Coe Quotes

We've searched our database for all the quotes and captions related to Coe. Here they are! All 100 of them:

I like the rain before it falls. of course there is no such thing, she said. That's why it's my favorite. Something can still make you happy, can't it, even if it isn't real.
Jonathan Coe (The Rain Before It Falls)
Some people don't realize that a straight 'No' can be the kindest answer in the world.
Jonathan Coe (The Dwarves of Death)
Objectivity is just male subjectivity.
Jonathan Coe (The House of Sleep)
Some twenty-five miles to the north, the army of Bala was making progress as fast as it could towards the Coe Mountains. When the thunderous noise of the destruction in the Pass of Ing reached them, they turned to see the pass erupting like an angry volcano. The flames, even at this distance, were terrifying and shock was etched on every face as each man considered the defiant bravery of the day before, a bravery that could have had them consumed by withering fire. Robert Reid – White Light Red Fire
Robert Reid (White Light Red Fire)
Yes - I've learned from my mistakes, and I'm sure I could repeat them perfectly.
Jonathan Coe (The Closed Circle (Rotters' Club, #2))
Valdin had learnt from Noren that there was no known passes over the Coe. Apparently Noren had heard stories about some underground passage that led through the mountains, but he had never visited the site. South of the Coe Mountains and stretching away to the east and the south were the endless grasslands of the Plains. Valdin had no idea how far he was from Bala’s eastern seaboard. From the vista below him it looked as though he had a long ride to catch up with his quarry.
Robert Reid (The Thief (The Emperor, the Son and the Thief, #3))
What often appears to destroy us is what eventually defines us and takes us to a better place.
Mike Coe (Flight to Paradise)
Sometimes I feel that I am destined always to be offstage whenever the main action occurs. That God has made me the victim of some cosmic practical joke, by assigning me little more than a walk-on part in my own life. Or sometimes I feel that my role is simply to be a spectator to other people's stories, and always to wander away at the most important moment, drifiting into the kitchen to make a cup of tea just as the denouement unfolds.
Jonathan Coe (The Rotters' Club)
Nigga couldn't tell the truth if there was a gun to his head.
Coe Booth
Line by line, page by page, you write the chapters of your life... Tomorrow is the beginning of a new chapter--a new scene in your life--with the hope of a good ending. Make every keystroke count.
Mike Coe (Flight to Paradise)
Funerals are for the living. If we have not done for the dead while they were yet in flesh, it is too late; let the matter pass at the grave. Day by day we should live for those who are to die; and live so that we may die for those who are to live. Funerals are for the living.
Roelif Coe Brinkerhoff
Fear cannot stay in the same house as Jesus Christ.
Jack Coe
[...] words are tricky little bastards, and very rarely say what you want them to say [...]
Jonathan Coe (The Accidental Woman)
I don't mind summer rain. In fact I like it. It's my favourite sort.' 'Your favourite sort of rain?' said Thea. I remember that she was frowning, and pondering these words, and then she announced: 'Well, I like the rain before it falls.
Jonathan Coe (The Rain Before it Falls)
The plain fact is that she never really liked me, and never wanted me. I had been a mistake; and that, to some extent, is what I remain in my own eyes, to this day. The knowledge never goes, can never be undone. You just have to find a way to live with it.
Jonathan Coe
As individuals we are uniquely defined, but within our human experiences (successes, failures, and heartaches) we are connected by a common thread.
Mike Coe (Flight to Paradise)
The upshot was that she lost her religion - with a vengeance - and walked out on him, taking these three daughters with her. Faith, Hope and Brenda.
Jonathan Coe (What a Carve Up! (The Winshaw Legacy, #1))
Besh grinned. “Only a fool would choose to justify himself by likening his actions to those of a bigger fool.
David B. Coe (The Horsemen's Gambit (Blood of the Southlands, #2))
I ain't gonna lie. I like having my girl take care of me this way. I can't wait 'til she finish high school and we can live together somewhere on our own. I'ma support her while she in college, pay all the bills and shit, and she can take care of me like this everyday. Man, that's the way I wanna be living.
Coe Booth (Tyrell (Tyrell, #1))
The deepest, most complex part of our soul is satisfied with a simple word of thanks or encouragement--an act of unconditional love.
Mike Coe (Flight to Paradise)
Am I the same person that I dream about?
