Colors Of Autumn Quotes

Autumn seemed to arrive suddenly that year. The morning of the first September was crisp and golden as an apple.

The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot. It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color.

Fall colors are funny. They’re so bright and intense and beautiful. It’s like nature is trying to fill you up with color, to saturate you so you can stockpile it before winter turns everything muted and dreary.

The first week of August hangs at the very top of the summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot. It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color. Often at night there is lightning, but it quivers all alone. There is no thunder, no relieving rain. These are strange and breathless days, the dog days, when people are led to do things they are sure to be sorry for after.

After the keen still days of September, the October sun filled the world with mellow warmth...The maple tree in front of the doorstep burned like a gigantic red torch. The oaks along the roadway glowed yellow and bronze. The fields stretched like a carpet of jewels, emerald and topaz and garnet. Everywhere she walked the color shouted and sang around her...In October any wonderful unexpected thing might be possible.

Use what you have, use what the world gives you. Use the first day of fall: bright flame before winter's deadness; harvest; orange, gold, amber; cool nights and the smell of fire. Our tree-lined streets are set ablaze, our kitchens filled with the smells of nostalgia: apples bubbling into sauce, roasting squash, cinnamon, nutmeg, cider, warmth itself. The leaves as they spark into wild color just before they die are the world's oldest performance art, and everything we see is celebrating one last violently hued hurrah before the black and white silence of winter.

GATHERING LEAVES Spades take up leaves No better than spoons, And bags full of leaves Are light as balloons. I make a great noise Of rustling all day Like rabbit and deer Running away. But the mountains I raise Elude my embrace, Flowing over my arms And into my face. I may load and unload Again and again Till I fill the whole shed, And what have I then? Next to nothing for weight, And since they grew duller From contact with earth, Next to nothing for color. Next to nothing for use. But a crop is a crop, And who's to say where The harvest shall stop?

Even when we feel the sun in our soul has died, and the autumn storms of our life have broken the glow in our eyes, nothing must keep us from swelling the river of our inner longing. We can create a new scenario and colorize the chapters of the story we want to embed and liven up the thinking pattern of the personae we would like to cast a role.( "Into a new life")

It was like autumn, looking at her. it was like driving up north to see the colors.

I was twenty-one at the time, about to turn twenty-two. No prospect of graduating soon, and yet no reason to quit school. Caught in the most curiously depressing circumstances. For months I'd been stuck, unable to take one step in any new direction. The world kept moving on; I alone was at a standstill. In the autumn, everything took on a desolate cast, the colors swiftly fading before my eyes. The sunlight, the smell of the grass, the faintest patter of rain, everything got on my nerves.

Before you came, things were as they should be: the sky was the dead-end of sight, the road was just a road, wine merely wine. Now everything is like my heart, a color at the edge of blood: the grey of your absence, the color of poison, of thorns, the gold when we meet, the season ablaze, the yellow of autumn, the red of flowers, of flames, and the black when you cover the earth with the coal of dead fires. And the sky, the road, the glass of wine? The sky is a shirt wet with tears, the road a vein about to break, and the glass of wine a mirror in which the sky, the road, the world keep changing. Don’t leave now that you’re here— Stay. So the world may become like itself again: so the sky may be the sky, the road a road, and the glass of wine not a mirror, just a glass of wine.

When I think back about my immediate reaction to that redheads girl, it seems to spring from an appreciation of natural beauty. I mean the heart pleasure you get from looking at speckled leaves or the palimpsested bark of plane trees in Provence. There was something richly appealing to her color combination, the ginger snaps floating in the milk-white skin, the golden highlights in the strawberry hair. it was like autumn, looking at her. It was like driving up north to see the colors.

May you Fall in love with October and all the beauty it brings, May your life be as colorful as the turning of the leaves, On each blessed autumn day

How can I hope for the news of your arrival from these scattered autumn leaves? Isn't it enough for the sun of my fragile heart to set at this moment?

His beard was all colors, a grove of trees in autumn, deep brown and fire-orange and wine-red, an untrimmed tangle across the lower half of his face. His cheeks were apple-red. He looked like a friend; like someone you had known all your life.

Junior finds what he’s seeking in a swale between two ridges. He glasses down at the elk from a hillside aflame with autumn color. The animal strides through the clearing about five hundred yards due east, dipping its head now and then to nibble on receding grass that soon will disappear for the winter.

