Cold And Calculated Quotes

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Fedin laughed outright, a grim, calculating gesture as hard and unfeeling as cold steel. “Twenty million Russians have been slaughtered by the Fascists in the last six years..... Always remember this, Squadron Leader. It was our war, our victory and now it is our Berlin. We tolerate your presence in this city… if that.
K.G.E. Konkel (Who Has Buried the Dead?: From Stalin to Putin … The last great secret of World War Two)
Dorian looked at the carpet, at all the threads woven together. 'What do I do now?' They were gone: the woman he'd loved--and the man he hated. He met her stare. No calculation, no coldness, no pity in those turquoise eyes. Just unflinching honesty, as there had been from the very start with her. 'What do I do?' She had to swallow before she said. 'You light up the darkness.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Sociopathy is the inability to process emotional experience, including love and caring, except when such experience can be calculated as a coldly intellectual task.
Martha Stout (The Sociopath Next Door)
Like when I saw a spider, I behaved as if it were the size of a horse with the cold calculation of an assassin.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
Behind every coincidence, every stroke of luck, and every miracle, there is inevitably a cold and calculating mind.
Ryohgo Narita (バッカーノ!1933 <下> THE SLASH 〜チノアメハ、ハレ〜 (Baccano!, #7))
I love you, i love your smile your snarl your grin, your face when your sleeping.I love your hair streaming behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it, I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
James Patterson
[The Old Astronomer to His Pupil] Reach me down my Tycho Brahe, I would know him when we meet, When I share my later science, sitting humbly at his feet; He may know the law of all things, yet be ignorant of how We are working to completion, working on from then to now. Pray remember that I leave you all my theory complete, Lacking only certain data for your adding, as is meet, And remember men will scorn it, 'tis original and true, And the obloquy of newness may fall bitterly on you. But, my pupil, as my pupil you have learned the worth of scorn, You have laughed with me at pity, we have joyed to be forlorn, What for us are all distractions of men's fellowship and smiles; What for us the Goddess Pleasure with her meretricious smiles. You may tell that German College that their honor comes too late, But they must not waste repentance on the grizzly savant's fate. Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night. What, my boy, you are not weeping? You should save your eyes for sight; You will need them, mine observer, yet for many another night. I leave none but you, my pupil, unto whom my plans are known. You 'have none but me,' you murmur, and I 'leave you quite alone'? Well then, kiss me, -- since my mother left her blessing on my brow, There has been a something wanting in my nature until now; I can dimly comprehend it, -- that I might have been more kind, Might have cherished you more wisely, as the one I leave behind. I 'have never failed in kindness'? No, we lived too high for strife,-- Calmest coldness was the error which has crept into our life; But your spirit is untainted, I can dedicate you still To the service of our science: you will further it? you will! There are certain calculations I should like to make with you, To be sure that your deductions will be logical and true; And remember, 'Patience, Patience,' is the watchword of a sage, Not to-day nor yet to-morrow can complete a perfect age. I have sown, like Tycho Brahe, that a greater man may reap; But if none should do my reaping, 'twill disturb me in my sleep So be careful and be faithful, though, like me, you leave no name; See, my boy, that nothing turn you to the mere pursuit of fame. I must say Good-bye, my pupil, for I cannot longer speak; Draw the curtain back for Venus, ere my vision grows too weak: It is strange the pearly planet should look red as fiery Mars,-- God will mercifully guide me on my way amongst the stars.
Sarah Williams (Twilight Hours: A Legacy of Verse)
He turned his head and caught her with his eyes. She froze, locked by the intensity of his stare. His eyes were stark and cold, the concentrated green of pale jade. Outlined in smudged black kohl, those eyes focused on her, unblinking through the feathery strands of his jet black hair, and it was like being watched through a cage by a complacent and calculating cat. Discomfort welled in her, thick and black as an oil spring. Who was this guy and what was his royal problem? Her gaze flicked briefly to the small metal loop that hugged one corner of his bottom lip. He blinked once, then slowly lifted one hand and crooked a beckoning finger at her. Isobel hesitated but then as though spellbound to obey, she found herself leaning in. “What are you staring at?” he whispered.
Kelly Creagh (Nevermore (Nevermore, #1))
I did not love cold harmony and perfect regularity of organization; what I sought was variety, mystery, tradition, the venerable, the awful. I despised sophisters and calculators; I was groping for faith, honor, and prescriptive loyalties. I would have given any number of neo-classical pediments for one poor battered gargoyle.
Russell Kirk
He was the kind of young man whose handsome face has brought him plenty of success in the past and is now ever-ready for a new encounter, a fresh-experience, always eager to set off into the unknown territory of a little adventure, never taken by surprise because he has worked out everything in advance and is waiting to see what happens, a man who will never overlook any erotic opportunity, whose first glance probes every woman's sensuality, and explores it, without discriminating between his friend's wife and the parlour-maid who opens the door to him. Such men are described with a certain facile contempt as lady-killers, but the term has a nugget of truthful observation in it, for in fact all the passionate instincts of the chase are present in their ceaseless vigilance: the stalking of the prey, the excitement and mental cruelty of the kill. They are constantly on the alert, always ready and willing to follow the trail of an adventure to the very edge of the abyss. They are full of passion all the time, but it is the passion of a gambler rather than a lover, cold, calculating and dangerous. Some are so persistent that their whole lives, long after their youth is spent, are made an eternal adventure by this expectation. Each of their days is resolved into hundreds of small sensual experiences - a look exchanged in passing, a fleeting smile, knees brushing together as a couple sit opposite each other - and the year, in its own turn, dissolves into hundreds of such days in which sensuous experience is the constantly flowing, nourishing, inspiring source of life.
Stefan Zweig (The Burning Secret and other stories)
Coldness etched his gaze. Aloofness whispered from his posture. Calculation radiated from his every pore. I'd never been so intimidated or so intimately challenged.
Pepper Winters (Debt Inheritance (Indebted, #1))
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
Passion has helped us; but can do so no more. It will in future be our enemy. Reason, cold, calculating, unimpassioned reason, must furnish all the materials for our future support and defence.
Abraham Lincoln (Speeches and Writings 1832–1858)
...I know I’ve broken all the rules of all the games, that all the great players and best love calculators recommend that you play, if you want to make someone like you a lot. But that’s okay, because I give up. I’ve got my coffee sitting in my San Francisco cup, I’ve got Kona island and a working beating heart that’s not cold, hard, or numb—very workable and capable of loving, breaking, mending and repeating. So that’s just what I’ll do. Because I’m too tired. Too tired uping all nighting wasting my precious timing wishing it was your heart pumping, wanting me— like I used to want you.
Coco J. Ginger
The eyes! Cold and calculating, hard grey eyes, with the feel of a malevolent intelligence behind them.
Patrick C. Notchtree (The Clouds Still Hang (The Clouds Still Hang, #1-3))
Corruption and envy and lust for power. Cruelty and coldness. A vicious probing curiousity. Pure, poisonous, toxic malice. You have never from your earliest years shown a shred of compassion for sympathy or kindness without calculating how it would return to your advantage. You have tortured and killed without regret or hesitation; you have betrayed and intrigued and gloried in your treachery. You are a cess-pit of moral filth.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
If anything, revenge is the absence of emotion. It's pure, calculated thought stripped bare of entangling emotions. It's cold, deliberate action.
Carrie Ryan (Daughter of Deep Silence)
The greatest gift anyone could give anyone is for the other to feel worthy, adored and more than enough for all that they are. This is a gentle reminder that the people you surround yourself with in every direction should feel both uplifting and safe to your mind and heart. Not confusing, not draining, not controlling, not vague, not calculating, not unreliable, not cold, not dismissive, and not manipulative. Don’t mess around with the energy you take into your body and being, work wise, friendship wise, and relationship wise. Life is too short and delicate for these damaging things. It’s really that simple.
Victoria Erickson
I would never have supposed that inexperienced girl was capable of such cold-blooded, calculating manipulation!
