Coke Quotes

We've searched our database for all the quotes and captions related to Coke. Here they are! All 100 of them:

Behold!" Percy shouted. "The god's chosen beverage. Tremble before the horror of Diet Coke!
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Nobody loves me, nobody cares, Nobody picks me peaches and pears. Nobody offers me candy and Cokes, Nobody listens and laughs at me jokes. Nobody helps when I get into a fight, Nobody does all my homework at night. Nobody misses me, Nobody cries, Nobody thinks I'm a wonderful guy. So, if you ask me who's my best friend, in a whiz, I'll stand up and tell you NOBODY is! But yesterday night I got quite a scare I woke up and Nobody just WASN'T there! I called out and reached for Nobody's hand, In the darkness where Nobody usually stands, Then I poked through the house, in each cranny and nook, But I found SOMEBODY each place that I looked. I seached till I'm tired, and now with the dawn, There's no doubt about it- NOBODY'S GONE!!
Shel Silverstein
We are so limited, you have to use the same word for loving Rosaleen as you do for loving Coke with peanuts. Isn't that a shame we don't have many more ways to say it?
Sue Monk Kidd (The Secret Life of Bees)
Here's to the kids. The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party. Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them. Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars. Here's to the kids who never were too good at life, but still were wicked cool. Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life. Here's to the kids who care more about the music than the haircuts. Here's to the kids who have crushes on a stupid lush. Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night. Here's to the kids who have ever had a broken heart from someone who didn't even know they existed. Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so. Here's to the kids who spend their days in photobooths with their best friend(s). Here's to the kids who are straight up smartasses & just don't care. Here's to the kids who speak their mind. Here's to the kids who consider screamo their lullaby for going to sleep. Here's to the kids who second guess themselves on everything they do. Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that. Here's to the kids. This one's not for the kids, who always get what they want, But for the ones who never had it at all. It's not for the ones who never got caught, But for the ones who always try and fall. This one's for the kids who didnt make it, We were the kids who never made it. The Overcast girls and the Underdog Boys. Not for the kids who had all their joys. This one's for the kids who never faked it. We're the kids who didn't make it. They say "Breaking hearts is what we do best," And, "We'll make your heart be ripped of your chest" The only heart that I broke was mine, When I got My Hopes up too too high. We were the kids who didnt make it. We are the kids who never made it.
Pete Wentz
Seriously", Macey snapped. "go. Kiss. A baby" "can you believe her?" Preston asked, coking his head towards macey." everytime she sees me, all she does is call me baby and talk about kissing." Macey looked like she wanted to kill him. But I kind of wanted to laugh.
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
He just raised the dead with coke and cheeseburgers
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
We used to do coke, till "Just Say No" put the stuff out of reach. Now it's crank. Meth. The monster. It's a bitch on the body, but damn do you fly.
Ellen Hopkins (Crank (Crank, #1))
Even in an apocalypse like this, surely running out of Coke qualified as a disaster.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Depression is a painfully slow, crashing death. Mania is the other extreme, a wild roller coaster run off its tracks, an eight ball of coke cut with speed. It's fun and it's frightening as hell. Some patients - bipolar type I - experience both extremes; other - bipolar type II - suffer depression almost exclusively. But the "mixed state," the mercurial churning of both high and low, is the most dangerous, the most deadly. Suicide too often results from the impulsive nature and physical speed of psychotic mania coupled with depression's paranoid self-loathing.
David Lovelace (Scattershot: My Bipolar Family)
It's truly weird how everyone just thinks they can bring me Diet Coke and everything will be okay. Especially since it's pretty much true.-Lizzie Nichols
Meg Cabot (Queen of Babble Gets Hitched (Queen of Babble, #3))
He's not here." "Not here like he just popped around the corner to the bodega for a six-pack of Diet Coke and a box of Krispy Kremes, or not here like...
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
American love — like coke in green glass bottles...they don't make it anymore.
Alan Moore (Watchmen)
Well, honey, a shot never does a coke any harm!
Tennessee Williams (A Streetcar Named Desire)
He just summoned the dead with coke and cheeseburgers
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Jason smiled and took a sip of his coke before responding. “I’m not sure how to reply to that. I thought about just giving you a nasty look. But I see you already have one.
Mark A. Cooper (Face-Off (Jason Steed #5))
Faeries are unaffected by alcohol, but much to her surprise—and the faeries’ undoing—they get very, very drunk on carbonation. Using copious amounts of Coke, she was able to discover a single faerie’s true name.
Kiersten White (Paranormalcy (Paranormalcy, #1))
It doesn't taste anything like the drink I had at the party with Tucker. And now, almost two years later, I realize why. Tucker never put any rum in my rum and Coke. That little stink. That overly protective, impossible, infuriating, and utterly sweet little stink. In that moment I miss him so much my stomach hurts.
Cynthia Hand (Boundless (Unearthly, #3))
What's great about this country is America started the tradition where the richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you can know that the President drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke, too. A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking. All the Cokes are the same and all the Cokes are good.
Andy Warhol
The waiter brought fresh-baked bread and cheese, a bottle of sparkling water for Annabeth, and a Coke with ice for me (because I’m a barbarian).
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
Because I'm not, in fact, depressed, Prozac makes me manic and numb - one of the reasons I slice my arm in the first place is that I'm coked to the gills on something utterly wrong for what I have.
