Coins Collection Quotes

He couldn’t save the world outright, but he could aid it by living a life of integrity and contentment. If enough people did the same, the hundredth monkey effect would reshape the world, and in this way, he would be saving the world within a collective effort. Till then, he’d dive deeper and deeper into the calming depths of the sea, safe from the storms on the surface. And when he found himself coming up for air to interact with an unbalanced person who was stuck in the methodical illusion of the game, it would be his wealth of knowledge instead of his wealth of coin that would allow him to act like a cruise liner upon the surface of the sea, too immense for waves to agitate.

After purifying himself he walked through a small red gate to the shrine, dropped a goen, or five yen coin, the Japanese word for which also means good luck, into the wooden collection box in front of the shrine.

There's an innocuous explanation for everything. Everything is a coin that has two sides to it, and one side is innocuous but the other can be ominous. ("New York Blues")

There are people like Senhor José everywhere, who fill their time, or what they believe to be their spare time, by collecting stamps, coins, medals, vases, postcards, matchboxes, books, clocks, sport shirts, autographs, stones, clay figurines, empty beverage cans, little angels, cacti, opera programmes, lighters, pens, owls, music boxes, bottles, bonsai trees, paintings, mugs, pipes, glass obelisks, ceramic ducks, old toys, carnival masks, and they probably do so out of something that we might call metaphysical angst, perhaps because they cannot bear the idea of chaos being the one ruler of the universe, which is why, using their limited powers and with no divine help, they attempt to impose some order on the world, and for a short while they manage it, but only as long as they are there to defend their collection, because when the day comes when it must be dispersed, and that day always comes, either with their death or when the collector grows weary, everything goes back to its beginnings, everything returns to chaos.

i can love as Aristotle who coined the term “philía” loved his brothers it isn’t that hard of a concept to grasp but because i am not grasping someone else you think there is something wrong with me but i am fine

This unlikely story begins on a sea that was a blue dream, as colorful as blue-silk stockings, and beneath a sky as blue as the irises of children's eyes. From the western half of the sky the sun was shying little golden disks at the sea--if you gazed intently enough you could see them skip from wave tip to wave tip until they joined a broad collar of golden coin that was collecting half a mile out and would eventually be a dazzling sunset.

Days and nights passed over this despair of flesh, but one morning he awoke, looked (with calm now) at the blurred things that lay about him, and felt, inexplicably, the way one might feel upon recognizing a melody or a voice, that all this had happened to him before and that he had faced it with fear but also with joy and hopefulness and curiosity. Then he descended into his memory, which seemed to him endless, and managed to draw up from that vertigo the lost remembrance that gleamed like a coin in the rain - perhaps because he had never really looked at it except (perhaps) in a dream.

I’m about to haul my packs into a tree to make camp when a silver parachute floats down and lands in front of me. A gift form a sponsor. But why now? I’ve been in fairly good shape with supplies. Maybe Haymitch’s noticed my despondency and is trying to cheer me up a bit. Or could it be something to help my ear? I open the parachute and find a small loaf of bread. It’s not the fine white of the Capitol stuff. It’s made of dark ration grain and shaped in a crescent. Sprinkled with seeds. I flashback to Peeta’s lesson on the various district breads in the Training Center. This bread came from District 11. I cautiously lift the still warm loaf. What must it have cost the people of District 11 who can’t even feed themselves? How many would’ve had to do without to scrape up a coin to put in the collection for this one loaf? It had been meant for Rue, surely. But instead of pulling the gift when she died, they’d authorized Haymitch to give it to me. As a thank-you? Or because, like me, they don’t like to let debts go unpaid? For whatever reason, this is a first. A district gift to a tribute who’s not your own. I lift my face and step into the last falling rays of sunlight. “My thanks to the people of District Eleven,” I say. I want them to know I know where it came from. That the full value of the gift has been recognized.

Some people collect stamps. Some coins. Taxidermy. Fucking cards. I collect regrets. They don’t take up much space, not physically, anyway. But inside. . .they occupy. They eat away. They ruin. Because that’s the thing about regrets. They’re mistakes that left scars. Vicious, sensitive, searing wounds.

He’d seen the look on her face when Archer had mentioned Sam. He’d heard of Sam Cortland’s death in passing. He’d never known that Celaena and Sam had crossed paths, that Celaena had ever … ever loved that fiercely. On the night she was captured, she hadn’t been out to collect cold coin for a contract—no, she’d gone into that house to get revenge for the sort of loss he couldn’t begin to imagine.

I recall how miserable I was, and how one day you brought me to a realization of my miserable state. I was preparing to deliver a eulogy upon the emperor in which I would tell plenty of lies with the object of winning favor with the well-informed by my lying; so my heart was panting with anxiety and seething with feverish, corruptive thoughts. As I passed through a certain district in Milan I noticed a poor beggar, drunk, as I believe, and making merry. I groaned and pointed out to the friends who were with me how many hardships our idiotic enterprises entailed. Goaded by greed, I was dragging my load of unhappiness along, and feeling it all the heavier for being dragged. Yet while all our efforts were directed solely to the attainment of unclouded joy, it appeared that this beggar had already beaten us to the goal, a goal which we would perhaps never reach ourselves. With the help of the few paltry coins he had collected by begging this man was enjoying the temporal happiness for which I strove by so bitter, devious and roundabout a contrivance. His joy was no true joy, to be sure, but what I was seeking in my ambition was a joy far more unreal; and he was undeniably happy while I was full of foreboding; he was carefree, I apprehensive. If anyone had questioned me as to whether I would rather be exhilarated or afraid, I would of course have replied, "Exhilarated"; but if the questioner had pressed me further, asking whether I preferred to be like the beggar, or to be as I was then, I would have chosen to be myself, laden with anxieties and fears. Surely that would have been no right choice, but a perverse one? I could not have preferred my condition to his on the grounds that I was better educated, because that fact was not for me a source of joy but only the means by which I sought to curry favor with human beings: I was not aiming to teach them but only to win their favor.

Lots of people have hobbies. some people collect old coins or foreign stamps, some do needlework, others spend most of their spare time on a particular sport.

The Swedes have coined the term 'management by perkele' to portray the Finnish managerial approach. Instead of collectively pondering all the possible alternatives and letting every member of the staff from the cleaner to the MD voice their views, as the Swedes do, the Finns act swiftly and don't waste time on the decision-making process. If something isn't happening quickly enough, it is necessary for the top managers to slam their fists on the table and yell, 'Perkele!' Repeatedly, if necessary.

When, as my friend suggested, I stand before Zeus (whether I die naturally, or under sentence of History)I will repeat all this that I have written as my defense.Many people spend their entire lives collecting stamps or old coins, or growing tulips. I am sure that Zius will be merciful toward people who have given themselves entirely to these hobbies, even though they are only amusing and pointless diversions. I shall say to him : "It is not my fault that you made me a poet, and that you gave me the gift of seeing simultaneously what was happening in Omaha and Prague, in the Baltic states and on the shores of the Arctic Ocean.I felt that if I did not use that gift my poetry would be tasteless to me and fame detestable. Forgive me." And perhaps Zeus, who does not call stamp-collectors and tulip-growers silly, will forgive.

I have no riches but my thoughts, Yet these are wealth enough for me; My thoughts of you are golden coins Stamped in the mint of memory; And I must spend them all in song, For thoughts, as well as gold, must be Left on the hither side of death To gain their immortality.

Superorganism. A biologist coined that word for our great African ant colonies, claiming that consciousness and intelligence resided not in the individual ant but in the collective ant mind. The trail of red taillights stretching to the horizon as day broke around us made me think of that term. Order and purpose must reside somewhere other than within each vehicle. That morning I heard the hum, the respiration of the superorganism. It's a sound the new immigrant hears but not for long. By the time I learned to say "6-inch Number 7 on rye with Swiss hold the lettuce," the sound, too, was gone. It became part of the what the mind would label silence. You were subsumed into the superorganism.

I collect people. I come by this honestly. In the same way that others collect rocks or stamps or coins, my own father collected people.

Writing is not a hobby. Collecting stamps or coins is a hobby. Writing is a calling.

For instance, suppose you offer somebody a choice: They can flip a coin to win $200 for heads and nothing for tails, or they can skip the toss and collect $100 immediately. Most people, researchers have found, will take the sure thing. Now alter the game: They can flip a coin to lose $200 for heads and nothing for tails, or they can skip the toss and pay $100 immediately. Most people will take the gamble. To the imagined rational man, the two games are mirror images; the choice to gamble or not should be the same in both. But to a real, irrational man, who feels differently about loss than gain, the two games are very different. The outcomes are different, and sublimely irrational.

