Colorado Song Quotes

That night, it wasn’t Dobie Gray,” I whispered. “It was this song. It was Ella Mae singing this to me when I thought you weren’t all I knew you to be, which is all the words to this song. Twenty-nine years, I held out for this. Then, half an hour later, you proved every one of these words true and every moment since then, you kept doing it. I’ll take you thinking I’m your angel but you need to know you’re my hero. Twenty-nine, honey, I held out for this. Twenty-nine years, I held out for you.

Yeah, I started to chase you but the way you were goin’ after him, hell bent for leather, it occurred to me you would not be best pleased I caught you and stopped you. I didn’t want to deal with that backbone of yours getting any stronger if you were denied what you wanted. Especially in the middle of the night with you in an emotional state, in the throes of dealing with hearing Dobie Gray’s undeniably kickass but, no offense to you, honey, or Dobie Gray, in my opinion not cry worthy song. It also occurred to me you would be pleased I caught the kid for you so I went after him instead.

first heard the song “Tuxedo Junction” in 1941. I was an MP in Colorado, pulling guard duty at Lowry Field for the Army Air Corps. Most people think it was Glenn Miller who first made that song famous, but it was a black bandleader named Erskine Hawkins.

In Wright Morris's novel Plains Song, the narrator asks, "Is the past a story we are persuaded to believe, in the teeth of the life we endure in the present?" The question is always open. How we treat our world and each other grows from our vision of how we have come to where we are. Ultimately, of course, the issue is not survival but decency and common sense. Everything passes, the psalmist reminds us. No one escapes. The best we can hope is to learn a little from the speaking dead, to find in our deep past some help in acting wisely in the teeth of life.

It was very quiet. No one else would have seen if not for the desert. But when the desert heard Pete Wyatt singing a love song, it took notice. The desert loved him, after all, and wanted him happy. So when it heard Pete singing, it rose a wind around them until the breeze sang gently like strings, and when it heard Pete singing, it provoked the air to heat and cool around every stone and plant so that each of these things sounded in harmony with his voice, and when it heard Pete singing, it roused Colorado's grasshoppers to action and they rubbed their legs together like a soft horn section, and when it heard Pete singing, it shifted the very ground beneath Bicho Raro so that the sand and the dirt pounded a beat that matched the sound of the incomplete heart that lived in Pete Wyatt.

Did dinosaurs sing? Was there a teeming, singing wilderness with all the species thumping around, tuning up for the next millennia? Of course, dinosaurs sang, I thought. They are the ancestors of the singing birds and cousins to the roaring crocodiles…turns out, no. Turns out the syrinx, the organ that produces birdsong and the larynx, the organ that produces operatic arias, didn’t evolve until after the dinosaur extinction event…Some dinosaurs blew air into their closed mouths and through nasal cavities into resonance chambers, which we see in fossils as bony crests. They made the forest echo with clear, ominous tones, eerily like a cello. I have heard it in recordings scientists made of the sound they produced when they blew air through crests constructed to mimic lambeosaurus’s. Some dinosaurs cooed to their mates like doves…turns out that even if dinosaurs didn’t sing, they danced. There is evidence in vigorous scrape marks found in 100-million year old Colorado sandstone. From the courting behavior of ostriches and grouse, scientists envision the dinosaur males coming together on courting grounds, bobbing and scratching, flaring their brilliant feathers and cooing. Imagine: huge animals, each weighing more than a dozen football teams, shaking the Earth for a chance at love. What the story of the dinosaurs tells me is that if the earth didn’t have music, it would waste no time inventing it. In birds, tantalizing evidence of birdsong is found in 67-million-year old fossils, marking the first know appearance of the syrinx. Now the whole Earth can chime, from deep in the sea to high in the atmosphere with the sounds of snapping shrimp, singing mice, roaring whales, moaning bears, clattering dragonflies, and a fish calling like a foghorn. Who could catalog the astonishing oeuvre of the Earth? And more songs are being created every year.

