Coins Are Loud Quotes

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Torch strode over and stared at the fiver "What's this?" "Some change for you. Buy your flunkies some decent clothes." I dipped my fingers into the jar and smeared think fragrant paste on my face. Torch frowned, mirroring the expression on my aunt's face. "Change?" Oh, for crying out loud. "It's money. We don't use coins as currency now, we use paper money." He stared at me. "I'm insulting you! I'm saying your poor, like a beggar, because your undead are in rags. I'm offering to clothe your servants for you, because you can't provide for them. Come on, how thick do you have to be?" He jerked his hand up. A jet of flame erupted from his fingers, sliding against the ward. I jerked back from the windows on instinct. The fire died. I leaned forward. "Do you understand now?" More fire. "What's the matter? Was that not enough money?
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
I hurriedly whispered towards Yoo Jonghyuk. “Hey, just say that you like him. Quickly.” “I don’t want to.” “Why? Hey, just close your eyes and do it once…” Nirvana shouted angrily when he saw me whispering. “Don’t whisper in front of me!” Then Yoo Jonghyuk spoke in a loud voice, “I’m not interested in men!” [The constellation ‘Demon-like Judge of Fire’ cries out for blood.] [2,000 coins have been sponsored.] Nirvana looked like he would puke. “I’m not a man!” [The constellation ‘Demon-like Judge of Fire’ is embarrassed.] “Of course, I’m not a woman either!
Singshong (Omniscient Reader’s Viewpoint, Vol. 1)
It was only later, in her new, darker rooms above the banking house, that she realized it didn’t matter how loud she screamed or how violently she wept. Her parents would never come to her because, being dead, they didn’t care anymore.
Daniel Abraham (The Dragon's Path (The Dagger and the Coin, #1))
A preppy girl at the end of the table rolls a quarter off her nose and bounces it toward a glass in front of her. The coin hits the glass and falls back on the table. “Off the rim has to drink,” the guy next to her says too loudly, even with the music. The girl flashes him a defiant stare as she picks up a large cup to her left and chugs the liquid inside. She never breaks eye contact even as she slams the empty cup back down. Modern mating rituals at their finest.
Talia Vance (Silver (Bandia, #1))
So the Germans looked down at the crowd of kids around their knees: all the village children were there, fascinated by the uniforms, the horses, the high boots. However loudly their mothers called them, they wouldn't listen. They furtively touched the heavy material of the soldiers' jackets with their dirty fingers. The Germans beckoned to them and filled their hands with sweets and coins. It felt like a normal, peaceful Sunday. The Germans added a strange note to the scene, but the essential remained unchanged, thought Lucile.
Irène Némirovsky (Suite Française)
Entering the casino one is beset at every side by invitation—invitations such that it would take a man of stone, heartless, mindless, and curiously devoid of avarice, to decline them. Listen: a machine gun rattle of silver coins as they tumble and spurt down into a slot machine tray and overflow onto monogrammed carpets is replaced by the siren clangor of the slots, the jangling, blippeting chorus swallowed by the huge room, muted to a comforting background chatter by the time one reaches the card tables, the distant sounds only loud enough to keep the adrenaline flowing through the gamblers’ veins.