Marya Hornbacher (Madness: A Bipolar Life)
He uncovered the boat, his hands working the knots like he'd been doing it his whole life. Under the tarp was an old steel rowboat with no oars. The boat had been painted dark blue at one point, but the hull was so crusted with tar and salt it looked like one massive nautical bruise. On the bow, the name Pax was still readable, lettered in gold. Painted eyes drooped sadly at the water level, as if the boat were about to fall asleep. On board were two benches, some steel wool, an old cooler, and a mound of frayed rope with one end tied to the mooring. At the bottom of the boat, a plastic bag and two empty Coke cans floated in several inches of scummy water. "Behold," Frank said. "The mighty Roman navy.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Mr. D," Grover asked timidly, "if you're not going to eat it, could I have your Diet Coke can?
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
Having a Coke with You is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne or being sick to my stomach on the Travesera de Gracia in Barcelona partly because in your orange shirt you look like a better happier St. Sebastian partly because of my love for you, partly because of your love for yoghurt partly because of the fluorescent orange tulips around the birches partly because of the secrecy our smiles take on before people and statuary it is hard to believe when I’m with you that there can be anything as still as solemn as unpleasantly definitive as statuary when right in front of it in the warm New York 4 o’clock light we are drifting back and forth between each other like a tree breathing through its spectacles and the portrait show seems to have no faces in it at all, just paint you suddenly wonder why in the world anyone ever did them I look at you and I would rather look at you than all the portraits in the world except possibly for the Polish Rider occasionally and anyway it’s in the Frick which thank heavens you haven’t gone to yet so we can go together the first time and the fact that you move so beautifully more or less takes care of Futurism just as at home I never think of the Nude Descending a Staircase or at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me and what good does all the research of the Impressionists do them when they never got the right person to stand near the tree when the sun sank or for that matter Marino Marini when he didn’t pick the rider as carefully as the horse it seems they were all cheated of some marvelous experience which is not going to go wasted on me which is why I am telling you about it
Frank O'Hara
When it's finals week and you've been studying for five hours straight, you need three things to get you through the nigh.The biggest Slurpee you can find,half cherry half Coke.Pajama pants, the kind that have been washed so many times they are tissue-paper thin. And finally,dance breaks. Lots of dance breaks.
Jenny Han (We'll Always Have Summer (Summer #3))
[Eating disorders] are a wonderful tool for helping you reject others before they can reject you. Example: You're at a party. The popular girls are there. You know you can never be as cool as they are, but when one of the pops a potato chip into her mouth or chooses real Coke over Diet, for that moment you are better
Stacy Pershall
There’s an organic grocery store just off the highway exit. I can’t remember the last time I went shopping for food.” A smile glittered in his eyes. “I might have gone overboard.” I walked into the kitchen, with gleaming stainless-steel appliances, black granite countertops, and walnut cabinetry. Very masculine, very sleek. I went for the fridge first. Water bottles, spinach and arugula, mushrooms, gingerroot, Gorgonzola and feta cheeses, natural peanut butter, and milk on one side. Hot dogs, cold cuts, Coke, chocolate pudding cups, and canned whipped cream on the other. I tried to picture Patch pushing a shopping cart down the aisle, tossing in food as it pleased him. It was all I could do to keep a straight face.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
I should have mixed something stronger than Coke floats.
Rachel Vincent (If I Die (Soul Screamers, #5))
No wonder Sherlock Holmes did all that coke. Math is hard.
Richard Kadrey
Hey there, Lissa Daniels," he said. He raised his Coke. "Would you like to say hello to your distant cousin, Jack?
Kody Keplinger (Shut Out (Hamilton High, #2))
He was rewarded with a silver-and-red can of soda. He brandished it at the dolphin warriors as if spraying them with bug repellant. "Behold!" Percy shouted. "The god's chosen beverage. Tremble before the horror of Diet Coke!" The dolphin-men began to panic. They were on the edge of retreat. Percy could feel it.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I hope you like cherry coke, baby doll, or we can't be friends.
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
If passionate love is the coke of love, companionate love is like having a glass of wine or smoking a few hits of some mild weed.
Aziz Ansari (Modern Romance: An Investigation)
Want a Coke?” Abra asked. “Sugar solves lots of problems, that’s what I think.
Stephen King (Doctor Sleep (The Shining, #2))
He dropped the rest of the Cokes into the grave and pulled out a white paper bag decorated with cartoons. I hadn’t seen one in years, but I recognized it — a McDonald’s Happy Meal. He turned it upside down and shook the fries and hamburger into the grave. “In my day, we used animal blood,” the ghost mumbled. “It’s perfectly good enough. They can’t taste the difference.” “I will treat them with respect,” Nico said. “At least let me keep the toy,” the ghost said.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Pepsi: Drink Coke.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
Where are you going?” “To get a Coke!” “Would you—” “No!
Rachel Caine (Lord of Misrule (The Morganville Vampires, #5))
Whitney smacked Coop's snout while simultaneously pressing herself deeper into the couch. Coop fixed her with an unblinking ice-blue stare, gray-brown fur bristling along his spine. "Tory!" Whitney squealed. "He's going to attack!" "Maybe." I walked into the kitchen and snagged a Diet Coke from the fridge. "Try to protect your throat.