We pretended she'd only gotten lost in the colors of fall. Piper

They would never know how lucky they had been. For a lifetime, mankind had achieved as much happiness as any race can ever know. It had been the Golden Age. But gold was also the color of sunset, of autumn: and only Karellen’s ears could catch the first wailings of the winter storms.

Nature awakens each day in brilliant autumn colors, making me wish the pale winter would bid adieu.

Autumn colors remind us we are all one dancing in the wind.

The air's crisp with the smell of autumn, and the first few leaves have started to change color. The streets have that family-friendly feel. Store windows already have pumpkins and witches' hats in them.

Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel the mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.

There is no mystery in this association of woods and otherworlds, for as anyone who has walked the woods knows, they are places of correspondence, of call and answer. Visual affinities of color, relief and texture abound. A fallen branch echoes the deltoid form of a streambed into which it has come to rest. Chrome yellow autumn elm leaves find their color rhyme in the eye-ring of the blackbird. Different aspects of the forest link unexpectedly with each other, and so it is that within the stories, different times and worlds can be joined.

If we are taken over by craving, no matter who or what is before us, all we can see is how it might satisfy our needs. This kind of thirst contracts our body and mind into a profound trance. We move through the world with a kind of tunnel vision that prevents us from enjoying what is in front of us. The color of an autumn leaves or a passage of poetry merely amplifies the feeling that there is a gaping hole in our life. The smile of a child only reminds us that we are painfully childless. We turn away from simple pleasures because our craving compels us to seek more intense stimulation or numbing relief.

Autumn teaches us a valuable lesson. During summer, all the green trees are beautiful. But there is no time of the year when the trees are more beautiful than when they are different colors. Diversity adds beauty to our world.

As the autumn deepens, the fathomless lakes of their eyes assume an ever more sorrowful hue. The leaves turn color, the grasses wither; the beasts sense the advance of a long, hungry season. And bowing to their vision, I too know a sadness.

To find not only that this bedlam of color was true but that the pictures were pale and inaccurate translations, was to me startling. I can't even imagine the forest colors when I am not seeing them. I wondered whether constant association could cause inattention, and asked a native New Hampshire woman about it. She said that autumn never failed to amaze her; to elate. 'It is a glory,' she said, 'and can't be remembered, so that it always comes as a surprise.

The first flash of color always excites me as much as the first frail, courageous bloom of spring. This is, in a sense, my season--sometimes warm and, when the wind blows an alert, sometimes cold. But there is a clarity about September. On clear days, the sun seems brighter, the sky more blue, the white clouds take on marvelous shapes; the moon is a wonderful apparition, rising gold, cooling to silver; and the stars are so big. The September storms--the hurricane warnings far away, the sudden gales, the downpour of rain that we have so badly needed here for so long--are exhilarating, and there's a promise that what September starts, October will carry on, catching the torch flung into her hand.

[Orange] is one of God's favorite colors--- He stuck it right there between red and yellow as the second color in the rainbow. He decorates entire forests with shades of orange every autumn. It shows up in sunrises at the start of the day, sunsets at the end of the day, and in the glow of the moon at the right time of night.

Akinli: You never told me your favorite color before you left Kahlen: So many, but mostly I like the color of autumn Akinli: The color of autumn...yea how everything looks like it's on fire Kahlen: But it's dying! Death never looked so lovely

I guess I'm just feeling Septemberish," sighed Chester. "It's getting towards autumn now. And it's so pretty up in Connecticut. All the trees change color. The days get very clear―with a little smoke on the horizon from burning leaves. Pumpkins begin to come out.

I’m just trying to imagine you in flannel pink sock monkey pajamas. I’m sure you look stunning in pink. (Damien) Actually, with his skin tone he probably does look really good in it. I would definitely say he’s an autumn. (Kish) That’s summer, you dweeb. (Damien) I find it fascinating that you two women know that color palettes for clothes have a name. The fact you corrected him really scares me. (Sin)

Her eyes were of different colors, the left as brown as autumn, the right as gray as Atlantic wind. Both seemed alive with questions that would never be voiced, as if no words yet existed with which to frame them. She was nineteen years old, or thereabouts; her exact age was unknown. Her face was as fresh as an apple and as delicate as blossom, but a marked depression in the bones beneath her left eye gave her features a disturbing asymmetry. Her mouth never curved into a smile. God, it seemed, had withheld that possibility, as surely as from a blind man the power of sight. He had withheld much else. Amparo was touched—by genius, by madness, by the Devil, or by a conspiracy of all these and more. She took no sacraments and appeared incapable of prayer. She had a horror of clocks and mirrors. By her own account she spoke with Angels and could hear the thoughts of animals and trees. She was passionately kind to all living things. She was a beam of starlight trapped in flesh and awaiting only the moment when it would continue on its journey into forever.” (p.33)

When leaves have to let go of the tree, they wear their best colors and they dance all the way to the ground.

