Collected Fictions Quotes

Do you think we can be friends?” I asked. He stared up at the ceiling. “Probably not, but we can pretend.

Fiction has been maligned for centuries as being "false," "untrue," yet good fiction provides more truth about the world, about life, and even about the reader, than can be found in non-fiction.

Vane grabbed me. “DuLac, let’s chat.” Chat. British-speak for “Stand still while I yell at you.

I have no way of knowing whether the events that I am about to narrate are effects or causes.

All the pieces of the puzzle were in play—money, different forms of currency, taxes, fees, debt, slavery, news, media, conditioning, programming, politicians, political parties, political issues, secret societies, religions, all the isms, et cetera. They were collectively upheld for one single reason—control. Money was the most effective means for control.

Killed by our collective blindness. Not a great epitaph.

The television set then came after her, chomping its teeth.  Upon reaching the living room, the television succeeded at eating her body bit-by-bit: first the legs, then the body, and finally her flailing arms.

I can see why you like it here," he said,making a sweeping gesture that encompassed Kyle's collection of movie posters and science fiction books. "There's a thin layer of nerd all over everything." said Jace. "Thanks. I appreciate that." Simon gave Jace a hard look.

Vane’s lips tightened to suppress a smile. “Why so hostile, love?” “You whacked me on the head with a ball!” “You deserved it.

I caught his hand. “What do you want me to do?” Leaning down, he kissed the pulse beating on my neck just above the damaged skin. “Tomorrow, I need you to die.

He wasn’t sure if his parents would be proud that their child had served his country or not.  There had always been something unnatural about parents burying their children.

...science fiction is something that could happen - but usually you wouldn't want it to. Fantasy is something that couldn't happen - though often you only wish that it could.

He’d used the amulet to read my thoughts again. I pictured smacking him in the face.

She likes me.  I can tell.  Problem is, she won’t admit that to the boyfriends she brings over.

She is the kind and friendly sort, but I’m an old man at this point, so it would be useless and somewhat illegal if I asked her out.

I've been down by the stream collecting berries. Would you care for some?" I would, actually, but I don't want to relent too soon. I do walk over and look at them. I've never seen this type before. No, I have. But not in the arena. These aren't Rue's berries, although they resemble them. Nor do they match any I learned about in training. I lean down and scoop up a few, rolling them between my fingers. My father's voice comes back to me. "Not these, Katniss. Never these. They're nightlock. You'll be dead before they reach your stomach." Just then the cannon fires. I whip around, expecting Peeta to collapseto the ground, but he only raises his eyebrows. The hoovercraft appears a hundred metres or so away.What's left of Foxface's emaciated body is lifted into the air.

At first, she bucked like a wild stag beneath me, and she tried to scream, but the pillow did a good job of muffling her voice.  Before long, the bucking stopped, and my wife’s corpse, blue without oxygen, appeared below me like a hideous phantom.

India, the new myth--a collective fiction in which anything was possible, a fable rivalled only by the two other mighty fantasies: money and God.

Before you can kill the monster you have to say its name.

To say good-bye is to deny separation; it is to say Today we play at going our own ways, but we'll see each other tomorrow. Men invented farewells because they somehow knew themselves to be immortal, even while seeing themselves as contingent and ephemeral.

What determines how we remember history and which elements are preserved and penetrate the collective consciousness? If historical novels stir your interest, pursue the facts, history, memories, and personal testimonies available. These are the shoulders that historical fiction sits upon. When the survivors are gone we must not let the truth disappear with them. Please, give them a voice.

Time forks perpetually toward innumerable futures. In one of them I am your enemy.

He consorted with prostitutes and poets...and with persons even worse.

She tossed him a small mirror so that he could see the results, and what he saw horrified him.  The boiling concoction left a deep trail of burnt skin that stretched from the crown of his head all the way to his chin – almost like an artificial sluice that burned his flesh to form a large rivulet that ran down the center of his face.

My life is too lonely without fictional people crowding my mind.

Do it for yourself. The universe will be around to collect its cut later.

After the front legs emerged, what looked like a quartered and bloodied cut of steak followed.  This piece of steak had rich and dark fur, wet with the mare’s internal membranes that covered the whole body, but it did not have the look of a horse at all.  And yet from the steak’s center came this pulsating heartbeat, as though its pace-setting qualities tried in vain to pull away or escape from its thoroughbred side.

And I went on reading; and, since if you read enough books you overflow, I eventually became a writer.

