Column Of Fire Quotes

We've searched our database for all the quotes and captions related to Column Of Fire. Here they are! All 100 of them:

With a chaste heart With pure eyes I celebrate your beauty Holding the leash of blood So that it might leap out and trace your outline Where you lie down in my Ode As in a land of forests or in surf In aromatic loam, or in sea music Beautiful nude Equally beautiful your feet Arched by primeval tap of wind or sound Your ears, small shells Of the splendid American sea Your breasts of level plentitude Fulfilled by living light Your flying eyelids of wheat Revealing or enclosing The two deep countries of your eyes The line your shoulders have divided into pale regions Loses itself and blends into the compact halves of an apple Continues separating your beauty down into two columns of Burnished gold Fine alabaster To sink into the two grapes of your feet Where your twin symmetrical tree burns again and rises Flowering fire Open chandelier A swelling fruit Over the pact of sea and earth From what materials Agate? Quartz? Wheat? Did your body come together? Swelling like baking bread to signal silvered hills The cleavage of one petal Sweet fruits of a deep velvet Until alone remained Astonished The fine and firm feminine form It is not only light that falls over the world spreading inside your body Yet suffocate itself So much is clarity Taking its leave of you As if you were on fire within The moon lives in the lining of your skin.
Pablo Neruda
When a man is certain that he knows God’s will, and is resolved to do it regardless of the cost, he is the most dangerous person in the world.
Ken Follett (A Column of Fire)
Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa round, And, while the bubbling and loud hissing urn Throws up a steamy column and the cups That cheer but not inebriate, wait on each, So let us welcome peaceful ev'ning in.
William Cowper (The Complete Poetical Works of William Cowper)
More often than not, we want him to have fairy wings and spread fairy dust and shine like a precious little star, dispensing nothing but good times on everyone, like some kind of hybrid of Tinker Bell and Aladdin’s Genie. But the God of the Bible, this God of Abraham and Isaac and Jacob, is a pillar of fire and a column of smoke.
Matt Chandler
As the uneasiness and reluctance to face it cut him off more and more from all real happiness, and as habit renders the pleasures the vanity and excitement and flippancy at once less pleasant and harder to forgo...you will find that anything or nothing is sufficient to attract his wandering attention. You no longer need a good book, which he really likes, to keep him from his prayers or his work or his sleep; a column of advertisements in yesterday's paper will do. You can make him waste his time not only in conversation he enjoys with people whom he likes, but also in conversations with those he cares nothing about, on subjects that bore him. You can make him do nothing at all for long periods. You can keep him up late at night, not roistering, but staring at a dead fire in a cold room. All the healthy and outgoing activities which we want him to avoid can be inhibited and nothing given in return, so that at last he may say...'I now see that I spent most my life doing in doing neither what I ought nor what I liked.
C.S. Lewis (The Screwtape Letters)
The rising sun managed to peek around the vast column of smoke that forever rose from Ankh-Morpork, City of Cities, illustrating almost up to the edge of space that smoke means progress or, at least, people setting fire to things.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
After the trial, I watched as another female pathologist collected maggots from a spinal column found in the desert. There was a decomposed head, too, and before leaving work she planned to simmer it and study the exposed cranium for contusions. I was asked to pass this information along to the chief medical examiner, and, looking back, I perhaps should have chosen my words more carefully. 'Fire up the kettle,' I told him. 'Ol'-fashioned skull boil at five p.m.
David Sedaris (Barrel Fever: Stories and Essays)
Trials rarely found men not guilty. The general view was that if a man were innocent he would not have got into trouble in the first place.
Ken Follett (A Column of Fire)
He considered shooting a column of fire at the nearest tour bus and blowing up the gas tank, but he decided that might be a tad dramatic.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
She had not understood what it had been like for him to live his entire life underground, chained and beaten and crippled—until then. Until she heard that noise of undiluted, unyielding joy. Until she echoed it, tipping her head back to the clouds around them. They sailed over a sea of clouds, and Abraxos dipped his claws in them before tilting to race up a wind-carved column of cloud. Higher and higher, until they reached its peak and he flung out his wings in the freezing, thin sky, stopping the world entirely for a heartbeat. And Manon, because no one was watching, because she did not care, flung out her arms as well and savored the freefall, the wind now a song in her ears, in her shriveled heart.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Changing your beliefs with every change of monarch was called “policy,” and people who did it were “politicians.
Ken Follett (A Column of Fire)
After all, if you can't kill a man in front of God's face you probably shouldn't kill him at all.
Ken Follett (A Column of Fire (Kingsbridge, #3))
there are no saints in politics, but imperfect people can make the world a better place.
Ken Follett (A Column of Fire)
What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!
Edmond Rostand (Cyrano de Bergerac)
How long had it had been since she'd thought back on the evenings around the fire, number games at the kitchen table, or listening to her father sing? Too long. Yes, there had been bad times. And she had tallied them like figures in a column, not remembering to factor in the good. She had doctored the books.
Julie Klassen (The Silent Governess)
Nothing is permanent, except change.
Ken Follett (A Column of Fire (Kingsbridge, #3))
What Jack remembered and craved in a way he could neither help nor understand was the time that distant summer on Brokeback when Ennis had come up behind him and pulled him close, the silent embrace satisfying some shared and sexless hunger. They had stood that way for a long time in front of the fire, its burning tossing ruddy chunks of light, the shadow of their bodies a single column against the rock. The minutes ticked by from the round watch in Ennis's pocket, from the sticks in the fire settling into coals. Stars bit through the wavy heat layers above the fire. Ennis's breath came slow and quiet, he hummed, rocked a little in the sparklight and Jack leaned against the steady heartbeat, the vibrations of the humming like faint electricity and, standing, he fell into sleep that was not sleep but something else drowsy and tranced until Ennis, dredging up a rusty but still useable phrase from the childhood time before his mother died, said, "Time to hit the hay, cowboy. I got a go. Come on, you're sleepin on your feet like a horse," and gave Jack a shake, a push, and went off in the darkness. Jack heard his spurs tremble as he mounted, the words "see you tomorrow," and the horse's shuddering snort, grind of hoof on stone. Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives. Nothing marred it, even the knowledge that Ennis would not then embrace him face to face because he did not want to see nor feel that it was Jack he held. And maybe, he thought, they'd never get much farther that that. Let be, let be.
Annie Proulx (Brokeback Mountain)
Gripped with bitter cold, ice-locked, Petersburg burned in delirium. One knew: out there, invisible behind the curtain of fog, the red and yellow columns, spires, and hoary gates and fences crept on tiptoe, creaking and shuffling. A fevered, impossible, icy sun hung in the fog - to the left, to the right, above, below - a dove over a house on fire. From the delirium-born, misty world, dragon men dived up into the earthly world, belched fog - heard in the misty world as words, but here becoming nothing - round white puffs of smoke. The dragon men dived up and disappeared again into the fog. And trolleys rushed screeching out of the earthly world into the unknown. ("The Dragon")
Yevgeny Zamyatin (The Dragon: Fifteen Stories (English and Russian Edition))
Once he had tried to get fired by recommending suicide in his column. All that Shrike had said was : "Remember, please, that you job is to increase the circulation of our paper. Suicide, it is only reasonable to think, must defeat this purpose".
Nathanael West (Miss Lonelyhearts)
I will marry a man who is clever and thoughtful and who wants his wife to be more than just the most senior of his servants.
Ken Follett (A Column of Fire (Kingsbridge, #3))
Some men craved deference; others craved wine, or the bodies of beautiful women, or the monastic life of order and obedience. What did Ned crave? The answer came into his mind with a speed and effortlessness that took him by surprise: justice.