Jonathan Coe (The Rotters' Club)
...quando perdi qualcuno e questo qualcuno ti manca, tu soffri perché la persona assente si è trasformata in un essere immaginario: irreale. Ma il tuo desiderio di lei non è immaginario. Così è a quello che devi aggrapparti: al desiderio. Perché è reale.
Jonathan Coe (The House of Sleep)
Me gusta la lluvia antes de caer. Ya sé que no existe. Por eso es mi favorita. Porque no hace falta que algo sea de verdad para hacerte feliz, ¿no?.
Jonathan Coe (The Rain Before it Falls)
All men are created equal, it is only men themselves who place themselves above equality.
David Allan Coe
Whatever else it throws at you, life will always have pleasures to offer. And we should take them
Jonathan Coe (Mr Wilder & Me)
The heart was made to give love; once the heart is satisfied, life just doesn't seem so bad anymore.
Mike Coe (Flight to Paradise)
A broken world promises a broken heart; we choose whether it's the result of selfishness or sacrifice.
Mike Coe (Flight to Paradise)
Your pops is a real playa
Coe Booth
We asked our Welsh teacher, Mr Llewellyn – who is young, to tell us the Welsh sex words. The Welsh word for sex is ‘rhyw’. It sounds like coughing. He said that, in general, Welsh-speakers use English words. When pressed, he gave us a couple of examples to show us why this might be. ‘Llawes goch’ means ‘red sleeve’. ‘Coes fach’ means ‘small leg’. The phrase would be: ‘Put your small leg in my red sleeve’.
Joe Dunthorne (Submarine)
We say, ‘Shall we meet for a drink?’, as though drinking were the main end of the appointment, and the matter of company only incidental, we are so shy about admitting our need for one another. [...] We say, ‘Would you like to come for some coffee?’, as though it were less frightening to acknowledge that we are heavily dependent on mildly stimulating drinks, than to acknowledge that we are at all dependent on the companionship of other people.
Jonathan Coe (The Accidental Woman)
There’s a fine line between forgetting an event, and suppressing the memory of it.
Jonathan Coe (The House of Sleep)
I was going to say 'my friend Stuart', but I suppose he's not a friend any more. I seem to have lost a number of friends in the last few years. I don't mean that I've fallen out with them, in any dramatic way. We've just decided not to stay in touch. And that's what it's been: a decision, a conscious decision, because it's not difficult to stay in touch with people nowadays, there are so many different ways of doing it. But as you get older, I think that some friendships start to feel increasingly redundant. You just find yourself asking, "What's the point?" And then you stop.
Jonathan Coe (The Terrible Privacy of Maxwell Sim)
My daughter was right: young people do not notice the feelings of their parents, are not even aware that they have feelings, most of the time. They live in a blissful state of sociopathy, as far as their parents' emotions are concerned
Jonathan Coe (Mr Wilder & Me)
[...] life only starts to make sense when you realize that sometimes - often - all the time - two completely contradictory ideas can be true. Everything that led up to you was wrong. Therefore, you should not have been born. But everything about you is right: you had to be born. You were inevitable.
Jonathan Coe (The Rain Before it Falls)
Love given' is the key to unlocking the desires of the heart.
Mike Coe (Flight to Paradise)
We still got roaches on the bed, walls, and floors, but Troy ain’t even crying ‘bout them no more. He probably too used to them by now.
Coe Booth (Tyrell (Tyrell, #1))
In the mind of the public, she seemed endowed with an almost supernatural power to commit heinous acts, no matter the time or place.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
What did she die of? The same thing that gets everybody in the end: a combination of circumstances,
Jonathan Coe (What a Carve Up! (The Winshaw Legacy, #1))
If you have worry, you don't have faith; and if you have faith, you don't have worry.
Jack Coe
.. cerca di non arrabbiarti troppo con chi pensa di conoscerti meglio di quanto tu conosca te stesso. Ha buone intenzioni.
Jonathan Coe
In circumstances this desperate there is only one thing that can console me. I always keep at least three different kinds of Brie in the kitchen for emergency situations.
Jonathan Coe (Mr Wilder & Me)
The next time he would join them on the battlefield, it would be to destroy them.