Neil Gaiman (American Gods)
Hagrid!” said Harry loudly. “There’s an owl —” “Pay him,” Hagrid grunted into the sofa. “What?” “He wants payin’ fer deliverin’ the paper. Look in the pockets.” Hagrid’s coat seemed to be made of nothing but pockets — bunches of keys, slug pellets, balls of string, peppermint humbugs, teabags . . . finally, Harry pulled out a handful of strange-looking coins. “Give him five Knuts,” said Hagrid sleepily. “Knuts?” “The little bronze ones.” Harry counted out five little bronze coins, and the owl held out his leg so Harry could put the money into a small leather pouch tied to it. Then he flew off through
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, # 1))
Is what I am not saying, young LaMont Chu, is why you cease to seem to give total effort of self since you begin with the clipping pictures of great professional figures for your adhesive tape and walls. No? Because, privileged gentlemen and boys I am saying, is always something that is too. Cold. Hot. Wet and dry. Very bright sun and you see the purple dots. Very bright hot and you have no salt. Outside is wind, the insects which like the sweat. Inside is smell of heaters, echo, being jammed in together, tarp is overclose to baseline, not enough of room, bells inside clubs which ring the hour loudly to distract, clunk of machines vomiting sweet cola for coins. Inside roof too low for the lob. Bad lighting, so. Or outside: the bad surface. Oh no look no: crabgrass in cracks along baseline. Who could give the total, with crabgrass. Look here is low net high net. Opponent’s relatives heckle, opponent cheats, linesman in semifinal is impaired or cheats. You hurt. You have the injury. Bad knee and back. Hurt groin area from not stretching as asked. Aches of elbow. Eyelash in eye. The throat is sore. A too pretty girl in audience, watching. Who could play like this? Big crowd overwhelming or too small to inspire. Always something.’ [p.458]
David Foster Wallace (Infinite Jest)
OLIVER DAVENANT did not merely read books. He snuffed them up, took breaths of them into his lungs, filled his eyes with the sight of the print and his head with the sound of words. Some emanation from the book itself poured into his bones, as if he were absorbing steady sunshine. The pages had personality. He was of the kind who cannot have a horrifying book in the room at night. He would, in fine weather, lay it upon an outside sill and close the window. Often Julia would see a book lying on his doormat. As well as this, his reading led him in and out of love. At first, it was the picture of Alice going up on tiptoe to shake hands with Humpty Dumpty; then the little Fatima in his Arthur Rackham book, her sweet dusky face, the coins hanging on her brow, the billowing trousers and embroidered coat. Her childish face was alive with excitement as she put the key to the lock. “Don’t!” he had once cried to her in loud agony. In London, he would go every Saturday morning to the Public Library to look at a picture of Lorna Doone. Some Saturdays it was not there, and he would go home again, wondering who had borrowed her, in what kind of house she found herself that week-end. On his last Saturday, he went to say good-bye and the book was not there, so he sat down at a table to await its return. Just before the library was to be shut for lunch-time, he went to the shelf and kissed the two books which would lie on either side of his Lorna when she was returned and, having left this message of farewell, made his way home, late for lunch and empty of heart. If this passion is to be called reading, then the matrons with their circulating libraries and the clergymen with their detective tales are merely flirting and passing time. To discover how Oliver’s life was lived, it was necessary, as in reading The Waste Land, to have an extensive knowledge of literature. With impartiality, he studied comic papers and encyclopaedia, Eleanor’s pamphlets on whatever interested her at the moment, the labels on breakfast cereals and cod liver oil, Conan Doyle and Charlotte Brontë.
Elizabeth Taylor (At Mrs Lippincote's)
Oskar Schell: My father died at 9-11. After he died I wouldn't go into his room for a year because it was too hard and it made me want to cry. But one day, I put on heavy boots and went in his room anyway. I miss doing taekwondo with him because it always made me laugh. When I went into his closet, where his clothes and stuff were, I reached up to get his old camera. It spun around and dropped about a hundred stairs, and I broke a blue vase! Inside was a key in an envelope with black written on it and I knew that dad left something somewhere for me that the key opened and I had to find. So I take it to Walt, the locksmith. I give it to Stan, the doorman, who tells me keys can open anything. He gave me the phone book for all the five boroughs. I count there are 472 people with the last name black. There are 216 addresses. Some of the blacks live together, obviously. I calculated that if I go to 2 every Saturday plus holidays, minus my hamlet school plays, my minerals, coins, and comic convention, it's going to take me 3 years to go through all of them. But that's what I'm going to do! Go to every single person named black and find out what the key fits and see what dad needed me to find. I made the very best possible plan but using the last four digits of each phone number, I divide the people by zones. I had to tell my mother another lie, because she wouldn't understand how I need to go out and find what the key fits and help me make sense of things that don't even make sense like him being killed in the building by people that didn't even know him at all! And I see some people who don't speak English, who are hiding, one black said that she spoke to God. If she spoke to god how come she didn't tell him not to kill her son or not to let people fly planes into buildings and maybe she spoke to a different god than them! And I met a man who was a woman who a man who was a woman all at the same time and he didn't want to get hurt because he/she was scared that she/he was so different. And I still wonder if she/he ever beat up himself, but what does it matter? Thomas Schell: What would this place be if everyone had the same haircut? Oskar Schell: And I see Mr. Black who hasn't heard a sound in 24 years which I can understand because I miss dad's voice that much. Like when he would say, "are you up yet?" or... Thomas Schell: Let's go do something. Oskar Schell: And I see the twin brothers who paint together and there's a shed that has to be clue, but it's just a shed! Another black drew the same drawing of the same person over and over and over again! Forest black, the doorman, was a school teacher in Russia but now says his brain is dying! Seamus black who has a coin collection, but doesn't have enough money to eat everyday! You see olive black was a gate guard but didn't have the key to it which makes him feel like he's looking at a brick wall. And I feel like I'm looking at a brick wall because I tried the key in 148 different places, but the key didn't fit. And open anything it hasn't that dad needed me to find so I know that without him everything is going to be alright. Thomas Schell: Let's leave it there then. Oskar Schell: And I still feel scared every time I go into a strange place. I'm so scared I have to hold myself around my waist or I think I'll just break all apart! But I never forget what I heard him tell mom about the sixth borough. That if things were easy to find... Thomas Schell: ...they wouldn't be worth finding. Oskar Schell: And I'm so scared every time I leave home. Every time I hear a door open. And I don't know a single thing that I didn't know when I started! It's these times I miss my dad more than ever even if this whole thing is to stop missing him at all! It hurts too much. Sometimes I'm afraid I'll do something very bad.