Ken Follett (A Column of Fire)
There would have been a lake. There would have been an arbor in flame-flower. There would have been nature studies—a tiger pursuing a bird of paradise, a choking snake sheathing whole the flayed trunk of a shoat. There would have been a sultan, his face expressing great agony (belied, as it were, by his molding caress), helping a callypygean slave child to climb a column of onyx. There would have been those luminous globules of gonadal glow that travel up the opalescent sides of juke boxes. There would have been all kinds of camp activities on the part of the intermediate group, Canoeing, Coranting, Combing Curls in the lakeside sun. There would have been poplars, apples, a suburban Sunday. There would have been a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color stinging red, smarting pink, a sigh, a wincing child.
Vladimir Nabokov (Lolita)
What he wanted above all to get right was the web of relationships a dozen column inches had never been enough to contain. Family, work, romance, church, municipality, history, happenstance ... He wanted to follow the soul far enough out along these lines of relationship to discover that there was no fixed point where one person ended and another began.
Garth Risk Hallberg (City on Fire)
You said that there are no saints in politics, but imperfect people can make the world a better place.
Ken Follett (A Column of Fire (Kingsbridge, #3))
My father taught us to learn as much as possible of any tongue we came across. He says it’s better than money in the bank.
Ken Follett (A Column of Fire)
Père Voillaume quotes: “Listen to these wise words of Gandhi’s: ‘Whether you wet your hands in the water basin, fan the fire with the bamboo bellows, set down endless columns of figures at a desk, labor in the rice field with your head in the burning sun and your feet in the mud, or stand at work before the smelting furnace, as long as you did not do all this with just the same religiousness as if you were monks praying in a monastery, the world will never be saved.’ 
Dorothy Day (The Duty of Delight: The Diaries of Dorothy Day)
Is it why you feel everything and love harder and fight more ferociously than anyone else? Is it why you are the love of your sister’s life? Why you’ll be a writer of much more, one day, than a small supermarket column? How you can be my fiercest bloody critic, and someone with so much compassion she’ll buy glasses she doesn’t need because the man fell off his stool. Martha, when you are in a room, nobody wants to talk to anybody else. Why is that, if not for the life you have lived, as someone who has been refined by fire? And you have been loved for all your adult life by one man. That is a gift not many people get, and his stubborn, persistent love isn’t in spite of you and your pain. It is because of who you are, which is, in part, a product of your pain. You do not have to believe me about that but I know—I do know, Martha—that your pain has made you brave enough to carry on. If you want to, you can put all of this right. Start with your sister.
Meg Mason (Sorrow and Bliss)
I may yet go through anguish in hell for my sin. But if I had to live that time again I would do the same, to end Margery’s ordeal. I preferred to suffer myself than to know that her agony continued. Her well-being was more important to me than my own. I have learned, during the course of a long life, that that is the meaning of love.
Ken Follett (A Column of Fire)
There were days so clear and skies so brilliant blue, with white clouds scudding across them like ships under full sail, and she felt she could lift right off the ground. One moment she was ambling down a path, and the next thing she knew, the wind would take hold of her, like a hand pushing against her back. Her feet would start running without her even willing it, even knowing it. And she would run faster and faster across the prairie, until her heart jumped like a rabbit and her breath came in deep gasps and her feet barely skimmed the ground. It felt good to spend herself this way. The air tasted fresh and delicious; it smelled like damp earth, grass, and flowers. And her body felt strong, supple, and hungry for more of everything life could serve up. She ran and felt like one of the animals, as though her feet were growing up out of the earth. And she knew what they knew, that sometimes you ran just because you could, because of the way the rush of air felt on your face and how your legs reached out, eating up longer and longer patches of ground. She ran until the blood pounded in her ears, so loud that she couldn't hear the voices that said, You're not good enough, You're not old enough, You're not beautiful or smart or loveable, and you will always be alone. She ran because there were ghosts chasing her, shadows that pursued her, heartaches she was leaving behind. She was running for her life, and those phantoms couldn't catch her, not here, not anywhere. She would outrun fear and sadness and worry and shame and all those losses that had lined up against her like a column of soldiers with their guns shouldered and ready to fire. If she had to, she would outrun death itself. She would keep on running until she dropped, exhausted. Then she would roll over onto her back and breathe in the endless sky above her, sun glinting off her face. To be an animal, to have a body like this that could taste, see hear, and fly through space, to lie down and smell the earth and feel the heat of the sun on your face was enough for her. She did not need anything else but this: just to be alive, cool air caressing her skin, dreaming of Ivy and what might be ahead.
Pamela Todd (The Blind Faith Hotel)
She stood leaning against a column, a cocktail glass in her hand. She wore a suit of black velvet; the heavy cloth, which transmitted no light rays, held her anchored to reality by stopping the light that flowed too freely through the flesh of her hands, her neck, her face. A white spark of fire flashed like a cold metallic cross in the glass she held, as if it were a lens gathering the diffused radiance of her skin.
Ayn Rand (The Fountainhead)
The simple idea that people should be allowed to worship as they wished caused more suffering than the ten plagues of Egypt.
Ken Follett (A Column of Fire)
A child will always be what he is, she thought, and not what you want him to be.
Ken Follett (A Column of Fire)
Her well-being was more important to me than my own. I have learned, during the course of a long life, that that is the meaning of love.
Ken Follett (A Column of Fire)
His mind was like a house he had spent his life furnishing.
Ken Follett (A Column of Fire)
I learned the meaning of the word bittersweet, the acid taste of loss and the honey of hope in one bright fruit.
Ken Follett (A Column of Fire (Kingsbridge, #3))
Weary of fire, weary of bombardment, and weary of siege, scattered groups of Chinese actually rushed out to welcome the Japanese invaders as they thundered into the city with their tanks, artillery, and trucks. Some people hung Japanese flags from their windows while others even cheered the Japanese columns as they marched through the south and west gates of the city.
Iris Chang (The Rape of Nanking: The Forgotten Holocaust of World War II)
This was definitely a former cellar. One the far end was a shoddy, rickety altar that cavemen might have erected to worship a fire god. Two wooden columns flanked a large stone block cut into a perfect cube on a raised platform. On the left wall was a table that looked like cheap plastic lawn furniture covered with incense and prayer beads and other generic-looking knickknacks that someone could buy at a yoga studio. "Oh my God, my cult is so low-rent," moaned Magnus. "I am deeply shamed. I am disowning my followers for being evil and having no panache." "But it's not your cult," Alec said distractedly. He walked over to the side table and ran his finger along its surface. "There's a lot of dust. This place hadn't been used in a while." "I'm joking." said Magnus.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Her gaze went with her, into a room with walls of frozen earth, and a floor the same, the latter split from corner to corner, and a fissure opened in it from which a flame column rose four or five times the size of a man. There was bitter cold off it rather than heat, and no reassuring flicker in its heart. Instead its innards churned upon themselves, turning over and over some freight of stuff which she failed to recognize at first, but her appalled stare rapidly interpreted. There was a body in the fire, hacked limb from limb, human enough that she recognized it as flesh, but no more than that. Baphomet's doing presumably, some torment visited on a transgressor. Boone said the Baptizer's name even now, and she readied herself for sight of its face. She had it too, but from inside the flame, as the creature there--not dead, but alive, not Midian's subject, but its creator--rolled its head over in the turmoil of flame and looked her way. This was Baphomet. This diced and divided thing. Seeing its face, she screamed. No story or movie screen, no desolation, no bliss, had prepared her for the maker of Midian. Sacred it must be, as anything so extreme must be sacred. A thing beyond things. Beyond love or hatred or their sum, beyond the beautiful or the monstrous or their sum. Beyond, finally, her mind's power to comprehend or catalog.
