, which relayed the news to Dallas. On a warm, sunny Saturday morning the phone rang in our house. Peach answered and was told by Madeleine David, office manager for Hall’s company, Adventure Consultants, that I had been killed descending from the summit ridge. “Is there any hope?” Peach asked. “No,” David replied. “There’s been a positive body identification. I’m sorry.
Beck Weathers (Left for Dead: My Journey Home from Everest)
as he spoke. “You look great. How do you feel about looking like a completely different person, if you don’t mind my asking?” “I don’t really know. At first I thought it was great, and I suppose I still do. It’s all just so unreal to me still, you know?” I shrugged. “It’s hard to believe. I feel like I’m still in a coma and I’ll wake up any day now.” “I sure hope not,” Carl said. “I don’t want to have to come all this way to collect you again.” I laughed, as lame as his joke was. He always knew how to cheer me up. “Thanks again, Carl.” “You’re welcome,” he replied, shifting gears. I felt my breathing speed up and struggled to keep myself calm. “Narel,” Carl said, startling me, “I know you told me on the phone several times, but mostly I was watching The Real Housewives of Melbourne at the time so I wasn’t really listening. How are you for money? With your accident, I mean. Did work give you time off?” “I did tell you!” I exclaimed, excited to discuss the news in person. “I’ve quit my job.” Carl’s eyebrows shot up when I said that. “I know you said you had that big settlement, but has it come through yet? How are you for money?” It was obvious he was earnestly worried. “Better than ever. As you know, I settled out of court with the other driver from the accident. I told you he was a driver for a big national company. They’ve already paid up. Carl, I don’t think I’m going to have many money troubles from here on.” I beamed at him. “Narel, trust you to downplay something like that. ‘Don’t think you’ll have many money troubles’? Most people would settle for saying ‘I’m filthy stinking rich.’” Carl laughed. “Well, I suppose I am,” I agreed, laughing too. “I could’ve made more money if the case had gone ahead, I guess, but I
Morgana Best (Sweet Revenge (Cocoa Narel Chocolate Shop, #1))
We know that people often hear things even when the bedside instrumentation says they’re in deep coma,
Ian Douglas (Bloodstar (Star Corpsman, #1))
He would be forty-five now, a grown man, if he had not died that fall. His final pneumonia took him quickly: a fever that rocketed skyward, the tiny, bottlelike lungs filling, coma, death within hours. After all he’d been through, it seemed a mercy, though of course that was an illusion, something to say to fill the silence of his missing life: the bicycle he would not ride, the books he would not read, the friends he would not have and the girl he would not kiss. The thousand pains and pleasures of his life, shelved in a tomb that the door of early death had sealed. No, there was no mercy in what happened to my boy at all. When he died, he weighed just eleven pounds. It’s said that many marriages do not survive the loss of a child, that such grief is a room parents enter together but depart alone. I have no cause to argue the point, having sat in just that room. From that day forward we loved each other, Meredith and I, but we loved with broken hearts. And when, on a morning not long after we had buried Sam, I came into the kitchen to find Meredith standing at the window, cupping the curve of her stomach in a secret way that I alone understood, I knew we would go on.
Justin Cronin (The Summer Guest)
One night around 7:30 the phone rang. Now remember, Betty had been in a comatose state for two weeks . . . but here she was on the other end of the line as rational and cheery as she’d been as a healthy young woman. “Hi, Ed, how are you?” And I said, “Who is this?” And she said, “It’s Betty. Betty Chap-man?” Lorraine: “I picked up the other phone when I heard Ed say this because I was shocked. I’d seen Betty only a day ago and she was deep in a coma. Very deep. This couldn’t possibly be her on the phone—and yet it was. She said, ‘I must have been sleeping for the last couple of weeks and now I’m just waking up.
Ed Warren (Graveyard (Ed & Lorraine Warren, #1))
Suppose someone says, it’s possible to jump off a 200 feet cliff without any aid and survive. 99 percent of those that try end up dying. But by some miracle, this guy survives, while doing the exact same thing with the exact method that killed 99 percent of the people. He later, proudly proclaims, “See! it’s possible to jump off a 200 feet high cliff and survive! Never mind the fact that I spent 6 months in a Coma and am now paralyzed FOR LIFE, but I survived! Anyone can do it as long as you believe in yourself! In business, the most common synonym for this is –” Work 18-hour days! Take no days off! No pain, no gain! Don’t change even if the entire world tells you that you are wrong! Sleep only when you are dead!” Other entrepreneurs listen to that and try to replicate it sincerely. But most fail anyway while also ruining their health, finances and personal life. What they don’t realize is that just because a tiny minority survived or even thrived using this approach, doesn’t mean it is the right approach, because if it was, it would work for most people who followed it sincerely, but it doesn’t.