Rough palms cradled my face while my fingers gripped the pillow on either side of his. Lips, teeth, tongue, mingled together. I ate him up and didn’t let go until I had to come up for air.

She put all of her weight against the sill of the balcony, her lovesick heart ready and willing to join the man she loved.  She closed her eyes and pushed herself forward.  From three stories high, she plummeted to the earth.  Before hitting the ground, she swore she saw him, racing down from the heavens and lifting her up towards God’s domain where lovers never ceased to rule.

It also occurred to him that throughout history, humankind has told two stories: the story of a lost ship sailing the Mediterranean seas in quest of a beloved isle, and the story of a god who allows himself to be crucified on Golgotha.

As the end approaches, there are no longer any images from memory - there are only words.

Once inside my skull, my doctor added some salt, just to taste.  He also poured some fruit into my skull – an apple, a pear, a few seedless grapes, and a ripe banana.  He then used an electric blender set on its highest speed to create what he had termed ‘a yogurt parfait.’  After he finished blending the ingredients, he beckoned the other doctors and a few of the nurses to sample his new concoction.

It seemed as though he would never pull free, until he awoke one morning feeling kind of awkward, as though his hands had been lopped off by some Arabian sword during a routine druggie blackout, and in their place, pale and membranous hands that had been fit to his wrists by aliens that took him up while he slept and then brought him back down – all of it in an effort to help him move up to where he belonged in society.

You want fantasy? Here's one... There's this species that lives on a planet a few miles above molten rock and a few miles below a vacuum that'd suck the air right out of them. They live in a brief geological period between ice ages, when giant asteroids have temporarily stopped smacking into the surface. As far as they can tell, there's nowhere else in the universe where they could stay alive for ten seconds. And what do they call their fragile little slice of space and time? They call it real life.

I did start out in witchcraft to get boys, to tell you the truth.' 'Think I don't know that?' 'What did you start out to get, Esme?' Granny stopped, and looked up at the frosty sky and then down at the ground. 'Dunno,' she said at last.'Even, I suppose.

I noticed him right away. No, it wasn’t his lean, rugged face. Or the dark waves of shiny hair that hung just a little too long on his forehead. It wasn’t the slim, collarless biker jacket he wore, hugging his lean shoulders. It was the way he stood. The confident way he waited in the cafeteria line to get a slice of pizza. He didn’t saunter. He didn’t amble. He stood at the center, and let the other people buzz around him. His stance was straight and sure.

Then he reflected that reality does not usually coincide with our anticipation of it; with a logic of his own he inferred that to forsee a circumstantial detail is to prevent its happening. Trusting in this weak magic, he invented, so that they would not happen, the most gruesome details.

In light of my distanced telescopic exposure to the mayhem, I refused to plagiarise others’ personal tragedies as my own. There is an authorship in misery that costs more than empathy. Often I’d found myself dumbstruck in failed attempts to simulate that particular unfamiliar dolour. After all, no one takes pleasure in being possessed by a wailing father collecting the decapitated head of his innocent six year old. Even on the hinge of a willing attempt at full empathy with those cursed with such catastrophes, one had to have a superhuman emotional powers. I could not, in any way, claim the ability to relate to those who have been forced to swallow the never-ending bitter and poisonous pills of our inherited misfortune. Yet that excruciating pain in my chest seemed to elicit a state of agony in me, even from far behind the telescope. It could have been my tribal gene amplified by the ripple effect of the falling, moving in me what was left of my humanity.

We have to report this." Kai sighed deeply in relief. "I was afraid you were going to say that we had to investigate it ourselves." "Don't be ridiculous," Irene said briskly. "We may collect fiction, but we are not required to imitate the stupider parts of it.

The orderly brandished a hunting knife from a sheath at his waist and sliced open the prisoner’s throat with it.  Warm blood cascaded out of the prisoner’s throat, some of it spraying the captain’s uniform.  The orderly waited for the prisoner to bleed to death before cutting the head clean off.  Within a few minutes, the muscle that the prisoner built on his body was carved out and thrown on the grill.  After the meat cooled, the orderly put the human steaks in front of the captain for dinner.  As the captain ate each buttery piece, he couldn’t help but compliment the orderly for a job well-done.

But you know, mon petite, what you got is a gift. And when de good Lord gives you a gift you have to use it. Dat's why he put you here on dis earth. Sometime it's gonna be to help a soul cross over to de other side to meet him. If dat's whey you gott do, den dat's what you gotta do. You can't just keep collecting de dead. You gonna have to find a way to take what you got and work wit dat.