Clive Barker (Cabal)
More wine for me, pour me some more!" "You smart girl, I knew you're a smart girl, just teasing...” Faces turn red, the dark earth blood is rising. They wink at Pelka, wink at the host: "He knows his goods!" The women feel the buttons constricting them - they undo one, another, a third. By twos the guests go outside to get some air. "Well, my dear guests, are you soaked to the gills? Eh? And now-to dance! Get lively!" The table and the chairs vanish. The middle of the room is empty. Ivan the Monk jumps out of his hole, a tambourine in his hands: "Tim-ta-a-am! Tim-ta-a-am!" “Eh-hey!" the redhead suddenly snatches the tambourine and sweeps off, tapping wildly in a circle. Eyes closed: a white sleepless sun-a white night on the meadow-white columns of smoke swaying over fires... "Eh-ah!"-to whirl herself to death, to whirl out everything, to empty herself - nothing has ever been... Heavy boots are thumping on the floor, beards fly in the wind, the frock-coat tails go flying... hey, get going, faster, faster - a hundred versts an hour! ("The North")
Yevgeny Zamyatin (The Dragon: Fifteen Stories (English and Russian Edition))
There was no going forward—in front of the column, from the slope of a field, ten German tanks blasted away. There would be no retreat—behind the American column, another five German tanks shot down from a hilltop, silhouetted by the moon. The woods were a killing zone too. The tree line blinked with small-arms fire from SS infantry stationed at both ends of the route. With nowhere to run, all that remained for most Americans was to hide.
Adam Makos (Spearhead: An American Tank Gunner, His Enemy, and a Collision of Lives in World War II)
our time. I’m not worried about getting ratioed on Twitter or getting fired from my job if I write a bad column. I’m worried about the Department of Justice forcing me to drink a cup of hemlock because I wrote a good one.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
She slid open the box, extracted a match, and struck it with a flourish. The flame flared up in the gloom of the unlit room, a tiny golden beacon. For a moment, Oma Kristel held it aloft, then the unthinkable happened. The match slipped out of her fingers and fell straight onto her pink mohair bosom. With a whooomph! like the sounds of a gas furnace firing up, the hairspray with which Oma Kristel had doused herself ignited, obliterating her in a column of flames.
Helen Grant (The Vanishing of Katharina Linden)
As the storm moved closer it broke into hundreds of pieces so that the rain fell here and there from the high clouds in long, curving gray plumes. It looked like maybe fifty or sixty fires scattered over the city, except that the tall, smoky columns were flowing in reverse.
Barbara Kingsolver (The Bean Trees)
I skipped between the dancers, twirling my skirts. The seated, masked musicians didn’t look up at me as I leaped before them, dancing in place. No chains, no boundaries—just me and the music, dancing and dancing. I wasn’t faerie, but I was a part of this earth, and the earth was a part of me, and I would be content to dance upon it for the rest of my life. One of the musicians looked up from his fiddling, and I halted. Sweat gleamed on the strong column of his neck as he rested his chin upon the dark wood of the fiddle. He’d rolled up the sleeves of his shirt, revealing the cords of muscle along his forearms. He had once mentioned that he would have liked to be a traveling minstrel if not a warrior or a High Lord—now, hearing him play, I knew he could have made a fortune from it. “I’m sorry, Tam,” Lucien panted, appearing from nowhere. “I left her alone for a little at one of the food tables, and when I caught up to her, she was drinking the wine, and—” Tamlin didn’t pause in his playing. His golden hair damp with sweat, he looked marvelously handsome—even though I couldn’t see most of his face. He gave me a feral smile as I began to dance in place before him. “I’ll look after her,” Tamlin murmured above the music, and I glowed, my dancing becoming faster. “Go enjoy yourself.” Lucien fled. I shouted over the music, “I don’t need a keeper!” I wanted to spin and spin and spin. “No, you don’t,” Tamlin said, never once stumbling over his playing. How his bow did dance upon the strings, his fingers sturdy and strong, no signs of those claws that I had come to stop fearing … “Dance, Feyre,” he whispered. So I did. I was loosened, a top whirling around and around, and I didn’t know who I danced with or what they looked like, only that I had become the music and the fire and the night, and there was nothing that could slow me down. Through it all, Tamlin and his musicians played such joyous music that I didn’t think the world could contain it all. I sashayed over to him, my faerie lord, my protector and warrior, my friend, and danced before him. He grinned at me, and I didn’t break my dancing as he rose from his seat and knelt before me in the grass, offering up a solo on his fiddle to me.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
You could fall suddenly into the void the dead go to: I would be comforted if you would bequeath me your hands. Only your hands would continue to exist, detached from you, unexplainable like those of marble gods turned into the dust and the limestone of their own tomb. They would survive your actions, the wretched bodies they caressed. They would no longer serve as intermediaries between you and things: they themselves would be changed into things. Innocent again now, since you would no longer be there to turn them into your accomplices, sad like greyhounds without masters, disconcerted like archangels to whom no god gives orders, your useless hands would rest on the lap of darkness. Your open hands incapable of giving or taking the slightest joy would have let me slump like a broken doll. I kiss the wrists of these indifferent hands you will no longer pull away from mine: I stroke the blue artery, the blood column that once spurted continuously like a fountain from the ground of your heart. With little sobs of contentment, I rest my head like a child between these palms filled with the stars, the crosses, the precipices of my previous fate.
Marguerite Yourcenar (Fires (Phoenix Fiction))
The shaft of light struck the blade of Callandor—and parted on its edge, forking to stream past on either side. He felt his coat singe from its near passage, smelled the wool beginning to burn. Behind him, the two prongs of frozen fire, of liquid light, struck huge redstone columns; where they struck, stone ceased to exist, and the burning bars bored through to other columns, severing those instantaneously as well. The Heart of the Stone rumbled as columns fell and shattered in clouds of dust, sprays of stone fragments. What fell into the light, however, simply—was not, anymore.
Robert Jordan (The Dragon Reborn (The Wheel of Time, #3))
He had been living in a down-town Y.M.C.A., but when he quit the task of making sow-ear purses out of sows' ears, he moved up-town and went to work immediately as a reporter for The Sun. He kept at this for a year, doing desultory writing on the side, with little success, and then one day an infelicitous incident peremptorily closed his newspaper career. On a February afternoon he was assigned to report a parade of Squadron A. Snow threatening, he went to sleep instead before a hot fire, and when he woke up did a smooth column about the muffled beats of the horses' hoofs in the snow… This he handed in. Next morning a marked copy of the paper was sent down to the City Editor with a scrawled note: "Fire the man who wrote this." It seemed that Squadron A had also seen the snow threatening—had postponed the parade until another day. A week later he had begun "The Demon Lover."… In
F. Scott Fitzgerald (The Beautiful and Damned)
he thinks the aldermen’s job is to make decisions and then enforce them. When your father was mayor he said that aldermen should rule the town by serving it.” Ned said impatiently: “That sounds like two ways of looking at the same thing.” “It’s not, though,” said his mother. “It’s two different worlds.
Ken Follett (A Column of Fire)
That went well," Christina murmured to him. "Pffaww," he agreed. "They're a pair! They don't like anything. They don't even like the dachshund. Who doesn't like dachshunds? They're little parcels of dog-shaped goodness. I've known Jalabite Hegemon ships give up conquest and start little farmsteads just so they can have happy dachshunds. Everyone likes dachshunds, everywhere in the universe. Well, except on Bithomorency. People there got into a war with a refugee column of evolutionarily advanced dachshund supersoldiers fleeing the destruction of their homeworld. The wire-haired marines took out an entire town - two hundred thousand dead. And it was a tragic misunderstanding. The dachshunds only stopped to ask for some biscuits, automated defence systems fired on them. There's a lesson: never give control of your space weapons to an unsupervised machine." He shrugged, and she found herself nodding: schoolboy error.