Alexis Coe (You Never Forget Your First: A Biography of George Washington)
As you get older, the hopes get smaller and the regrets get bigger. The challenge is to fight it. To stop the regrets from taking over
Jonathan Coe (Mr Wilder & Me)
The nights were advantageous, too. After they kissed their families goodnight, it was expected that they would share a bed, their bodies close, their movements obscured under the covers.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
You didn't take part, Benjamin?" Gunther asked, as he passed me a plate of cheese and cold meat. "My brother doesn't play games," said Paul. "He's an aesthete. He sat by the window all afternoon with a funny look on his face: probably composing a tone poem.
Jonathan Coe (The Rotters' Club)
Yes, she would have been partial to men, perhaps she might even have confined herself to one man in particular, if only she had been able to find one who shared her view that intimacy between two people was of value irrespective of whether it led to sticky conflux.
Jonathan Coe (The Accidental Woman)
[...] because there comes a point where greed and madness can no longer be told apart. This dividing line is very thin, just like a belt of film surrounding the earth's sphere. It's a delicate blue, and this transition from the blue to the black is very gradual and lovely.
Jonathan Coe (What a Carve Up! (The Winshaw Legacy, #1))
she felt that there was a tide within her, moving with the power of the moon and the ocean and the goddess, who had bound them together, rising, cresting within her heart untill she thought that she must weep, or laugh, or both. she felt her world shifting, remaking itself; holding on to all she was and all she known, but creating a space within these things for this man she was holding in her arms, so that he might share it with her, bringing to it all that he was and all that he had known. And in that instant, in the eternity of that kiss, Alayna knew, with a joy that she found frightening even as it encompassed her, that her life would never again be as it had been.
David B. Coe
Your gravity, your grace have turned a tide In me, no lunar power can reverse; But in your narcoleptic eyes I spied A sightlessness tonight: or something worse, A disregard that made me feel unmanned. Meanwhile, insomniac, I catch my breath To think I saw my future traced in sand One afternoon "as still, as carved, as death,” And pray for an oblivion so deep It ends in transformation. Only dawn Can save me, flood this haunted house of sleep With light, and drown the thoughts that nightly warn: Another lifetime is the least you’ll need, to trace The guarded secrets of her gravity, her grace.
Jonathan Coe (The House of Sleep)
Paradise is found when love is given; love can only be given when it is understood as an act of the will rather than a response of the emotions.
Mike Coe (Flight to Paradise)
I gotta say, it feel good coming back home to the projects. Where I belong.
Coe Booth (Tyrell (Tyrell, #1))
I imagined a book that was both written and curated. I wanted readers to see my research, to explore the archival mix, connect with the material, and draw their own conclusions.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
If Alice had a post-engagement policy, it was to pass.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
But the rhetoric of deviance was far from extinct.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
The family's butcher made a brief appearance, recounting the time he called Alice a tomboy. Her damning reaction? She did not balk, testified the butcher.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
In the mind of the public, she seemed endowed with an almost supernatural power to commit heinous acts, now matter the time or place.
Alexis Coe (Alice + Freda Forever: A Murder in Memphis)
it’s their own unplanned words, their own thoughtless gestures and inflections, which have clung to my memory like flies caught on flypaper.
Jonathan Coe (What a Carve Up! (The Winshaw Legacy, #1))
Politics can make people do terrible things
Jonathan Coe (Middle England (Rotters' Club, #3))
If you sleep, if you dream, you must accept your dreams. It’s the role of the dreamer.
Jonathan Coe (What a Carve Up! (The Winshaw Legacy, #1))
Can you make her out at all?' Benjamin shrugged. As usual, in Cicely's presence, he was afraid of appearing inarticulate, and as usual, this fear robbed him of his power of speech.
Jonathan Coe (The Rotters' Club)
So as well as hating you, they also hate them – whoever they are – these faceless people who are sitting in judgement over them somewhere, legislating on what they can and can’t say out loud.
Jonathan Coe (Middle England (Rotters' Club, #3))
You're right, Margaret, absolutely right. Things have changed a lot, even since I've been here. It's a different place now. Better in some ways, worse in others." "Better!" she echoed, scornfully.
Jonathan Coe (The Terrible Privacy of Maxwell Sim)
Le auto sono come le persone. Ogni giorno andiamo in giro in mezzo alla ressa, corriamo di qua e di là, arrivando quasi a toccarci ma in realtà c'è pochissimo contatto. Tutti quegli scontri mancati. Tutte quelle opportunità perse. E' inquietante, a pensarci bene. Forse è meglio non pensarci affatto
Jonathan Coe (The Terrible Privacy of Maxwell Sim)
Well, he and his wife had both been devout evangelicals for a while. They had these two kids and then she had an incredible job giving birth to the next one. The upshot was that she lost her religion - with a vengeance - and walked out on him, taking these three daughters with her. Faith, Hope and Brenda.