Kathy Reichs (Code (Virals, #3))
The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself - that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn't go all at once, with a bang. And maybe, Richie thought, that's the scary part. How you didn't stop being a kid all at once, with a big explosive bang, like one of that clown's trick balloons. The kid in you just leaked out, like the air of a tire.
Stephen King (It)
Joe!' he called. 'Hey, honey, can you get the pretty girl a Coke?' 'Only if you stop calling me *honey*,' the bartender, a bearded man in his thirties, replied. 'We've had this discussion before, Harrison.' 'Aw, Joe. It's so cute that you think I listen.
Kody Keplinger (A Midsummer's Nightmare (Hamilton High, #3))
If he were any other man, I might have suspected him of substance abuse, of being coked up or something. But Barrons was too much a purist for that; his drugs were money, power, and control
Karen Marie Moning (Darkfever (Fever, #1))
It feels like I'm babysitting in the Twilight Zone. I keep waiting for the parents to show up because we are out of chips and diet cokes.
Anne Lamott
Think of the sound you make when you let go after holding your breath for a very, very long time. Think of the gladdest sound you know: the sound of dawn on the first day of spring break, the sound of a bottle of Coke opening, the sound of a crowd cheering in your ears because you're coming down to the last part of a race--and you're ahead. Think of the sound of water over stones in a cold stream, and the sound of wind through green trees on a late May afternoon in Central Park. Think of the sound of a bus coming into the station carrying someone you love. Then put all those together.
Gary D. Schmidt (The Wednesday Wars)
The best is when we all go at once, like an army of interrelated popcorn zombies who laugh the same laughs and gasp the same gasps and aren’t so germ-phobic with each other that we won’t share a ginormous Coke with one straw. Family is useful like that.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
They say - "they" being the great philosophers, or possibly the cast of Seinfeld - that breaking up is like pushing over a Coke machine. You can't just do it, you have to set the thing in motion, rock it back and forth a few times.
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
Diet Coke does not contain nasty chemicals. It contains lovely and delicious carbonation, caffeine, and aspartame. What's unnatural about that?
Meg Cabot (Queen of Babble (Queen of Babble, #1))
Happiness is like coke — something you get as a by-product in the process of making something else.
Aldous Huxley (Point Counter Point)
The brain of a person in love will show activity in the amygdala, which is associated with gut feelings, and in the nucleus accumbens, an area associated with rewarding stimuli that tends to be active in drug abusers. Or, to recap: the brain of a person in love doesn't look like the brain of someone overcome by deep emotion. It looks like the brain of a person who's been snorting coke.
Jodi Picoult (House Rules)
Something’s wrong in the air, you know, when a book costs less than a bullet. Or a Coke. Values-wise.
Matthew J. Sullivan (Midnight at the Bright Ideas Bookstore)
Passion is something you really don't miss, after it has cooled. It is like looking at an empty bottle on the side of the road and thinking, "Boy, I wish I had a Coke." The loves you miss are the ones that go away when they are still warm, even hot, to the touch.
Rick Bragg (All Over But the Shoutin')
Here. Have a Coke. That’s good for a sore throat, right?” “Good for everything,” Shane croaked, and took the extended cold can with good grace. “Thanks.” “You owe me a dollar,” Eve said. “I’ll add it to the five thousand you already owe me, though.” He blew her a kiss, and she stuck her tongue out at him, and that was the end of the subject, thankfully.
Rachel Caine (Last Breath (The Morganville Vampires, #11))
Even as I'm shoveling up my hooter, I realize the sad truth. Coke bores me, It bores us all. We're jaded cunts, in a scene we hate, a city we hate, pretending that we're at the center of the universe, trashing ourselves with crap drugs to stave off the feeling that real life is happening somewhere else, aware that all we're doing is feeding that paranoia and disenchantment, yet somehow we're too apathetic to stop. Cause, sadly, there's nothing else of interest to stop for.
Irvine Welsh (Porno (Mark Renton, #3))
I didn't think past the first step of anything, that was the key. I drank a Coke and didn't worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn't worry about the offensive sexism or the lack of minorities in meaningful roles. I didn't even worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.
Gillian Flynn (Gone Girl)
I think you would like Warren. He drinks Courvoisier in a Coke can, and has a laugh like you'd find in a cartoon bubble.
Amy Hempel (The Collected Stories)
Organic Oreos are not a health food. When Coca-Cola begins selling organic Coke, as it surely will, the company will have struck a blow for the environment perhaps, but not for our health. Most consumers automatically assume that the word "organic" is synomymous with health, but it makes no difference to your insulin metabolism if the high-fructose corn syrup in your soda is organic.
Michael Pollan (In Defense of Food: An Eater's Manifesto)
He had tried to explain the way he felt to Danny once, about compulsive behavior and time rushing too fast and the Internet and drugs. Danny had only lifted one of his slender, mobile eyebrows and stared at him in smirking confusion. Danny did not think coke and computers were anything alike. But Jude had seen the way people hunched over their screens, clicking the refresh button again and again, waiting for some crucial if meaningless hit of information, and he thought it was almost exactly the same.
Joe Hill (Heart-Shaped Box)
The entire principle of a blind taste test was ridiculous. They shouldn't have cared so much that they were losing blind taste tests with old Coke, and we shouldn't at all be surprised that Pepsi's dominance in blind taste tests never translated to much in the real world. Why not? Because in the real world, no one ever drinks Coca-Cola blind.