Elizabeth Peters (The Ape Who Guards the Balance (Amelia Peabody, #10))
The more he saw, the more he doubted. He watched men narrowly, and saw how, beneath the surface, courage was often rashness; and prudence, cowardice; generosity, a clever piece of calculation; justice, a wrong; delicacy, pusillanimity; honesty, a modus vivendi; and by some strange dispensation of fate, he must see that those who at heart were really honest, scrupulous, just, generous, prudent or brave were held cheaply by their fellow-men. ‘What a cold-blooded jest!’ said he to himself. ‘It was not devised by a God.’ From that time forth he renounced a better world, and never uncovered himself when a Name was pronounced, and for him the carven saints in the churches became works of art
Honoré de Balzac
Hey you, dragging the halo- how about a holiday in the islands of grief? Tongue is the word I wish to have with you. Your eyes are so blue they leak. Your legs are longer than a prisoner's last night on death row. I'm filthier than the coal miner's bathtub and nastier than the breath of Charles Bukowski. You're a dirty little windshield. I'm standing behind you on the subway, hard as calculus. My breath be sticking to your neck like graffiti. I'm sitting opposite you in the bar, waiting for you to uncross your boundaries. I want to rip off your logic and make passionate sense to you. I want to ride in the swing of your hips. My fingers will dig in you like quotation marks, blazing your limbs into parts of speech. But with me for a lover, you won't need catastrophes. What attracted me in the first place will ultimately make me resent you. I'll start telling you lies, and my lies will sparkle, become the bad stars you chart your life by. I'll stare at other women so blatantly you'll hear my eyes peeling, because sex with you is like Great Britain: cold, groggy, and a little uptight. Your bed is a big, soft calculator where my problems multiply. Your brain is a garage I park my bullshit in, for free. You're not really my new girlfriend, just another flop sequel of the first one, who was based on the true story of my mother. You're so ugly I forgot how to spell. I'll cheat on you like a ninth grade math test, break your heart just for the sound it makes. You're the 'this' we need to put an end to. The more you apologize, the less I forgive you. So how about it?
Jeffrey McDaniel
The (narcissitic) rage may turn into, or be accompanied by, a cold hatred that gives her qualities of power, invincibility, and calculation. This hatred underlies the desire for vengeance, for wanting to inflict pain and suffering, and for actually enjoying getting back at the person who failed her.
A.H. Almaas
Occupation, curfew, settlements, closed military zone, administrative detention, siege, preventive strike, terrorist infrastructure, transfer. Their WAR destroys language. Speaks genocide with the words of a quiet technician. Occupation means that you cannot trust the OPEN SKY, or any open street near to the gates of snipers tower. It means that you cannot trust the future or have faith that the past will always be there. Occupation means you live out your live under military rule, and the constant threat of death, a quick death from a snipers bullet or a rocket attack from an M16. A crushing, suffocating death, a slow bleeding death in an ambulance stopped for hours at a checkpoint. A dark death, at a torture table in an Israeli prison: just a random arbitrary death. A cold calculated death: from a curable disease. A thousand small deaths while you watch your family dying around you. Occupation means that every day you die, and the world watches in silence. As if your death was nothing, as if you were a stone falling in the earth, water falling over water. And if you face all of this death and indifference and keep your humanity, and your love and your dignity and YOU refuse to surrender to their terror, then you know something of the courage that is Palestine.
Suheir Hammad
Like when I saw a spider, I behaved as if it were the size of a horse with the cold calculation of an assassin." Poppy From Blood and Ash by Jennifer L. Armentrout
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
If human nature felt no temptation to take a chance, no satisfaction (profit apart) in constructing a factory, a railway, a mine or a farm, there might not be much investment merely as a result of cold calculation.
John Maynard Keynes (The General Theory of Employment, Interest, and Money (Great Minds))
What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!
Edmond Rostand (Cyrano de Bergerac)
Victor, the tall Nigerian man, was evidently her stepfather; and Josh, her half brother. But Pip didn’t like those words, those cold technicalities. The people you love weren’t calculated, subtracted, or held at arm’s length across a decimal point.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder #1))
The blackness he woke to on those nights was sightless and impenetrable. A blackness to hurt your ears with listening. Often he had to get up. No sound but the wind in the trees. He rose and stood tottering in that cold autistic dark with his arms outheld for balance while the vestibular calculations in his skull cranked out their reckonings.
Cormac McCarthy
He wants to say, because Anne is not a carnal being, she is a calculating being, with a cold slick brain at work behind her hungry black eyes. "I believe any woman who can say no to the King of England and keep on saying it, has the wit to say no to any number of men, including you, including Harry Percy, including anyone else she may choose to torment for her own sport while she is arranging her career in the way it suits her. So I think, yes, you've been made into a fool, but not quite in the way you thought.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
I don't think it's really about being bitchy or demanding or cold or calculating: those characteristics, after all, can be attached to most women with even the paltriest of evidence. I think, quite frankly, that the world simply does not care for the complicated girls, the ones who seem too dark, too deep, too vibrant, too opinionated...
Elizabeth Wurtzel (Bitch: In Praise of Difficult Women)
I love you. I love your smile, your snarl, your grin, your face when you’re sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn’t have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they’re cold or calculating or suspicious or laughing or warm, like when you look at me. You’re the best warrior I know, the best leader. You’re the most comforting mom we’ve ever had. You’re the biggest goof ball, the worst driver, and a tr uly lousy cook. You’ve kept us safe and provided for us, in good times and bad. You’re my best friend, my first and only love, and the most beautiful girl I’ve ever seen, with wings or without.
James Patterson (Fang (Maximum Ride, #6))
Deliberate deception is not a mistake. It's calculating and cold.
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
Suddenly she thought that these men believed feeling itself a disease, something to be cut out like a rotten appendix. Cold, calculating, ambitious, believing themselves rational and superior, they chased the crouching female animal through the brain with a scalpel. From an early age she had been told that what she felt was unreal and didn’t matter. Now they were about to place in her something that would rule her feelings like a thermostat
Marge Piercy (Woman on the Edge of Time)
That was when I saw it: behind the beauty and fake innocence was something else, something cold and calculating. Even when she smiled, I could see sin so deeply ingrained in her that no cardigan could hide it. [...] To anyone else, she was pure and naive, but this girl was hiding something. I knew only because the same sin had dwelled in me my entire life. The difference was she held it deep within her, and I let mine out of cage on a regular basis.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this: But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur. And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth. I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth. And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something. I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
The whole plan of extermination was nothing less than a cold blooded, calculated political measure, having for its object the annihilation of a superior element in the population, which might prove troublesome, and to this must be added the motive of greed.
Fridtjof Nansen
I could be quite irrational. Like when I saw a spider, I behaved as if it were the size of a horse with the cold calculation of an assassin.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
Xaden watches me with a cold, calculating look that feels like he’s plotting my death from where he stands as the wingleader for Fourth Wing.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Why do I trust you?” Gal asks. My blood runs cold. But Gal’s tone isn’t cruel or calculating. It’s hopeful. Warming. He’s on to something. “Maybe you don’t trust me—I wouldn’t blame you if you didn’t, after everything—but I trust you with my life. I know I can trust you because you throw your life on the line to save me. Time and time again, no matter how little I deserve it. You’ve sacrificed everything for me.
Emily Skrutskie (Bonds of Brass (The Bloodright Trilogy, #1))
Not all generous hearts are gullible enough to be screwed by cold, calculating, business propaganda. A person who has an eye for what is right and the truth will immediately spot the cunning ways of a selfish "user and hungry grabber" who took initiative to grab the originality from other people they tried to profile, fake befriended and extracted favours." ~ Angelica Hopes, an excerpt from If I Could Tell You
Angelica Hopes
Try not to breathe,” I tell Lira. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.” I laugh.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
Dr. Fuselier had the opposite reaction. Insanity was marked by mental confusion. Eric Harris expressed cold, rational calculation. Fuselier ticked off Eric’s personality traits: charming, callous, cunning, manipulative, comically grandiose, and egocentric, with an appalling failure of empathy. It was like reciting the Psychopathy Checklist.