Jonathan Coe (What a Carve Up! (The Winshaw Legacy, #1))
Half an hour later, as I was deeply immersed in the story of The Man of the Hill, that curious, lengthy digression which seems to have nothing to do with the main narrative but is in fact its cornerstone..
Jonathan Coe (The Rotters' Club)
Billy might have known it for several months by now, and I might only just have begun to grasp it, but we had both come to the same realization: the realization that what we had to give, nobody really wanted any more
Jonathan Coe (Mr Wilder & Me)
...he was the proud owner of a quite colossal member, which on the many awestruck occasions it had been exposed to public view had been compared variously to a giant frankfurter, an overfed python, a length of led piping, the trunk of a rogue elephant, a barrage balloon, an airport-sized Toblerone and a roll of wet wallpaper.
Jonathan Coe (The Rotters' Club)
They sat and drank their pints. The tables in which their faces were dimly reflected were dark brown, the darkest brown, the colour of Bournville chocolate. The walls were a lighter brown, the colour of Dairy Milk. The carpet was brown, with little hexagons of a slightly different brown, if you looked closely. The ceiling was meant to be off-white, but was in fact brown, browned by the nicotine smoke of a million unfiltered cigarettes. Most of the cars in the car park were brown, as were most of the clothes worn by the patrons. Nobody in the pub really noticed the predominance of brown, or if they did, thought it worth remarking upon. These were brown times.
Jonathan Coe (The Rotters' Club)
Live life as it was meant to be lived. Half asleep, preferably. [...] She preferred [...] to go to sleep at once, sleep now being one of the very few aspects of existence for which she felt any degree of enthusiasm [...]
Jonathan Coe (The Accidental Woman)
These days, every politician is a laughing-stock, and the laughter which occasionally used to illuminate the dark corners of the political world with dazzling, unexpected shafts of hilarity has become an unthinking reflex on our part, a tired Pavlovian reaction to situations that are too difficult or too depressing to think about clearly.
Jonathan Coe
Man prefers to blame himself for all possible sins and crimes rather than coe to the conclussion tat God is capable of the most flagrant injustice. I still blush everytime I think of the way God makes fun of human beings, his favorite toys.
Elie Wiesel
As for human contact, I'd lost all appetite for it. Mankind has, as you may have noticed, become very inventive about devising new ways for people to avoid talking to each other and I'd been taking full advantage of the most recent ones. I would always send a text message rather than speak to someone on the phone. Rather than meeting with any of my friends, I would post cheerful, ironically worded status updates on Facebook, to show them all what a busy life I was leading. And presumably people had been enjoying them, because I'd got more than seventy friends on Facebook now, most of them complete strangers. But actual, face-to-face, let's-meet-for-a-coffee-and-catch-up sort of contact? I seemed to have forgotten what that was all about.
Jonathan Coe (The Terrible Privacy of Maxwell Sim)
What was dark will always be dark, I know that. Death is still death. Hatred will never be far, in this life. But also, there is light. It is everywhere. It floods this world--the world brims with it. Once, I sat by the Coe and watched a shaft of light come down through the trees, through leaves, and wondered if there was a greater beauty, or a simpler one. There are many great beauties. but all of them--from the snow, to his fern-red hair, to my mare's eye reflecting the sky as she smelt the air of Rannoch Moor--have light in them, and are worth it. They are worth the darker parts.
Susan Fletcher (Corrag)
He waited in silence for the blindfold to be tied firmly at the back of his head. ‘Right,’ said Wilkins, emphatically. ‘That should do. How many fingers am I holding up?’ ‘Three,’ said Thomas. ‘God damn it to hell, how did you know that? Can you see through the cloth?’ ‘No. It was a guess.’ ‘Well you’re not supposed to guess. For crying out loud, I’m trying to make sure that you can’t see where we’re going. We’re not here to play guessing games. How many fingers am I holding up?’ ‘I’ve no idea. I can’t see a bloody thing.’ ‘Good. It was four, by the way. Not that it matters. Now shut up.