The brisk October winds were brutal through the sunset colors of the leaves. The kind of wind that went right through you, just to prove how infallible humans were.

People make a great deal of the flowers of spring and the leaves of autumn, but for me a night like this, with a clear moon shining on snow, is the best -- and there is not a trace of color in it. I cannot describe the effect it has on me, weird and unearthly somehow. I do not understand people who find a winter evening forbidding.

Autumn is a cunning muse who steals by degrees my warmth and light. So distracted by her glorious painting of colors, I scarcely realize my losses until the last fiery leaf has fallen to the ground and the final pumpkin shrinks. Autumn departs with a cold kiss, leaving me to suffer the frigid grasp of winter in prolonged nightfall.

...every time I look at you autumn leaves come in between - does it matter they're the color of your hair - or they still fall in my memory?...

She's locked up with a spinning wheel She can't recall what it was like to feel She says, "This room's gonna be my grave And there's no one who can save me," She sits down to her colored thread She knows lovers waking up in their beds She says, "How long can I live this way Is there someone I can pay to let me go 'Cause I'm half sick of shadows I want to see the sky Everyone else can watch as the sun goes down So why can't I And it's raining And the stars are falling from the sky And the wind And the wind I know it's cold I've been waiting For the day I will surely die And it's here And it's here for I've been told That I'll die before I'm old And the wind I know it's cold... She looks up to the mirrored glass She sees a horse and rider pass She says, "This man's gonna be my death 'Cause he's all I ever wanted in my life And I know he doesn't know my name And that all the girls are all the same to him But still I've got to get out of this place 'Cause I don't think I can face another night Where I'm half sick of shadows And I can't see the sky Everyone else can watch as the tide comes in So why can't I But there's willow trees And little breezes, waves, and walls, and flowers And there's moonlight every single night As I'm locked in these towers So I'll meet my death But with my last breath I'll sing to him I love And he'll see my face in another place," And with that the glass above Her cracked into a million bits And she cried out, "So the story fits But then I could have guessed it all along 'Cause now some drama queen is gonna write a song for me," She went down to her little boat And she broke the chains and began to float away And as the blood froze in her veins she said, "Well then that explains a thing or two 'Cause I know I'm the cursed one I know I'm meant to die Everyone else can watch as their dreams untie So why can't I

As artist Nature splashes color across the vast canvas of the sky with the radiance and splendor of sunrise and sunset. She arches rainbows against the passing storm, creates flowers and foliage, sets autumn woods on fire with the beauty of turning leaves and touches mountaintops with snow crystals.

The multicolored leaves were softly glowing against the black sky, creating an untimely nocturnal rainbow which scattered its spectral tints everywhere and dyed the night with a harvest of hues: peach gold and pumpkin orange, honey yellow and winy amber, apple red and plum violet. Luminous within their leafy shapes, the colors cast themselves across the darkness and were splattered upon our streets and our fields and our faces. Everything was resplendent with the pyrotechnics of a new autumn.

Rebellious leaves going out in a blaze of glory, setting trees aflame in riotous color. Reluctant surrender to rumors of coming winter.

They came silently as ghosts themselves, swept along like leaves being scattered about them in the scurrying east wind. Yet their running forms seemed carved out by the wild landscape, in the natural facts of evolution, so they were almost perfectly camouflaged, shielded by the deepening colors of autumn change.