Eric Roth
A man fell in love with a tree. It was as simple as that. He went into the forest to cut wood and he found a tree and he knew then that he loved it. He forgot about his axe. It fell from his hand and he knew it not. He forgot about the village that he had come from, forgot the path along which he had come, forgot even the brave ringing voices of his fellows, which sounded even then in the broad wood as they called his name, seeking after him. He sat down there before the tree and he made a place for himself and soon no one passing there could even see that he was lying between the roots. It was for him as though a blade of grass had turned to reveal a map of broad longing and direction and over it he could pass—and did. He and his love then sought what they would with nothing asked of anyone. Asking no permission, they devised all manner of delights and found in each other everything that the world lacked. You are as bright as a coin. You are as tall as a grove. You are as swift as a thought. And so well did they hide themselves in their love that grass grew over their hearts and all their loud songs became indecipherable ribbons of air. But then one day, the man awoke. He found himself again in front of a tree, but it was one he had never seen before. He had never seen the forest either--and the clothes he wore were worn almost to shreds. Where have I been, he asked himself, and stumbled out of the woods to where others waited at a string of houses. But, they could tell him no tidings of himself. Where have I been, he wondered. With whom, in my loveliest dreams, have I so endlessly been speaking? But as he thought it fell away, and he was poorer then than anyone. Raise yourself up, the others called to him. Rase yourself up, you fool. Ah, he said, so this is how fools are made. For I did never know.
Jesse Ball (Silence Once Begun)
Kode’s older sister, Kira, was leaning over a display of jewelry, fisting a jade-green necklace in one hand. Her nose was two inches from the Braetic across the table, the two exchanging intimidating glares. Eena watched for a few seconds as Kira all but crawled over a pile of merchandise, her face scrunched up with resentment, yet enviably stunning as always. “Hey Kode,” the young queen whispered. “Hey, girl.” “What’s going on?” “Kira’s bartering.” Eena watched the fistful of necklace come within a whisker of smacking the merchant’s nose. “She isn’t going to hurt the guy, is she?” Kode snorted on a chuckle. “Not if the dude’s got any sense.” Validly concerned, Eena inched closer to the confrontation, straining to hear their growled dialogue. Kode and Niki crept closer too. Efren, however, stayed where he was, testing the flagpole’s ability to support his body weight. They watched the feisty Mishmorat hold up a small pouch and shake it in front of the Braetic’s eyes. Kira’s fingers curled like claws around the purse. She seemed to smirk for a second when the merchant flinched. In a blink he was back in her face again, shoving aside the purse. “What is she trying to trade?” Eena asked, her voice still hushed as though she might disturb the haggling taking place across the way. “Viidun coins,” Kode said. “Ef gave ‘em to her.” “Are they worth much?’ Kode grinned wryly, “He sure as hell don’t freakin’ think so.” Eena foresaw Niki’s disapproving smack to the back of Kode’s head before he even finished his sentence. He cursed at his girlfriend for the physical abuse, an unwise response that earned him an additional thump on the head. “Freakin’ tyrant,” Kode grumbled. “Vulgar grogfish,” Niki retorted. Still unable to hear well enough to satisfy her curiosity, Eena stole in closer to the scene of heated bartering. She stopped when Kira’s strong voice carried over the murmur of the crowd. Kode and his girlfriend were right on her heels. “This purse is worth ten of those gaudy necklaces. You oughta be payin’ me to take ‘em off your hands, Braetic!” “That alien money is worthless to me, Mishmorat. In all my life I’ve never left Moccobatran soil. And even if I were to take an interstellar trip someday, you’d never catch the likes of me on a barbarian planet like Rapador!” Kira jerked her head, causing her black, cascading hair to ripple over her shoulder. The action made the trader flinch again. His eyes tapered, appearing to fume over what he perceived as intentional bullying. “You ain’t gonna sell this crap to no one else,” the exotic Mishmorat said. “Be smart and take the money. Hell, you could make a