Anubhav Srivastava (UnLearn: A Practical Guide to Business and Life)
probably shouldn’t be telling you this, but I’ve got some confiscated Ambien in my purse,” Detective Palmer says, deadly serious. “Pop one, wash it down with some whiskey, and you’ll be out like a light. It usually does the trick for me.” While I’m tempted—and increasingly intrigued by her personal life—I decline the offer. The goal here is to wake up as the tent is being sliced open, not drop into a coma.
Riley Sager (Middle of the Night)
He once said that just bec ause you can go on at length doesn't mean that you have something to say, it doesn't mean you have a story to tell; just because you've been unlucky or short-changed or fucked over or fallen heavily on the thorns of life - that's no justification
Mike McCormack (Notes from a Coma)
I've been thinking about this so much. When I say time I mean history, or... I think it's human to confuse history with time.” “That's for sure.” “No, listen. Other animals don't have time – they're simply part of the universe. But people– we get time and history. What if the world had continued on? Try to imagine a Nobel Peace Prize winner of the year 3056, or postage stamps with spatulas on them because we ran out of anything else to put on stamps. Imagine the Miss Universe winner in the year 22,788. You can't Your brain can't do it. And now there are'nt any people. Without people, the universe is simply the universe. Time doesn't matter.
Douglas Coupland (Girlfriend in a Coma)
Alex, I really love you,” she said. She had said it every day since the incident, at first through tears and embarrassment. Now it was as easy as saying hello. Of course it helped that he was in a coma. “I think if you loved me, we could have something really great together. But you don’t, so I’m an idiot for thinking it. If you wake up…” Her voice broke and she paused. “I mean when you wake up, I don’t know what’s going to happen to us. I mean, not that I think there’s an us, it’s just that I think maybe…” she broke off and dropped her head to the bed with a groan. “I can’t even be suave when you’re unconscious.
Vanessa Gray Bartal (Vigilante Vengeance (Justice Seekers Book 3))
DEFENDING A RAPIST What is the character of a person who becomes a sexual enabler? We get an early glimpse into this question from 1975, when Hillary Clinton defended a man, Thomas Alfred Taylor, who was accused of beating and raping a twelve-year-old girl. A virgin prior to the attack, she spent five days in a coma, several months recovering from her injuries, and years in therapy. Even people who are accused of heinous crimes deserve criminal representation. Hillary’s strategy in defending Taylor, however, was to blame the teenage victim. According to an affidavit filed by Hillary, children who come from “disorganized families such as the complainant” sometimes “exaggerate or romanticize sexual experiences.” Hillary suggested the girl was “emotionally unstable with a tendency to seek out older men and engage in fantasizing.” Here Hillary seems to be echoing what Bernie Sanders wrote in his rape fantasy essay. In this case, however, the girl certainly didn’t dream up the assault and rape. There was physical evidence that showed she had been violated, and she was beaten so badly she was in a coma. Prosecutors had in their possession a bloodied pair of Taylor’s underwear. But fortunately for Hillary and her client, the forensic lab mishandled the way that evidence was preserved. At the time of trial, the state merely had a pair of Taylor’s underwear with a hole cut in it. Hillary plea bargained on behalf of Taylor and got him released without having to do any additional time. A tape unearthed by the Washington Free Beacon has Hillary celebrating the outcome. “Got him off with time served in the county jail,” she says. Did Hillary believe that, in this case, justice was done? Certainly not. On the tape, Hillary admits she never trusted her client. “Course he claimed he didn’t, and all this stuff.” So she decided to verify his story. “I had him take a polygraph, which he passed—which forever destroyed my faith in polygraphs.” Clearly Hillary knows her client is guilty, and this fact doesn’t bother her. The most chilling aspect of Hillary’s voice is her indifference—even bemusement—at getting a man off after he raped a twelve-year-old. The episode is a revealing look into the soul of an enabler. In fact, it reminds me of Alinsky protesting to Frank Nitti about the wasted expense of importing an out-of-town-killer. Hillary, like Alinsky, seems to be a woman without a conscience.9
Dinesh D'Souza (Hillary's America: The Secret History of the Democratic Party)