Dave Cullen (Columbine)
It would be wrong to believe that the deceivers at this game are sharply separated from the deceived, that the world is neatly divided between the cold calculators and the innocent dupes. Everybody is a little of both; you must be a dupe of your own comedy to play it with conviction. The romantic and satanic vision of the cold calculator, of the totally lucid manipulator of other people’s desires, is a more sophisticated version of the narcissistic illusion.
René Girard
Here we come to the central question of this book: What, precisely, does it mean to say that our sense of morality and justice is reduced to the language of a business deal? What does it mean when we reduce moral obligations to debts? What changes when the one turns into the other? And how do we speak about them when our language has been so shaped by the market? On one level the difference between an obligation and a debt is simple and obvious. A debt is the obligation to pay a certain sum of money. As a result, a debt, unlike any other form of obligation, can be precisely quantified. This allows debts to become simple, cold, and impersonal-which, in turn, allows them to be transferable. If one owes a favor, or one’s life, to another human being-it is owed to that person specifically. But if one owes forty thousand dollars at 12-percent interest, it doesn’t really matter who the creditor is; neither does either of the two parties have to think much about what the other party needs, wants, is capable of doing-as they certainly would if what was owed was a favor, or respect, or gratitude. One does not need to calculate the human effects; one need only calculate principal, balances, penalties, and rates of interest. If you end up having to abandon your home and wander in other provinces, if your daughter ends up in a mining camp working as a prostitute, well, that’s unfortunate, but incidental to the creditor. Money is money, and a deal’s a deal. From this perspective, the crucial factor, and a topic that will be explored at length in these pages, is money’s capacity to turn morality into a matter of impersonal arithmetic-and by doing so, to justify things that would otherwise seem outrageous or obscene. The factor of violence, which I have been emphasizing up until now, may appear secondary. The difference between a “debt” and a mere moral obligation is not the presence or absence of men with weapons who can enforce that obligation by seizing the debtor’s possessions or threatening to break his legs. It is simply that a creditor has the means to specify, numerically, exactly how much the debtor owes.
David Graeber (Debt: The First 5,000 Years)
She should have been used to it by now, the lingering looks while people tried to work out the logistics of her family. Victor, the tall Nigerian man, was evidently her stepfather; and Josh, her half brother. But Pip didn't like those words, those cold technicalities. The people you love weren't calculated, subtracted, or held at arm's length across a decimal point.
Holly Jackson
He rose and stood tottering in that cold dark with his arms held out for balance while the vestibular calculations in his skull cranked out their reckonings. An old chronicle. To seek out the upright. No fall but preceded by a declination... Upright to what? Something nameless in the night, lode or matrix. To which he and the stars were common satellite. Like the great pendulum in its rotunda scribing through the long day movements of the universe of which you may say it knows nothing and yet know it must.
Cormac McCarthy (The Road)
that cold and calculating? Gale didn’t say, “Katniss will pick whoever it will break her heart to give up,” or even “whoever she can’t live without.” Those would have implied I was motivated by a kind of passion. But my best friend predicts I will choose the
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Reptiles are abhorrent because of their cold body, pale color, cartilaginous skeleton, filthy skin, fierce aspect, calculating eye, offensive smell, harsh voice, squalid habitation, and terrible venom; wherefore their Creator has not exerted his powers to make many of them.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
There are Christians and churches that boast of being mature when really they are spiritually frostbitten. We have developed a prejudice against feeling and emotion until amens would be no scarcer if they cost a hundred dollars apiece -- and the real truth is, we have lost our first love. . . . This accounts for a lot of church troubles. When we love the Lord we love the brethren. When we break up the fallow ground of our hearts we uncover roots of bitterness. . . . There is a reckless enthusiasm about first love. It is not cold and calculating.
Michael L. Brown (Authentic Fire: A Response to John MacArthur's Strange Fire)
Rage swallowed remorse. Rage drop-kicked self-pity. Rage murdered sorrow. And then, like blood-red wine tucked into the refrigerator, rage chilled to become cold, calculating anger. Anger was a creature that arrived on her doorstep with a suitcase full of strategy and vengeance. It tipped its hat at her and hopped into her brain. It knocked on the Logic Department's door. It found a broken mirror somewhere in the crevices between her hippocampus and her hypothalamus, and it was wondering if somebody had misplaced it. No retaliation? It scoffed. Think again, missy.
Angela Panayotopulos (The Wake Up)
I really can’t keep it up anymore,” Huahua said. “No one’s doing any better,” Specs said lightly. “It’s not the same. This is impossible!” “Think of yourself as a computer. You’re just cold hardware, and reality is just data. Accept your input and perform your calculations. That’s how you keep it up.
Liu Cixin (Supernova Era)
It took hours, but all of a sudden as she was drawing the plug-in for a vacuum pump that felt as if it was radiating cold, although she didn't know how, Claire saw . . . something. It was like a flash of intuition, one of those moments that came to her sometimes when she thoughtabout higher-order physics problems. Not calculation, exactly, not logic. Instinct.She saw what he was doing, and for that one second, it was beautiful.Crazy, but in a beautiful kind of way. Like everything Myrnin did, it twisted the basicrules of physics, bent them and reshaped them until they became . . . something else. He's agenius, she thought. She'd always known that, but this . . . this was something else. Something beyond all his usual tinkering and weirdness. "It's going to work," she said. Her voice sounded odd. She carefully set the vacuum pumpin its place on the meticulously labeled canvas sheet. Myrnin, who was sitting in his armchair with his feet comfortably on a hassock, looked up. He was reading a book through tiny little square spectacles that might have once belonged to Benjamin Franklin. "Well, of course it's going to work," he said. "What did you expect? I do know what I'm doing." This from a man wearing clothing from the OMG No store, and his battered vampire-bunny slippers. He'd crossed his feet at the ankles on top of a footstool, and both the bunnies' red mouths were flapping open to reveal their sharp, pointy teeth. Claire grinned, suddenly full of enthusiasm for what she was doing. "I didn't expectanything else," she said. "When's lunch?
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
It would be wrong to believe,” Girard writes, “that the deceivers at this game are sharply separated from the deceived, that the world is neatly divided between the cold calculators and the innocent dupes. Everybody is a little of both; you must be a dupe of your own comedy to play it with conviction. The romantic and satanic vision of the cold calculator, of the totally lucid manipulator of other people’s desires, is a more sophisticated version of the narcissistic illusion.
Kristin Dombek (The Selfishness of Others: An Essay on the Fear of Narcissism)
While you and I are allowed the luxury of our pain, president isn't. A president must take into account how his citizens feel and he must manage them and lead them, but he must not succumb to personal feelings. His job is to maintain a ruthless sense of proportion while keeping the coldness of his calculation to himself.
George Friedman (The Next Decade: Where We've Been . . . and Where We're Going)
The blackness he woke to on those nights was sightless and impenetrable. A blackness to hurt your ears with listening. Often he had to get up. No sound but the wind in the bare and blackened trees. He rose and stood tottering in that cold autistic dark with his arms outheld for balance while the vestibular calculations in his skull cranked out their reckonings. An old chronicle. To seek out the upright. No fall but preceded by a declination. He took great marching steps into the nothingness, counting them against his return. Eyes closed, arms oaring. Upright to what? Something nameless in the night, lode or matrix. To which he and the stars were common satellite. Like the great pendulum in its rotunda scribing through the long day movements of the universe of which you may say it knows nothing and yet know it must.