It's not always ho ho ho on the high, high highway. Extended time in the car reveals human frailties. Dad's refuse to stop. They hearken back to the examples of their forefathers. Did the pioneers spend the night at a Holiday Inn? Did Lewis and Clark ask for directions? Did Joseph allow Mary to stroll through a souvenir shop on the road to Bethlehem? By no means. Men drive as if they have a biblical mandate to travel far and fast, stopping only for gasoline. And children? Road trips do to kids what a full moon does to the wolf man. If one child says, "I like that song," you might expect the other to say, "That's nice." Won't happen. Instead the other child will reply, "It stinks and so do your feet." There is also the issue of JBA---juvenile bladder activity. A child can go weeks without going to the bathroom at home. But once on the road, the kid starts leaking like secrets in Washington. On one drive to Colorado, my daughters visited every toilet in New Mexico. The best advice for traveling with young children is to be thankful they aren't teenagers. Teens are embarrassed by what their parents say, think, wear, eat, and sing. So for their sakes (and if you ever want to see your future grandchildren), don't smile at the waitstaff, don't breathe, and don't sing with the window down or up. It's wiser to postpone traveling with children until they are a more reasonable age---like forty-two.

There was one idea that might have turned out pretty interesting. Hunter S. Thompson had written a book called Songs of the Doomed, and in the first few pages he mentions sitting around and listening to something off The Caution Horses, then he mentions the band later on in there, too. He's always been one of our favourite wackos, so we decided to call him up and see if we could maybe work on something together. It took a while to get him on the phone, because he'd wake up at midnight, stay up all night, drinking and watching sports, then sleep through the day. But we ended up having a bunch of weird phone conversations with him. His idea was we'd go to his ranch out in Colorado, get a camera crew, no script and 'just go crazy, man!' That didn't really fit what we had in mind; we wanted a little more structure than that. Going crazy isn't what we do. But he wasn't into that, at all. He didnt want to write anything, he just wanted this wacked-out thing. Eventually he got really pissed off for some reason. He sent us a fax, saying 'If you guys show up here, you're going home in body bags!' What did we do to piss him off that much?

August Naab’S oasis was an oval valley, level as a floor, green with leaf and white with blossom, enclosed by a circle of colossal cliffs of vivid vermilion hue. At its western curve the Colorado River split the red walls from north to south. When the wind was west a sullen roar, remote as of some far-off driving mill, filled the valley; when it was east a dreamy hollow hum, a somnolent song, murmured through the cottonwoods; when no wind stirred, silence reigned, a silence not of serene plain or mountain fastness, but shut in, compressed, strange, and breathless. Safe from the storms of the elements as well as of the world was this Garden of Eschtah.

Applicants must also choose whether to be in or near a city or whether to attend college in a rural area. City suburbs are always a favorite because they combine access to the urban area with the safety that parents crave. During the 1970s, rural hideaways were popular among students who wanted to curl up with a book on bucolic hillside. Today, cow colleges are out as students hear the siren song of the city. Boston has always been preeminent among student-friendly big cities, offering an unparalleled combination of safety, cultural activities, and about fifty colleges. Chicago and Washington, D.C., are also immensely popular. On the West Coast, Berkeley, California, is a mecca for the college-aged, though today an overcrowded one. Legendary college towns like Ann Arbor, Michigan; Boulder, Colorado; and Burlington, Vermont, provide wonderfully rich places for a college education. Perhaps the hottest place of all among today’s students is New York City, where private institutions such as Columbia University, Barnard College, and New York University are enjoying record popularity.