If I had not immersed myself in books, in stories and legends, in newspapers, in reports, if everything communicable had not grown up in me, I should have been a nonentity, a collection of uncomprehended events. (And that might have been a good thing, then I should have thought of something new.) That I can see, that I can hear, are things I do not deserve; but my feelings, those I truly deserve, these herons over white beaches, these wanderers by night, the hungry vagabonds that take my heart as their highroad. I wish I could call out to all those who believe in their unique brains and the hard currency of their thoughts: be of good faith! But these coins which you clink together have been withdrawn from circulation, only you don't know it yet....Admit that when you really pay, with your lives, you do so only beyond the barrier, when you have said farewell to everything that is so dear to you--to landing-places, flying-bases, and only from there do you embark on your own path and your journey from imagined stop to imagined stop, travellers who must not be concerned with arriving.

He was continually called upon to explain himself and day by day it had grown harder so that by now there didn't seem to be any words, the right phrases hadn't been coined yet.

It was on the order of coin or stamp collecting; no rational explanation could ever be given. And high prices were being paid by wealthy collectors.

Nothing is truly free. Every gift has a price, paid for by someone in coin, favors, expectations or goods. Things get a little sticky when Life shows up wanting to collect on something you thought was free. Always ask the price.

We used to trust in God. I think it was in 1863 that some genius suggested that it be put upon the gold and silver coins which circulated among the rich. They didn't put it on the nickels and coppers because they didn't think the poor folks had any trust in God.

When my nephew passed beyond, Wilhelm comforted himself that a child in his innocence would be delivered speedily to heaven, and there be given an honored place. “In this small, simple throne,” Wilhelm said, and I said, “With secret compartments for his bird’s nests and smooth stones.” Wilhelm believed this. He had to believe this. I, too, repeated this conception to myself again and again, trying harder to harder to believe it. But a Creator who takes a child so small, so kind, so tender? What can be made of that? The tales we collected are not merciful. Villains are boiled in snake-filled oil, wicked Steifmutter-stepmothers-are made to dance into death in molten-hot shoes, and on and on. The tales are full of terrible punishments, yes, but they follow just cause. Goodness is rewarded; evil is not. The generous simpleton finds more happiness and coin than the greedy king. So why not mercy and justice to sweet youth from an omnipotent and benevolent Creator? There are only three answers. He is not omnipotent, or he is not benevolent, or-the dreariest possibility of all-he is inattentive. What if that was what happened to my nephew? That God’s gaze had merely strayed elsewhere?

So what do you do?' she asked. 'I sneak around at night, well, usually at night, and gather coins out of fountains', I said slowly, watching her face for judgement. She burst into laughter. 'Like spare change? You collect people's wishes? And you spend them on yourself?' 'They're not wishes' I said. 'They lose their symbolism once they hit corporate water. At that time they either become extra income for people who don't need it, or they can help me get along in the world.

Certain things I remember exactly as they were. They are merely discolored a bit by time, like coins in the pocket of a forgotten suit. Most of the details, though, have long since been transformed or rearranged to bring others of them forward. Some, in fact, are obviously counterfeit; they are no less important. One alters the past to form the future. But there is a real significance to the pattern which finally appears, which resists all further change. In fact, there is the danger that if I continue to try, the whole concert of events will begin to fall apart in my hands like old newspaper, I can't bear to think of that. The myriad past, it enters us and disappears. Except within it, somewhere, like diamonds, exist the fragments that refuse to be consumed. Sifting through, if one dares, and collecting them, one discovers the true design.

After that, the strawberry wood became my favorite place to go. In the summer I picked the fruit, and ran up and down the alleys of trees, and in autumn, collected acorns, and lay on my back watching the sky through the open branches. In the spring, I picked violets, and wild garlic by the riverbank. In winter I built tunnels under the barrows of brambles, and all year round I watched the well, and listened to its breathing, and sometimes dropped a coin or a stone into the water, and whispered into the darkness.

collect people. I come by this honestly. In the same way that others collect rocks or stamps or coins, my own father collected people.

I keep your soul In my ageing wallet, The unimportant stuff (Money, cards, coins) Stay loose in my pocket, A place as fickle as they.

Time is the greatest asset you own, not money, not the 1969 restored Mustang, not grandpa’s old coin collection.

At Shell gas stations, press the button on the side of the air pump three times. The pump will start without having to insert coins.

The hand that pockets the corrupt coin places it in the collection plate seeking absolution.

There seemed to be a limitless number of objects in the world that had no practical use but that people wanted to preserve: cell phones with their delicate buttons, iPads, Tyler’s Nintendo console, a selection of laptops. There were a number of impractical shoes, stilettos mostly, beautiful and strange. There were three car engines in a row, cleaned and polished, a motorcycle composed mostly of gleaming chrome. Traders brought things for Clark sometimes, objects of no real value that they knew he would like: magazines and newspapers, a stamp collection, coins. There were the passports or the driver’s licenses or sometimes the credit cards of people who had lived at the airport and then died. Clark kept impeccable records.

To keep the ugly cry-face on lock down, I directed my attention to my polished gold Krugerrand coin, which hung against my chest by a thin, twisted gold chain and flashed against my black blouse. It was my Batman signal, alerting the universe that I was in crisis and in desperate need of being rescued immediately, if not sooner. The coin's weight was also a reminder of the reason I'd moved to Gotham City. After all, it was a result of my great-aunt and her one-ounce gold-coin collection that afforded me the opportunity of the life I was leading.

Greg found the coins just as interesting. He loved making rolls of quarters, dimes, nickels, and pennies, stacks and stacks of them. And the golden Sacagawea dollar coins? He didn’t put them into rolls. He had collected twenty-seven of them, which he kept hidden in a sock in the bottom drawer of his dresser. Every once in a while he’d spread them out on his bed and count them again.

The logical questions become: Why are you storing all this stuff inside you? And if you’re going to store stuff inside, why not make it nice stuff? People collect all sorts of things as hobbies. Some collect spoons, teacups, stamps, or coins from all over the world. But you had a brilliant idea for a hobby—let’s collect bad experiences. That’s what you did: “I’m going to collect every bad experience I ever had and keep it inside me so it can bother me for the rest of my life.” How can that work out well? If you keep doing it, you’re going to collect more and more bad experiences, and your life will get heavier and heavier.

The rock I'd seen in my life looked dull because in all ignorance I'd never thought to knock it open. People have cracked ordinary New England pegmatite - big, coarse granite - and laid bare clusters of red garnets, or topaz crystals, chrysoberyl, spodumene, emerald. They held in their hands crystals that had hung in a hole in the dark for a billion years unseen. I was all for it. I would lay about me right and left with a hammer, and bash the landscape to bits. I would crack the earth's crust like a piñata and spread to the light the vivid prizes in chunks within. Rock collecting was opening the mountains. It was like diving through my own interior blank blackness to remember the startling pieces of a dream: there was a blue lake, a witch, a lighthouse, a yellow path. It was like poking about in a grimy alley and finding an old, old coin. Nothing was at it seemed. The earth was like a shut eye. Mother's not dead, dear - she's only sleeping. Pry open the thin lid and find a crystalline intelligence inside, a rayed and sidereal beauty. Crystals grew inside rock like arithmetical flowers. They lengthened and spread, adding plane to plane in awed and perfect obedience to an absolute geometry that even the stones - maybe only the stones - understood.

Religion in Chinatown, as in most places, is based less on a cogent theology and more on a collection of random fears, superstitions, prejudices, forgotten customs, vestigial animism, and social control. Mrs. Ling, while a professed Buddhist of the Pure Land tradition, also kept waving cat charms, lucky coins, and put great faith in the good fortune of the color red...and was very much in favor of any tradition, superstition, or ritual that involved fireworks...