ASTONISHING, said Death. REALLY ASTONISHING. LET ME PUT FORWARD ANOTHER SUGGESTION: THAT YOU ARE NOTHING MORE THAN A LUCKY SPECIES OF APE THAT IS TRYING TO UNDERSTAND THE COMPLEXITIES OF CREATION VIA A LANGUAGE THAT EVOLVED IN ORDER TO TELL ONE ANOTHER WHERE THE RIPE FRUIT WAS.

Whoever would undertake some atrocious enterprise should act as if it were already accomplished should impose upon himself a future as irrevocable as the past.

My memory, sir, is like a garbage disposal.

More than half the skill of writing lies in tricking the book out of your own head.

Escapism isn't good or bad of itself. What is important is what you are escaping from and where you are escaping to. I write from experience, since in my case I escaped to the idea that books could be really enjoyable, an aspect of reading that teachers had not hitherto suggested.

Manager Mangione,” Ping said, “algorithmic regulation was to have been a system of governance where more exact data, collected from MEG citizens’ minds via neuralinks, would be used to organize Human life more efficiently as a CORPORATE collective. Except no one to this point in Human existence has been able to identify the mind. The CORPORATE can only receive data from the NET on behaviours which indicate feelings or intentions. I & I cannot . . .

His life, measured in space and time, will take up a mere few lines, which my ignorance will abbreviate further.

A fictional narrative is considered nuanced when it includes contradictions, but a narrative of trauma is ill-advised to do the same.

The truth is that we all live by leaving behind; no doubt we all profoundly know that we are immortal and that sooner or later every man will do all things and know everything.

I'm just capable of entertaining the fantastic idea that, in certain circumstances, Homo sapiens might actually be capable of thinking. It must be worth a go, since we've tried everything else.

Jumping to conclusions is efficient if the conclusions are likely to be correct and the costs of an occasional mistake acceptable. Jumping to conclusions is risky when the situation is unfamiliar, the stakes are high and there is no time to collect more information.

Far more beguiling than the idea that evil can be destroyed by throwing a piece of expensive jewelry into a volcano is the possibility that evil can be defused by talking. The fantasy of justice is more interesting than the fantasy of fairies, and more truly fantastic.

I tell you it's deadly when you start thinking your wife might be right.

So my life is a point-counterpoint, a kind of fugue, and a falling away–and everything winds up being lost to me, and everything falls into oblivion, or into the hands of the other man.

Sometimes a few birds, a horse, have saved the ruins of an amphitheater.

Music took her somewhere, and I used to wonder where. I thought it was dumb, the way she lived for a collection of sounds, for someone else's words and notes.

It was a pity that people did not risk enough to speak out in behalf of one another's happiness and their own.

What if a family isn't a tree at all? What if it's more like a forest? A collection of individuals, pooling their resources by intertwined roots, sheltering each other from wind and weather and drought... what are families other than fictions? Stories told about a particular cluster of people for a particular reason. And like all stories, families are not born, they're invented. Pieced together from love and lies and nothing else.

I'd better say at the start that I don't actually believe in magic any more than I believe in astrology, because I'm a Taurean and we don't go in for all that weirdo occult stuff.

Why does the third of the three brothers, who shares his food with the old woman in the wood, go on to become king of the country? Why does James Bond manage to disarm the nuclear bomb a few seconds before it goes off rather than, as it were, a few seconds afterwards? Because a universe where that did not happen would be a dark and hostile place. Let there be goblin hordes, let there be terrible environmental threats, let there be giant mutated slugs if you really must, but let there also be hope. It may be a grim, thin hope, an Arthurian sword at sunset, but let us know that we do not live in vain.

If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the peg just a little from where they were before. Our body temperature will have gone up, or down, by a degree. Then, breathing evenly and steadily once more, we'll collect ourselves, writers and readers alike, get up, "created of warm blood and nerves" as a Chekhov character puts it, and go on to the next thing: Life. Always life.

When I make love to you,’ he said in a low whisper right by my ear, ‘I want to be able to give you one hundred percent of my attention. Right now, with the Unit on our tail, I’m going to be giving you less than fifty percent. I’ve got one eye on the door and one on you, not to mention a gun under the pillow. Not exactly the accessory I imagined.