I heard that when white folks go fishin they do somethin called 'catch and release.' Catch and release? I nodded solemnly, suddenly nervous and curious at the same time. 'That really bothers me', Denver went on. 'I just can't figure it out. 'Cause when colored folks go fishin, we really proud of what we catch, and we take it and show it off to everybody that'll look. Then we eat what we catch...in other words, we use it to SUSTAIN us. So it really bothers me that white folks would go to all the trouble to catch a fish, when when they done caught it, just throw it back in the water.' He paused again, and the silence between us stretched a full minute. Then: 'Did you hear what I said?' I nodded, afraid to speak, afraid to offend. Denver looked away, searching the blue autumn sky, then locked onto me again with that drill-bit start. 'So, Mr. Ron, it occurred to me: If you is fishin for a friend you just gon' catch and release, then I ain't got no desire to be your friend.' I returned Denver's gaze with what I hoped was a receptive expression and hung on. Suddenly his eyes gentled and he spoke more softly than before: 'But if you is lookin for a REAL friend, then I'll be one. Forever.

The gold and scarlet leaves that littered the countryside in great drifts whispered and chuckled among themselves, or took experimental runs from place to place, rolling like coloured hoops among the trees. It was as if they were practising something, preparing for something, and they would discuss it excitedly in rustly voices as they crowded round the tree trunks.

Autumn in the Highlands would be brief—a glorious riot of color blazing red across the moors and gleaming every shade of gold in the forests of sheltered glens. Those achingly beautiful images would be painted again and again across the hills and in the shivering waters of the mountain tarns until the harsh winds of winter sent the last quaking leaf to its death on the frozen ground.

We were letting go of October, relinquishing color, readying ourselves for streets lacquered with ice, the town closed like a walnut, locked inside the cold.

At the edge of heaven, tatters of autumn Cloud. After ten thousand miles of clear Lovely morning, the west wind arrives. Here, Long rains haven't slowed farmers. Frontier Willows air thin kingfisher colors, and Red fruit flecks mountain pears. As a flute's Mongol song drifts from a tower, one Goose climbs clear through vacant skies.

The maple tree in front of the doorstep burned like a gigantic red torch. The oaks along the roadway glowed yellow and bronze. The fields stretched like a carpet of jewels, emerald and topaz and garnet. Everywhere she walked the color shouted and sang around her. The dried brown leaves crackled beneath her feet and gave off a delicious smoky fragrance. No one had ever told her about autumn in New England. The excitement of it beat in her blood. Every morning she woke with a new confidence and buoyancy she could not explain. In October any wonderful unexpected thing might be possible.

Why do some trees stay green while others change their color?” “Certain trees need to show off, dear. I’m sure that my big brother could explain why it happens. Dahlaine loves to explain things, and he can be very tedious about it. I prefer simpler answers. The trees are sad because summer’s almost over.

We got half the doggone MIT college of engineering here, and nobody who can fix a doggone /television/?" Dr. Joseph Abernathy glared accusingly at the clusters of young people scattered around his living room. That's /electrical/ engineering, Pop," his son told him loftily. "We're all mechanical engineers. Ask a mechanical engineer to fix your color TV, that's like asking an Ob-Gyn to look at the sore on your di-ow!" Oh, sorry," said his father, peering blandly over gold-rimmed glasses. "That your foot, Lenny?

That evening, as I watched the sunset’s pinwheels of apricot and mauve slowly explode into red ribbons, I thought: The sensory misers will inherit the earth, but first they will make it not worth living on. When you consider something like death, after which (there being no news flash to the contrary) we may well go out like a candle flame, then it probably doesn’t matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly. It probably doesn’t matter if, while trying to be modest and eager watchers of life’s many spectacles, we sometimes look clumsy or get dirty or ask stupid questions or reveal our ignorance or say the wrong thing or light up with wonder like the children we all are. It probably doesn’t matter if a passerby sees us dipping a finger into the moist pouches of dozens of lady’s slippers to find out what bugs tend to fall into them, and thinks us a bit eccentric. Or a neighbor, fetching her mail, sees us standing in the cold with our own letters in one hand and a seismically red autumn leaf in the other its color hitting our sense like a blow from a stun gun, as we stand with a huge grin, too paralyzed by the intricately veined gaudiness of the leaf to move.

August was almost over. The first cool touch of autumn moved slowly through the town and there was a softening and the first gradual burning fever of color in every tree, a faint flush and coloring in the hills, and the color of lions in the wheat fields. Now the pattern of days was familiar and repeated like a penman beautifully inscribing again and again, in practice, a series of it’s and w’s and m’s, day after day the line repeated in delicate rills.