Jonathan Coe (Expo 58)
Political partisanship, Washington predicted, would reduce the government to a crowd of bickering representatives who were very good at thwarting each other but got very little accomplished for their constituents. And for all his talk of unity, he had come to see people as for or against his administration and had little patience for criticism. Unbridled partisanship was his greatest fear, and his greatest failure was that he became increasingly partisan.
Alexis Coe (You Never Forget Your First: A Biography of George Washington)
These pieces, he already realised, were merely stepping stones at the start of a journey towards something - some grand artefact, either musical, or literary, or filmic, or perhaps a combination of all three - towards which he knew he was advancing, slowly but with a steady, inexorable tread. Something which would enshrine his feelings for Cicely, and which she would perhaps hear, or read, or see in ten or twenty years' time, and suddenly realize, on her pulse, that it was created for her, intended for her, and that of all the boys who had swarmed around her like so many drones at school, Benjamin had been, without her having the wit to notice it, by far the purest in heart, by far the most gifted and giving. On that day the awareness of all she had missed, all she had lost, would finally break upon her in an instant, and she would weep; weep for her foolishness, and of the love that might have been between them. Of course, Benjamin could always just have spoken to her, gone up to her in the bus queue and asked her for a date. But this seemed to him, on the whole, the more satisfactory approach.
Jonathan Coe (The Rotters' Club)
Choice births consequences that will either propel us toward our dreams and goals or spin us out of control.
Mike Coe (Flight to Paradise)
Keep pushing the present into the future, because beyond the horizon lies all our hopes and dreams.
Mike Coe (Flight to Paradise)
Don’t you know what a pussy is, sir?’ ‘Of course he doesn’t. He hasn’t even seen Basic Instinct.
Jonathan Coe (The House of Sleep)
You shouldn’t take notice of anything that Henry tells you, you know,’ he now says, with a chilly smile. ‘After all, he is a politician.
Jonathan Coe (What a Carve Up! (The Winshaw Legacy, #1))
Sometimes there can be more to life than making a profit, Dorothy.
Jonathan Coe (What a Carve Up! (The Winshaw Legacy, #1))
And so they sit at home, getting fat on the proceedings and here we all are. Our businesses are failing, our jobs disappearing, our countryside choking, our hospitals crumbling, our homes being repossessed, our bodies being poisoned, our minds shutting down, the whole bloody spirit of the country crushed and fighting for breath. I hate the Winshaws, Fiona. Just look what they've done to us. Look what they've done to you.
Jonathan Coe (What a Carve Up! (The Winshaw Legacy, #1))
»Das Pub. Das Britannia. Ein uriges altes Wirtshaus, so britisch wie … der Bowlerhut und Fisch und Chips, stellvertretend für die beste Gastlichkeit, die unser Land zu bieten hat.« Mr Ellis erschauderte. »Die armen Belgier. Das wollen wir ihnen also zumuten, ja? Würstchen mit Kartoffelbrei und Schweinspastete von vorletzter Woche, heruntergespült mit einem Pint lauwarmes Bitter. Leute sind schon wegen weniger ausgewandert.«�
Jonathan Coe (Expo 58)
Here I sat down and closed my eyes, tilting my face towards the sun and listening to the gentle lap of the blue water against the rocks. Perhaps it was my destiny, after all, to be always alone: that was the tragic, self-dramatizing thought that came to me, and in some paradoxical way it also brought me a kind of comfort, reconciling me to what seemed, at that moment, to be my essential nature: introverted, melancholy and solitary.
Jonathan Coe (Mr Wilder & Me)
Mr Gardner remarked at this point that he would have thought twice about accepting this job if he had known that he was joining a sinking ship, and asked whose idea it had been to employ this bloody woman in the first place.
Jonathan Coe (What a Carve Up! (The Winshaw Legacy, #1))
Well, there'll be an outcry, of course, but then it'll die down and something else will come along for people to get annoyed about. The important thing is that we save ourselves a lot of money, and meanwhile a whole generation of children from working-class or low-income families will be eating nothing but crisps and chocolate every day. Which means, in the end, that they'll grow up physically weaker and mentally slower.' Dorothy raised an eyebrow at this assertion. 'Oh, yes,' he assured her. 'A diet high in sugars lead to retarded brain growth. Our chaps have proved it.' He smiled. 'As every general knows, the secret of winning any war is to demoralize the enemy'.