Nick Harkaway (Doctor Who: Keeping Up with the Joneses (Time Trips))
The model stripped down naked and stood with her arms out to her sides while genderless cohorts sprayed her body with large silver canisters of foundation. They wore masks over there faces and sprayed her from head to toe like they were putting out a fire. They airbrushed her into a mono-toned six-foot-two column of a human being with no visible veins, nipples, nails, lips, or eyelashes. When every single thing that was real about the model was gone, the make up artist fug through a suite case of brushes and plowed through hundreds of tubes of flesh colored colors and began to draw human features onto her face. At the same time, the hair stylist meticulously sewed with a needle and thread strand after strand of long blond hairs onto her thin light brown locks, creating a thick full mane of shimmering gold. The model had brought her own chef, who cooked her spinach soup from scratch. The soup was fed to her by one of her lackeys, who existed solely for this purpose. The blond boy stood in front of her, blowing on the soup and then feeding it to her from a small silver child's spoon, just big enough to fit between her lips. the model's mouth was barely open, maybe a quarter of an inch wide, so that she would not crack the flesh colored paint.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
Secondly, the Earth’s a Libra. The astrological prediction for Libra in the ‘Your Stars Today’ column of the Tadfield Advertiser, on the day this history begins, read as follows:- LIBRA. 24 September–23 October. You may be feeling run down and always in the same old daily round. Home and family matters are highlighted and are hanging fire. Avoid unnecessary risks. A friend is important to you. Shelve major decisions until the way ahead seems clear. You may be vulnerable to a stomach upset today, so avoid salads. Help could come from an unexpected quarter. This was perfectly correct on every count except for the bit about the salads.
Terry Pratchett (Good Omens)
All of these are reminders of the face char seven primitive and primary spirits have become incarnated in the composite structure of man and that the Elohim are actually within his own nature, where from their seven thrones they are molding him into a septenary creature. One of these Elohim, which corresponds to a color, a musical note, a planetary vibration, and a mystical dimension, is the key consciousness of every kingdom in Nature. The Elohim also rake turns in controlling the life of the human being. According to the ancient Brahmins, the Lord of the human race is keyed to the musical note fa, and His vibration runs through the minute tube in the spinal column.
Manly P. Hall (Melchizedek and the Mystery of Fire)
Alison was relieved: she would have hated to see Mary lose her dignity as well as her life. “Follow me,” said the sheriff. Mary turned back momentarily and took an ivory crucifix from its hook on the wall over the altar. With the cross pressed to her heavy bosom and the prayer book in her other hand she walked behind the sheriff, and Alison followed.
Ken Follett (A Column of Fire)
They demanded tolerance, and the right to worship as they wished, but they were never satisfied with that, he thought with exasperation. They believed their rivals were not just mistaken but evil. Catholic practices—the ways in which Europeans had worshipped for hundreds of years—were blasphemous, they said, and must be abolished. They did not practice the tolerance they preached.
Ken Follett (A Column of Fire)
....One dark night, my Tudor Ford climbed the hill's skull; I watched for love-cars. Lights turned down, they lay together, hull to hull, where the graveyard shelves on the town. . . . My mind's not right. A car radio bleats, "Love, O careless Love. . . ." I hear my ill-spirit sob in each blood cell, as if my hand were at its throat. . . . I myself am hell; nobody's here-- only skunks, that search in the moonlight for a bite to eat. They march on their soles up Main Street: white stripes, moonstruck eyes' red fire under the chalk-dry and spar spire of the Trinitarian Church. I stand on top of our back steps and breathe the rich air-- a mother skunk with her column of kittens swills the garbage pail. She jabs her wedge-head in a cup of sour cream, drops her ostrich tail, and will not scare.
Robert Lowell
What we did in that momentous year of 1558 caused political strife, revolt, civil war, and invasion. There were times, in later years, when in the depths of despair I would wonder whether it had been worth it. The simple idea that people should be allowed to worship as they wished caused more suffering than the ten plagues of Egypt. So, if I had known then what I know now, would I have done the same? Hell yes.
Ken Follett (A Column of Fire)
Justice was done. Swithin was a murderer and a rapist who deserved to die. But I found that my conscience was not untroubled. I had lured him into an ambush. In a way the death of poor George Cox was my responsibility. I had meddled in things that should have been left to the law or, failing that, to God. I may yet go through anguish in hell for my sin. But if I had to live that time again I would do the same,
Ken Follett (A Column of Fire)
The lobby of the Fanny Briggs Memorial Building was almost finished when she arrived. As if to distract from the minuscule and cramped philosophy of what would transpire on the floors above, the city offered visitors the spacial bounty of the lobby. The ersatz marble was firm underfoot like real marble, sheer, and produced trembling echoes effortlessly. The circle of Doric columns braced the weight above without complaint. The mural, however, was not complete. It started out jauntily enough to Lila Mae’s left. Cheerless Indians holding up a deerskin in front of a fire. The original tenants, sure. A galleon negotiating the tricky channels around the island. Two beaming Indians trading beads to a gang of white men—the infamous sale of the Island. Big moment, have to include that, the first of many dubious transactions in the city’s history. (They didn’t have elevators yet. That’s why the scenes look so flat to Lila Mae: the city is dimensionless.) The mural jumped to the Revolution then, she noticed, skipped over a lot of stuff. The painter seemed to be making it up as he went along, like the men who shaped the city. The Revolution scene was a nice setpiece—the colonists pulling down the statue of King George III. They melted it down for ammunition, if she remembers correctly. It’s always nice when a good mob comes together. The painting ended there. (Someone knocks at the door of her room in 117 Second Avenue, but she doesn’t open her eyes.) Judging from the amount of wall space that remained to Lila Mae’s right, the mural would have to get even more brief in its chronicle of the city’s greatest hits. Either the painter had misjudged how much space he had or the intervening years weren’t that compelling to him. Just the broad strokes, please.
Colson Whitehead (The Intuitionist)
...had the management of The Enchanted Hunters lost its mind one summer day and commissioned me to redecorate their dining room with murals of my own making, this is what I might have thought up, let me list some fragments: There would have been a lake. There would have been an arbor in flame-flower. There would have been nature studies: a tiger pursuing a bird of paradise, a choking snake sheathing whole the flayed trunk of a shoat. There would have been a sultan, his face expressing great agony (belied, as it were, by his molding caress), helping a callypygean slave child to climb a column of onyx. There would have been those luminous globules of gonadal glow that travel up the opalescent sides of juke boxes. There would have been all kinds of camp activities on the part of the intermediate group, Canoeing, Coranting, Combing Curls in the lakeside sun. There would have been poplars, apples, a suburban Sunday. There would have been a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color, stinging red, smearing pink, a sigh, a wincing child.
Vladimir Nabokov
There is a dreadful abyss at the end of heaven and earth where there is no firmament of the heavens above, and no earth beneath it. Columns of heavenly fire fill the abyss, the smell of sulphur is everywhere, and around it there is a wasteland without water; with no birds to be seen. This place is God's prison for rebellious stars and fallen angels. In it are seven stars burning like great mountains as they roll over the fire of the abyss. Because they did not come forth at their appointed times, God has bound them in that place for ten thousand years.
Howard Schwartz (Tree of Souls: The Mythology of Judaism)
Tank's body is stacked with the others by the hangar doors to be disposed. He's loaded onto the transport for the final leg of his journey to the incinerators, where he will be consumed in fire, his ashes mixing with the gray smoke and carried aloft in a column of superheated air, eventually to settle over us in particles too find to see or feel. He'll stay with us - on us - until we shower that night, washing what's left of Tank into the drains connected to the pipes connected to the septic tanks, where he will mix with our excrement before leaching into the ground.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
With a loud whoosh he stretched his wings out,and then deftly wrapped them tight around her, a cradle of soft white holding the two of them fast. "You really believe it?" she whispered. "That someday I'll live through this?" "With all my heart and soul," he said, cupping her face in his hands, pulling his wings tighter around them both. "I will wait for you as long as it takes. I will love you every moment across time." By then,Luce was broiling hot. She cried out from the pain,thrashing in Daniel's arms as the heat overwhelmed her. She was burning his skin, but he never let her go. The moment had come. The starshot was tucked inside her dress,and this-right now-was when she would have used it.But she was never going to give up.Not on Daniel. Not when she knew,no matter how hard it got,that he would never give up on her. Her skin began to blister.The heat was so brutal,she could do nothing but shiver. And then she could only scream. Layla combusted,and as the flames engulfed her body,Luce felt her own body and the soul they were sharing untwine,seeking the fastest escape from the unforgiving heat. The column of fire grew taller and wider until it filled the room and the world,until it was everything,and Layla was nothing at all.