But this is something quite new!" said Mrs. Munt, who collected new ideas as a squirrel collects nuts, and was especially attracted by those that are portable. "New for me; sensible people have acknowledged it for years. You and I and the Wilcoxes stand upon money as upon islands. It is so firm beneath our feet that we forget its very existence. It's only when we see someone near us tottering that we realize all that an independent income means. Last night, when we were talking up here round the fire, I began to think that the very soul of the world is economic, and that the lowest abyss is not the absence of love, but the absence of coin." "I call that rather cynical." "So do I. But Helen and I, we ought to remember, when we are tempted to criticize others, that we are standing on these islands, and that most of the others are down below the surface of the sea. The poor cannot always reach those whom they want to love, and they can hardly ever escape from those whom they love no longer. We rich can. Imagine the tragedy last June if Helen and Paul Wilcox had been poor people and could not invoke railways and motor-cars to part them." "That's more like Socialism," said Mrs. Munt suspiciously. "Call it what you like. I call it going through life with one's hand spread open on the table. I'm tired of these rich people who pretend to be poor, and think it shows a nice mind to ignore the piles of money that keep their feet above the waves. I stand each year upon six hundred pounds, and Helen upon the same, and Tibby will stand upon eight, and as fast as our pounds crumble away into the sea they are renewed—from the sea, yes, from the sea. And all our thoughts are the thoughts of six-hundred-pounders, and all our speeches; and because we don't want to steal umbrellas ourselves, we forget that below the sea people do want to steal them, and do steal them sometimes, and that what's a joke up here is down there reality—

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

It is the horrific crime that seems to be accepted among many Arab societies, conveniently coined ‘honour killing.’ This must be the most contradictory term I have ever come across for what is honourable about cold-blooded murder? Just like the heinous crime the term itself is gravely flawed.

Money was the blood of civilized society, its currents running through everything and everyone. Where money was insufficient, things withered. People starved, sickened and died, constructions eroded, even ideas perished. Where funds were plentiful, the same things blossomed with new life. And money was, in the end, little more than the product of collective imagination. A slip of paper or a coin had no value beyond that of the material it was fashioned of. It only took on a life of its own when people as a whole collectively agreed that certain papers and coins were worth something. Only then did people bleed and die for it. For a fantasy, a faith given form in hard, concrete numbers. Then again, much of society was built on a series of shared delusions. Clothing was little more than scraps of particular materials with particular geometries, but people clung to the idea of fashion. Style. Good and bad fashion was another belief system, one which all members of a culture were indoctrinated into. Breaking certain conventions didn’t only challenge the aesthetic sensibilities of others, but it challenged their sense of self. It reminded them, subconsciously, of the very pretendings they clung to. Only those with power could stand against society’s tides, flaunt the collective’s ‘safe’ aesthetic. When one had enough power, others couldn’t rise against them and safely say something calculated to reduce their own dissonance and remind the offending party of the unspoken rules. When one had enough power to take a life with a twitch of a finger, a thought, they earned the right to wear skin-tight clothing and call themselves Hero, or Legend. To wear a mask and name themselves something inane like ‘the Cockatoo’ and still take themselves seriously.

A pair of young mothers now became the centre of interest. They had risen from their lying-in much sooner than the doctors would otherwise have allowed. (French doctors are always very good about recognizing the importance of social events, and certainly in this case had the patients been forbidden the ball the might easily have fretted themselves to death.) One came as the Duchesse de Berri with l’Enfant du Miracle, and the other as Madame de Montespan and the Duc du Maine. The two husbands, the ghost of the Duc de Berri, a dagger sticking out of his evening dress, and Louis XIV, were rather embarrassed really by the horrible screams of their so very young heirs, and hurried to the bar together. The noise was indeed terrific, and Albertine said crossly that had she been consulted she would, in this case, have permitted and even encouraged the substitution of dolls. The infants were then dumped down to cry themselves to sleep among the coats on her bed, whence they were presently collected by their mothers’ monthly nannies. Nobody thereafter could feel quite sure that the noble families of Bregendir and Belestat were not hopelessly and for ever interchanged. As their initials and coronets were, unfortunately, the same, and their baby linen came from the same shop, it was impossible to identify the children for certain. The mothers were sent for, but the pleasures of society rediscovered having greatly befogged their maternal instincts, they were obliged to admit they had no idea which was which. With a tremendous amount of guilty giggling they spun a coin for the prettier of the two babies and left it at that.

When We That Wore the Myrtle Wear the Dust When we that wore the myrtle wear the dust, And years of darkness cover up our eyes, And all our arrogant laughter and sweet lust Keep counsel with the scruples of the wise; When boys and girls that now are in the loins Of croaking lads, dip oar into the sea,— And who are these that dive for copper coins? No longer we, my love, no longer we— Then let the fortunate breathers of the air, When we lie speechless in the muffling mould, Tease not our ghosts with slander, pause not there To say that love is false and soon grows cold, But pass in silence the mute grave of two Who lived and died believing love was true.

There are people like Senhor José everywhere, who fill their time, or what they believe to be their spare time, by collecting stamps, coins, medals, vases, postcards, matchboxes, books, clocks, sport shirts, autographs, stones, clay figurines, empty beverage cans, little angels, cacti, opera programmes, lighters, pens, owls, music boxes, bottles, bonsai trees, paintings, mugs, pipes, glass obelisks, ceramic ducks, old toys, carnival masks, and they probably do so out of something that we might call metaphysical angst, perhaps because they cannot bear the idea of chaos being the one ruler of the universe, which is why, using their limited powers [...], they attempt to impose some order on the world, and for a short while they manage it, but only as long as they are there to defend their collection, because when the day comes when it must be dispersed, and that day always comes, either with their death or when the collector grows weary, everything goes back to its beginnings, everything returns to chaos.

All Shall Be Restored The grains shall be collected From the thousand shores To which they found their way, And the boulder restored, And the boulder itself replaced In the cliff, and likewise The cliff shall rise Or subside until the plate of earth Is without fissure. Restoration Knows no half-measure. It will Not stop when the treasure and lost Bronze horse remounts the steps. Even this horse will founder backward To coin, cannon, and domestic pots, Which themselves shall bubble and Drain back to green veins in stone. And every word written shall lift off Letter by letter, the backward text Read ever briefer, ever more antic In its effort to insist that nothing Shall be lost.

The phrase itself, the American dream, was coined in the ’30s basically in the heart of the Depression. Much of this framing was pointed at the need to keep the economy rumbling at a great pace when World War II ended. So one of the ways in which industry could keep going was to promulgate not collective consumption, but individual consumption.

Clutter attracts clutter. If you drop the mail on the kitchen counter, someone else is going to find it natural to leave his keys there. A dresser with receipts is also going to collect coins. A purse dropped in the entry is soon going to be joined by shoes and gloves. An empty soda can on the end table usually winds up with a few candy wrappers next to it.

In the Song, Yuan, and Ming dynasties, the government struggled to maintain a large enough money supply in metal coins and resorted to money printing, especially in times of war and natural or human-caused disaster. The problems with collecting taxes made the incentive to print even stronger. This caused high inflation or hyperinflation, making matters worse.

Do any of those people in their warm and cozy living rooms have any idea what kind of life a beggar leads? Do any of those “good” and “kind” people ever wonder about the lives of so many of the children and adults around them? Granted, everyone has given a coin to a beggar at some time or another, though they usually just shove it into his hand and slam the door.

In connection with these reflections he coined the phrase mémoire involontaire. This concept bears the marks of the situation which gave rise to it; it is part of the inventory of the individual who is isolated in many ways. Where there is experience in the strict sense of the word, certain contents of the individual past combine with material of the collective past. The rituals with their ceremonies, their festivals (quite probably nowhere recalled in Proust’s work) kept producing the amalgamation of these two elements of memory over and over again. They triggered recollection at certain times and remained handles of memory for a lifetime. In this way, voluntary and involuntary recollection lose their mutual exclusiveness.

Suppose you do change your life. & the body is more than a portion of night––sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side–– waiting.

Of course the other side of this coin is that many men like to cultivate hobbies that give them a chance to get off alone—gardening, stamp collecting, building something in the basement, for example. And that’s a cue to let him have his privacy. Just find out whether he wants to share an interest with you or go off like Walter Mitty and have extravagant daydreams in the carrot patch.

When in 1863 Thomas Huxley coined the phrase 'Man's Place in Nature,' it was to name a short collection of his essays applying to man Darwin's theory of evolution. The Origin of Species had been published only four years before, and the thesis that man was literally a part of nature, rather than an earthy vessel charged with some sublimer stuff, was so novel and so offensive to current metaphysics that it needed the most vigorous defense. Half the civilized world was rudely shocked, the other half skeptically amused. Nearly a century has passed since the Origin shattered the complacency of the Victorian world and initiated what may be called the Darwinian revolution, an upheaval of man's ideas comparable to and probably exceeding in significance the revolution that issued from Copernicus's demonstration that the earth moves around the sun. The theory of evolution was but one of many factors contributing to the destruction of the ancient beliefs; it only toppled over what had already been weakened by centuries of decay, rendered suspect by the assaults of many intellectual disciplines; but it marked the beginning of the end of the era of faith.