The more the words of others impressed him with their factual content, the more he felt he must wait for his own facts before being tempted into words.

I suppose looking back on life, anyone's life, it amounts to this – everything that diverges from one's aim is a bloody waste of time, except as respite making you less lonely.

Technology never exists on its own, it’s part of a wider collection of connections, ways of seeing things.” FADE by Kailin Gow.

I have to do something about this collection of unresolved feelings before it destroys me.", Celestra Caine, FADE by Kailin Gow

Matt was almost completely naked. A tattered loincloth and an ugly chain with a yellow diamond were his only apparel.

But a girl starting out in life might well say to herself: 'Is this it? You worked hard and denied yourself things and what you got at the end was hard work and self-denial?

I'm not a person who stands still well. But the the earth is always in motion, and I like keeping up with it. I don't want just to exist. I want to know. I want to see. I want to understand.

Reality is partial to symmetry and slight anachronisms

They were engineers. They knew about Murphy. They weren't about to upset no pixie.

I nodded. I was ready. In fact I was so ready that if he didn’t do something soon, if he didn’t touch me in the next five seconds, it was very possible I might die. Right there on the bed. Still a virgin.

Firstly,” said Ponder, “Mr Pessimal wants to know what we do here.” “Do? We are the premier college of magic!” said Ridcully. “But do we teach?” “Only if no alternative presents itself,” said the Dean. “We show ‘em where the library is, give ‘em a few little chats, and graduate the survivors. If they run into any problems, my door is always metaphorically open.” “Metaphorically, sir?” said Ponder. “Yes. But technically, of course, it’s locked.” “Explain to him that we don’t do things, Stibbons,” said the Lecturer in Recent Runes. “We are academics.

Exposition: the workings of the actual past + the virtual past may be illustrated by an event well known to collective history, such as the sinking of the Titanic. The disaster as it actually occurred descends into obscurity as its eyewitnesses die off, documents perish + the wreck of the ship dissolves in its Atlantic grave. Yet a virtual sinking of the Titanic, created from reworked memories, papers, hearsay, fiction--in short, belief--grows ever "truer." The actual past is brittle, ever-dimming + ever more problematic to access + reconstruct: in contrast, the virtual past is malleable, ever-brightening + ever more difficult to circumvent/expose as fraudulent. The present presses the virtual past into its own service, to lend credence to its mythologies + legitimacy to the imposition of will. Power seeks + is the right to "landscape" the virtual past. (He who pays the historian calls the tune.) Symmetry demands an actual + virtual future too. We imagine how next week, next year, or 2225 will shape up--a virtual future, constructed by wishes, prophecies + daydreams. This virtual future may influence the actual future, as in a self-fulfilling prophecy, but the actual future will eclipse our virtual one as surely as tomorrow eclipses today. Like Utopia, the actual future + the actual past exist only in the hazy distance, where they are no good to anyone. Q: Is there a meaningful distinction between one simulacrum of smoke, mirrors + shadows--the actual past--from another such simulacrum--the actual future? One model of time: an infinite matryoshka doll of painted moments, each "shell" (the present) encased inside a nest of "shells" (previous presents) I call the actual past but which we perceive as the virtual past. The doll of "now"likewise encases a nest of presents yet to be, which I call the actual future but which we perceive as the virtual future.

Days and nights passed over this despair of flesh, but one morning he awoke, looked (with calm now) at the blurred things that lay about him, and felt, inexplicably, the way one might feel upon recognizing a melody or a voice, that all this had happened to him before and that he had faced it with fear but also with joy and hopefulness and curiosity. Then he descended into his memory, which seemed to him endless, and managed to draw up from that vertigo the lost remembrance that gleamed like a coin in the rain - perhaps because he had never really looked at it except (perhaps) in a dream.

Not long ago I was invited to a librarians’ event by a lady who cheerfully told me, “We like to think of ourselves as ‘information providers.’” I was appalled by this want of ambition; I made my excuses and didn’t go. After all, if you have a choice, why not call yourselves “Shining Acolytes of the Sacred Flame of Literacy in a Dark and Encroaching Universe”? I admit this is hard to put on a button, so why not abbreviate it to “librarians”?

Much blood has also been spilled on the carpet in attempts to distinguish between science fiction and fantasy. I have suggested an operational definition: science fiction is something that COULD happen - but usually you wouldn't want it to. Fantasy is something that COULDN'T happen - though often you only wish that it could.