Jonathan Coe (What a Carve Up! (The Winshaw Legacy, #1))
Language is a traitor, a double agent who sleeps across borders without warning in the dead of night. It is a heavy snowfall in a foreign country, which hides the shapes and contours of reality beneath a cloak of nebulous whiteness. It is a crippled dog, never quite able to perform the tricks we ask of it. It is a ginger biscuit, dunked for too long in the tea of our expectations, crumbling and dissolving into nothingness. It is a lost continent.
Jonathan Coe (The House of Sleep)
None of this made any sense to Benjamin, however hard he tried. Roll-Up Reg was talking another language. But then, he was no more persuaded by the things his parents told him, or the teachers at school. It was the world, the world itself that was beyond his reach, this whole absurdly vast, complex, random, measureless construct, this never-ending ebb and flow of human relations, political relations, cultures, histories . . . How could anyone hope to master such things? It was not like music. Music always made sense. The music he heard that night was lucid, knowable, full of intelligence and humour, wistfulness and energy and hope. He would never understand the world, but he would always love this music.
Jonathan Coe (The Rotters' Club)
A volte mi sento come se fossi destinato a essere sempre dietro le quinte quando arriva una scena madre. Come se Dio mi avesse scelto come vittima di un cosmico tiro mancino, assegnandomi poco più di una comparsata nella mia vita. Altre volte mi sento come se non avessi altro role che quello dello spettatore di storie di altra gente e per di più fossi condannato a lasciare il mio posto sempre al momento cruciale, e andare in cucina a farmi una tazza di tea proprio quando arriva la resa dei conti
Jonathan Coe (The Rotters' Club)
Gil waited, waited just a few more seconds before picking up and in that stretrched instant she felt the promise of revelation curl, evaporate and vanish; watched in despair as it slipped for ever through her mind's grasping fingers. Even before she heard her daughter's first, broken words, she knew that it was too late. The pattern she had been searching for had gone. Worse than that - it had never existed. How could it? What she had been hoping for was a figment, a dream an impossible thing: like the rain before it falls.
Jonathan Coe (The Rain Before it Falls)
There was the outside world, the world of politics and history, and there was my inside world, the world of music and family, and the two worlds never met. In the outside world there was economic stagnation and military rule and political censorship and people being tortured and sent away to concentration camps; in my inside world there was music and laughter, there were home comforts and good food and the warm glow of the unconditional love my parents felt for each other and for me. I lived in a little bubble of happiness and paid hardly any attention to what was going on around me.
Jonathan Coe (Mr Wilder & Me)
[...] these questions gave way, in the course of time, to a different preoccupation, namely, a slow and growing awareness of familiarity with the landscape into which she was being carried. A familiarity based not on the sighting of particular landmarks, but on her feeling that the very contours of the hills and fields, and the very shapes and colours of the buildings, now appeared as surviving monuments to the existence of a much earlier self whom she had long forgotten. She knew, of course, that they could not bring that self back to life, perish the thought, but they reminded her of it in a way which she did not find disagreeable.
Jonathan Coe (The Accidental Woman)
Well, I thought you might want to listen to this. I mean, I thought you might be . . . ready for it. "I don't know if you remember, but just before . . . just before Malcolm died, he took me to see a concert in the town. We went to Barbarella's, and we heard all these weird bands. You remember the kind of music he used to like? Well, the people who made this record were playing that night, and they were his favourite. He liked them more than anyone. And I thought that if you heard it, it might remind you . . . might help you to think a bit about the kind of person he was. "And there's another reason too. You see the title of the record? It's called The Rotters' Club. "The Rotters' Club: that's us, Lois, isn't it? Do you see? That's what they used to call us, at school. Bent Rotter, and Lowest Rotter. We're The Rotters' Club. You and me. Not Paul. Just you and me. "I think this record was meant for us, you see. Malcolm never got to hear it, but I think he . . . knows about it, if that doesn't sound too silly. And now it's his gift, to you and me. From - wherever he is. "I don't know if that makes any sense. "Anyway. "I'll just leave it on the table here. "Have a listen, if you feel like it. "I've got to go now. "I've got to go, Lois. "I've got to go.
Jonathan Coe (The Rotters' Club)
Benjamin had not dared, yet, to enquire about sales figures; as for the book's critical reception, it was non-existent. No reviews in either the national or local papers, of course, nothing on the various readers' websites and no reader reviews on Amazon - where it had a sales raking of 743,926 (or, if he wanted to cheer himself up, 493 in Bestsellers>Fiction>Literary Fiction>Autobiographical Fiction>Romance>Obsession).