Cormac McCarthy (The Road)
Faster and faster, those three bulls closed in. Lysandra remained at the mouth of the bay. Holding the line. Aedion’s heart stopped. “She’s dead,” one of the sentries hissed. “Oh, gods, she’s dead—” “Shut your rutting mouth,” Aedion snarled, scanning the bay, slipping into that cold, calculating place that allowed him to make decisions in battle, to weigh the costs and risks.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
She hated him, this man, and these men: the ones who picked her up without expression and used her without emotion. The ones who picked her up with no more regard than they had for picking lint off the collars of their well-pressed suits. She preferred the sweaty nervousness of young virgins or the eager speediness of excited old vets with their knobby fingers and waxy breath to these cold, hard men. These were the ones who called her squaw. Who called her half-breed, the ones who would just as soon slap her than bother to put on the condom she always handed them. She often wondered why they didn’t just keep the $80 it cost to be with her and drive their comfortable, bucket-seated SUVs home to the suburbs. They could kiss their wives hello and then slip into very hot showers to jerk off for free. Their peckish wives could spend the money they saved spending an afternoon getting the silk wraps and pedicures that would goad them into putting out anyways. To these men she had no name and no face. She was a hole. Consequently, she held no regard for these bastards. She gave them the calculated respect accorded to dangerous dogs.
Cherie Dimaline (Red Rooms)
Where some saw a cold-hearted calculating slut, there was actually a girl who had done a lot of growing up to realise she should only get something of equal or greater value for everything she gave.
Alice Walsh (A Poker Game of Love)
Perhaps most insidious of all the psychopath’s evils: their relationship cycle. In which they gleefully and systematically wipe out the identity of an unsuspecting victim. Cold & calculated emotional rape.
Peace (Psychopath Free: Recovering from Emotionally Abusive Relationships With Narcissists, Sociopaths, & Other Toxic People)
I looked down at the Nightside, spread out before me like the most seductive whore in the world. Promising everything and anytthing, her wide smile and inviting eyes hiding the cold calculation in her heart.
Simon R. Green
Contrary to how I was taught to think about economics, everybody wasn’t operating in their own rational economic self-interest. The majority of white Americans had voted for a worldview supported not by a different set of numbers than I had, but by a fundamentally different story about how the economy works; about race and government; about who belongs and who deserves; about how we got here and what the future holds. That story was more powerful than cold economic calculations. And it was exactly what was keeping us from having nice things—to the contrary, it had brought us Donald Trump. So, I made an unexpected decision. I decided
Heather McGhee (The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together)
In one of the awkward alignments of the Cold War, President Richard Nixon had lined up the democratic United States with this authoritarian government, while the despots in the Soviet Union found themselves standing behind democratic India. Nixon and Henry Kissinger, the brilliant White House national security advisor, were driven not just by such Cold War calculations, but a starkly personal and emotional dislike of India and Indians.
Gary J. Bass (The Blood Telegram)
While each word of Heraclitus expresses the pride and the majesty of truth, but of truth grasped in intuitions rather than attained by the rope ladder of logic, while in Sibylline rapture Heraclitus gazes but does not peer, knows but does not calculate, his contemporary Parmenides stands beside him as counter-image, likewise expressing a type of truth-teller but one formed of ice rather than fire, pouring cold piercing light all around.
Friedrich Nietzsche (Philosophy in the Tragic Age of the Greeks)
And it was only as he rose from the bed, his body illuminated by the colored lights of the city, that I caught the glint of calculation behind his eyes, a cold, blank set to his face. His shadow self, and not a nice one.
Jennifer Egan (Look at Me)
The Third Reich which was born on January 30, 1933, Hitler boasted, would endure for a thousand years,9 and in Nazi parlance it was often referred to as the “Thousand-Year Reich.” It lasted twelve years and four months, but in that flicker of time, as history goes, it caused an eruption on this earth more violent and shattering than any previously experienced, raising the German people to heights of power they had not known in more than a millennium, making them at one time the masters of Europe from the Atlantic to the Volga, from the North Cape to the Mediterranean, and then plunging them to the depths of destruction and desolation at the end of a world war which their nation had cold-bloodedly provoked and during which it instituted a reign of terror over the conquered peoples which, in its calculated butchery of human life and the human spirit, outdid all the savage oppressions of the previous ages. The man who founded the Third Reich, who ruled it ruthlessly and often with uncommon shrewdness, who led it to such dizzy heights and to such a sorry end, was a person of undoubted, if evil, genius.
William L. Shirer (The Rise and Fall of the Third Reich)
From the mountain peaks for streams descend and flow near the town; in the cascades the white water is calling, but the mistis do not hear it. On the hillsides, on the plains, on the mountaintops the yellow flowers dance in the wind, but the mistis hardly see them. At dawn, against the cold sky, beyond the edge of the mountains, the sun appears; then the larks and doves sing, fluttering their little wings; the sheep and the colts run to and fro in the grass, while the mistis sleep or watch, calculating the weight of their steers. In the evening Tayta Inti gilds the sk, gilds the earth, but they sneeze, spur their horses on the road, or drink coffee, drink hot pisco. But in the hearts of the Puquios, the valley is weeping and laughing, in their eyes the sky and the sun are alive; within them the valley sings with the voice of the morning, of the noontide, of the afternoon, of the evening.
José María Arguedas (Yawar Fiesta)
Reason is overrated. Many pundits have argued that a good heart and steadfast moral clarity are superior to triangulations of overeducated policy wonks, like the best and brightest and that dragged us into the quagmire of Vietnam. And wasn't it reason that gave us the means to despoil the planet and threaten our species with weapons of mass destruction? In this way of thinking, it's character and conscience, not cold-hearted calculation, that will save us. Besides, a human being is not a brain on a stick. My fellow psychologists have shown that we're led by our bodies and our emotions and use our puny powers of reason merely to rationalize our gut feelings after the fact
Steven Pinker
Love is the bane (The Sonnet) Love is the boon, Love is the bane. Love is relief, Love is the pain. From love will come your troubles, From love will rise your answer. You'll fail in love, you'll fly in love, In love's insanity your sight will clear. Love is torture, Love is disaster. Love exposes the counterfeits, While it purifies the lover. In a world run by calculating coldness, be the anomaly of love insensible. Cure for this anemic world, is your love impossible.
Abhijit Naskar (Aşk Mafia: Armor of The World)
European history knows two forms of terror. The first is the uncontrollable explosion of bloodlust in a victorious mass uprising. The other is cold, calculated cruelty committed by a victorious state as a demonstration of power and intimidation. The two forms of terror normally correspond to revolution and repression. The first is revolutionary. It justifies itself by the rage and fever of the moment, a temporary madness. The second is repressive. It justifies itself by the preceding revolutionary atrocities.
Sebastian Haffner (Defying Hitler: A Memoir)
In hindsight, Khrushchev stands out as a rare case of a nuclear optimist. His nuclear brinkmanship was exceptionally crude and aggressive, reckless and ideology-driven. The architect of the New Look played hardball. But he relied more on his instincts than on strategic calculations. And he was not a master of diplomatic compromise. His improvisations, lack of tact, rudeness, and spontaneity let him down, after several strokes of luck. His ideological beliefs, coupled with his emotional vacillations between insecurity and overconfidence, made him a failure as a negotiator.
Vladislav M. Zubok (A Failed Empire: The Soviet Union in the Cold War from Stalin to Gorbachev (New Cold War History))
František Štorm has made a habit of infusing historical styles with his own eccentric brand of expression. His Farao is a perfect example. Most modern interpretations of Clarendon and other Egyptians are somewhat cold and calculated. Štorm went back to their ancestors — the uneven, untamed type of the 19th century — and celebrated its imperfections. Farao has exaggerated ball terminals and serifs, inconsistent contrast, and a potpourri of seemingly incompatible features. Yet it all comes together in a wonderful, sparkling typeface full of humor and life. This is Clarendon let loose.