dozen pieces of jewelry from these coins. Sell ’em all for ten times the worth of anything you got here.” The Braetic shoved his finger at Kira’s chest, breathing down her throat at the same time. “Why don’t you just take your pretty little backside away from my table and make your own Viidun jewelry. Sell it yourself and then come back with a reasonable offer for my necklace.” His palm opened flat, demanding she hand over the jade stones still in her fist. “You wanna make me?” Kira breathed. “What do you plan to do, steal it?” The merchant challenged her in a gesture, nostrils flaring. “I’m no thief, but I’m not above beating some sense into you ‘til you choose to barter like a respectable Braetic!” Caught up in the intense interaction, Kode supported his sister a little too loudly. “Teach the freakin’ crook a lesson, Sis!” Niki smacked her boyfriend upside the head without missing a beat.
Richelle E. Goodrich (Eena, The Tempter's Snare (The Harrowbethian Saga #5))
Yeah, well, I--” He stops and his eyes shift behind me, wide in amusement. I turn my head to find a couple straight out of the 1980s at the end of the gelato line. They’re both sporting mullets and faded jeans. White sneakers. When I notice the matching red fanny packs, I have to look away. “You should take a picture of that,” he says, resting his forearms on the table. “What?” I lean in closer and speak just above a whisper. “No way.” “Do it!” he insists. “Five euros.” He digs into his pocket and clanks down five coins. I sneak a peek at the unsuspecting couple. The man is wiping sweat off his face with a hanky. They’re too close. I’d never get away with it. “I can’t,” I say. “Pansy.” With a grunt, I switch my camera on and set it to automatic. I raise it to my face and start to twist my upper body. “No, wait!” he says. “You’re doing it wrong.” I drop the camera to my lap and face him. “What?” “You’re too obvious. You need stealth. Watch and learn.” He retrieves a small point-and-shoot camera from his pocket and aims it toward me. “Say cheese!” he says so loudly that I’m sure everyone around us is looking. “Uh…cheese?” “Done.” He hits a few buttons and shows me the display screen. There they are. Looked right at him too. Clever. But I can’t let him win. “Wow. That’s pretty pixelated. What kind of setting do you have that on?” He frowns. “It’s just zoomed in.” “Oh.” I reach to zoom out, but he pulls it away too fast. “What? Why can’t I see? Did you actually take a picture of me or something?” “Stealth.” He shrugs and my cheeks turn pink. “Guess these are my winnings.” The coins scrape across the table as he scoops them up to put in his pocket. “You didn’t even give me a chance to redeem myself,” I defend. “Excuses, excuses. Just admit I’m the better photographer.” He laughs, standing to shoot his empty cup in the trash. “Finished?” I nod and he tosses mine too. “Braver maybe, but better? Your camera doesn’t have enough buttons.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
His scales were smooth and hot beneath my palms but I managed to gain purchase by grabbing hold of his wing and hoisting myself higher. His body was trembling beneath me and he bellowed in pain again, urging me on faster. I reached up, grabbing a thick spine which ran down the centre of his neck before coming face to face with the creature from my nightmares. The Nymph shrieked, lunging at me faster than should have been possible and I almost lost my grip on Darius as I fell back. My heart lurched violently but I managed to catch the top of his wing, swinging myself around as that paralysing rattle juddered through my core, halting my magic in its tracks and stealing my energy from me. Fear shot through me as the Nymph pounced, its probes aimed right for my chest. I screamed, throwing my fist out even though I knew it was no good. As my knuckles connected with the bony ridges of its face, pain exploded through my hand swiftly followed by a flood of red and blue flames. The Nymph shrieked so loudly that I threw my hands over my ears as the flames consumed it, a wisp of black smoke sweeping up towards the sky where it had been moments before. I fell forwards, my palms meeting the warmth of Darius’s blood as I braced myself against him. More Nymphs were running straight for us and with an echoing roar which vibrated right through my body, Darius destroyed all five of them with a torrent of Dragon Fire. His head fell forward as he used the last of his energy and I cried out, grabbing hold of his wing