Why do you choose to write about such gruesome subjects? I usually answer this with another question: Why do you assume that I have a choice? Writing is a catch-as-catch-can sort of occupation. All of us seem to come equipped with filters on the floors of our minds, and all the filters have differing sizes and meshes. What catches in my filter may run right through yours. What catches in yours may pass through mine, no sweat. All of us seem to have a built-in obligation to sift through the sludge that gets caught in our respective mind-filters, and what we find there usually develops into some sort of sideline. The accountant may also be a photographer. The astronomer may collect coins. The school-teacher may do gravestone rubbings in charcoal. The sludge caught in the mind's filter, the stuff that refuses to go through, frequently becomes each person's private obsession. In civilized society we have an unspoken agreement to call our obsessions “hobbies.” Sometimes the hobby can become a full-time job. The accountant may discover that he can make enough money to support his family taking pictures; the schoolteacher may become enough of an expert on grave rubbings to go on the lecture circuit. And there are some professions which begin as hobbies and remain hobbies even after the practitioner is able to earn his living by pursuing his hobby; but because “hobby” is such a bumpy, common-sounding little word, we also have an unspoken agreement that we will call our professional hobbies “the arts.” Painting. Sculpture. Composing. Singing. Acting. The playing of a musical instrument. Writing. Enough books have been written on these seven subjects alone to sink a fleet of luxury liners. And the only thing we seem to be able to agree upon about them is this: that those who practice these arts honestly would continue to practice them even if they were not paid for their efforts; even if their efforts were criticized or even reviled; even on pain of imprisonment or death. To me, that seems to be a pretty fair definition of obsessional behavior. It applies to the plain hobbies as well as the fancy ones we call “the arts”; gun collectors sport bumper stickers reading YOU WILL TAKE MY GUN ONLY WHEN YOU PRY MY COLD DEAD FINGERS FROM IT, and in the suburbs of Boston, housewives who discovered political activism during the busing furor often sported similar stickers reading YOU'LL TAKE ME TO PRISON BEFORE YOU TAKE MY CHILDREN OUT OF THE NEIGHBORHOOD on the back bumpers of their station wagons. Similarly, if coin collecting were outlawed tomorrow, the astronomer very likely wouldn't turn in his steel pennies and buffalo nickels; he'd wrap them carefully in plastic, sink them to the bottom of his toilet tank, and gloat over them after midnight.

The word burnout was coined in the 1970s by Herbert Freudenberger, an American psychologist who studied workers in free health clinics. He found that the prime candidates for burnout were those who were “dedicated and committed,” trying to balance their need to give, to please others, and to work hard. He noticed that when there was added pressure from superiors, people often hit a breaking point.52

One indispensable reference book is “A Guide Book of United States Coins” more popularly known as “The Red Book” among numismatists. It is published annually and provides a good timeline of US coinage history, basic coin grading information, and description of coins starting from the earliest to the present. The book also has a list of errors to watch for and an explanation of errors which happened during the minting process.

It needs to be borne in mind that there are always, and inevitably, two sides to the revolutionary coin. The first is negative and destructive, and leads to the drive to undermine the beliefs, values and institutions of the old order, which must be destroyed before a new one can be created. The second component of the revolutionary vision is positive and utopian—the image of a future that condemns the present and encapsulates the idea of a redemptive fate.

Mithradates’ own handsome coins featured his idealized portrait—looking very much like his hero Alexander, with parted lips and luxuriant hair. Imagery evoking Mithradates’ Persian connections appeared on the reverse, such as winged Pegasus and the star and crescent. Other coins displayed Dionysus the Liberator (associating him with opposition to Rome by slaves and rebels in Italy). Mithradates made sure his portrait was known to everyone. He employed the best Greek artisans, and he understood the propaganda value of aesthetically pleasing currency. His coinage conveyed the message that Mithradates was the great unifier—and protector—of Greek and Persian civilizations. Knowing that his unsurpassed coins would be admired, collected, and selected for hoards of buried treasure, Mithradates also designed them for posterity. Indeed, Mithradates’ portrait coins are considered by numismatic experts to be the most beautiful of all ancient coins.

The human mind is stimulated by change, motivated by meeting the challenge of novelty or threat or pleasure, rewarded with the sensations of being instrumental in altering environments, and will persevere in this as long as there is some degree of perceivable progress. People turn to knitting baby booties, doing crossword puzzles, collecting rare coins; they may even make an effort to understand E=mc2 or to study the genetic adaptations of cacti, but in all cases, they need to see some fruit of their labors.

Three Sides of a Coin" Am I in your light?                            No, go on reading       (the hackneyed light of evening quarrelling with the bulbs;       the book’s bent rectangle solid on your knees) only my fingers in your hair, only, my eyes splitting the skull to tickle your brain with love in a slow caress blurring the mind,                                    kissing your mouth awake opening the body’s mouth stopping the words. This light is thick with birds, and evening warns us beautifully of death. Slowly I bend over you, slowly your breath runs rhythms through my blood as if I said                                I love you and you should raise your head. listening, speaking into the covert night     :    Did someone say something?                               Love, am I in your light? Am I?       See how love alters the living face       go spin the immortal coin through time       watch the thing flip through space                      tick       tick Muriel Rukeyser, Collected Poems of Muriel Rukeyser. (University of Pittsburgh Press May 10th 2014)

Sweeter was loss than silver coins to spend, Sweeter was famine than the belly filled; Better than blood in the vein was the blood spilled; Better than corn and healthy flocks to tend And a tight roof and acres without end Was the barn burned and the mild creatures killed, And the back aging fast, and all to build: For then it was, his neighbour was his friend. Then for a moment the averted eye Was turned upon him with benignant beam, Defiance faltered, and derision slept; He saw as in a not unhappy dream The kindly heads against the horrid sky, And scowled, and cleared his throat and spat, and wept.

I long for models of solidarity and human unity and difference rooted in friendship, work, partially shared purposes, intractable collective pain, inescapable mortality, and persistent hope. It is time to theorize an ‘unfamiliar’ unconscious, a different primal scene, where everything does not stem from the dramas of identity and reproduction. Ties through blood—including blood recast in the coin of genes and information— have been bloody enough already. I believe that there will be no racial or sexual peace, no livable nature, until we learn to produce humanity through something more and less than kinship.

He had his friends draw charges from the spinning glass tube and then touch each other to see if sparks flew. The result was the discovery that electricity was “not created by the friction, but collected only.” In other words, a charge could be drawn into person A and out of person B, and the electric fluid would flow back if the two people touched each other. To explain what he meant, he invented some new terms in a letter to Collinson. “We say B is electrised positively; A negatively: or rather B is electrised plus and A minus.” He apologized to the Englishman for the new coinage: “These terms we may use until your philosophers give us better.” In fact, these terms devised by Franklin are the ones we still use today, along with other neologisms that he coined to describe his findings: battery, charged, neutral, condense, and conductor.

He continued teaching. “Watch out for the religion scholars. They love to walk around in academic gowns, preening in the radiance of public flattery, basking in prominent positions, sitting at the head table at every church function. And all the time they are exploiting the weak and helpless. The longer their prayers, the worse they get. But they’ll pay for it in the end.” 41-44 Sitting across from the offering box, he was observing how the crowd tossed money in for the collection. Many of the rich were making large contributions. One poor widow came up and put in two small coins — a measly two cents. Jesus called his disciples over and said, “The truth is that this poor widow gave more to the collection than all the others put together. All the others gave what they’ll never miss; she gave extravagantly what she couldn’t afford — she gave her all.

Recognizing Muhammad Before Muhammad appeared in form, there were scriptural references. People imagined how he would be and called on his presence in battle and sickness. They had thoughts and language about Muhammad. What good was that? Not everyone recognizes Muhammad. Many have a conception of him they can stand to live with. They don't know that if the shadow of Muhammad's true form falls across a wall, the wall will bleed! And it will no longer have two sides! What a blessing to be one thing. When others saw Muhammad, their awe evaporated, as counterfeit coins turn black in the flame. There are false coins who claim they want to be tested, all bravado. And there are touchstones that do not reveal impostors. There are mirrors that hide your flaws. Avoid hypocritical praise, and keep away from flattering mirrors, if you possibly can.