Lauren Kate (Passion (Fallen, #3))
Sonnet XII Full woman, fleshly apple, hot moon, thick smell of seaweed, crushed mud and light, what obscure brilliance opens between your columns? What ancient night does a man touch with his senses? Loving is a journey with water and with stars, with smothered air and abrupt storms of flour: loving is a clash of lightning-bolts and two bodies defeated by a single drop of honey. Kiss by kiss I move across your small infinity, your borders, your rivers, your tiny villages, and the genital fire transformed into delight runs through the narrow pathways of the blood until it plunges down, like a dark carnation, until it is and is no more than a flash in the night.
Pablo Neruda (Selected Poems)
He found himself outside the city, walking through a world without color. Ravens soared through a grey sky on wide black wings, while carrion crows rose from their feasts in furious clouds wherever he set his steps. White maggots burrowed through black corruption. The wolves were grey, and so were the silent sisters; together they stripped the flesh from the fallen. There were corpses strewn all over the tourney fields. The sun was a hot white penny, shining down upon the grey river as it rushed around the charred bones of sunken ships. From the pyres of the dead rose black columns of smoke and white-hot ashes. My work, thought Tyrion Lannister. They died at my command.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Barbara took her accustomed place by the door but as the singing began Margerit beckoned her over to her side. "I haven't been following much except that it's all ancient Greeks and battles and such. What's happening now?" Barbara knelt beside her and leaned close to whisper so as not to disturb the rest of the party. A brief synopsis of what had gone before took up the time while the chorus escorted the principles to the centre of the stage. "I haven't seen this performance before," Barbara added, "but I imagine this will be the grand love duet." As the soprano began, she concentrated on the stage to follow the opening phrases. The chorus had abandoned the field to the principles who faced each other against a backdrop of fluted columns. "O! What strange fate is mine!" Barbara paused as the signature line was repeated several times. "I loved you in the guise of Mars, but now I am betrayed by Venus. The iron in your glance turns soft beneath my touch. I am undone. O Venus, you are cruel to mock me so." It continued on in the same vein until it was the mezzo's turn. Her lyrics ran much parallel with the soprano's. With less concentration required, Barbara ventured a glance to see Margerit's reaction. Margerit turned at the same moment and their eyes met as Barbara whispered Ifis's lines. "O! What a strange fate is mine! In the guise of Mars I love you but now as Venus I'm betrayed. The Iron in my soul turns soft beneath your touch." Unconsciously, Margerit placed a hand on hers where it lay on the arm of her chair. "Fire runs through my veins - I am undone." Fire indeed ran through her veins. Her hand burned sweetly where Margerit touched it and she dared now take it back. Her voice grew husky. "Why do the gods mock me with desire I cannot sate?" Their eyes were still locked and Margerit's lips had parted in a little "o" of wonder. "O Venus, have mercy on one new come to your shrine." When the soprano joined again for the duet, Margerit breathed along with her, "O! What strange fate is mine!" With effort, Barbara wrenched her gaze away.
Heather Rose Jones (Daughter of Mystery (Alpennia, #1))
I feel shock splinter through him, his body going rigid. Then he relaxes, melting into me, stepping forward until I am caught between him and the wall, the torch crackling beside me. His hands slide down my back, over my hips and thighs, leaving a trail of fire. His heart beats fast enough for the both of us, its thunderous pulse echoing through me. I bury my hands in his dark hair, fingers knotting around those thick locks. Desire pulls at my stomach, and I lean into him, lifting one leg and wrapping it around his waist. He lifts me, and my other leg coils around him, my skirts sliding up my thighs, my back pressed against the column. His lips are soft and warm and gentle, underlined with barely restrained urgency. I cannot get enough of him. I pull his kurta over his head and let it fall on the floor. I press my hands against his bared chest, feel his heart against my palm, his lungs rising and falling. His shoulder is knotted with the scar from the arrow he took for me. He kisses me again, this time more strongly, and I run my hands down his jaw and neck, over his shoulders, the taut muscles of his back. He turns, without letting me go or breaking our kiss, and we tumble onto the soft divan. Aladdin holds himself over me, his abdomen clenched and his hair hanging across his forehead. His lips wander downward, to my chin, to the curve of my jaw, to my neck. My hands are ravenous, exploring the planes and angles of his body. His fingers find mine, and our hands knit together. He raises them over my head, pressing them into the pillow beneath my hair, as his kisses trace my collarbone, and then he sinks lower, parting the buttons of my dress and pressing his lips to my bare stomach. I gasp and open my eyes wide, my borrowed body coursing with sensations I have never felt, never dared to feel, never thought I could feel. “Aladdin,” I murmur. “We shouldn’t . . .” “Sh.” He silences me with a kiss, and I lift my chin to meet him. A warm wind rushes through my body, stirring embers and setting them aflame. I don’t want to stop. I don’t want to think about consequences. I only want Aladdin, everywhere.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
There’s just no owning any success you achieve and stacking it in your win column. The force just won’t let it happen. What happens when imposter syndrome has you in its grip? You become terrified you’ll be found out. Despite all her acclaim and success, this is what Maya Angelou feared. “I have written 11 books, but each time I think, ‘Uh-oh, they’re going to find out now. I’ve run a game on everybody, and they’re going to find me out.’”1 You might be surprised to find out how many accomplished people think to themselves they’ll be “found out,” then ostracized and ridiculed. However, it’s irrational. It would only happen if you actually did have no skill, no ability, or no knowledge, but that isn’t the case for most people. This is the ultimate fear, isn’t it? Being found out and kicked out of our tribe? By nature, we’re tribal. Humans survived through the millennia because we were part of a tribe that hunted, gathered, sheltered, and protected one another from the elements, from predators, and from other tribes. You couldn’t be out hunting and watching the fire simultaneously. You needed other people if you had any hope of surviving through the night. If your tribe finds out you’re a fraud, it triggers that primordial “Uh-oh, they’re going to kick me out! I’m going to be caught in the wilderness alone!” When plagued by imposter syndrome, people don’t take themselves, their abilities, or their accomplishments seriously. If you don’t take yourself seriously on any Field of Play, you most likely won’t be getting the results you want.
Todd Herman (The Alter Ego Effect: The Power of Secret Identities to Transform Your Life)
A few Grik lunged at them, but the vast majority only wanted to get out of their way. These they left alone, conserving ammunition. It was a little disconcerting. They’d never seen so many “civilian” Grik before, and it was stunning how little fight they had in them. “What a buncha pansies!” Silva panted, still having trouble with the heavy, wretched air. Three Grik had nearly fallen over themselves trying to clear his path when he menaced them with the Thompson. Its barrel was still smoking after a long burst he fired down a congested alley where another column of warriors was struggling to get at them. Those that followed fired into the writhing mass as well, the heavy booming of their rifles much louder than the stutter of the Thompson. “Pansies!” Petey cawed. “Pansies! Ack! Goddamn!