Malcolm Gladwell (Blink: The Power of Thinking Without Thinking)
In a daze, Remi stepped up to the battered old bar, next to Rhys. "What will it be?" the bartender asked Remi. "I'll have a Jake and Coke-uh, Jack and Cock, uh-" Oh fuck. Remi stopped talking. He could actually feel his face heat with a blush. Someone shoot me.
J.L. Langley (With Caution (With or Without, #2))
Percy stormed over to the magical cooler. No one tried to stop him. He knocked open the lid and rummaged throught the ice. There had to be one. Please. He was rewarded with s silver-and-red can of soda. He brandished it at the dolphin warriors as if spraying them with bug repellent. "Behold!" Percy shouted. "The god's chosen beverage. Tremble before the horror of Diet Coke!
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I had done either too much coke or too little, a constant problem in my life.
James Crumley (Dancing Bear (Milo Dragovitch, #2))
Asher smiled beatifically, as if he’d been waiting his whole life for someone to ask just that question. “How would you feel about some Mentos and Diet Coke?
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
We straighten , bu our snickering is barely contained as we attempt to focus our attention on a picture of a discarded Coke can. "This guy's lady love is kind of a slob, don't you think?" he whispers. I cover my mouth with my hands again. "A reaaaaaaaal litterbug." "Stop it," I hiss. My eyes are watering. "Ohmygod look at this one! How did he get her toenail clippings?" "If you were my girl," he whispers, "I'd take creepy pictures of your trash when I knew you weren't looking." "If you were my girl," I whisper back," I"d put the creepy pictures in a foreign museum so you wouldn't know that I take creepy pictures.
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
So you just went in and told him to give you two Cokes and he gave them to you?" "No, I didn't just go in and tell him to give me two Cokes. I asked for a Coke for me and a Coke for the skinny thug sitting on the library steps.
Gary D. Schmidt (Okay for Now)
When she set Shane’s glass of Coke down in front of him, she did it with probably a little too much emphasis; he glanced up at her with a question-mark expression.[...] ‘‘What?’’ Shane asked her, and took a drink. ‘‘Did I forget to say thanks? Because, thanks. Best Coke ever. Did you make it yourself? Special recipe?
Rachel Caine (Feast of Fools (The Morganville Vampires, #4))
Did you know there are 32 names for love in one of the Eskimo language? And we just have this one. We are so limited, you have to use the same word for loving Rosaleen as you do for loving Coke with peanuts. Isn't that a shame we don't have more ways to say it.
Sue Monk Kidd (The Secret Life of Bees)
Yoh: Being popular with guys isn't something you can just stitch together! Haruna: What?! I Can't?! Yoh: OF COURSE NOT! Yoh: Mixing coke, tea and orange juice would taste nasty, right?! That's exactly what you're doing!
Kazune Kawahara (High School Debut, Vol. 01 (High School Debut, #1))
The god's chosen beverage. Tremble before the horror of Diet Coke!
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Oh boy. Too drunk to hold on to a whiskey and Coke and the word "pretty." That's not a combination with a positive outcome. Not good at all. That's the secret password that usually leaves me trying to find a ride home in the morning.
Laurie Notaro (Autobiography of a Fat Bride: True Tales of a Pretend Adulthood)
Fuuuuuuuuuuck." Kynan scrubbed his face. "I could use a double shot of whiskey right now." "I'm sure Flicka keeps hard liquor behind the bar." "Flicka?" "I don't want to say her name." "So you're calling her horse names?" Ky coked a dark eyebrow. "I can't wait to see how she reacts to Mr. Ed.
Larissa Ione (Immortal Rider (Lords of Deliverance, #2; Demonica, #7))
There is nothing more annoying than having someone tell you that everything would be fine if you were just a better pray-er. Or if you just smiled more, or stopped drinking Diet Coke. I can tell you that “Just cheer up” is almost universally looked at as the most unhelpful depression cure ever.
Jenny Lawson
In the information age, the barriers just aren’t there,” he said. “The barriers are self-imposed. If you want to set off and go develop some grand new thing, you don’t need millions of dollars of capitalization. You need enough pizza and Diet Coke to stick in your refrigerator, a cheap PC to work on, and the dedication to go through with it. We slept on floors. We waded across rivers.
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
Across the board... Not junkies or freaks, but people who were just as comfortable with drugs like weed, booze, or coke as we are - and we're not weird, are we? Hell no, we're just overworked professionals who need to relax now and then, have a bit of the whoop and the giggle, right?
Hunter S. Thompson (Ancient Gonzo Wisdom: Interviews with Hunter S. Thompson)
Rum and Coke, please," she told the bartender. Maybe that was why Liza and Bonnie never had guy trouble: great hair. She looked at Liza, racehorse-thin in purple zippered leather...Okay it wasn't just the hair. If she jammed herself into liza's dress, she'd look like Barney's slut cousin. "Diet Coke," she told the bartender.