Jonathan Coe (Middle England (Rotters' Club, #3))
In this regard it had already been noticed by several members of her family that her attitude towards the male sex was characterized at best by indifference and at worst by aversion: the lack of interest with which she received the approaches of her occasional suitors was matched only by her passionate attachment and devotion to Godfrey – who was, as the few reports and surviving photographs testify, by far the gayest, most handsome, most dynamic and generally prepossessing of the five brothers and sisters.
Jonathan Coe (What a Carve Up! (The Winshaw Legacy, #1))
Από το κέντρο του κάθε τραπεζιού, μετακινήθηκε ένα μικρό κυκλικό κομμάτι, σαν καταπακτή, από χέρια που ήταν στην αρχή ορατά• και μέσα από κάθε άνοιγμα που δημιουργήθηκε, εμφανίστηκε ένα αντρικό κεφάλι. Εξήντα διαφορετικά αντρικά κεφάλια σε εξήντα διαφορετικά τραπέζια. Τα σώματά τους παρέμεναν κάτω από τα τραπέζια, αόρατα. (...) «Καλησπέρα σας», είπε το κεφάλι. «Λέγομαι Ντόριαν και θα είμαι το ζωντανό μενού σας απόψε. Θα βρίσκομαι εδώ όλο το βράδυ, για να σας μιλήσω για το φαγητό και για να σας απαντήσω σε οποιαδήποτε ερώτηση έχετε σχετικα μ’αυτό. Φοβάμαι πως δεν μπορώ να σας μιλήσω για κανένα άλλο θέμα. Ούτε, δυστυχώς, μου επιτρέπεται να φάω ή να πιω οτιδήποτε από τα νόστιμα πιάτα τα οποία θα σας παρουσιάσω σε λίγο. Μη με λυπάστε πολύ, σας παρακαλώ, πληρώνομαι πολυ καλά για την αποψινή μου δουλειά και θα πάρω σπίτι μου μια γενναιόδωρη τσάντα με ό,τι περισσέψει. Λοιπόν, χωρίς καμία περαιτέρω καθυστέρηση, επιτρέψτε μοιυ να σας παρουσιάσω τα πρώτα πιάτα του αποψινού νόστιμου μπουφέ. Κυρίες και κύριοι, προετοιμάστε τον ουρανίσκο σας για μια επιλογή των εκπληκτικών ορεκτικών του σεφ μας!»
Jonathan Coe (Number 11 (The Winshaw Legacy, #2))
Growing up where she did, Beatrix had developed a romantic and adventurous nature, and she had no outlet for it any more. The happiest times I can remember spending with them were when we drove out - twice, I think - to the Long Mynd for a picnic. Roger had long since traded in his motorbike and scraped together enough money to buy a second-hand Morris Minor. Somehow we all squeezed into this (I seem to recall sitting in the front passenger seat, Beatrix sitting behind me with the baby on her lap) and drove out for the afternoon to those wonderful Shropshire hills. I wonder if you have ever walked on them yourself, Imogen. They are part of your story, you know. So many things have changed, changed beyond recognition, in the almost sixty years since the time I'm now recalling, but the Long Mynd is not one of them. In the last few months I have been too ill to walk there, but I did manage to visit in the last spring, to offer what I already sensed would be my final farewells. Places like this are important to me - to all of us - because they exist outside the normal timespan. You can stand on the backbone of the Long Mynd and not know if you are in the 1940s, the 2000s, the tenth or eleventh century... It is all immaterial, all irrelevant. The gorse and the purple heather are unchanging, and so are the sheeptracks which cut through them and criss-cross them, the twisted rocky outcrops which surprise you at every turn, the warm browns of the bracken, the distant greys of the conifer plantations, tucked far away down in secretive valleys. You cannot put a price on the sense of freedom and timelessness that is granted to you there, as you stand on the high ridge beneath a flawless sky of April blue and look across at the tame beauties of the English countryside, to the east, and to the west a hint of something stranger - the beginnings of the Welsh mountains
Jonathan Coe (The Rain Before it Falls)
Hey - Duggie! Duggie! Duggie!" He came running up to me, sparkler in hand. I felt like sticking one on him, the cheeky bastard. Nobody called me Duggie. He held the sparkler up in front of my face and said, "Wait. Wait." I was already waiting. What else was there to do? "Here you are," he said. "Look! What's this?" At that precise moment, his sparkler fizzled out. I didn't say anything, so he supplied the answer himself. "The death of the socialist dream," he said. He giggled like a little maniac, and stared at me for a second or two before running off, and in that time I saw exactly the same thing I'd seen in Stubbs's eyes the day before. The same triumphalism, the same excitement, not because something new was being created, but because something was being destroyed. I thought about Phillip and his stupid rock symphony and I swear that my eyes pricked with tears. This ludicrous attempt to squeeze the history of the