as he tilted sideways beneath me. He crashed to the ground on his side and through some miracle, I managed to keep hold of his wing before falling against his neck. I wrapped my arms around him, scrunching my eyes closed as a tremor tore through his body and the golden colour of his scales seemed to shine with inner power and heat. My stomach lurched and I released a scream as I found myself falling over ten foot down to the ground as Darius retreated into his Fae form. I kept hold of him as I fell, crashing down into the mud of the Pitball pitch on top of him with a cry of fear. All around us the fight raged on but beneath my hands, blood was pulsing from his chest and he was lying deathly still. “Darius?” I demanded, shaking him while still trying to press down on his wounds. It wouldn’t be enough though, his back and legs were bleeding too. A bloody gouge shone wetly on his neck and his breaths were far too shallow. “Help!” I shouted, though my eyes stayed fixed on Darius’s face and my heart was pounding the rhythm of a war drum in my chest. The hairs were rising along the back of my neck, a strange sensation prickling in my chest. This moment felt eternal and fleeting all at once, like we were hanging between two great points and everything could change on the turn of a coin. “Wake up!” I demanded, pushing my magic towards him in hopes of being able to do something. Instead of stopping the blood or healing him, my magic spilled into his body, merging with his in the reverse of what we’d been doing when he helped me with my fire magic. His power welcomed mine instantly, drawing it in, blending with it completely like it had been waiting for this moment. The feeling took my breath away and though it didn’t slow the blood, I felt the tension ease from his muscles and the fear loosen its grip on his heart. My hands were shaking as they ran slick with Darius’s blood and silent tears tracked down my cheeks. His heart was slowing down, his power flickering like a candle in a breeze. If someone didn’t get to us soon, Darius Acrux was going to die. And though it seemed like he should have been the last person in the world for me to care about after everything he’d done to me, I wasn’t sure I could bear it if I lost him here.(tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Approximately three thousand people work for the Bureau of Engraving. It takes 490 notes to make a pound, and it would require 14.5 million notes to make a stack one mile high. Coin and paper account for only about 8 percent of all the dollars in the world. The rest are merely numbers in a ledger or tiny electronic blips on a computer chip. At the end of the process, the workers bundle the bills into packages of 100, which they then stack into bricks of 4,000. These bricks are loaded onto a pallet for transport to the basement from where they will be sent to the various Federal Reserve offices around the nation for distribution to banks and the public. Along the way, the curious visitors pepper the guides with questions: Q. Why are so many employees listening to music on headphones? A. To block the loud sound of the printing, cutting, and stacking machines. Q. Why are some of them eating? A. They are on break. Q. Why are all of the checkers so fat? A. Because they sit all day and watch money go by with little chance for exercise.
Jack Weatherford (The History of Money)
And then he reached into his pocket. “For you.” He took the glass butterfly from my hand, and in its place, dropped five gold coins into my palm. Five. Gold. I blinked down at them, momentarily speechless. I wasn’t a fool — I knew that there was a reason why he dropped the pieces so loudly into my hand, why he was doing this while everyone’s eyes were on us. It was bold, even rude, of him to give me money without so much as seeking a glance of wordless permission from Esmaris, never mind money like this. Many did not like their slaves to have money at all, and more still did not like that money to come from other men. In both of these ways, Esmaris was quite liberal, but five gold was skirting the bounds of respectability by any measure. One thousand and two.
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
Jesus came to the poorest of the poor. He was born in a manger, for crying out loud! So many people said, How dare you for being so poor and still proclaiming to be the Son of God! Sacrilege! Ha ha! He was judged for preaching against what the Pharisees taught, but you already know that.
