Coke Drug Quotes

We've searched our database for all the quotes and captions related to Coke Drug. Here they are! All 64 of them:

I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
If he were any other man, I might have suspected him of substance abuse, of being coked up or something. But Barrons was too much a purist for that; his drugs were money, power, and control
Karen Marie Moning (Darkfever (Fever, #1))
The brain of a person in love will show activity in the amygdala, which is associated with gut feelings, and in the nucleus accumbens, an area associated with rewarding stimuli that tends to be active in drug abusers. Or, to recap: the brain of a person in love doesn't look like the brain of someone overcome by deep emotion. It looks like the brain of a person who's been snorting coke.
Jodi Picoult (House Rules)
Even as I'm shoveling up my hooter, I realize the sad truth. Coke bores me, It bores us all. We're jaded cunts, in a scene we hate, a city we hate, pretending that we're at the center of the universe, trashing ourselves with crap drugs to stave off the feeling that real life is happening somewhere else, aware that all we're doing is feeding that paranoia and disenchantment, yet somehow we're too apathetic to stop. Cause, sadly, there's nothing else of interest to stop for.
Irvine Welsh (Porno (Mark Renton, #3))
He had tried to explain the way he felt to Danny once, about compulsive behavior and time rushing too fast and the Internet and drugs. Danny had only lifted one of his slender, mobile eyebrows and stared at him in smirking confusion. Danny did not think coke and computers were anything alike. But Jude had seen the way people hunched over their screens, clicking the refresh button again and again, waiting for some crucial if meaningless hit of information, and he thought it was almost exactly the same.
Joe Hill (Heart-Shaped Box)
I had done either too much coke or too little, a constant problem in my life.
James Crumley (Dancing Bear (Milo Dragovitch, #2))
Across the board... Not junkies or freaks, but people who were just as comfortable with drugs like weed, booze, or coke as we are - and we're not weird, are we? Hell no, we're just overworked professionals who need to relax now and then, have a bit of the whoop and the giggle, right?
Hunter S. Thompson (Ancient Gonzo Wisdom: Interviews with Hunter S. Thompson)
I think the reason why twentysomethings are so fixated on age is because we feel a pressure to be a certain way at 23, at 25, at 29. There are all of these invisible deadlines with our careers and with love and drinking and drugs. I can’t do coke at 25. I need to be in a LTR at 27. I can’t vomit from drinking at 26. I just can’t! We feel so much guilt for essentially acting our age and making mistakes. We’re obsessed with this idea of being domesticated and having our shit together. It’s kind of sad actually because I don’t think we ever fully get a chance to enjoy our youth. We’re so concerned about doing things "the right way" that we lose any sense of pleasure in doing things the wrong way. Youth may be truly wasted on the young.
Ryan O'Connell
That was the first time I did coke. My body, it was electric. For the first time in my life I felt as if I had a real heart and a real body and I knew that there was this fire in me that could have lit up the entire universe. No book had ever made me feel that way. No human being had ever made me feel like that.
Benjamin Alire Sáenz (Last Night I Sang to the Monster)
What would you rather have?" "Cheeseburger and a small fry. Coke classic. Better yet, dope classic." "Sure. I'll take a milkshake. What's the special flavor this week, chocolate Jack Daniels?" "Strawberry scotch." "Stick one of those paper umbrellas in mine." "Shove a syringe in mine. And a plastic tombstone. RIP, baby. He was born a rock star. He died a junkie." "Rock in peace." [...] "He wanted the world and lost his soul. [...] Sold it all for rock and roll. Lost his heart in a needle. Found his life in the grave. The road to hell is paved in marijuana leaves. Now he rocks in peace.
L.F. Blake (The Far Away Years)
OK, some people might think he's a degenerate, troublesome, drug dealing, coke dependant, alcoholic, but that doesn't make him a bad person.
Peter L Masters (Cut Limbo)
Just across the bridge is the gigantic marketplace, the insatiable consumer machine that drives the violence here. North Americans smoke the dope, snort the coke, shoot the heroin, do the meth, and then have the nerve to point south (down, of course, on the map), and wag their fingers at the “Mexican drug problem” and Mexican corruption.
Don Winslow (The Cartel (Power of the Dog #2))
I snort coke and I drink coconut water. I think of drug dealers like I think of my father - never really there when you want them to be.