Jennifer Crusie (Bet Me)
Derek said Andrew never went to bed before midnight. If we wanted to get him after he was sound asleep, that meant waiting until two. To my surprise, I fell asleep, so soundly that i didn't hear the alarm on the watch Derek had given me earlier. I woke to Tori shaking me with one hand, while trying to shut off the alarm with the other. I yawned and blinked hard. "Running away after you've barley slept in a week isn't a great idea," she said. "Luckily, I anticipated this." She popped open a can of coke and handed it to me. "Not as good as coffee," she said. "But I bet you don't drink coffee do you?" I shook my head as I gulped. "Kids," she said, rolling her eyes.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
The best part of a Mr. Goodbar is not the wrapper, is it? No, and the best part of a Coke is not the can. On those nights when you lie awake, either man or boy, wondering about yourself, peeling away one layer of oddness after another, you should remember and always be grateful that the woefully imperfect person that you are, with all your contradictions and unworthy desires, is not the best of you, any more than the wrapper is the best part of a Mr. Goodbar. -Odd Thomas - Odd Apocalypse by Dean Koonts pgs. 354-355 chapter 53
Dean Koontz (Odd Apocalypse (Odd Thomas, #5))
The midnight disease is a kind of emotional insomnia; at ever conscious moment its victim—even if he or she writes at dawn, or in the middle of the afternoon—feels like a person lying in a sweltering bedroom, with the window thrown open, looking up at a sky filled with stars and airplanes, listening to the narrative of a rattling blind, an ambulance, a fly trapped in a Coke bottle, while all around him the neighbours soundly sleep.
Michael Chabon (Wonder Boys)
I love the sound of a brand-new bottle of coke when you pry the lid off and it starts to fizz. Whenever I hear that sound, I think of roses, and of sitting together with someone you care about and of Romeo and Juliet waking up somewhere and saying to each other, weren't we jerks? And then having all that be over. That's what I think of when I hear the sound of a brand-new bottle of Coke being opened
Gary D. Schmidt (The Wednesday Wars)
We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we'd make round trips. We swung on vines like Tarzan, and flashed Zorro's keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book's for the boys.
Robert McCammon
My mate Karl once told me he’d been looking after this five-year-old boy who – not knowing enough to have an ironic inflection to his words – said, ‘I want something.’ He didn’t know what it was. Not ‘I want sweets’, or ‘a can of Coke’, or ‘to watch the Tweenies’, or whatever it is they’re into now (I like Bagpuss), but ‘I want something.’ All of us, I think, have that feeling. And what heroin does when you first start taking it is tell you what that something is.
Russell Brand (My Booky Wook)
Having a Coke with You is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne or being sick to my stomach on the Travesera de Gracia in Barcelona partly because in your orange shirt you look like a better happier St. Sebastian partly because of my love for you, partly because of your love for yoghurt partly because of the fluorescent orange tulips around the birches partly because of the secrecy our smiles take on before people and statuary it is hard to believe when I’m with you that there can be anything as still as solemn as unpleasantly definitive as statuary when right in front of it in the warm New York 4 o’clock light we are drifting back and forth between each other like a tree breathing through its spectacles and the portrait show seems to have no faces in it at all, just paint you suddenly wonder why in the world anyone ever did them I look at you and I would rather look at you than all the portraits in the world except possibly for the Polish Rider occasionally and anyway it’s in the Frick which thank heavens you haven’t gone to yet so we can go together the first time and the fact that you move so beautifully more or less takes care of Futurism just as at home I never think of the Nude Descending a Staircase or at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me and what good does all the research of the Impressionists do them when they never got the right person to stand near the tree when the sun sank or for that matter Marino Marini when he didn’t pick the rider as carefully as the horse it seems they were all cheated of some marvelous experience which is not going to go wasted on me which is why I am telling you about it.
Alex Flinn (Beastly (Beastly, #1))
I think the reason why twentysomethings are so fixated on age is because we feel a pressure to be a certain way at 23, at 25, at 29. There are all of these invisible deadlines with our careers and with love and drinking and drugs. I can’t do coke at 25. I need to be in a LTR at 27. I can’t vomit from drinking at 26. I just can’t! We feel so much guilt for essentially acting our age and making mistakes. We’re obsessed with this idea of being domesticated and having our shit together. It’s kind of sad actually because I don’t think we ever fully get a chance to enjoy our youth. We’re so concerned about doing things "the right way" that we lose any sense of pleasure in doing things the wrong way. Youth may be truly wasted on the young.
Ryan O'Connell
You need to be healthy. You don’t need to be thin. You don’t need to be a certain size or shape or look good in a bikini. You need to be able to run without feeling like you’re going to puke. You need to be able to walk up a flight of stairs without getting winded. You need to drink half your body weight in ounces of water every single day. You need to stretch and get good sleep and stop medicating every ache and pain. You need to stop filling your body with garbage like Diet Coke and fast food and lattes that are a million and a half calories. You need to take in fuel for you body that hasn't been processed and fuel for you mind that is positive and encouraging. You need to get up off the sofa or out of the bed and move around. Get out of the fog that you have been living in and see your life for what it is.
Rachel Hollis (Girl Wash your Face)
In the two months I had also dated Justin Fellowes, this guy in my Spanish class, though after three weeks we decided we should "see other people," which in my case was a joke, but it beat hearing him remark on everything I ate. 'I don't know why girls are always on a diet,' he'd say when I ordered a Diet Coke, and 'You should watch your starch intake' when I had a muffin.