Summer Lee (The Coins of Judas (A Biblical Adventure #6))
He kicked over the moneychangers’ tables, scattering coins across the stage. He freed the lambs and goats – they bolted, bleating loudly, their owners in pursuit. He released the doves from the cages – they flew out and away from the stage to circle through the auditorium and perch high in the rafters. The children in the audience found much merriment in the mayhem. It was their favorite part of the play so far, a welcome relief from the seriousness and sermonizing. When the last moneychanger had been driven from the temple, the entire audience broke out in applause and hoots. Paige couldn’t help but think of the ticket in her purse and how much she’d paid for it.
Quent Cordair (A New Eden (Idolatry Book 2))
He began to read out loud. He did not read in the same clear way he recited his poems, but softly, sitting hunched over the table, the words breaking here and there under the burden of his new, thickening voice. “‘Are not two sparrows sold for a small coin?’” he read. “‘Yet not one of them falls to the ground without your Father’s knowledge. Even all the hairs of your head are counted. So do not be afraid; you are worth more than many sparrows.
Alice McDermott (Someone)
Once, in grade school, our class was taken on an overnight excursion to a campground. The air was warm: we had a campfire and ate hot dogs; and as darkness fell, we were herded down to the lake. There were perhaps thirty children, so I suppose there were at least four or five adults. We trooped through the woods with flashlights. There must have been yelling and singing, the grown-ups chattering. A noisy expedition. At the shore of the lake we were presented, as if on a stage, with a doubled moon -- one floating in the clear dark sky, one in the clear dark calm of the water. Were there exclamations, shouts of amazement, loud giggle praise for this sight? There might have been, but for me there was only silence. An unprecedented silence, tranquil and immense. Silence, and the moon on the lake -- a sight so pure I nearly staggered under its impact. I knew, without the words to say it, that the lack in my life of what this moon and lake represented was the other side of the coin of happiness. Not unhappiness, but shame, which was possibly the same thing, and which then rose up in me in nauseating waves.
Norma Fox Mazer
Hoooray!! That meant everyone survived the round! The announcement was received with a very loud cheer from all the players. Each of us received bonus experience and coins for that achievement.   During the intermission, some Roblox players ran to the shop to purchase goods. One guy bought a slime gun, with which he immediately used on the other Roblox players near him.   It wouldn't cause any damage but cover them
Nooby Lee (Diary Of A Farting Noob 3: Survive The Disasters! (Noob's Diary))
There's no love waiting for you. There's something massive, and powerful, you can feel it . . . but I still don't know how to accurately describe how you feel it, because it's more than just knowledge. It would be physical, too, if you had a body, except you don't. Or maybe it's a different kind of body, or maybe you just haven't yet shaken off the memory of the one you had, so it feels like you're still subject to the same expectations of gravity and pain. Even though there's no love, you are wanted there. The main thing you're aware of is this pervading sense of greed. You're like one gold coin in a vault full of them, spilling over with them. You're there to be hoarded. I don't know why, I couldn't tell you why. Maybe it only wants you because it can have you. Or maybe it'll have some other use for you eventually, and for now you're in some kind of holding pen. But . . . the sense of claustrophobia, and betrayal . . . they're just devastating. You can feel that all around you, too . . . like a scream that got so loud you can't even hear it anymore, it just rips through you like an electric current . . . And the only reason you know it's not Hell, or that maybe Heaven and Hell are the same thing, is because you can hear the singing, for lack of a better word, because it's not songs, or structured. But it's beautiful. Sure—it's Heaven, right? It seems to come from all around you, but it's far away at the same time. Maybe it won't be so bad, you're thinking, if I get to listen to this. But pretty soon, you realize it's not for you. And a little while after that, you start to notice the strain in it. Like that tone in a hostage's voice when he's reading a statement about how well his captors are treating him, except he's reading it with a gun at his head. And then you realize the worst thing of all: What you're hearing are the ones that have learned to beg . . .
Brian Hodge (World of Hurt)
I’ve been told you can hold out for days and still say next to nothing,” Perrin said. His voice sounded too loud in his ears. “I don’t have time for you to show how tough you are, or how brave. I know you’re brave and tough. But my wife’s been a prisoner too long. You’ll be separated and asked about some women. Whether you’ve seen them and where. That’s all I want to know. There’ll be no hot coals or anything else; just questions. But if anybody refuses to answer, or if your answers are too different, then everybody loses something.” He was surprised to find that he could lift the axe after all. The blade was smeared with red. “Two hands and two feet,” he said coldly. Light, he sounded like ice. He felt like ice to his bones. “That means you get four chances to answer the same. And if you all hold out, I still won’t kill you. I’ll find a village to leave you in, some place that will let you beg, somewhere the boys will toss a coin to the fierce Aielmen with no hands or feet. You think on it and decide whether it’s worth keeping my wife from me.