...from the opposite side of the meadow, dozens of shimmering shapes floated out across the grass, little more than mirages of moonlight. That was when the singing began. It was a collective voice, but in it existed both male and female- two sides of the same coin, singing to each other in a call and response. I raised a hand to my throat as their music rose and they danced. Ghostly and ethereal, they waltzed across the field, no more than slender slants of moonlight. 'What are they?' ''Will-o'-the-wisps- spirits of air and light,' he said softly. 'Come to celebrate the solstice.' 'They're beautiful.' His lips grazed my neck as he murmured against my skin. 'Dance with me, Feyre.' 'Really?' I turned and found my face mere inches from him. He cracked a lazy smile. 'Really.' As though I were nothing but air myself, he pulled me into a sweeping dance.

It’s a sailors’ tradition, miss.” O’Shea approached, his thick brogue cutting through Sophia’s confusion. “The Sea King himself comes aboard to have a bit of sport with those crossing the Tropic for the first time, like the new boy there.” He nodded toward Davy, who stood to the side, looking every bit as confused as Sophia but unwilling to own to it. Quinn crossed his massive forearms over his chest, stacking them like logs. “And Triton always collects his tax, of course.” “His tax?” Sophia asked. O’Shea gave her a sly look. “Best be ready with a coin or two, Miss Turner. If you can’t pay his tax, old Triton just might sweep ye down to the depths with him and keep ye there forever.” Quinn chuckled, shooting the Irishman a knowing look. “Knowing old Triton, it wouldn’t be surprising if he did just that.” O’Shea winked at the crewman. “Could hardly blame him.

I don’t feel right about money. Remember, Anisim brought me new roubles and half roubles before the wedding, on St. Thomas’s Sunday? I stashed one package away then, and the rest I mixed in with my own … When my uncle Dmitri Filatych, God rest his soul, was still alive, he used to go for goods all the time, now to Moscow, now to the Crimea. He had a wife, and that same wife, while he went for goods, as I said, used to play around with other men. There were six children. So my uncle would have a drink and start laughing: ‘I just can’t sort out which are mine and which aren’t.’ An easygoing character, that is. And so now I can’t figure out which coins are real and which are false. And it seems like they’re all false.” “Ah, no, God help you!” “I’m buying a ticket at the station, I hand over three roubles, and I think to myself, maybe they’re false. And it scares me. I must be sick.

But Homo sapiens’ dependency on social communication and education is as much of a curse as it is a gift. On the flip side of the coin, it is education’s fault that religious myths and fake news propagate so easily in human societies. From the earliest age, our brains trustfully absorb the tales we are told, whether they are true or false. In a social context, our brains lower their guard; we stop acting like budding scientists and become mindless lemmings. This can be good—as when we trust the knowledge of our science teachers, and thus avoid having to replicate every experiment since Galileo’s time! But it can also be detrimental, as when we collectively propagate an unreliable piece of “wisdom” inherited from our forebears. It is on this basis that doctors foolishly practiced bloodletting and cupping therapies for centuries, without ever testing their actual impact. (In case you are wondering, both are actually harmful in the vast majority of diseases.)

In other words, money isn’t a material reality – it is a psychological construct. It works by converting matter into mind. But why does it succeed? Why should anyone be willing to exchange a fertile rice paddy for a handful of useless cowry shells? Why are you willing to flip hamburgers, sell health insurance or babysit three obnoxious brats when all you get for your exertions is a few pieces of coloured paper? People are willing to do such things when they trust the figments of their collective imagination. Trust is the raw material from which all types of money are minted. When a wealthy farmer sold his possessions for a sack of cowry shells and travelled with them to another province, he trusted that upon reaching his destination other people would be willing to sell him rice, houses and fields in exchange for the shells. Money is accordingly a system of mutual trust, and not just any system of mutual trust: money is the most universal and most efficient system of mutual trust ever devised. What created this trust was a very complex and long-term network of political, social and economic relations. Why do I believe in the cowry shell or gold coin or dollar bill? Because my neighbours believe in them. And my neighbours believe in them because I believe in them. And we all believe in them because our king believes in them and demands them in taxes, and because our priest believes in them and demands them in tithes. Take a dollar bill and look at it carefully. You will see that it is simply a colourful piece of paper with the signature of the US secretary of the treasury on one side, and the slogan ‘In God We Trust’ on the other. We accept the dollar in payment, because we trust in God and the US secretary of the treasury. The crucial role of trust explains why our financial systems are so tightly bound up with our political, social and ideological systems, why financial crises are often triggered by political developments, and why the stock market can rise or fall depending on the way traders feel on a particular morning.

There were a few civilized details, like chairs that looked as though they had been purloined from more modern and elegant domiciles- a red velvet recliner, for instance, which would have been far more at home at Mr. Darling's club than in a cave. Wherever did that come from? Wendy wondered. But the rest of the furniture consisted primarily of things like barrels cut in half with moss for cushions, and the stumps of trees with hastily hammered-on backs. Enormous mushrooms made for tables. Some of the lanterns were fungus as well- softly glowing bluish-green "flowers" that spread in delicate clumps just below the ceiling. "John would just have a field day with those, I'm certain," Wendy said with a smile. One large barrel was placed under the end of a hollowed-out root to collect rainwater. There were shelves and nooks for the few possessions considered precious by the Lost Boys: piles of gold coins, interesting animal skeletons, shiny crystals, captivating burrs and seedpods. Also more strange detritus of the civilized world: a hinge, a pipe, a knob from a drawer, a spanner, and even a pocket watch.

The essence of Roosevelt’s leadership, I soon became convinced, lay in his enterprising use of the “bully pulpit,” a phrase he himself coined to describe the national platform the presidency provides to shape public sentiment and mobilize action. Early in Roosevelt’s tenure, Lyman Abbott, editor of The Outlook, joined a small group of friends in the president’s library to offer advice and criticism on a draft of his upcoming message to Congress. “He had just finished a paragraph of a distinctly ethical character,” Abbott recalled, “when he suddenly stopped, swung round in his swivel chair, and said, ‘I suppose my critics will call that preaching, but I have got such a bully pulpit.’ ” From this bully pulpit, Roosevelt would focus the charge of a national movement to apply an ethical framework, through government action, to the untrammeled growth of modern America. Roosevelt understood from the outset that this task hinged upon the need to develop powerfully reciprocal relationships with members of the national press. He called them by their first names, invited them to meals, took questions during his midday shave, welcomed their company at day’s end while he signed correspondence, and designated, for the first time, a special room for them in the West Wing. He brought them aboard his private railroad car during his regular swings around the country. At every village station, he reached the hearts of the gathered crowds with homespun language, aphorisms, and direct moral appeals. Accompanying reporters then extended the reach of Roosevelt’s words in national publications. Such extraordinary rapport with the press did not stem from calculation alone. Long before and after he was president, Roosevelt was an author and historian. From an early age, he read as he breathed. He knew and revered writers, and his relationship with journalists was authentically collegial. In a sense, he was one of them. While exploring Roosevelt’s relationship with the press, I was especially drawn to the remarkably rich connections he developed with a team of journalists—including Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—all working at McClure’s magazine, the most influential contemporary progressive publication. The restless enthusiasm and manic energy of their publisher and editor, S. S. McClure, infused the magazine with “a spark of genius,” even as he suffered from periodic nervous breakdowns. “The story is the thing,” Sam McClure responded when asked to account for the methodology behind his publication. He wanted his writers to begin their research without preconceived notions, to carry their readers through their own process of discovery. As they educated themselves about the social and economic inequities rampant in the wake of teeming industrialization, so they educated the entire country. Together, these investigative journalists, who would later appropriate Roosevelt’s derogatory term “muckraker” as “a badge of honor,” produced a series of exposés that uncovered the invisible web of corruption linking politics to business. McClure’s formula—giving his writers the time and resources they needed to produce extended, intensively researched articles—was soon adopted by rival magazines, creating what many considered a golden age of journalism. Collectively, this generation of gifted writers ushered in a new mode of investigative reporting that provided the necessary conditions to make a genuine bully pulpit of the American presidency. “It is hardly an exaggeration to say that the progressive mind was characteristically a journalistic mind,” the historian Richard Hofstadter observed, “and that its characteristic contribution was that of the socially responsible reporter-reformer.