I’m writing this so people understand who I am and I am working on my reading. I have been a healthcare & nursing recruiter for over 30 years. A while back I was injured in a softball tournament and suffered severe head trauma, actually died twice and coma for around 28 days. I was told I would have no chance to speak, read or write again plus I would suffer from short-term memory loss for the rest of my life. I have been working in healthcare business and I didn’t realize how important this industry was until my accident. It took 18 months just to speak and 2 years to learn to read and write again, ie it wasn’t easy. I have three beautiful daughters and I was given another chance to get better for them. With that being said, I believe I have done very well in my recovery. After I recovered, I realized that what I thought was so important before, really wasn’t that important at all. I have built a shelter for the homeless families and healthcare patients outside of my areas who can’t afford to stay in my city for their treatments. I would have to say that my thoughts about my shelter are right behind me raising three beautiful daughters in my life! I understand the healthcare industry very well and I am a very sufficient recruiter. I know the tools to find the right candidates for any management positions in the healthcare field, specifically in cardiovascular services. My company has continued to be successful in finding the right candidates for our clients despite the downfall of our economy.
David Langmas
Wh-what? What did you say?” “Hearing that, hearing you admit you love him, hurts just as much now as it did the first time.” “What do you mean?” I nearly yelled in a mixture of shock, anger, and confusion. “You knew? You remember?” He took a step toward me and held his hands up as if he was going to reach for me, but I stumbled away from him as Jentry hurried into the kitchen. Declan didn’t spare a glance for him, just moved one of his hands in Jentry’s direction as if silently asking him not to speak, then admitted hesitantly, “Yes, I remember that. I remembered when I woke up because it felt like just seconds after.” Jentry looked at me questioningly. “Declan already knew about us,” I choked out. “He knew when he woke up.” Jentry tensed and slowly looked over at him. “Dec, how could—do you . . . do you have any idea how much she has agonized over telling you again? And this whole time you’ve just been—Christ, you’ve just been pretending not to remember? And for what?” Declan’s head dropped and shook slowly as he spoke, but he still wouldn’t face Jentry. “Man, you’ve already taken her from me,” he growled in a low tone. “The least you could do is give me some fucking time alone with her.” “The least you could do is give me some time to come to terms with the fact that you used your coma to your advantage and have let me believe that you thought we were engaged,” I seethed. “Do you know how sick that is, Declan?” Without waiting for his response, I turned and walked from the house. The
Molly McAdams (I See You)
The heavens aren’t particularly hazardous, so a lot of the rooms are actually used for human souls that are anchored somewhere between the heavens and Earth. People on Earth would say they’re in comas. When they’re in the healing rooms, they can rest while the Healers on both sides do their work. Some humans wake up from their comas, some don’t—whether because they don’t want to go back, they’re too far gone, or they don’t understand how to get back.
Stephanie Erickson (The Children of Wisdom Trilogy)
Are you in there? If not here, then where'd you go? They say the living are on Earth and the dead are out, But where are those trapped in-between high and low? Where exactly are you wandering about? Why would this happen to a human being? I want to curse God and call him a fake, But I am too desperate to risk ruining The chance he may choose to help today.
Kristian Ventura (Can I Tell You Something?)
Are you in there? If not here, then where'd you go? They say the living are on Earth and the dead are out, But where are those trapped in-between high and low? Where exactly are you wandering about?
Kristian Ventura (Can I Tell You Something?)
He looked at her, his expression suddenly softened, and he sighed: “However, you did save my life… If it weren’t for you, I would have died in the Abyss of Cangwu that time.” She didn’t expect him to say these words, she was stunned for a moment with tears on her face. Five years ago, when she pulled the unconscious Master out of the Cangwu Abyss, she was shocked and frightened, and her face was full of tears like now. The 13-year-old girl was carrying him on her back shivering, running through the deep forest, falling down and getting up again and again. They got lost in the dense forest as he was in a coma the entire time. It took her a month to walk through the Nightmare Forest and drag him back to the Jiuyi Temple, taking care of him as he was dying. It’s hard to say a word about the indescribable hardships she went through, but she, who was so young at that time, never gave up on him, even when she was on the brink of death. After that, he gifted her the Jade Bone.