Taylor Anderson (Deadly Shores (Destroyermen, #9))
The next day, September 16, I was sitting with Kerr and several of my AUB colleagues on the veranda of his residence when a breathless university guard came to tell him that Israeli officers at the head of a column of armored vehicles were demanding to enter the campus to search for terrorists. Kerr rushed off to the university entrance, where, he later told us, he rejected the officers’ demands. “There are no terrorists on the AUB campus,” he said. “If you’re looking for terrorists, look in your own army for those who’ve destroyed Beirut.” Thanks to Malcolm Kerr’s courage, we were temporarily safe in a faculty apartment at the AUB, but we soon heard that others were at that moment in mortal peril. On the same night, September 16, Raja and I were perplexed as we watched a surreal scene: Israeli flares floating down in the darkness in complete silence, one after another, over the southern reaches of Beirut, for what seemed like an eternity. As we saw the flares descend, we were baffled: armies normally use flares to illuminate a battlefield, but the cease-fire had been signed a month earlier, all the Palestinian fighters had left weeks ago, and any meager Lebanese resistance to the Israeli troops’ arrival in West Beirut had ended the previous day. We could hear no explosions and no shooting. The city was quiet and fearful.
Rashid Khalidi (The Hundred Years' War on Palestine: A History of Settler Colonialism and Resistance, 1917–2017)
We got some stupid fuckers,” Kauzlarich said after the inflatable doll had been tossed into a burn barrel and set on fire, which created a thick column of oily black smoke that rose over the center of the FOB. “We got what we got,” Cummings said—and what he and Kauzlarich were wondering was whether these first cracks were just the effects of war, or also the effects of an army forced to take more and more stupid fuckers. It was something they had been dealing with since they began forming the battalion. For several years, in order to meet recruiting goals, the army had been accepting an ever-increasing number of recruits who needed some kind of waiver in order to become soldiers. Without the waivers, those recruits would not have been allowed into the army. Some of the waivers were for medical problems and others were for low scores on aptitude tests, but the greatest percentage were for criminal offenses ranging from misdemeanor drug use to felonies such as burglary, theft, aggravated assault, and even a few cases of involuntary manslaughter. In 2006, the year the 2-16 was getting most of its soldiers, 15 percent of the army’s recruits were given criminal waivers. Most were for misdemeanors, but nearly a thousand were for some type of felony conviction, which was more than double the number granted just three years before. This
David Finkel (The Good Soldiers)
Come on, little one.” Mikhail’s voice wrapped her in a black-velvet caress. He reached into the glass shower, turned off the water, shackled her wrist, and pulled her from the safety of the large stall. When she shivered, he enveloped her slender body in a towel. Raven wrung out her long hair, a blush stealing over her entire body. Mikhail was so comfortable, unconcerned with his nudity. There was something untamed and magnificent about his raw strength, the casual way he accepted it. He rubbed her body with a large bath towel, buffing her skin until she was warm and rosy. The towel brushed her sensitive nipples, lingered along her rounded bottom, delved in the crease of her hip. Despite her resolve, her body came alive under his ministrations. Mikhail cupped her face, bent to brush his mouth against hers, featherlight, enticing. “Come back to bed,” he whispered against her soft lips, his tongue tasting the satin finish as he led her back to the bedchamber. “Mikhail,” she protested softly, breathlessly. He tugged on her wrist, unbalanced her so that her body came up against him. Her body melted into his, soft breasts pushing against heavy muscle, the evidence of his desire pressing against her stomach. His thighs were two strong columns welded with hers. “I could love you all night, Raven,” he murmured enticingly against her throat. His hands moved over her body, leaving fire in their wake. “I want to love you all night.
Christine Feehan (Dark Prince (Dark, #1))
Among the white scouts were numbered some of the most noted of their class. The most prominent man among them was "Wild Bill". Wild bill was a strange character, just the one which a novelist might gloat over. Whether on foot or on horseback, he was one of the most perfect types of physical manhood I ever saw. Of his courage there could be no question; it had been brought to the test on too many occasions to admit a doubt. His skill in the use of the rifle and pistol was unerring; while his deportment was exactly the opposite of what might be expected from a man of his surroundings. It was entirely free of bluster or bravado. He seldom spoke of himself unless requested to do so. His conversation, strange to say, never bordered either on the vulgar or blasphemous. His influence among the frontiersmen was unbounded, his word was law; and many are the personal quarrels and disturbances which he has checked among his comrades by his simple announcement that "this has gone far enough" if need be followed by the ominous warning that when persisted in or renewed the quarreler "must settle it with me". Wild Bill is anything but a quarrelsome man; yet no one but himself can enumerate the many conflicts in which he has been engaged, and which have almost invariably resulted in the death of his adversary. I have personal knowledge of at least half a dozen men whom he has at various times killed, one of these being at the time a member of my command. Wild Bill always carried two handsome ivory-handled revolvers of the large size; he was never seen without them. Where this is the common custom, brawls or personal difficulties are seldom if ever settled by blows. The quarrel is not from word to blow, but from a word to revolver, and he who can draw and fire first is the best man. An item which has been floating lately through the columns of the press states that, "the funeral of 'Jim Bludso,' who was killed the other day by 'Wild Bill' took place today" and then adds: "The funeral expenses were borne by 'Wild Bill'" What could be more thoughtful than this? Not only to send a fellow mortal out of the world, but to pay the expenses of the transit.
George Armstrong Custer (My Life on the Plains: Or, Personal Experiences with Indians)
HEART OF TEA DEVOTION Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa round, And, while the bubbling and loud hissing urn Throws up a steamy column and the cups That cheer but not inebriate, wait on each, So let us welcome peaceful ev ning in. WILLIAM COWPER Perhaps the idea of a tea party takes you back to childhood. Do you remember dressing up and putting on your best manners as you sipped pretend tea out of tiny cups and shared pretend delicacies with your friends, your parents, or your teddy bears? Were you lucky enough to know adults who cared enough to share tea parties with you? And are you lucky enough to have a little person with whom you could share a tea party today? Is there a little girl inside you who longs for a lovely time of childish imagination and "so big" manners? It could be that the mention of teatime brings quieter memories-cups of amber liquid sipped in peaceful solitude on a big porch, or friendly confidences shared over steaming cups. So many of my own special times of closeness-with my husband, my children, my friends-have begun with putting a kettle on to boil and pulling out a tea tray. But even if you don't care for tea-if you prefer coffee or cocoa or lemonade or ice water, or if you like chunky mugs better than gleaming silver or delicate china, or if you find the idea of traditional tea too formal and a bit intimidating-there's still room for you at the tea table, and I think you would love it there! I have shared tea with so many people-from business executives to book club ladies to five-year-old boys. And I have found that few can resist a tea party when it is served with the right spirit. You see, it's not tea itself that speaks to the soul with such a satisfying message-although I must confess that I adore the warmth and fragrance of a cup of Earl Grey or Red Zinger. And it's not the teacups themselves that bring such a message of beauty and serenity and friendship-although my teacups do bring much pleasure. It's not the tea, in other words, that makes teatime special, it's the spirit of the tea party. It's what happens when women or men or children make a place in their life for the
Emilie Barnes (The Tea Lover's Devotional)