The mountain trees that grew between the pines were a brilliant blaze of fall colors, like fire against the emerald green of the pines, firs and pruces. And it was, as I'd told myself long ago, the year's last passionate love affair before it grew old and died from the frosty bite of winter.

What you do need to know is this: Time moves differently when you’re getting over something big. For me, it slows—limping along on creaky wheels until the rusty engine blows and I’m here, stranded with nothing but a masking tape colored sky to look at.

I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.

He wanted to be content with an identity nicely chopped into pieces of varying lengths, but whose character was always similar, without dyeing it in autumnal colors, drenching it in April showers or mottling it with the instability of clouds.

...he could feel hot tears coming to his eyes as the image of that night, outside the house as the November wind blew black leaves up off the ground and the sky turned colors like bruised flesh.

Junior finds what he’s seeking in a swale between two ridges. He glasses down at the elk from a hillside aflame with autumn color. The animal strides through the clearing about five hundred yards due east, dipping its head now and then to nibble on receding grass that soon will disappear for the winter.

If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore.

Must love decorating for holidays, mischief, kissing in cars, and wind chimes. No specific height, weight, hair color, or political affiliation required but would prefer a warm spirited non racist. Cynics, critics, pessimists, and “stick in the muds” need not apply. Voluptuous figures a plus. Any similarity in look, mind set, or fashion sense to Mary Poppins, Claire Huxtable, Snow White, or Elvira wholeheartedly welcomed. I am dubious of actresses, fellons and lesbians but dont want to rule them out entirely. Must be tolerant of whistling, tickle torture, James Taylor, and sleeping late. I have a slight limp, eerily soft hands, and a preternatural love of autumn. I once misinterpreted being called a coal-eyed dandy as a compliment when it was intended as an insult. I wiggle my feet in my sleep, am scared of the dark, and think the Muppets Christmas Carol is one of the greatest films of all time. All I want is butterfly kisses in the morning, peanut butter sandwiches shaped like a heart, and to make you smile until it hurts.

I am Falling in love again with autumn, The smell of warm cider, The orange color leaves, Pumpkins everywhere and the crisp breeze, People walking or riding their bikes, Folks jogging or going on hikes, I love autumn for many reasons and I'm pleased to admit- this is my favorite season

There lies a silence of the heart in the dance of colorful autumn leaves.

The canopy of the woods was spread out beneath me and it looked as if autumn had taken a great torch to the trees, burnishing them gold, red, and bronze.

When it rains in Paris, it bleeds into swift little gutters. You can see your reflection over its mercury embryo.

Leaves are love letters that fall from the sky, in the brightest of colors see how they fly! from the fall/autumn poem, Step Out in Color!

Anything is better than the silence when she answered to hands gesturing and was indifferent to the movement of lips. When she saw every little thing and colors leaped smoldering into view. She will forgo the most violent of sunsets, stars as fat as dinner plates and all the blood of autumn and settle for the palest yellow if it comes from her Beloved.

our life is a coloring book...together we color our world onto the vibrant pages with our radiant hues, saturating and warming our lives with a beauty that's so filled with colorful luminosity, just like sparkling sunbeams shining through a thousand colorful leaves ablaze on autumn trees

We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self. These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.

She was practically an invalid ever after I could remember her, but used what strength she had in lavish care upon me and my sister, who was three years younger. There was a touch of mysticism and poetry in her nature which made her love to gaze at the purple sunsets and watch the evening stars. Whatever was grand and beautiful in form and color attracted her. It seemed as though the rich green tints of the foliage and the blossoms of the flowers came for her in the springtime, and in the autumn it was for her that the mountain sides were struck with crimson and with gold.

If this was happiness, I know that I wanted to hold it like one wants in vain to hold running water in joined hands. But I was already feeling alongside this happiness something other than happiness which was covering my love like the coloring of autumn.

I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.

Early this morning I read about your autumn, and all the colors you brought into your letter were changed back in my feelings and filled my mind to the brim with strength and radiance. Yesterday, while I was admiring the dissolving brightness of autumn here, you were walking through that other autumn back home, which is painted on red wood, as this one’s painted on silk.

In the utter peace and stillness the world seemed holding its breath, a little apprehensively, drawing near to the fire to warm itself. There was none of that sense of urgeful, pushing life that robs even a calm spring day of the sense of silence; life was over and the year was just waiting, harboring its strength for the final storms and turmoil of its death. The warmth and the color of maturity was there, exultant and burning, visible to the eyes, but the prophecy of decay was felt in a faint shiver of cold at morning and evening and a tiny sigh of the elms at midnight when a wandering ghost of a wind plucked a little of their gold away from them.