Stephen Coles (The Anatomy of Type: A Graphic Guide to 100 Typefaces)
One could be forgiven for supposing that rationality (or, more softly, ‘reasonableness’) is irrelevant – and even possibly opposed – to being a good lover. This is perhaps because we tend to think of love as a feeling, rather than as an achievement of intelligence. A reasonable or rational person is not one who is only interested in logic, or someone who tries in a cold, robotic fashion to substitute calculation and analysis for kindness or yearning. We are reasonable when we are moved by accurate explanation. Thus a reasonable person is slow to anger; they do not jump to conclusions
Alain de Botton (Art as Therapy)
You're not actually falling for him, are you?" he asks her one day, on one of the rare occasions he can get her alone. "I'll pretend you didn't just ask that," she tells him in disgust. But Connor has reasons to wonder. "On that first night here, he offered you his blanket, and you accepted it," he points out. "Only because I knew it would make him cold." "And when he offers you his food, you take it." "Because it means he goes hungry." It's coolly logical. Connor finds it amazing that she can put her emotions aside and be as calculating as Roland, beating him at his own game. Another reason for Connor to admire her.
Neal Shusterman (Unwind (Unwind, #1))
But Spitz, cold and calculating even in his supreme moods, left the pack and cut across a narrow neck of land where the creek made a long bend around. Buck did not know of this, and as he rounded the bend, the frost wraith of a rabbit still flitting before him, he saw another and larger frost wraith leap from the overhanging bank into the immediate path of the rabbit. It was Spitz. The rabbit could not turn, and as the white teeth broke its back in mid air it shrieked as loudly as a stricken man may shriek. At sound of this, the cry of Life plunging down from Life’s apex in the grip of Death, the fall pack at Buck’s heels raised a hell’s chorus of delight.
Jack London (The Call of the Wild)
Between the desolate earth and the colorless sky appeared an Image of the ungrateful world in which, for the first time, he came to himself at last. On this earth, restored to the despair of innocence, a traveler lost in a primitive world, he regained contact, and with his list pressed to his chest, his face flattened against the glass, he calculated his hunger for himself and for the certainty of the splendors dormant within him. He wanted to crush himself into that mud, to reenter the earth by immersing himself in that clay, to stand on that limitless plain covered with dirt, stretching his arms to the sooty sponge of the sky, as though confronting the superb and despairing symbol of life itself, to affirm his solidarity with the world at its worst, to declare himself life's accomplice even in its thanklessness and its filth. Then the great impulse that had sustained him collapsed for the first time since he left Prague. Mersault pressed his tears and his lips against the cold pane. Again the glass blurred, the landscape disappeared.
Albert Camus (A Happy Death)
There is pleasure in reading a version of myself I know in my heart could never exist, since mine is not an iron mind coldly calculating every possible option and outcome. Instead I am a businessman who loves excitement, loves tension, loves risk and the unexpected, and just happens to possess an extraordinary, on occasion even miraculous, degree of good luck.
Jacob Wren (Rich and Poor)
It's funny, most people think that revenge is a passionate affair, driven by rage and pain. But it can't be. Feelings such as those make you weak. They overwrite thought and cause reckless impulses that lead to poor decisions. If anything, revenge is the absence of emotion. It's pure, calculated thought stripped bare of entangling emotions. It's cold, deliberate action.
Carrie Ryan (Daughter of Deep Silence)
I will remark, here, that James W. Paige, the little bright-eyed, alert, smartly dressed inventor of the machine, is a most extraordinary compound of business thrift and commercial insanity; of cold calculation and jejune sentimentality; of veracity and falsehood; of fidelity and treachery; of nobility and baseness; of pluck and cowardice; of wasteful liberality and pitiful stinginess; of solid sense and weltering moonshine; of towering genius and trivial ambitions; of merciful bowels and a petrified heart; of colossal vanity and— But there the opposites stop. His vanity stands alone, sky-piercing, as sharp of outline as an Egyptian monolith. It is the only unpleasant feature in him that is not modified, softened, compensated by some converse characteristic.
Mark Twain (Autobiography of Mark Twain: The Complete and Authoritative Edition, Volume 1)
There was no part of this house that felt inviting. Paul's cold, calculating hand could be seen behind every choice. The concrete on the entryway floor was polished to a dark mirror straight out of Snow White. The spiral stairs looked like a robot's asshole. The endless white walls made Lydia feel like she was trapped inside a straightjacket. The sooner she was out of here the better.
Karin Slaughter (Pretty Girls)
No woman had ever managed to stir up such a storm inside his head. Not one had ever been capable of making him lose his concentration with such antics, such lightness of touch. He couldn’t think of even one of the many girlfriends he had given his heart to who was capable of putting on such a show for him, without any audience other than the mountains looming ever higher in the growing shadows. Not a single one, he said to himself, watching her with lowered eyes as he began to feel rather confused. He tried to regain the normal pulse of his feelings. He attempted to return to the cold calculations of numbers and time equations necessary for him to finish drawing up his plans. Because the day was passing quickly and he would not have a second chance to finish or correct them.
Pedro Lemebel (My Tender Matador)
I decided to ask eight Vietnam combat veterans if they would be willing to take a standard pain test while they watched scenes from a number of movies. The first clip we showed was from Oliver Stone’s graphically violent Platoon (1986), and while it ran we measured how long the veterans could keep their right hands in a bucket of ice water. We then repeated this process with a peaceful (and long-forgotten) movie clip. Seven of the eight veterans kept their hands in the painfully cold water 30 percent longer during Platoon. We then calculated that the amount of analgesia produced by watching fifteen minutes of a combat movie was equivalent to that produced by being injected with eight milligrams of morphine, about the same dose a person would receive in an emergency room for crushing chest pain.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Modernism deliberately abstracted Nature and glamorized convenience, and this is why we have ended up seeing the natural world as some sort of gigantic production system seemingly capable of ever-increasing outputs for our benefit. … We have become semi-detached bystanders, empirically correct spectators, rather than what the ancients understood us to be, which is participants in creation. This ideology was far from benign or just a matter of fashion. The Marxism of the Bolshevik regime totally absorbed, adopted and extended the whole concept of Modernism to create the profoundly soulless, vicious, dehumanized ideology which eventually engineered the coldly calculated death of countless millions of its own citizens as well as entire living traditions, all for the simple reason that the end justified the means in the great ‘historic struggle’ to turn people against their true nature and into ideological, indoctrinated ‘machines.
Charles III (Harmony: A New Way of Looking at Our World)
I see poisoners—so calculating, so cold-blooded—as most like the villains of our horror stories. They’re closer to that lurking monster in the closet than some drug-impaired crazy with a gun. I don’t mean to dismiss the latter—both can achieve the same awful results. But the scarier killer is the one who thoughtfully plans his murder ahead, tricks a friend, wife, lover into swallowing something that will dissolve tissue, blister skin, twist the muscles with convulsions, knows all that will happen and does it anyway.
Deborah Blum (The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York)
Epidemiologists-scientists who study the spread of disease-use a special number to describe how contagious a virus is. It's called the basic reproduction number, or R0 for short. It's complicated to calculate but simple to understand-it counts how many people one sick person is expected to infect over the course of his or her illness. If I'm sick with a cold and I make two other people sick, the R0 of my virus is 2. Colds and seasonal flus typically have R0 values of around 1.5 to 2. The 1918 flu pandemic R0 was estimated to be 2 to 3, while diseases like polio and small pox have R0 values of around 5 to 7.
Jennifer Gardy (It's Catching: The Infectious World of Germs and Microbes)
At some point in the future, new stars will cease being born. Slowly but surely, the stars of our universe are winking out. A day will come when the night sky will be totally black, and the day sky will be totally black as well. Solar systems will become planets orbiting dead stars. According to astrophysical calculations, in about a million billion years, plus or minus, even those dead solar systems will be disrupted from chance gravitational encounters with other stars. In about ten billion billion years, even galaxies will be disrupted, the cold spheres that were once stars flung out to coast solo through empty space.