Do you think you would like to test it with me?” Pete asked. He held out his hand, and Beatriz thought for a moment before taking it. Together they climbed onto the amber-brown dance stage and walked across the boards into the very center. They stopped and faced each other. “I don’t know how to dance,” Beatriz admitted. “I don’t either,” Pete said. “I guess we’ll figure it out.” Beatriz took his free hand and put it on her waist. “It’s cold,” Beatriz said. “It is,” Pete said. He stood a little closer to her so that they were warm together. “There’s no music,” Beatriz said. “We need the radio.” But the station had long since gone quiet, and Diablo Diablo had long since turned back into Joaquin. Pete put his voice right by Beatriz’s ear so that his breath warmed her skin, and he began to sing. It was nothing extravagant, just Patsy Cline sung in his low and uneven voice, and they began to dance. It was very quiet. No one else would have seen if not for the desert. But when the desert heard Pete Wyatt singing a love song, it took notice. The desert loved him, after all, and wanted him happy. So when it heard Pete singing, it rose a wind around them until the breeze sang gently like strings, and when it heard Pete singing, it provoked the air to heat and cool around every stone and plant so that each of these things sounded in harmony with his voice, and when it heard Pete singing, it roused Colorado’s grasshoppers to action and they rubbed their legs together like a soft horn section, and when it heard Pete singing, it shifted the very ground beneath Bicho Raro so that the sand and the dirt pounded a beat that matched the sound of the incomplete heart that lived in Pete Wyatt. The sound of this roused the Sorias from their sleep. Francisco looked out of his greenhouse and saw Pete and Beatriz dancing, and he missed Antonia. Antonia looked out the window of her house and saw Pete and Beatriz dancing, and she missed Francisco. Luis the one-handed took out his future love’s box of gloves from beside his bed and counted them. Nana reached for the photograph of her long-dead husband. Michael had been sleeping rolled up in his own lengthy beard, but he woke up and returned to sleep rolled up with Rosa instead. Judith looked out her window and wept with happiness to see her sister happy, and Eduardo wept, too, because he always liked to dress to match his wife when he could.

I’m in a copse of ponderosa pine on the edge of an alpine meadow in the Colorado Rocky Mountains. A story emerges from the scrolling graph of the electronic sound probe. The tree is quiet through the morning, signaling an orderly and abundant flow of water from root to needle. If the previous afternoon brought rain, the quiet is prolonged. The tree itself makes this rainfall more likely. Resinous tree aromas drift to the sky, where each molecule of aroma serves as a focal point for the aggregation of water. Ponderosa, like balsam fir and ceibo, seeds clouds with its perfumes, making rain a little more likely. After a rainless day, the root’s morning beverage is brought by the soil community, a moistening without the help of rain. At night tree roots and soil fungi conspire to defy gravity and draw up water from the deeper layers of soil. By noon, the graph tracking ultrasound inflects upward. The soil has dried with the long day’s exposure to dry air and high-altitude sunshine. The species that survive, the gold resting in this alpine crucible, are those who can be miserly with water (with multiple adaptations like the ponderosa.

In Colorado’s snow country, we also hear two evergreens. One near to us, a ponderosa pine living in our own time. Another, the redwood, sings from the distant past. In the ecological dissonance between these two trees there is also an opening to a void, a path to emptiness. The petrified stump, a stony piece of flotsam carrying the memory of the past, reminds us of Earth’s unnegotiable law. What exists today will not exist tomorrow. Climate change is one expression this ephemerality. All the climate has ever done is change: cadences and glissandos of temperature and rainfall, sometimes bending slowly, sometimes screeching in jolts. This is the neverstill of rocks, air, life, water. Next to the petrified wood, the ponderosa cries in a igneous wind, prey to onslaughts of beetles or drought, caught in the change that humans have wrought.

Patterns of urban wildlife seem to lend credence to the antiurbanism of many environmentalists. Yet cities occupy just 3 percent of the world’s surface and house half of the human population. This intensification is efficient. The average citizen of New York releases less than one third of the US national average amount of carbon dioxide. Unlike those sprawling cities like Atlanta or Phoenix, New York’s carbon emissions from transportation have not risen in the last 30 years. Denver, despite its profligate lawns, water one quarter of Colorado’s population with 2 percent of the state’s water supply. Therefore, the high biodiversity of the countryside exists only because of the city. If all the world’s urban dwellers were to move to the country, native birds and plants would not fare well. Forests would fall, streams would become silted, and carbon dioxide concentrations would spike. This is no thought experiment. These outcomes are manifest in the cleared forests and such from suburban peripheries. Instead of lamenting a worldwide pattern of biological diminishment in urban areas, we might view statistics on bird and plant diversity as signs of augmented rural biological diversity, made possible by the compact city.