Kris Kidd
Why is your nose so red? Snort coke much? “Okay, Sunshine, it’s on,” I mutter, then type. Charming. That’s called walking-in-cold-wind nose. However, if I knew I’d be bumping into you, I’d definitely have turned to drugs to help me through the trauma.
J.T. Geissinger (Midnight Valentine)
I drink Coke-zero while I score coke from an honors student in Huntington Beach.
Kris Kidd (I Can't Feel My Face (The Altar Collective Presents...))
Those are the best parties. Champagne and coke and bikinis around the pool before we realized the drugs were killing us and the sex was coming for us, too.
Taylor Jenkins Reid (Daisy Jones & The Six)
When it happens and it hits hard, we decide certain things, and realize there's truth in all those dark, lonely days" He had an instantaneous look about him, a glimmer and a glint over those eyes, he knew how the world worked, and took pleasure in its wickedness. He would give a dime or two to those sitting on the street, he would tell them things like: "It won't get any better," and "Might as well use this to buy your next fix," and finally "It's better to die high than to live sober," His suit was pressed nicely, with care and respect, like the kind a corpse wears, he'd say that was his way of honoring the dead, of always being ready for the oncoming train, I liked him, he never wore a fake smile and he was always ready to tell a story about how and when "We all wake up alone," he said once, "Oftentimes even when sleeping next to someone, we wake up before them and they are still asleep and suddenly we are awake, and alone." I didn't see him for a few days, a few days later it felt like it'd been weeks, those weeks drifted apart from one another, like leaves on a pond's surface, and became like months. And then I saw him and I asked him where he'd been, he said, "I woke up alone one day, just like any other, and I decided I didn't like it anymore.
Dave Matthes (Ejaculation: New Poems and Stories)
Cocaine, laced with oxycodone, makes everything fast and still at once, like when you’re on the train and, gazing across the fogged New England fields, at the brick Colt factory where cousin Victor works, you see its blackened smokestack— parallel to the train, like it’s following you, like where you’re from won’t let you off the hook. Too much joy, I swear, is lost in our desperation to keep it.
Ocean Vuong (On Earth We're Briefly Gorgeous)
I was a curious boy, but the schools were not concerned with curiosity. They were concerned with compliance. I loved a few of my teachers. But I cannot say that I truly believed any of them. Some years after I’d left school, after I’d dropped out of college, I heard a few lines from Nas that struck me: Ecstasy, coke, you say it’s love, it is poison Schools where I learn they should be burned, it is poison That was exactly how I felt back then. I sensed the schools were hiding something, drugging us with false morality so that we would not see,
Ta-Nehisi Coates (Between the World and Me)
In a world myriad as ours, the gaze is a singular act: to look at something is to fill your whole life with it, if only briefly. Once, after my fourteenth birthday, crouched between the seats of an abandoned school bus in the woods, I filled my life with a line of cocaine. A white letter “I” glowed on the seat’s peeling leather. Inside me the “I” became a switchblade— and something tore. My stomach forced up but it was too late. In minutes, I became more of myself. Which is to say the monstrous part of me got so large, so familiar, I could want it. I could kiss it.
Ocean Vuong (On Earth We're Briefly Gorgeous)
I have done coke off the porcelain backs of public bathroom toilets, but mirrored trays lend some faux class to inhaling cartilage-eating drugs up your nose. The idea becomes alluring and a little more acceptable when mirrored trays are involved. "Excuse me, sir.. I will have some of that high class cocaine".
Helen Knott (Becoming a Matriarch: A Memoir)
I don't make people smoke pot or meth, snort coke, put pills or tabs in their mouths or shoot themselves up with heroin. I just transport the stuff.
S.A. Tawks (Mule)
What drug are you on exactly? Judging by the fancy attire I'm gonna guess coke?
Caroline Peckham (The Awakening (Zodiac Academy, #1))
...that's when I realized that Bianca doesn't really take drugs - just a few poppers and maybe some coke once in a while but otherwise she's not on drugs, she's normal.
Andy Warhol (The Andy Warhol Diaries)
Over the years, Skye sampled every drug she could find, and like many addicts, had a working knowledge of pharmacology. She snorted coke and swallowed pills. She took downers—orange and red Seconal, red and ivory Dalmane, Miltown, Librium, Luminal, Nembutal, and Quaaludes. Blue devils, red birds, purple hearts. Enough of them sank her in a kind of coma, where she watched her own limbs suspended in front of her in syrup. For a party, there was Benzedrine, rushing in her veins and making her talk for an hour in one long sentence. Day to day, she carried yellow tablets loose in her pockets, Dilaudid and Percodan, and chewed them in the back of classrooms. But her favorite was the greatest pain reliever of them all, named for the German word for hero.
