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Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.
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Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
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Written up in marker on a factory sign:
I struggle with the feeling that my life isn't mine
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Coldplay (Mylo Xyloto #2: Cover-Up)
“
Look at the stars
Look how they shine for you
And everything you do
They were all yellow
I came along
I wrote a song for you
And all the things you do
And it was called yellow.
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Coldplay (Coldplay - Parachutes Piano, Vocal and Guitar Chords)
“
The song ends and tears spring to my eyes. I quickly scroll to another—“The Scientist” by Coldplay—one of Kate’s favorite bands. I know the track, but I’ve never really listened to the lyrics before. I close my eyes and let the words wash over and through me.
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E.L. James (Fifty Shades Trilogy: Fifty Shades of Grey / Fifty Shades Darker / Fifty Shades Freed)
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In February 2006 the store sold its one billionth song when Alex Ostrovsky, sixteen, of West Bloomfield, Michigan, bought Coldplay’s “Speed of Sound” and got a congratulatory call from Jobs, bestowing upon him ten iPods, an iMac, and a $10,000 music gift certificate. The
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Walter Isaacson (Steve Jobs)
“
Songwriting is a mix of fiction and myth. Things are very romanticised. A song is like a film in that you can say anything you want. So there are parts that are based on truth and there are also parts that just sound good or feel good. It’s a mixture of the two. It’s all imagery. It’s not strictly truth.
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Martin Roach (Viva Coldplay: A Biography)
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The subject matter of Coldplay songs is deeply intertwined with Chris’s frame of mind. He has admitted he needs to be slightly morose, maudlin even, to write well. He cannot see how he can write if he is in a serious and happily committed relationship.
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Martin Roach (Viva Coldplay: A Biography)
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Chris made the new album sound all the more enticing when he revealed to VH1 some of the personal events that had surrounded its writing (virtually all of which the band kept a closely guarded secret): “[It’s] born from all the places we’ve been and the things we’ve experienced. Some of our friends have died and some of us have fallen in love. Some of us have fallen out of love and some of us have been to Haiti and some us have been to Australia. Some of us have met Bono and some of us have met someone with nothing. It’s like a massive culture gun fired at our heads. All this stuff has been happening to us, and now we have the opportunity to put it into some songs.
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Martin Roach (Viva Coldplay: A Biography)
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Luca leans forward, propping his elbows on the bar table, and I think he’s going to ask me something, maybe what some particularly nonsensical Coldplay lyrics mean: but instead he starts to speak in Italian, so smoothly, the words so soft and liquid, that I swiftly realize he’s quoting some lyrics. The words flow over me, winding around me like velvet:
“‘Ci sono trenta modi per salvare il mondo, ma uno solo perche il mondo salvi me--che io voglia star con te, e tu voglia star con me.’”
I gaze at him, and now I do feel hypnotized. I have no idea what he’s saying--he could be reading the phone book in Italian and I’d stare at him across the little bar table, unable to take my eyes from him.
“That is from a song by Jovanotti. Shall I translate for you?” he asks gently.
All at once, I panic. What if the words are so lovely I can’t bear them? It’s as if he’s casting a spell over me, and I need to break free before it settles so tightly around me that I’m completely in his power.
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Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
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Songs that felt like Wyatt: “Iris” by Goo Goo Dolls “A Murder of One” by Counting Crows “Take It Easy on Me” by Little River Band “Hold You in My Arms” by Ray LaMontagne “Wild Horses” by The Rolling Stones “Thinking Out Loud” by Ed Sheeran “Yellow” by Coldplay Songs that took me to the beach: “Watermelon Sugar” by Harry Styles “Sunshine on My Shoulders” by John Denver “Wouldn’t It Be Nice” by The Beach Boys Songs to make Sam cry: “Who Knew” by Pink “Wrecking Ball” by Miley Cyrus “1 Step Forward, 3 Steps Back” by Olivia Rodrigo “So Far Away” by Carole King “Romeo and Juliet” by Dire Straits “Stay” by Rihanna “Sam, I Am” by Missy McGee
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Annabel Monaghan (Same Time Next Summer)
“
Yellow"
Look at the stars
Look how they shine for you
And everything you do
Yeah, they were all yellow
I came along
I wrote a song for you
And all the things you do
And it was called "Yellow"
So then I took my turn
Oh what a thing to have done
And it was all yellow
Your skin
Oh yeah your skin and bones
Turn into something beautiful
Do you know
You know I love you so
You know I love you so
I swam across
I jumped across for you
Oh what a thing to do
'Cause you were all yellow
I drew a line
I drew a line for you
Oh what a thing to do
And it was all yellow
Your skin
Oh yeah your skin and bones
Turn into something beautiful
Do you know
For you I'd bleed myself dry
For you I'd bleed myself dry
It's true
Look how they shine for you
Look how they shine for you
Look how they shine for
Look how they shine for you
Look how they shine for you
Look how they shine
Look at the stars
Look how they shine for you
And all the things that you do
Coldplay Parachites (2000)
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Coldplay (Coldplay - Parachutes Piano, Vocal and Guitar Chords)
“
On the way to the tiny Los Pajaritos stadium (capacity just 9,025), Coldplay’s ‘Viva la Vida’ blared from the speakers on the team bus. That song, a favourite of Pep’s, would become the soundtrack to the rest of the season – the anthem for Guardiola’s era, even. When that song played, the players knew the moment had arrived. It was a warning. The call to action.
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Guillem Balagué (Pep Guardiola: Another Way of Winning: The Biography)
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If you never try, you'll never know.
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Coldplay (Fix You)
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Coldplay—“Yellow” Guns N’ Roses—“Sweet Child O’ Mine” Goo Goo Dolls—“Iris” The Fureys—“When You Were Sweet Sixteen” Howie Day—“Collide” The Offspring—“Want You Bad” Busted—“Fall at Your Feet” Aerosmith—“Crazy” Counting Crows—“Colorblind” David Gray—“This Year’s Love” Bon Jovi—“In These Arms” Westlife—“World of Our Own” Eagle-Eye Cherry—“Save Tonight” Metallica—“Tuesday’s Gone” Snow Patrol—“Run” The Verve—“Lucky Man” HIM—“Wicked Game” The La’s—“There She Goes” These were love songs. These were all love songs.
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Chloe Walsh (Binding 13 (Boys of Tommen, #1))
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Coldplay?” She shook her head again. Derrington shuffled through his songs. “Chris Brown?” he hoped.
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Lisi Harrison (P.S. I Loathe You (The Clique, #10))