He had no desire to eke out a living from the land as his family had during his childhood. He and Saphira were a Rider and dragon; their doom and their destiny was to fly at the forefront of history, not to sit before a fire and grow fat and lazy. And then there was Arya. If he and Saphira lived in Palancar Valley, he would see her rarely, if at all. “No,” said Eragon, and the word was like a hammerblow in the silence. “I don’t want to go back.” A cold tingle crawled down his spine. He had known he had changed since he, Brom, and Saphira had set out to track down the Ra’zac, but he had clung to the belief that, at his core, he was still the same person. Now he understood that this was no longer true. The boy he had been when he first set foot outside of Palancar Valley had ceased to exist; Eragon did not look like him, he did not act like him, and he no longer wanted the same things from life. He took a deep breath and then released it in a long, shuddering sigh as the truth sank into him. “I am not who I was.” Saying it aloud seemed to give the thought weight. Then, as the first rays of dawn brightened the eastern sky over the ancient island of Vroengard, where the Riders and dragons had once lived, he thought of a name--a name such as he had not thought of before--and as he did, a sense of certainty came over him. He said the name, whispered it to himself in the deepest recesses of his mind, and all his body seemed to vibrate at once, as if Saphira had struck the pillar beneath him. And then he gasped, and he found himself both laughing and crying--laughing that he had succeeded and for the sheer joy of comprehension; crying because all his failings, all the mistakes he had made, were now obvious to him, and he no longer had any delusions to comfort himself with. “I am not who I was,” he whispered, gripping the edges of the column, “but I know who I am.” The name, his true name, was weaker and more flawed than he would have liked, and he hated himself for that, but there was also much to admire within it, and the more he thought about it, the more he was able to accept the true nature of his self. He was not the best person in the world, but neither was he the worst.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
55. We should, therefore, have a guardian, as it were, to pluck us continually by the ear and dispel rumours and protest against popular enthusiasms. For you are mistaken if you suppose that our faults are inborn in us; they have come from without, have been heaped upon us. Hence, by receiving frequent admonitions, we can reject the opinions which din about our ears. 56. Nature does not ally us with any vice; she produced us in health and freedom. She put before our eyes no object which might stir in us the itch of greed. She placed gold and silver beneath our feet, and bade those feet stamp down and crush everything that causes us to be stamped down and crushed. Nature elevated our gaze towards the sky and willed that we should look upward to behold her glorious and wonderful works. She gave us the rising and the setting sun, the whirling course of the on-rushing world which discloses the things of earth by day and the heavenly bodies by night, the movements of the stars, which are slow if you compare them with the universe, but most rapid if you reflect on the size of the orbits which they describe with unslackened speed; she showed us the successive eclipses of sun and moon, and other phenomena, wonderful because they occur regularly or because, through sudden causes they help into view – such as nightly trails of fire, or flashes in the open heavens unaccompanied by stroke or sound of thunder, or columns and beams and the various phenomena of flames. 57. She ordained that all these bodies should proceed above our heads; but gold and silver, with the iron which, because of the gold and silver, never brings peace, she has hidden away, as if they were dangerous things to trust to our keeping. It is we ourselves that have dragged them into the light of day to the end that we might fight over them; it is we ourselves who, tearing away the superincumbent earth, have dug out the causes and tools of our own destruction; it is we ourselves who have attributed our own misdeeds to Fortune, and do not blush to regard as the loftiest objects those which once lay in the depths of earth. 58. Do you wish to know how false is the gleam that has deceived your eyes? There is really nothing fouler or more involved in darkness than these things of earth, sunk and covered for so long a time in the mud where they belong. Of course they are foul; they have been hauled out through a long and murky mine-shaft. There is nothing uglier than these metals during the process of refinement and separation from the ore. Furthermore, watch the very workmen who must handle and sift the barren grade of dirt, the sort which comes from the bottom; see how soot-besmeared they are! 59. And yet the stuff they handle soils the soul more than the body, and there is more foulness in the owner than in the workman.
Seneca (Letters from a Stoic)
Over the course of my many encounters with V’lane, I would attempt repeatedly to describe him in my journal. I would use words like: terrifyingly beautiful, godlike, possessing inhuman sexuality, deadly eroticism. I would call him lethal, I would call him irresistible, I would curse him. I would lust for him. I would call his eyes windows to a shining heaven, I would call them gates to Hell. I would fill entries with scribblings that would later make no sense to me, comprised of columns of antonyms: angelic, devilish; creator, destroyer; fire, ice; sex, death—I’m not sure why those two struck me as opposites, except perhaps sex is both the celebration of life and the process whereby we create it.
Karen Marie Moning (Bloodfever (Fever #2))
It’s not wheel science… just aim and fire.
Evelyn Winters (A Very Giant Tale: An historical story about real places (Chester Tales))
Jones described what followed in his official report: All the oil, the tanks, barrels,engines for pumping, engine-houses, and wagons- in a word, everything used for rising, holding, or sending it off was burned. The smoke is very dense and jet black. The boats, filled with oil in bulk, burst with a report almost equaling artillery, and spread the burning fuel down the river. Before night huge columns of ebony smoke marked the meanderings of the stream as far as the eye could see. By dark the oil from the tanks on the burning creek had reached the river and the whole stream was a sheet of fire. A burning river, carrying destruction to our merciless enemy, was a scene of magnificence that might well carry joy to every patriotic heart.- General William E. " Grumble" Jones
Clint Johnson (Touring Virginia's and West Virginia's Civil War Sites (Touring the Backroads))
Once again, I was conscious of the paradox of the compound: that here, at the heart of the unfolding events, we could catch no more than a glimpse of them. Fires were burning all over Dili; the smell was in our nostrils from the moment we wok up, and occasionally we could see columns of smoke. But the flames themselves, and the faces of the fire starters, were invisible. At the computers in the Unamet press room, we waited in turn to log on to the news websites and learn what was happening to us.
Richard Lloyd Parry (In the Time of Madness: Indonesia on the Edge of Chaos)
What’s wrong?” Jake’s voice, deep as thunder, unsettled her. Why did he have to be so handsome? She wanted to fall right inside those brown eyes. “I saw you in the living room with Ben . . . earlier.” His lips pulled upward, no doubt remembering Ben’s belly laughs. “He’s a fun kid.” She hated to wipe the smile from his face. “I know you mean well, Jake, but I think it’s best if you avoid spending time with the children.” The smile slid south. “We were just playing around.” “The children are getting attached to you. I don’t think it’s healthy.” His jaw flexed, his shoulders squared. “They need relationships now more than ever.” “Not from someone who’ll soon exit their lives.” He flinched. She hated to hurt his feelings, had a physical ache from wounding him. “It doesn’t have to be that way,” he said finally. “I don’t want to exit their lives. I don’t want to exit your life.” Maybe he thought they could be some happy family or something. It was time to tell him everything. “I’m selling Summer Place. We’ll be leaving the island soon. The Goldmans—our guests over the daffodil weekend—made an offer, and I accepted. I haven’t told the children yet, so I’d appreciate if you wouldn’t mention it. We’ll stay through closing in late June.” Jake’s lips parted. A second later they pressed together. He walked to the end of the porch and back. He reminded her of a caged tiger, constricted by the boundary of the porch. She hadn’t expected him to be so upset. When he passed, she set her hand on his bare arm, stopping him. The muscles flexed beneath her palm. He was so strong. She had the sudden image of him hitting Sean, using those muscles to protect her. She pulled her hand away as if his skin burned her. “They’ve had enough loss. They’ve already become attached to you, and that’s only going to hurt them more when we leave.” His face softened as he stared, his lips slackening, his eyes growing tender. His face had already darkened under the sun. Faint lines fanned the corner of his eyes. He reached toward her and ran his finger down the side of her face. “Don’t leave.” His touch left a trail of fire. She pressed her spine to the column. How could she want to dive into his arms and run away at the same time? Inside a riot kicked up. She was back in the apartment on Warren Street, coming home from school, slipping in the door, unsure if she’d find her mom racing around the kitchen, slumped on the bathroom tile, or just gone. The same uncertainty roiled in her now. “I have to.” “This is their home. Your engagement is over,” he said gently. “Is what you’re going back to as important as what you’re leaving?” He didn’t have to say he meant them. Us. She shook her head, dislodging his hand. How had he turned this all around? She
Denise Hunter (Driftwood Lane (Nantucket, #4))
missiles, wave after wave of them rising from their bunkers on columns of fire. To have seen the night burn white with the light of a thousand suns as they reached their detonation altitude, in the same moment the pulse they released plunging everything beneath into everlasting darkness.