Frederick Weisel (Teller)
Cocaine has no edge. It is strictly a motor drug. It does not alter your perception; it will not even wire you up like the amphetamines. No pictures, no time/space warping, no danger, no fun, no edge. Any individual serious about his chemicals--a heavy hitter--would sooner take 30 No-Doz. Coke is to acid what jazz is to rock. You have to appreciate it. It does not come to you.
Robert Sabbag (Snowblind: A Brief Career in the Cocaine Trade)
I just remember champagne and cocaine. It was that kind of party. Those are the best parties. Champagne and coke and bikinis around the pool before we realized the drugs were killing us and the sex was coming for us, too.
Taylor Jenkins Reid (Daisy Jones & The Six)
She and Amma have only polished off two bottles of red and the rest of the coke, which pleasantly counteracted the inebriation game effect of the drink Best of both worlds, drink as much as you like and remain coherent enough for a good chinwag
Bernardine Evaristo (Girl, Woman, Other)
These days, maybe you’d smoke some pot. Maybe, every once in a while, if you were feeling very ironic, you might do a line of coke. But that was it. This was an age of discipline, of deprivation, not inspiration, and at any rate inspiration no longer meant drugs.
Hanya Yanagihara (A Little Life)
This is Glesca.... Any time you're confused, take a wee minute to remind yourself of that inescapable fact: this is Glesca. We don't do subtle, we don't do nuanced, we don't do conspiracy. We do pish-heid bampot bludgeoning his girlfriend to death in a fit of paranoid rage induced by forty-eight hours straight on the batter. We do coked-up neds jumping on a guy's heid outside a nightclub because he looked at them funny. We do drug-dealing gangster rockets shooting other drug-dealing gangster rockets as comeback for something almost identical a fortnight ago. We do bam-on-bam. We do tit-for-tat, score-settling, feuds, jealousy, petty revenge. We do straightforward. We do obvious. We do cannaemisswhodunit. When you hear hoofbeats on Sauchiehall Street, it's gaunny be a horse, no' a zebra...'.
Christopher Brookmyre (Where the Bodies Are Buried (Jasmine Sharp and Catherine McLeod, #1))
Practically every drug prescribed for psychosis, from Donald’s time until now, has been a variation on Thorazine or clozapine. Thorazine and its successors became known as “typical” neuroleptic drugs, while clozapine and its heirs were “atypical,” the Pepsi to Thorazine’s Coke.
Robert Kolker (Hidden Valley Road: Inside the Mind of an American Family)
That first year in L.A., Richard became addicted to cocaine. It was 1978, and coke was the “in” drug, selling for $100 per gram. This was prior to the Colombian cartels applying modern corporate techniques to the importation and distribution of cocaine in the States, which brought the price of a gram down to thirty-five dollars by the mid-eighties.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
There are two kinds of drug addicts, the ones who want to go up, and the ones who want to go down. I could never understand the coke guys—why would anyone want to feel more present, more busy? I was a downer guy, I wanted to melt into my couch and feel wonderful while watching movies over and over again. I was a quiet addict, not the bull-in-a-china-shop kind.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
Mexico, the land of pyramids and palaces, deserts and jungles, mountains and beaches, markets and gardens, boulevards and cobblestoned streets, broad plazas and hidden courtyards, is now known as a slaughter ground. And for what? So North Americans can get high. Just across the bridge is the gigantic marketplace, the insatiable consumer machine that drives the violence here. North Americans smoke the dope, snort the coke, shoot the heroin, do the meth, and then have the nerve to point south (down, of course, on the map), and wag their fingers at the “Mexican drug problem” and Mexican corruption. It’s not the “Mexican drug problem,” Pablo thinks now, it’s the North American drug problem. As for corruption, who’s more corrupt—the seller or the buyer? And how corrupt does a society have to be when its citizens need to get high to escape their reality, at the cost of bloodshed and suffering of their neighbors? Corrupt to the soul. That’s the big story, he thinks. That’s the story someone should write. Well, maybe I will. And no one will read it.