Sonnet V I touch you as a lonely violin touches the suburbs of the faraway place patiently the river asks for its share of the drizzle and, bit by bit, a tomorrow passing in poems approaches so I carry faraway's land and it carries me on travel's road On a mare made of your virtues, my soul weaves a natural sky made of your shadows, one chrysalis at a time. I am the son of what you do in the earth, son of my wounds that have lit up the pomegranate blossoms in your closed-up gardens Out of jasmine the night's blood streams white. Your perfume, my weakness and your secret, follows me like a snakebite. And your hair is a tent of wind autumn in color. I walk along with speech to the last of the words a bedouin told a pair of doves I palpate you as a violin palpates the silk of the faraway time and around me and you sprouts the grass of an ancient place—anew

And autumn ain't so shabby for wow, either. The colors are broccoli and flame and fox fur. The tang is apples, death, and wood smoke. The rot smells faintly of grapes, of fermentation, of one element being changed alchemically into another, and the air is moist and you sleep under two down comforters in a cold room. The trails are not dusty anymore, and you get to wear your favorite sweaters.

The garden was the most beautiful place Margherita had ever seen. In spring, it was a sea of delicate blossom. In summer, it was green and fruitful. In autumn, the trees blazed gold and red and orange, as vivid as Margherita's hair. Even in winter, it was beautiful, with bare branches against the old stone walls and green hedges in curves and curlicues about beds of winter-flowering herbs and flowers.

A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world. I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea. I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.

If we hadn’t our bewitching autumn foliage, we should still have to credit the weather with one feature which compensates for all its bullying vagaries-the ice storm: when a leafless tree is clothed with ice from the bottom to the top – ice that is as bright and clear as crystal; when every bough and twig is strung with ice-beads, frozen dew-drops, and the whole tree sparkles cold and white, like the Shah of Persia’s diamond plume. Then the wind waves the branches and the sun comes out and turns all those myriads of beads and drops to prisms that glow and burn and flash with all manner of colored fires, which change and change again with inconceivable rapidity from blue to red, from red to green, and green to gold-the tree becomes a spraying fountain, a very explosion of dazzling jewels; and it stands there the acme, the climax, the supremest possibility in art or nature, of bewildering, intoxicating, intolerable magnificence. One cannot make the words too strong.

It was an unusual sunset. Having sat behind opaque drapery all day, I had not realized that a storm was pushing in and that much of the sky was the precise shade of old suits of armor one finds in museums. At the same time, patches of brilliance engaged in a territorial dispute with the oncoming onyx of the storm. Light and darkness mingled in strange ways both above and below. Shadows and sunshine washed together, streaking the landscape with an unearthly study of glare and gloom. Bright clouds and black folded into each other in a no-man's land of the sky. The autumn trees took on the appearance of sculptures formed in a dream, their leaden-colored trunks and branches and iron-red leaves all locked in an infinite and unliving moment, unnaturally timeless. The gray lake slowly tossed and tumbled in a dead sleep, nudging unconsciously against its breakwall of numb stone. A scene of contradiction and ambivalence, a tragicomedic haze over all. A land of perfect twilight.

Yorkshire's autumn was as great a gift as Yorkshire's summer. I loved watching the rusting of the leaves while the dales mellowed to shades of ochre, and rose hips and blackberries grew deliciously fat on their branches. The morning mists were mystical and magical to me, and the rose-glow of the evening sun lent the sky a hypnotic light that matched any Cape Town sunset.

So many writers had grown lyrical over spring. And, one must admit, it was easy to love a lamb: but how soon that engaging frivolity would yield to the placid idiocy of its inheritance; it was not easy to love a sheep. Summer? Yes, but it was overweighted, overcolored. No - for herself she preferred late autumn, when line returned, with wider, subtler blends of color and experience.