Deb Caletti (The Nature of Jade)
The Pomegranate The only legend I have ever loved is the story of a daughter lost in hell. And found and rescued there. Love and blackmail are the gist of it. Ceres and Persephone the names. And the best thing about the legend is I can enter it anywhere. And have. As a child in exile in a city of fogs and strange consonants, I read it first and at first I was an exiled child in the crackling dusk of the underworld, the stars blighted. Later I walked out in a summer twilight searching for my daughter at bed-time. When she came running I was ready to make any bargain to keep her. I carried her back past whitebeams and wasps and honey-scented buddleias. But I was Ceres then and I knew winter was in store for every leaf on every tree on that road. Was inescapable for each one we passed. And for me. It is winter and the stars are hidden. I climb the stairs and stand where I can see my child asleep beside her teen magazines, her can of Coke, her plate of uncut fruit. The pomegranate! How did I forget it? She could have come home and been safe and ended the story and all our heart-broken searching but she reached out a hand and plucked a pomegranate. She put out her hand and pulled down the French sound for apple and the noise of stone and the proof that even in the place of death, at the heart of legend, in the midst of rocks full of unshed tears ready to be diamonds by the time the story was told, a child can be hungry. I could warn her. There is still a chance. The rain is cold. The road is flint-coloured. The suburb has cars and cable television. The veiled stars are above ground. It is another world. But what else can a mother give her daughter but such beautiful rifts in time? If I defer the grief I will diminish the gift. The legend will be hers as well as mine. She will enter it. As I have. She will wake up. She will hold the papery flushed skin in her hand. And to her lips. I will say nothing.
Eavan Boland
Frozen, I stood staring at him like he was a vision or something. His hair was still damp, and a few droplets glistened on his face. When he caught me, warmth burned across my cheeks. “Were you just ogling me, Angel?” “No, I wasn’t.” He chuckled. “I think you were.” I whirled around and swept my hands to my hips. “Fine I was ogling you. Happy now?” “Actually I am. I like it when you look at me like you want me. Like you think I’m… handsome.” My brows rose in surprise. “Handsome? That doesn’t sound like the way you would describe yourself.” With a grin, he asked, “And just how would I describe myself?” “Hmm, sexy, hot as hell, and panty melting?” I challenged as I handed him a Coke. “Yeah, you’re right. Those really describe me better.
Katie Ashley (Music of the Heart (Runaway Train, #1))
I cocked an ear, but there was nothing much to hear. A girl was on the phone next door, complaining about some guy to a girlfriend, and someone down a floor was either talking to his cat or having a psychotic episode, but both voices were clearer than the soft noises coming from the living room. The vamps were presumably cleaning the wounds better than I’d been able to do at the bar, and bandaging him up. I knew nobody was planning a snack– it would be like offering people used to Beluga caviar and Dom Perignon a sack of stale Fritos and a flat Coke. Sloppy seconds weren’t likely to appeal.
Karen Chance (Midnight's Daughter (Dorina Basarab, #1))
...we need tits and arse because they have got to be available to us; to be pawed, fucked, wanked over. Because we’re men? No. Because we’re consumers. Because those are things we like, things we intrinsically feel or have been conned into believing will give us value, release satisfaction. We value them so we need to at least have the illusion of their availability. For tits and arse read coke, crisps, speedboats, cars, houses, computers, designer labels, replica shirts. That’s why advertising and pornography are similar; they sell the illusion of availability and the non-consequence of consumption.
Irvine Welsh (Porno (Mark Renton, #3))
It was in this man's class that I first began to wonder if people who wrote fiction were not suffering from some kind of disorder--from what I've since come to think of, remembering the wild nocturnal rocking of Albert Vetch, as the midnight disease. The midnight disease is a kind of emotional insomnia; at every conscious moment its victim--even if he or she writes at dawn, or in the middle of the afternoon--feels like a person lying in a sweltering bedroom, with the window thrown open, looking up at a sky filled with stars and airplanes, listening to the narrative of a rattling blind, an ambulance, a fly trapped in a Coke bottle, while all around him the neighbors soundly sleep. this is in my opinion why writers--like insomniacs--are so accident-prone, so obsessed with the calculus of bad luck and missed opportunities, so liable to rumination and a concomitant inability to let go of a subject, even when urged repeatedly to do so.
Michael Chabon (Wonder Boys)
What would you rather have?" "Cheeseburger and a small fry. Coke classic. Better yet, dope classic." "Sure. I'll take a milkshake. What's the special flavor this week, chocolate Jack Daniels?" "Strawberry scotch." "Stick one of those paper umbrellas in mine." "Shove a syringe in mine. And a plastic tombstone. RIP, baby. He was born a rock star. He died a junkie." "Rock in peace." [...] "He wanted the world and lost his soul. [...] Sold it all for rock and roll. Lost his heart in a needle. Found his life in the grave. The road to hell is paved in marijuana leaves. Now he rocks in peace.
L.F. Blake (The Far Away Years)
In experiments at Baylor University where people were given Coke and Pepsi in unmarked cups and then hooked up to a brain scanner, the device clearly showed a certain number of them preferred Pepsi while tasting it. When those people were told they were drinking Pepsi, a fraction of them, the ones who had enjoyed Coke all their lives, did something unexpected. The scanner showed their brains scrambling the pleasure signals, dampening them. They then told the experimenter afterward they had preferred Coke in the taste tests.