Don Winslow (The Cartel (Power of the Dog #2))
language his parents understood best was a discourse of violent action, not words. Morris, in particular, was a heavy drug user and an alcoholic, and coke, dope, and Wild Irish Rose easily triggered his rages. When he came home at all, it was to rail at his family with
Laura Schroff (An Invisible Thread)
the event’s star attraction made no sense at all, but Fisher was just getting warmed up. He claimed that one of his runners had been slipped a drugged Coke that caused him to “collapse and become deathly ill,
Christopher McDougall (Born to Run)
THE BASTARD STEPCHILD There’s a new kid on the shelves in bookstores these days. Most often he can be found back in the science fiction and fantasy section, walking with a certain swagger among the epic fantasies, the space operas, the sword-and-sorcery yarns and cyberpunk dystopias. Sometimes he wanders up front, to hang out with the bestsellers. They call him “urban fantasy,” and these past few years he’s been the hottest subgenre in publishing. The term “urban fantasy” isn’t new, truth be told. There was another subgenre that went by that name back in the 1980s; it mostly seemed to involve elves playing in folk-rock bands and riding motorcycles through contemporary urban landscapes—usually in Minneapolis or Toronto, both of which are very nice towns. The new urban fantasy may be some kin to that 1980s variety, but if so, the kinship is a distant one, for the new kid is a bastard through and through. He makes his home on streets altogether meaner and dirtier than those his cousin walked, in New York and Chicago and L.A. and nameless cities where blood runs in the gutters and the screams in the night drown out the music. Maybe a few elves are still around, but if so, they’re likely to be hooked on horse or coke or stronger, stranger drugs, or maybe they’re elf hookers being pimped out by a werewolf. Those bloody lycanthropes are everywhere, though it’s the vampires who really run the town . . . And don’t forget the zombies, the ghouls, the demons, the witches and warlocks, the incubi and succubi, and all the other nasty, narsty things that go bump in the night. (And worse, the ones that make no sound at all.)
George R.R. Martin (Down These Strange Streets (Kitty Norville))
I am stretched on your grave and will lie there forever, If your hands were in mine, I’d be sure they’d not sever … 17th Century Irish poem
Indra Sena (Closet Full of Coke A Diary of a Teenage Drug Queen)
Over the years, we worked on some promising projects that Hunter could do while never leaving the Farm. One was The Gonzo Book of Etiquette, a radical updating of Emily Post that would instruct modern people on such niceties as how to tell your parents that your significant other is a drug dealer; how to cope with partiers or guests who won't leave when the festivities are over; how to respond, legally and shrewdly, to various forms of police interrogation (the „What Marijuana?“ as we called it); what to wear to a wedding between a rock star and a stripper; how to explain what a Deering grinder full of coke is to your mother-in-law; how to get the car keys away from a drunk without being stranded; using guns safely around drug abusers, and so on. I don't know why he was never able to sell that concept.
Jay Cowan
used to use drugs to help me in different situations – Adderall for work, Xanax for sleep, painkillers for pain, you know – but now it’s gotten to the point where I’ll just do anything and everything I can get my hands on at any given moment simply for the sake of getting fucked up and forgetting what a shitty life I live. I know some people would say that I don’t have it that bad but that’s just what some people would say I guess. People say retarded shit, you know? I didn’t start fucking with drugs like coke or molly or heroin until I started chilling with people who fucked with them and I liked them a little I guess, but I still think prescription shit is my favorite. Plus the high is consistent. I use Adderall, Xanax, marijuana, cigarettes and usually some type of painkiller – Promethazine-Codeine syrup and Percocet are my favorites – on a daily basis.
Noah Cicero (Go to work and do your job. Care for your children. Pay your bills. Obey the law. Buy products.)
Like I said before, coke gave me balls that I would never have if I were sober.
Jessica N. Watkins (Love Drug (Love Sex Lies, #4))
we know Oswald did it because he bought a coke instead of a dr. pepper.