Alan Lightman
Why are you washing your own shirt?" "Because it was dirty," he replied with calculated condescension. She ignored it with admirable restraint. "There are maids to wash--" "I didn't wish to inconvenience--" "The shirts of the men who--" "A maid by asking her to wash--" "And I would have washed the stupid thing for you anyway!" Grimm's mouth snapped shut. "I mean, that is . . . well, I would have if . . . if all the maids were dead or taken grievously ill and there was no one else who could"--she shrugged--"and it was the only shirt you owned . . . and bitterly cold . . . and you were sick yourself or something." She snapped her mouth shut, realizing there was no way out of the verbal quagmire into which she'd leapt.
Karen Marie Moning (To Tame a Highland Warrior (Highlander, #2))
The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could. When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
Lily liked the fog, and didn't even mind the cold wind. She reckoned that Ocean Beach, the dunes there, and the Sunset were the closest San Francisco was going to come to the foreboding, wind-swept moors of England, where she had aspired to suffer romance and heartache when she was a kid. The foghorn, however, rather than a lonesome lament that conjured images of Heathcliff's dark figure, waiting with clenched jaw on the moor for her to bring light and warmth into his life, sounded like a distressed moose tied up in her neighbor's garage, having his nut sack singed with jumper cables at a precise interval calculated to keep her from falling asleep. Which, in turn, made her think of what complete douche bags people could be when all you wanted to do was borrow a defibrillator. Then she was awake and angry.
Christopher Moore (Secondhand Souls (Grim Reaper, #2))
Smokers exist in every kitchen. It kills a tastebud or two but we all die, and no one knows better than those who club the fish, clean the guts from the meat, and serve for your delectation a plate from which all blood has been wiped. We cook despite bad pay and sore backs and inadequate sleeps in apartments we can't afford and we wake up choosing again that most temporary of glories that is made, and then consumed: we know. We all die. Whether it comes after thirty years of hard labor or sixty at a desk, whether we calculate or plan, in the end we have only the choice of what touches the lips before we go: lobster if you like it or cold pizza if you don't, a sip of smoke, a drink, a job, a reckless passion, raw fish, the beguilement of mushrooms, cheese luscious beneath its crown of mold. What sustains in the end are doomed romances, and nicotine, and crappy peanut butter, damn the additives and cholesterol because life is finite and not all nourishment can be measured. When I learned to smoke behind a restaurant, my breath curling toward an inconsolable sky, I learned what it means to live by the tongue, dumb beast, obedient to neither time nor money, past nor future, loyal to a now worth living. I took my cigarette to the filter, and for the first time I appraised my employer back. He claimed to have evolved past fear. He lied. Behind the mask was a damp, scared boy. Fear of toxins, fear of carcinogens, tear of flood and smog and protest and entropy and all that could not be optimized, controlled, bought and held behind glass. Fear fueled a country so intent on perfection that they would give up the world.
C Pam Zhang (Land of Milk and Honey)
It was always right in front of me. The fear was there in the extravagant boys of my neighborhood, in their large rings and medallions, their big puffy coats and full-length fur-collared leathers, which was their armor against the world. They would stand on the corner of Gwynn Oak and Liberty, or Cold Spring and Park Heights, or outside Mondawmin Mall, with their hands dipped in Russell sweats, I think back on those boys now and all I see is fear, and all I see is them girding themselves against the ghosts of the bad old days when the Mississippi mob gathered 'round their grandfathers so that the branches of the black body might be torched, then cut away. The fear lived on in their practiced bop, their slouching denim, their big T-shirts, the calculated angle of their baseball caps, a catalog of behaviors and garments enlisted to inspire the belief that these boys were in firm possession of everything they desired.
Ta-Nehisi Coates (Between the World and Me)
The Internet sites (Facebook, Meetic, and thousands of other sites) are based on a virtual and simulated second-hand sex through a screen interface. The first encounter is not natural; it occurs in solitude, in front of a machine interface, and everything else flows from there. Dialogue in front of the screen falsifies and misguides the rest of the relationship, because it suppresses the direct emotion of the first meeting and establishes the relationship on lies, even if these are involuntary. The accident of the first meeting — in a bar, at a party, an office, a friend’s house — is replaced by calculated effort in front of a cold screen. Imagination supplants reality. Romanticism or desire are transmitted in computer files. Psychologically, a contact receives a certain bias if it originates from a computer search. If you later happen to meet the person, you understand quickly that she does not correspond to the electronic persona with which one chatted.
Guillaume Faye (Sex and Deviance)
He had coldly and calculatingly looked at her as he regarded any attractive woman, and he had decided, almost without emotion, that she would make him an ideal wife... Once that decision made, violent possessiveness followed. His desire for her had grown, stimulated by her own resistance and the barrier of respectability and convention which, for him, had been both new and tantalizing. He had believed that she needed him, his strength and his protection, and he had been pleased and triumphant, but not surprised, when he had forced her to reveal that need, for he wanted her helpless and dependent upon him. But now, lying there in the army camp...Curt realized his own need, his own complete, dependency upon her for happiness. He, like Oregon, rugged and violent, had to have the beauty and delicacy and fineness of a woman-and it had to be Kitty. That was the strange thing about it, he considered; the realization, for the first time in his life, that one woman, and only one, would do.
Mildred Masterson McNeilly (Each Bright River)
In the car ahead, Jane was thinking fast and furiously. She had felt the purpose for which Tarzan had asked a few words with her, and she knew that she must be prepared to give him an answer in the very near future. He was not the sort of person one could put off, and somehow that very thought made her wonder if she did not really fear him. And could she love where she feared? She realized the spell that had been upon her in the depths of that far-off jungle, but there was no spell of enchantment now in prosaic Wisconsin. Nor did the immaculate young Frenchman appeal to the primal woman in her, as had the stalwart forest god. Did she love him? She did not know—now. She glanced at Clayton out of the corner of her eye. Was not here a man trained in the same school of environment in which she had been trained—a man with social position and culture such as she had been taught to consider as the prime essentials to congenial association? Did not her best judgment point to this young English nobleman, whose love she knew to be of the sort a civilized woman should crave, as the logical mate for such as herself? Could she love Clayton? She could see no reason why she could not. Jane was not coldly calculating by nature, but training, environment and heredity had all combined to teach her to reason even in matters of the heart. That she had been carried off her feet by the strength of the young giant when his great arms were about her in the distant African forest, and again today, in the Wisconsin woods, seemed to her only attributable to a temporary mental reversion to type on her part—to the psychological appeal of the primeval man to the primeval woman in her nature. If he should never touch her again, she reasoned, she would never feel attracted toward him. She had not loved him, then. It had been nothing more than a passing hallucination, super-induced by excitement and by personal contact. Excitement would not always mark their future relations, should she marry him, and the power of personal contact eventually would be dulled by familiarity. Again she glanced at Clayton. He was very handsome and every inch a gentleman. She should be very proud of such a husband.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
I,” he said, a faint note of derision in his voice, “am the least favored scion of our ruling house, House Mara Sant.” He was from Brontes, then. Which might explain the eyes…she thought again of certain differences, and suppressed a shudder. “I am a Prince of the Blood,” he continued, sounding both embittered and proud, “third in line for the Dragon Throne, and grand nephew to the Emperor. Owing to a…political dispute, I am now also an exile. Presented with a choice between resigning my commission in the na-vy and leaving to become governor of a mining planet and staying to face my uncle’s as-sassins….” He shrugged slightly, as if the choice were of no consequence. “A…political dispute?” “I gambled,” he said bluntly. “I lost.” “You seem…sanguine,” she remarked, surprise blunting the instinct to guard her tongue. “He shouldn’t have let me live.” That anyone could discuss their own murder with such cold calculation horrified her. He horrified her. She chewed her lip, digesting all that he’d told her: not merely a naval officer, but a prince—and a maverick one at that. She wondered what he could have done. “So you see,” he finished, “I’m no more free than you.” He laughed, then, but without humor. “We can be prisoners together. I am en route to a wretched planet called Tarsonis to assume governorship and as you have no other, more pressing engagement, you are coming with me.