David McRaney (You Are Not So Smart)
Over the weekend, Bruce introduced me to the game of backgammon, which was enjoying almost cult-like popularity in Los Angeles. He told me about a private club called PIPS that held tournaments on the weekends and was all the rage. Though I had never played the game before, something about backgammon brought the two hemispheres of my brain together, as Stuart had described. To win at backgammon, one needs strategy and luck. Bruce reveled in the role of playing teacher, and I knew if I put my mind to it, I could learn the game and become a fierce opponent, which I hoped would amuse Bruce and help keep a roof over my head. We stayed awake until dawn, snorting coke and playing backgammon. I don’t know if it was the game or the cocaine, but something made me intent on becoming the best.
Samantha Hart (Blind Pony: As True A Story As I Can Tell)
But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool Girl – I couldn’t have been Cool Girl with anyone else. I wouldn’t have wanted to. I can’t say I didn’t enjoy some of it: I ate a MoonPie, I walked barefoot, I stopped worrying. I watched dumb movies and ate chemically laced foods. I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.
Gillian Flynn (Gone Girl)
She feels like the first drags of fresh cigaretter but last crunches of cherry suckers. She feels like final coats of nail polish. She feels like lines of coke. She feels like knuckles you crack after a long day. She feels like Miami rain. She feels like empty football fields. She feels like full stadiums. She feels like absinthe. She feels like dangling from a helicopter. She feels like classical music. She feels like standing on a motorcycle. She feels like train tracks. She feels like frozen yogurt. She feels like destroying a piano. She feels like rooftops. She feels like fleeing from cops. She feels like stitches. She feels like strobe lights. She feels like blue carnival bears. She feels like curbs at 2 am. She feels like Cupid's Chokehold. She feels like running through Chicago. She feels like 1.2 million dollars. She feels like floors. She feels like everything he's ever wanted in life. […] “I love you more than I planned.
Julez (Duplicity)
I was having dinner…in London…when eventually he got, as the Europeans always do, to the part about “Your country’s never been invaded.” And so I said, “Let me tell you who those bad guys are. They’re us. WE BE BAD. We’re the baddest-assed sons of bitches that ever jogged in Reeboks. We’re three-quarters grizzly bear and two-thirds car wreck and descended from a stock market crash on our mother’s side. You take your Germany, France, and Spain, roll them all together and it wouldn’t give us room to park our cars. We’re the big boys, Jack, the original, giant, economy-sized, new and improved butt kickers of all time. When we snort coke in Houston, people lose their hats in Cap d’Antibes. And we’ve got an American Express card credit limit higher than your piss-ant metric numbers go. You say our country’s never been invaded? You’re right, little buddy. Because I’d like to see the needle-dicked foreigners who’d have the guts to try. We drink napalm to get our hearts started in the morning. A rape and a mugging is our way of saying 'Cheerio.' Hell can’t hold our sock-hops. We walk taller, talk louder, spit further, fuck longer and buy more things than you know the names of. I’d rather be a junkie in a New York City jail than king, queen, and jack of all Europeans. We eat little countries like this for breakfast and shit them out before lunch.
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny about This?")
They are for ‘freedom’ when it is freedom to kill third-term fetuses or engage in same-sex marriages or stuff coke up their noses; they do not define freedom as anything to do with captive peoples around the world having the chance to escape the tyrannies that constrain them. They like Fidel because he is a thorn in America’s side and a sort of dime-store existentialist, and they rhapsodize about his spreading of literacy in Cuba without considering the fact that at the same time that he teaches people to read he tortures writers like Armando Valladares whose books he doesn’t like.
David Horowitz (The Black Book of the American Left: The Collected Conservative Writings)
Pentru că au sâni rotunzi, cu gurguie care se ridică prin bluză când le e frig, pentru că au fundul mare şi grăsuţ, pentru că au feţe cu trăsături dulci ca ale copiilor, pentru că au buze pline, dinţi decenţi şi limbi de care nu ţi-e silă. Pentru că nu miros a transpiraţie sau a tutun prost şi nu asudă pe buza superioară. Pentru că le zâmbesc tuturor copiilor mici care trec pe lângă ele. Pentru că merg pe stradă drepte, cu capul sus, cu umerii traşi înapoi şi nu răspund privirii tale când le fixezi ca un maniac. Pentru că trec cu un curaj neaşteptat peste toate servitutile anatomiei lor delicate. Pentru că în pat sunt îndrăzneţe şi inventive nu din perversitate, ci ca să-ţi arate că te iubesc. Pentru că fac toate treburile sâcâitoare şi mărunte din casă fără să se laude cu asta şi fără să ceară recunoştinţă. Pentru că nu citesc reviste porno şi nu navighează pe site-uri porno. Pentru că poartă tot soiul de zdrăngănele pe care şi le asortează la îmbrăcăminte după reguli complicate şi de neînţeles. Pentru că îşi