Oskar Schell: My father died at 9-11. After he died I wouldn't go into his room for a year because it was too hard and it made me want to cry. But one day, I put on heavy boots and went in his room anyway. I miss doing taekwondo with him because it always made me laugh. When I went into his closet, where his clothes and stuff were, I reached up to get his old camera. It spun around and dropped about a hundred stairs, and I broke a blue vase! Inside was a key in an envelope with black written on it and I knew that dad left something somewhere for me that the key opened and I had to find. So I take it to Walt, the locksmith. I give it to Stan, the doorman, who tells me keys can open anything. He gave me the phone book for all the five boroughs. I count there are 472 people with the last name black. There are 216 addresses. Some of the blacks live together, obviously. I calculated that if I go to 2 every Saturday plus holidays, minus my hamlet school plays, my minerals, coins, and comic convention, it's going to take me 3 years to go through all of them. But that's what I'm going to do! Go to every single person named black and find out what the key fits and see what dad needed me to find. I made the very best possible plan but using the last four digits of each phone number, I divide the people by zones. I had to tell my mother another lie, because she wouldn't understand how I need to go out and find what the key fits and help me make sense of things that don't even make sense like him being killed in the building by people that didn't even know him at all! And I see some people who don't speak English, who are hiding, one black said that she spoke to God. If she spoke to god how come she didn't tell him not to kill her son or not to let people fly planes into buildings and maybe she spoke to a different god than them! And I met a man who was a woman who a man who was a woman all at the same time and he didn't want to get hurt because he/she was scared that she/he was so different. And I still wonder if she/he ever beat up himself, but what does it matter? Thomas Schell: What would this place be if everyone had the same haircut? Oskar Schell: And I see Mr. Black who hasn't heard a sound in 24 years which I can understand because I miss dad's voice that much. Like when he would say, "are you up yet?" or... Thomas Schell: Let's go do something. Oskar Schell: And I see the twin brothers who paint together and there's a shed that has to be clue, but it's just a shed! Another black drew the same drawing of the same person over and over and over again! Forest black, the doorman, was a school teacher in Russia but now says his brain is dying! Seamus black who has a coin collection, but doesn't have enough money to eat everyday! You see olive black was a gate guard but didn't have the key to it which makes him feel like he's looking at a brick wall. And I feel like I'm looking at a brick wall because I tried the key in 148 different places, but the key didn't fit. And open anything it hasn't that dad needed me to find so I know that without him everything is going to be alright. Thomas Schell: Let's leave it there then. Oskar Schell: And I still feel scared every time I go into a strange place. I'm so scared I have to hold myself around my waist or I think I'll just break all apart! But I never forget what I heard him tell mom about the sixth borough. That if things were easy to find... Thomas Schell: ...they wouldn't be worth finding. Oskar Schell: And I'm so scared every time I leave home. Every time I hear a door open. And I don't know a single thing that I didn't know when I started! It's these times I miss my dad more than ever even if this whole thing is to stop missing him at all! It hurts too much. Sometimes I'm afraid I'll do something very bad.

In 1931, amid that incredible transformation, a brilliant young Russian psychologist named Alexander Luria recognized a fleeting “natural experiment,” unique in the history of the world. He wondered if changing citizens’ work might also change their minds. When Luria arrived, the most remote villages had not yet been touched by the warp-speed restructuring of traditional society. Those villages gave him a control group. He learned the local language and brought fellow psychologists to engage villagers in relaxed social situations—teahouses or pastures—and discuss questions or tasks designed to discern their habits of mind. Some were very simple: present skeins of wool or silk in an array of hues and ask participants to describe them. The collective farmers and farm leaders, as well as the female students, easily picked out blue, red, and yellow, sometimes with variations, like dark blue or light yellow. The most remote villagers, who were still “premodern,” gave more diversified descriptions: cotton in bloom, decayed teeth, a lot of water, sky, pistachio. Then they were asked to sort the skeins into groups. The collective farmers, and young people with even a little formal education, did so easily, naturally forming color groups. Even when they did not know the name of a particular color, they had little trouble putting together darker and lighter shades of the same one. The remote villagers, on the other hand, refused, even those whose work was embroidery. “It can’t be done,” they said, or, “None of them are the same, you can’t put them together.” When prodded vigorously, and only if they were allowed to make many small groups, some relented and created sets that were apparently random. A few others appeared to sort the skeins according to color saturation, without regard to the color. Geometric shapes followed suit. The greater the dose of modernity, the more likely an individual grasped the abstract concept of “shapes” and made groups of triangles, rectangles, and circles, even if they had no formal education and did not know the shapes’ names. The remote villagers, meanwhile, saw nothing alike in a square drawn with solid lines and the same exact square drawn with dotted lines. To Alieva, a twenty-six-year-old remote villager, the solid-line square was obviously a map, and the dotted-line square was a watch. “How can a map and a watch be put together?” she asked, incredulous. Khamid, a twenty-four-year-old remote villager, insisted that filled and unfilled circles could not go together because one was a coin and the other a moon.

Peugeot belongs to a particular genre of legal fictions called ‘limited liability companies’. The idea behind such companies is among humanity’s most ingenious inventions. Homo sapiens lived for untold millennia without them. During most of recorded history property could be owned only by flesh-and-blood humans, the kind that stood on two legs and had big brains. If in thirteenth-century France Jean set up a wagon-manufacturing workshop, he himself was the business. If a wagon he’d made broke down a week after purchase, the disgruntled buyer would have sued Jean personally. If Jean had borrowed 1,000 gold coins to set up his workshop and the business failed, he would have had to repay the loan by selling his private property – his house, his cow, his land. He might even have had to sell his children into servitude. If he couldn’t cover the debt, he could be thrown in prison by the state or enslaved by his creditors. He was fully liable, without limit, for all obligations incurred by his workshop. If you had lived back then, you would probably have thought twice before you opened an enterprise of your own. And indeed this legal situation discouraged entrepreneurship. People were afraid to start new businesses and take economic risks. It hardly seemed worth taking the chance that their families could end up utterly destitute. This is why people began collectively to imagine the existence of limited liability companies. Such companies were legally independent of the people who set them up, or invested money in them, or managed them. Over the last few centuries such companies have become the main players in the economic arena, and we have grown so used to them that we forget they exist only in our imagination.

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And justice is on the side of those nations that fight for their threatened existence. And this struggle for existence will spur these nations on to the most tremendous accomplishments in world history. If profit is the driving force for production in the democracies-a profit that industrialists, bankers, and corrupt politicians pocket-then the driving force in National Socialist Germany and Fascist Italy is the realization by millions of laborers that, in this war, it is they who are being fought against. They realize that the democracies, if they should ever win, would rage with the full capitalist cruelty, that cruelty of which only those are capable whose only god is gold, who know no human sentiments other than their obsession with profit, and who are ready to sacrifice all noble thought to this profit instinct without hesitation. National Socialist Germany, Fascist Italy, and allied Japan know that what is at stake in this war is not a form of government. It is not a question of some type of international structure for the future, but it is a question of whether this world belongs only to certain people and not also to others. An American politician coined the clever saying that, basically, this struggle is nothing other than an attempt by the have-nots to obtain something. That’s all right with us. While the outside world is setting about to steal from the have-nots the little that they possess, we confront the world of ownership with the decision to fight for the human rights of the have-nots and to secure for them that share in life to which these rights entitle them. This struggle is not an attack on the rights of other nations, but on the arrogance and avarice of a narrow capitalist upper class, one which refuses to acknowledge that the days are over when gold ruled the world, and that, by contrast, a future is dawning when the people will be the determining force in the life of a nation. It was this realization that lent wings to the National Socialist armies last year. And it will also help them triumph in the coming year. By fighting for the happiness of all people, we believe we most deserve the blessings of Providence. Until now, the Lord God has approved our struggle. If we perform our duties loyally and bravely, then He will not forsake us in the future either! New Year’s Proclamation to the National Socialists and Party Comrades January 1, 1941