countless millennia into half an hour's worth of crappy riffs and chord changes suddenly seemed no more Quixotic than all the things my dad and his colleagues had been working towards for so long. A national health service, free to everyone who needed it. Redistribution of wealth through taxation. Equality of opportunity. Beautiful ideas, Dad, noble aspirations, just as there was the kernel of something beautiful in Philip's musical hodge-podge. But it was never going to happen. If there had ever been a time when it might have happened, that time was slipping away. The moment had passed. Goodbye to all that. Easy to be clever with hindsight, I know, but I was right, wasn't I? Look back on that night from the perspective of now, the closing weeks of the closing century of our second millennium - if the calendar of some esoteric and fast-disappearing religious sect counts for anything any more - and you have to admit that I was right. And so was Benjamin's brother, the little bastard, with his sparkler and his horrible grin and that nasty gleam of incipient victory in his twelve-year-old eyes. Goodbye to all that, he was saying. He'd worked it out already. He knew what the future held in store.
Jonathan Coe (The Rotters' Club)
There will always be one final everything; the last word, of course, the last breath; there will be one last check you write, one last nap, one last artichoke. There will be a last time you chop scallions, a last movie you will see, a last time you fly to Rome. It doesn't matter how many coins you leave in the fountain. You will make one last photograph, and be photographed one final time by somebody else; there will be one last time you will walk on a particular street, one last time you will go out from your house or come back into it. You will have one last dream, one last orgasm, one last cigarette. There will be one final time you will see or be seen by the man or the woman you have loved, or the people you have known, unless of course, you outlive them all, which is not likely. You will lick one last stamp. You won't know it when you do.
Christopher Coe (Such Times)
Looks like everybody's asleep. Don't they keep a light on for you?" "They probably figured I wouldn't be needing it." "Sorry to disappoint your cousins." "Not to mention me.I'm gravely disappointed at the way this evening has ended.You're going to ruin my reputation as a lady-killer." He flashed her one of his famous smiles. He opened the door and climbed down.When he rounded the front of the truck, he paused beside her open window. "Good night,Marilee. I appreciate the ride home. I just wish you didn't have to make that long drive back to town all alone." "I'll be fine.I've got my radio to keep me company." "You could always coe inside and bunk in my room." "What a generous offer.But once again, I'm afraid I'll have to decline,though I have to admit that I've had more fun in a few hours with you than I've had in years." The minute the words were out of her mouth,she wanted to call them back. What was it about Wyatt that had her trusting him enough to reveal such a thing? Though she barely knew him,he'd uncovered an inherent goodness in him that was rare and wonderful. This had been one of the best nights of her life. Still,he'd gone very quiet.As though digesting her words and searching for hidden meanings. As he turned away she called boldly, "What? No kiss good night? Just because I refused to spend the night with you?" He turned back with a smile, but it wasn't his usual silly grin.Instead, she noted,there was a hint of danger in that smile. He studied her intently before reaching out as though to touch her face. Then he seemed to think better of it and withdrew his hand as if he'd been burned. His eyes locked on hers. "I've already decided that I'll never be able to just kiss you and walk away.So a word of warning,pretty little Marilee. When I kiss you,and I fully intend to kiss you breathless,be prepared to go the distance. There's a powerful storm building up inside me,and when it's unleashed,it's going to be one hell of an earth-shattering explosion.For both of us." He walked away then and didn't look back until he'd reached the back door. Startled by the unexpected intensity of his words,Marilee put the truck in gear and started along the gravel lane. As her vehicle ate up the miles back to town,she couldn't put aside the look she'd seen in his eyes.The carefully banked passion she'd taken such pains to hide had left her more shaken than she cared to admit. In truth,she was still trembling. And he hadn't even touched her.
R.C. Ryan (Montana Destiny)