Raul Casso (The Successful Prosecution of Drug Smuggling "Knowledge Cases")
From the outset, the drug war could have been waged primarily in overwhelmingly white suburbs or on college campuses. SWAT teams could have rappelled from helicopters in gated suburban communities and raided the homes of high school lacrosse players known for hosting coke and ecstasy parties after their games. The police could have seized televisions, furniture, and cash from fraternity houses based on an anonymous tip that a few joints or a stash of cocaine could be found hidden in someone’s dresser drawer. Suburban homemakers could have been placed under surveillance and subjected to undercover operations designed to catch them violating laws regulating the use and sale of prescription “uppers.” All of this could have happened as a matter of routine in white communities, but it did not.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
She’s sweating like a coke-head freak. We should phone and report her.” “Shhhh. Eyes on the test, people.” “Look at her now. Her freaking eyes are all black. She’s doing drugs, I’m telling you.” The
T.L. Brown (Witch (The Devil's Roses, #4))
Yurik's room became their love nest. And a messier room the world had never seen. It was a jumble of dirty socks strewn about the floor, sheet music, CDs, cigarette butts, paper plates, and half-filled cans of Coke. An old Hammond organ, left behind by former tenants, stood in the hallway, blocking half the entrance and leaving only a narrow space to squeeze through. This was the room where the young couple broadened their knowledge of the world, from time to time ingesting substances that took them to other places and realities. But when Laura finished high school, and showed her parents the report card with grades that would never get her admitted into a decent college, she announced to Yurik that he had no prospects, and danced off forever. After leaving Yurik and giving him his first broken heart, she went to California. Then she flew off to the places where fearless and brainless enthusiasts of dangerous journeys fly to.
Lyudmila Ulitskaya (Лестница Якова)
So I had our dream house, and I still had a lot of money. I decided to celebrate my new acquisition with the yin/yang of drug use—a nice pile of heroin and cocaine. Once again, I started speedballing like a maniac. There was no furniture in the house, and I didn’t even know how to get the electricity turned on in my name, so I went out and bought five watermelons and dozens of candles. I cut the watermelons in half the long way, and set them all over the floor of the house and shoved candles into their cores. So now the entire house was a sea of halved watermelons and candlelight. I inaugurated the bathroom by shooting up a ton of coke and dope.
Anthony Kiedis (Scar Tissue)
But the laws of the schools were aimed at something distant and vague. What did it mean to, as our elders told us, “grow up and be somebody”? And what precisely did this have to do with an education rendered as rote discipline? To be educated in my Baltimore mostly meant always packing an extra number 2 pencil and working quietly. Educated children walked in single file on the right side of the hallway, raised their hands to use the lavatory, and carried the lavatory pass when en route. Educated children never offered excuses—certainly not childhood itself. The world had no time for the childhoods of black boys and girls. How could the schools? Algebra, Biology, and English were not subjects so much as opportunities to better discipline the body, to practice writing between the lines, copying the directions legibly, memorizing theorems extracted from the world they were created to represent. All of it felt so distant to me. I remember sitting in my seventh-grade French class and not having any idea why I was there. I did not know any French people, and nothing around me suggested I ever would. France was a rock rotating in another galaxy, around another sun, in another sky that I would never cross. Why, precisely, was I sitting in this classroom? The question was never answered. I was a curious boy, but the schools were not concerned with curiosity. They were concerned with compliance. I loved a few of my teachers. But I cannot say that I truly believed any of them. Some years after I’d left school, after I’d dropped out of college, I heard a few lines from Nas that struck me: Ecstasy, coke, you say it’s love, it is poison Schools where I learn they should be burned, it is poison That was exactly how I felt back then. I sensed the schools were hiding something, drugging us with false morality so that we would not see, so that we did not ask: Why—for us and only us—is the other side of free will and free spirits an assault upon our bodies? This is not a hyperbolic concern. When our elders presented school to us, they did not present it as a place of high learning but as a means of escape from death and penal warehousing. Fully 60 percent of all young black men who drop out of high school will go to jail. This should disgrace the country. But it does not, and while I couldn’t crunch the numbers or plumb the history back then, I sensed that the fear that marked West Baltimore could not be explained by the schools. Schools did not reveal truths, they concealed them. Perhaps they must be burned away so that the heart of this thing might be known.
Ta-Nehisi Coates (Between the World and Me)
the Shower Posse solely as the U.S. embassy cable did—as an “international criminal syndicate”—is to describe only a small part of the group’s role. The Shower Posse was (and is) both local and transnational, a nonstate armed group that nests within a marginalized and poor but tightly knit local community in Kingston, yet is connected both to the Jamaican government and to a far broader international network. It was and is as much a communitarian militia, social welfare organization, grassroots political mobilization tool, dispute resolution and mediation mechanism, and local informal justice enforcement system as it is an extortion racket or a transnational drug trafficking organization. Drug trafficking doesn’t define what an organization like Coke’s group is; it’s just one of the things the group does.