I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards," Dick wrote of these stories. "In my writing I even question the universe; I wonder out loud if it is real, and I wonder out loud if all of us are real.

A lot of people feel that way. That if you didn’t pay your dues by being ostracized then you’re not *really* a geek. I don’t think that though. It’s not an exclusive club that you need to pay some social price to get in. Being a geek is about loving something passionately beyond all reason or sense. And it need not necessarily be related to science fiction, fantas, superheroes, etcetera. You can be a gardening geek, a model train geek, stamp collecting geek, a baby geek… It’s about enthusiasm, in my opinion. From his blog RE: Thirty years of D&D

But the first bedtime story he ever did read me was Kim.' River could tell she recognised the title, so didn't elaborate. 'After that, well, Conrad, Greene. Somerset Maugham.' 'Ashenden.' 'You get the picture. For my twelfth birthday, he bought me le Carré's collected works. I can still remember what he said about them.' They're made up. But that doesn't mean they're not true.

We spray our fantasies on the landscape like a dog sprays urine. It turns it into ours. Once we’ve invented our gods and demons, we can propitiate or exorcize them. Once we’ve put fairies in the sinister solitary thorn tree, we can decide where we stand in relation to it; we can hang ribbons on it, see visions under it—or bulldoze it up and call ourselves free of superstition.

How did Homo sapiens manage to cross this critical threshold, eventually founding cities comprising tens of thousands of inhabitants and empires ruling hundreds of millions? The secret was probably the appearance of fiction. Large numbers of strangers can cooperate successfully by believing in common myths. Any large-scale human cooperation – whether a modern state, a medieval church, an ancient city or an archaic tribe – is rooted in common myths that exist only in people’s collective imagination.

So, instead, I give tips on how to be a professional boxer. A good diet is essential, of course, as is a daily regime of exercise. Pay attention to your footwork, it will often get you into trouble. Go down to the gym every day – every day of your life that finds you waking up capable of standing. Take every opportunity to watch a good professional fight. In fact watch as many bouts as you can, because you can even learn something from the fighters who get it wrong. Don’t listen to what they say, watch what they do. And don’t forget the diet and the exercise and the roadwork. Got it? Well, becoming a writer is basically exactly the same thing, except that it isn’t about boxing.

The Barbies with their stick legs and rocket breasts were another problem Megan had to endure. She was supposed to spend hours dressing up or playing house with them, including the darker ones she was supposed to find more relatable. In a fit she'd once tried to commit Barbicide, defaced them with colored marker pens, chopped off hair, extracted eyes with scissors and de-limbed a few... The Barbie invasion proliferated on birthdays and at Christmas, relatives talked about incredible collection, as if she'd actually chosen to have them in her life.

How did Homo sapiens manage to cross this critical threshold, eventually founding cities comprising tens of thousands of inhabitants and empires ruling hundreds of millions? The secret was probably the appearance of fiction. Large numbers of strangers can cooperate successfully by believing in common myths. Any large-scale human cooperation – whether a modern state, a medieval church, an ancient city or an archaic tribe – is rooted in common myths that exist only in people’s collective imagination. Churches are rooted in common religious myths. Two Catholics who have never met can nevertheless go together on crusade or pool funds to build a hospital because they both believe that God was incarnated in human flesh and allowed Himself to be crucified to redeem our sins. States are rooted in common national myths. Two Serbs who have never met might risk their lives to save one another because both believe in the existence of the Serbian nation, the Serbian homeland and the Serbian flag. Judicial systems are rooted in common legal myths. Two lawyers who have never met can nevertheless combine efforts to defend a complete stranger because they both believe in the existence of laws, justice, human rights – and the money paid out in fees.

A: Absorbed in our discussion of immortality, we had let night fall without lighting the lamp, and we couldn't see each other's faces. With an offhandedness or gentleness more convincing than passion would have been, Macedonio Fernandez' voice said once more that the soul is immortal. He assured me that the death of the body is altogether insignificant, and that dying has to be the most unimportant thing that can happen to a man. I was playing with Macedonio's pocketknife, opening and closing it. A nearby accordion was infinitely dispatching La Comparsita, that dismaying trifle that so many people like because it's been misrepresented to them as being old... I suggested to Macedonio that we kill ourselves, so we might have our discussion without all that racket. Z: (mockingly) But I suspect that at the last moment you reconsidered. A: (now deep in mysticism) Quite frankly, I don't remember whether we committed suicide that night or not.