IN HIS 2005 COLLECTION of essays Going Sane, Adam Phillips makes a keen observation. “Babies may be sweet, babies may be beautiful, babies may be adored,” he writes, “but they have all the characteristics that are identified as mad when they are found too brazenly in adults.” He lists those characteristics: Babies are incontinent. They don’t speak our language. They require constant monitoring to prevent self-harm. “They seem to live the excessively wishful lives,” he notes, “of those who assume that they are the only person in the world.” The same is true, Phillips goes on to argue, of young children, who want so much and possess so little self-control. “The modern child,” he observes. “Too much desire; too little organization.” Children are pashas of excess. If you’ve spent most of your adult life in the company of other adults—especially in the workplace, where social niceties are observed and rational discourse is generally the coin of the realm—it requires some adjusting to spend so much time in the company of people who feel more than think. (When I first read Phillips’s observations about the parallels between children and madmen, it so happened that my son, three at the time, was screaming from his room, “I. Don’t. Want. To. Wear. PANTS.”) Yet children do not see themselves as excessive. “Children would be very surprised,” Phillips writes, “to discover just how mad we think they are.” The real danger, in his view, is that children can drive their parents crazy. The extravagance of children’s wishes, behaviors, and energies all become a threat to their parents’ well-ordered lives. “All the modern prescriptive childrearing literature,” he concludes, “is about how not to drive someone (the child) mad and how not to be driven mad (by the child).” This insight helps clarify why parents so often feel powerless around their young children, even though they’re putatively in charge. To a preschooler, all rumpus room calisthenics—whether it’s bouncing from couch cushion to couch cushion, banging on tables, or heaving bowls of spaghetti onto the floor—feel normal. But to adults, the child looks as though he or she has suddenly slipped into one of Maurice Sendak’s wolf suits. The grown-up response is to put a stop to the child’s mischief, because that’s the adult’s job, and that’s what civilized living is all about. Yet parents intuit, on some level, that children are meant to make messes, to be noisy, to test boundaries. “All parents at some time feel overwhelmed by their children; feel that their children ask more of them than they can provide,” writes Phillips in another essay. “One of the most difficult things about being a parent is that you have to bear the fact that you have to frustrate your child.

SELF-MANAGEMENT Trust We relate to one another with an assumption of positive intent. Until we are proven wrong, trusting co-workers is our default means of engagement. Freedom and accountability are two sides of the same coin. Information and decision-making All business information is open to all. Every one of us is able to handle difficult and sensitive news. We believe in collective intelligence. Nobody is as smart as everybody. Therefore all decisions will be made with the advice process. Responsibility and accountability We each have full responsibility for the organization. If we sense that something needs to happen, we have a duty to address it. It’s not acceptable to limit our concern to the remit of our roles. Everyone must be comfortable with holding others accountable to their commitments through feedback and respectful confrontation. WHOLENESS Equal worth We are all of fundamental equal worth. At the same time, our community will be richest if we let all members contribute in their distinctive way, appreciating the differences in roles, education, backgrounds, interests, skills, characters, points of view, and so on. Safe and caring workplace Any situation can be approached from fear and separation, or from love and connection. We choose love and connection. We strive to create emotionally and spiritually safe environments, where each of us can behave authentically. We honor the moods of … [love, care, recognition, gratitude, curiosity, fun, playfulness …]. We are comfortable with vocabulary like care, love, service, purpose, soul … in the workplace. Overcoming separation We aim to have a workplace where we can honor all parts of us: the cognitive, physical, emotional, and spiritual; the rational and the intuitive; the feminine and the masculine. We recognize that we are all deeply interconnected, part of a bigger whole that includes nature and all forms of life. Learning Every problem is an invitation to learn and grow. We will always be learners. We have never arrived. Failure is always a possibility if we strive boldly for our purpose. We discuss our failures openly and learn from them. Hiding or neglecting to learn from failure is unacceptable. Feedback and respectful confrontation are gifts we share to help one another grow. We focus on strengths more than weaknesses, on opportunities more than problems. Relationships and conflict It’s impossible to change other people. We can only change ourselves. We take ownership for our thoughts, beliefs, words, and actions. We don’t spread rumors. We don’t talk behind someone’s back. We resolve disagreements one-on-one and don’t drag other people into the problem. We don’t blame problems on others. When we feel like blaming, we take it as an invitation to reflect on how we might be part of the problem (and the solution). PURPOSE Collective purpose We view the organization as having a soul and purpose of its own. We try to listen in to where the organization wants to go and beware of forcing a direction onto it. Individual purpose We have a duty to ourselves and to the organization to inquire into our personal sense of calling to see if and how it resonates with the organization’s purpose. We try to imbue our roles with our souls, not our egos. Planning the future Trying to predict and control the future is futile. We make forecasts only when a specific decision requires us to do so. Everything will unfold with more grace if we stop trying to control and instead choose to simply sense and respond. Profit In the long run, there are no trade-offs between purpose and profits. If we focus on purpose, profits will follow.

It would surprise no impartial observer if the motto, In God we trust, were one day expunged from the coins of the republic by the Junkers at Washington, and the far more appropriate word, Verboten, substituted. Nor would it astound any save the most romantic if, at the same time, the goddess of liberty were taken off the silver dollars to make room for a bas relief of a policeman in a spiked helmet.

Bad habits, we were collecting them like coins, and we knew how that worked: the more you get, the more you want.

A MUSIC I employ the blind mandolin player in the tunnel of the Métro. I pay him a coin as hard as his notes, and maybe he has employed me, and pays me with his playing to hear him play. Maybe we’re necessary to each other, and this vacant place has need of us both —it’s vacant, I mean, of dwellers, is populated by passages and absences. By some fate or knack he has chosen to place his music in this cavity where there’s nothing to look at and blindness costs him nothing. Nothing was here before he came. His music goes out among the sounds of footsteps passing. The tunnel is the resonance and meaning of what he plays. It’s his music, not the place, I go by. In this light which is just a fact, like darkness or the edge or end of what you may be going toward, he turns his cap up on his knees and leaves it there to ask and wait, and holds up his mandolin, the lantern of his world; his fingers make their pattern on the wires. This is not the pursuing rhythm of a blind cane pecking in the sun, but is a singing in a dark place.

Silver guards come here every week to collect the blood of the people and to drop off their payment in precious coins. They’re all used to it.

Uncle Isidore wasn’t exactly an Uncle. Nobody knew his exact relationship to the family; but my parents called him ‘Uncle’, and my cousins called him ‘Uncle’, and my uncles called him ‘Uncle’. He used to visit our home regularly, once a week, to collect his half a crown and eat a bit of supper. He went around all my relations’ houses to receive a silver coin and grumble. It wasn’t even as if he were a religious man. He just lived that way and the rest of the time he would read at Cardiff Central Library, or return to his dingy bed-sitting-room and play his violin. Not that he was a competent musician. On the contrary, he would scrape the easy bits and whistle the difficult phrases. That was his philosophy and his life. [...] It used to disturb people that he didn’t have a reason for living.

Warren Buffett’s appendix to the fourth revised edition of The Intelligent Investor describes a contest in which each of the 225 million Americans starts with $1 and flips a coin once a day. The people who get it right on day one collect a dollar from those who were wrong and go on to flip again on day two, and so forth. Ten days later, 220,000 people have called it right ten times in a row and won $1,000. “They may try to be modest, but at cocktail parties they will occasionally admit to attractive members of the opposite sex what their technique is, and what marvelous insights they bring to the field of flipping.” After another ten days, we’re down to 215 survivors who’ve been right 20 times in a row and have each won $1 million. They write books titled like How I Turned a Dollar into a Million in Twenty Days Working Thirty Seconds a Morning and sell tickets to seminars. Sound familiar?

Data warehouse support people should be physically located in the business user departments, and while on assignment, should spend all their waking hours devoted to the business content of the departments they serve. Such a relationship engenders trust and credibility with the business users, which ultimately is the “gold coin” for IT. Mistake

Entreri went for the chest of drawers as Jarlaxle moved to the closet. “Poor taste,” he heard the dark elf say, and turned to see Jarlaxle rifling through the hanging clothes, most of them drab and grey. Entreri shook his head and pulled open the bottom drawer, finding some linens, and under them, a small pouch of coins, which disappeared into his pocket.

You who prattle that morality is social and that man would need no morality on a desert island—it is on a desert island that he would need it most. Let him try to claim, when there are no victims to pay for it, that a rock is a house, that sand is clothing, that food will drop into his mouth without cause or effort, that he will collect a harvest tomorrow by devouring his stock seed today—and reality will wipe him out, as he deserves; reality will show him that life is a value to be bought and that thinking is the only coin noble enough to buy it. “If I were to speak your kind of language, I would say that man’s only moral commandment is: Thou shalt think. But a ‘moral commandment’ is a contradiction in terms. The moral is the chosen, not the forced; the understood, not the obeyed. The moral is the rational, and reason accepts no commandments. “My morality, the morality of reason, is contained in a single axiom: existence exists—and in a single choice: to live. The rest proceeds from these. To live, man must hold three things as the supreme and ruling values of his life: Reason—Purpose—Self-esteem. Reason, as his only tool of knowledge—Purpose, as his choice of the happiness which that tool must proceed to achieve—Self-esteem, as his inviolate certainty that his mind is competent to think and his person is worthy of happiness, which means: is worthy of living. These three values imply and require all of man’s virtues, and all his virtues pertain to the relation of existence and consciousness: rationality, independence, integrity, honesty, justice, productiveness, pride.