Robert Jordan (Crossroads of Twilight (The Wheel of Time, #10))
Thomas Gordon coined the term “I-message” and first described it in Parent Effectiveness Training (1970). According to Gordon, a clear I-message has three parts: a nonblameful description of the behavior, the effects it has on you, and your feelings. Describe the behavior. Use simple statements without judgments. For example, “When your hair isn’t brushed…” instead of “Your hair is such a mess!” Describe a specific, tangible effect. What effect does it have on you? This must be on you, not a sibling or another person. What needs of yours are not being met? It’s a tangible effect if it: Costs you time, energy, or money (for example, replacing cushions, mending holes, doing unnecessary errands, etc.) Prevents you from doing something you want or need to do (for example, getting somewhere on time, using the Internet, enjoying your living room, etc.) Upsets your body or senses (for example, loud noise, pain, tension) Share your feelings. What is your honest, authentic response to this behavior? Are you disappointed, resentful, hurt, sad, embarrassed, scared?
Hunter Clarke-Fields (Raising Good Humans: A Mindful Guide to Breaking the Cycle of Reactive Parenting and Raising Kind, Confident Kids)
How do we know who to vote against?” asked Mathro. “Everyone has their own methods. The candidates spend months making up lies about one another. That’s a dangerous game, though. Some people prefer to vote against the obvious liar, while others enjoy the spectacle so much they vote against whomever’s stories are the least salacious. Some people vote against the candidate who presents the most harmful policies, and of course that itself is a point of contention, while others vote against the candidate who keeps bringing up boring talk of policy rather than a proper mudslinging. Rather than governing, seated representatives spend most of their time creating traps for their political adversaries in order to swing votes against them in the next election. It’s a system born of deceit and propaganda, and ultimately you have to admit that the information you’ve received is so unreliable that you may as well flip a coin.” Diani raised her hand, and Wicksap nodded to her. “My father says he voted against Hefstus two years ago because Elder Rodity said that Hefstus once dug a canal through a graveyard just so he could attach a waterwheel to his house to turn a fan by his bed.” “Which was demonstrably false!” said Wicksap with a smile. “Hefstus invited people for tours of his home to disprove the story, but Rodity repeated it loudly enough and with such conviction that he handily won the election. People voted against the man accused of desecrating a graveyard to afford himself a minor comfort, not the man who spread lies.” Diani’s hand shot up again. “But now they’re saying that Rodity filled the canal with rocks and that’s why Hefstus died of stale air over the winter.” “That’s exactly the method, my girl. Hefstus is both alive and running against Rodity this fall, and now he has to prove to the people that he’s not an impostor, a zombie, or any of a dozen undead creatures that Rodity could accuse him of being. That’s an odipublic in action!
Steve Thomas (Mid-Lich Crisis)
Wait, Arya said Suddenly. I have something else. She had stuffed it down inside her smallclothes to keep is safe, so she had to dig deep to find it, while the oarsmen laughed and the captain lingered with obvious impatience. One more sliver will make no difference, child, he finally said It's not sliver. Her fingers closed on it. It's iron. Here. She pressed it into his hand, the small black iron coin that Jaqen H'gar had given her, so worn the man whose head it bore had no features. It's probably worthless, but... The captain turned it over and blinked at it, then looked at her again. This... how...? Jaqen said to say the words too. Arya crossed her arms against her chest. Valar morgulis, she said, as loud as if she'd known what it meant. Valar dohaeris, he replied, touching his brow with two fingers. Of course you shall have a cabin.
George R.R. Martin (A Storm of Swords)
Wait," Arya said Suddenly. "I have something else." She had stuffed it down inside her smallclothes to keep is safe, so she had to dig deep to find it, while the oarsmen laughed and the captain lingered with obvious impatience. "One more sliver will make no difference, child," he finally said "It's not sliver." Her fingers closed on it. "It's iron. Here." She pressed it into his hand, the small black iron coin that Jaqen H'gar had given her, so worn the man whose head it bore had no features. It's probably worthless, but... The captain turned it over and blinked at it, then looked at her again. "This... how...?" Jaqen said to say the words too. Arya crossed her arms against her chest. "Valar morgulis," she said, as loud as if she'd known what it meant. "Valar dohaeris", he replied, touching his brow with two fingers. "Of course you shall have a cabin.