沧月 (Zhuyan (With Prequel of Mirror) 朱颜(附镜子上卷镜前传))
At Bethesda Naval Medical Center, Biggles was still in a medically induced coma. Just two days had passed since he suffered a traumatic brain injury and extensive damage to his eyes and face. When I walked into his room for the first time, I didn’t know what to expect. I guess I was a little shocked by what I saw. Biggles’s eyes were swollen up to the size of purple golf balls on a patchwork of pink, black, and blue skin. It didn’t feel right. As we stood around his bed in our civvies, Biggles had no idea we were there. The whole scene made us uneasy. He had tubes protruding from his mouth and one from his head to relieve the pressure. He wasn’t the same Biggles I saw on patrol headed down Baseline—now placid with unconsciousness and badly wounded. None of us could say much of anything until I finally muttered, “Be strong, Biggles. We’ll be back to see you soon, brother.
Kevin Lacz (The Last Punisher: A SEAL Team THREE Sniper's True Account of the Battle of Ramadi)
Mike was up at the bar when Preacher came back downstairs from story time. Jack exited, leaving Preacher to lock up, and Mike asked for another drink. Then he started to grumble. He was frustrated with the arm, the pain, the clumsiness. A few other things. Preacher poured himself his closing shot and stood behind the bar, listening to Mike complain, nodding every so often, saying, “Yeah, buddy. Yeah.” “Can’t lift the gun, can’t lift a lot of things. Know the true meaning of ‘weak dick,’” he said morosely. Preacher’s eyebrows lifted and Mike looked up at his face, glassy-eyed. “That’s right, the old boy’s dead and gone. May as well have shot it off....” Preacher lifted his drink. “You’re the only guy I know who’d complain about not getting laid in a few weeks because he’s been in a coma,” Preacher said. “I guess you thought you could get lucky even while you were unconscious....” “That’s what you know,” he slurred. “Do I look like I’m unconscious now?” “Hey, man, there aren’t all that many women around here. You just might have to do without for a bit....” “What do you see when you wake up in the morning, Preacher? A nice tent, huh? I see the...the...the great plains.” Preacher
Robyn Carr (Shelter Mountain (Virgin River, #2))
I suppose when I go home, you’ll stop visiting me,” he pouted. “Actually, your mom invited me over,” Caprice said. “What did you say?” “I said I would have to check my schedule. I’m a busy girl. Several other coma guys need my specialized brand of sleep-watching.” “Were you always this mean and I’ve forgotten?” “I think it’s new,” she said. “I think it started right after prom.” “Oh, we’re back to that,” Alex said. “Do girls ever forgive or forget anything?” “No.” “I’ll buy you an airplane,” he said. “I’m afraid to fly,” she said. “I’ll buy you a bus. You’ll be like John Madden.” “My dream come true,” she said.
Vanessa Gray Bartal (Vigilante Vengeance (Justice Seekers Book 3))
Good. Now you don’t look dead.” Always a plus. “Say cheese, Coma Girl.”      
Stephanie Bond (Coma Girl: part 1)
I’ve always pictured my starchy mother looking at the three of us and wondering what happened to her middle fetus. And my sweet, practical dad saying, “Two out of three isn’t bad, Carrie.” In
Stephanie Bond (Coma Girl: part 1)
It happens again and again. I've seen people come out of a coma and sing their favorite songs, and all I can tell you is to enjoy it. People see the light come back into eyes that have been dull for months, and they start to place hope on it. It's not a sign of getting well, it's an opportunity to say good-bye. It's a gift.