Unfortunately, marriageable daughters are men's favoured trading coin.

Tragic optimism is a term coined by the Holocaust survivor and existential-humanistic psychologist Viktor Frankl, and it embodies our ability to look for meaning during times of immense collective suffering.[2] It is not wishing for something better to manifest without our effort; rather, it is our ability to stay with the suffering in order to learn its lesson. Waking up to the sobering realities of our ecological crisis and the ways in which our individual and collective narcissism have bred this allows us to embark on a search for not only meaning but healing. ACKNOWLEDGMENTS I

The Ultimate Minimalist Wallets For Men: Functionality Meets Style? More than just a way of transporting essentials like money and ID, the simplest men’s wallets also are a chance to precise your taste and elegance. The perfect minimalist wallet may be a marriage of form and performance. It’s hard-wearing, ready to withstand everyday use, and has high-end design appeal. the perfect wallet is one that you simply can take enjoyment of whipping out at the top of a meal with a client or the in-laws. This one’s on me. Your wallet should complement your lifestyle. Perhaps you’re an on-the-go professional rushing from an office meeting to a cocktail bar. or even you’re a stay-at-home parent who takes pride in your fashion-forward accessories. No single wallet-owner is that the same. Your wallet should say something about your unique personality. Whether you’re seeking an attention-grabbing luxury accessory or something more understated and practical, there’s a wallet that’s got your name thereon. Here’s a variety of the simplest men’s wallets for each taste, style, and purpose. Here Is That The List Of Comfortable Wallets For Men Here, we'll introduce recommended men's outstandingly fashionable wallets. If you would like to be a trendy adult man, please ask it. 1- Stripe Point Bi-Fold Wallet (Paul Smith) "Paul Smith" may be a brand that's fashionable adult men, not just for wallets but also for accessories like clothes and watches. it's a basic series wallet that uses Paul Smith's signature "multi-striped pattern" as an accent. Italian calf leather with a supple texture is employed for the wallet body, and it's a typical model specification of a bi-fold wallet with 1 wallet, 2 coin purses, 4 cardholders. 2- Zippy Wallet Vertical (Louis Vuitton) "Louis Vuitton" may be a luxury brand that's so documented that it's called "the king of high brands" by people everywhere the planet . a trendy long wallet with a blue lining on the "Damier Graffiti", which is extremely fashionable adult men. With multiple pockets and compartments, it's excellent storage capacity. With a chic, simple and complicated design, and having a luxury brand wallet that everybody can understand, you'll feel better and your fashion is going to be dramatically improved. 3- Grange (porter) "Poker" is that the main brand of Yoshida & Co., Ltd., which is durable and highly functional. Yoshida & Co., Ltd. is now one of Japan's leading brands and is extremely popular not only in Japan but also overseas. The charm of this wallet is that the cow shoulder leather is made in Italy, which has been carefully tanned with time and energy. because of the time-consuming tanning process, it's soft and sturdy, and therefore the warm taste makes it comfortable to use. 4- Bellroy Note Sleeve The Note Sleeve is just the simplest all-around wallet in Bellroy’s collection. If you don’t want to spend plenty of your time (or money) researching the simplest wallet, you'll stop here. This one has everything you would like. And it's good too! This wallet will easily suit your cash, coins, and up to eleven cards during a slim profile. The Note Sleeve also has quick-access slots for your daily cards and a cargo area with a convenient pull-tab for the credit cards you employ less frequently.

only my fingers in your hair, only, my eyes splitting the skull to tickle your brain with love in a slow caress blurring the mind, kissing your mouth awake opening the body’s mouth and stopping the words. — Muriel Rukeyser, from “Three Sides of a Coin,” Collected Poems of Muriel Rukeyser. (University of Pittsburgh Press May 10th 2014)

Coined in 1877 by two French psychologists named Lasèque and Fabret, the term folie à deux has been translated in various ways: “insanity in pairs,” “double insanity,” “reciprocal insanity,” “collective insanity.” In its original meaning, it refers to a rare psychological phenomenon in which two or more closely associated people—often, though not always, family members—share the same psychotic delusion. In a well-known case reported in the 1930s, for example, two middle-aged sisters became convinced that they were being blackmailed by a popular radio personality who was sending coded threats to them in the songs he performed on the air.

43. How much does it cost to make a dollar? American dollars, like all printed money, start out as pieces of paper and ink used to print the value on them. Printing money is a complex process, which uses special paper and ink, along with a number of security measures which prevent conunterfeiting. Taking mass production into account, and the fact that nobody will ever print a single dollar bill, but a large number of them in a bulk, the printing price may come up surprisingly cheap. It costs less than 10 cents to print a $1 bill. A mere 10 cents per dollar bill is enough to cover the industry expenses. To make things weirder, making coins is much more expensive – forging a penny costs just a bit under $0.025 (2.5 cents). A real bargain is, of course a $100 bill – it costs exactly the same as a $1 bill.

execution of civilians, collective rape of women. The Israeli general staff, moreover, used the Hebrew word tihur, meaning ‘cleaning’ or ‘purification’, more than 40 years before the concept of ‘ethnic cleansing’ was coined at the time of the wars in the former Yugoslavia.14

intricate patterns on the pavement. Her enormous brown eyes glittered with happiness at the attention she had attracted. Sarah wasn’t the only passerby who had stopped to watch, entranced. Then the song ended, and the gathered crowd applauded. The girl bobbed a curtsey and looked around expectantly. In a moment, coins appeared, fished from pockets and purses and offered in tribute. The coins disappeared again as if by magic, spirited away by little fingers as nimble as the little feet had been and deposited into the pocket of her dress. While the crowd disbursed, the girl turned and hurried back to the man who had produced the music. That was when Sarah recalled her purpose in being here. The child was emptying her pocket and giving the coins to a handsome youth who sat on a small stool with his back against the building. He held the organ between his knees, resting on a small stand. He wore a dark shirt and trousers and had a red bandanna tied rakishly at his throat. He looked so perfect that Sarah almost didn’t notice the wooden crutches tucked discreetly between his stool and the wall. Finally, she saw the pant leg pinned up at the ankle. She’d never expected Georgio to have a child, which was why she’d been so slow to realize she’d found him. Taking advantage of this lull, she stepped over to where the man and the girl were conversing in Italian. There seemed to be some question about whether she’d given him all the coins she’d collected. “Georgio?” Sarah tried. He looked up from beneath the bill of his small cap. His eyes were dark and liquid, his smile big and bright and charming. “Si, Signorina, do you want to see the little one dance?” His English was very good, probably honed from conversing with his customers. “No, although she dances very well,” Sarah added, giving the child an approving smile, in case she didn’t understand the compliment. “I wanted to ask you about your sister Emilia.” His charming smile vanished, and the dark eyes grew wary. “She is dead,” he said very carefully. “I know. I’m very sorry.” “Who are you and what do you want?” he asked suspiciously. When he frowned, Sarah realized how much he looked like his mother. “My name is Sarah Brandt, and I met Emilia at the Prodigal Son Mission.” His expression hardened from wariness into anger. Plainly, none of the Donato family had any love for the mission. “She was such a lovely girl, and she was trying very hard to become a respectable young woman,” Sarah hurried on, wishing she had some idea how Georgio felt about his sister. Seeing that the grown-ups were going to talk a bit, the little girl sank down onto the pavement with a weary sigh and leaned back against the wall. Sarah wondered vaguely how many times she

But a Creator who takes a child so small, so kind, so tender? What can be made of that? The tales we collected are not merciful. Villains are boiled in snake-filled oil, wicked Stiefmütter—stepmothers—are made to dance into death in molten-hot shoes, and on and on. The tales are full of terrible punishments, yes, but they follow just cause. Goodness is rewarded; evil is not. The generous simpleton finds more happiness and coin than the greedy king. So why not mercy and justice to a sweet youth from an omnipotent and benevolent Creator? There are only three answers. He is not omnipotent, or he is not benevolent, or—the dreariest possibility of all—he is inattentive. What if that was what happened to my nephew? That God’s gaze had merely strayed elsewhere?

The Fracture effect was the short book’s title-it had to be short to hit the presses so quickly. This was also the name Wallace had coined for the split in the collective conscieousness of humanity after the events of November 5.