In the end, this volume should be read a s a collection of love stories, Above all, they are tales of love, not the love with which so many stories end – the love of fidelity, kindness and fertility – but the other side of love, its cruelty, sterility and duplicity. In a way, the decadents did accept Nordau's idea of the artist as monster. But in nature, the glory and panacea of romanticism, they found nothing. Theirs is an aesthetic that disavows the natural and with it the body. The truly beautiful body is dead, because it is empty. Decadent work is always morbid, but its attraction to death is through art. What they refused was the condemnation of that monster. And yet despite the decadent celebration of artifice, these stories record art's failure in the struggle against natural horror. Nature fights back and wins, and decadent writing remains a remarkable account of that failure.

I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..

A day off meant we could do things we’d always meant to do. Like go to the Botanical Garden, the Frick Collection, or something. Read some fiction. Leisure, the problem with the modern condition was the dearth of leisure. And finally, it took a force of nature to interrupt our routines. We just wanted to hit the reset button. We just wanted to feel flush with time to do things of no quantifiable value, our hopeful side pursuits like writing or drawing or something, something other than what we did for money. Like learn to be a better photographer. And even if we didn’t get around to it on that day, our free day, maybe it was enough just to feel the possibility that we could if we wanted to, which is another way of saying that we wanted to feel young, though many of us were that if nothing else.

It is usually assumed that children are the natural or the specially appropriate audience for fairy-stories. In describing a fairy-story which they think adults might possibly read for their own entertainment, reviewers frequently indulge in such waggeries as: "this book is for children from the ages of six to sixty." But I have never yet seen the puff of a new motor-model that began thus: "this toy will amuse infants from seventeen to seventy"; though that to my mind would be much more appropriate. Is there any essential connexion between children and fairy-stories? Is there any call for comment, if an adult reads them for himself? Reads them as tales, that is, not studies them as curios. Adults are allowed to collect and study anything, even old theatre programmes or paper bags.

[E]verything is fiction. When you tell yourself the story of your life, the story of your day, you edit and rewrite and weave a narrative out of a collection of random experiences and events. Your conversations are fiction. Your friends and loved ones—they are characters you have created. And your arguments with them are like meetings with an editor—please, they beseech you, you beseech them, rewrite me. You have a perception of the way things are, and you impose it on your memory, and in this way you think, in the same way that I think, that you are living something that is describable. When of course, what we actually live, what we actually experience—with our senses and our nerves—is a vast, absurd, beautiful, ridiculous chaos.

When he [Colin] reached the center of the field, he paused to catch his breath and scan the area for telltale tufts of wool. When the lamb failed to appear, he cupped his hands around his mouth and tried again. "Dinner!" This time, his call earned an answer. Several answers. In fact, the ground shook with the collective bestial response. He spied several large, dark forms lumbering toward him through the twilight dusk. He blinked, trying to make them out. These weren't sheep. No, they were... Cows. Large cows. Remarkably fast and menacing cows. A small herd of them, all thundering straight for him where he stood in the center of the field. Colin took a few steps backward. "Wait," he said, holding up his hands. "I didn't mean you.

But fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. Ants and bees can also work together in huge numbers, but they do so in a very rigid manner and only with close relatives. Wolves and chimpanzees cooperate far more flexibly than ants, but they can do so only with small numbers of other individuals that they know intimately. Sapiens can cooperate in extremely flexible ways with countless numbers of strangers. That’s why Sapiens rule the world, whereas ants eat our leftovers and chimps are locked up in zoos and research laboratories.

VI. FINAL WARNING There are monsters in these pages, but as Ogden Nash pointed out in my first short-story collection, Smoke and Mirrors, where there’s a monster, there’s also a miracle. There are some long stories and some short ones. There are a handful of poems, which perhaps might need their own warning for the people who are frightened, disturbed, or terminally puzzled by poetry. (In my second short-story collection, Fragile Things, I tried to explain that the poems come free. They are bonuses for the kind of people who do not need to worry about sneaky and occasional poems lurking inside their short-story collections.) There. Consider yourself warned. There are so many little triggers out there, being squeezed in the darkness even as I write this. This book is correctly labeled. Now all we have to worry about is all the other books, and, of course, life, which is huge and complicated and will not warn you before it hurts you. Thank you for coming. Enjoy the things that never happened. Secure your own mask again after you read these stories, but do not forget to help others.