P.J. Fox (The Price of Desire (The House of Light and Shadow, #1))
If you’re going to shoot me, do it. Do you think I’m afraid of you?” Camille asked. No bullet could hurt worse than the thought of her father drowning, or the sight of Oscar gurgling for air as he lay in a pool of his own blood. She stared into the barrel of the rifle. “You’re a coward. Heartless and cruel, and the devil won’t even want you.” A single shot and she’d be back with her father and Oscar. She’d have them both. Perhaps that was why Umandu hadn’t worked; her heart hadn’t been able to decide. McGreenery pressed the cold steel against her throat. He bared his teeth, losing every ounce of composure and calculated grace. Camille threw a glance toward Ira, who finally jammed his knife into the ribs of his opponent. He pulled the blade free in time to see her at the end of McGreenery’s rifle. But instead of running toward her, he stopped and stared. What was he doing? McGreenery reeled forward. The rifle and stone clattered to the floor. His lips parted. “What-?” he rasped. Camille stared at him, equally bewildered. A sharp metal spike protruded from his chest and glinted in the single band of sunlight streaming from the dome’s entrance. McGreenery collapsed to his knees and revealed his assailant to her. Oscar placed a foot on McGreenery’s back and kicked him forward, sliding him off the very spear McGreenery had used to kill him. “Let’s see how you like it,” Oscar said and tossed the spear aside.
Angie Frazier (Everlasting (Everlasting, #1))
Marriages in the bourgeois sense of the word, and I mean in the most respectable sense of the word 'marriage', haven't the least to do with love no kind of institution can be made from love - and just as little with money; but rather with the social permission given to two people to satisfy their sexual desires with each other, of course under certain conditions, but such conditions as have the interests of society in view. It's clear that the prerequisites for such a contract must include some degree of liking between the parties concerned and very much goodwill - the will to be patient, conciliatory, to care for one another - but the word love should not be misused to describe it! For two lovers in the whole and strong sense of the word, sexual satisfaction is not the essential thing and really just a symbol: for one party, as has been said, a symbol of unconditional submission, for the other a symbol of assent to this, a sign of taking possession.- Marriage in the aristocratic sense, the old nobility's sense of the word, is about breeding a race (is there still a nobility today?) Quaeritur, in other words about maintaining a fixed, particular type of ruling men: man and woman were sacrificed to this viewpoint. Obviously, the primary requirement here was not love, on the contrary! - and not even that measure of mutual goodwill on which the good bourgeois marriage is based. The decisive thing was first the interest of the dynasty, and above that the class. Faced with the coldness, severity and calculating clarity of this noble concept of marriage, which has ruled in every healthy aristocracy, in ancient Athens as in eighteenth-century Europe, we would shiver a little, we warm-blooded animals with our ticklish hearts, we 'moderns'! And this is precisely why love as passion, in the grand understanding of the word, was invented for the aristocratic world and within it―where coercion and privation were greatest...
Friedrich Nietzsche (Writings from the Late Notebooks)
I opened the door with a smile on my face that soon melted when I saw his messy appearance. The doorframe held him up as he leaned all of his weight against it. Expressionless, bloodshot eyes stared back at me as he lifted his hand and ran it roughly down his unshaved face. His hair was disheveled and there was blood on the front of his shirt. Panic rose up as I took him in. I rushed to him and ran my fingers down his body, as I checked for injuries. “You’re bleeding! Oh my God, Devin! What happened? Are you OK?” “It’s not my blood,” he slurred. I took a better look at his gorgeous face. His unfocused eyes attempted to meet mine and it was then that the smell of liquor reached me. “You’re drunk?” “Abso-fucking-lutely.” He attempted to move toward me and almost fell over. I wrapped my arms around him and helped him into my apartment. Once we made it to the couch I let him collapse onto the cushion before I went straight to work on his clothes. I removed his blood-stained shirt first and threw it to the side. Quickly checked him over again just to be sure that he wasn’t injured somewhere. His skin felt cold and clammy against my fingertips. His knuckles were busted open, so I went to the bathroom and got a wet towel and the first aid kit. I cleaned his fingers then wrapped them up. I felt fingers in my hair and looked up to see a very drunk Devin staring back at me. “You’re so fucking beautiful,” he whispered as his heavy head fell against the back of my couch again. Shaking my head, I dropped onto my knees on the floor and removed his boots. Once I was done getting Devin out of his shoes, I went to the hallway closet and pulled out a blanket for him. When I got back to the couch, he was standing there looking back at me in all his tattooed, muscled glory. He was still leaning a bit to the side when his eyes locked on mine. “Come here,” he rasped. He looked as if he was about to crumble and I couldn’t tell if it was the alcohol or if something was really breaking him down. “Are you OK, baby?” I asked. He closed his eyes and sighed. “I love it when you call me baby.” I went to him and he groaned as I softly ran my hands up his chest and put my arms around his neck. On my tiptoes, I softly kissed the line of his neck and his chin. “Tell me what happened, Devin.” When he finally opened his eyes, he looked at me differently. The calm and collected Devin was gone and an anxiety-ridden shell of a man stood before me. His shoulders felt tense beneath my fingers and his eyes held a crazed demeanor. “I need you, Lilly.” He captured my face softly in his hands as he slurred the words. “Please tell me what happened?” “Make it go away, baby,” he whispered as he leaned in and started to kiss me. I let him as I melted against his body. He collapsed against the couch once more, but this time he took me with him. Not once did he break our kiss, and soon, I felt his velvet tongue against mine. I kissed him back and let my fingers play in the hair at the back of his neck. He broke the kiss and started down the side of my neck. “I need you, Lilly,” he repeated against my skin. “I’m here.” I bit at my bottom lip to stop myself from moaning. “Please, just make it all go away,” he drunkenly begged. “I don’t know what’s going on, but tell me what to do to make it better. I want to make it better, Devin.” I stopped him and stared into his eyes as I waited for his response. “Don’t leave me,” he said desperately. “I’m not going anywhere. I’m here. I’ll do whatever it takes to make it better.” I wanted to cry. He looked so hurt and afraid. It was strange to see such a strong, confident man so lost and unsure. He flipped me onto my back on the couch and crawled on top of me. His movements were less calculated—slower than usual. “I want you. I need to be inside you,” he said aggressively.