David Kilcullen (Out of the Mountains: The Coming Age of the Urban Guerrilla)
Statistically, GHB is most commonly used by POC and LGBTQ+ groups from low-income backgrounds who cannot afford the limitless amount of ketamine, coke, and alcohol during their nights out. Why not put the energy into educating and providing your community with providing harm reduction guides on how to use it rather than shame and condemn it. The ban approach hasn't worked for the scene in the past decade, if anything it's killing more people, harming more communities and scrutinizing our spaces even more.
Salman Jaberi (Rave Scout Cookies Handbook (#001))
was on my fourth cup of coffee, so while my body felt dead, my mind was racing. I felt like a coked-out sloth. Can sloths do cocaine? It’s made from a jungle plant, right? What if sloths figured out the recipe and started making it? We’d have an epidemic of drug-addicted sloths. We’d have to change their name from sloths to fasts. We’d also have to invent sloth rehabilitation centers complete with beautiful waterfalls and sloth sharing circles of trust. I pulled out my phone.
Bunmi Laditan (Confessions of a Domestic Failure)
From the outset, the drug war could have been waged primarily in overwhelmingly white suburbs or on college campuses. SWAT teams could have rappelled from helicopters in gated suburban communities and raided the homes of high school lacrosse players known for hosting coke and ecstasy parties after their games. The police could have seized televisions, furniture, and cash from fraternity houses based on an anonymous tip that a few joints or a stash of cocaine could be found hidden in someone's dresser drawer. Suburban homemakers could have been placed under surveillance and subjected to undercover operations designed to catch them violating laws regulating the use and sale of prescription 'uppers.' All of this could have happened as a matter of routine in white communities, but it did not.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
What is not so attractive is the aftermath, especially if use is chronic. Depression is inevitable, it seems, and irritability usually follows. If one continues sniffing coke, day after day (and why not? – the user reflects – it’s so much fun) the depressions and grouchiness subtly escalate until you have a full-blown paranoid condition, cops hiding under the bed, your best friend planning to poison you, the landlady doing something sinister with the duster when you pass her on the stairs, people skulking about the streets in a most furtive and conspiratorial manner.
Robert Anton Wilson (Sex, Drugs & Magick – A Journey Beyond Limits)
I also regard cocaine as pernicious because most of the profits from the coke industry go to enrich the Mafia, the Vatican and the worst dictators in South America. You can find the documentation to support this charge in David Yallop’s In Gods Name, in Penny Lernoux’s In Banks We Trust and in my own Everything Is Under Control.
Robert Anton Wilson (Sex, Drugs & Magick – A Journey Beyond Limits)
There are worse effects than “coke bugs” for the cocaine abuser. Symptoms very similar to those of paranoid schizophrenia – almost identical with them, in fact – often appear. William S. Burroughs, for example, tells of a friend who got the copper horrors (visions of policemen) while sniffing too much coke. Just like a madman in a joke, this fellow ran into the alley and hid his head in a garbage can, evidently convinced that this made him totally invisible. (Again, the logic of amphetamine is similar. DeRopp, in Drugs and the Mind, tells of a truck driver who took so much Benzedrine that he became convinced “Benny” was driving the truck and therefore crawled into the back to have a nap. “Benny” drove him into a ditch, but he survived to tell the tale.)
Robert Anton Wilson (Sex, Drugs & Magick – A Journey Beyond Limits)
From 111 Mike " I never travel with drugs because I don't want to get caught at the airport, so if I ever have any coke or ecstasy left over after night of partying I tuck it in the pages of the Bible in my hotel room. I like to picture someone alone in the strange city, lost and looking for answers , opening the Bible and having my leftover drugs fall into his or her pal. I consider it missionary work." --- haha, never touch the hotel Bible, or, always check the Bible out?
NOFX (NOFX: The Hepatitis Bathtub and Other Stories)
For all the screen credits on pictures good and bad, and despite his above-the-line Hollywood friends, the fleeting tabloid television infamy of his drugs arrest had landed him back at Caines buying smokes. “Coke, a smoke, and a raisin square,” they used to say; townie comfort food, stuff you could gum.