George R.R. Martin (A Storm of Swords)
Harry tried to wave the owl out of the way, but it snapped its beak fiercely at him and carried on savaging the coat. “Hagrid!” said Harry loudly. “There’s an owl —” “Pay him,” Hagrid grunted into the sofa. “What?” “He wants payin’ fer deliverin’ the paper. Look in the pockets.” Hagrid’s coat seemed to be made of nothing but pockets — bunches of keys, slug pellets, balls of string, peppermint humbugs, teabags . . . finally, Harry pulled out a handful of strange-looking coins. “Give him five Knuts,” said Hagrid sleepily. “Knuts?
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
J. Edgerton/ The Spirit of Christmas Page 17 Continued JONAS AND JAMES (SINGING) “O come all ye faithful. Joyful and triumphant. O come ye, o come ye to Bethlehem. Come and behold him. Born the king of angels. O come let us adore him. O come let us adore him. O come let us adore him. Christ the lord.” “Sing, choirs of angels, Sing in exultations. Sing, all ye citizens of heavn above; Glory to god, Glory in the highest. O come let us adore him. O come let us adore him. O come let us adore him, Christ the lord!” An occasional passer-by dropped a coin into the cup held by the littlest Nicholas. Thorn tipped his hat to them, trying to keep his greedy looks to a minimum. “Sing loudly my little scalawags. We’ve only a few blocks to go of skullduggery. Then you’ll have hot potato soup before a warm fire.” The Nicholas boys sang louder as they shivered from the falling snow and the wind that seemed to cut right through their shabby clothes, to their very souls. A wicked smile spread over the face of the villainous Mr. Thorn, as he heard the clink of a coin topple into the cup. “That’s it little alley muffins, shiver more it’s good for business.” His evil chuckle automatically followed and he had to stifle it. They trudged on, a few coins added to the coffer from smiling patrons. J. Edgerton/ The Spirit of Christmas Page 18 Mr. Angel continued to follow them unobserved, darting into a doorway as Mr. Thorn glanced slyly behind him, like a common criminal but there was nothing common about him. They paused before the Gotham Orphanage that rose up with its cold stone presence and its’ weathered sign. Thorn’s deep voice echoed as ominous as the sight before them, “Gotham Orphanage, home sweet home! A shelter for wayward boys and girls and a nest to us all!” He slyly drew a coin from his pocket, and twirled it through his fingers. Weather faced Thorn then bit down on the rusty coin, to make sure that it was real. He then deposited all of the coin into the inner pocket of his coat, with an evil chuckle. IV. “GOTHAM ORPHANAGE” “Now never you mind about the goings on of my business. You just mind your own. Now off with ya. Get into the hall to prepare for dinner, such as it is,” Thorn’s words echoed behind them. “And not a word to anyone of my business or you’ll see the back of me hand.” He pushed the boy toward the dingy stone building that was their torment and their shelter. The tall Toymaker glanced after them and then trod cautiously towards Gotham Orphanage. Jonas and James paced along the cracked stone pathway and up the front steps of the main entryway, that towered in cold stone before them. Thorn ushered the boys through the weathered front door to Gotham’s Orphanage. Mr. Angel paced after them and paused, unobserved, near the entrance. As they trudged across the worn hard wood floors of Gotham Orphanage, gala Irish music was heard coming from the main hall of building. Thorn herded the boys into the main hall of the orphanage that was filled with every size and make of both orphan boys and girls seated quietly at tables, eating their dinner. Then he turned with an evil look and hurriedly headed down the long hallway with the money they’ve earned. Jonas and James paced hungrily through the main hall, before a long table with a large, black kettle on top of it and loaves of different types of bread. They both glanced back at a small makeshift stage where orphans in shabby clothes sat stone faced with instruments, playing an Irish Christmas Ballad. Occasionally a sour note was heard. At a far table sat Men and Women of the Community who had come to have dinner and support the orphanage. In front of them was a small, black kettle with a sign that said “Donations”.
John Edgerton (The Spirit of Christmas)