desenează şi-şi pictează feţele cu atenţia concentrată a unui artist inspirat. Pentru că au obsesia pentru subţirime a lui Giacometti. Pentru că se trag din fetiţe. Pentru că-şi ojează unghiile de la picioare. Pentru că joacă şah, whist sau ping-pong fără sa le intereseze cine câştigă. Pentru că şofează prudent în maşini lustruite ca nişte bomboane, aşteptând să le admiri când sunt oprite la stop şi treci pe zebră prin faţa lor. Pentru că au un fel de-a rezolva probleme care te scoate din minţi. Pentru că au un fel de-a gândi care te scoate din minţi. Pentru că-ţi spun „te iubesc” exact atunci când te iubesc mai puţin, ca un fel de compensaţie. Pentru că nu se masturbează. Pentru că au din când în când mici suferinţe: o durere reumatică, o constipaţie, o bătătură, şi-atunci îţi dai seama deodată că femeile sunt oameni, oameni ca şi tine. Pentru că scriu fie extrem de delicat, colecţionând mici observaţii şi schiţând subtile nuanţe psihologice, fie brutal şi scatologic ca nu cumva să fie suspectate de literatură feminină. Pentru că sunt extraordinare cititoare, pentru care se scriu trei sferturi din poezia şi proza lumii. Pentru că le înnebuneşte „Angie” al Rolling-ilor. Pentru că le termină Cohen. Pentru că poartă un război total şi inexplicabil contra gândacilor de bucătărie. Pentru că până şi cea mai dură bussiness woman poartă chiloţi cu înduioşătoare floricele şi danteluţe. Pentru că e aşa de ciudat să-ntinzi la uscat, pe balcon, chiloţii femeii tale, nişte lucruşoare umede, negre, roşii şi albe, parte satinate, parte aspre, mirându-te ce mici suprafeţe au de acoperit. Pentru că în filme nu fac duş niciodată înainte de-a face dragoste, dar numai în filme. Pentru că niciodată n-ajungi cu ele la un acord în privinţa frumuseţii altei femei sau a altui bărbat. Pentru că iau viaţa în serios, pentru că par să creadă cu adevărat în realitate. Pentru că le interesează cu adevărat cine cu cine s-a mai cuplat dintre vedetele de televiziune. Pentru că ţin minte numele actriţelor şi actorilor din filme, chiar ale celor mai obscuri. Pentru că dacă nu e supus nici unei hormonizări embrionul se dezvoltă întotdeauna într-o femeie. Pentru că nu se gândesc cum să i-o tragă tipului drăguţ pe care-l văd în troleibuz. Pentru că beau porcării ca Martini Orange, Gin Tonic sau Vanilia Coke. Pentru că nu-ţi pun mâna pe fund decât în reclame. Pentru că nu le excită ideea de viol decât în mintea bărbaţilor. Pentru că sunt blonde, brune, roşcate, dulci, futeşe, calde, drăgălaşe, pentru că au de fiecare dată orgasm. Pentru că dacă n-au orgasm nu îl mimează. Pentru că momentul cel mai frumos al zilei e cafeaua de dimineaţă, când timp de o oră ronţăiţi biscuiţi şi puneţi ziua la cale. Pentru că sunt femei, pentru că nu sunt bărbaţi, nici altceva. Pentru că din ele-am ieşit şi-n ele ne-ntoarcem, şi mintea noastră se roteşte ca o planetă greoaie, mereu şi mereu, numai în jurul lor.
Mircea Cărtărescu (De ce iubim femeile)
Nev tossed his pen down. “Fine. Here goes: Ren and Cals lives may be torrid for the young ones in Vail are quite horrid Bine and Cos aren’t too frail Dax and Fey never pale while Ansel and Bryn might get sordid Bryn spit Diet Coke all over the table. Mason and Ansel clapped. I was too dumbfounded to react. This is qhat quiet Nev does in his spare time? “‘Bine’?” Sabine frowned while Cosette mopped up the soda that flowed to their end of the table. “Since when am I ‘Bine’? And we never call Cosette ‘Cos.’” “It’s about cadence,” Nev said. “Sorry. I said it wasn’t very good.” “Why aren’t you and Mason in it?” Ansel asked. “Oh, he has another one about us.” Mason wiggled his eyebrows.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Here is an all-too-brief summary of Buffett’s approach: He looks for what he calls “franchise” companies with strong consumer brands, easily understandable businesses, robust financial health, and near-monopolies in their markets, like H & R Block, Gillette, and the Washington Post Co. Buffett likes to snap up a stock when a scandal, big loss, or other bad news passes over it like a storm cloud—as when he bought Coca-Cola soon after its disastrous rollout of “New Coke” and the market crash of 1987. He also wants to see managers who set and meet realistic goals; build their businesses from within rather than through acquisition; allocate capital wisely; and do not pay themselves hundred-million-dollar jackpots of stock options. Buffett insists on steady and sustainable growth in earnings, so the company will be worth more in the future than it is today.
Benjamin Graham (The Intelligent Investor)
The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself -- that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn't go all at once with a bang. And maybe, Richie thought, that's the scary part. How you don't stop being a kid all at once, with a big explosive bang, like one of that clown's trick balloons with the Burma-Shave slogans on the sides. The kid in you just leaked out, like the air out of a tire. And one day you looked in the mirror and there was a grownup looking back at you. You could go on wearing blue-jeans, you could keep going to Springsteen and Seger concerts, you could dye your hair, but that was a grownup's face in the mirror just the same. It all happened while you were asleep, maybe, like a visit from a Tooth Fairy.
Stephen King (It)