Christopher Moore (A Dirty Job (Grim Reaper, #1))
He is thinking if there is any way by which he can explain just how and what it is he suffers. He is wondering if there is anyone in the whole wide world with a heart big enough to comprehend what it is he wants to tell. There are so many little things to say first, and will anyone have the patience to listen to the end? Suffering is no one thing: it is composed of invisible atoms infinite in number, each one a universe in the great macrocosm of pain. He could begin anywhere, with anything, with a silly word even, a word such as flapdoodle, and he could erect a cathedral of staggering dimensions which would not occupy so much as a pocket in the crevice of the tiniest atom. To say nothing of the surrounding terrain, of the circumambient aura, of things like coast lines, volcanic craters, fathomless lagoons, pearl studs and tons of chicken feathers. The musician has an instrument to work with, the surgeon has his implements, the architect his plans, the general his pawns, the idiot his idiocy, but the one who is suffering has everything in the universe except relief. He can run out to the periphery a trillion times but the circle never straightens out. He knows every diameter but no egress. Every exit is closed, whether it be an inch away or a billion light years distant. You crash a gate made of arms and legs only to get a butt blow behind the ear. You pick up and run on bloody, sawed-off stumps, only to fall into an endless ravine. You sit in the very center of emptiness, whimpering inaudibly, and the stars blink at you. You fall into a coma, and just when you think you've found your way back to the womb they come after you with pick and shovel, with acetylene torches. Even if you found the place of death they would find a way to blow you out of it. You know time in all its curves and infidelities. You have lived longer than it takes to grow all the countless separate parts of a thousand new universes. You have watched them grow and fall apart again. And you are still intact, like a piece of music which goes on being played forever. The instruments wear out, and the players too, but the notes are eternal, and you are made of nothing but invisible notes which even the faintest zephyr can shake a tune out of.
Henry Miller (The Air-Conditioned Nightmare (New Directions Paperbook))
Tom's wife has been in a coma for months. Her attendants have noticed that every time they wash her crotch she moves a little bit. Desperate, they ask Tom if he would perform oral sex on his wife in an attempt to wake her up. Tom agrees and asks for some privacy in the room. Soon after, he rushes out in a panic and says, "I think she's choking!
Adam Smith (Funny Dirty Jokes: 2016 LOL Edition (Sexual and Adult's Jokes) (Comedy Central))
In the end, Francie goes off to college, and I do not know if I must make of this a triumph. Is it a given, then, that all her dreams will come true? I can never go to college, I know. They censor the word out of our textbooks. Education, they say, leads to nothing good. This is because education—and college—is the first step out of Williamsburg, the first on the path to promiscuity that Zeidy always promised me was an endless loop of missteps that distanced a Jew so far from God as to put the soul into a spiritual coma. Yes, education could kill my soul, I know that, but where did Francie go, I wonder, after college, and did she ever come back? Can you ever really leave the place you come from? Isn’t it best to stay where you belong, rather than risk trying to insert yourself somewhere else and failing?
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
Well, I’d better see if Luke’s here and let you get back to … your stuff.” He looked down, scratching the back of his head. “Yeah, my dad wasn’t a collector or any sort of packrat, but my parents were divorced. I’m his only child and my grandparents live in Portland, so I guess it’s my responsibility to decide what to do with everything. It’s all mine now, including the house. The funny part? I don’t want any of it.” “My brother’s fiancée died a year ago. Her stuff still hangs in his closet. It’s just stuff, but there has to be a finality to get rid of it. I bet you’ll feel it when the last thing is removed from here and someone else buys the place. The ‘stuff’ is the epilogue. The story is over, but part of it lives on like a ghost for just a few more pages. What’s left at the end of the epilogue?” “Nothing.” Lake cocked her head to the side and narrowed her eyes. “Depends on how you look at it.” “And how would you look at it?” “I’m not sure yet. My boyfriend died in the accident that took my leg. When I came out of my coma the funeral was over, his parents had cleaned out his apartment, and some other person lived there. I turned the page after the final chapter only to find no epilogue. The author of my life sucker punched me.” “Some would say the author of your life is God.” “And I’d agree. But no amount of faith can truly comfort a grieving heart that can’t make sense of such tragedy. I didn’t lose my faith, but I did feel like God sucker punched me. No epilogue. But he’s God so I’ll probably forgive him some day.” Cage chuckled. “I’m sure he’ll be grateful.” She tore her eyes away from his smile and those dimples. “I’m sure he’s waiting.
Jewel E. Ann (Dawn of Forever (Jack & Jill, #3))
Ummmmm… I know I can be a slow nigga sometimes and the shit that comes out my mouth ain’t always the right shit to say. But uhhhh, what the hell wrong with her belly? Either she done ate a lot through them damn IV’s or Keem done been in here fuckin’ on coma pussy! Because my lil’ sis still looks like she in a coma state.
K. Renee (Her Heart My Soul 2: China & Keem)