R.A. Hakok (Among Wolves (The Children of the Mountain, #1))
The 112th Infantry Regiment of Cota’s 28th Division found that ‘on the morning of the initial assault, there were strong indications that the German infantry had imbibed rather freely of alcoholic beverage . . . They were laughing and shouting and telling our troops not to open fire, as it disclosed our positions. We obliged until the head of the column was 25 yards to our front. Heavy casualties were inflicted. Examination of the canteens on several of the bodies gave every indication that the canteen had only a short time before contained cognac.
Antony Beevor (Ardennes 1944: The Battle of the Bulge)
People care about the unutterable awe of American heroes stabbing into the heavens on columns of fire.
Margaret Lazarus Dean (Leaving Orbit: Notes from the Last Days of American Spaceflight)
Oh, Leo thought, we’re showing off now? He considered shooting a column of fire at the nearest tour bus and blowing up the gas tank, but he decided that might be a tad dramatic.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
What have I done? What have I become? I am a monster.” “Mary,” whispered Jesus, “you are forgiven.” A wave of peace came over her like nothing she had ever felt before. In the cave, she had experienced release. But now she felt the tendrils of healing gently digging deeper into her, like a new tree planting its roots into her heart, the true Tree of Life. But there was so much darkness in her. It was as if her soul was stuck in deep sludge. She looked up at him and thought, “How could this be? How could I be cleansed from so vile a heart and life?” As if he heard her thoughts, he said, “Let us go. It is time you were baptized, so you can finally believe what is already true of you.” “But what about Gaia? What about the angels?” Jesus looked over at the colossal tree, a good hundred feet away from them. He said to her, “I have two baptisms I perform. Water and fire.” He looked up into the heavens. Mary saw a column of fire pour out from the sky onto the mighty tree and engulf it in flames. She heard the crackling sounds of burning timber, felt the wave of hot air blow over her. As it burned, she thought she heard the spiritual piercing shrieks with wailing and gnashing of teeth. It felt more inside her head than from the tree, which she knew was the source of the pain. She understood at that moment that the baptism of water was salvation and the baptism of fire was judgment.
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
At one point, Joylene (a large woman from HR with four framed photos of her cats and one of her deceased father holding a trout on her desk) actually stated, “Ooo, I love Excel.”    Who says, “Ooo, I love Excel.”? How is it even a sentence? Each time Joylene had a question, she waved her pen, with a huge rainbow colored feather taped to the end, above her head while making excited “uh, uh, um, uh” noises.   “Yes, Joylene?” “If I want my columns color coded, am I able to mix my own preferred range of blues from a palette or do I have to select from the four-thousand shades of blue it already has?” “And that, your Honor, is when the defendant leapt across the desk. I enter into evidence the rainbow feather pen.”   If there ever comes a time where I’m typing numbers into boxes and decide I’d really like those boxes with numbers to be a specific shade of blue, it will be time to turn off the computer, pack my things, and start a fire.
David Thorne (That's Not How You Wash a Squirrel)
They’re just cattle,” Bacon said if anyone complained; but cattle did not sing laments.
Ken Follett (A Column of Fire (Kingsbridge, #3))
Pierre.
Ken Follett (A Column of Fire (Kingsbridge, #3))
4From there I afterwards passed on to another terrific place; 5Where I beheld the operation of a great fire blazing and glittering, in the midst of which there was a division. Columns of fire struggled together to the end of the abyss, and deep was their descent. But neither its measurement nor magnitude was I able to discover; neither could I perceive its origin.
Enoch (The Book of Enoch)
It was an amputation. I would never get back the part of me that vanished when Sylvie died. I knew the feeling of a man who tries to walk having lost a leg. I would never shake off the sense that something should be there, where the missing limb had always been. There was a hole in my life, a great gaping cavity that could never be filled.
Ken Follett (A Column of Fire (Kingsbridge, #3))
a throne composed of alabaster, the top of which was of sapphire. I saw, too, a blazing fire hanging over all the mountains. 11And there I saw a place on the other side of an extended territory, where waters were collected. 12I likewise beheld terrestrial fountains, deep in the fiery columns of heaven.
Enoch (The Book of Enoch)
13And in the columns of heaven I beheld fires, which descended without number, but neither on high, nor into the deep. Over these fountains also I perceived a place which had neither the firmament of heaven above it, nor the solid ground underneath it; neither was there water above it; nor anything on wing; but the spot was desolate. 14And there I beheld seven stars, like great blazing mountains, and like spirits entreating me.
Enoch (The Book of Enoch)
made no bones
Ken Follett (A Column of Fire (Kingsbridge, #3))
A jewel has brilliant fire, but it gives no warmth. Our hands are not so soft, but they can serve. Our bodies not so white, but they are strong. Our lips are not perfumed, but they speak the truth. Love is not an art to us. It's life to us. We are not dressed in gold and fine linen. Strength and honor are our clothing. Our tents are not the columned halls of Egypt, but our children play happily before them. We can offer you little... but we offer all we have.
Yvonne De Carlo: Sephora
Elizabeth’s true attitude was probably that of someone who hears two drunks fighting in the street at night: it did not matter who won so long as neither tried to get into the house.
Ken Follett (A Column of Fire (Kingsbridge, #3))
I HAVEN’T HAD the Dream in a long time. But it’s back. And it’s changed. It does not begin as it always has, with the chase. The woods. The mad swooping of the griffins and the charge of the hose-beaked vromaski. The volcano about to erupt. The woman calling my name. The rift that opens in the ground before me. The fall into the void. The fall, where it always ends. Not this time. This time, these things are behind me. This time, it begins at the bottom. I am outside my own body. I am in a nanosecond frozen in time. I feel no pain. I feel nothing. I see someone below, twisted and motionless. The person is Jack. Jack of the Dream. But being outside it, I see that the body is not mine. Not the same face. As if, in these Dreams, I have been dwelling inside a stranger. I see small woodland creatures, fallen and motionless, strewn around the body. The earth shakes. High above, griffins cackle. Water trickles beneath the body now. It pools around the head and hips. And the nanosecond ends. The scene changes. I am no longer outside the body but in. Deep in. The shock of reentry is white-hot. It paralyzes every molecule, short-circuiting my senses. Sight, touch, hearing—all of them join in one huge barbaric scream of STOP. The water fills my ear, trickles down my neck and chest. It freezes and pricks. It soothes and heals. It is taking hold of the pain, drawing it away. Drawing out death and bringing life. I breathe. My flattened body inflates. I see. Smell. Hear. I am aware of the soil ground into my skin, the carcasses all around, the black clouds lowering overhead. The thunder and shaking of the earth. I blink the grit from my eyes and struggle to rise. I have fallen into a crevice. The cracked earth is a vertical wall before me. And the wall contains a hole, a kind of door into the earth. I see dim light within. I stand on shaking legs. I feel the snap of shattered bones knitting themselves together. One step. Two. With each it becomes easier. Entering the hole, I hear music. The Song of the Heptakiklos. The sound that seems to play my soul like a guitar. I draw near the light. It is inside a vast, round room, an underground chamber. I enter, lifted on a column of air. At the other side I see someone hunched over. The white lambda in his hair flashes in the reflected torch fire. I call to him and he turns. He looks like me. Beside him is an enormous satchel, full to bursting. Behind him is the Heptakiklos. Seven round indentations in the earth. All empty.
Peter Lerangis (Lost in Babylon (Seven Wonders, #2))
She was proud to have a son who could ask such a thoughtful and challenging question.
Ken Follett (A Column of Fire (Kingsbridge, #3))
Sylvie appeared startled by that thought. Perhaps she had not imagined that children might bring pain as well as joy.
Ken Follett (A Column of Fire (Kingsbridge, #3))
Changing your beliefs with every change of monarch was called ‘policy’, and people who did it were ‘politicians’.
Ken Follett (A Column of Fire)
school. Rollo said: “Margery is engaged to
Ken Follett (A Column of Fire (Kingsbridge, #3))