I still dream in pictures and color, always the world of my childhood. I see the purple Judas trees at Easter lighting up the roadsides and terraces of the town. Ochre cliffs made of cinnamon powder. Autumn clouds rolling along the ground of the hills, and the patchwork of wet oak leaves on the grass. The shape of a rose petal. And my parents' faces, which will never grow any older. "But it is strange how scent brings it all back too. I only have to smell certain aromas, and I am back in a certain place with a certain feeling." The comforting past smelled of heliotrope and cherry and sweet almond biscuits: close-up smells, flowers you had to put your nose to as the sight faded from your eyes. The scents of that childhood past had already begun to slip away: Maman's apron with blotches of game stew; linen pressed with faded lavender; the sheep in the barn. The present, or what had so very recently been the present, was orange blossom infused with hope.

It wasn't a rock. It was a dog's rubber bone, left behind months ago to be buried first under autumn leaves, then winter snow. Just an old rubber bone, but Batty was already braced for what she knew would come—the rushing in her ears, the stab in her stomach, and the seeping away of the colors from her world. The soft blue spring sky, the yellow forsythia hedge, even Ben's bright red hair—all dulled, all gray and wretched.

Autumn comes like a buyer of cloth, her long fingers touching, turning orange, yellow, brown. taking what she wants, stretching the bone taut air. Her skin crackles beneath our feet. I didn't think anyone wanted me, bruises pulled like a sweater around my neck. We talk in the pore tightening air, branches bare, about the girl buried in the chill of prewinter. We show each other our mutilated children in the guise of women as autumn plucks at our lips. Each color, blue, black, ochre popping like kisses on the rib lined flesh, the puberty soft things. And we muse how women keep bruises hidden beneath dead leaves.

I drank from the crisp mountain stream, tasting filtered sky with a mossy undertone. I’ve never understood how being loved fully could change your entire perspective of the world. I only ever understood the wistfulness of it, and the longing and the frothy, violent bits. The mixed up, rained on parts. The escaped bits that smudge and bleed through. Slowly, I am coming to terms with how vulnerable I am to you, flat on my back like a submissive wolf pup. Daisy petals line your eyelashes, juice of a nectarine flavors your tongue. The side of your mouth twitches, hazy dreamscapes overtaking your mind while we bathe in the glorious autumn devastation.

The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot. It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color. Often at night there is lightning, but it quivers all alone. There is no thunder, no relieving rain. These are strange and breathless days, the dog days, when people are led to do things they are sure to be sorry for after. One

You two are the only religion I've ever had. I haven't chosen to kiss up to God and Christ when things have gone badly in my life. There are, of course, many who suffer from hunger and poverty. I've always had enough for me and mine and accepted responsibility for the decisions I've made, not interfering with those distinguished gentlemen in their jobs. I've also understood that this God in Heaven must be at least partly created by man. I guess I know He exists, but He's hardly the type to sport whiskers. I've felt rather that He speaks to mankind in the autumn colors of the crops, or in the scent of newly cut driftwood pieces that cleave so exquisitely into fence posts and outlast their maker.

I don’t know what it is that comes over me, but suddenly I’m crossing to his side of the table and sitting down in his lap, arms wrapping around his neck. His lips are soft against mine, and when I part them he tenderly obliges, tasting me delicately. His fingers prod at my back, never going further than the small indent at the base of the spine, and it’s all very lovely and nice. “I think I could get used to you,” I say, looking down into his beautiful brown eyes, deep like the color of autumn. (From "Undone, The Romance of Nick and Layla [Part 5"]).

He knew it would take as many years as he could think of now to forget the tracks, no matter how deeply buried. Some morning in autumn, spring, or winter he knew he’d wake and, if he didn’t go near the window, if he just lay deep and snug and warm, in his bed, he would hear it, faint and far away. And around the bend of the morning street, up the avenue, between the even rows of sycamore, elm and maple, it the quietness before the start of living, past his house he would hear the familiar sounds. Like the ticking of a clock, the rumble of a dozen metal barrels rolling, the hum of single immense dragonfly at dawn. Like a merry-go-round like a small electrical storm, the color of blue lightning, coming, here, and gone. The trolley’s chime! The hiss like a soda-fountain spigot as it let down and took up its step, and the starting of the dream again, as on it sailed along its way, traveling a hidden and buried track to some hidden and buried destination.