Edward Riche (Today I Learned It Was You)
Sometimes we’d go into the local saloons and challenge the house. When that didn’t work, we’d challenge each other. Those saloons were friendly places, as long as we stayed away from guys who were on a bender and those involved in poker games. The men, while drinking, sang, and Johnny and I joined in whenever we could. I still remember the words from a song we were all fond of singing—in our flat, off-key voices. Judging from the words, I’d say it was composed before its time. “If I was a millionaire and had a lot of coin, I would plant a row of coke plantations, and grow Heroyn, I would have Camel cigarettes growin’ on my trees, I’d build a castle of morphine and live there at my ease. I would have forty thousand hop layouts, each one inlaid with pearls. I’d invite each old time fighter to bring along his girl. And everyone who had a habit, I’d have them leaping like a rabbit, Down at the fighters’ jubilee! Down at the fighters’ jubilee! Down on the Isle of H. M. and C. H. stands for heroyn, M. stands for morph, C. for cokoloro—to blow your head off. Autos and airships and big sirloin steaks, Each old time fighter would own his own lake. We’ll build castles in the air, And all feel like millionaires, Down at the fighters’ jubilee!” We had laughs singing that song in unison. In later years, however, just thinking about it filled me with a tremendous sadness, since the tragedy of hard drugs eventually destroyed my younger brother Johnny.
Jack Dempsey (Dempsey: By the Man Himself)
In a time when drug traffickers act like corporations and corporations like drug traffickers, the forces looking to manipulate our brains for profit are frightening to behold. So many more synthetic blasts compete for our brain receptors—from chicken nuggets and soda to cell phones and social media apps, methamphetamine and fentanyl. Yesteryear’s myths about illegal drugs are coming true, largely due to their prohibition and lack of regulation. One hit of “heroin” has killed many people; so, too, has a line of coke. Meth does turn people mentally ill. Pot sends people to emergency rooms with psychotic episodes. There seems now no way to stop all the bizarre drugs devised by those whose own brain chemistry has been twisted by the profits of the underworld’s free market.
Sam Quinones (The Least of Us: True Tales of America and Hope in the Time of Fentanyl and Meth)
We sat up through the night snorting and talking. It all felt so important, meaningful and good, all be it in that weird coke way. In the years to come, during all night coked out blab-fests, even during our most most soul-baring moments, I always kinda knew we were full of shit. Our brains just looking for a vehicle to get all that chaotic coke energy out...Drug fueled oaths and pacts that meant nothing.!
Flea (Acid for the Children)
Whatever, sure, on the surface, Novo had taken his vein, and that hadn’t been the first time a female had done that to him. And hello, she was in a hospital bed, hooked up to machines. The experience, though? The feel of her lips on the skin of his wrist, the subtle pulls, the lick of her tongue when she was finished? Fuck his drug addiction. Give him a lifetime of that and he was never going to need another line of coke again.
J.R. Ward (Blood Fury (Black Dagger Legacy, #3))
drugs in my life,” he cries huffily. “But you wanna know who’s a coke head?” Feeling a bit restless, I swivel my chair, spinning it round and round in circles. “Who?” I ask dizzily. “Tatiana,” he
Sibel Hodge (Fourteen Days Later (Helen Grey, #1))
popularised by Americans and Canadians, where ‘needle dancers’ could be found. ‘Vicious Drug Powder – Cocaine Driving Hundreds Mad – Women and Aliens Prey on Soldiers’; London was ‘In Grip Of The Drug Craze’ at ‘Secret “Coke” Parties of “Snow Snifters” ’. The police bore witness to the phenomenon, associating it with thieves, sodomites, ‘retailers of Malthusian appliances [i.e. contraceptives], quack medicines and that class of offensive literature’.
Philip Hoare (Oscar Wilde's Last Stand: Decadence, Conspiracy, and the Most Outrageous Trial of the Century)
f a group of guys are hanging around and one guy is doing coke, he’ll say, ‘Take a hit. You’ll feel like a new man.’ He’s right; the problem is that once you feel like a new man, that new man wants a hit so he can feel like a new man. And that goes on and on until the coke runs out, and you’re broke.
Rodney Dangerfield (It's Not Easy Bein' Me: A Lifetime of No Respect but Plenty of Sex and Drugs)
I felt like a coked-out sloth. Can sloths do cocaine? It’s made from a jungle plant, right? What if sloths figured out the recipe and started making it? We’d have an epidemic of drug-addicted sloths. We’d have to change their name from sloths to fasts. We’d also have to invent sloth rehabilitation centers complete with beautiful waterfalls and sloth sharing circles of trust.
Bunmi Laditan (Confessions of a Domestic Failure)