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
I don’t know what to do with you,” he said, his voice growing curt with anger again. “Deceitful little minx. I’m of half a mind to put you to work, milking the goats. But that’s out of the question with these hands, now isn’t it?” He curled and uncurled her fingers a few times, testing the bandage. “I’ll tell Stubb to change this twice a day. Can’t risk the wound going septic. And don’t use your hands for a few days, at least.” “Don’t use my hands? I suppose you’re going to spoon-feed me, then? Dress me? Bathe me?” He inhaled slowly and closed his eyes. “Don’t use your hands much.” His eyes snapped open. “None of that sketching, for instance.” She jerked her hands out of his grip. “You could slice off my hands and toss them to the sharks, and I wouldn’t stop sketching. I’d hold the pencil with my teeth if I had to. I’m an artist.” “Really. I thought you were a governess.” “Well, yes. I’m that, too.” He packed up the medical kit, jamming items back in the box with barely controlled fury. “Then start behaving like one. A governess knows her place. Speaks when spoken to. Stays out of the damn way.” Rising to his feet, he opened the drawer and threw the box back in. “From this point forward, you’re not to touch a sail, a pin, a rope, or so much as a damned splinter on this vessel. You’re not to speak to crewmen when they’re on watch. You’re forbidden to wander past the foremast, and you need to steer clear of the helm, as well.” “So that leaves me doing what? Circling the quarterdeck?” “Yes.” He slammed the drawer shut. “But only at designated times. Noon hour and the dogwatch. The rest of the day, you’ll remain in your cabin.” Sophia leapt to her feet, incensed. She hadn’t fled one restrictive program of behavior, just to submit to another. “Who are you to dictate where I can go, when I can go there, what I’m permitted to do? You’re not the captain of this ship.” “Who am I?” He stalked toward her, until they stood toe-to-toe. Until his radiant male heat brought her blood to a boil, and she had to grab the table edge to keep from swaying toward him. “I’ll tell you who I am,” he growled. “I’m a man who cares if you live or die, that’s who.” Her knees melted. “Truly?” “Truly. Because I may not be the captain, but I’m the investor. I’m the man you owe six pounds, eight. And now that I know you can’t pay your debts, I’m the man who knows he won’t see a bloody penny unless he delivers George Waltham a governess in one piece.” Sophia glared at him. How did he keep doing this to her? Since the moment they’d met in that Gravesend tavern, there’d been an attraction between them unlike anything she’d ever known. She knew he had to feel it, too. But one minute, he was so tender and sensual; the next, so crass and calculating. Now he would reduce her life’s value to this cold, impersonal amount? At least back home, her worth had been measured in thousands of pounds not in shillings. “I see,” she said. “This is about six pounds, eight shillings. That’s the reason you’ve been watching me-“ He made a dismissive snort. “I haven’t been watching you.” “Staring at me, every moment of the day, so intently it makes my…my skin crawl and all you’re seeing is a handful of coins. You’d wrestle a shark for a purse of six pounds, eight. It all comes down to money for you.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Edgerton/Assassins of Dreamsongs 169 The thick, frosty rain had long since subsided. A thin, fur clad figure peered through the thick, rain soaked foliage, just outside the army's encampment. The old Wizard's raspy whisper suddenly broke the silence. He shivered against the cold and swore to himself, as no eyes peered back at him from the forest. "Damnable rabbits!" He shook both stiff, old legs from the bitter cold of the forest night and from the puddle he had been standing in. The half-asleep guard paid no attention or tribute to the thin, fur clad bearer of wood, as he trudged through the camp's outer perimeter with a load of firewood in his arms. Slumber played a barbaric tune to the rhythms of the wind through the trees, while the army slept. Arkin readjusted the stack of wood held precariously in his arms, as he walked through the center of camp. His steady, silent pace took him around large mud puddles and before a roaring fire built beneath a rocky shelf. The large bonfire spit colorful sparks into the blackness and the cold of the night. His thin arms let fall the wood he had gathered, while he surveyed the camp. A long, walking stick suddenly appeared in his hand, as if by magic, while his senses took in all around him. The small, white haired Wizard leaned lazily on his heavy staff for a thoughtful moment, while his calculating eye took in the figures huddled on the ground around the small campfires. Edgerton/Assassins of Dreamsongs 170 In the forest, two sets of eyes suddenly blinked their timidity at Arkin and then disappeared. "Dull witted rabbits to save a future King," he grumbled. "Will wonders never cease." From an ancient leather pouch, old weathered hands drew a sparkling dust that seemed to be alive in its’ every glimmer. The old man watched its’ mesmerizing glow for a moment. Then, as if youth possessed his body once again, Arkin began dancing like a misguided wood nymph through the camp, sprinkling the powder on the slumbering figures. The old Wizard's ritualistic dance took him the complete circumference of the camp. An old Wizard smiled broadly, as he danced by the giant, blond Nobleman chained helplessly to a tree. Their eyes met in an exchanged mischievous greeting. Garish beamed his roguish smile at him, hope renewed once more. The blond, captive Nobleman had to fight back the mounting laughter in his throat, from the comforting sight of his mentor and the queer fairy dance he was performing. His gaze followed the little man's every step with pure delight. The little Grand Master Wizard slowed his mischievous fairy dance only long enough to retrieve the glimmering Sword of Damen from the pile of weapons in the center of the camp. Edgerton/Assassins of Dreamsongs 171 The Old Man carefully concealed the sword under his cloak and continued his fairy dance, while sprinkling the sparkling powder over the sleeping figures. Stooping low, he picked up a shield and flung it over his shoulder. Once again the old, fur clad Wizard’s movements brought him to where he had first entered the camp, through the forest. The half-asleep guard awakened faintly, to watch the little man in his queer dance, as he moved towards him. He made no effort to detain the Old One but merely stared in disbelief, as Arkin vanished into the forest once again. The guard stood dazed in disbelief at the sight and then rubbed away the sleep from his eyes, uncertain if he had been daydreaming.
John Edgerton (ASSASSINS OF DREAMSONGS)
He loves you,’ I said, and smoothed the tumbled hair off her flushed face. ‘He won’t stop.’ I got up, brushing yellow leaves from my skirt. ‘We’ll have a bit of time, then, but none to waste. Jamie can send word downriver, to keep an eye out for Roger. Speaking of Roger …’ I hesitated, picking a bit of dried fern from my sleeve. ‘I don’t suppose he knows about this, does he?’ Brianna took a deep breath, and her fist closed tight on the leaf in her hand, crushing it. ‘Well, see, there’s a problem about that,’ she said. She looked up at me, and suddenly she was my little girl again. ‘It isn’t Roger’s.’ ‘What?’ I said stupidly. ‘It. Isn’t. Roger’s. Baby,’ she said, between clenched teeth. I sank down beside her once more. Her worry over Roger suddenly took on new dimensions. ‘Who?’ I said. ‘Here, or there?’ Even as I spoke, I was calculating – it had to be someone here, in the past. If it had been a man in her own time, she’d be farther along than two months. Not only in the past, then, but here, in the Colonies. I wasn’t planning to have sex, she’d said. No, of course not. She hadn’t told Roger, for fear he would follow her – he was her anchor, her key to the future. But in that case – ‘Here,’ she said, confirming my calculations. She dug in the pocket of her skirt, and came out with something. She reached toward me, and I held out my hand automatically. ‘Jesus H. Roosevelt Christ.’ The worn gold wedding band sparked in the sun, and my hand closed reflexively over it. It was warm from being carried next to her skin, but I felt a deep coldness seep into my fingers. ‘Bonnet?’ I said. ‘Stephen Bonnet?’ Her throat moved convulsively, and she swallowed, head jerking in a brief nod. ‘I wasn’t going to tell you – I couldn’t; not after Ian told me about what happened on the river. At first I didn’t know what Da would do; I was afraid he’d blame me. And then when I knew him a little better – I knew he’d try to find Bonnet – that’s what Daddy would have done. I couldn’t let him do that. You met that man, you know what he’s like.’ She was sitting in the sun, but a shudder passed over her, and she rubbed her arms as though she was cold. ‘I do,’ I said. My lips were stiff. Her words were ringing in my ears. I wasn’t planning to have sex. I couldn’t tell … I was afraid he’d blame me. ‘What did he do to you?’ I asked, and was surprised that my voice sounded calm. ‘Did he hurt you, baby?’ She grimaced, and pulled her knees up to her chest, hugging them against herself. ‘Don’t call me that, okay? Not right now.’ I reached to touch her, but she huddled closer into herself, and I dropped my hand. ‘Do you want to tell me?’ I didn’t want to know; I wanted to pretend it hadn’t happened, too. She looked up at me, lips tightened to a straight white line. ‘No,’ she said. ‘No, I don’t want to. But I think I’d better.’ She had stepped aboard the Gloriana in broad daylight, cautious, but feeling safe by reason of the number of people around; loaders, seamen, merchants, servants – the docks bustled with life. She had told a seaman on the deck what she wanted; he had vanished into the recesses of the ship, and a moment later, Stephen Bonnet had appeared. He had on the same clothes as the night before; in the daylight, she could see that they were of fine quality, but stained and badly crumpled. Greasy candle wax had dripped on the silk cuff of his coat, and his jabot had crumbs in it. Bonnet himself showed fewer marks of wear than did his clothes; he was fresh-shaven, and his green eyes were pale and alert. They passed over her quickly, lighting with interest. ‘I did think ye comely last night by candlelight,’ he said, taking her hand and raising it to his lips. ‘But a-many seem so when the drink is flowin’. It’s a good deal more rare to find a woman fairer in the sun than she is by the moon.
Diana Gabaldon (Drums of Autumn (Outlander, #4))