We have one collective hope: the Earth And yet, uncounted people remain hopeless, famine and calamity abound Sufferers hurl themselves into the arms of war; people kill and get killed in the name of someone else’s concept of God Do we admit that our thoughts & behaviors spring from a belief that the world revolves around us? Each fabricated conflict, self-murdering bomb, vanished airplane, every fictionalized dictator, biased or partisan, and wayward son, are part of the curtains of society’s racial, ethnic, religious, national, and cultural conflicts, and you find the human ego turning the knobs and pulling the levers When I track the orbits of asteroids, comets, and planets, each one a pirouetting dancer in a cosmic ballet, choreographed by the forces of gravity, I see beyond the plight of humans I see a universe ever-expanding, with its galaxies embedded within the ever-stretching four-dimensional fabric of space and time However big our world is, our hearts, our minds, our outsize atlases, the universe is even bigger There are more stars in the universe than grains of sand on the world’s beaches, more stars in the universe than seconds of time that have passed since Earth formed, more stars than words & sounds ever uttered by all humans who have ever lived The day we cease the exploration of the cosmos is the day we threaten the continuing of our species In that bleak world, arms-bearing, resource-hungry people & nations would be prone to act on their low-contracted prejudices, and would have seen the last gasp of human enlightenment Until the rise of a visionary new culture that once again embraces the cosmic perspective; a perspective in which we are one, fitting neither above nor below, but within

Dear Jeff, I happened to see the Channel 7 TV program "Hooray for Hollywood" tonight with the segment on Blade Runner. (Well, to be honest, I didn't happen to see it; someone tipped me off that Blade Runner was going to be a part of the show, and to be sure to watch.) Jeff, after looking—and especially after listening to Harrison Ford discuss the film—I came to the conclusion that this indeed is not science fiction; it is not fantasy; it is exactly what Harrison said: futurism. The impact of Blade Runner is simply going to be overwhelming, both on the public and on creative people—and, I believe, on science fiction as a field. Since I have been writing and selling science fiction works for thirty years, this is a matter of some importance to me. In all candor I must say that our field has gradually and steadily been deteriorating for the last few years. Nothing that we have done, individually or collectively, matches Blade Runner. This is not escapism; it is super realism, so gritty and detailed and authentic and goddam convincing that, well, after the segment I found my normal present-day "reality" pallid by comparison. What I am saying is that all of you collectively may have created a unique new form of graphic, artistic expression, never before seen. And, I think, Blade Runner is going to revolutionize our conceptions of what science fiction is and, more, can be. Let me sum it up this way. Science fiction has slowly and ineluctably settled into a monotonous death: it has become inbred, derivative, stale. Suddenly you people have come in, some of the greatest talents currently in existence, and now we have a new life, a new start. As for my own role in the Blade Runner project, I can only say that I did not know that a work of mine or a set of ideas of mine could be escalated into such stunning dimensions. My life and creative work are justified and completed by Blade Runner. Thank you...and it is going to be one hell of a commercial success. It will prove invincible. Cordially, Philip K. Dick

More seriously-and this is probably why there has been a lot of garbage talked about a lost generation-it was easy to see, all over the landscape of contemporary fiction, the devastating effect of the Thatcher years. So many of these writers wrote without hope. They had lost all ambition, all desire to to wrestle with the world. Their books dealt with tiny patches of the world, tiny pieces of human experience-a council estate, a mother, a father, a lost job. Very few writers had the courage or even the energy to bite off a big chunk of the universe and chew it over. Very few showed any linguistic or formal innovation. Many were dulled and therefore dull. (And then, even worse, there were the Hooray Henries and Sloanes who evidently thought that the day of the yuppie novel, and the Bellini-drinking, okay-yah fiction had dawned. Dukedoms and country-house bulimics abounded. It was plain that too may books were being published; that too many writers had found their way into print without any justification for it at all; that too many publishers had adopted a kind of random, scattergun policy of publishing for turnover and just hoping that something would strike a cord. When the general picture is so disheartening, it is easy to miss the good stuff. I agreed to be a judge for "Best of Young British Novelists II" because I wanted to find out for myself if the good stuff really was there. In my view, it is...One of my old schoolmasters was fond of devising English versions of the epigrams of Martial. I remember only one, his version of Martial's message to a particularly backward-looking critic: "You only praise the good old days We young 'uns get no mention. I don't see why I have to die To gain your kind attention.

During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show. Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars. It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily? One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him. When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.” And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda. Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic. Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp. Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.