Whatever form each of our own intimate adventures has taken in our fantasies, or in "real life," this Sacred Romance is set within all our hearts and will not go away. It is the core of our spiritual journey. Any religion that ignores it survives only as a guilt induced legalism, a set of propositions to be memorized and rules to be obeyed. Someone or something has romances us from the beginning with creek-side singers and pastel sunsets, with the austere majesty of snow capped mountains and the poignant flames of autumn colors telling us of something - or someone - leaving with a promise to return. These things can, in an unguarded moment, bring us to our knees with longing for this something or someone who is lost; someone or something only our hearts recognizes.

It was a woman's voice, high and sweet, with a strange music in it like none that he had ever heard and a sadness that he thought might break his heart. Bran squinted, to see her better. It was a girl, but smaller than Arya, her skin dappled like a doe's beneath a cloak of leaves. Her eyes were queer--large and liquid, gold and green, slitted like a cat's eyes. No one has eyes like that. Her hair was a tangle of brown and red and gold, autumn colors, with vines and twigs and withered flowers woven through it. "Who are you?" Meera Reed was asking. Bran knew. "She's a child. A child of the forest.

Maple leaves in autumn do not suddenly transform into stained glass pendants...in order to satisfy a human longing for beauty. Their scarlet, ochre, and golden colors emerge as chlorophyll production shuts down, in preparation for sacrificing the leaves that are vulnerable to winter cold, and ensuring the survival of the tree. But the tree survives, WHILE our vision is ravished. The peacock's display attracts a hen, AND it nourishes the human eye. The flower's fragrance entices a pollinator, BUT IT ALSO intoxicates the gardener. In that "while," in that "and," in that "but it also," we find the giftedness of life.

It was Friday, so the farmers' market was in full autumnal swing, a sea of potted chrysanthemums and bushel after bushel of apples, pears, Fauvist gourds, and pumpkins with erotically fanciful stems. On one table stood galvanized buckets of the year's final roses; on another, skeins of yarn in muted, soulful purples and reds. Walter loved this part of the season- and not just because it was the time of year his restaurant flourished, when people felt the first yearnings to sit by a fire, to eat stew and bread pudding and meatloaf, drink cider and toddies and cocoa. He loved the season's transient intensity, its gaudy colors and tempestuous skies.

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings. Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns. Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours. There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh. On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit. The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died. In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams. No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.

Then, all of a sudden, those pea-green lawns where the first scarlet poppies were flowering, those canary-yellow fields which striped the tawny hills sloping down to a sea full of azure glints, all seemed so trivial to me, so banal, so false, so much in contrast with Ayl's person, with Ayl's world, with Ayl's idea of beauty, that I realized her place could never have been out here. And I realized, with grief and fear, that I had remained out here, that I would never again be able to escape those gilded and silvered gleams, those little clouds that turned from pale blue to pink, those green leaves that yellowed every autumn, and that Ayl's perfect world was lost forever, so lost I couldn't even imagine it any more, and nothing was left that could remind me of it, even remotely, nothing except perhaps that cold wall of gray stone.

I should like to indulge in the pleasures of the seasons—the blossoms, the autumn leaves, the changing skies. People have long weighed the flowering woods in spring against the lovely hues of the autumn moors, and no one seems ever to have shown which one clearly deserves to be preferred. I hear that in China they say nothing equals the brocade of spring flowers, while in Yamato speech 41 we prefer the poignancy of autumn, but my eyes are seduced by each in turn, and I cannot distinguish favorites among the colors of their blossoms or the songs of their birds. I have in mind to fill a garden, however small, with enough flowering spring trees to convey the mood of the season, or to transplant autumn grasses there and, with them, the crickets whose song is so wasted in the fields, and then to give all this to a lady for her pleasure.

I've been keeping an eye out for the Charlie Brown Valentine's Day special. I know it will be on soon, and I never miss a Charlie Brown special. The best one is the Halloween show about the Great Pumpkin - which I've only missed one year in my life, due to the local ABC station having technical difficulties - but all the Peanuts shows make me feel like I'm one step closer to Halloween. The thing I like about the shows isn't the characters - it's the background. The colors are so amazing it almost takes my breath away. Every time I watch The Great Pumpkin I feel like I'm going to have a seizure during the scenes where Snoopy is in a dogfight. Just look at the background in those scenes. It really is too much to take. I can barely keep from holding my head in my hands and involuntarily groaning like I have a mouthful of the best chocolate cake ever made. I look at them and can literally smell the crisp autumn air - even in this cell. No horror movie in the world makes me feel the magick of Halloween as strongly as The Great Pumpkin.

About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..